Design Guru Henry Holland Talks Style, Inspiration & More

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The article describes the transformation of a 24th-floor penthouse at the Alagon on Bayshore, spearheaded by luxury designer Rob Bowen. The design approach, termed “high gloss meets high fashion,” draws inspiration from fashion houses, Parisian salons, and cinematic interiors. The four-bedroom, 4.5-bath residence is conceived to function as both a comfortable family home and an impressive venue for entertaining. The design incorporates panoramic views of Tampa Bay from the primary suite and salon, utilizing minimal drapery and strategic lighting to blend the exterior with the interior. The foundational aesthetic of the penthouse is a high-contrast black and white palette, which is then overlaid with vibrant jewel tones such as magenta, eggplant, and emerald, along with gold accents to introduce dramatic flair. A significant technical hurdle during the project involved applying black lacquer on a large scale, a process where even minor imperfections could compromise the intended smooth finish. The interior features custom lighting fixtures by Gabriel Scott and Lindsay Adelman, which serve a dual purpose as functional lighting and sculptural art pieces. Textural depth and visual interest are achieved through various elements, including flocked houndstooth wallcovering, shimmering Lucite panels, woven metal drapery in the salon, and glass bead wallpaper with a gold-leaf overlay. Among the various meticulously designed spaces, the rotunda stands out as Bowen's personal favorite, characterized by its dramatic architectural presence, custom marble floors, and glossy black walls. Despite the opulent design elements, a key objective was to create a home that authentically reflects the clients' personalities while maintaining both livability and a visually unforgettable atmosphere. Specific areas of the penthouse are detailed further. The kitchen features a black and white scheme with bronze accents on columns and backsplashes, complemented by white cabinets from T2theS Design + Build. A handmade Gabriel Scott chandelier, an eggplant Minotti sofa, and kitchen stools upholstered in a kelly-green crocodile pattern add distinctive touches. In the dining room, an acrylic room divider by T2theS, designed to mimic waves, helps minimize visual distractions. This space is furnished with magenta Kyle Bunting Hide-upholstered chairs surrounding a Baxter table, all illuminated by a Lindsay Adelman chandelier. The salon offers stunning waterfront views framed by woven metal curtains, featuring a gold leather and black velvet Holly Hunt sofa, a Gabriel Scott chandelier, and a custom Kyle Bunting rug. The black, white, and gold theme extends into the primary bathroom, which boasts SICIS mosaic flooring and a custom T2theS makeup vanity with bronze and crystal hardware. The his-and-hers closets in the primary bedroom showcase French white oak flooring, stained black and sealed. His closet includes black lacquer drawers and hide wallcovering, while hers features a Maya Romanoff glass-beaded wallcovering with gold leaf accents. The primary bedroom itself incorporates the same beaded and gold leaf wallcovering, an upholstered faux-chinchilla headboard, a Bernhardt bed, a Mongolian lamb rug, and two Bernhardt nightstands, all contributing to the cohesive and luxurious design narrative. #HomeDesign #InteriorDesign #LuxuryInteriors #RobBowenDesign #PenthouseDesign #TampaBay #HighFashionInteriors #CustomLighting #TexturalDesign

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

Kelly Hoppen, a renowned UK interior designer, discusses her career trajectory, marked by her distinctive 'East meets West' design philosophy and a natural aesthetic. Her early life was rich with artistic exposure, fostered by creative parents who frequently traveled to cultural sites and embraced music. This upbringing cultivated an innate interest in design, leading her to observe home aesthetics from a young age and experiment with her own living spaces. Hoppen's professional journey began organically with a kitchen design for a family friend, quickly expanding to designing homes for prominent racing drivers, actors, and musicians. Her career evolved without formal mentorship, though her mother's honest feedback proved invaluable. Hoppen's unique design approach emphasizes balance and harmony through a neutral color palette, which she terms 'East meets West.' Despite being dubbed the 'queen of taupe,' her method involved establishing base tones that allowed for versatile layering of colors and furniture, prioritizing how people live within a space. This consistent approach, which transcends fleeting trends, has been a cornerstone of her enduring success. A significant turning point in Hoppen's career was a full-page profile in the FT’s 'How To Spend It' by Lucia van der Post. This period also saw her win the Andrew Martin award and secure her first book deal, solidifying her confidence and professional standing. Another notable achievement was designing the first-class cabins for British Airways, a project she balanced while raising her daughter and stepchildren. She credits her ability to multitask and her deep passion for her work as key factors in her business's growth, particularly when her children attended boarding school, allowing her to dedicate more focus to her career. Hoppen attributes her success to tenacity and self-belief, despite facing challenges such as dyslexia. She finds joy and continuous learning in her profession, navigating high-pressure environments by embracing new opportunities. Her ventures beyond interior design include participating in 'Dragons’ Den,' though she acknowledges the importance of prioritizing her core passion. Today, clients seek her out for her signature style, and her firm undertakes diverse projects, from private residences to commercial spaces like cruise ships, superyachts, and hotels, always imbuing them with the distinct 'Kelly Hoppen DNA.' Discussing design trends, Hoppen likens them to 'bubble gum,' advocating for individualized spaces that reflect personal lifestyles rather than following transient fads. She notes the current prevalence of eclectic design, emphasizing individuality. Sustainability is a trend she actively supports and integrates into her firm's practices, recognizing the design world's need to catch up with other industries like fashion in this regard. She finds immense reward in her work, particularly her CBE recognition for supporting new businesses and young people in the UK, and her involvement with organizations like The Prince’s Trust. Hoppen dismisses the concept of 'later life' work, emphasizing mental state and belief over age. Her advice includes moving on from unsuccessful ventures, utilizing one's network, and engaging in face-to-face conversations. Currently, she is excited about new collaborations, including a Fired Earth ceramic tile range and a furniture collection with Andrew Martin, alongside ongoing international projects. #KellyHoppen #InteriorDesign #EastMeetsWest #DesignPhilosophy #CareerJourney #Entrepreneurship #DesignTrends #Sustainability #CreativeProcess

Johannes Budde's LITE is a unique light installation that challenges traditional perceptions of lighting design by merging elements of art and function. The piece playfully explores the boundaries of physics and established viewing habits through its 'floating candle' concept. Budde, a German designer, has crafted LITE using a combination of industrial and natural materials, specifically wired glass and sandstone, to create a sconce-style lamp that is both visually intriguing and interactively engaging. The core components of LITE include a large sheet of wired glass, typically used in industrial applications, and a base made from natural sandstone. The wired glass is upcycled from a German manufacturer, demonstrating a commitment to sustainability and material reuse. The sandstone is locally sourced from a family-owned business, minimizing transportation impact and supporting local economies. Budde meticulously cuts and files the sandstone to form cube-shaped feet that securely hold the wired glass sheet in place. One of the most captivating aspects of LITE is the illusion of a 'floating' candle. This effect is achieved through a cleverly designed screw connection with a pointed stick, inserted into the center of the glass sheet. From the front perspective, this attachment is not visible, creating the impression that the candle levitates unsupported. This design choice not only adds a magical element to the installation but also encourages a more intimate interaction, as users must manually light the candle. This interactive quality distinguishes LITE from many traditional art pieces, which often adhere to a 'no touching' rule. Budde's material selection is deliberate, combining the raw, industrial aesthetic of wired glass with the organic, earthy texture of sandstone. This juxtaposition highlights the beauty in repurposed materials and showcases how everyday substances can be elevated into sophisticated design elements. The use of sustainable and locally sourced materials underscores a thoughtful approach to design, focusing on environmental responsibility. LITE is presented as a piece that blurs the lines between art and functional design. While it serves as a lighting fixture, its conceptual nature and unique form provoke contemplation on the definition of art itself. The installation's antique sconce-like silhouette provides a sense of familiarity, yet its innovative execution and interactive component push the boundaries of what a light can be. The design invites viewers to question their conditioned viewing habits and engage with the object on a deeper, more personal level. #HomeDecor #ArtDesign #SustainableDesign #LightingDesign #IndustrialDesign #MaterialInnovation #JohannesBudde

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

A new book titled “Design in the Hamptons,” authored by architectural publisher and art critic Anthony Iannacci, challenges the conventional perceptions of Hamptons estates by showcasing 19 private homes designed by prominent New York architects and interior designers. Set to be released on September 9, this publication delves into residences that defy the typical mega-mansion aesthetic, including a small cottage featuring impressive gardens. Iannacci highlights that the selected homes continue a tradition of talented New York designers creating retreats in the Hamptons that offer a contrast to urban life in Manhattan. He describes this new wave of design as a “treasure trove of residential design,” emphasizing its respect for the Hamptons' renowned landscape. The timing of the book is noted as opportune, coinciding with a significant building boom, allowing it to present contemporary design concepts. Iannacci, who grew up visiting his family's beach cottage in Southampton, stresses that there isn't a single approach to how these homes facilitate living. The author observes a cultural evolution in the design, construction, and furnishing of Hamptons homes, marked by a renewed interest in modernist structures that incorporate traditional elements. He suggests that the pursuit of an authentic Hamptons experience is a personal journey for each homeowner. This approach often translates into living room layouts designed for intimate conversations or strategically placed picture windows framing specific natural features, moving away from generic or mass-produced design. Among the featured properties is the cottage belonging to designers Tony Ingrao and Randy Kemper. This home, originally part of the historic Lorenzo and Mary Woodhouse estate, was a carriage house. Upon acquiring the property in 2005, Ingrao and Kemper meticulously recreated the estate's legendary gardens, which had been lost. Despite the cottage's modest size, its expansive and lavish gardens now rival botanical institutions. The designers enhanced the former garage structure with elements like old barn beams and plaster walls, making the garden central to their design vision. They had previously sold a home in Montauk due to its unsuitable conditions for gardening, underscoring their commitment to cultivating the Hamptons property. Their walled-in garden, complete with antique brick walls and a fountain, serves as their primary outdoor living area during the summer, complemented by an adjacent shed used as an outdoor dining room. The pool is also intentionally surrounded by lush plantings to prevent it from dominating the landscape. In stark contrast, the book also features Todd and Lauren Merrill’s modern 1986 home in the Shinnecock Hills of Southampton. Merrill, a designer and antiques dealer, restored the Charles Gwathmey- and Horace Gifford-inspired house to its original, clean lines. He recounted that the house, when purchased two years prior, had been altered with '80s-style decor, including a curved tile backsplash and large murals, which he systematically removed to reveal the underlying architectural integrity. The 9,000-square-foot residence, though structurally sound, had its design diminished by superfluous elements like extra trim and moldings, which Merrill stripped away. Today, the home functions as a “design lab” for Merrill’s collection of mid-century and modern classic furniture, offering ample space and light for displaying his pieces. Architect Russell Groves, currently renovating his own 1970s ranch house in East Hampton, emphasizes the challenge of maintaining simplicity in the often-extravagant Hamptons. For a client’s six-bedroom shingled East Hampton retreat, Groves aimed to maintain the scale reminiscent of 19th-century homes, incorporating modern art and vintage accessories with classic details like wainscoting and wood banisters. Interior designer Suzanne Shaker collaborated with architect Cary Tamarkin on his Shelter Island family residence, constructed from old-growth cypress. The living room features Noguchi Akari pendants and a custom platform sofa, designed to maximize sea views, with clerestory windows operated by customized sailboat cranks. Shaker notes the quieter, less developed nature of Shelter Island compared to the Hamptons, informing their design’s focus on preserving and appreciating nature. Finally, the husband-and-wife design team Robin Standefer and Stephen Alesch of Roman and Williams transformed a 1970s suburban ranch in Montauk into what they call an “unfinished summer camp.” Their approach involved revealing the structure's bones by removing asbestos paneling and sheetrock, exposing wires, conduits, and ducts, and replacing sheetrock with tambour wood. These design choices have influenced their commercial projects, such as the café at Facebook’s headquarters and the Standard High Line hotel. The overall message conveyed by the book is that the ideal Hamptons escape is defined by personal happiness and authenticity, rather than size or adherence to fleeting trends. #HamptonsDesign #ArchitecturalDesign #InteriorDesign #ModernistHomes #LuxuryRealEstate #GardenDesign #CoastalLiving #DesignBook #NewYorkDesigners

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The collaboration between Harlequin and Henry Holland introduces a new collection of fabric and wallpaper that merges Harlequin’s expertise in color with Henry Holland’s distinctive clay work. The collection, launched recently, aims to create effortlessly curated interior designs that bridge the gap between ceramics and home furnishings. Henry Holland’s artistic background, particularly his work with Nerikomi, a Japanese pottery technique, heavily influences this collection. The designs also draw inspiration from Harlequin’s extensive archives, resulting in a range of textiles and wallcoverings that emphasize texture and organic forms. The color palette predominantly features grounded, chocolatey hues, aiming to evoke an artisanal and natural aesthetic. Key elements of Holland’s ceramic art have been translated into functional interior products. The collection features statement wallpapers and richly textured fabrics suitable for drapery and upholstery, designed to envelop interiors in layers of organic design. This approach aims to bring a unique, tactile dimension to living spaces. Among the notable designs is Southborough, an embroidered chevron ombre fabric. This design incorporates a gradient of tones found in Holland’s clay work, with colors such as Rose, Chocolate, Matcha, and Pacific intensifying across the ombre. The effect creates a dynamic, stepped chevron pattern that adds depth to interior settings. Elsworthy, a moiré-style wallpaper, is another significant piece in the collection. It features a silk emboss that mimics the feel of fabric, revealing subtle and organic formations. This design offers a sophisticated backdrop that contributes to the collection's overall organic and textural theme. The collection also includes Blenets Check Mini, a checkerboard weave designed for its versatility as both a grounding coordinate and a standalone statement. This fabric features interlocking yarns that form tightly woven blocks of color, offering an earthy yet refined feel across various colorways. Completing the collection is Great Hey, a ladder design crafted from Jacquard cotton velvet. This piece subtly integrates Holland’s signature ‘h’ motif within the cloth, appearing almost hidden. Holland emphasizes the collection’s cohesive and versatile color palette, designed to allow individuals to create interiors that reflect their personal style, highlighting its universal appeal and usability in diverse settings. #Harlequin #HenryHolland #FabricDesign #WallpaperDesign #InteriorDesign #CeramicInfluence #TextileCollection #HomeDecor #Collaboration

A family seeking a unique summer retreat in Southampton commissioned a home that deviates from the typical Hamptons shingle-style aesthetic. They collaborated with local architect James Merrell to design a modern structure on a four-acre plot, which successfully balances 21st-century design with traditional Hamptons village vernacular. The resulting H-shaped house, oriented east to west, maximizes natural light throughout the day, with careful placement of windows and plantings by AD100 landscape architect Edmund Hollander ensuring views of the outdoors from every room. To infuse the Zen-inspired interiors with personality and vibrancy, AD100 designer Kelly Behun was enlisted. The homeowners expressed a desire for both playful and sophisticated elements. Behun curated a space filled with distinctive furniture and art, leveraging her network of artisans. Notable pieces include a Shape Up chandelier by Ladies & Gentlemen Studio, colorful rugs designed by Kinder Modern and Behun for the Rug Company, and a collection of Memphis Group ceramics alongside contemporary vessels by Erica Prince and Manal Kara. Behun approached furniture as sculptural elements, prioritizing both comfort and functionality. The outdoor spaces were also integrated into the design, with Behun collaborating with Hollander to strategically place and light outdoor art installations. These include a stainless-steel zipper sculpture by Mark Richard Hall and an eight-foot-tall painted-fiberglass sculpture by Chiaozza. For the children, a supersized chessboard and Thomas Heatherwick's Spun chairs were added to the yard, creating whimsical and engaging elements. Despite the playful additions, Behun maintained a refined aesthetic by anchoring the interiors in neutral tones, luxurious materials, and stained white oak. The living room features a modular Francesco Binfaré sofa, complemented by brass and stone furnishings. The master bedroom, designed with a 1970s chalet-by-the-sea ambiance, incorporates fuzzy wool carpet, a vintage ribbon-like chair, and a channel-tufted headboard. Reading nooks and a library were also key considerations, reflecting the homeowner's profession as a novelist. The home's central, double-height library serves as a family gathering space, complete with Vladimir Kagan sofas. A shared "bunkroom" for the children includes capsule-like beds and cozy wall nooks for reading. A less conventional request, a bowling alley in the basement, was designed by Behun with inspiration from French artist Jean Dubuffet, featuring a graphic black-and-white pattern on Élitis wallpaper, creating a perception-bending effect. The finished home successfully provides a fun-filled, non-electronic environment for the family and their children's friends. #HamptonsDesign #ModernArchitecture #InteriorDesign #KellyBehun #LuxuryHomes #LandscapeDesign #ArtisticInteriors #CustomFurniture #FamilyHome