A formal center-hall Colonial gets a homey makeover

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Designer Hollie Velten of Spaces was tasked with transforming an underutilized entryway in a Chatham, New Jersey, Colonial home into a functional and inviting space for a family. This project followed a successful basement renovation where Velten converted a 1,000-square-foot area into a versatile family hub. The client desired a similar transformation for the foyer, which, typical of center-hall Colonials, was largely wasted square footage, often serving merely as a spot for a console table and mirror. The goal was to make this passive space actively usable for both the family and their guests. The renovation began with a significant architectural change: the removal of a bulky coat closet adjacent to the fireplace. This immediate alteration opened up the space, making the foyer feel less confined. To compensate for the lost storage, a small mudroom near the front door was equipped with two cubbies, a shelf, and Shaker pegs for outerwear. A custom-built bench was installed in place of the old closet, becoming a central feature of the redesigned foyer. Velten drew inspiration from diverse sources for the bench's design, including the homeowner’s 1970s California upbringing, which led to the use of warm, organic wood. She also referenced historical photos of the Chatham train station, finding corbels with ring motifs, and the furniture designs of Viennese secessionists, particularly Josef Hoffmann’s bentwood chairs with circular cutouts from the 1940s. These influences culminated in a unique nook featuring perforated details, book shelves, and a curved arm. Understanding the reality of modern family life, Velten integrated practical solutions for device storage. A hidden cubby within the wall, equipped with an outlet for charging, was designed to store cell phones and iPads, concealed by a magnetic, hole-filled panel. This pragmatic addition addressed the homeowner's realistic expectation that the space would inevitably be used for screen time. To infuse the foyer with a sense of playfulness while maintaining tradition, Velten refreshed the fireplace with Delft-inspired tiles from Etsy, depicting scenes of children playing. This choice aimed to counteract the often serious aesthetic of Colonial homes. The fireplace was completed with a limestone hearth. Another design element was the recessed niche in the stairwell, initially considered for Tiffany glass windows. Instead, it was adorned with Antoinette Poisson wallpaper and narrow shelves, allowing the children to participate in curating displays with vases or even Legos, making the space more personal and engaging for the family. The adjoining powder room was also reimagined with a blend of industrial and precious aesthetics, drawing inspiration from the glamour of vintage train travel and its associated luggage. Velten incorporated a copper sink from Watermark Fixtures, complemented by red-brown zellige wall tile and honed Viola marble bullnose trim. Opposite the fireplace, the existing bay-window bench was enhanced with vintage floral fabric and custom shades. The designer deliberately kept the center of the room open, allowing for flexibility in hosting parties or providing space for children's activities. The family can easily arrange ottomans or side tables around the benches for conversational seating. The homeowner expressed immense satisfaction with the transformation, noting how the previously inactive foyer had become a frequently used and cherished area. The success of the renovation was underscored by a holiday party held shortly after its completion, where an accordion player entertained guests on the staircase, fully demonstrating the renewed vitality and functionality of the space. #FoyerRenovation #ColonialHome #SpaceTransformation #CustomMillwork #DesignInspiration #FunctionalDesign #HiddenStorage #TileDesign #PowderRoomDesign #BeforeAndAfter

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Victoria and Marcus Ford undertook a renovation of their 1970s Dutch Colonial-style home in Cary, North Carolina, aiming to infuse it with a blend of Colonial New England classicism and their personal 'African Americana' aesthetic. This initial phase of their 'Makeover Takeover' project focused on transforming the front exterior, entry, and dining room. The exterior of the house, initially a combination of gray and an unsuitable green, was the first area addressed. The Fords decided to repaint the siding with a slightly off-white, 'Alabaster' by Sherwin-Williams, and chose a darker shade of green, 'Dard Hunter Green' by Sherwin-Williams, for the door and shutters to create a more impactful contrast. The aesthetic was further enhanced with colonial-style bronze lanterns and black urns. New door entry hardware and a bumblebee knocker completed the refreshed facade. Moving indoors, the previously drab entry, characterized by beige walls, muddy brown accents, a vinyl floor, and a lack of staircase presence, underwent a significant transformation. The Fords introduced a vibrant 'African Americana' style, combining elements of Ralph Lauren and camp-inspired aesthetics with art by African American artists. This was achieved through a green front door, a Turkish runner, and a green-and-white laurel-patterned wallpaper by Rifle Paper Co. The trim was painted 'Pure White' by Sherwin-Williams, and a sisal runner was installed. A semi-flush-mount light fixture and a 'Beachcomber' basket from Pottery Barn added functional and decorative elements. The staircase, lacking in grandeur, received an upgrade with beefier, glossy black newel posts, handrails, and balusters from Stair Supplies, painted in 'Tricorn Black' by Sherwin-Williams. Original hardwood floors, discovered under layers of vinyl and linoleum, were refinished and stained to match the home's existing hardwoods. A decorative domino set, placed on a painted Ikea 'Hemnes' cabinet, served as a personal touch, honoring Marcus’s grandfather. A porcelain umbrella holder was also added. The dining room, initially uninspiring with its beige palette, dated wallpaper border, and lackluster trim, was redesigned to be an inviting space for daily use and special occasions. The centerpiece of the room became a framed print of Hughie Lee-Smith’s painting, '_The Stranger_,' downloaded with permission from the Smithsonian American Art Museum. The walls were covered in a textural 'Palette' grasscloth wallpaper in Moss by Rifle Paper Co., with trim in 'Pure White' by Sherwin-Williams. A simple Parsons dining table from Facebook Marketplace was paired with caned-back dining chairs, which Victoria refurbished with navy spray paint and plaid Sunbrella fabric. A 'Katie' chandelier by Lauren Ralph Lauren, a Turkish rug from Revival Rugs, and ginger jars by Lo Home by Lauren Haskell Designs contributed to the room's layered texture and sophisticated appeal. A sideboard by Nadeau, horse table lamps by Regina Andrew, and Sunbrella Linen French Pleat Drapes by Outdoor Drape completed the furnishings. Marcus enhanced the millwork by adding thick, simple frameworks of stock one-by-four boards below the chair rail and installing new three-inch crown molding, creating the illusion of expensive paneling. A Sunbrella-covered dog bed was included for their Irish Wolfhound mix, Remus, blending functionality with the refined aesthetic. #HomeRenovation #ColonialRevival #InteriorDesign #DIYProjects #BeforeAndAfter #DiningRoomDecor #EntrywayDesign #ExteriorRefresh #AfricanAmericanaStyle

Interior designer Sara Hillery, after a successful career start in Houston, returned to Richmond in 2014 with her young family, seeking a home that could integrate her growing business and personal life. Her priority was a home that could serve as both an office space for Sara Hillery Interior Design and a display for her design philosophy to clients, in addition to being a functional family residence. They settled on a Dutch Colonial home, which initially featured a series of boxy rooms. Hillery envisioned its potential for transformation into a versatile space that would accommodate both work and leisure. The initial renovation focused on creating an open-concept living space. Walls on the main floor were removed to enhance the sense of size and flow between rooms. The entire house was painted white, a technique Hillery often employs to establish a unified flow and provide a neutral backdrop for the family’s diverse collection of art, mirrors, and framed pieces. This open layout also significantly improved the home’s suitability for entertaining, a key consideration for the family. The Hillerys frequently host guests, including annual crawfish boils, celebrating Julian Hillery’s New Orleans heritage. The kitchen, considered the heart of the home, received significant attention during the renovation. It was designed with an island and bar stools to encourage gathering, snacking, and conversation. A light-filled breakfast nook offers a bright space for morning meals and casual chats. The family room is another central gathering point, featuring a cooking fireplace inspired by a Williamsburg tavern. This unique element influenced the room’s simple color palette of warm browns, tans, and gold accents, complemented by two plush sofas for relaxation and socializing. Hillery’s design philosophy, “If you truly love a piece, you’ll find a place for it,” is evident throughout the home. This is particularly showcased in the dining room, where French antique mirrored windows, acquired from a Texas antiques fair, became a focal point after custom column niches were built to accommodate them. The second floor was also meticulously designed. The master bedroom was conceived as a calm, neutral sanctuary, accented with yellow and gold to add warmth and personality. For her three young children, Hillery aimed to create bedrooms that reflected their evolving personalities while maintaining the home’s classic style. The nursery features a neutral color scheme suitable for either gender, incorporating a rustic changing table, a gold mirror, and soft colors to create a chic, rather than overly childish, aesthetic. Her blue-loving son’s room boasts natural light, rich wood paneling, and a durable wood floor, with a trunk for storage and his guitar readily accessible. Her eldest daughter’s room is adorned with pink, purple, and blue, and she actively participated in its decoration. Antiques are thoughtfully integrated throughout the home, mixed with new and upcycled items. Hillery notes that antiques, with their inherent imperfections, add character and subtly expose her children to beauty and history. Practical, kid-friendly elements include durable seagrass rugs and playful framed art. The lower level of the home houses a playroom and the Sara Hillery Interior Design office, allowing Hillery to balance her demanding career with family life and to demonstrate her design concepts to clients within a real residential setting. #HomeDecor #InteriorDesign #HouseTours #FamilyHome #Renovation #OpenConcept #DutchColonial #SaraHillery

This article provides an in-depth look at a unique open-concept living and dining room located in an 1840s rowhouse in Northern Liberties, Philadelphia. The design, executed by Phoebe Schuh of PS & Daughters, successfully integrates historical elements with modern aesthetics, creating a family-friendly and livable space. The primary design goal was to create a mixed-use area suitable for both family life and entertaining. One notable feature discussed is the use of salvaged large interior doors, which were originally from a demolished church in the neighborhood. These doors contribute to the room's eclectic charm and historical depth. The article highlights a bold design choice: a dark grey accent wall painted with Valspar's Mark Twain Grey. This decision was made to enhance a large print with an oversized white frame, making the artwork 'pop' against the darker background. This illustrates how strategic use of color can dramatically impact the presentation of art within a space. The house, built in the 1840s, features original rustic wood beams and flooring, which were intentionally left unrestored to preserve their character. To prevent the exposed wood beams from feeling overwhelming or making the tall ceilings appear lower, simple Italian light fixtures were chosen. This decision maintained a youthful and livable ambiance, avoiding the heaviness that a more elaborate chandelier might have introduced. A significant design victory involved the fireplace. Initially covered with multiple layers of lavender paint, the entire brick fireplace and a hidden square tile medallion from the 1840s were meticulously restored. The paint was removed to reveal the original tile work, adding significant warmth and historical authenticity to the room. Further enhancing the fireplace, an 1840s wooden mantelpiece was salvaged from Architectural Antiques Exchange. This piece, with its rustic yet clean lines, provided a perfect finishing touch that integrated seamlessly with the room's eclectic style. To define different zones within the large open-concept space, a custom sisal area rug was used to delineate the living area, creating a distinct zone for seating, conversation, and television viewing. The fireplace naturally divides the space, while an oversized window and a modern chandelier contribute to the spacious feel of the dining area. The biggest design challenge was harmonizing the eclectic art and furniture with the 1840s townhouse architecture without creating an imbalance. This was achieved through careful paint choices and the selection of clean, minimal furniture, which helped maintain a light and accessible feel throughout the space. #HomeDecor #InteriorDesign #NorthernLiberties #PhiladelphiaRealEstate #HistoricHome #EclecticDesign #RowhouseRenovation

This article details the transformation of an old stud farm in Longwood, northern Victoria, into a contemporary family home optimized for entertaining. Originally composed of various stables and worker's cottages, the property underwent a significant redesign by interior designer Merinda Garrett. The core of this renovation focused on integrating Cantilever Interiors' tailored kitchen and whole-home EDIT system, which played a crucial role in establishing the home's warm and inviting atmosphere while catering to the client's desire for a space suitable for hosting guests. The project addressed the challenge of harmonizing the property's historical essence and previous renovations with a modern vision. Cantilever Interiors' creative director, Kylie Forbes, explains that the EDIT system's American Oak veneer features, combined with marble benchtops and powder-coated steel shelves, were instrumental in achieving a refined and integrated design throughout the kitchen. The kitchen systems are highly configurable, allowing for seamless integration of appliances and diverse layout options. Beyond the kitchen, the EDIT system extends its influence to a dedicated bar solution, creating an ultimate dining area with ample storage that balances practicality with luxury, all beneath high-vaulted ceilings. The use of timber is consistent throughout the home, exemplified by a custom-built sideboard and unit collaboratively designed by Cantilever and Future Automation. This unit ingeniously conceals a television with a retractable mechanism, ensuring that the stunning views from the property can be enjoyed unobstructed when the screen is not in use. The exterior of the home also benefits from Cantilever's design expertise, featuring an outdoor kitchen that serves as a secondary entertainment hub. This outdoor space is equipped with an integrated fridge and barbecue, designed to facilitate outdoor events and allow the family to enjoy the deck and pool area with views of the distant Goorum Falls. The design choices, particularly the material palette, were inspired by the surrounding natural environment and its seasonal color changes, fostering a deep connection between the interior and the landscape. The resulting residence successfully embodies the clients' dream lifestyle, offering versatile spaces for year-round enjoyment and reflecting the regional beauty. #HomeRenovation #InteriorDesign #ContemporaryHome #KitchenDesign #CantileverInteriors #EDITSystem #Longwood #TimberAccents #EntertainingSpaces

Widad and Ara Tachdjian, along with their two young children, relocated from France to North London, bringing with them a cherished collection of furniture and artwork. This collection, consisting of a dozen paintings, two sofas, a dining table and chairs, and other smaller items, became the foundation for their vision of a warm and vibrant home. Widad expressed a desire for a home filled with energy and color, incorporating various styles that reflect their travels and African heritage. Before realizing this vision, several structural changes were necessary. The Edwardian house, despite its high ceilings and solid structure, required a layout redesign to enhance flow and maximize its potential. Additionally, period features such as fireplaces, ceiling mouldings, and skirting boards, which had been removed previously, needed to be reinstated. The unique construction of the semi-detached house, connected at the back to another property, meant the only garden was at the front and there were no windows at the rear. This resulted in abundant light at the front but a dark back portion of the house. Specifically, the kitchen, situated behind a reception room, only received light from a small side window, and the stairwell lacked natural light entirely. To address these challenges, Widad and Ara enlisted the help of Zulufish, a London-based interior design and architectural practice. Caroline Milns from Zulufish spearheaded the creation of a large, light-filled family space on one half of the ground floor. This involved removing the wall between the former kitchen and front reception room to allow light from the front bay window to permeate the entire area. A glazed door was also added to the side window, providing garden access. Within this open-plan family space, distinct zones were created. The kitchen, featuring denim blue cabinetry built by Hux London (Zulufish's sister company), was visually separated by blue graphic floor tiles. Caroline noted the clients' adventurous spirit regarding color and pattern, which influenced the lively interiors. The dining and lounging areas, in contrast, featured honey-colored herringbone oak flooring, chosen for its classic appeal, and were softened with rugs and tactile upholstery. Modern globe lamps were a recurring lighting theme throughout the home, blending contemporary aesthetics with the period setting. A significant innovation was the removal of a corner section of the second reception room, replaced with an L-shaped Crittall-style glass panel and double doors. This transformation dramatically improved natural light in the previously dark hallway and stairs. Widad highlighted this change as having the most significant impact on the home's sense of openness while maintaining room