A Cool Furniture Designer Talks Style, Inspiration & More

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The article explores a curated selection of online home decor brands, emphasizing the importance of finding unique pieces to create a distinct aesthetic. It highlights the perspective that home spaces are an extension of personal identity, making the process of decorating a significant endeavor. The author acknowledges that while major retailers are well-known, the true enjoyment of decorating comes from discovering lesser-known brands with strong visions and styles that offer both trendy and timeless items. Several brands are introduced, starting with Casa Zuma, praised for its earthy and organic aesthetic, offering ceramics, serving dishes, and furniture from global artisans. Fourth St. Home is noted for its sophisticated selection of home accessories and antique pieces that focus on diverse materials and textures. Saffron + Poe, a California-based brand, is featured for its commitment to sustainable and ethically handcrafted homewares, including furniture, rugs, and textiles, supporting maker communities worldwide. The Citizenry is recommended for bedding, rugs, pillows, and decorative items, known for blending modern style with traditional artisan techniques. Food52, initially a kitchen and food site, has expanded into a home retailer offering beautiful and functional products built to last. Beam Brooklyn is celebrated for its eclectic and creative range of furniture, lighting, art, and home goods, characterized by a unique fusion of mid-century, rock-and-roll, Cali-Brooklyn, vintage, and modern styles. Hay Design, a Danish brand, is recognized for its distinctive and fashionable aesthetic within a classic Scandinavian style. Slowdown Studio, founded in 2015, focuses on celebrating individuality and creativity through its functional and beautiful modern lifestyle products, encouraging appreciation for life's slower moments. Jungalow is highlighted for its vibrant, bold style and its dedication to sustainability through a partnership with Trees for the Future, an organization that helps communities establish Forest Gardens. Areaware is presented as a source for quirky yet non-kitschy items, collaborating with independent designers to offer unique and exclusive home decor. Coming Soon NY, with a background in fine art and high-end design, offers cool and authentic urban-style products. Article is noted for its commitment to providing stylish, affordable, and high-quality furniture and decor by working directly with manufacturers. Anthropologie Home is praised for its highly coveted pieces that combine practicality with a modern yet vintage flair. CB2, the more accessible counterpart to Crate & Barrel, offers a modern selection of furniture and home accessories and is committed to featuring Black businesses, artists, and designers. Target is recognized for its accessible and stylish home decor through collaborations with designers like Hilton Carter and Studio McGee. Urban Outfitters, once primarily for college students, has evolved into a significant design force with its home collection, featuring items with interesting shapes, colors, and designs. World Market is a staple for affordable, original, and handmade items from across the globe, while Hawkins New York is lauded for its thoughtful and unexpected homewares. Lastly, H&M Home and Block Shop are mentioned for their affordable yet elegant offerings and commitment to ethical production, respectively. Block Shop, in particular, invests 5% of its profits in community health camps in Jaipur, where the company was founded. #HomeDecor #InteriorDesign #OnlineShopping #DesignTrends #Furniture #Homewares #SustainableDesign #ArtisanCrafts #EclecticStyle

