Makeover Takeover: A Colonial Comeback

Molly Singer, a designer, transformed a 1960s Colonial-style house outside Pittsburgh, Pennsylvania, into a vibrant and colorful home for her family of four and their four pets. Initially overlooking the property despite its stunning three-acre homestead and bucolic setting, she eventually chose it due to a looming deadline and dwindling options. The house, while having good bones, was unassuming and needed a fresh perspective. Singer embraced the challenge, deciding to infuse the formal space with color and bold patterns, aiming for an elevated Colonial charm that was more exciting and contemporary than its previous Colonial Williamsburg style. The entryway sets the tone with daring blue wainscoting painted in Hague Blue by Farrow & Ball, complemented by patterned wallpaper. This bold choice immediately signals the home's departure from a muted aesthetic. The formal sitting area, which Singer admits is rarely used by her family, became a showcase for bold colors. An ochre yellow wall color, forest green sofas, and bright blue accents, including an ottoman and steely blue fretwork on the ceilings, create a rich, colonial-inspired palette. Singer balanced these strong colors with simple upholstery, floral occasional chairs, and chinoiserie pillows, while the fretwork on the ceiling adds visual interest without making the lower ceilings feel cramped. The kitchen, a highlight of the renovation, was designed to be a breezy cottage-style space. It features Shaker-style cabinetry painted in Skywalker by Backdrop, contrasted by creamy tongue-and-groove paneling and custom-stained red oak beams, corbels, and flooring. The 12-foot tall ceilings contribute to an airy feel, embodying timeless charm through traditional touches and designer details. The dining area and butler's pantry showcase a blend of historical inspiration and modern flair. The butler's pantry, painted in the same moody blue as the entryway, serves as a crucial connection point between the home's original structure and a new addition. It houses a collection of antique teacups, belonging to Molly's mother, adding a personal touch. The formal dining room is adorned with an enveloping Chinoiserie mural wallpaper, a design choice that felt destined after discovering a similar vintage wallpaper during renovations. Blush tones in the dining room provide a feminine counterpoint to the house's subtle red accents, while vintage mahogany pieces from Baker furniture ground the space. In the primary bedroom, Singer opted for a bold floral wallpaper that extends onto the vaulted ceiling, despite initial concerns about its calming effect. She committed to her design philosophy of 'going all-in' with bold choices, resulting in a space that is both relaxing and refined, further enhanced by gingham lampshades and a leopard-printed rug. The adjoining primary bathroom offers a textural contrast with earthy grasscloth wallpaper, moody black limestone tile, and a classic slipper tub, incorporating Molly's belief that 'every room needs a bit of black.' A surprising yet functional renovation was transforming the old family room into an expansive laundry-meets-mudroom. Despite initial skepticism from friends and contractors, Singer regards this as one of her best decisions. The room features a large 150-year-old French farm table that functions as both a clothes-folding station and a family catch-all. Woodsy green cabinetry, housing a farmhouse sink and dishwasher, ensures the space is highly functional. Finally, the outdoor areas, including a screened-in back porch and the property's historic well house, are designed to connect with nature. The sunroom, with its varying shades of green, maintains a cheerful ambiance year-round. The 100-plus-year-old well house serves as a charming reminder of the property's history and the tranquility that initially drew Singer to the homestead, demonstrating how thoughtful design and bold risks can transform an unassuming house into a beloved, vibrant home. #HomeDesign #ColonialRenovation #ColorfulInteriors #MollySingerDesign #HouseTour #InteriorDecorating #FarmhouseKitchen #WallpaperTrends #HistoricHome

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern