designer hanne willmann details the expanded freifrau nana collection

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

Nathalie Van der Massen has unveiled REN, a limited-edition collection of room dividers that seamlessly merge design, art, and architecture. The collection, consisting of one four-panel divider and two two-panel dividers, is characterized by its use of natural materials and intricate weaving techniques, drawing inspiration from Belgian textile heritage. The designs are crafted to offer both privacy and transparency, adapting to various architectural contexts and aesthetic preferences. The genesis of the REN collection stems from Van der Massen's experience with requests for custom textiles in her architectural projects. This led her to develop a foundational framework that could integrate bespoke textile designs in a scalable and versatile manner. The creative process involves a blend of manual and digital techniques to produce the fabric wefts. A key aspect of her methodology is the selective removal of threads to achieve deliberate areas of transparency within the woven patterns. Furthermore, the designer manipulates the tightness of the weaves, introducing subtle variations in translucency and light interaction across the panels. The collection features three distinct designs: SAN, SAI, and DAN. The SAN room divider is a four-panel piece crafted from walnut wood. Its extended length allows for an alternative use as a headboard. The textile elements are woven directly around and within the wooden frame, making the wood an integral part of the design rather than merely a structural border. This approach blurs the line between furniture and textile art, highlighting the material's inherent qualities. SAI and DAN are both two-panel room dividers, each presenting a unique interpretation of the wood frame's visibility and interaction with the woven elements. SAI exhibits a sense of movement and lightness, with its paper weave dynamically interacting with the frame. This design allows for a greater flow of light, contributing to an airy and rhythmic aesthetic. In contrast, DAN adopts a more minimalist and conventional room divider appearance, emphasizing simplicity and clean lines. This design is characterized by its ability to absorb light through its fabric, creating a more defined and enclosed space. Each room divider within the REN collection possesses distinct characteristics that influence how it interacts with light and space. SAI's design promotes light transmission, while DAN's fabric composition absorbs light. The SAN four-panel divider combines both these properties, offering a versatile solution for different lighting environments. Despite their individual differences, all three designs share the common goal of providing both artistic appeal and practical functionality, enhancing the aesthetic and utility of any interior space. The collection is available in a limited edition of eight pieces for each design. #RoomDividers #NathalieVanderMassen #HomeFurnishings #TextileDesign #InteriorDesign #BelgianDesign #LimitedEdition #ArchitecturalTextiles #Materiality

The article highlights a shift in the perception of Scandinavian design, moving beyond the traditional male-dominated figures like Arne Jacobsen, Finn Juhl, and Hans Wegner. It introduces a new publication, '_Real Nordic Living_', which aims to provide a more contemporary and inclusive view of Nordic design by featuring female designers, diverse aesthetics, and lifestyle elements beyond furniture. The core concept of 'hygge' is explored through the work and philosophies of three prominent women designers. Josephine Akvama Hoffmeyer, the Ghanaian-Danish founder of File Under Pop, is presented as a key figure in this modern interpretation. Her company specializes in hand-making ceramic tiles, wallpaper, and paints in Copenhagen. Hoffmeyer's work extends to hotels and residences globally, including a current project in Uruguay. She emphasizes the importance of color in Nordic interior design, noting a move away from the past two decades' prevalence of white and pastels. Hoffmeyer advocates for using specific color palettes to define rooms, such as fresh and cool hues for bedrooms and warmer, denser tones for kitchens or living rooms, to create 'hygge' in an accessible and economical manner through paint. Julie Bonde Bülck of Uh la la Ceramics is another designer featured, known for her porcelain pieces characterized by slick, curved shapes often described as 'seductive'. Her work incorporates a modern, tech-inspired aesthetic, exemplified by spherical dishes with snap-on lids. Bonde Bülck acknowledges Jony Ive as an influence, indicating a blend of traditional ceramic craftsmanship with contemporary design sensibilities. Finally, Ragnhild Wik of Wik Oslo, initially a costume designer, established her eponymous shop in 2014. Her studio, located in a 200-year-old stable in Oslo, serves not only as a workspace but also as a showroom and a communal gathering space for family, friends, and colleagues. Wik’s approach to her studio, filled with secondhand furniture and collected items, embodies the cozy and inviting spirit of Nordic 'hygge', reflecting a personal and collected aesthetic rather than a purely minimalist one. This collection of designers collectively showcases a refreshing and expanded definition of Scandinavian design, one that is more diverse, vibrant, and reflective of modern living. #NordicDesign #ScandinavianDesign #Hygge #HomeDesign #InteriorDesign #WomenInDesign #CeramicArt #WallpaperDesign #ColorTheory

Diane von Furstenberg has launched a new collaboration with H&M Home, bringing her distinctive pattern-forward designs to a wider audience at an accessible price point. The collection, which launched on April 16, includes 31 pieces for the home, featuring items such as glass vases, lacquered trays, patterned serveware, and wool blankets. This partnership aims to infuse living spaces with the vibrant and cheerful aesthetic that DVF is renowned for, allowing individuals to personalize their decor with expressive pieces. The designer, Diane von Furstenberg, expressed her philosophy behind the collaboration, emphasizing that the home is a space for self-expression. She encourages people to embrace their unique style in decorating, stating that the only rule is for the decor to authentically reflect its inhabitants. This sentiment is embodied in the collection's diverse range of patterns, which draw inspiration from various elements of von Furstenberg’s iconic career and artistic influences. Among the featured motifs are designs inspired by a portrait of the designer created by Andy Warhol, which incorporates red and pink lips. Another notable pattern is von Furstenberg's signature “Diane” scribble, presented in a striking black and white scheme. These patterns are consistent with the designer's well-known bold and expressive style, making them recognizable to fans of her fashion brand. The collaboration extends DVF's influence beyond clothing into interior design, allowing consumers to integrate her artistic vision into their everyday living environments. A particular highlight of the collection, and a key trend of the moment, is the inclusion of swirly, Murano-style glassware. This specific design departs from von Furstenberg’s typical signature patterns but aligns with a popular aesthetic currently seen in home decor. The splattered effect of this glassware originates from Venice, Italy, where skilled artisans employ traditional hand-blowing techniques to create unique pieces by incorporating colored molten glass. This Murano-style is experiencing a resurgence in popularity, with similar items appearing from brands like Stories of Italy and West Elm. The affordability of the DVF x H&M Home collection is a significant aspect, making these designer-inspired pieces accessible to a broader consumer base. Given the trendiness of the Murano-style glassware and the established appeal of Diane von Furstenberg’s patterns, the article suggests that items from this collection, especially the glass pieces, are anticipated to sell out quickly. This collaboration represents an opportunity for consumers to acquire high-design home decor without the premium price typically associated with designer brands, thereby enabling more individuals to incorporate sophisticated and stylish elements into their homes. #H&MHome #DianeVonFurstenberg #HomeDecor #DesignerCollaboration #PatternForwardDesigns #MuranoGlass #AccessibleLuxury #InteriorDesignTrends #AffordableHome

Finnish designer Hanna Anonen introduces her new Bouclé Collection, a series of modular wall hangers that reinterprets the tactile qualities of bouclé fabric using solid walnut and painted wood. This collection blends functional design with wall art, aiming to serve as both a practical coat rack and a decorative element in various settings. Anonen's intention was to create an object that encourages interaction with living spaces, suitable for entryways, hallways, public areas, and bedrooms. The Bouclé Collection is characterized by its lattice structure crafted from rich walnut, which is intersected by painted circular "knots." These circular elements are a clever design choice, referencing the texture and rhythmic pattern found in traditional bouclé textiles. The circular knots also serve as functional hanging points, forming a distinct polka-dot like pattern that is visually graphic yet harmonious. The design allows for scalability in size and layout, making the pieces adaptable to different spatial requirements and design aesthetics. Each piece in the collection is available in four sizes, providing versatility for integration into diverse interiors. The use of wood to mimic a fabric texture is a central theme, transforming the soft, looped appearance of bouclé into a hard, sculptural form. This design approach highlights the designer's ability to translate material properties across different mediums, offering a unique take on familiar textures in a new context. Hanna Anonen debuted the Bouclé Collection at Launch Pad by WantedDesign earlier this year. This presentation was supported by several organizations, including the Finnish Cultural Foundation, the Finnish Cultural Institute in New York, and the New York State Council on the Arts (NYSCA). These supports underscore the cultural and artistic significance of Anonen's work within the design community. The collection is not merely functional but also carries an artistic dimension, as emphasized by Anonen. It invites viewers to appreciate the subtle design cues and the reimagination of a textile texture in timber. The visual impact of the pieces, with their precise forms and material contrasts, makes them stand out as both utility items and contemporary art installations. The Bouclé Collection offers a sophisticated and playful addition to modern interiors, demonstrating how material reinterpretation can create innovative and engaging design solutions. #HannaAnonen #BoucléCollection #WallHooks #FinnishDesign #ModularDesign #WoodFurniture #TextileInspired #InteriorDesign #HomeDecor

Emily Van Hoff, an artist renowned for her textile work, explores the potential of quilts beyond traditional two-dimensional forms, creating pieces that possess significant visual weight and object-like qualities. Her work encompasses a variety of textile forms, including geometric tapestries, faceted weavings, and sculptural constructions. Van Hoff emphasizes her preference for quilts that feel substantial and robust, distinguishing them from flat, decorative pieces. She achieves this by continuously experimenting with different methods to infuse her creations with a chunky, three-dimensional presence. Van Hoff's artistic process frequently involves revisiting and reinterpreting her initial sketches and repurposing offcuts from previous projects. This approach allows her to construct new works by meticulously combining diverse textures, colors, and arrangements. A notable example of her recent experimental endeavors is a piece composed of three interlocking chain links. This particular artwork offers versatility in display, as its components can be rearranged to reveal various orientations, showcasing a dynamic interplay of angles and color combinations. She views this chain link design as an evolution of her existing wall hangings, which often feature overlapping and interwoven elements, further pushing the boundaries of textile art. In addition to her sculptural works, Van Hoff has ventured into commercial design with a new line of quilting fabric named 'Groove,' developed for Moda Fabrics. This collection, set to be released in May of the following year, embodies her characteristic vibrant color palette and incorporates playful, sinuous motifs. Van Hoff reflects on her background in graphic design and her long-standing passion for textile design, highlighting her prior experience working in a fabric shop during high school. She describes the opportunity to design her own fabric line as a dream realized, underscoring her deep connection to the medium. The article showcases several of Van Hoff's creations, including a geometric wall hanging with woven fabric panels and colorful facets, a square quilt with a bright orange and pink circle at its center framed by geometric borders, and a sculptural chain link piece perched on a wooden base. Other illustrations feature a quilted wall hanging in orange and yellow with curving geometry, a loosely tied knot-like quilted wall-hanging with bright color facets, and an array of small, colorful quilted swatches adhered to paper. The collection also includes soft, quilted shapes stacked on a wooden table, a display rack with multiple geometric quilted wall hangings, and a series of colorful, geometric fabric designs presented in strips. These images collectively demonstrate her innovative use of textiles to create visually engaging and structurally complex art. #EmilyVanHoff #Quilts #TextileArt #SculpturalQuilts #DimensionalArt #FabricDesign #Craft #GeometricDesigns #ModernQuilting

In 1967, fiber artist Sheila Hicks collaborated with architect Warren Platner to design two linen-and-silk wall panels for the Ford Foundation headquarters in New York City. Platner was responsible for the interiors of the 12-story modernist landmark, designed by Kevin Roche John Dinkeloo and Associates. Hicks's original wall panels, which featured rosettes threaded around metal discs, suffered significant damage over the years due to an attempted fire retardation treatment in the 1980s, the abrasion from Eames executive chairs in the conference room, and cigarette smoke in the auditorium. Recognizing the historical and artistic importance of these pieces, Ford Foundation President Darren Walker, appointed in 2013, initiated their replacement. He commissioned Hicks to recreate the murals. Hicks accepted the project without an artist's fee, underscoring her commitment to the foundation and her artwork. The re-installation took place in August 2014, with Hicks overseeing the process. This reprisal of her work for the Ford Foundation coincided with a broader resurgence of interest in Hicks's art, marked by other large-scale public commissions, including a yearlong exhibition at the Palais de Tokyo in Paris, and a general renewal of appreciation for weaving as an art form. The modern tapestry was produced in smaller, modular sections by Enrico Martignoni, the chief installer, and project leader Dominique Pastor. This modular approach was adopted to facilitate easier replacement if any section were to be damaged in the future. Crucially, the new silk-blend threads will not undergo the same caustic chemical fire-proofing treatment that damaged the original works. Additionally, the new panels are more cost-effective, utilizing a silk-blend thread and plastic discs in place of the original metal components. The article also touches upon the broader design elements of the Ford Foundation building. Warren Platner, known for his opulent modernist style, integrated bold metallics into his interiors, such as the gold-plated, floor-to-ceiling doors leading to the subterranean auditorium. The landscape designer Dan Kiley, celebrated for his work on projects like the Miller House and the St. Louis Arch, created the lush indoor urban garden within the Ford Foundation. Architects Kevin Roche and John Dinkeloo designed the headquarters with the employee in mind, reversing the traditional skyscraper layout to ensure every office had exterior views or overlooked the indoor park within the ten-story glass atrium. Skylights at the top of the atrium, framed in Cor-Ten steel, allow natural daylight to flood the space. Even the executive chairs, modified by Charles and Ray Eames, featured brown leather upholstery and brass accents to complement Platner's design, and notably, still included pull-out ashtrays. #SheilaHicks #FordFoundation #TextileArt #ModernistDesign #InteriorDesign #ArchitecturalRenovation #ArtInstallation #WarrenPlatner #KevinRocheJohnDinkeloo

The Pioneer Woman, a brand synonymous with Ree Drummond's signature country style, has recently expanded its furniture collection available at Walmart, introducing new dining pieces under the 'Willa' line. This expansion builds upon previous successful launches, including a relaunch of her cook and dine collection to celebrate her 10th anniversary with Walmart, featuring expanded color options for Agatha and Colette dinnerware, new glassware, tools, gadgets, and ceramic cookware. The latest additions focus on furniture, particularly dining room items, designed to complement the existing range of kitchenware and bring a cohesive aesthetic to homes. The new Willa collection comprises three primary coordinating pieces, all finished in Heirloom Wheat: a solid wood dining table, matching dining chairs, and a hutch for storage. Ree Drummond herself introduced these items during a livestream, describing the collection as versatile and akin to a "good pair of jeans" that integrates seamlessly with various decor styles. This new dining set is highlighted for its durability and design, catering to both functionality and aesthetics in a kitchen or dining area. Beyond the new Willa dining collection, The Pioneer Woman's furniture range extends to other areas of the home, including an extensive selection for kitchen and dining, living room, and bedroom. The kitchen and dining offerings include various tables, chairs in multiple heights, and the newly added hutch, all designed to be long-lasting for cooking, serving, and storage needs. Specific products mentioned are the Willa Dining Hutch Cabinet, the Willa Spindle Solid Wood Dining Table, Harper Faux Leather Dining Chairs, Harper Faux Leather Counter-Height Stools, Callie Round Dining Table in White Finish, and Harper Dining Chairs in White. For the living room, the collection features items that blend elegance with comfort and a touch of rustic charm. A notable piece is the Laurel Tufted Sofa, available in Antique White and Jade, praised by Ree Drummond for its velvet upholstery and tufted design. Other living room furniture includes the Harper Spindle Accent Chair in Antique White and Jade, Harper Faux Leather Recliners in Faux Cowhide and Whiskey, the Helen Round Coffee Table in Teal, the Harper Accent Bench in Faux Cowhide, and the Harper Round Storage Ottoman in Whiskey. These pieces offer options ranging from sophisticated comfort to Western-inspired accents, allowing for diverse decor integrations. In the bedroom category, The Pioneer Woman offers furniture designed to create a cozy and country-chic sleep environment. Key items include the Harper Queen-Size Spindle Bed in White, along with matching one-drawer nightstands available in Homestead Brown and White. Additionally, the collection features a Queen Headboard in White, a Vanity Set and Stool in White, and a 4-Drawer Dresser in White. These bedroom pieces are intended to provide both style and practicality, offering options for a complete bedroom refresh. The entire furniture collection is accessible through Walmart.com, making it widely available to customers looking to furnish their homes with Ree Drummond's distinctive style. #PioneerWoman #Walmart #FurnitureCollection #HomeDecor #DiningRoom #LivingRoom #BedroomFurniture #RusticCharm #CountryChic #InteriorDesign

The article presents a detailed tour of Leena Nasser's landmarked Upper West Side apartment in Manhattan, designed by Molly Torres Portnof of DATE Interiors. Leena, a social scientist, writer, artist, and dancer, sought to create a home that truly embodies her imaginative and free-spirited personality, a concept she refers to as her ‘creative womb’. The apartment, built in 1915, initially featured builder-grade finishes but possessed significant potential with its tall ceilings, exposed bricks, and a gorgeous terrace. The collaboration between Leena and Molly began during the closing of the apartment sale, fostering a strong connection from the outset. Leena's international lifestyle, with residences in New York, London, Argentina, and Saudi Arabia, influenced the design, as she frequently sent Molly ideas gathered from her travels. The design philosophy integrated a classic New York aesthetic with Parisian influences, culminating in a space tailored to Leena's unique tastes rather than being moderated for a broader audience. Molly highlighted the freedom of designing for an individual, allowing for a celebration of her client's identity. A significant aspect of the design involved incorporating Leena's interest in the divine feminine, the female form's strength, and her nature as a dreamer. An example of this is the mural in her bedroom, which was inspired by a dream she had about a waterfall cascading over a woman, brought to life to be a daily source of inspiration. This creative synergy enabled the realization of highly personalized elements throughout the apartment. The apartment is described as a 'feminine goddess sanctuary,' with each room possessing its own distinct 'magic' and feeling like a 'jewel.' Comfort and beauty were paramount, achieved through inviting elements like sheepskin armchairs and plump sofas, creating a soft and feminine ambiance. Live-edge wood shelving and terrace foliage were incorporated to bring natural elements indoors. The bathrooms feature zellige tiles, chosen for their unique textures and ability to evoke a spa-like, escapist atmosphere. Leena's passion for Arab history, forgotten Arab queens, and various cultures and fictional worlds also played a crucial role in the design. Historical elements are thoughtfully integrated throughout the apartment. A collection of her fairy tales, framed by Ilana Lobet, creates an arresting display on the exposed brick walls of the dining area, with over 75 unique pieces. The furniture in the main living space was specifically chosen to be light and movable, accommodating Leena's love for tango dancing and large-scale painting. The project not only resulted in a personalized sanctuary but also fostered a firm friendship between the client and the designer. Molly Torres Portnof shared insights into her design choices, highlighting the joy in Leena's appreciation for the apartment. She pointed to enlarging the terrace doors as a small change with a huge impact, significantly increasing light and life within the space. Her preferred color palette includes golden mustard with deep purples and greens, and she draws inspiration from Australian designers like Tali Roth and Flack Studio. Her favorite building, the Empire State Building, even influenced her company's name, 'Designing A Tiny Empire.' She also recommended the Demolition Depot in Harlem as a hidden gem for unique finds, emphasizing her attachment to her rug collection, which she views as 'pieces of art on our floors' that tell stories. #ManhattanApartment #InteriorDesign #ArtistHome #FeminineDesign #CustomInteriors #ExposedBrick #UpperWestSide #DATEInteriors #LeenaNasser

The Frick Collection, housed in a 1914 limestone mansion in New York City, has undergone its most extensive upgrade in nearly 90 years, allowing visitors for the first time to explore the private second-floor suites of the Frick family. Previously, the museum primarily showcased its collection in the grand first-floor rooms, but now the more intimate, domestic-scale spaces—comprising about 10 rooms and several passageways that once served as bedrooms and sitting rooms for Henry Clay Frick, his wife Adelaide, and daughter Helen—have been converted into galleries. This transformation offers a unique perspective on the collection within a historically preserved domestic setting. Selldorf Architects completed this comprehensive renovation, which opened in April, revealing the grand architectural style and personal living spaces of the early 20th-century industrialist family. A notable artistic feature on the second floor is an enchanting ceiling mural along the corridor, contrasting with the formal interiors. This hand-painted work by John Alden Twachtman depicts cerulean skies and landscapes filled with monkeys dressed in Chinese costumes, engaging in human activities. This playful design is a nod to French Rococo traditions of singeries and chinoiseries, with a particularly charming detail being a monkey lighting candles for a floating lantern near the entrance to Adelaide’s bedroom suite. The mural's commission highlights the pioneering work of Elsie de Wolfe, considered America's first interior decorator. De Wolfe, at the beginning of her career, boldly pitched her services to Mr. Frick in 1914, emphasizing her expertise in detail and understanding of women's spaces, which she argued male decorators often overlooked. Her persistence led to her being hired, and she subsequently created the iconic Boucher Boudoir. This room, a vibrant display of 18th-century French exuberance, features eight cherub-laden panels painted by François Boucher, depicting the arts and sciences. After previously being displayed on the museum’s main floor, the Boucher Room has been meticulously restored to its original location adjacent to Mrs. Frick’s bedroom. This boudoir, serving as Mrs. Frick's private sitting room, is celebrated for its complete ensemble, including its corner location with windows offering views of Central Park and 70th Street. Another significant area now accessible is the beloved breakfast room, where the family shared their first meal of the day. This room, facing east, captures the morning light, creating a warm ambiance, and showcases the domestic routine of the Frick family, where meals were brought up from the lower-level kitchen by a waiter. To commemorate these enhancements, the museum is hosting the exhibition "Vermeer’s Love Letters" throughout the summer. This exhibition reunites the Frick’s masterpiece, Vermeer’s "Mistress and Maid," with two special loans: "The Love Letter" from Amsterdam’s Rijksmuseum and "Woman Writing a Letter" from the National Gallery of Ireland. Displayed together in a single gallery for the first time, these three works offer a fitting tribute to the newly refurbished Gilded-Age museum. #FrickCollection #NewYorkCity #MuseumRenovation #ElsieDeWolfe #InteriorDesign #GildedAge #VermeerExhibition #ArchitecturalHistory #ArtCollection

Target recently launched a limited-edition collaboration with designer Diane von Furstenberg, offering over 200 colorful items across fashion, beauty, and home categories. The collection, which debuted on Saturday, includes home furnishings with ’70s-inspired prints, featuring maximalist leaf, mod geometric, and animal-inspired motifs. The collection aims to provide a warm-weather upgrade for homes, with prices starting at $10. Among the highlighted home items is the Charlotte’s Garden Room Divider, priced at $500, which features a floral-animal pattern. This piece is designed to divide living spaces or create a stylish background for video calls. Another item is the Geranium & Ginkgo Leaves Comforter, available for $80, a botanical-print comforter set that is reversible, effectively offering two distinct styles. The collection also includes a Swivel Accent Chair, priced at $900, which has an eye-catching geometric print and is intended as a focal point for reading nooks. For smaller accents, the Sea Twig Washcloth Set, costing $10, provides a vibrant green alternative to standard white washcloths and is made from soft jacquard cotton. The Geranium Leaf Shower Curtain, priced at $30, is designed to refresh bathroom aesthetics with its leafy pattern. A Vintage Weave Bench, available for $450, is a versatile upholstered piece suitable for various rooms, such as an entryway or at the foot of a bed. In addition to home décor, the collection features accessories like a Stainless Steel Water Bottle for $15, designed with color-blocked patterns to encourage hydration. A Geranium Leaf Journal, also priced at $10, is included as a functional and aesthetically pleasing item for organizing thoughts and tasks. The overall collection emphasizes bright, statement-making patterns to brighten up any space, catering to those looking to infuse their homes with a vibrant, maximalist style. #DianeVonFurstenberg #TargetCollaboration #HomeDecor #MaximalistStyle #InteriorDesign #LimitedEdition #HomeFurnishings #SpringDecor #SeventiesInspired

Netjets, a private jet airline, has maintained a 16-year partnership with Art Basel, consistently unveiling collaborative projects at the fair. This year's iteration featured a bespoke installation by Swedish artist Frida Fjellman within the Netjets collectors' lounge. Fjellman's contribution, titled 'Crystal Atmosphere,' brought a new spatial interpretation to her signature blown glass lanterns. These lanterns, first showcased in a solo exhibition in 2015, have since evolved into various colors and sizes, all retaining their distinctive mouth-blown glass and metal components. They are presented both as individual pieces and as elaborate chandelier-like clusters. Fjellman's artistic journey with these lanterns involved a two-year development period in collaboration with The Glass Factory, an art glass producer situated in Boda, a small village nestled within Sweden's forests. The artist initially conceived these lamps not for traditional beauty or utility, but to evoke the impression of exaggerated, somewhat unconventional jewelry—beautiful yet intriguing. The unexpected popularity of these pieces has been a point of interest for Fjellman. The lanterns gained significant attention when they were displayed at Design Miami/ in 2016 as part of a large-scale installation by Hostler Burrows. This exposure captured Netjets' interest, leading to the current collaboration. For the Art Basel lounge, Fjellman was granted complete creative freedom. Over a period of four months, she developed her largest installation of these works to date, comprising 100 lanterns in a spectrum of shades and sizes. This project also involved the creation of a new large-scale piece that pushed existing production boundaries. The installation within the lounge featured the lanterns suspended from the ceiling in color-coordinated clusters. The lighting of these pieces was designed to be discreet, with lights slowly fading in and out, mimicking a breathing pulse. Fjellman's stated intention for the 'Crystal Atmosphere' installation was to cultivate a serene environment, providing a calming respite from the often-hectic atmosphere of the art fair. 'Crystal Atmosphere' underscores Netjets' ongoing commitment to the arts. Previous artistic collaborations by the private aviation company include projects with the art/design duo Snarkitecture and British artist Rebecca Louise Law. Fjellman reflected on the inspiration behind her installation, noting her interest in the almost magical sense of tranquility experienced during flight above the clouds, likening it to a rare oasis of calm in an increasingly hyper-connected digital world. #ArtBasel #Netjets #FridaFjellman #InstallationArt #BlownGlass #DesignMiami #CrystalAtmosphere #ContemporaryArt #ArtCollaboration

Melanie Lazenby, the daughter of actor George Lazenby (who played James Bond in 1969), and a successful real estate broker known for closing deals totaling $1.2 billion for Douglas Elliman, recently moved into her dream apartment on Madison Avenue in the Upper East Side. A top-tier closet was a major priority for her new home. Her impressive walk-in wardrobe was designed by Nate Berkus and features lacquered wood with brass handles and a Niermann Weeks chandelier. Lazenby's primary goal for the closet was to maximize every square inch to accommodate her collection of 200 dresses, with Alaïa being a favorite brand. She also possesses about 100 pairs of shoes and 50 pairs of sunglasses, favoring Miu Miu. Given her extensive collection, Lazenby emphasizes the importance of organization. She enlisted Maria Kontovas from Neat Method to help bring order to her possessions. Kontovas organized the dresses by season and color, also finding suitable places for vintage items such as a twist-front Versace dress. The organizational strategy was to allow Lazenby to 'shop' her accessories within her own closet. Lazenby highlights the growing significance of closet space in the current real estate market. She recalls selling a 6,500-square-foot, four-bedroom penthouse in NoMad to Jennifer Lopez, where the massive closet, featuring French doors leading to a terrace, was a key selling point. This allowed Lopez the option of fresh air circulating through her clothes. Lazenby was also impressed by Alex Rodriguez’s well-designed and spacious closet in Trump Park Avenue, noting its beauty despite expecting an athlete's closet to be filled with track pants. According to Lazenby, good closet space can be a deal-maker or breaker for buyers, and large, well-designed walk-in closets significantly add value to a property. At 41, Lazenby underscores that buyers are not serious unless they are meticulously examining the closet space. #MelanieLazenby #WalkInCloset #LuxuryRealEstate #HomeDesign #NateBerkus #Fashion #Organization

Emily Van Hoff, a Chicago-based artist, creates vibrant wall hangings that seamlessly blend her background in graphic design with traditional quilting techniques. These pieces are a contemporary homage to the craftswomen of past generations, showcasing a distinct fusion of digital design principles and tactile artistry. Van Hoff's work is characterized by geometric patterns and bold color palettes, including shades of bubblegum pink, lavender, and cobalt. Each wall hanging incorporates design elements such as thick stripes, bisected circles, and meticulously arranged rows of stitches, reflecting her stated goal of translating digital design into tangible art objects. Working from her home studio, Van Hoff meticulously constructs these textile art pieces, imbuing them with a modern aesthetic while respecting the heritage of quilting. The choice of colors is deliberate, creating a striking visual impact that makes her work highly sought after. Her creations are not merely decorative items but expressions of a creative process that bridges two distinct disciplines: the precision and visual communication of graphic design with the warmth and texture of textile art. The quilts serve as a testament to the enduring appeal of handcrafted goods and the potential for traditional crafts to evolve through contemporary influences. Van Hoff's artistic practice highlights the intersection of fine art and craft, demonstrating how everyday materials can be elevated into sophisticated visual statements. The tactile nature of her wall hangings invites viewers to engage with the art on a deeper level, appreciating the intricate stitching and the interplay of colors and shapes. Her success in quickly selling out her works underscores the demand for unique, handcrafted items that offer both aesthetic beauty and a connection to artisanal traditions. Her process involves a careful consideration of composition, color theory, and material choice, echoing the deliberate decisions made in graphic design. By applying these principles to textiles, Van Hoff creates pieces that are both visually dynamic and structurally sound. The wall hangings serve as focal points in any space, bringing a burst of color and a sense of thoughtful design to interiors. They represent a harmonious balance between structured design and the organic nature of fabric, offering a fresh perspective on how art can integrate into daily living. #EmilyVanHoff #TextileArt #Quilting #GraphicDesign #WallHangings #ModernCraft #FiberArt #ColorBlocking

The Nomad design fair is hosting its second event at La Vigie, the oldest villa in Monaco and former residence of Karl Lagerfeld, showcasing collectable design over four days. Conceived by Giorgio Pace and Nicolas Bellavance-Lecompte, this year's fair features new designs from 17 international galleries and special projects by LizWorks and Mathieu Lehanneur. Among the notable exhibits, Carwan Gallery presents five ceramic pieces by Swiss-Chilean designer Anton Alvarez. These tubular forms, first shown at Salone del Mobile in his 'Unsighted' exhibition, are characterized by a striking cobalt blue hue and a unique extruded appearance, reminiscent of Play-Doh. Sarah Myerscough Gallery showcases a new wood-turning project by Danish furniture makers Lasse Kristensen and Mette Bentzen (Egeværk). Their 'Void' table is crafted from a single Danish Ash tree, with layers meticulously stripped to create a smooth, horn-like shape. New York-based Friedman Benda gallery makes its debut at Nomad with an eclectic display of Misha Khan's work. The exhibition features 15 playful pieces that utilize diverse materials to create exaggerated forms, including marble powder, resin, and wood stools positioned in front of the room's fireplace. A standout piece is the large-scale stainless steel and glass table, 'Back Bend Starfish Puts on all Her Jewels for Her Workout'. Etage Projects from Copenhagen is presenting an ice-blue iteration of Sabine Marcelis’ resin 'Soap' table, following the release of an off-white version at Nomad St. Moritz earlier in the year. This minimalist and matte design highlights Marcelis’ innovative use of resin and complements other opulent designs by Fredrik Paulsen and FOS on display. David Gill Gallery features the official launch of Mattia Bonetti's 'Tiger' cabinet, an eclectic piece that blends mahogany, brass, and leather. The cabinet's animalistic patterns contrast with its sophisticated form, creating a striking design intended to stand out against the Monte Carlo landscape. Nilufar Gallery presents an updated version of the Chaise Maurice by Beirut-based design duo David and Nicolas. This classic Lebanese chair, originally designed in painted steel, walnut wood, and green upholstery, has been reimagined with Red Cavallino upholstery and an ottoman footrest for enhanced luxury. The fair is hosted at La Vigie, a location known for its significant design history and its previous role in Nomad's first edition. The article includes various images of the installations and the historic Monaco villa, offering a visual tour of the showcased designs within the unique setting. The Nomad Circle exhibition is scheduled to be on view from April 26-29 at Villa La Vigie, providing an opportunity for enthusiasts to experience these innovative designs firsthand. #NomadFair #DesignExhibition #MonacoDesign #KarlLagerfeldVilla #CollectibleDesign #ContemporaryFurniture #ArtAndDesign #LuxuryInteriors

Nomad, the collectable design fair, holds its second edition at La Vigie, Karl Lagerfeld's former villa in Monte Carlo. The event, conceived by Giorgio Pace and Nicolas Bellavance-Lecompte, showcases innovative designs from 17 international galleries and special projects by artists such as LizWorks and Mathieu Lehanneur. This year's fair highlights a range of new works, emphasizing playful experimentation, meticulous craftsmanship, and the integration of diverse materials. Among the featured designs, Carwan Gallery presents five ceramic pieces by Swiss-Chilean designer Anton Alvarez. These tubular forms, first seen at Salone del Mobile, are characterized by a striking cobalt blue hue and a unique extruded appearance, reminiscent of Play-Doh. Sarah Myerscough Gallery showcases the work of Danish furniture makers Lasse Kristensen and Mette Bentzen, known as Egeværk. Their 'Void' table, crafted from a single Danish Ash tree, achieves a smooth, horn-like shape through a process of meticulously stripping each wood layer. New York's Friedman Benda gallery participates for the first time, exhibiting 15 eclectic works by Misha Khan. Khan's pieces feature exaggerated forms created using various materials, including marble powder, resin, and wood. Notable items include stools positioned around a fireplace and a large stainless steel and glass table titled 'Back Bend Starfish Puts on all Her Jewels for Her Workout.' Sabine Marcelis, based in Rotterdam, introduces an ice-blue iteration of her resin Soap table for Nomad Monaco, presented by Copenhagen's Etage Projects. This follows an off-white version released earlier at Nomad St. Moritz. The table's minimalist and matte form, which highlights Marcelis's expertise with resin, complements more opulent designs by Fredrik Paulsen and FOS also on display. David Gill Gallery presents the official launch of Mattia Bonetti's 'Tiger' cabinet. This piece combines mahogany, brass, and leather, creating a decadent mix of warm materials. The cabinet's wild, animalistic patterns are juxtaposed with its sophisticated shape, designed to stand out against the Monte Carlo landscape. Finally, Beirut-based design duo David and Nicolas for Nilufar Gallery unveil an updated version of their Chaise Maurice. Originally designed to revive a classic Lebanese chair, the vintage model now features Red Cavallino upholstery and an ottoman footrest, enhancing its luxurious appeal. The fair takes place from April 26-29 at Villa La Vigie, a location known for its prominent design history, having also hosted Nomad's inaugural edition. The event offers a comprehensive look at contemporary collectible design in a historic and picturesque setting. #NomadFair #CollectableDesign #Monaco #KarlLagerfeldVilla #DesignExhibition #ContemporaryDesign #FurnitureDesign #CeramicArt #WoodCraft #ResinArt

The article highlights how interior designers are increasingly embracing eclecticism and individualism by incorporating vintage and antique decor into their projects to add character to homes. Decorating with art is presented as a classic and effective method to infuse personality, showcasing individual tastes and styles while adding color, pattern, and texture to a room. Emily Henderson, a prominent designer, recently shared her passion for vintage art on Instagram, revealing her collection of eleven pieces and offering insights on how to select and place art within a home. Henderson demonstrates that shopping secondhand for art can be a cost-effective yet impactful way to introduce unique character. Her collection includes a cubist-style painting in a kitchen nook and a small framed dog painting unconventionally placed on a bathroom window. This particular placement is highlighted as a clever strategy to accessorize an otherwise empty space and bring a pop of color. She also features a pair of flower still lifes, bought for only $75, which she hung one above the other, transforming a blank wall into an eye-catching display. These pieces are complemented by gold tarnished frames and a matching gold reading light, creating an antique-inspired setup. The article emphasizes that antique and flea markets are excellent sources for art. Henderson showcases a statement piece in her dining room and a scenic seascape above a chest of drawers in her hallway. A notable flea market find is an Expressionist painting depicting a woman's side profile, rendered in bright primary colors. Henderson invested in a gold frame to enhance its vibrancy, pairing it with an antique-style gold sconce to create a sophisticated and timeless display. Art is presented as a simple yet powerful tool for decorating with antiques, capable of elevating any empty surface. Still-life paintings, often simple in subject matter, are shown to convey a classic and high-end aesthetic. Henderson places another still-life painting on her kitchen countertop, infusing the area with color and warmth. Her ninth vintage piece, a geometric, cubist-style artwork, is positioned above her fireplace mantel, providing character and rustic charm to a living room, especially when contrasting with minimal white walls and neutral decor. Emily Henderson's approach to art placement is noted for its unconventionality, as she isn't afraid to utilize overlooked areas. A small painted landscape, set in an antique wood frame, is placed within her kitchen shelves. This charming addition brings warmth and character to the kitchen, elements that are often neglected in kitchen design. With a total cost of $80 for this framed picture, Henderson exemplifies how secondhand shopping can effectively refresh dull areas. Ultimately, Henderson’s collection serves as inspiration for adopting the vintage trend for 2025, demonstrating that an eclectic and charming space can be achieved even on a limited budget through thoughtful art acquisition and placement. #EmilyHenderson #VintageArt #HomeDecor #InteriorDesign #SecondhandFinds #ArtPlacement #EclecticStyle #AffordableDecor #FleaMarket

Shoreview artist and photographer Mary Jo Hoffman has introduced her first fine art collection, the Zen Collection, building upon the success of her STILL blog. Hoffman's STILL blog, initiated in 2012, gained national recognition, leading to collaborations with brands such as Target and West Elm. The blog features daily photographs of natural elements like rocks, flowers, seedpods, bird eggs, spiders, and frogs, discovered around her home near Turtle Lake. These images, captured against a white background, are characterized by their simplicity and serene aesthetic, attracting a dedicated following. The Zen Collection is a carefully curated set of seven images, designed as a single-source gallery wall. These images reflect Hoffman's distinctive photographic style, focusing on the natural ephemera she encounters. The selection emphasizes beauty, balanced composition, tranquility, and a harmonized color palette, making the collection versatile enough to complement various interior styles, from urban high-rises to lakeside cabins, and suitable for both new and older homes, as well as spaces like yoga studios or Zen retreats. The prints in the Zen Collection are signed and numbered, measuring 11 inches by 17 inches. They are produced on museum-quality Hahnemühle cotton-rag photo paper, ensuring high artistic standards. The collection features diverse natural subjects, including the delicate skeleton of a leaf, a stone arrangement reminiscent of Andy Goldsworthy's work, a subtly fading feather, and a bird's nest filled with eggs. Each print is intended to evoke a sense of calm and natural elegance. Offered at a price of $630, the prints are delivered in a custom-made, acid-free, pH-neutral archival French folio, designed for the long-term preservation of fine art. This price also covers shipping and applicable taxes. Hoffman aimed to create an extraordinary offering that upholds her personal standards for simple beauty, minimalist tranquility, and the highest possible quality, marking the Zen Collection as her venture into the realm of fine art. #MaryJoHoffman #ZenCollection #FineArtPhotography #STILLBlog #NaturePhotography #HomeDecor #InteriorDesign #ArtCollection

Lisa Perry, a designer and curator, has transformed Onna House, a Zen modernist home on Long Island’s East End, into a unique art and design destination. Originally built in 1962 for Pop Art collectors Robert and Ethel Scull by architect Paul Lester Wiener, Onna House is now a space dedicated to showcasing works by female artists and designers. Perry, in collaboration with Brooklyn-based practice Harper Design + Build, has meticulously redesigned the home, filling it with pieces from her personal collection, which includes a multimedia book installation by Julie Wolfe, an ebonized ash and cast metal table by Kelly Behun, and geometry-patterned glazed ceramics by Sabra Moon Elliot. Beginning May 28, Onna House will be open to the public by appointment, offering an intimate, gallery-like experience within a residential setting. Perry emphasizes that the artworks are not for sale, highlighting her commitment to collecting and supporting these artists. Her vision extends beyond a traditional gallery, aiming for Onna House to become a creative collective and studio where artists can reside, collaborate, and engage with the natural landscape. The home's bedrooms have been converted into communal spaces to facilitate this goal. The inaugural exhibition, "Listening to the Thread," running through June 25, features dreamy woven tapestries by Kyoto-bred Mitsuko Asakura, alongside jewelry, mirrors, and contemplative paper dresses by multidisciplinary Geneva artist Ligia Dias. Fabienne Stephan of Salon 94, who introduced Perry to Asakura, notes Perry's long-standing appreciation for both emerging and established female artists and believes she is well-suited for this curatorial undertaking. Perry's unconventional approach to Onna House is deeply rooted in her own upbringing. She grew up in a modernist home designed by George Frederick Keck, an architect influenced by Bauhaus and Japanese aesthetics, which bore an "eerie" resemblance to Onna House. This childhood experience, characterized by shoji screens and an open floor plan, informed her design choices for Onna House, including the revival of the primary bath with an open shower, a custom steel and marble vanity, and earthy shoji screens. Her parents' involvement in home textiles and their passion for art instilled in Perry a love for art and design, which she sees as continuing through Onna House. Furthermore, her family's political activism and feminist leanings resonate with the history of Onna House, which once hosted figures like Gloria Steinem and Betty Friedan. For Perry, Onna House is more than just an exhibition space; it embodies her cultural heritage, personal values, and dedication to showcasing female talent. #OnnaHouse #LisaPerry #ZenModernist #ArtAndDesign #FemaleArtists #PaulLesterWiener #HarperDesignBuild #Exhibition #LongIslandDesign