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

The article discusses several home decor trends that interior designers are moving away from in 2025, advocating for more authentic, durable, and personal design choices. The "No Buy 2025" movement and increasing emphasis on sustainability are influencing designers' decisions to avoid fast furniture. Designers are expressing dissatisfaction with mass-produced, poorly constructed pieces that prioritize viral trends over longevity and character. Instead, they recommend investing in high-quality, artisan-made, or vintage furniture that has a unique story and is built to last. Another trend designers are reconsidering is the overuse of bouclé fabric, particularly in cream or white colors. This texture, which was highly popular for several years, is now seen as outdated and oversaturated in the design world. Designers like Aimee Meisgeier and Jen Baxter suggest that widespread algorithmic exposure often leads to trends quickly becoming cringeworthy. As alternatives, sterling or mohair fabrics are proposed for their warm, inviting textures, offering a fresh yet classic appeal without the current overexposure. The article also highlights a shift away from matching furniture sets. Designers believe that purchasing entire living or bedroom sets can result in spaces that feel staged and lack individuality. Kerith Flynn, for instance, advises mixing materials and styles, such as combining a modern sofa with an antique side table, to create a more organic and curated aesthetic that reflects personal taste and history. Non-functional pieces, often acquired for their Instagram appeal rather than practical use, are also out of favor. Designers argue against decor items that look good in photos but are impractical for daily living, such as sculptural chairs that cannot be comfortably used. The emphasis for 2025 is on creating homes that are livable, layered, and personal, prioritizing functionality and genuine comfort over fleeting, disposable trends. Finally, the article addresses the rejection of overly themed rooms. Designers are moving away from spaces that rigidly adhere to a single aesthetic, such as coastal homes filled with rope mirrors or industrial lofts dominated by Edison bulbs, finding them kitschy and predictable. The farmhouse style, with its characteristic artwork of cows, galvanized tubs, mason jars, and barn doors, is specifically mentioned as a theme that has run its course. Instead, a layered and eclectic approach is encouraged, where influences are blended to reflect the unique personality of the inhabitants rather than mimicking a specific Pinterest board. This approach fosters a more authentic and timeless environment. #HomeDecor #InteriorDesign #DesignTrends #Furniture #Sustainability #PersonalStyle #EclecticDecor #DesignerTips

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation

This article highlights four couples who have successfully built home design businesses, offering insights into their journey, design philosophies, and practical advice for creating stylish and comfortable living spaces. Each couple brings a unique perspective, combining their personal and professional lives to innovate within the home furnishings and interior design industries. The first couple, Stacy Kunstel and Michael Partenio, co-founded Dunes and Duchess in 2010. Their company specializes in designing and manufacturing original residential and commercial furniture and lighting, all made in the United States. Their venture began when Michael crafted a Napoleonic-era candelabra for Stacy, leading to a demand for their unique pieces. They are known for their classic spindle designs and have expanded to include bamboo spindles for greater versatility. Their top design tips include mixing textures, patterns, and colors, incorporating living elements like plants, and trusting one's own taste. They emphasize originality and customization, allowing customers to personalize designs with various colors and fabrics. Their inspirations include various design blogs and shelter magazines, reflecting a blend of traditional and contemporary influences. Melissa Lynn and David Dilmaghani established Old New House, an online retailer of rugs and modern home furnishings. Their business evolved from their shared passion for antique and homey accents, which they discovered while decorating for their wedding. Starting in their apartment, they now operate from a renovated barn, curating specialized collections and designing their own furniture, including leather poufs and low-slung tables. They advocate for pairing modern and traditional elements, deep and comfy furniture, and lightly layered rugs. Their advice emphasizes developing a clear design vision, avoiding impulse purchases driven solely by discounts, and understanding that quality purchases are an investment. Their preferred palette is white, light, and airy, accented with seasonal colors. Lyn Peterson and Karl Friberg lead Motif Designs and Lyn Peterson Design. Married for 40 years and in business since 1980, they offer distinct services: Motif Designs sources home furnishings for trade, while Lyn Peterson Design is an interior design firm. Lyn, a respected designer and author, began with a wallpaper store, eventually designing her own lines and securing licensing deals with brands like Marimekko and Ralph Lauren. They now work from a large loft space. They note the return of pattern, traditional design with a clean aesthetic, and light wood floors. Their treasure-hunting tip involves utilizing local bulk pick-up days and community websites. Their design advice includes investing in quality pieces that last, mixing different styles and origins in decor, and avoiding excessive throw pillows or repetitive decor items, encouraging authenticity in personal style. Finally, Cori and Roy Estrow founded Country Willow, a complete home furnishings retail store and design center. Their business started in 1996 from their love for solid wood, handmade, and reclaimed furniture when they couldn't find such items locally. Their 35,000-square-foot showroom offers a range of styles from country to urban, including custom furniture and a dedicated section for children's furnishings. They highlight the chaise lounge as a fresh trend, particularly double chaises for comfort. They advise considering custom furniture for exact fits, as it can be more affordable than perceived and offers flexibility. They observe a trend towards transitional styling, family-friendly designs, and American-made, sustainable materials. Their top design tips include incorporating artwork to evoke emotion and provide accent colors, using plants and high-quality faux botanicals to bring life to a room, and strategically using lighting and mirrors to create mood and expand space. #HomeDesign #InteriorDesign #FurnitureDesign #DecoratingTips #Entrepreneurship #HomeFurnishings #CustomFurniture #DesignCouples

The author attends the High Point Market, the world's largest home furnishings trade show, to observe emerging trends in interior design for 2020. Accompanied by local designers, the author explores various showrooms, noting a significant return to classic furniture forms. Manufacturers are reinterpreting traditional pieces through embellishments, exaggerations, or simplifications, creating fresh perspectives on familiar designs. Statement pieces are abundant, ranging from upholstered chairs and sofas featuring sculptural metal or wood exoskeletons to uniquely formed tables, consoles, and chests, alongside elaborate chandeliers. Color and texture are making a strong comeback. The palette includes blues, greens, soft pinks, and earth tones, alongside neutrals and even hints of 1970s harvest gold. Upholstery features soft velvets, fuzzy sheepskins, and embossed fabrics like snakeskin and alligator. Traditional florals, in both petite and overscale prints, are also returning, appearing on case pieces such as media cabinets and consoles. Seating upholstered with vertical channel tufting evokes an Art Deco aesthetic, while pieces with horizontal tufting offer a more exotic feel. Mixed metals remain prominent, with brass making a significant resurgence. Contemporary Italian firms like Calligaris incorporate shiny 1970s-style brass tubing with blackened nickel or bronzed metals, while traditional manufacturers such as Hickory Chair opt for softer, brushed brass finishes. Material mixing extends beyond metals to include cabinets and consoles with upholstered frames and natural stone tops, textured metal elements, and caned insets. Stone finishes, both natural and faux, are widely used for tabletops, including thick, 1970s-inspired designs and sleek porcelain surfaces mimicking marble. Geodes and crystals are employed as decorative elements, appearing in bowls, boxes, and even a fireplace surround. Dining tables, regardless of shape or style, are generally large, often featuring sculpted pedestals. Nesting side tables and coffee table groupings are prevalent, as are collections of small drink tables reminiscent of 1970s cigarette tables. Practicality is also a key theme, with many multimodal pieces designed for versatility, such as adjustable console tables that can function as sofa tables or narrow kitchen islands, and sofas with ratchet backs for adjustable lounging. Cocktail tables with tops that raise to desktop height also demonstrate this focus on functionality. Additionally, indoor/outdoor performance fabrics are gaining popularity, with traditional fabric houses like Thibaut and Kravet integrating them into their core offerings. #HighPointMarket #InteriorDesign #HomeDecor #FurnitureTrends #DesignExposition #ColorTrends #MaterialInnovation #FurnitureDesign

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The Barrow Collection by Toronto-based designer Mary Ratcliffe represents an expansion of her design philosophy, initially introduced with the Barrow Dining Table in 2021. The collection, which now includes a bench, side tables, and a mirror, is unified by its sculptural aesthetic and a distinctive approach to woodworking, drawing inspiration from the centuries-old coopering technique of barrel-making. This method involves shaping repeated trapezoidal staves into curved, yet angular, volumes, thereby creating a visual language that blends traditional craftsmanship with modern design principles. Ratcliffe's work is characterized by a dialogue with wood as a dynamic material. The design process emphasizes the manipulation of wood's inherent properties to achieve precise, repeatable forms. This involves taking traditional rules governing wood movement and applying a contemporary interpretation, simplifying these principles to create shapes that evoke a sense of thoughtful repetition and sculptural meditation. The resulting pieces maintain a balance between a monumental presence and an approachable feel, defining a softness that also highlights a nuanced aspect of brutalism in design. The Barrow Table exemplifies this design approach through its clustered or split bases. The angled cuts within these bases interact with light and shadow, creating an illusion of lightness despite the table's substantial form. The Barrow Bench reinterprets the table's forms, applying them to its edges, which in turn reveals the precision of the design from different perspectives. A subtle six-degree contour in the bench's seat is incorporated to enhance comfort, demonstrating an attention to user experience alongside aesthetic considerations. The Barrow Side Tables, scaled-down iterations of the collection's larger pieces, feature cantilevered marble tops. These elements introduce negative space, creating visual breaks that contribute to a lighter overall composition. The side tables can be arranged individually or as a nested pair, offering flexibility in their display and function. The Barrow Mirror extends the collection's geometric language, featuring a hand-polished aluminum frame complemented by faceted wooden 'claws.' This design choice refines the collection's aesthetic into a more intricate, jewel-like, and wall-mounted form. The development of the Barrow Collection involved significant technical challenges, particularly in achieving the signature angled cuts. Ensuring these cuts were crisp, repeatable, and stable, despite wood's natural tendencies, required years of experimentation, the development of custom jigs, and a crucial innovation in construction. This breakthrough involved replacing solid sections with a veneered, hollow-core build, allowing for the precise execution of the designs. The evolution of these pieces, from initial concept to final form, reflects a hard-won technical journey that culminates in a seemingly inevitable design. The collection is presented in blackened oak, a deliberate choice intended to minimize the visual distraction of wood grain and allow the ethereal qualities of the forms to take precedence. When viewed as a cohesive unit, the pieces appear less as individual objects and more as a unified set of artifacts. They evoke the impression of originating from a shared architectural concept, embodying a tradition that values material honesty, conscientious construction, substantial presence, and the subtle drama inherent in well-defined forms. Ratcliffe's work redefines brutalism, presenting it not as cold but as a language of precision, patience, and craft delivered with warmth, emphasizing the human element in production through a small, dedicated team overseeing the process from raw material to finished product. #HomeFurnishings #InteriorDesign #FurnitureDesign #ModernDesign #Woodworking #ProductDesign #SculpturalFurniture #MinimalistDesign #DesignProcess

The article outlines the top interior design trends predicted for 2024 by design experts. It covers a range of styles, from enduring trends like statement wallpaper and bold colors to innovative ideas such as woodgrain millwork and wellness-focused design. This list aims to provide inspiration for various home improvement projects, whether it's a major renovation or a simple home refresh. One significant trend is Woodgrain Millwork, with Jeanne Barber of Camden Grace Interiors noting a growing desire to expose original wood millwork in older homes and an preference for rich woods like walnut, maple, and mahogany in new constructions. Brass Accents are also expected to remain popular, according to Paul Kropp of Bakes & Kropp, who highlights their versatility, timeless appeal, and ability to enhance other design elements like marble or wood. Cortney Bishop of Cortney Bishop Design emphasizes the importance of Bold Lighting, suggesting large-scale, intricate, and sculptural fixtures that add personality and flair to spaces. Fluted Details, as noted by Joe McGuier of JAM, are gaining traction for their distinctive texture and visual interest, adding depth and sophistication to various design styles through the interplay of light and shadow on their grooves. Understated Opulence, described by Shea McGee of Studio McGee, is about subtly integrating luxurious touches without sacrificing comfort or a clean aesthetic. This is evident in character-rich edge profiles, detailed plumbing fixtures, wallpaper in powder baths, and the use of vintage rugs and furnishings in private bathrooms. Organic Light Fixtures, made from natural materials like rattan, wood, or clay, are expected to create a softer glow and enhance ambiance, according to Lindye Galloway of Lindye Galloway Studio + Shop. Saturated Colors are making a comeback, moving away from neutrals, as Patrick Dragonette of Dragonette Ltd observes, with bold hues like orange and cobalt blue adding drama and depth. Vintage Furniture is seen as a wise investment by Betsy Burnham of Burnham Design, who notes a shift from 'fast' furniture to well-built, sustainably crafted pieces meant to last generations. Adam Hunter predicts 'Quiet Luxury' will dominate, blending innovation with timeless elegance through sustainable materials, integrated smart technology, and a revival of classic design elements. Linda Hayslett of LH.Designs points to Wallpaper in Unexpected Places, such as closets, as a way to introduce fun and surprise into often-overlooked areas. Molly Torres Portnof of DATE Interiors also champions Bold Hues, citing a readiness for richer, more saturated colors to add drama. Natural Wood, as described by Raili Clasen of Raili CA Interior Design, is increasingly used on all walls in both small and large spaces, creating a cozy atmosphere. Rachel Atkins of Dwellify highlights the rising popularity of Statement Tiles, especially in showers, to break monotony in larger wet areas. Mixed Metals are also trending, with Lisa Adams of LA Closet Design noting that homeowners are layering different metal finishes in the same way they might layer jewelry, creating balance without needing everything to match. Intimate Dining Areas are favored over open-concept layouts, as Rayman Boozer of Apartment 48 explains, to create more personal and engaging dining experiences reminiscent of period dramas. Hilary Matt of Hilary Matt Interiors predicts the growth of Secondary Spaces like back kitchens and butler's pantries to extend kitchen functionality with additional refrigeration, warming drawers, coffee systems, and dishwashers. Modern Maximalism, characterized by jewel tones and statement rugs, is gaining popularity as clients seek more character and uniqueness, according to Jennifer Fisher of J. Fisher Interiors. Dabito of Old Brand New creative studio notes that Muted Tones are becoming the new neutrals, allowing homeowners to incorporate color subtly. Kathryn M. Ireland highlights Colorful Wallpapers in Hallways as a solution for filling these often-empty spaces with vibrant designs. Finally, Wellness Offerings are being incorporated into luxury developments, with Winston Kong of Champalimaud Design describing spectacular indoor/outdoor movie areas, rooftop pools, co-working lounges, and full-size bars as sought-after elements in modern living spaces. #InteriorDesign #HomeDecor #DesignTrends #HomeRenovation #LuxuryDesign #SustainableDesign #BoldColors #VintageFurniture #WellnessDesign

Living room trends for 2025 emphasize comfort, individuality, and artistic expression, moving away from rigid designs towards softer, more organic forms and tactile experiences. The curved sofa remains a dominant trend, introducing fluidity and warmth to create intimate ambiances. Examples include Gansk’s Nuance, Secolo’s Tateyama, and Moanne’s Melancolia, all featuring inviting silhouettes and luxurious upholstery options. For those preferring alternatives to curves, chunky-arm sofas like Quilton by Hay and Supermoon by Minotti offer a modern touch with generous dimensions and sculpted forms. Swivel chairs are also gaining prominence, blending functionality with style. These dynamic pieces, such as Lago by Zeppelin and Nebulona by Miniforms, are ideal for various rooms, enhancing interaction and adding versatility. Sculptural coffee tables are evolving beyond mere functional items, becoming artistic statement pieces. Large, asymmetrical designs crafted from natural stone, glass, and mixed metals are favored, with examples like Sixpenny’s Pisces showcasing ribbed edges and flowing shapes in pale and spiced oak finishes. Oversized ottomans are transforming into multifunctional centerpieces, serving as coffee tables, extra seating, or decorative elements. Rounded, tufted designs in bold colors like emerald green, mustard, and terracotta are popular, exemplified by Wittmann’s Paradise Bird ottoman, which features a metal base frame in satin brass or gray black and a wide range of upholstery. The tactile revolution of 2025 focuses on sensory design through rich, textured fabrics such as chunky chenilles, shimmering velvets, and inviting bouclés. These materials add depth and dimension to interiors, extending to cushions, poufs, and throws, and allowing for sophisticated layering of textures. Color plays a crucial role, with Pantone’s Mocha Mousse setting the tone as a warm, coffee-inspired brown. This serves as a foundation for deep greens and blues, which are highlighted as the standout shades of the year. The overall aesthetic for 2025 involves combining sculptural forms, tactile materials, and nature-inspired hues to shape refined and comfortable living spaces. These trends aim to make living rooms more expressive and personal, reflecting a broader shift towards unique and engaging home environments. #InteriorDesign #FurnitureTrends #LivingRoomDecor #CurvedFurniture #HomeDecor #ModernFurniture #TextileTrends #ColorPalette #SculpturalDesign

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco