East meets West in a London home filled with Hong Kong colour

Interior designer Aviva Duncan, who has lived in Hong Kong for over 20 years, embraces moving homes and sees it as an opportunity to refresh her living space. She recently relocated from Mid-Levels to a 2,000 sq ft flat in Stanley on Hong Kong Island’s south side, seeking a lifestyle change. The new three-bedroom, two-bathroom apartment was in excellent condition, saving Duncan the usual hassle of dealing with unattractive features common in Hong Kong properties. She even provided her landlord with specific paint color preferences to ensure the walls were freshly coated before she moved in. This proactive approach highlights her meticulous attention to detail and dedication to creating a comfortable and aesthetically pleasing environment from the outset. Duncan prioritizes investing in durable, versatile furniture pieces, such as her Cassina sofa, which are designed to last and adapt to various living spaces. With each move, she incorporates existing furniture by upcycling it to achieve a new look. For her current home, she reupholstered two club chairs with black-and-white geometric-patterned Gastón y Daniela fabrics and two stools in Jim Thompson leopard-print fabric with fringes. She also designed a large geometric rug to anchor the living area, emphasizing the importance of a sufficiently sized rug for a cohesive look. Duncan advocates for embracing color and pattern in rugs as a way to inject personality and fun into a room, demonstrating her belief in personalized and expressive design. Art plays a significant role in Duncan's design philosophy, where she combines large statement pieces with eclectic gallery walls. She strategically integrates the television into her art display in the living room, avoiding it becoming the main focal point. Her approach to art acquisition is driven by personal connection rather than investment, and she encourages a varied, personal collection that is not constrained by a single color, theme, or size. This reflects her belief that art should be an extension of one's identity and adapt to different living environments. Her new flat also includes a dedicated home office space, reflecting the increasing demand for functional work-from-home solutions, and emphasizes the importance of comfortable and beautiful surroundings for virtual meetings. The flat’s spacious roof terrace was a major draw. Initially neglected by previous tenants, Duncan revitalized the outdoor space by clearing debris, adding vibrant plants from the Prince Edward Flower Market, and refreshing existing sofas with new cushions. This transformation created an inviting area for dining, reading, and gardening, aligning with her desire for a home that encourages relaxation and entertaining. The article provides a detailed inventory of furniture and art pieces in various rooms, including the living room, dining area, office, main bedroom, and roof terrace, showcasing items from designers and brands such as Cassina, Altfield, Jim Thompson, Manks, La DoubleJ, Tom Dixon, Astier de Villatte, Oluce, &Tradition, and Artemide. These specific mentions offer readers a glimpse into her curated collection and provide potential sources for similar items. The emphasis on both functionality and aesthetics, combined with the successful revitalization of a previously underutilized space, underscores Duncan's expertise in creating personalized and livable interiors. #InteriorDesign #HongKongHome #UpcycledFurniture #EclecticArt #RoofTerrace #HomeOffice #LifestyleChange #PersonalizedDecor

