The Zeitgeist Edit — The Design Moments an Editor Is Talking About in November

This December's 'Zeitgeist Edit' highlights a variety of emerging and trending design culture moments. The editorial team shares insights on different aspects, starting with 'pattern splicing,' a concept articulated by tile brand Ca' Pietra. This technique involves combining patterned and plain surfaces, such as tiles or textiles, to introduce visual rhythm, surprise, and personality, echoing trends like patchwork quilts. Grazzie Wilson of Ca' Pietra describes it as an instinctive and expressive way to create decorative interest while providing visual relief. Another significant 'going up' trend is the emergence of alternative 'flights' in the hospitality sector, specifically martini flights. An example is the London cocktail bar 'No Regrets,' an elegant, crimson-red speakeasy beneath a jewelry store. It offers a martini flight featuring three distinct one-mouthful martinis, catering to patrons who enjoy variety without overindulging, making it a sophisticated choice for those seeking to sample multiple options. The 'Ralph Lauren Christmas' aesthetic has unexpectedly gained significant traction this year, transitioning from a background presence to a prominent cultural moment. The brand's launch of a festive pop-up in London's Sloane Square solidified its position as a major Christmas brand, suggesting this decorating style will become a recurring fixture alongside traditional festive icons like Mariah Carey and 'Home Alone.' 'Draping' in design is also experiencing a resurgence, moving beyond traditional textiles into solid forms. The article notes the work of textile artist Mia Sylvia Harrod, known for her draped fabric art installations. More notably, designers like Sam Klemick are capturing the 'poetry of the drape' by hand-carving salvaged wood into furniture and decor that mimics the sinuous flow of fabric. This approach blends functional furniture with sculptural art, showcasing an innovative use of materials and form. Conversely, 'polystyrene packaging' is identified as a 'going down' trend due to growing concerns about sustainability. Despite ongoing innovations in sustainable materials, the widespread use of polystyrene in packaging, particularly during the holiday shopping season, highlights a slow adoption rate for eco-friendly alternatives. The article praises new brands like Milkman candles, which utilize Mycelium packaging, demonstrating a commitment to sustainable and aesthetically pleasing solutions. Finally, 'Christmas pudding' is noted as a declining trend, with 'panettone' gaining popularity as a chic and design-forward festive dessert. Italian design brand Kartell launched a specialty 'Panettone dome,' and food artist Laila Gohar collaborated with Milan's Casa Brera hotel to reimagine panettone as a centerpiece for design-conscious feasts. The availability of panettone in beautifully designed tins further solidifies its appeal as a stylish alternative to traditional Christmas desserts. Additionally, the article touches on the 'going down' aspect of 'affordable groceries,' citing the example of New York's Meadow Lane. This grocery store, known for its highly stylized and minimalist design, garnered viral attention but also faced criticism for its elevated prices amidst a food cost crisis. It has drawn comparisons to Erewhon, a luxury grocery store in Los Angeles, for its high prices, raising questions about the accessibility and intent behind such design-forward retail concepts. The overall theme reflects a dynamic interplay between emerging design trends, consumer preferences, and evolving societal values, particularly concerning sustainability and affordability. #DesignTrends #InteriorDesign #PatternSplicing #SustainablePackaging #ChristmasDecor #Panettone #LuxuryGroceries #Draping #DecemberEdit

This article highlights a curated selection of design blogs that serve as continuous sources of inspiration for the editors at Domino. The featured blogs cover a broad spectrum of design sensibilities, from vibrant, color-centric aesthetics to minimalist, sustainable living, and extensive home renovations. The article acknowledges the diverse talents within the design blogging community and aims to guide readers toward discovering new and established voices that align with their personal style. Among the celebrated blogs is "Bright Bazaar" by Will Taylor, known for its dazzling affinity for color and focus on accessible, modern design through a vibrant lens. John and Sherry Petersik's "Young House Love" is recognized for their extensive experience in home renovations and makeovers, offering readers insights into their ongoing projects and family life. Joy Cho's "Oh Joy" is presented as a multifaceted empire that has evolved from a graphic design studio into successful books and product collections, while still providing valuable design tips and lifestyle guides through her blog. The article introduces "Historias de Casa," a Brazilian blog by Bruna and Paula, which offers a glimpse into charming homes, shops, and studios in Sao Paulo and beyond. Despite being in Portuguese, the blog's colorful, plant-filled imagery and easy DIY suggestions provide ample inspiration, encouraging readers to channel bohemian vibes in their own spaces. Erin Boyle's "Reading My Tea Leaves" is lauded for its expertise in small space living, providing practical tips for styling tiny apartments alongside a commitment to sustainability and conscious consumption. Carmeon Hamilton's "Cohesive Randomness" showcases the Memphis-based interior designer's home renovations and personal style, reflecting her successful design business. Stephanie Watkins' "Casa Watkins Living" captivates with its "global eclectic" aesthetic, featuring colorful, worldly finds and practical DIY projects. Emily Blanchard's "Emily Everyday" empowers women through their homes by sharing her personal design journey, offering tips on sourcing vintage rugs and engaging in DIY endeavors. Amber Lewis's "Amber Interiors" is recognized for its masterful grasp of California-cool style and cheerful personality, consistently drawing readers back for fresh inspiration. Katrina Blair, formerly of Chic Little House, now offers broader lifestyle content on her rebranded blog, combining small space styling tips with articles on entertaining and travel. Chris and Julia Marcum's "Chris Loves Julia" is a renovation-focused blog that chronicles their home improvement projects and provides a behind-the-scenes look at extensive remodeling through their podcast. Heather Bullard's eponymous site is a destination for dreamy inspiration, reflecting her unique perspective as a magazine editor and freelance prop stylist, alongside her culinary interests and current "Grove House" project. Athena Calderone's "EyeSwoon" showcases her roots in design, offering a wealth of style inspiration and interior projects. Ashley Rose's "Sugar and Cloth" stands out for its impressive catalog of DIY projects and creative hacks, ranging from abstract art to fabric wall walls, and even a dedicated section for macarons. Ursula Carmona's "Homemade by Carmona" provides a down-to-earth approach to decorating, focusing on organization tips and achieving expensive tastes on a budget. Shavonda Gardner's "SG Style" highlights her expertise in small space living and bohemian decor, sharing her signature style and home tours from like-minded design enthusiasts. Anita Yokota's blog, originating from Instagram, offers a relatable voice and mastery of boho-California style, alongside styling services. Sarah Gibson's "Room for Tuesday" features a diverse range of content, from lifestyle tips to firsthand design experiences from her home renovations. Finally, Niki Brantmark's "My Scandinavian Home" serves as a comprehensive catalog of Swedish style, complete with styling guides and an intimate look into her own home, appealing to fans of minimalist Scandi-inspired decor. Medina Grillo's "Grillo Designs" provides straightforward tutorials and crafty hacks for smart DIYs and upcycling projects, making design accessible to novice decorators. #DesignBlogs #HomeDecorInspiration #InteriorDesign #DIYProjects #HomeRenovation #SmallSpaceLiving #SustainableDesign #ColorTrends #BohoStyle

The perception of gallery walls as a dated decor trend has been challenged by designer Sara Simon's approach in a Greenwich Village townhouse. Previously dismissed for being cluttered or belonging to an older design era, Simon's work demonstrates that with thoughtful execution, gallery walls can achieve a timeless aesthetic. Simon's design, featured in a $23 million New York City townhouse, utilizes a gallery wall composed entirely of black-and-white photography, primarily depicting musicians and cultural icons. This choice of a consistent monochrome palette is crucial in unifying the diverse images, making the wall appear cohesive despite its varied content. The images, such as The Beatles meeting Muhammad Ali or Frank Sinatra mid-shave, possess a vintage quality without being anchored to a specific decade, allowing them to blend seamlessly. Scale is another critical element in Simon's design. Recognizing the height of the walls in the parlor room, she incorporated a mix of large and smaller frames to fill the entire space, avoiding a rigid, grid-like appearance. This approach creates an animated feel that harmonizes with the room's vintage furniture and the home's historical character. Simon intentionally avoided perfectly aligned frames, opting for a more organic and dynamic arrangement to enhance this effect. To further unify the eclectic collection, Simon chose consistent wood frames throughout the gallery wall. While she emphasizes that matching frames are not a strict rule, this choice contributed to the overall harmony of this particular installation. She believes that the true success of a gallery wall lies in its ability to reflect the personality and interests of the homeowner, describing it as an expression of the individual's life and perspective. Simon highlights that her design principles are not rigid doctrines but rather adaptable strategies. She acknowledges that in her own home, she employs a gallery wall that mixes photographs, paintings, and various colors. This flexibility underscores the idea that customization and personal relevance are key to making a gallery wall timeless and meaningful. The setting of Greenwich Village, known for its artistic and eccentric residents, further supports the notion that a personalized, art-filled environment feels perfectly at home. In addition to the main gallery wall concept, the article provides several product suggestions for readers looking to create their own gallery walls. These include a pre-curated set of varied frames for an eclectic look, a bold colored print to make a statement, a consistent geometric frame for a cohesive feel, and a vintage-inspired photographic print. The article also touches upon incorporating tiny art and utilizing matted frames to give casual snapshots a sense of authority. It concludes by suggesting the inclusion of vintage tapestries as an emerging trend in art and decor, potentially integrating them into a gallery wall for added texture and interest. #GalleryWalls #InteriorDesign #HomeDecor #DesignTrends #ArtCollection #BlackAndWhitePhotography #PersonalStyle #TimelessDesign

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign

The article explores the concepts of "design thinking" and "design feeling" in the context of everyday objects and their impact on human experience. While design thinking focuses on optimizing user experience and functionality, "design feeling" emphasizes the ability to align objects with broader socio-cultural contexts, thereby enriching the perceived quality of design. This concept becomes particularly relevant in an era marked by digital inconsistency and economic uncertainty, where people seek tangible reassurance and comfort through their surroundings. The article highlights that many everyday objects are often poorly designed, leading to incoherent routines. Design thinking attempts to streamline these routines, but it is insufficient to address the deeper meaning and emotional connection individuals form with objects. "Design feeling" aims to bridge this gap by considering the intangible aspects of design that resonate with contemporary societal shifts. Several contemporary design pieces are presented as examples of "neo-transitional objects." These objects are characterized by their mild appearance, cozy feel, soft bends, and light-porous colors. They offer a sense of comfort and stability in a world increasingly dominated by digital abstraction and economic precarity. The term "neo-transitional objects" is derived from psychologist Donald Winnicott's concept of "transitional objects," which are items like teddy bears or blankets that help children navigate the transition from dependence to individuality. Specific examples of such designs include the "Up" lamp by Mattias Ståhlbom for Muuto, "Apps" by Richard Hutten for Artifort, and the "Basset" armchair by Iskos-Berlin for Versus. These designs are described as embodying the transition from a more tangible past to a digitally defined future, providing comfort rather than unease. The "Mega" series by Chris Martin for Massproductions and the "Haiku" sofa by GamFratesi for Fredericia are also cited as exemplifying this trend, balancing Italian expressiveness with Nordic strictness to create beautiful, reassuring pieces. Luca Nichetto's work, such as the "Stewie" lamp for Foscarini and the "N=N" collection with Oki Sato (Nendo), demonstrates weightless lines and cozy colors that sublimate the objects. Similarly, Karim Rashid's "Float" sofa for Sancal showcases a softening of tones, contributing to the overall sense of cognitive kindness. These designs aim to provide a sense of belonging and familiarity, helping individuals cope with the uncertain reliability of a digitally-influenced reality. The article concludes by emphasizing the importance of designing objects with layered aesthetic meaning to foster a sense of being "at home" amidst increasing intangible complexity. #DesignFeeling #NeoTransitionalObjects #ProductDesign #InteriorDesign #ContemporaryFurniture #PsychologyOfDesign #LucaNichetto #RichardHutten #GamFratesi

This design dispatch highlights several key happenings and product releases in the world of interior design and art, focusing on the transition into a new season. It begins by exploring RH's Fall 2023 Collection, which aims to redefine true luxury in a market often saturated with superficial claims. Gary Friedman, CEO and chairman of RH, emphasizes that true luxury stems from exceptional craftsmanship and the quality of materials, citing their use of premium European and American White Oak, Walnut, Indonesian Teak, and the detailed construction of their American-made sofas with eight-way hand-tied springs or Italian-made pieces with engineered foam and exquisite tailoring designed for longevity. The collection features global designers like Australian duo Harrison and Nicholas Condos, who contribute natural pieces in European White Oak, including sideboards, bed canopies, and day beds. British designer Oliver Oulton incorporates Belgian Flax Linens into elongated sofas, while American designer Julie Lawrence introduces organically shaped sideboards and tables made from American White Oak. The aesthetic of the collection promotes serenity through light woods and organic lines, devoid of harsh angles and vibrant colors, encapsulating the idea that luxury is defined by thought, creativity, and rarity rather than just price. Next, the dispatch turns to the art world, detailing an opportunity for enthusiasts to acquire a piece from the renowned artist Cecily Brown. For over 25 years, Brown has been celebrated for her abstract expressionist style, with her paintings, often featuring motifs of women, skulls, skeletons, and still-lives, fetching high prices at auctions. Currently, The Metropolitan Museum of Art in New York City is hosting "Cecily Brown: Death and The Maid" until December 3, 2023. This exhibition showcases fifty works from her career. For those wishing to own a piece of Brown's art, a new etching inspired by Jan Brueghel the Elder's 17th-century allegorical series, "The Five Senses," will be available at The Met Store. Edition one of twenty-five will join The Met's collection, with others priced at $8,000, with proceeds supporting the museum's initiatives. The article also introduces a new book from Bulgari, "Beyond Time," celebrating over a century of Bulgari horology. This collaboration with Assouline provides a comprehensive retrospective across 300 pages, featuring contributions from notable friends, ambassadors, and experts of the Maison. A dedicated chapter explores the brand's iconic serpent watch design, which watch collector John Goldberger notes was revolutionary for its combination of wraparound Tubas bracelet with a watch dial. Finally, as the fall season approaches, the dispatch offers a suggestion for entertaining: Sophie Lou Jacobsen's new stemware collection. Inspired by Art Nouveau motifs and the Ecole de Nancy, the collection features glasses morphed into floral designs. While playful, the set maintains an air of sophistication, making it suitable for formal gatherings. The collection is set to launch in October, and readers are encouraged to consider complementary table accessories in preparation for upcoming events. #DesignDispatch #HomeDecor #LuxuryDesign #RHCollection #ArtExhibition #CecilyBrown #MetropolitanMuseumOfArt #BulgariHorology #SophieLouJacobsen #TablewareDesign

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

David Bromstad, a prominent figure on HGTV, known for his shows like 'Design Star,' 'Color Splash,' and 'My Lottery Dream Home,' advocates for a specific design trend in kitchens: white kitchens. Having won 'Design Star' and hosted multiple successful series, Bromstad has extensive experience and influence in the interior design world. His current show, 'My Lottery Dream Home,' highlights his talent for identifying both desirable homes and compelling narratives. Bromstad has also participated in other HGTV productions such as 'Rock the Block,' but 'My Lottery Dream Home' remains his most recognized work. Bromstad consistently advises his clients on 'My Lottery Dream Home' that white kitchens are a popular and stylish choice. In a recent episode from the 17th season, he enthusiastically pointed out the features of a "deliciously white kitchen," including its color scheme and elements like open shelving. Despite some differing opinions among other HGTV personalities regarding white kitchens, Bromstad maintains that they are very much in vogue. However, Bromstad emphasizes that merely having a white kitchen is not sufficient; it requires thoughtful execution to avoid appearing cold or sterile. He suggests incorporating warmth and texture through various methods. One simple yet effective technique is the integration of wooden elements, such as wooden shelves, which can instantly make a kitchen feel cozier. He also recommends using cabinets to store items that do not align with the white aesthetic, thereby maintaining a clean and open appearance in the space. According to Bromstad, the key to a successful white kitchen lies in moderation and attention to detail, preventing it from looking bland. In addition to white kitchens, Bromstad endorses manufactured quartz countertops as another crucial component of this trend. He views manufactured quartz as the optimal choice for countertops, citing its durability and ease of cleaning, which make it ideal for daily use and cooking activities. While quartz is available in various shades, white is the most frequently used. Bromstad has been observed praising manufactured quartz on his show, describing it as "indestructible" and expressing a desire to extend its use beyond just island countertops to the main counter spaces. He firmly believes that manufactured quartz is a timeless and enduring material for kitchen design. Bromstad's design philosophy extends beyond kitchens to other areas of the home. He champions the use of wallpapers with distinctive personalities to add depth and character to rooms, drawing on his expertise in color. He also highlights the importance of wood elements, whether in the form of window shutters or ceiling beams, to introduce warmth throughout a home. Above all, Bromstad encourages individuality and personal expression in design. He recommends accent furniture to infuse a home with personality and suggests that even exterior elements like landscaping and shutters can significantly enhance a house's overall appeal. Bromstad asserts that these design trends, particularly white kitchens paired with manufactured quartz countertops, are essential for anyone looking to update their home's aesthetic. #DavidBromstad #HGTV #InteriorDesign #KitchenDesign #WhiteKitchens #QuartzCountertops #MyLotteryDreamHome #HomeDecor #DesignTrends

The TEDNYC Design Lab hosted a night of talks at TED HQ in New York City, featuring six speakers who delved into the intricacies of design. The event, curated by Chee Pearlman with content producer Cloe Shasha, explored the hard work and creative process behind exceptional design across various disciplines. Topics ranged from urban architecture and the impact of cityscapes to the power of images, accessible design, and the use of data in a humanistic approach. Pulitzer-winning music and architecture critic Justin Davidson initiated the discussions by addressing the monotony of modern cities. He highlighted the prevalence of steel and glass buildings, which, despite their aesthetic appeal and practicality, have led to a simplification of urban architecture. Davidson argued that the rejection of traditional materials like wood, sandstone, and marble diminishes the sensory experience of a city. He emphasized that buildings define public spaces, citing examples like Plaza Mayor in Salamanca and Place des Vosges in Paris, which draw people in, contrasting them with glass towers that tend to alienate. Davidson advocated for an urban architecture that embraces the full spectrum of human experience, rather than defaulting to glass, which can create a cold and disquieting environment. Françoise Mouly, art editor for The New Yorker, then discussed the power of an image to capture historical moments. She traced the magazine's iconic "Eustace Tilley" cover, originally a playful jab at Jazz Age aristocrats, and how it has evolved to reflect contemporary events. Mouly underscored the importance of a free press and the role of artists in contributing to cultural dialogue through their work, demonstrating how simple ink and watercolor can encapsulate significant social and political narratives. Educator and fashion blogger Sinéad Burke brought attention to the often-overlooked aspects of accessible design. As someone with achondroplasia, Burke shared her firsthand experiences with designs that hinder independence, such as the height of bathroom stall locks or limited shoe sizes. She challenged the conventional understanding of accessible spaces, arguing that many are inadequately designed and can even inflict vulnerability. Burke's talk urged a reevaluation of design principles to be more inclusive and considerate of diverse user needs. The event also featured a musical performance by Sofi Tukker, who captivated the audience with their hits “Hey Lion” and “Awoo.” The duo showcased their unique “Book Tree,” an instrument crafted from actual books that produces percussive beats, highlighting the intersection of design and musical innovation. Giorgia Lupi, co-founder of the data firm Accurat, explored the challenges of data representation. Reflecting on past political events where data failed to predict outcomes accurately, Lupi stressed that limited or skewed information can distort reality. She introduced the concept of "data humanism," advocating for the inclusion of empathy, imperfection, and human qualities in how data is collected, processed, and displayed. Lupi argued that data alone cannot represent reality and that human stories are essential to transform abstract numbers into something relatable and meaningful. Architect Siamak Hariri discussed the design of sacred spaces, focusing on his work on the Bahá’í Temple of South America in Santiago, Chile. Hariri elaborated on his endeavor to create a structure that evokes a sense of the ineffable through its interaction with light throughout the day. He described the meticulous process of sourcing materials, such as stone from Portuguese quarries, to achieve a profound architectural experience, culminating in the temple's splendid opening. Finally, designer Michael Bierut shared a story about the unintended consequences of design. He recounted his work on rebranding libraries in New York City public schools for the Robin Hood Foundation, where his initial task of creating a logo evolved into a broader initiative. By collaborating with architects, photographers, and artists, Bierut helped transform library spaces with murals and art installations. He discovered that his involvement went beyond a mere logo, contributing significantly to bringing energy, art, and a renewed sense of learning to school libraries, inspiring both librarians and students. #TEDNYCDesignLab #ArchitectureCritique #UrbanPlanning #AccessibleDesign #DataHumanism #SacredArchitecture #DesignThinking #NewYorkerCovers #SofiTukker

The exhibition, 'Dear Future,' showcases five decades of Gaetano Pesce's work at Goldwyn House in the Hollywood Hills, presenting a blend of his historic pieces and new editions. The event, hosted by LA Design gallery The Future Perfect, is situated within a 20th-century mansion converted into an appointment-only gallery space. Key pieces on display include Pesce's Monolithic table, Airport Lamp, Nobody’s Perfect chair, Fiona Table, Multicolour Floor Lamp, Side Table with Rocks, and the Soho armchair in red. A central highlight is the 'La Mamma' armchair, an iconic design inspired by the ancient 'Venus of Willendorf,' now presented in a new edition crafted from recycled bottle corks, accompanied by a tapestry depicting a pregnant woman. Other notable works feature the 'Leaf Shelf,' a resin-based shelving unit available in various colors, and the 'One of Us Lamp,' characterized by its anthropomorphic eyes, nose, and mouth. Pesce’s distinctive, playful design ethos is also evident in the 'River Table,' which integrates grassy banks and resin water onto a table structure, and the 'Some of Us' series of anthropomorphic vases. Gallery founder David Alhadeff characterizes Pesce's artistic approach as a form of 'counter-design,' which challenges conventional design paradigms by embracing elements such as incoherence, unpredictability, eccentricity, and originality. This perspective underscores the unique and unconventional nature of Pesce's creations, positioning them as a departure from more prescriptive design philosophies. The exhibition offers a comprehensive overview of Pesce's creative evolution, from early works to contemporary pieces, emphasizing his consistent use of unconventional materials and forms. Many of the items displayed are available for purchase, allowing collectors and enthusiasts to acquire pieces directly from the show. The Goldwyn House setting provides an intimate and exclusive environment for viewing the collection, reinforcing the artistic integrity and curatorial intent behind 'Dear Future.' The exhibition runs until March 31, providing a limited-time opportunity to experience Gaetano Pesce's influential and imaginative designs in a unique architectural context. #GaetanoPesce #FurnitureDesign #ArtExhibition #GoldwynHouse #TheFuturePerfect #LAEvents #Postmodernism #DesignHistory #InteriorDesign

The October 2025 issue of Wallpaper* magazine is now available, featuring a comprehensive collection of long-form stories designed to leverage the unique advantages of print media. In an era dominated by multiplatform content creation, this issue dedicates significant space to in-depth articles, aiming to offer rich visual experiences, expansive reporting, and a thoughtful juxtaposition of diverse topics and projects. This approach seeks to provide pertinent insights into broader cultural and life shifts. The 300-page October issue delves into the methodologies and motivations of a variety of global creatives. Readers will encounter Bas Smets, a landscape architect focused on reconnecting humanity with the natural environment. The visionary fashion designer Craig Green is profiled, with an exploration of his London atelier to understand his creative process. Irma Boom is also featured, highlighting her commitment to reinforcing the importance of print through her exceptional book designs. The magazine extends its geographical scope with visits to distinct locations. A report from Tbilisi examines the city’s robust entrepreneurial spirit as it navigates an increasingly authoritarian state. In Lagos, Nigeria, the informal architecture of street markets is presented as a source of inspiration for a new generation of designers adapting indigenous building structures. A significant section broadens the understanding of "home" by exploring Le Corbusier’s Unité d’Habitation in Marseille. Here, residents share their experiences and reflections on the enduring legacy of this landmark housing project. Further exploration of the concept of domesticity is provided through the perspectives of contemporary artists who contemplate the home as a symbol of selfhood. The interiors section focuses on objects that exemplify lasting design, demonstrating the remarkable longevity of certain pieces. The issue also includes reflections on technology and travel, two dynamic aspects of the modern world that are constantly evolving and subject to continuous renewal. The production of this issue involved the collaborative efforts of many individuals. Special acknowledgments are extended to Clara Perrotte, Anne-France Berthelon, Ora-ïto, and Raphaëlle Caldaguès for their contributions to the Unité d’Habitation story. Photographer Kalpesh Lathigra is recognized for capturing the backstage world of Craig Green’s Paris show, while Devashish Gaur is thanked for remotely photographing ten portraits for the Landscape Architects’ Directory 2025. London Art Makers also provided assistance in creating the monumental interiors story. The October 2025 issue is accessible in print on newsstands, via the Wallpaper* app on Apple iOS, and for Apple News+ subscribers from September 4, 2025. The newsstand cover features a prototype ‘Bibendum’ chair and ‘Helia’ fabric, while the limited-edition subscriber cover is an artwork by Gabriel Annouka. #magazine #designInteriors #architecture #culturalExploration #printMedia #designers #urbanLiving #travel

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation

The article explores the concept of timelessness in design, challenging the often-overused descriptor and advocating for a focus on longevity, circularity, and adaptability in design processes. It begins by questioning the premature claims of timelessness made by designers, suggesting that true timelessness is earned over time, rather than declared. The piece highlights the subjectivity inherent in defining timelessness, arguing that it's difficult to establish universal principles for "good design" that transcend trends, technology, or personal taste. The author points out that terms like "iconic," "sustainable," "classic," and "authentic" are frequently employed with similar lack of critical examination. Despite the critique of the term itself, the article emphasizes the crucial importance of designing for the long term. It proposes that instead of focusing on "timelessness" as a product attribute, the industry should adopt terms such as circular, renewable, repairable, dismountable, adaptable, and regenerative to describe the design process and system. This shift in vocabulary aims to ground the concept of enduring design in tangible, responsible practices. The article suggests that acknowledging the extractive nature of design and striving for endurance becomes the primary viable claim of responsibility for designers and manufacturers. Throughout the discussion, the article showcases a curated selection of furniture, lighting, objects, and materials that embody a commitment to longevity. These examples include both historical pieces, some reissued with modern relevance, and contemporary designs that integrate principles of durability and adaptability. Specific items mentioned include the ‘Martini’ table by Eddie Olin, the ‘Drinking Set No. 238 Patrician III’ wine glass by Josef Hoffmann, the ‘Argento Liquido’ daybed by Supersedia, the ‘Tetrami’ console and ‘Topan’ lamp by Verner Panton, the ‘Juicy Salif’ squeezer by Philippe Starck, candy dishes by Oswald Haerdtl, the ‘Tua’ pitcher by Mario Botta, and the Beogram 4000c turntable by Bang & Olufsen. Also featured are a sculpture by Eva and Peter Moritz, the ‘Superwire’ floor lamp by Formafantasma, the ‘Alpaca Natural’ rug, and fabrics like ‘Déjà Vu Jamais’ by Dedar and ‘Ancient Writing 1936’ by Anni Albers. The article continues to present diverse pieces such as the ‘Réaction Poétique’ tray by Jaime Hayon, the ‘Nara’ console by Jean-Marie Massaud, the ‘Pan’ daybed and armchair by Gordon Guillaumier, the ‘Porthole’ mirror by Willo Perron, and the ‘Lofty’ chair by Piergiorgio Cazzaniga. Other notable items include the ‘Etruscan’ pitcher by Mentze Ottenstein, the ‘Toio’ floor lamp by Achille and Pier Giacomo Castiglioni, the ‘Grand’ rug by Nordic Knots, and ‘Feral’ fabric by Formafantasma. Further examples highlight the ‘Brutalist’ speaker by Transparent, the ‘Nymphenburg’ coat stand by Otto Blümel, a media unit by Fritz Haller for USM, ‘Perspectives’ candleholders by Mathias Kiss, the ‘Pigreco’ chair by Tobia Scarpa, ‘Table No. II’ by Devin Wilde, and custom tiles by Palet. The ‘CH07 Shell’ chair by Hans J Wegner, ‘Sculptural House Numbers’ by Reinoud Oudshoorn, the ‘Opus’ floor lamp by Walter Manici, the ‘Dylan Small’ sofa by Rodolfo Dordoni, the ‘Butterfly’ stool by Sori Yanagi, the ‘Rio’ coffee table by Charlotte Perriand, ‘Dinner Service’ cups and plate by Donald Judd, ‘Random Solo’ pendants by Chia-Ying Lee, the ‘C’ chair by ERM Studio, the ‘Saarinen’ table by Eero Saarinen, and the ‘123 chair by Michael Anastassiades are also included. Finally, the ‘Infilled’ chair by Soft Baroque, the ‘Floor Mobile Chandelier’ by Michael Anastassiades, the ‘Seconda’ chair by Mario Botta, and the ‘Nocturne Shell’ room divider by Middernacht & Alexander are presented, all demonstrating various facets of enduring design—whether through innovation, reissuing, guaranteed repairability, or inherent adaptability. The article concludes by asserting that these chosen pieces, old or new, are expected to withstand the test of time, with time itself ultimately serving as the final arbiter. #TimelessDesign #LongevityInDesign #SustainableDesign #ProductDesign #InteriorDesign #DesignPhilosophy #FurnitureDesign #LightingDesign #MaterialSelection

This year-in-review article from Core77 highlights significant trends and notable designs in furniture and lighting throughout 2011, alongside a retrospective of major international design festivals. The review begins by emphasizing the continuous relevance of furniture and lighting in industrial design, noting that while broader topics like technology emerge, these categories remain fundamental. Key discussions include the versatile use of wood as a material in furniture, featuring pieces ranging from left-field commentary to subtractive designs, crazy curves, and plywood pods, often incorporating nest-like warping. The article also showcases various applications of reclaimed materials, from preserved and polished pieces to de-militarized items and those simply repurposed. Lighting designs are explored in depth, highlighting how many lamps creatively mimic other objects, including the lampshade itself, leading to skeuomorphic designs like the cluster-like 'TamTam' ceiling lamp, the futuristic 'LED Shade Lamp,' and the humble 'Sympathy for the Bulb.' The popular levitating lamps by Light Light are also mentioned. Beyond conventional forms, lamps took on abstract biomorphic shapes, both 3D-printed and otherwise, and imaginative forms such as an open-ocean predator, fly kicks, and a maritime marker. The intersection of indoor lighting and upcycling is noted, with designers transforming plumbing fixtures into steampunk lighting and repurposing recyclable materials into elegant pendant lamps and minimalist desk lamps. The 'Liter of Light' project, developed by MIT students, is recognized for its significant social impact in providing sustainable lighting solutions. Chairs, a staple of furniture design, are presented through their diverse material explorations. These include aluminum wire, cork, laser-cut steel, Twintex, recycled PET bottles, piano keys, circuit boards, salvaged signage, and even the creative use of empty space. The article humorously contrasts a chair made of discarded candy wrappers with one made entirely of candy, both praised for their aesthetic appeal. The vast array of chair designs in terms of shapes and sizes is acknowledged, including those designed for bachelors and by student bachelors, and chairs that resemble other objects. DIY approaches to seating are also covered, ranging from emphatically designed pieces to simpler, deconstructed or remixed versions of classic designs like the Eames Lounge. The enduring popularity of the Mid-Century Modern (MCM) aesthetic is discussed, noting its continued presence in designs both at home and internationally, despite playful attempts to 'retire' it. The MCM movement persists through the resurrection of long-lost designs, limited-edition reinterpretations, and online resources. The review then shifts to an overview of global design weeks and festivals. Dutch Design Week 2011 is highlighted for its conceptually rich work, including Tom Gottelier's wax creations and Dennis Parren's 'CMYK Lamp.' The inaugural Beijing Design Week showcased 'site-specific' designs reflecting mainland Chinese cultural touchstones, such as the 'Chinese Stuff' exhibit and the Water Calligraphy Device Tricycle Hack, with Naihan Li's 'CRATES' collection of mobile pop-up furniture being a notable success. Design Tide Tokyo, part of Tokyo Design Week, featured 'Souvenir' by Design Soil, a series of furniture designed for easy disassembly and travel. Exhibitions in Tokyo offered a comprehensive view of Japanese design, from traditional crafts to contemporary issues and accessories. Vienna Design Week, though smaller, presented significant installations, including Philippe Malouin's collaboration with Lobmeyr and Thomas Feichtner's crafted 'M3' chair. The Salone Milan, recognized as the year's largest design event, featured Studio Formafantasma's 'Botanica,' an exploration of material science roots, and Thomas Lommée's forward-thinking OpenStructures project. The Open Source movement's impact on furniture design, seen in DIY projects and design-build firms, is also emphasized. Milan's diverse offerings included craft mashups, photoluminescent lamps, and unique material explorations. New York Design Week, including ICFF and the Noho Design District, showcased American innovation and craftsmanship, with notable works from Uhuru and Lindsey Adelman, and a tribute exhibition for Tobias Wong. London Design Week featured diverse European designs, such as the 'Argonaut' collection by Greek designers and Kyuhyung Cho's experimental typography, alongside student projects from the RCA and eco-minded cardboard furniture startups, concluding the review with a look at cardboard's versatile applications. #FurnitureDesign #LightingDesign #DesignFestivals #MaterialInnovation #Upcycling #MidCenturyModern #DutchDesignWeek #BeijingDesignWeek #TokyoDesignWeek #ViennaDesignWeek #SaloneMilan #NewYorkDesignWeek #LondonDesignFestival #OpenSourceDesign #SustainableDesign