Bungalow

This article details the transformation of a 1922 bungalow in Denver's Washington Park neighborhood, owned by Julie and Joe Anderies, an art historian and a jazz musician, respectively. The couple sought to revamp their home to reflect their personal style and world travels, selecting interior designer Katie Schroder of Atelier Design Group for the project. The renovation involved stripping the house down to its studs, allowing for a comprehensive redesign that blends modern and antique elements within a modest space. The design process began with a specific Schumacher fabric and a photograph of teal kitchen cabinets, which heavily influenced the home's overall color palette and aesthetic. Julie Anderies' openness to vibrant colors and her desire for each piece to have a unique story were central to Schroder's approach. To balance the potential for busyness from extensive art collections and colorful furnishings, Schroder opted for a neutral taupe-gray paint (Benjamin Moore’s Thunder) for the main walls, allowing the upholstery and art to be the focal points. The couple's trip to Morocco, where they purchased several rugs, also integrated Moroccan influences into the design, contributing to a jewel-toned theme throughout the house. Schroder emphasized playing with color and texture, creating a dynamic yet cohesive interior. An example of this balance is found in the master bedroom, where a muted Moroccan rug grounds vibrant bedding and a patterned headboard. Hand-carved doors by California artist Evelyn Ackerman add another unique artistic touch. The kitchen, designed by Angela Otten of William Ohs, features a large custom island, sandstone countertops, and recessed lighting to compensate for minimal natural light, all while incorporating the initial Schumacher fabric on a built-in banquette. Functionality was a key consideration in the design. The architect, Jon Hindlemann, strategically placed the living room at the back of the house, behind the kitchen, to draw guests deeper into the home. This layout acknowledges the kitchen's role as a central gathering space. Given the couple's desire to downsize without sacrificing their accumulated possessions, built-ins and hidden storage solutions were crucial. The living room includes an Italian cabinet that conceals a TV, books, and electronics, while a nearby bench seat provides open storage underneath, maintaining an airy feel despite extensive storage. A significant design element highlighted is the vaulted ceiling in the living room, which is covered in Makrana wallpaper by Harlequin, mimicking marble. Schroder initially had to persuade Julie about the wallpaper, but its organic and neutral pattern ultimately brought attention to the unique architectural feature. Midcentury design influences are evident, particularly in the living room and dining area, with Mexican midcentury dining furniture and stained glass French doors by local artist Ann Wolff, serving both as artwork and a privacy screen. The exterior also saw changes, with the original garage being replaced by a new structure further back on the lot, designed to resemble a small studio, complemented by landscaping from Altgelt & Associates and Landwise. The article concludes by emphasizing the importance of building trust between designer and client to achieve such bold and personalized interior transformations. #InteriorDesign #HomeRenovation #Bungalow #GlobalInspiredDecor #MidcenturyModern #WashPark #DenverRealEstate #AtelierDesignGroup #CustomInteriors

Allyson and Paul Riser, who annually vacation along Highway 30A in Seaside, Florida, embarked on a project to build a family retreat on a narrow, challenging lot in the heart of Seaside. Initially skeptical of the neglected strip of land, which they mistook for overflow parking, the Risers were ultimately convinced by its unparalleled location—catty-corner from Seaside’s town square and a short walk from the beach, offering wide views of the Gulf of Mexico. This prime location was a critical requirement for their large family, consisting of four grown children and a daughter-in-law. To overcome the constraints of the unusual lot size and accommodate their family's needs, the Risers enlisted Seaside architect Ty Nunn and Birmingham interior designer Fran Keenan. Their primary objective was to create sufficient bedrooms and gathering spaces, while Allyson also sought to infuse the new Florida build with the character and timelessness found in the old coastal homes of the South Carolina Lowcountry. Nunn designed a three-story house, one room deep and three rooms wide, with the kitchen and main living area located on the top floor to maximize the exceptional views. Keenan faced the challenge of incorporating the Lowcountry aesthetic, which often features large, low-slung roofs, into a tall three-level structure. A trip to Paris provided an unconventional solution: installing large, pop-out windows in the roof to flood the third-floor living area with natural light, creating a bright and airy space that became the focal point of the home. Inside, Keenan and her colleague Sara Walker curated an interior that reflected the surrounding landscape without resorting to overt beach-themed decor. The color palette, inspired by the blues and greens of the Gulf, features grayish blues, whites, muted turquoise, and faded aqua, fostering a sense of peace and serenity. The light-colored floors were specifically chosen to mimic sand, cleverly concealing any beach sand tracked in by the family. The design incorporated a mix of antique furnishings and architectural details such as wide-wood-paneled walls and detailed casing to give the new house an immediate sense of history and character. Keenan emphasized that using "old things" helps keep a space fresh and unique, breaking away from conventional design norms. The decor was further enhanced by layers of art, including framed textiles and pressed botanicals, adding personal touches and fostering conversation. A notable feature is the stairwell art gallery, filled with over 120 vintage nautical paintings collected from various vendors across the Southeast, including estate sales in Little Rock, making an otherwise functional space a vibrant display of personal history and curated taste. A large coastal landscape painting, discovered at Scott Antique Markets in Atlanta, became a centerpiece in the sons' room, symbolizing a nostalgic piece that could be passed down through generations. Ultimately, the home serves as a cherished gathering place for the Riser family, facilitating connection and creating lasting memories as their children grow. #BeachBungalow #CoastalHome #HomeDesign #InteriorDesign #SeasideFlorida #FamilyRetreat #ArchitecturalInnovation #AntiqueDecor #NauticalArt

The Litibú Bungalow, designed by PALMA architects Ilse Cáredenas, Regina de Hoyos, Diego Escamilla, and Juan Luis Rivera, is a 50 square meter structure located in Litibu, a coastal town in the Mexican Pacific. Completed in 2020, the bungalow is characterized by its separation into two distinct volumes: one housing the bedroom and the other containing the living space, connected by a central covered terrace. This design strategically integrates the surrounding natural environment by allowing the breeze and jungle views to permeate the central axis of the house. The terrace serves as a transitional space, blurring the boundaries between interior and exterior living, and offering an open-air area for relaxation and connection with nature. The architectural approach emphasizes simplicity and respect for the local climate and materials. The bungalow's structure is predominantly concrete, a material choice that contributes to its durability and blends with the rugged landscape. The use of concrete also provides thermal mass, helping to regulate indoor temperatures in the tropical climate. The design incorporates large openings and an open layout to facilitate natural ventilation and maximize daylight, reducing the need for artificial lighting and cooling. This thoughtful consideration of passive design strategies enhances the living experience while minimizing environmental impact. The interior spaces are designed to be functional and minimalist, reflecting a contemporary aesthetic that prioritizes comfort and connection to the outdoors. The bedroom volume offers a private sanctuary, while the living volume, with its expansive views, functions as a versatile space for daily activities. The modest footprint of the bungalow aligns with principles of sustainable living and efficient space utilization. The project's location in Litibu, a region known for its natural beauty, further underscores the design's intention to create a dwelling that harmonizes with its surroundings rather than imposing upon them. The project was documented by photographers Luis Young and María Rivera, whose images capture the bungalow's seamless integration with its site and its interplay of light and shadow. The curation by Clara Ott highlights the bungalow's design merits, emphasizing its innovative use of space and materials in a challenging tropical context. The architectural firm PALMA, with this project, demonstrates an understanding of regional architectural traditions while introducing modern design sensibilities. The Litibú Bungalow stands as an example of how small-scale residential architecture can achieve both aesthetic appeal and environmental responsiveness. #ResidentialArchitecture #Concrete #TropicalArchitecture #SmallHouseDesign #MexicanArchitecture #SustainableDesign #ArchitecturalPhotography #MinimalistDesign

The article provides a detailed exploration of Santa Barbara's Bungalow Haven neighborhood, an area characterized by its prevalent Craftsman-style bungalows. The author's initial encounter with the neighborhood occurred during the listing of a property at 1321 Alta Vista Road. The piece delves into the historical context of bungalow architecture in California, citing a 2013 proposal for the neighborhood to be designated a historic district. This proposal highlights the rapid proliferation of bungalows in California during the early 20th century, driven by a warm climate, economic opportunities, and the affordability offered by 'Ready-Cut Bungalow Company' kits. These kits, costing approximately $650 between 1910 and the 1920s, allowed for the delivery of all necessary construction materials to a lot, making homeownership accessible to many. The Bungalow Haven district, generally bordered by Olive, Micheltorena, Alta Vista, and Victoria, played a significant role in housing Santa Barbara's expanding working and lower-middle-class population from 1900 to 1940, primarily due to its walking proximity to downtown. Over half of the houses in the proposed historic district are noted to be in the Craftsman style, reflecting the architectural trend of the era. The article showcases various examples of these bungalows through photographs, including both Craftsman and other bungalow styles, emphasizing their typically small scale. Beyond the predominant bungalow architecture, the author also points out some less aesthetically pleasing structures within the neighborhood, such as an apartment complex and an office building, offering a balanced view of the area's development. Architectural curiosities are also highlighted, such as a ground-level window next to a front door and a front door situated above a garage. The article celebrates bold paint choices on some homes and details various charming elements encountered during the walk, including unique corner stairs, petite roundabouts, and occasional ocean views. A particularly cherished aspect for the author is the presence of cul-de-sacs, which evoke a sense of micro-communities. The narrative includes a humorous anecdote about a misunderstanding with a resident regarding squirrels and macadamia nuts, illustrating the informal interactions possible within the neighborhood. The article also touches upon the nearby Bella Riviera, a planned community developed by the Cottage Health System on the former St. Francis Hospital site, designed to provide affordable housing for its employees. Historical markers at Bella Riviera offer insight into the site's past. Finally, the article concludes by presenting a collection of other interesting details observed during the walk, such as a “HELP ME” sign on a porch, a “kittens” sign, a unique license plate, a flyer, candles, a distinctive mailbox, dog prints in a sidewalk, and a dog bowl. The author expresses the belief that Bungalow Haven deserves official recognition as a historic district, underscoring its unique character and historical significance. The article is part of a series titled "Walk With Me," which explores different neighborhoods. #BungalowHaven #SantaBarbara #CraftsmanArchitecture #HistoricDistrict #NeighborhoodWalk #LocalHistory #UrbanExploration #ResidentialArchitecture

This article details the creation of a unique resort-style home in Bali for Alexander Jovanovic, designed by the A2Kreasitama (A2K) team. The project addressed the challenge of an irregularly shaped plot of land, which ultimately inspired the central octagonal foyer, serving as a functional meeting point and a symbolic compass for the house. The design aimed to merge the characteristics of a resort villa, emphasizing natural airflow, with the functionality of a traditional home where spaces could be fully enclosed. To achieve this dual functionality, the A2K team incorporated aluminum glass doors that can be fully opened to allow natural ventilation while also being tightly sealed to prevent insect intrusion. Strategic placement and height of the house were crucial in maximizing natural airflow, effectively eliminating the need for air conditioning. The home's location in Dreamland – Pecatu, Bali, allowed for the integration of Balinese contemporary design elements, starting with intricate wooden carvings at the main entrance. The octagonal foyer, inspired by Taoist cosmology, was intended to bring balance and stability to the irregular landform. The interior of the foyer features white granite tile floors, a sleek console table with a painting, and a contemporary chandelier above a central round table. From the foyer, access is provided to two bedrooms through oversized solid wood doors, and a glass door opens to the swimming pool. The guest bedroom is situated to the left, adjacent to a staircase leading to the upper floors, while the master bedroom on the right offers direct access to a green-stone swimming pool and a private wooden parquet patio. The master suite includes a walk-in closet connecting to a Balinese semi-outdoor bathroom, which features a freestanding bathtub, a solid wall finish, and a stonescape garden, enhancing the private resort-like ambiance. An outdoor whirlpool is located between the master bedroom and the main pool. The guest bedroom also has an open terrace for entertaining or enjoying sunsets, and its bathroom is equipped with a glass wall shower and a small garden leading to the swimming pool. All bedrooms are finished with wooden parquet floors and adorned with solid wood and natural stone accents. An eye-catching contemporary staircase, constructed from steel and solid wood with frameless glass railings, leads to the upper levels. A high synthetic rattan ceiling above the staircase not only serves as an aesthetic feature but also demonstrates a clever use of local materials. The living and dining areas are uniquely positioned on the upper floor to offer magnificent views during daily activities, cultivating a recreational, resort, and tropical atmosphere. The living room, encased by transparent glass doors and solid wood columns, is a focal point of the house. It includes a solid wood dining table with an integrated teppanyaki-style stove for entertaining. Above the dining room, an attic serves as a relaxing space and provides access to a rooftop with panoramic views of Jimbaran Bay and the airport runway, ideal for social gatherings. The lower ground level accommodates a service area, laundry room, and a spacious garage with a carport that can function as a versatile multi-purpose space. Given the owner's background in the hospitality business, the A2K team meticulously designed the home to offer luxurious comfort and a distinct resort feel. The public and private areas are clearly delineated, and the designer used scale effectively to maximize space and apply hospitality industry standards to a private residence. For example, the octagonal foyer's atrium was designed to be larger than typical for a home of its size. The innovative design on the 505 sqm plot successfully integrated various functions to cater to the owner's lifestyle, resulting in a truly unique resort-style home. #ArchitectureInterior #ResortStyleHome #BaliDesign #A2Kreasitama #SustainableDesign #BalineseContemporary #LuxuryLiving #ArchitecturalInnovation

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

This blog post showcases the 700-square-foot bungalow of fashion designer Christie Torgerson, located in Glassell Park, Los Angeles, which she rents for $2,000 per month and shares with her two cats, Klaus and Frida. The article highlights how Christie has transformed this small space into a vibrant and personalized home, emphasizing her love for textiles, patterns, colors, and art. The initial appeal of the bungalow for Christie was its inviting front patio, shaded by mature loquat trees, which provided an ideal setting for her passion for gardening. The home's layout, despite its compact size, has been effectively utilized to create distinct and comfortable living areas. Christie, a creative professional, describes her home's style as a "pattern mix, colorful, warm, cozy." This aesthetic is evident throughout the bungalow, which is filled with an eclectic blend of patterns harmonized by warm wood furnishings. A significant portion of the artwork displayed in her home is created by friends, adding a personal and meaningful touch to the decor. Her cats, Klaus and Frida, are also an integral part of the home's atmosphere, often found lounging or observing the outdoor wildlife from the windows, reinforcing the cozy and lived-in feel. When asked about her favorite part of the home, Christie points to the combined living room/bedroom area, primarily due to her collection of unique lamps. She recently acquired an exceptional lamp from her friend, Mallory Anita Lawson, who handcrafts both the ceramic bases and the shades. This acquisition exemplifies Christie's approach to home decor: seeking out special items, often from artists or makers, that resonate with her personal taste. Christie's advice for cultivating a beloved home centers on personalization and meaning. She encourages individuals to make every item in their home special, whether through customizing store-bought pieces with new paint or hardware, discovering unique treasures at flea markets, or investing in art from cherished artists. For Christie, her home is a collection of memories and stories, with each item contributing to her overall sense of joy and personal connection to the space. The article effectively conveys how a small rental can be imbued with significant personal character and charm through thoughtful decoration and a focus on meaningful possessions. #Bungalow #LosAngeles #HomeDecor #EclecticStyle #SmallSpaceLiving #FashionDesigner #RentalHome #InteriorDesign #HouseTour

Bungalow-style homes, popular in the United States between the 1900s and 1930s, are characterized by features such as large front porches, open floor plans, sloped roofs, and an overall timeless charm. These typically one-story residences remain a favored architectural style due to their distinctive appeal and numerous charming details. Architectural historian Christina Dikas highlights beloved elements like built-in shelves and cabinets, original hardwood floors, unique fireplace surrounds, and welcoming front porches as key aspects of bungalows. The enduring popularity of bungalow homes often leads individuals to seek them out, sometimes involving extensive renovation or reimagination to suit modern tastes while preserving their inherent character. Despite the external similarities in shape and quality that define this style, the interiors of bungalows offer a wide spectrum of design possibilities, allowing for personalized and unique expressions. This versatility means that each bungalow, while sharing a common architectural foundation, can be transformed into a distinct living space. The article showcases eleven diverse bungalow homes from various global locations, illustrating the vast potential for creative design within this classic architectural framework. For instance, one example is a Barbiecore-inspired bungalow in England, which was transformed from a damp, mold-ridden space into a vibrant and whimsical retreat by Helen Ainley and her husband. Another instance details Adam Jones's 1930s East Austin bungalow, which underwent a significant DIY renovation with community involvement, resulting in a stunning transformation. Additional examples include a breezy beach bungalow in Malibu owned by Carley and Mike Knobloch, serving as a tranquil weekend escape, and a 600-square-foot Malibu bungalow that celebrates wood paneling, reflecting a blend of Scandinavian design and surfer aesthetics. An Austin, Texas, home is presented as a maximalist's Barbiecore dream, while a Venice, California, bungalow belonging to Jessica Kane and Justin Lehmann combines eclectic and maximalist styles suitable for a growing family. In Australia, a once termite-damaged shack was reimagined into a colorful, retro-infused home by Annie Price and Jamie Paterson, demonstrating a successful renovation. Further featured homes include Kate Richards's California bungalow, rebuilt and designed to accommodate 13 animals in a colorful, farmhouse-inspired setting. Musician Andrew McMahon's California bungalow is highlighted as a quintessential Californian retreat, blending maximalist and modern elements. In Chicago, Amy's bungalow in Irving Park showcases a mid-century modern, transitional design filled with vintage furniture collected from her travels. Finally, Tiffany and Alan Goldstein’s Austin bungalow emphasizes natural light through large windows, creating a bright and inviting gathering space. These examples collectively underscore that a classic architectural style like the bungalow can be adapted and personalized through creativity and thoughtful design, making each home uniquely its own. #BungalowStyleHomes #HomeRenovation #InteriorDesign #ArchitecturalStyle #HouseTours #HomeDecor #DesignInspiration #ClassicArchitecture

Architect David Hicks designed Woodend house, located in the Macedon Ranges of Victoria, Australia, drawing inspiration from European vernacular architecture, particularly villas found in the French, Tuscan, and Puglian countryside. The house features a deliberate windowless facade, a design choice Hicks frequently employs to create intrigue and privacy. This approach ensures that the dwelling's interior experience is revealed only upon entry, rather than from the exterior. The single-story home was created for an older couple seeking to downsize, who had previously owned another windowless property designed by Hicks. Access to the Woodend house is gained through a wrought-iron arched gate situated on the side of the building, leading to a portico and then into an entrance vestibule. The interior walls throughout the house are rendered in micro cement and finished with limewash, imparting a stone-like texture. A vintage chandelier, made from ruched Murano glass, is a focal point in the vestibule, suspended from a circular recess in the ceiling. A central corridor extends from the vestibule, providing access to all the other rooms within the residence. Among the rooms is a 'retreat' area, functioning as a relaxed study and sitting room. This space is furnished with an Eames lounge chair, a multi-armed light fixture by French designer Serge Mouille, and a fireplace framed by a Ceppo marble surround. The same Ceppo marble is utilized for shelves within two arched display niches, adding a cohesive aesthetic element. Double doors connect the retreat to the principal bedroom, which is appointed with luxurious touches including a velvet rug, a satiny headboard, and fluted glass wall sconces. Storage solutions in the bedroom are subtly integrated behind white lacquered panels. The principal bedroom also features an en-suite bathroom where surfaces are covered in pale Calacatta marble. Large sliding glazed doors at the rear of the bathroom offer views of a small brick courtyard, which is adorned with a miniature maple tree. The main living area, a more formal space, contains white armchairs and a curved baby pink sofa, with sheer linen curtains covering French doors that open to the garden. The kitchen, integrated into this area, includes simple white cabinetry and a breakfast island topped with Calacatta marble. The home's powder room showcases extensive use of Ceppo marble, covering the walls, floor, and washbasin with its distinctive pattern. The photography for Woodend house was captured by Shannon McGrath. The project exemplifies a trend in Australian architecture for homes with striking, often unconventional, facades. Other notable examples include the Birdwood house by Peter Besley, which features a perforated screen of terracotta brick and metal mesh, and the Bangalow Road House by Son Studio, characterized by a wall of timber louvres that echo traditional wooden beach shacks. These designs collectively demonstrate a focus on unique exterior treatments that often contrast with rich and private interior spaces. #AustralianArchitecture #DavidHicks #WoodendHouse #VictoriaAustralia #WindowlessFacade #InteriorDesign #LuxuryInteriors #Marble #ResidentialArchitecture

The article details how designer Lauren Liess and her husband transformed a 740-square-foot, two-bedroom, one-bath surf shack in Corolla, North Carolina, into a functional and charming beach getaway for their family of five children and three dogs. Despite the initial spatial limitations, the couple was drawn to the cottage's character and location, leading them to undertake a thoughtful renovation focused on maximizing space and promoting a relaxed, beach-centric lifestyle. The renovation began with strategic structural changes. The 8-foot ceiling in the main living area was replaced with a vaulted one, creating a sense of spaciousness. The original front entry was removed and replaced with wall-to-wall sliding glass doors, which not only allowed ample natural light to flood the interior but also visually expanded the living space. The existing shared bath and primary closet were reconfigured, and their square footage was repurposed to create snug bunk beds in the second bedroom, accommodating all five children. This creative use of existing space was crucial for fitting a large family into a small footprint. To align with their beach lifestyle, the family opted out of a formal indoor dining area. Instead, a 10-foot-long picnic table was installed on the newly built back deck, providing an outdoor dining solution perfect for sandy feet and casual meals. The kitchen was designed with a peninsula offering seating on both sides to accommodate the entire family. Additionally, windows above the sink were made to swing open, facilitating easy counter service to a bar outside, enhancing the indoor-outdoor living experience. Beneath the house, a concrete pad was poured, creating a covered area for hammocks, swings, a laundry room, and an outdoor shower, serving as an extended living space, especially during rainy weather. The interior design ethos was centered around laid-back living and minimalism. Lauren Liess emphasized that nothing in the home was meant to be fussy, drawing inspiration from the unpretentious nature of an oyster shack. Flexible furnishings, such as butterfly chairs in the living room, can be easily moved to adapt to different needs. Vintage kilim rugs from Liess's shop add warmth and softness, while a collection of seascapes from flea markets and antique stores brings color to the cypress-paneled walls. The cottage embodies a philosophy of "beach minimalism," demonstrating that contentment can be found with fewer material possessions. Liess also paid homage to the cottage's original character by selecting vintage-inspired cabinets for the kitchen. Though the original cabinets couldn't be salvaged due to the kitchen's rearrangement, the new ones were designed to evoke the antique style found in old farmhouses. French crab traps were ingeniously repurposed as pendant lights, and Caesarstone countertops along with a Big Chill fridge completed the kitchen's aesthetic. In the living area, an oversized coffee table was used to create a sense of expansiveness in the small room, a counterintuitive but effective design choice. The existing brick fireplace was updated with a concrete finish, and a slipcovered sofa from Liess's collection provided a durable and comfortable spot for relaxation. The primary bedroom also underwent a transformation, with a raised ceiling and a sliding glass door installed to invite nature indoors, creating a peaceful space connected to the ocean. The children's bunk room featured custom-built bunks that fit precisely, with each child having a drawer and a wall niche for their belongings. The bathroom incorporated pebble tile on the floors and shower walls for a tactile and natural feel, complemented by a new vanity designed to look antique and exterior lights for a warm ambiance. #HomeDesign #SmallSpaceLiving #BeachHouse #CorollaNorthCarolina #InteriorDesign #FamilyHome #Renovation #CoastalLiving #LaurenLiess

The Rowan is the newest tiny house model introduced by the online marketplace, Tiny House Listings. This 34-foot-long (10-meter) tiny house distinguishes itself with a useful porch area and an expansive interior layout, uniquely arranged on a single floor. While its length is comparable to many North American tiny houses, its increased width of 10 feet (3 meters) — 1.5 feet wider than the standard 8.5 feet (2.6 meters) — contributes significantly to a more spacious and home-like feel inside. However, this extra width necessitates a permit for towing on public roads in the USA, making it less ideal for frequent relocation. The Rowan is constructed on a six-axle trailer, a notable feature that suggests a design choice to distribute weight effectively. The exterior is finished with engineered board and batten wood, complemented by a metal roof, ensuring durability and a contemporary aesthetic. The interior boasts drywall finishes, providing a clean and modern canvas for residents. Access to the home is through a 6-foot (1.8-meter) porch, which leads into the living room via double glass doors. The living area is well-lit with generous glazing and is designed to accommodate a sofa, a TV, and a cabinet, creating a comfortable space for relaxation. Adjacent to the living room is the kitchen, which is equipped with an induction stove and a sink. It offers ample cabinetry and designated space for additional appliances, catering to practical cooking needs. A breakfast bar with seating for two further enhances the kitchen's functionality, serving as a casual dining or workspace. Moving deeper into the tiny house, past the living and kitchen areas, is the bathroom. This facility includes a shower, a sink, a flushing toilet, and some storage, providing essential amenities within a compact footprint. One of the most significant design aspects of the Rowan is its single-floor layout, particularly evident in the bedroom. Unlike many tiny houses that feature loft bedrooms requiring occupants to crawl, the Rowan’s bedroom offers ample headroom, allowing residents to stand and move around comfortably. Located at the opposite end of the house from the entrance, the bedroom is designed to accommodate a queen-sized bed. It also includes a large built-in closet and washer/dryer hookups, maximizing convenience and storage within the limited space. The Rowan is currently available for purchase at US$92,000. This model aligns with Tiny House Listings' recent offerings, which include the larger duplex-style TinyPlex and the more budget-friendly Cortado, showcasing the marketplace's diverse range of tiny home solutions. The Rowan represents a practical yet comfortable option for individuals or couples seeking a tiny house experience with an emphasis on interior spaciousness and a semi-outdoor living component provided by its porch. #TinyHouses #TinyHouseDesign #SmallSpaceLiving #MobileHomes #AffordableHousing #CompactLiving #MinimalistLiving #OutdoorLiving #ArchitecturalInnovation

A 1920s bungalow in Sydney’s southeast underwent a significant transformation, evolving from a subdued, white-on-white aesthetic into a vibrant and highly functional family home. The renovation, spanning 18 months for the main house and an additional year for the backyard pool and dwelling, was spearheaded by interior designer Gemma Gillett of Studio Gemma, with Bianca and Josh Orr as the homeowners. The couple, with two young children, Alfie and Zoe, and three French bulldogs, aimed for a design that prioritised personality, storage, and family-focused functionality. The initial design challenge involved moving from Bianca’s original preference for an all-white interior to embracing a bolder color palette. This shift is evident from the exterior, where the house is painted in Dulux Black Caviar with a glossy Wattyl Charmed Forest front door, chosen for ease of maintenance under a flight path. Throughout the home, custom joinery by Studio Gemma and East 2 East Joinery plays a crucial role, providing extensive storage solutions and a tailored aesthetic. This was a deliberate choice to accommodate the needs of a growing family, ensuring that clutter could be managed effectively. The renovation strategically retained a traditional character in the front section of the house, which houses the four bedrooms and two bathrooms. This area features hand-poured plaster cornices, detailed timber window frames, and Shaker-style cabinetry, all designed to appear original to the 1920s bungalow. Each bedroom is equipped with custom joinery, contributing to the home's integrated storage philosophy. The color-blocked bedrooms create a cozy atmosphere, with one bedroom featuring Dulux Remote Control on the walls for a serene feel, and Zoe's room in Dulux Warm Neutral, accented with Beata Heuman bow handles and a yellow 'Aalto Chair 69'. Moving towards the rear, the home transitions into a modern, open-plan extension encompassing the kitchen, living, and dining areas. This section is characterized by a soaring pitched roof and expansive glass sliding doors that fill the space with natural light. While white walls dominate here, rich timber accents, a microcement-finished curved fireplace, and a sage green kitchen with subtle organic patterns introduce depth and texture. The kitchen's island, for example, features an oak veneer sprayed with color, allowing the wood grain to show through and add warmth. Calacatta Monet marble benchtops and Porter’s Paints Olive Grove cabinetry further enhance the kitchen’s sophisticated appeal. The living area includes thoughtful details like a built-in walnut drinks cabinet, which opens to reveal a Calacatta Monet marble interior and Dulux Rusted Crimson accents, and a window-seat with hidden storage, designed to keep toys and clutter out of sight. The back of the property is designed for entertaining, transforming the old yoga studio and leather workshop into a cabana with an outdoor kitchen, a hotel-style bar overlooking the pool, a European laundry, and an emerald-green powder room. The converted studio above serves as a guest retreat. Environmental considerations were also integrated into the design, with windows positioned for cross-ventilation, concrete flooring for thermal mass, and solar power for renewable energy. The outdoor areas feature a pool with a metal fence in Dulux Deep Brunswick Green, chosen for practicality over glass, and an outdoor shower with checkerboard tiles by the back door. The overall design embraces a blend of colors, eras, and styles, reflecting a courageous approach to decision-making during the renovation process. The homeowners, Bianca and Josh, credit Gemma Gillett for guiding them through the transformation, resulting in a meticulously shaped home that functions as both a sanctuary and a vibrant space for entertaining. #BungalowRenovation #ColorfulInteriors #FamilyHomeDesign #CustomJoinery #ModernExtension #SydneyHomes #InteriorDesign #OutdoorEntertaining #SustainableDesign

The Guemes Island Bunkhouse, designed by SHED Architecture & Design, is a two-story structure intended to provide additional sleeping accommodations for a client's family cabin. The bunkhouse is situated on Guemes Island, offering views of the Bellingham Channel, and was completed in 2023 with a total area of 590 square feet. This project aims to create a space for rest, quiet work, and family memories, with the intention that it will be passed down through generations. The bunkhouse is strategically located less than ten feet uphill from the property's existing 100-year-old log cabin. The original cabin has a unique history, having been built on Lopez Island, then dismantled and transported to Guemes Island in the 1940s. Unlike many neighboring properties that are built at the water's edge, both the original cabin and the new bunkhouse are positioned just inside the treeline. This placement offers a sense of privacy and seclusion while still providing westward views. SHED Architecture & Design's approach prioritized minimizing disturbance to the natural forested site. The bunkhouse's design frames specific views from its second floor, integrating it thoughtfully into the landscape. The project was led by Prentis Hale and Georgine Botha, with Dain Susman as the photographer. Kaplan Homes served as the main contractor, Jennie Gruss as the interior designer, and Todd Perbix as the structural engineer. The design reflects a careful consideration of its natural surroundings and the client's long-term vision for the property. The modest size of the bunkhouse, at 590 sq ft, suggests an efficient use of space while maximizing comfort and functionality for its intended purpose as an auxiliary living area. The combination of its thoughtful siting, historical context with the main cabin, and specific design intentions positions the Guemes Island Bunkhouse as a discreet yet significant addition to the family property. #ResidentialArchitecture #HouseDesign #GuemesIsland #SHEDArchitecture #Bunkhouse #CabinLife #ForestedSite

The article details the renovation of Lisa and Andrew Yeager's 1920s Birmingham bungalow, a project driven by their desire to stay in their cherished Crestwood neighborhood despite outgrowing their home. After 12 years, the primary challenge was the single bathroom, which was no longer practical for a family of four. Rather than moving, the couple opted for a renovation, enlisting Laura Harris, a registered interior designer with construction drawing experience, to draft a new floor plan. The renovation focused on several key non-negotiables. A second bathroom was paramount, alongside bringing the basement staircase up to code to transform the storage area into a finished living space, which now includes a Murphy bed for guests. Other essential changes included enlarging all closets, closing off impractical doorways, and reconstructing a slanted utility room at the back of the house. This reconstruction created a primary bath, a much-needed walk-in closet, and a spacious multi-purpose laundry room. The homeowner, Lisa, expressed significant relief at having a walk-in closet, a luxury in a house of this age. To maximize the small living room, Laura's design involved replacing an oversized sliding door with a solid wall to accommodate a couch. The renovation also meticulously preserved the home's original character, such as ceiling beams and built-in half-wall bookshelves, which distinguish the living room from the adjacent dining room. A crucial budget-saving strategy was retaining as much existing infrastructure as possible, including reusing doors and windows and keeping plumbing in its original locations to avoid costly pipe alterations. The homeowners appreciate that every square inch of the house is now utilized daily, making it highly livable. For finishes and fixtures, the Yeagers collaborated with designer Mackin Thompson, known for her keen eye. Mackin drew inspiration from the living room's original sky blue walls, repainting them with Farrow & Ball's Light Blue, and extending a calming blue-and-green color palette throughout the home. To furnish the bungalow economically, Mackin helped integrate heirloom pieces from Lisa's late father, such as the dining table, a piano, a twin bed, and a nightstand. These items, initially thought unusable, were creatively incorporated into the design. The project successfully transformed a charming but functionally limited house into a larger, more efficient living space while adhering to a modest budget. The entire expansion was limited to a single 3-foot-deep build-out across the back of the house. The renovation highlights strategic choices such as prioritizing gathering areas, embracing personal preferences like a large family dining table, and sourcing artwork from unexpected places like Target and Facebook Marketplace. The kitchen update was a low-lift effort involving reconfiguring existing elements, keeping appliances, and updating surfaces with new backsplash, quartz countertops, and ready-made cabinetry color-matched to Benjamin Moore's Grant Beige, along with Sherwin-Williams' Alabaster on the walls. Mackin advised splurging on main hubs like the kitchen and living room and being more conservative in other areas. The only entertaining space, which also serves as the entry, was enhanced with Ballard Designs banquettes, estate sale furniture re-covered in performance fabrics, and bamboo shades to increase seating and natural light. Architectural elements were emphasized using Sherwin-Williams' Agate Green on millwork and ceilings to make trim pop. In the primary bedroom, a high-low balance was struck, splurging on a new bed, side tables, and dresser while using affordable linens and lamps from Target and a rug from Rugs USA, creating a comfortable haven. #HomeRenovation #Bungalow #InteriorDesign #BudgetFriendlyDecor #HistoricHome #FamilyHome #HomeDecor #SmallSpaceLiving #BirminghamHome

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

The Bateia Bungalow Bathroom, designed by Studio 126 Arquitetura and completed in 2021, is located in Belo Horizonte, Brazil. This project encompasses an area of 137 square meters and aims to merge contemporary living concepts with the rich cultural heritage of Minas Gerais, drawing inspiration from the region's mining history, specifically referencing the motto “A Casa Original.” The architectural design emphasizes a connection with nature, achieved through extensive use of natural materials like wood and stone, and strategic placement of large windows that frame views of the surrounding forest and garden. The project showcases a deliberate integration of indoor and outdoor spaces. The bathroom area, which serves as a central focus of the bungalow, is designed to be a serene retreat. Large glass panels and thoughtful landscaping create a seamless transition, allowing occupants to experience the natural environment while maintaining privacy. The interior aesthetic combines rustic elements with modern finishes, featuring exposed brick, wooden beams, and polished concrete surfaces. This material palette not only pays homage to local building traditions but also contributes to a warm and inviting atmosphere. Key design decisions include the arrangement of the bungalow to maximize natural light and ventilation. The layout supports a fluid circulation, enhancing the sense of spaciousness within the compact footprint. The architects utilized various types of wood for structural components and finishes, alongside locally sourced stone, to ensure durability and a harmonious blend with the natural surroundings. The project’s exterior is characterized by its clean lines and minimalist approach, allowing the natural landscape to take precedence. The garden design incorporates native flora, further blurring the boundaries between the built structure and its environment. Photographs by Estudio NY18 and Daniel Mansur highlight the project's attention to detail and its successful execution of the design vision. The imagery captures the interplay of light and shadow, the texture of the materials, and the expansive views from within the bungalow. The project's classification as a 'Bath House' suggests its primary function as a private sanctuary focused on wellness and relaxation, where the design elements are carefully chosen to promote a tranquil user experience. The use of natural materials and the emphasis on light and views contribute to an overall sense of calm and connection to nature. The Bateia Bungalow Bathroom stands as an example of how modern architectural principles can be applied to reinterpret regional cultural narratives. It reflects a design philosophy that values sustainability, contextual responsiveness, and the creation of sensory-rich environments. The project is an initiative to explore modern housing solutions that respect and reflect the unique identity of Minas Gerais, aligning with contemporary trends in architectural design that prioritize well-being and integration with nature. The subtle references to the mining era are woven into the material choices and the overall ambiance, offering a unique interpretation of the region's history. #BathHouse #BrazilianArchitecture #NaturalMaterials #BeloHorizonte #Studio126Arquitetura #ContemporaryLiving #CulturalRoots #MinasGerais

Robson Rak Architects have crafted their third rammed earth house on Victoria’s Mornington Peninsula, a sprawling residence deeply integrated into its natural surroundings. The design emphasizes a sense of solidity and embeddedness, largely achieved through the extensive use of rammed earth. This material choice was central to the clients' brief for a low-maintenance home on their ten-acre plot, a preference shared by the architects for its pure, inside-out building quality, where the material itself forms both interior and exterior finishes. The house is considered a subtle monument, possessing enduring qualities without ostentatious grandeur. Initially, the clients envisioned a symmetrical, rectangular modernist building, but the architects, Kathryn Robson and Chris Rak, felt this design wouldn't adequately respond to the site's unique characteristics. Instead, they proposed a design that broke up the rigid rectangular form, introducing level changes and manipulating the edges to create a more dynamic and textured structure. Despite these modifications, the architects maintain that the house retains a modernist sensibility, albeit one that extends and adapts rather than adhering to a simple, gallery-like cube. Perched at the highest point of the site, the house maintains a low, lean profile, appearing to settle into the earth. Its southern facade features a tiered design, descending into the site with a series of single and double steps, a deliberate strategy to work with the natural slope of the land and create a gentle, quiet presence. The orientation of the house was influenced by a tall plane tree, which became a focal point for a large window in the main bedroom. From this central point, the house extends westward, incorporating a central volume for living, dining, and kitchen areas. A parents' retreat is located at the eastern end, a second living zone to the west, and three additional bedrooms line the northern edge. A terrace spans the southern side, offering views of a fernery at the lower part of the property. The southern orientation is a distinctive feature, designed to avoid the harshness of direct sunlight. The clients preferred a softer, ambient light, which the architects achieved through various strategies, including deep eaves, narrow clerestory windows, and a trio of skylights above the kitchen. These elements not only control light but also introduce diverse lighting conditions throughout the spaces. The design incorporates intimate pockets, such as a window seat next to a fireplace, which benefits from ample sunlight. The entry, an understated three-sided forecourt paved with sleepers and compressed gravel, is another notable space, praised for its quietness and symmetry. The interior design reflects these same qualities, utilizing a restrained palette of earth, glass, timber, and concrete. The materials are harmoniously combined, with slender aluminum window frames contrasting with the substantial four-hundred-millimetre rammed earth walls and polished concrete floors. Greyed timber surfaces, including a central spine wall that cleverly conceals services difficult to integrate into rammed earth, add texture. The architectural focus was on texture rather than vibrant colors or patterns, aiming for an easy-to-live-in space that feels earthy, tactile, and warm, yet timeless. Custom details, such as a bespoke front door handle crafted from found brass objects by an artist friend of the client and custom-designed side tables by Chris Rak, who has a background in sculpture, enhance the home's unique character. The children's bathroom features a carefully proportioned freestanding vanity set back from the wall to allow for floor-to-ceiling windows and linen curtains. The kitchen includes a central island encased in purple-grey tiles for socializing and a discreet butler's kitchen behind a sliding door for practical, everyday use, equipped with a second set of appliances, stainless steel benches, and ample storage. The success of the project is attributed to the exceptional site, a well-defined brief, and a collaborative relationship between the architects and the client. #RammedEarthHouse #RobsonRakArchitects #MorningtonPeninsula #SustainableArchitecture #ModernistDesign #LowMaintenanceHome #NaturalLightDesign #CustomDetails #InteriorDesign #SiteResponsiveArchitecture