This article details the transformation of a 5,000-square-foot new-build house in southwest London, where interior designers James Arkoulis and Saskia Howard of Howark Design created a vibrant and family-friendly home. The homeowners, particularly their three children aged 7 to 11, drew inspiration from the whimsical interior of the kids' film Paddington Bear. This unconventional reference led to a design ethos focused on fun, color, and practicality for an active family life, moving away from the previous developer-grade finishes like glossy gray kitchen units and marble floors. The design process involved a deliberate shift towards a more colorful and energetic aesthetic. The designers had to navigate the homeowners' desire for brightness, sometimes even pushing for bolder hues than initially suggested. A key element was the extensive use of color, exemplified by the kitchen's bright yellow cabinets, painted with Farrow & Ball’s Babouche. This choice, while requiring convincing, ultimately achieved the desired warm and balanced effect. The kitchen, a large 30-foot space, was ingeniously divided into three distinct zones—an island, a dining setup, and a lounge area—using a bespoke glazed partition and strategic furniture placement, preventing it from feeling overly long and ensuring each section served a real purpose. Storage was a high priority and a significant investment. Bespoke solutions were implemented throughout the house, including a large media unit and library shelves in the basement playroom. This area, spanning the entire footprint beneath the kitchen, was designed with bold colors for the media unit to house board games and art supplies, while a ladder rail provided access to an expanding book collection. The designers also made clever cost-saving decisions, such as retaining the existing wardrobe boxes and updating them with new fronts to create a uniform, custom look. Artisan craftsmanship was incorporated, particularly in the principal en suite, where space was reallocated to expand the dressing room. This expansion included a unique upholstered niche for the children to relax in while their mother prepared. Hepzabeth from the Textile Wall Company created this cozy space, fully upholstered with batons for a soft and enveloping feel. Other impactful, albeit smaller, details included replacing harsh chrome hardware with antique brass in the bathrooms to align with the house’s classical proportions and swapping recessed lighting for softer wall sconces and flush mounts. Several design decisions, like the boldly colored stair runner spanning four levels, were considered risks at the time but ultimately contributed to the home's distinctive character. The project showcases how a creative and playful inspiration, combined with thoughtful design and material choices, can transform a standard new-build into a personalized, functional, and joyful living space tailored to a family's unique dynamics and aesthetic preferences. #HomeTour #LondonHome #InteriorDesign #ColorPalette #FamilyHome #KidsInspiredDesign #BespokeFurniture #KitchenDesign #PlayroomDesign #StorageSolutions #TextileWall #Renovation

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

The article details the seven-year-long decorating process of interior designer Emma Grant's London apartment in Primrose Hill. Grant, who transitioned from a fashion career to interior design, has used her home as a personal laboratory for her unique finds and design experiments. The apartment, a two-bedroom unit in an 1870s row house, features high ceilings and a front terrace overlooking Primrose Hill and the London Zoo, offering an unusual green view for London. The living space is south-facing, providing ample natural light throughout the day, which influenced the apartment's color scheme. Grant’s approach to decorating is unhurried, reflecting a passion for collecting unique pieces rather than adhering to trends. Her finds include a 19th-century wavy marble bistro table, bathroom shelves made from Verde marble fragments sourced from Tate Britain, an antique Suzani blanket that inspired her bedroom's color palette, and gold sconces acquired at auction. Before moving in, the apartment already boasted desirable features. Grant's initial renovations included restaining the oak floors and commissioning a custom ceiling rose to complement the existing vine cornicing in the dining room. A significant design choice was to abandon the previous owners' blue and turquoise walls in favor of a new color palette that transitions from light to dark, moving from the front of the apartment towards the back. The narrow hallway serves as a neutral bridge, painted in Edward Bulmer's Eau de Nile, a color made with natural, eco-friendly pigments. In the main bedroom at the rear, a pale blue, reminiscent of the former color scheme, is accented with pops of cherry red, creating a striking contrast. The kitchen, located at the front, was brightened by salvaging and refreshing the existing cabinets. Grant replaced bulky upper cabinets with reclaimed wood veneer shelving and reduced an imposing black backsplash to a thin border, opting to display her glassware and ceramics. The lower cupboards were painted in Farrow & Ball's School House White and fitted with vintage brass hardware. The flooring features wavy tiles, inspired by a trip to Sierra Leone, which is also referenced by raffia-skirted chairs in the living room that her fiancé brought back from Freetown. The living room, predominantly white, is layered with vintage mirrors, terracotta vases, and a ruby red velvet sofa, which was a secondhand Harrods purchase. The extra-deep sofa, too large for the staircase, required hoisting through the French doors. Grant also incorporates seashells collected from her travels, displayed on chair rails, adding a personal and whimsical touch. Recent projects include remodeling two bathrooms, one with a custom wavy marble sink and another with a $25 blue-bordered sink salvaged from another renovation, requiring the sacrifice of wardrobe space for an enlarged shower stall. Her latest addition is a 19th-century Shaker-style four-poster bed for the second bedroom, reflecting her ongoing joy in curating a unique and evolving home. #InteriorDesign #HomeDecor #LondonApartment #ColorPalette #VintageFinds #Renovation #UniquePieces #EclecticStyle #HomeTour

The article details the design process and outcome of a custom-built home in Dallas for Chris and Lynsey Synek, whose personal style, particularly Lynsey's "couture" fashion, heavily influenced the interior design. Faced with a limited real estate market offering homes that were either too old or too small, the Syneks decided to purchase a lot and embark on a custom build. They engaged designer Philip Thomas Vanderford of Studio Thomas James, Janson Luter Architects, and builder Faulkner Perrin to create their ideal home. The design aesthetic for the house was directly inspired by Lynsey Synek's curated and edgy fashion sense, characterized by precise editing and a specific color palette. This influence translated into the home's selection of deep charcoals, dusty whites, spicy mustards, eggplant, and sophisticated pinks, some enhanced with high-gloss finishes. These colors were balanced with natural elements like oak beams, flooring, and cabinetry, extending even to the office ceiling. Vanderford's approach focused on holistic design, ensuring seamless transitions and optimal mobility between spaces. The couple's preference for having all main living areas on the first floor guided the layout. A central feature of the home is the living room, designed as the nexus for family and guests, and considered one of the Syneks' favorite areas. To prevent the large room from feeling either overcrowded or empty, Vanderford implemented a "rule of two," using pairs of significant furniture pieces such as 85-inch settees, midcentury modern chairs, and coffee tables. This strategy aimed to improve circulation and flow, making the room feel both inviting and functional without appearing cartoonish, a common pitfall in oversized Texas rooms. The article also provides a room-by-room breakdown, highlighting specific design choices and sourced items. The entryway features an inky, textural wallcovering from National Solutions and custom black-and-white tile, complemented by a custom Riloh chandelier and a St. James Lighting lantern. The living room includes pieces from Paul Matter and Baker-McGuire, with a Stark rug. The family room, serving as a more informal entertaining space, contains chairs by Julian Chichester, a Visual Comfort & Co lamp, and a coffee table from Theodore Alexander. The kitchen is characterized by a wall of windows, warm oak cabinetry, and Bianco Superiore quartzite, furnished with vintage stools in Élitisfabric and Riloh pendants. Further sections detail the butler's pantry with Hapny hardware, a breakfast nook featuring a custom banquette and a Riloh chandelier, and a dining room painted in high-gloss Benjamin Moore Ciao Bella, accented with Carlucci draperies and a Jonathan Browning Studios chandelier. The wet bar, located opposite the living room, is equipped with Fyrn barstools. The powder room showcases terrazzo tile from Ann Sacks, Visual Comfort & Co sconces, and Phylrich fixtures. The primary bedroom features a supersized custom headboard and a pitched ceiling, with a Visual Comfort & Co chandelier and Thibaut wallcovering. The main level owners' suite and an outdoor cabana are also mentioned, completing the comprehensive tour of this custom-tailored Dallas residence. #InteriorDesign #HomeDecor #LuxuryHomes #CustomBuild #DallasRealEstate #InteriorArchitecture #ColorPalette #FurnitureArrangement #PhilipThomasVanderford

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

The article presents a case study of a London home designed by Howark Design, aiming to evoke a country feel within a city setting without resorting to clichés or artificial elements. The client, a young Belgian woman who is an avid equestrian, desired a relaxed home that incorporated her family's heirloom antiques while also accommodating frequent international travel and large dinner parties. The design team successfully blended country charm with modern city influences through careful layering of colors, patterns, and vintage pieces. The project addressed several key challenges, including maximizing natural light in what was initially a dark space. This was achieved by enlarging the door between the kitchen and dining room to create a more linked ground floor layout. Additionally, a glazed partition was introduced between the front door and the sitting room, allowing for separate entrance area treatment while ensuring maximum light penetration. This partition enabled the creation of a statement entrance with bold-colored paneling and Victorian-style tiled flooring. In the front room, seating was optimized with a custom-designed sofa featuring angled sides to fit snugly into the bay window. The kitchen exemplifies the successful integration of country aesthetics without being overly traditional. It boasts a lived-in feel with personality and charm, featuring collected pieces rather than an overly curated look. The color scheme plays a crucial role in balancing the country and city styles; a deep red on the kitchen island, pantry storage, and range cooker grounds the warm neutral cabinetry, adding playfulness and interest. A subtle pop of pale lime green on the door trim further distinguishes the space from a standard neutral kitchen. The design team chose this green to complement the garden view, deeming black metal too harsh. A key functional addition to the kitchen was a pantry, despite limited space. The designers noted that incorporating this element required careful planning, but the final result was highly satisfying. The use of vibrant colors extends to the home office, where bold red bookshelves are contrasted with a traditional family portrait above a reclaimed fireplace. This deliberate juxtaposition creates a playful yet balanced aesthetic, preventing the ornate artwork from overwhelming the smaller room and ensuring a contemporary feel alongside antique elements. In the main bedroom, a more muted color palette is employed, but interest is maintained through vintage furniture and layered patterns. The walls were kept neutral with warm undertones, allowing vibrant accessories and furniture to stand out. The successful mixing of patterns in this space is attributed to varying the scale of the prints, ensuring they harmonize rather than compete. This approach results in a subtle yet engaging visual texture. Throughout the entire project, the interplay of bold colors like red, lime green, dark blue, and mustard yellow, alongside layered prints, demonstrates how these elements can create livable spaces. The design achieves a delicate balance where colors sometimes reflect the urban setting and other times contribute to the rural ambiance, making the home a true homage to country living within the city. #InteriorDesign #LondonHome #CountryStyle #CityLiving #HowarkDesign #HomeDecor #KitchenDesign #ColorPalette #VintageFurniture

This article showcases a Maryland home designed by Mona Hajj, emphasizing a global-inspired aesthetic that blends multicultural elements with comfort for a young family. Hajj's design philosophy integrates antiques and textiles sourced from various parts of the world, creating a cohesive and inviting living space. The article provides a room-by-room tour, detailing the design choices and key pieces that define each area. The living room's design is centered around a 19th-century Persian Tabriz rug, which dictates the room's color palette. Two distinct conversation areas are established, featuring a skirted sofa by Gérard and a wooden-legged sofa from A. Rudin. An armchair by Dessin Fournir and an antique Regency walnut table from a Parisian flea market further enhance the room's global and timeless appeal, showcasing a mix of historical and international influences. The dining room is highlighted by a custom walnut table with rosewood banding, designed to extend and accommodate up to 16 guests, indicating a focus on both aesthetic appeal and practical functionality for entertaining. This piece reflects a blend of craftsmanship and scale suitable for family gatherings. In the family room, a linen velour sectional by Verellen serves as the central furniture piece, offering comfort and anchoring the space. A cocktail table by Kerry Joyce complements the seating arrangement, while curtains in Ralph Lauren Home linen contribute to the room's refined yet relaxed atmosphere. The walls of the family room feature a faux finish, with trim painted in Benjamin Moore's Soot, adding depth and a sophisticated backdrop to the decor. An Arne Jacobsen Egg chair, upholstered in Moore & Giles leather, is illuminated by a 1960s Italian floor lamp, introducing an element of classic modern design. The daughter's bedroom is designed with a regal canopy, adding a whimsical touch, while glass nesting tables from Donghia provide a sleek, contemporary contrast. Nevis curtains by Lady Ann Fabrics, adorned with a Samuel & Sons pom-pom fringe, further contribute to the room's decorative layers. Throughout the home, the design seamlessly merges diverse cultural influences with functional and stylish elements, creating a uniquely personalized and family-friendly environment. The overall design narrative emphasizes comfort, global aesthetics, and thoughtful integration of various design periods and origins. #GlobalStyle #InteriorDesign #MonaHajj #MarylandHome #AntiquesAndTextiles #FamilyHome #EclecticDecor #DesignInspiration

The redesign of a London home by interior designer Tiffany Duggan, owner of Trove, demonstrates a bold yet practical approach to interior design, emphasizing unexpected elements and clever space utilization. The homeowner's desire for a unique yet functional space led to a collaboration that embraced risk-taking in design choices. In the primary suite, a client's request for leopard print was integrated through a custom upholstered bench and bolsters, despite initial concerns about clashing with existing elements like Beata Heuman’s Florentine flowers on curtains and Farrow & Ball’s Pond Green walls. This unconventional choice ultimately added a distinctive touch to the room. The overall design philosophy for the Sloane Square home prioritized individuality without sacrificing functionality. This was evident in the foyer, where classic checkered marble floors, inspired by a trip to Majorca, were paired with an unexpected green-gray paint from Farrow & Ball on the baseboards and stair railing. The breakfast nook also incorporated old-world glamour with a mirrored wall featuring new glass treated with a faux patinated finish. The narrow home, characterized by its five choppy upper floors with small rooms and landings, necessitated designs that were both aesthetically pleasing and practical. A key design challenge was integrating modern conveniences like a television without disrupting the aesthetic. In the green living room, a television was ingeniously concealed behind reflective glass from Overmantels, appearing as a mirror when not in use. This solution addressed the homeowner’s desire for a TV while maintaining the room’s sophisticated decor. The kitchen, being the darkest room in the house, was brightened by painting all surfaces, including tongue-and-groove paneling and low ceilings, in a soft white. Bianco Rhino marble without prominent veining and natural oak plank floors further contributed to a lighter, less cluttered feel, with hardware-less cabinets enhancing the minimalist approach. The attic level features another optical illusion in a guest suite. A twin bed appears custom-built into a window nook but is actually a freestanding divan framed by a valance and curtains, with only the headboard custom-fitted to the sloped corner. This creates a cozy, integrated feel. The adjacent larger guest space shares a blue-red color palette but inverts its dominance, with crimson becoming the focal point. This deliberate coordination, along with details like gingham pillows and a floral quilt, evokes the charm of a hotel guest room or a Cotswolds retreat, offering a comfortable and stylish experience. #InteriorDesign #HomeTour #LondonHome #StudioDuggan #OpticalIllusions #CreativeSolutions #LeopardPrint #HiddenTV #GuestBedroom

A frequent-flying couple with a preference for Japanese design sought to create a Zen-inspired pied-à-terre in Hong Kong. Interior architecture company In Situ & Partners was tasked with transforming a 2,000 sq ft Mid-Levels apartment, which offered open views of the harbour and the city. The project began with a complete gutting of the apartment, leaving only structural elements, to allow for a flexible new layout. The original four-bedroom, two-bathroom apartment with helper’s quarters was deemed unnecessary for a couple without children. This presented an opportunity to reconfigure the space to meet their specific desires, which included a traditional tatami room, a dedicated tea pantry, and an onsen, reflecting their appreciation for Japanese culture and relaxation. In Situ & Partners adopted a “less is more” philosophy, aligning with the couple’s request for a minimalist aesthetic and a high degree of privacy. The design concept emphasized clean lines, natural materials, and a neutral colour palette throughout the apartment. To maintain an uninterrupted visual flow and streamlined appearance, elements such as door handles and light switches were meticulously integrated into walls paneled with light oak joinery, ensuring they were concealed or blended seamlessly with the surroundings. #HongKongApartment #JapaneseDesign #ZenInspired #InSituAndPartners #MinimalistInterior #TatamiRoom #OnsenDesign #NeutralPalette #NaturalMaterials

The home of Jason and Jenny Rose MacLean in Camberwell, South London, is featured in an excerpt from Alexander Breeze's new book, 'The Life Eclectic.' This residence, designed in the 1970s by architect Martin Crowley, served as his personal dwelling and was constructed on the site of two former garages. The MacLeans were drawn to the house's unique character and its potential to echo the aesthetic of the Eames House in California, valuing a diverse and bold approach to interior design. Their home showcases a distinct eclectic style characterized by color-blocking, strong patterns, and a thoughtful integration of various furniture eras. Central to the MacLeans' design philosophy is the emphasis on effective storage solutions. Jason MacLean highlights the importance of concealed storage, asserting that the home maintains a consistently tidy appearance due to the ample drawers, cabinets, and original built-in overhead storage. This design choice allows for the orderly containment of everyday items, maintaining clean lines and a streamlined look while enabling the display of carefully curated objects. In their son Stanley’s room, for instance, dyed MDF wardrobes incorporate hidden storage, neon baskets for toys, and a niche for cherished playthings and natural mementos. The house's existing structure and materials played a significant role in dictating the couple's decor choices. The exposed structural supports with painted metal and the breeze-block walls, with their contrasting textures, provided a strong foundation for their sympathetic furnishing and decoration. The couple's collection of 1970s German modular storage in the office and living room, alongside pieces like Allan Gould’s string chair, seamlessly integrate with the space, set against vibrant backdrops. This organic evolution of their collection allowed the house to grow with their tastes and needs. Bold patterns are strategically used to draw attention and enhance the aesthetic. In the kitchen, a bright yellow space with concealed strip lighting, a pattern by Eley Kishimoto adorns the cupboards and wall, effectively distracting from the wall-mounted oven. This pattern is subtly echoed in punched metal grilles between the office and hallway, creating intriguing light effects. While the MacLeans appreciate a clean aesthetic, their home also embraces the gentle wear of lived-in spaces, seen in the soft distress of their leather sofa and the marks on the office desk, adding character and warmth. The MacLeans' display strategy involves color-blocking and grouping similar items for visual impact. A shelving system in the kitchen-living area primarily holds books but also features a collection of vintage toolboxes. Artwork, such as original test prints from Mac Fisheries supermarkets from the 1930s to 1970s, adds vibrant color and historical depth. The home also includes unique design elements like the pale blue en suite bathroom, which was a rushed project completed before their wedding, featuring swirling linear tiling inspired by German U-Bahn stations. This blend of intentional design and personal history reflects a dynamic and evolving living space, even as the MacLeans recently transitioned to a new, older property in rural Gloucestershire, hinting at a new design challenge while maintaining their core aesthetic principles. #EclecticDesign #ColorBlocking #HomeTours #InteriorDesign #LondonHome #StorageSolutions #MidCenturyModern #PatternPlay

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

This article offers a detailed house tour of Agi Dmochowska's Victorian end-of-terrace home in Portsmouth city center, UK. Agi, her husband Bart, and their two children, Hanna (6) and Leon (5), reside in the 1,184-square-foot house, which they have owned for nine years. The family has redecorated the home twice and undertaken structural work to open up the downstairs space, aiming for a family-friendly layout. The decor is described as eclectic, colorful, and comfy, achieved on a limited budget, yet effectively reflecting the family's personalities. Key features of the home include a cozy living room with a gray armchair, patterned rug, cactus, framed art, and string lights, showcasing a blend of textures and decorative elements. Another living area features dark walls, a wooden dresser, a blue chair, various plants, and gold hanging decor, contributing to the eclectic aesthetic. A bedroom is adorned with a pink bedspread, pink pillows, and pink floral wallpaper, highlighting a playful and personalized touch. The modern kitchen features dark teal walls, wooden countertops, a hanging light, a cactus, and a neon sign that reads "make cakes not war," demonstrating a unique and whimsical approach to design. Agi's favorite room is the downstairs living/dining area, chosen for its versatility and family-friendly atmosphere, which resulted from knocking down walls to create a more open-plan layout. If she could change one thing, Agi would move the kitchen to the back of the property and install large bi-fold doors to enhance access to the garden. The most recent addition to their home decor is an olive green velvet sofa from Sofa.com, a long-desired item that adds a touch of luxury and comfort. When asked which fictional character would feel most at home in their space, Agi suggested the Mad Hatter, describing their house as fun and a bit wacky, indicating a vibrant and unconventional style. Agi's advice for creating a beloved home is to be bold and brave, emphasizing that the home should be a comfortable space that its occupants love. She also highlights the importance of utilizing wall space for decoration, noting its often-neglected potential.

Irene Gunter's inaugural large-scale project involved the interior architectural redesign of a family home in southwest London, a property that, despite its period-style facade, was only constructed in 2021. The design brief from the clients emphasized creating a home that was simultaneously family-friendly, comfortable, elegant, luxurious, fun, and informal. A key requirement was stylistic harmony throughout the residence, ensuring a cohesive flow between rooms while incorporating vibrancy and unexpected color in specific areas. The interior was intended to be uplifting and engaging, moving away from a bland, neutral aesthetic. Irene Gunter's approach centered on a carefully curated color palette predominantly featuring blues and greens, augmented by warmer tones. She stressed the importance of layering these colors to ensure they supported each other and maintained compatibility. Comfort was a paramount consideration, leading to meticulous selection and testing of furniture, such as dining chairs, to guarantee their suitability and durability. The designer collaborated with trusted craftsmen for custom pieces like sofas, relying on their proven track record. Among the standout spaces in the home is the formal sitting room, which features extensive paneling painted in a 'seductive light pink.' This choice was strategic, as the room is north-facing, and a simple white would have appeared flat. The pink hue was selected to imbue the space with warmth and comfort, creating an atmosphere that feels welcoming and elegant. The use of curved sofas and a rounded ottoman in this room not only enhances circulation but also addresses practical concerns related to young children, eliminating sharp corners. In contrast to the serene sitting room, the kitchen introduces a bold punch of navy blue, adding a dramatic element to the design. The high ceilings of the house were leveraged to create a sense of grandeur while simultaneously making the expansive space feel intimate and cozy. The design incorporated a blend of materials, including stone, tiles, and wood, to introduce texture and visual interest. A robust quartz was chosen for the work surfaces, complemented by a wood finish on the island and larder unit. Kit kat tiles on the splashback were used to introduce a Japanese aesthetic, further enriching the material palette. Olive green bar stools were strategically placed to connect the interior with the garden views, maintaining the theme of harmony. Pale wood was used to link the island and the larder unit, which was designed to resemble a free-standing piece. Reeded details on the larder unit and island echoed the pattern of the tiles, creating subtle connections throughout the space. The overall effect is a home that is inviting and warm, achieved through layered textures, playful colors, and a distinct personality, reflecting the designer's vibrant, colorful, and sophisticated style. #InteriorDesign #HouseDesign #LondonHome #NewBuild #ColorPalette #InteriorArchitecture #CustomFurniture #FamilyHome #ElegantInteriors

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

This article showcases the renovation of a 15th-floor apartment in Singapore, designed by Elizabeth Hay. The project is a collaboration of cultural and geographical influences, resulting in a richly layered and dynamic aesthetic. The apartment's owners, a Malay-British and German couple with a young daughter, desired a relaxed, layered yet crisp and clean design. Elizabeth Hay, trained under Colefax and Fowler and Veere Grenney, brought her international expertise to realize this vision. The initial phase of the renovation focused on addressing the apartment's structural limitations. Built in the 1980s, the apartment featured high ceilings but a kitchen that was small and lacked natural light, located at the 'back of house.' The design team reconfigured the kitchen, enlarging its footprint by incorporating space from the laundry and living rooms. Arched, black metal-framed internal windows were installed to introduce more light into the newly expanded kitchen. The main bathroom was also increased in size, and a third bedroom was converted into a study, complete with a hidden book-lined door leading to a storage closet. Once the structural changes were complete, the focus shifted to adding informal layers to the interiors. The design aimed for a cozy and fun atmosphere rather than an overly designed look. Elizabeth Hay achieved this through a blend of textures, textiles, and a slightly more restrained color palette than her usual schemes. Key design elements include pared-back joinery combined with botanical artwork, the integration of cane and bamboo with teak, and the use of vivid wall murals alongside terracotta floors. The kitchen, now significantly larger, features rich teal cabinetry juxtaposed with striking marble surfaces. Throughout the apartment, a mix-and-match approach is evident. Examples include a teak four-poster bed complemented by relaxed cane furniture, and a classic lamp placed atop a bamboo console. Playful motifs are incorporated, such as built-in bunk beds with pink trim in the daughter’s room and scaled-up Chinoiserie wallpaper in the powder room. Other details, like fabric-backed cabinets in the main bedroom and a pale green bath, add touches of sophisticated glamour. The clients' Anglo-Indian artifacts, including a large armoire in the bathroom, are seamlessly integrated into the decor. The apartment embodies a melting pot of cultural references, with elements such as lush green fronds, block-printed fabrics, a chair in linen ticking, a dense Berber rug, and encaustic tiles alongside a bone inlay vanity unit. The daughter's bedroom features an elaborate mural for a painterly backdrop and built-in loft beds with a desk area, designed to adapt as she grows. Ample storage is provided through a four-door closet and open shelving. The cohesive feel is maintained through a consistent color palette, notably soft green and coral tones. This renovation successfully created a collection of welcoming rooms that cater to a growing family with an international sensibility, highlighting the harmonious integration of diverse design influences. #ApartmentDesign #InteriorRenovation #ElizabethHayDesign #SingaporeApartment #CulturalInfluences #LayeredDesign #KitchenRemodel #TextileDecor #GlobalInspiredHome