Optical Illusions Hide Everything From a TV to a Daybed in This Cozy London Home

The "Showhouse Resource Guide" provides a comprehensive list of designers, brands, and specific items used in the "Design Hollywood at the Century" showcase, highlighting the creative vision and detailed sourcing behind each curated space. The guide categorizes the contributions by residence and specific rooms, offering insights into the diverse styles and design philosophies employed by the participating designers. For Residence 20A, Joan Behnke’s master bedroom and closets featured pieces from Scott Daniel for Environment (table lamps), Stark Carpet (area rug), Micucci (cashmere throws, pillow covers), and Holly Hunt (Christian Astuguevieille cabinet, Sandra Jordan drapery fabric). Other notable contributions included custom casegoods by G&E Custom, plaster work by Arte Bella, and various accessories from Charles Jacobsen and Vis-a-Vis. The master closets were styled by Clos-ette, with clothing from Brooks Brothers and Shopbop. Tim Clarke’s dining room showcased furniture and a rug from Grace Home Furnishings, sconces from Circa Lighting, and wallpaper by Caba/Barkskin. His own designs for dining chairs and decorative accessories were also featured. Waldo Fernandez’s Great Room incorporated a bronze sled-based ottoman by Calvin Klein Home, a floor lamp from Circa Lighting, and several Jean Royere-inspired pieces by Waldo’s Designs, such as the Ours Polaire sofa, chairs, sconces, and a console. Other unique items included a vintage Moroccan rug from Mansour and French Georges Jouve vases from JF Chen. Jane Hallworth’s Bedroom 2 included bathroom sconces and table lamps from Circa Lighting, wall and drapery fabric from Beacon Hill, and a walnut music console from BDDW. Blackman Cruz provided a bronze record side table and a molar stool, while Lee Stanton contributed vitrines and artwork. The room also featured a rug from Jamal’s Antique Rug Collection and paintings by Jaime Orozco. Kathryn M. Ireland’s kitchen and family room highlighted a sectional sofa from Grace Home, a console from Environment, and her own designs for sheer curtain drapery, pillows, and a coffee table. Photographs from Peter Fetterman Gallery and a rug from Woven Accents completed the space. Robert A.M. Stern Architects designed the elevator vestibule with Farrow & Ball ceiling paint, an overhead light from Maison Gerard, and sconces by Pascal Boyer. Dragonette supplied a decorative screen, and a bench from Bernd Goeckler was upholstered with Edelman Leather. Adam Bram Straus’s powder room and hallway utilized Stark Carpet for wall upholstery fabric and Farrow & Ball paint. His own designs for the vanity and bookcases were fabricated by Showcase Cabinets, with art from Los Angeles Modern Auctions and John Wolf Fine Art. Between Residences 20A and 20B, Cliff Fong’s passage featured Farrow & Ball paint, furniture, lighting, and art from Galerie Half and JF Chen, and rugs from Woven Accents and J Illoulian. In Residence 20B, Natasha Baradaran’s powder room and hallway displayed a spider rug by Neisha Crosland from The Rug Company, an axel console by Jean De Merry, and a custom mirror from Downtown. Her own facett bench was upholstered with Dedar fabric from Kneedler-Fauchere. The powder room included a Ramo mirror by Jean De Merry and a Doria crystal chandelier from Downtown. Oliver M. Furth’s elevator vestibule featured Farrow & Ball paint, an antique malayer carpet from Stark Carpet, and unique items such as 19th-century North Korean Bandaji chests from Susanne Hollis and “Argente” stools by Paul Evans from Galerie XX. JF Chen provided Dutch Bubble-Glass sconces and a convex horn mirror. Trip Haenisch’s master bedroom and closets included a rug from The Rug Company, bathroom sconces from Circa Lighting, and Fromental Wallcoverings wallpaper. Custom Cal king beds and throw pillows were sourced from Thomas Lavin/Mark Alexander and Hollywood at Home/Peter Dunham, respectively. Marmol Radziner & Associates’ Bedroom 3 showcased Beacon Hill throw pillow fabric, Calvin Klein Home bedding, and a goat fur rug from The Rug Company. Custom walnut beds and leather-wrapped nightstands were created by Marmol Radziner Cabinet Shop. Nickey • Kehoe’s Bedroom 2 featured Stark Carpet wallpaper, a tapestry art piece from The Rug Company, and chairs from Nickey · Kehoe. Walnut supplied niche book wallpaper, and artwork was sourced from Sears Peyton Gallery. David Phoenix’s Great Room incorporated Beacon Hill fabric for drapes and furniture, Jean De Merry cocktail tables and sconces, and an area rug from Natural Carpet Company. Warner Bros. constructed the sectional sofa and club chairs, while fine art and sculpture were provided by Travis Hansson. This detailed guide serves as a valuable resource for understanding the design elements and collaborations that brought the showcase to life. #InteriorDesign #Showhouse #DesignHollywood #HomeDecor #LuxuryDesign #InteriorStyling #Furniture #Textiles #Lighting

The Designer Show House, a biennial event sponsored by the Village Improvement Association in Rehoboth Beach, Delaware, showcases diverse interior and exterior design inspirations across its 6,000 square feet of space and nearly an acre of outdoor areas. This event serves as a platform for regional designers to present their expertise and offers visitors a wealth of ideas for their own homes. One featured space is a sunken living room, designed by Kate FitzGerald-Wilks of Timeless Design in Landenberg, Pennsylvania. This room embodies a West Indies aesthetic, characterized by bold lines, soft sandy hues, and rich textures. Key elements include vintage stick bamboo chairs painted black, adorned with Kuba cloth and Ralph Lauren zebra-stripe pillows on a slipcovered camel-backed sofa. A mid-century hutch is repurposed as a cocktail bar, complemented by sculptural metal and glass console tables flanking the fireplace. Wood mirrors with faux tortoise shell lean against textured wallpaper, while modern sculptures and art blend with antique books and global treasures. FitzGerald-Wilks also designed the dining room, aiming for a dramatic effect with a backdrop of 200 wine bottles and a striking Dolcetti chandelier crafted from shells and crystals, evoking sea glass. An 8-foot-long reclaimed wine rack sits atop a buffet. The room's color palette consists of soft creams and tans, punctuated by emerald green accents in the chandelier and wine bottles. Windows are framed with woven ikat print panels. An airy sunroom, conceived by Alfred Wolf Home (a new venture from Design Center of Rehoboth or DCOR), was designed to create a light-filled, contemporary transition between the house and garden. This involved removing existing French doors and window grills, painting the room in various shades of white and French gray-green, and incorporating textural elements of white canvas, iron, and marble. The family room, also by DCOR, maintained the warmth of its original paneling and fireplace stone, setting the foundation for a soft khaki and cream palette. The room is furnished with herringbone, tweed, and leather fabrics, offset by tortoise shell wood finishes and local tidal scene artwork. Mary Stewart of M. Stewart Interiors in Bear designed the upstairs hobby room, named "Just Us," intended as a shared family space for various pastimes like painting, photography, reading, chess, and Lego building. The room features updated cherished family heirlooms and is painted simply white to highlight paintings by Nadia Zychal. Nile Johnson of Kennett Square, Pennsylvania, designed the second-floor paneled library, drawing inspiration from Rehoboth's laid-back yet cosmopolitan atmosphere. This space offers an updated interpretation of a classic library, decorated in layers of sandy tans. Cyndi and Ron Oronzio and Cathie Sheetz of Dreamweaver Interiors of Rehoboth Beach decorated a bedroom and bath, inspired by vibrantly patterned fabrics. They utilized Robert Allen fabrics as wallpaper for an accent wall, building the room's design around this print. The team selected fabrics for their depth, crisp patterns, contrasting textures, and detailed embroidery, incorporating a bright coral pink accent color and rhinestone embellishments for a feminine touch. Brenda Carder of blcINTERIORS of Rehoboth Beach designed a small guest bedroom, combining natural cotton and linen fabrics with metal and reclaimed wood. Crown moldings add formality. To compensate for limited sunlight, the room was kept light and bright, with a deep navy blue accent wall and touches of bright yellow for warmth. The second floor features art by Libby Zando of Zando Designs and Art Affects in Milton, alongside works by award-winning regional artists. Boardwalk Builders of Rehoboth transformed a hallway into a gallery space by adding wainscot paneling, creating an updated cottage aesthetic that visually broadened the hallway. Mark A. Polo of The Urban Dweller in Boonton, New Jersey, designed the master suite, aiming for comfort with soft textural colors ranging from taupe to blue. The furniture is upholstered to enhance the room's softness, featuring taupe draperies of embroidered sheer linen and silk edged in leather and freshwater pearls. Blonde floors are softened by a long-fiber rug. Outdoors, Erin Walls and Justin Bartels of Bella Terra Landscaping in Lincoln repurposed existing flagstone patios and walkways, adding new stones to create a Celtic-inspired design. The layout divides the space into a grand area for social gatherings and secluded nooks for quiet retreats. Creative Concepts Furniture of Lewes and Ocean View furnished the patios as outdoor rooms with bright coastal colors, including a sectional, loveseat, dining area for six, and lounge chairs, inviting visitors to envision themselves in the setting. #DesignerShowHouse #InteriorDesign #HomeDecor #RehobothBeach #DelawareDesign #LuxuryInteriors #OutdoorLiving #DesignInspiration

Creating a relaxing bedroom environment is crucial for unwinding at the end of a busy day. Interior designers Jennifer Jones, Christine Jahan, and Janelle Patton offer six key strategies to transform any bedroom into a serene retreat, regardless of its size. These tips focus on sensory elements, organization, and comfort, which collectively contribute to a calming atmosphere. Effective lighting is identified as the primary factor in establishing a relaxing mood. Jennifer Jones emphasizes the importance of warm bulbs, particularly in table and floor lamps. She suggests using dimmable options, such as Phillips Hue LED bulbs, which are versatile enough for various lamp types. The goal is to avoid harsh, bright lighting that can disrupt the tranquil ambiance, opting instead for soft, inviting glows that promote relaxation. Color selection also plays a significant role in fostering a calm space. Christine Jahan advises against using bold or highly saturated hues in the bedroom, as they can subtly keep the brain alert. Instead, she recommends a palette of soft, muted tones like dusty blues, warm grays, and sage greens. These colors harmonize well with neutral shades such as whites, beiges, and soft browns, contributing to a cohesive and soothing aesthetic, especially around the sleeping area. Clutter is cited as a major obstacle to relaxation. Both Jennifer Jones and Christine Jahan highlight that visual clutter can be as stimulating as vibrant colors. To counteract this, designers suggest streamlining the space by utilizing closed storage solutions, including dressers and nightstands, to keep non-essential items out of sight. For smaller bedrooms or limited storage, areas under the bed can be repurposed to store seasonal clothing or extra decor, effectively concealing items and promoting a sense of order. Incorporating diverse textures is another essential design element for a relaxing bedroom. Christine Jahan advocates for mixing various textiles to create a tactile calm. Natural fabrics like linen and organic cotton, combined with layered rugs and curtains, add depth and softness to the room, enhancing its cozy and inviting feel. These textures engage the sense of touch, contributing to an overall comforting experience. Investing in high-quality linens is also recommended to elevate the bedroom's comfort and luxury. Janelle Patton suggests upgrading bedding, towels, and window treatments to achieve a hotel-like experience. For window coverings, she advises using two layers to create a blackout effect, which is particularly beneficial for sleep and privacy, further enhancing the perception of a high-end property. Finally, adding comfortable seating can significantly improve the functionality and relaxation potential of a bedroom. Janelle Patton points out the benefit of having a dedicated spot for activities other than sleeping, such as reading or working. She recommends incorporating a chaise lounge by a window or a bench or chairs at the foot of the bed. These seating options provide versatile spaces for relaxation, allowing individuals to enjoy their bedroom without always having to be on the bed, thus completing the design for a truly relaxing sanctuary. #BedroomDesign #HomeDecor #InteriorDesign #RelaxingSpace #LightingScheme #ColorPalette #ClutterManagement #TextileLayering #LuxuryLinens #ComfortableSeating

The article explores the enduring appeal of the house featured in the film 'Practical Magic,' describing it as a blend of East Coast tradition, witchy charm, and deep-seated coziness. The author recounts a childhood memory of being captivated by the house's design, including its white Victorian architecture, glass conservatory, beadboard, open shelves, and apothecary jars. This aesthetic is contrasted with the 'daylight fantasy' of Nancy Meyers's kitchens, positioning the 'Practical Magic' house as an 'after-dark' ideal, characterized by moody jewel tones, color drenching, a touch of Whimsigoth, and inviting textiles. The piece highlights the house's ability to appear cinematic yet function as a lived-in home, emphasizing its design elements that evoke a sense of warmth and history. The house's timeless appeal is attributed to its architectural bones and character-filled accents, such as ironstone, apothecary jars, and stacked books, all illuminated by layers of warm lighting to prevent moody hues from appearing murky. The article emphasizes that the house functions as a character in itself within the film, creating a dynamic backdrop for scenes like the 'midnight margaritas,' where the home actively participates in the characters' experiences. It notes how details like herb bundles, botanical galleries, and talismans—such as jarred spices and pressed flowers—contribute to a sense of shared memory and childhood bonds. The designers, Robin Standefer and Stephen Alesch of Roman & Williams, are credited with intentionally crafting this sense of history and lived-in charm. They reportedly built the exterior from scratch, drawing inspiration from late-19th-century scrollwork, East Coast lighthouses, and Victorian homes, and meticulously added details like tincture jars and plant etchings to create a feeling of accumulated memory. The article connects this design philosophy to the contemporary 'Whimsigoth' trend, which combines Victorian revival with soft gothic elements, incorporating saturated greens, inky blues, dark wood, brass, velvet, brocade, botanicals under glass, apothecary jars, and taper candles. The 'Practical Magic' house is presented as a quintessential mood board for rooms that prioritize lamplight, book stacks, and intentional patina, offering a retreat from the outside world. The author concludes by providing a five-step guide to replicating the house's atmosphere at home without creating a mere 'costume' effect. These steps include incorporating glass cabinets and doors to display everyday objects and reflect light, utilizing farm tables and copper pots as versatile kitchen centerpieces, employing warm task lamps rather than overhead lighting for a cozier ambiance, applying color-drenched beadboards in moody tones to create an enveloping feel, and integrating greenery, jars, and book stacks to infuse life, ritual, and soul into spaces. #PracticalMagicHouse #HomeDesign #InteriorDecor #Whimsigoth #VictorianRevival #CozyInteriors #FilmInspiredDesign #ApothecaryStyle #ColorDrenching

This article describes Emma Burns' innovative approach to transforming a sitting room in her 19th-century London townhouse into an elegant bedroom. As one of the principal design directors at Sibyl Colefax & John Fowler, Burns faced the challenge of creating a strong focal point in a room that previously lacked one. Her unconventional solution involved bricking up a south-facing window and installing a new fireplace in its place. While acknowledging the sacrifice of natural light, Burns emphasized the importance of architectural grounding in a room's design. The inspiration for the bedroom's deep color scheme came from an unexpected source: the crocodile leather strap of her watch. When asked about her preferred colors, Burns' daughter, for whom the room was designed, pointed to the watch strap, leading to the selection of a dusty-chocolate hue. This consistent color is applied to the walls, woodwork, curtains, bed head, and valance, creating a cohesive and enveloping atmosphere. The paint used was 5-063 from Papers and Paints' 1950s collection, while the fabric chosen was Nicky Haslam's Chocolate Glazed Linen. To introduce a touch of visual interest and prettiness, Emma incorporated roller blinds in the Wildflower pattern from Chelsea Textiles, a design she admired after seeing it on Keira Knightley in 'Pirates of the Caribbean'. Further details of the room's furnishings are highlighted. A handsome semainier, a tall and narrow chest of drawers, is positioned in the small space between the windows. This piece is adorned with a 1960s Murano glass lamp featuring a pin-prick shade, sourced from Robert Kime. The bedside lamps are Sibyl Colefax & John Fowler’s classic Queen Anne design, distinguished by their flattened oval shades. A white bedspread, acquired in Delhi, provides a crisp and refreshing contrast against the rich brown tones of the room. The article showcases how a bold design decision, such as sacrificing a window for a fireplace, can fundamentally reshape a space and establish a strong design narrative. The careful selection of colors, fabrics, and decorative elements contributes to a sophisticated and unified aesthetic, demonstrating Burns' expertise in creating a luxurious and personalized interior. #InteriorDesign #HomeRenovation #BedroomDesign #LondonTownhouse #FocalPoint #ColorScheme #LuxuryInteriors #EmmaBurns #TraditionalDesign