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Garden Apartment
Patrick Blanc, a botanist renowned for over 30 years of creating vertical gardens, has transformed Parisian walls, most notably at the Jean Nouvel–designed Quai Branly museum. One family, the Dimanches, has the unique privilege of experiencing Blanc's vertical gardens within their own living space. Blanc, identifiable by his distinctive style, has cultivated a reputation as an urban garden guru, utilizing a trademark top-down irrigation system and three decades of botanical research across three continents. His portfolio includes creations for the Pershing Hall hotel, the Fondation Cartier in Paris, the Siam Paragon mall in Bangkok, various boutiques, and restaurants. Following the grand opening of the Jean Nouvel–designed Musée du Quai Branly in Paris, featuring an 8,600-square-foot facade with 15,000 plants, Blanc has seen an influx of large-scale commissions.
Blanc's journey began with residential projects, starting with his own apartment in Créteil, on the outskirts of Paris, which he transformed into a tropical rainforest. While major commissions later became his focus, some homeowners successfully convinced him to create outdoor vertical gardens, aiming to introduce a 'rural' element into their urban environments. However, his expertise in indoor vertical gardens, particularly with low-light plants, remained largely untapped until 2004. This changed when Jean-Marc Dimanche contacted Blanc with an idea for a 20-by-23-foot interior wall in his 4,400-square-foot home, then under construction in the Left Bank’s 14th arrondissement. Dimanche recounts Blanc's enthusiastic response, signaling the start of their collaborative adventure.
Two years later, the Dimanches' home now features a lush forest canopy, a living canvas comprising approximately 150 tropical, low-light plant species harmoniously arranged. The vertical garden transitions from a field of texture at the base to arcs of violet and amber flowers, culminating in an overhang of trees near the ceiling, creating a sheltering forest effect. This living element seamlessly integrates with the home's raw architectural features, such as concrete and metal beams, and a transparent glass elevator, as well as the family's personal belongings, including country-kitchen stools, orchids, and worn leather armchairs. Jean-Marc Dimanche finds the overall effect to be very calming.
The Dimanches' move from a renovated longère outside Rambouillet to their new Parisian home represented a significant lifestyle shift. Vivette Dimanche emphasizes that their house is not merely conceptual but embodies 'le vivant, le vécu' — the living, the lived experience. Given Paris's high population density, Blanc's plant walls offer a solution to integrate nature into the urban fabric without negating the city's structure. Blanc aims to extend his work beyond homes and museums to less aesthetically pleasing urban locations like parking lots, public housing, and train stations, areas where living things are unexpected. He asserts that his plant walls are not a critique of urban life but an effort to reconcile it with nature, creating spaces that foster a connection between the urban environment and the natural world.
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