separation and privacy. The Crittall-style panels were echoed in kitchen shelving and an expansive L-shaped ebony veneer bookcase in the second reception room, custom-made by Hux London. The second reception room also housed two velvet Roche Bobois sofas from France, one in midnight blue and the other with a graphic print, alongside colorful artworks by Ara’s uncle. The design process centered on integrating these personal items, ensuring they complemented the layout and that the color schemes, flooring, joinery, and furnishings harmonized with them. The overall palette of the house was directly influenced by the artworks, creating a cohesive and vibrant environment that breathed new life into the home. Widad’s vision for an eclectic, vibrant home filled with beloved family pieces was successfully realized. #EdwardianRenovation #HomeMakeover #InteriorDesign #ColorfulInteriors #OpenPlanLiving #KitchenDesign #LightingDesign #Zulufish #NorthLondonHome

This article details the comprehensive renovation of a 120-year-old historic carriage house on New York's Long Island by its new owner, Jamie Morgan, founder of Blake & Dane interior design studio. The property, originally part of a French Beaux-Arts style estate, presented a unique challenge: preserving its historical essence while adapting it for modern family living. Morgan and her husband, Chris, were drawn to the house's character and history, including its 12-foot ceilings, a 30-40 foot entryway cupola, and visible remnants of its past use, such as where hay entered and the original horse doors. The core objective of the renovation was to enhance these historical attributes without compromising contemporary comforts. The kitchen, initially a challenging long, narrow galley layout, was transformed into an intimate family space. A large kitchen island with seating on both sides was introduced to serve as a central gathering point for meals and entertaining. The high 12-foot ceilings, which could have posed a design constraint for cabinetry, were ingeniously addressed by integrating a library ladder and brass rail system, turning a potential problem into a distinctive feature. White kitchen cabinets with dark stone countertops and Signature Hardware pulls were used, with upper glass cabinets skinned in white oak, contributing to a tailored aesthetic. A custom-designed plaster cooker hood and Arabescato Antico marble backsplash further elevated the kitchen's traditional yet modern appeal. The dining room highlights many of the carriage house's original features, including warm-toned ceiling beams from its days as an outhouse. Railings around the stairs and raised floor spaces subtly nod to the former stalls and stables. To visually break up the open-plan living and dining area and add sophistication, elegant moldings and wainscoting were newly introduced. A custom black ash dining table paired with upholstered dining chairs from Arhaus ensures a sleek, contemporary look that harmonizes with the historic backdrop. An arched doorway off the kitchen leads to a butler's pantry, distinguished by its deep green/teal subway tile color scheme. This space provides practical storage with light oak cabinetry and dark wood open shelves, and serves as an additional food preparation area, compensating for the galley kitchen's smaller footprint. The home office masterfully combines old and new elements, featuring an original window alongside a newly installed white oak coffered ceiling. This traditional framework is juxtaposed with contemporary office furniture, including a streamlined desk and striking red chairs, and a Phillip Jeffries' Burled Chevron Carob wallcovering. The design ensures privacy while maintaining an open, airy feel, allowing the office to overlook the living space. The primary bedroom exudes a traditional ambiance with bespoke millwork creating a fitted look around the Arhaus bedframe. Benjamin Moore's Misty Gray on the walls and millwork offers a cool, restful atmosphere, complemented by colorful Milan bedding from Annie Selke, a large arched floor-standing mirror, and a white area rug. The primary bathroom was designed for luxury, incorporating Carrera marble tiles, Waterworks fixtures, and an Aerin Bonnington Chandelier. The layout specifically frames a freestanding bath beneath a window, with watery blue walls adding a shimmering effect. The overall renovation strategy prioritized preserving the home's unique character while upgrading amenities and adjusting the layout to suit modern family needs, resulting in a successful blend of historical charm and contemporary functionality. #InteriorDesign #HistoricRenovation #CarriageHouse #HomeTour #KitchenDesign #DiningRoom #HomeOffice #BedroomDesign #BathroomDesign

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements