This jet-setting couple’s Hong Kong apartment got a Japanese makeover

Kwang Wei Long and Yong Si Yun, a recently-married couple, transformed their 1,249 sq ft four-room HDB resale flat in Bishan into a Japanese-inspired sanctuary. While they had never vacationed in Japan together, their shared appreciation for Japanese culture and Si Yun's prior study of the language led them to infuse their home with elements reminiscent of the country. Their primary goal was to create a tranquil space for relaxation, drawing inspiration from the serene courtyards and gardens found in Japanese temples, and the way modern and historic elements are harmoniously blended in Japanese design. This vision was communicated to their interior design firm, Chalk Architects. The original flat presented several layout challenges, including an unusual balcony placement and an L-shaped living room, which felt dim due to a previous owner's addition of a bedroom. Despite this, the couple opted to preserve the apartment's original dusty-pink broken marble floor, finding its tones appealing. To enhance light and spaciousness, they removed the former study room wall, integrating it into a larger living room. A raised blond wood platform was installed near the entrance, accompanied by a built-in study desk facing the window. This area serves dual purposes: a dedicated workspace and a home yoga studio, complete with a wall-to-ceiling mirror. Further alterations included the removal of walls separating the dining room from the kitchen and the third bedroom, as well as the wall between the master bedroom and an adjoining bedroom. These structural changes were crucial for incorporating shoji screens, a traditional Japanese design element. The couple admired the aesthetic of these latticed wooden screen doors and their ability to flexibly open or segregate indoor spaces. Addressing concerns about Singapore's humid climate affecting traditional paper panels, the interior designer utilized glass-paneled lattice sliding doors for the dining, kitchen, and third bedroom areas. These doors allow light to permeate while maintaining distinct zones, and when fully opened, they create an expansive living and dining area. Similarly, the wooden sliding doors for the master bedroom and its adjoining bedroom, as well as the master bedroom's wardrobe doors, were designed to mimic shoji screens, using white wood instead of paper. These elements contribute to a quiet, meditative atmosphere, offering a versatile space that can also function as a work area, providing a visually appealing backdrop for virtual meetings. The designers ensured the shoji screen tracks were installed on the ceiling to prevent damage to the existing floor. The living room's accent wall also features a shoji-inspired panel design, complementing the natural light filtering through sheer curtains during the day and the inviting glow of cove lighting and pendant lamps after dark. The apartment's color scheme and furnishings reflect a minimalist Japandi aesthetic, blending Japanese and Scandinavian design principles. Blond wood, white tones, and pale grey soft furnishings create a calm environment, contrasted by the dusty-pink floor. Decorative items, such as a Japanese-inspired artwork sourced from Etsy and rustic earthenware, along with furniture like the L-shaped sofa, coffee table, and rug, were carefully chosen for their minimalist sensibilities and to fit the overall aesthetic. The couple prioritized hidden storage solutions, opting for a queen-sized platform bed, a flip-top desk, and an L-shaped sofa with integrated storage to maintain a clean and uncluttered look. For entertaining, the couple's large, rectangular kitchen island, fitted with castors, can be moved to extend the dining table, effectively doubling the seating capacity from five to ten. This flexible arrangement accommodates both small and large gatherings, fostering a communal atmosphere. Friends and family have positively received the home's clean, warm, and bright aesthetics, often remarking on the efficient storage solutions, which some visitors plan to incorporate into their own home designs. While the couple still anticipates a trip to Japan, their thoughtfully designed HDB flat provides a cherished space for living and working, bringing a slice of their favorite holiday destination into their daily lives. The project was part of CNA Lifestyle’s "Making Room" series, which highlights transformations of small homes. #JapaneseInteriorDesign #HDBRenovation #ShojiScreens #HomeTransformation #MinimalistDesign #JapandiAesthetic #SmallHomeSolutions #InteriorDesign #FlexibleLivingSpaces

Architect Patrick Lam of Sim-Plex Design Studio undertook a transformative renovation of a 492-square-foot apartment on Lantau Island, Hong Kong, converting a cluttered two-bedroom into a functional, flexible four-bedroom space for a young family. Inspired by his experience living in compact tenements, Lam focused on maximizing small living areas by integrating smart technology, concealed storage, and principles of feng shui. The project aimed to create a sense of airiness while accommodating the family's needs, including frequent overnight visits from the grandmother. The renovation began with a strategic reconfiguration of the apartment's layout. The old kitchen, previously cramped and inefficient, was converted into additional sleeping quarters. A new open kitchen was seamlessly integrated into the living area, creating a more spacious and interconnected central living space. To address the need for privacy and flexibility, folding doors were installed, allowing the living room to be easily privatized for guests, particularly the grandmother. This adaptable design ensured that the small footprint could serve multiple functions as required. A key design philosophy for Lam was to highlight the apartment’s prime Coastal Skyline location, which offers rare views of lush, green hills. To integrate the exterior landscape with the interior, he opted for natural materials and light color palettes, diverging from the often-futuristic aesthetic associated with high-tech designs. Pale maple and light gray wood veneers were extensively used for custom melamine joinery, covering most surfaces and contributing to a bright, warm ambiance. The remaining walls and ceilings were painted with white, moisture-resistant paint, intentionally avoiding dark colors that would visually shrink the space and ensuring a cohesive, luminous environment. Beyond visual illusions, tangible space was created through innovative construction. Raised platforms replaced traditional flooring, incorporating trapdoor-like panels that lift to reveal hidden compartments. These areas effectively store books, household items, and toys, eliminating clutter. One section of the platform was ingeniously designed to rise and form a coffee table, catering to tea ceremonies and casual dining in front of the television. Other hidden features included a pull-out drawer that transforms into a vanity and benches that fit snugly beneath a quartz dining table, maximizing utility without sacrificing aesthetics. The apartment also boasts intelligent, voice-activated features, including controls for lights, curtains, temperature, and door locks. These modern conveniences were deliberately concealed to align with the clients' desire to adhere to feng shui principles. Lam demonstrated that smart technology and traditional feng shui, though seemingly contradictory, could be compatible when applied thoughtfully. To maintain spiritual balance, the entertainment unit was designed with complete symmetry, and bay windows were framed in wood to prevent exposed beams from being above beds, a common feng shui concern. The final design achieves a harmonious blend of zen aesthetics and smart amenities, showcasing a skillful integration of modern functionality with ancient wisdom. #HongKongApartment #SmallSpaceDesign #SmartHomeTechnology #FengShui #InteriorRenovation #CompactLiving #FlexibleLayout #HiddenStorage #NaturalMaterials

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Samantha Hauvette and Lucas Madani, a Parisian interior design duo, have transformed a 1,720-square-foot duplex apartment in Paris's 16th arrondissement for a young family. The apartment, located on the top two floors of a 1980s building, was originally decorated in an Art Deco style and featured extensive oak paneling. The designers, known for their affinity for wood, particularly stained and varnished maple, embraced the existing oak, which had been bleached by the sun over nearly 40 years. They salvaged all the panels, sanding and staining them a dark chestnut hue, reflecting their preference for unconventional wood tones and their philosophy of creating interiors that "sing" without relying heavily on colors or patterns. The apartment's lower level comprises public spaces, two bedrooms, and two bathrooms, while the upper level includes a reading space on a mezzanine and a parental suite with a 215-square-foot terrace. Due to the decision to preserve the original paneling, significant structural alterations were limited. The designers' primary modification involved removing a sliding partition between the dining room and kitchen. Most architectural elements, such as the brass staircase banister, the marble-and-brick fireplace, and the building’s elevator shaft integrated into the mezzanine, were retained. Notable changes included the addition of a trumeau mirror in the sitting room and a complete overhaul of the primary bathroom, which now features a 1930s-style oak vanity. Hauvette and Madani draw inspiration from various sources, including Art Deco maestro Jean-Michel Frank, the film "High Society," and the spirit of the 1970s, which they interpret as a lifestyle approach rather than a literal use of period plastics. They were particularly keen to incorporate the work of Pierre Paulin, whose curved furniture provides a counterpoint to the apartment's more rigid shell. The duo's design philosophy centers on achieving "équilibre" or equilibrium, often through the harmonious combination of furniture from different eras, fostering intriguing dialogues between pieces that might not stand out individually. In the sitting room, a vintage painted-wood console by André Sornay is paired with Ronan and Erwan Bouroullec’s angular Facett sofa, and a parchment-clad 1970s cocktail table by Aldo Tura rests on a traditional Mauritanian rug. A prominent feature is the large Isamu Noguchi paper pendant light suspended over the dining room table, chosen for its size and lightness to avoid overwhelming the existing wood paneling. Pale tones are used throughout to lighten the atmosphere, with a cool blue in the main bedroom and a moodier blue in the small kitchen. The kitchen walls were custom-painted by Austin Redfield Tondini and Violette Bonis Dattner, known for their patinated finishes that give the impression of age and permanence, aligning with the designers' aversion to overly new-looking interiors. The goal is for their projects to feel as if the design has always been there, seamlessly integrated into the space. #HauvetteMadani #ParisApartment #EclecticAccents #InteriorDesign #WoodPaneling #ArtDeco #VintageFurniture #PierrePaulin #DesignPhilosophy #ArchitecturalPreservation

Marguerite Rodgers Interior Design undertook a comprehensive makeover of a 19th-century townhouse in Rittenhouse Square, transforming it into a space that harmoniously blends historical elements with modern and Japanese-inspired aesthetics. The clients, who had a strong appreciation for the Far East, sought a design that would reflect their experiences while respecting the building's historical context. The townhouse, despite its grand origins, had undergone numerous renovations over the years, leaving only the original staircase and a living room fireplace intact. The design team, led by Marco Angelucci, aimed to create a hybrid space that gradually transitions from traditional public areas to more overtly modern and Asian-influenced private spaces. The main floor showcases this gradual transition. The living room, located at the front of the house, retains the most traditional detail, complementing the existing fireplace with newly introduced classical architectural references. The furniture in this space, while modern, pays homage to traditional designs, such as the contemporary chairs inspired by wingback chairs. A postmodern chandelier with floral motifs provides an early indication of the modern sensibility that pervades the rest of the home. Moving through the main floor, the dining room acts as a stylistic bridge, incorporating Streamline Moderne influences while retaining traditional baseboards and ceiling trim. The kitchen, at the rear, embraces a fully modern aesthetic with contemporary furniture and a striking metal sculpture. However, even in this modern space, subtle nods to tradition are present in the coffered cabinetry, mullioned sliding doors, and sofa detailing. The Japanese influence becomes more prominent in the private areas of the house. The main-floor powder room features a hand-painted traditional Japanese landscape by local artist Chris Lynn, which can be removed and relocated if the clients move. The primary suite and other upstairs bathrooms also heavily feature a Japanese sensibility. Many second-floor rooms integrate elements of Moderne design with traditional accents, while the primary bedroom subtly hints at tradition, bringing modern and Asian themes to the forefront. Floating nightstands, integrated into recesses flanking the bed, exemplify this blend. The primary bathroom evokes a Zen-like atmosphere with Chinese red accents on the vanity and a wooden surround for the soaking tub. The basement media lounge is entirely modern, serving as the dedicated space for televisions, which the clients preferred not to have in other rooms. This space is designed for both conversation and media viewing, featuring a unique orange chair with a single arm and back, allowing for flexible seating arrangements. A clever design element in the basement is a large artwork that conceals an electrical panel and other mechanical controls. The basement was also excavated to achieve higher ceilings, further enhancing the modern feel. The project was a collaborative effort involving Peter Zimmerman Architects, lighting designer Filament 33, landscape designer Digs, and contractor Shay Construction, with Marguerite Rodgers Interior Design leading the coordination and execution to deliver a space that truly reflects the clients' personalities and vision. #InteriorDesign #RittenhouseSquare #TownhouseMakeover #JapaneseInspired #ModernAesthetic #HistoricalRenovation #MargueriteRodgers #PhiladelphiaHomes #LuxuryDesign

Interior designer Aviva Duncan, who has lived in Hong Kong for over 20 years, embraces moving homes and sees it as an opportunity to refresh her living space. She recently relocated from Mid-Levels to a 2,000 sq ft flat in Stanley on Hong Kong Island’s south side, seeking a lifestyle change. The new three-bedroom, two-bathroom apartment was in excellent condition, saving Duncan the usual hassle of dealing with unattractive features common in Hong Kong properties. She even provided her landlord with specific paint color preferences to ensure the walls were freshly coated before she moved in. This proactive approach highlights her meticulous attention to detail and dedication to creating a comfortable and aesthetically pleasing environment from the outset. Duncan prioritizes investing in durable, versatile furniture pieces, such as her Cassina sofa, which are designed to last and adapt to various living spaces. With each move, she incorporates existing furniture by upcycling it to achieve a new look. For her current home, she reupholstered two club chairs with black-and-white geometric-patterned Gastón y Daniela fabrics and two stools in Jim Thompson leopard-print fabric with fringes. She also designed a large geometric rug to anchor the living area, emphasizing the importance of a sufficiently sized rug for a cohesive look. Duncan advocates for embracing color and pattern in rugs as a way to inject personality and fun into a room, demonstrating her belief in personalized and expressive design. Art plays a significant role in Duncan's design philosophy, where she combines large statement pieces with eclectic gallery walls. She strategically integrates the television into her art display in the living room, avoiding it becoming the main focal point. Her approach to art acquisition is driven by personal connection rather than investment, and she encourages a varied, personal collection that is not constrained by a single color, theme, or size. This reflects her belief that art should be an extension of one's identity and adapt to different living environments. Her new flat also includes a dedicated home office space, reflecting the increasing demand for functional work-from-home solutions, and emphasizes the importance of comfortable and beautiful surroundings for virtual meetings. The flat’s spacious roof terrace was a major draw. Initially neglected by previous tenants, Duncan revitalized the outdoor space by clearing debris, adding vibrant plants from the Prince Edward Flower Market, and refreshing existing sofas with new cushions. This transformation created an inviting area for dining, reading, and gardening, aligning with her desire for a home that encourages relaxation and entertaining. The article provides a detailed inventory of furniture and art pieces in various rooms, including the living room, dining area, office, main bedroom, and roof terrace, showcasing items from designers and brands such as Cassina, Altfield, Jim Thompson, Manks, La DoubleJ, Tom Dixon, Astier de Villatte, Oluce, &Tradition, and Artemide. These specific mentions offer readers a glimpse into her curated collection and provide potential sources for similar items. The emphasis on both functionality and aesthetics, combined with the successful revitalization of a previously underutilized space, underscores Duncan's expertise in creating personalized and livable interiors. #InteriorDesign #HongKongHome #UpcycledFurniture #EclecticArt #RoofTerrace #HomeOffice #LifestyleChange #PersonalizedDecor

This article details the home renovation project undertaken by Victoria and Marcus Ford, focusing on the transformation of their bedroom, bathroom, and laundry room. The couple's approach to home decor is described as "intentional," selecting items that reflect their personalities and bring soul to their living spaces. The bedroom makeover centered on creating a tranquil retreat using a light blue paint color for the walls, complemented by darker blue tones in a patchwork quilt and a Kazak-style rug. Personal touches such as souvenir pennants, vintage tennis rackets, and an old state fair sign were integrated to add meaning. A gallery wall above the bed features reproduced "Black ABCs" flash cards, reflecting Victoria's appreciation for African American culture. For functionality, a multipurpose desk replaced traditional nightstands, accommodating work-from-home needs and paired with a repurposed barrel chair. The bedroom also incorporated a pillow-top mattress from the Country Living Welcome Home collection to enhance comfort. Nautical elements, including a flag with Captain James Lawrence's famous order and wooden African American sea captains, were introduced on a dresser, which was painted in Sherwin-Williams' Courtyard, to align with Marcus's interests. The bathroom underwent a significant reconfiguration, moving from an off-center vanity layout to a symmetrical design featuring two wooden vanities. This transformation incorporated a mix of ribbed hardware, brass sconces, chrome faucets, and brass-framed mirrors to create a layered, evolved aesthetic. A large-scale, four-inch hexagon tile flower motif on the floor provided a fresh yet nostalgic feel. A key design element was the sixty-inch-tall blue beadboard wainscoting, adding both height and texture to the space. The shower area was also expanded by removing a glass door, and its walls and ceiling were covered with handmade dusty blue subway tiles, designed to seamlessly integrate with the bathroom's blue theme. For the laundry room, an unused bedroom and an extra hall closet were combined to create a dedicated and spacious area. The new layout features a space-saving laundry tower, built-in cabinets with folding space, and a small work sink. The couple chose a navy and white striped shirt motif wallpaper, which Victoria found appealing and appropriate for the room's function. A large checkerboard tile floor, laid diagonally, was selected to visually expand the space and complement the wallpaper and navy high-gloss paint on the millwork. A vintage sink, reminiscent of Victoria's childhood, was installed, accompanied by a print from artist Elizabeth Mayville. The article highlights the detailed choices and personal touches that defined each room's renovation, resulting in spaces that are both functional and deeply personal to the homeowners. #HomeRenovation #InteriorDesign #DIYProjects #BedroomMakeover #BathroomRemodel #LaundryRoom #DecoratingIdeas #CountryLiving #HouseTour

In Situ & Partners, an international architectural and interior design firm, developed a sophisticated pied-à-terre in Hong Kong Central, featuring panoramic city views. The project integrates Japanese design principles with contemporary elegance, emphasizing a minimalist aesthetic. Yacine Bensalem, Principal at In Situ & Partners, highlighted that the "less is more" philosophy of Japanese design guided the project, resulting in a space defined by clean lines, natural materials, and a calming neutral color palette. The 2000-square-foot apartment offers a tranquil atmosphere from the moment of entry. The residence's primary living area is an expansive T-shaped space, thoughtfully divided into a dining room, living room, and a traditional tatami tea room. This layout facilitates distinct functional zones while maintaining an open feel. Light parquet flooring and warm wood cabinetry establish a cohesive backdrop, complemented by European design objects. To introduce fluidity, a custom rug with a wavy pattern, evoking Zen garden sand designs, was incorporated. All technological components are discreetly concealed within the ceiling to maintain an uncluttered aesthetic. Bensalem expressed appreciation for the interior's elegant rigor, noting its simplicity and strong connection to nature. Each element is harmoniously integrated to uphold the home’s aesthetic coherence. Adjacent to the living area, a studio space separated by a glass and wood screen provides a communal desk with city views, continuing the theme of natural elements. The kitchen features sleek, custom-made cabinetry in matte lacquer, aligning with the apartment's overall minimalist design. The primary bedroom is designed as a sanctuary, utilizing soft textiles and tranquil colors. Adhering to feng shui principles, a Japanese landscape silk painting is displayed above a custom-made fabric headboard, and the window ledge is upholstered in brown leather. The en-suite his and hers walk-in closets feature checkered glass doors and traditional washi paper accents, adding a refined touch. A highlight of the residence is the authentic Japanese-style primary bathroom, which features original fixtures and materials. A circular bathtub, crafted by Japanese artisans, is the focal point, surrounded by fragrant wood fluted panels and Italian Ceppo di Gre stone. This design element underscores the blend of traditional Japanese craftsmanship with modern luxurious materials, creating a unique and serene bathing experience. The overall design prioritizes harmony, functionality, and a seamless integration of cultural influences. #JapaneseDesign #HongKongApartment #PiedATerre #MinimalistInterior #InSituAndPartners #TatamiTeaRoom #ZenGardenInspired #NaturalMaterials #FengShui

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

The Pavilia Hill, a newly finished residential complex located in Hong Kong's Tin Hau neighborhood, adopts a wabi-sabi aesthetic. Adrian Cheng, executive vice-chairman and joint general manager of New World, the company behind the project, says that "in a busy city like Hong Kong, it is hard to find a place to soothe our nerves and have peace of mind." The complex's five 31-story buildings are connected by a magnificent Japanese landscape garden designed by Shunmyo Masuno, one of Japan's most well-known living landscape architects. The tranquil area promotes peaceful contemplation with a stone walkway that winds through a number of exquisitely maintained—yet seemingly unplanned—undulating hills dotted with Bonsai, man-made waterfalls, and sculptural rocks. Enormous stone sculptures that represent mountains, water, existence, purity, and sound define each tower. Koichiro Ikebuchi, a Japanese interior designer based in Singapore, oversaw the creation of the amenities, which include a tranquil clubhouse, a gym, and an indoor swimming pool and bath with an onsen-inspired design. Throughout, semi-translucent shoji screens, natural materials, and simple textured walls all showcase contemplative, classic modern and traditional Japanese elements. Ikebuchi describes using natural materials that will gracefully age in their own distinct and appealing ways. A contemporary tea pavilion showcasing a magnificent ink painting by well-known Chinese artist Zheng Chongbin, a private outdoor meditation area, and a semi-private lounge with a Japanese garden in each tower lobby are among the pastoral settings. Cheng, who lived in Kyoto and studied art and culture, views the initiative as evidence of a developing desire for living environments that go beyond aesthetics to foster emotional connection. It appears that Hong Kong shares this opinion, based on how quickly the apartments were purchased. The complex includes a sleek and tranquil clubhouse, a gym, and an indoor swimming pool and bath with an onsen-inspired design. Throughout, the interiors are both thoughtful and modern, incorporating classic Japanese materials. The five blocks that make up The Pavilia Hill are each 31 stories high and are joined by a magnificent Japanese landscape garden. Shunmyo Masuno, one of Japan's most well-known living landscape architects, designed the exterior landscaping. In the meantime, Koichiro Ikebuchi, a Japanese interior designer based in Singapore, oversaw the creation of the inhabitants' amenities. Developers New World, who recently finished the 358-unit project, aimed to create a place where inhabitants could unwind and escape the hustle and bustle of the city. The Pavilia Hill's development demonstrates a thoughtful approach to urban living, emphasizing tranquility and connection to nature within a dense metropolitan environment. The integration of traditional Japanese design principles, from the wabi-sabi aesthetic to the specific choice of materials and landscaping, creates a unique residential experience. This project caters to a growing demand for homes that offer not just comfort and luxury, but also a sense of peace and emotional well-being, standing as a notable example of how architectural and interior design can contribute to a higher quality of life in bustling cities. #HongKongArchitecture #WabiSabiDesign #ResidentialDevelopment #JapaneseLandscape #InteriorDesign #UrbanRespite #ZenLiving #LuxuryApartments #ModernJapaneseDesign

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

This article highlights the transformation of a 700 sqft three-room HDB flat in the Bugis area into a Japanese Zen home. The design concept centers around the principles of 'movement and stillness' (动静), aiming to create a harmonious blend of functionality and tranquility within a compact space. The homeowner's vision resulted in a multi-purpose living environment where every element contributes to both aesthetic appeal and practical use. The interior design features dark wood paneling and textured walls that establish a cohesive visual language throughout the apartment. This consistent material palette contributes to a calming atmosphere while also defining different zones within the open-plan layout. The living area, for instance, is thoughtfully separated from the workspace, which includes a cantilevered table designed to create a 'floating' desk effect, offering views of the neighborhood. To enhance spatial dynamics and balance openness with privacy, the design incorporates open shelves, louvre doors, and strategic partitions. These elements allow for flexibility in how the space is used and perceived, preventing it from feeling cramped despite its modest size. The kitchen area has been re-envisioned as a pantry and display gallery, characterized by concrete flooring and countertops. A distinctive basin serves as a focal point, adding a touch of unique design to this functional space. A key feature of the home is the versatile tatami area, which can be adapted for various purposes, from a daytime relaxation zone to an evening sleeping space. The integration of art pieces, plants, and a fish tank further enriches the living environment, fostering a deeper connection with nature and allowing the space to evolve over time. The bathroom adopts an open-concept design, featuring an onsen bathtub that provides city views while bathing. This bold design choice blurs the lines between indoor and outdoor, enhancing the sense of spaciousness and luxury. A fusuma screen, adorned with artistic elements, acts as a flexible barrier, embodying philosophical themes and offering both privacy and an artistic focal point. The study, positioned as a quiet core, houses a library, creating a dedicated space for reflection and reconnection. Glass panels and strategically placed mirrors contribute to the home's harmonious flow, creating visual connections between rooms. Complementing the interior is a Japanese rock garden and a deer-scarer water feature, both designed to amplify the calming and meditative qualities of the Zen aesthetic. These outdoor elements extend the serene ambiance of the interior, creating a tranquil oasis within the urban setting. The homeowner describes living in this transformed space as a journey of embracing imperfections and discovering new possibilities, emphasizing the adaptability and continuous learning fostered by the unique design. #HomeTour #JapaneseZenDesign #HDBFlat #SmallSpaceLiving #MinimalistInterior #Bugis #OnsenBath #InteriorDesign #SpaceTransformation