Emily Henderson shows off her chic vintage art collection

Interior designer Emily Henderson has unveiled an innovative and flexible approach to displaying artwork, particularly beneficial for those who are indecisive about art placement or wish to avoid excessive wall damage. This method, showcased in her home's entryway, addresses the common challenge of decision paralysis when curating a gallery wall and offers a practical solution for seasonal or whimsical art changes. Henderson's technique involves installing a gold-colored rod above a cozy entryway bench, from which individual pieces of art are hung using thin chains. This creates a layered aesthetic that is easily modifiable. The vintage-inspired gallery rail was chosen not only to complement her over 100-year-old home but also to provide the flexibility of swapping out artwork without creating additional holes in her wallpapered walls. This is especially advantageous for someone in her profession, who frequently engages with art and styling. The adaptability of this system was highlighted by Henderson, who mentioned that while she doesn't frequently change her art, having the option makes the space feel fresh. She recalled switching out art for a holiday wreath last year, which was a hit with her family. The system also allows for varying degrees of maximalism or minimalism, as demonstrated by a previous rendition of the space featuring more pieces. The visual appeal of the design is further enhanced by the contrast between the sleek gold bar and the textured white walls, which draws the eye upwards, emphasizing the high ceilings of the entryway. This art-hanging method is not only practical but also contributes to the overall aesthetic of the space, making it both museum-like and homey. For those who prefer alternative solutions to a built-in art-hanging bar, Henderson suggests other damage-free options. These include removable adhesive hooks, suitable for lighter pieces, and picture ledges, which allow art to be leaned against the wall and easily interchanged. These alternatives offer similar flexibility without permanent installation. Ultimately, Henderson's strategy demonstrates that displaying art does not necessitate a long-term commitment. By incorporating adaptable hanging systems, homeowners can easily refresh their gallery walls and personalize their living spaces to reflect changing tastes, seasons, or moods, without the concern of permanent alterations or damage to their walls. This approach offers a simple yet sophisticated way to integrate art into interior design, ensuring versatility and ease of change. #EmilyHenderson #GalleryWall #ArtHangingHack #InteriorDesign #HomeDecor #EntrywayDecor #FlexibleArtDisplay #VintageInspiredDecor #DamageFreeArt

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

Interior designer Emily Henderson offers expert guidance on effectively hanging art to enhance any space, aiming for a sophisticated, gallery-like appearance. Her advice addresses common mistakes and provides actionable strategies to ensure artwork is displayed to its best advantage, integrating seamlessly with the room's overall design while also drawing attention. This article delves into three primary tips from Henderson, complemented by additional insights on pitfalls to avoid. The first crucial tip emphasizes hanging art at or near eye level. Henderson suggests conceptualizing the wall as divided into four vertical sections, with the ideal placement for framed art being within the upper middle quadrant. This strategic positioning ensures that the artwork naturally captures attention upon entering the room. She underscores that proper balance is key, as art hung too high or too low without deliberate intent can disrupt visual harmony and negatively impact the viewer's experience of the space. Achieving this balance is essential for creating a visually pleasing and comfortable environment. Secondly, Henderson advises establishing adequate space between artwork and accompanying furniture. While art often looks appealing when situated above furniture, it is important to allow each design element sufficient room to 'breathe.' She recommends positioning art approximately eight inches above furniture pieces. This separation prevents a cluttered or overly busy aesthetic, contributing to a sense of openness and sophistication. Although specific measurements may vary depending on the room's scale, beginning with this approximate distance helps cultivate a thoughtful and deliberate arrangement, allowing each piece to stand out without competing for attention. Thirdly, the article highlights the importance of using furniture as a reference point for scaling artwork. Henderson notes that art pieces measuring between half and two-thirds the size of nearby furniture tend to create the most harmonious balance and design refinement. She stresses that proper scale is fundamental to a well-designed room. By relating the size of artwork to that of furniture, such as a sofa, individuals can ensure that their selections contribute positively to the room's overall coherence and aesthetic. This method aids in maintaining visual equilibrium and preventing pieces from appearing either too dominant or too insignificant within the space. Beyond these core recommendations, Henderson also points out additional errors to circumvent. A prevalent mistake is selecting artwork that is disproportionately small for the room. To successfully incorporate smaller pieces, she suggests arranging them in a vertical stack to form a mini 'gallery wall,' thereby creating a more substantial visual impact. She further cautions against hanging art too closely together, as this can result in a cluttered appearance, unless such proximity is part of a highly intentional design scheme. Instead, she recommends leaving a reasonable amount of 'breathing room' between pieces when decorating a wall. While there is no universal measurement, the goal is to provide enough space to appreciate each item individually without creating excessive blank wall space. Following these guidelines helps achieve a serene and polished aesthetic, making the collected works shine and transforming the space into something akin to a well-curated museum, in the most appealing sense. #EmilyHenderson #ArtHangingTips #InteriorDesign #HomeDecor #GalleryWall #ArtworkPlacement #ScaleAndProportion #DecoratingWithArt

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

Robert Highsmith and Stefanie Brechbuehler, the husband-and-wife founders of the design firm Workstead, have curated their living room with a collection of "unexpected heirlooms." Mr. Highsmith, 43, is described by Ms. Brechbuehler as the couple's lead collector, whose passion has filled their home with objects reflecting his thoughts, loves, and curiosities. Ms. Brechbuehler, 47, finds inspiration in being surrounded by these meaningful pieces, which range from ancient urns to midcentury modern furniture. The couple relocated from a farmhouse in Salisbury, Conn., to Charleston, S.C., and strategically displayed their favorite finds in their living room for daily enjoyment. The article highlights three key items that contribute to the unique ambiance of their living room. The first is an "Easy Upgrade" item: a weeping fig tree priced at $395 from Hyams Garden and Accent Store. The couple emphasizes the technique of using a large-scale plant or branches that touch the ceiling to create a lively and enveloping atmosphere. This “scale trick” is consistently applied in their designs, providing an unexpected visual element that pulls a room together. They purchased a nine-foot-tall weeping fig tree shortly after moving to Charleston, illustrating their commitment to this design principle. The second featured item is a "Splurge": a 19th-century boat bench priced at $2,800 from Obsolete. Mr. Highsmith has admired Obsolete in Los Angeles since his student days, finding inspiration in its curated vignettes. After establishing Workstead, he acquired this storage bench, salvaged from a boat and made of chestnut. Its wave and scroll forms, along with its practical utility—featuring doors to contain clutter—appealed to him. The bench currently serves as storage for family board games and a seating area with a view of a park, demonstrating its multifaceted functionality and whimsical quality. The third unique item is an "One of a Kind" antique weather vane from Eldred’s auction house. Mr. Highsmith’s collection includes objects chosen for their essential geometric shapes, which have influenced his light fixture designs at Workstead. Among these pieces are a rusted metal cone, a spherical iron form for casting glass floats, and a marble cylinder used as a pedestal. The timeworn weather vane from Nantucket, crafted from cedar shakes with a galvanized steel nose cone, is a particular favorite. Mr. Highsmith appreciates its beauty as a sculpture and its past functionality, noting how its new context in his living room brings delight to both the couple and their guests. #InteriorDesign #HomeDecor #Workstead #CollectingArt #AntiqueFurniture #HomeStyling #RealEstate #CharlestonLiving

The Cochran family, including parents Sheryl and David, and sons Luke and Matt (with wife Courtney), shares a distinct interior design aesthetic characterized by a blend of modern, vintage, and quirky elements. This aesthetic has evolved through their shared love for music, art, and eclectic pieces, with the parents' curated home inspiring their sons' living spaces. David Cochran, an artist, contributes significantly to their art collections, and family painting sessions further enrich their homes' decor. The siblings' individual design choices also influence each other, with new finds by one often sparking ideas for the other. Courtney and Matt Cochran’s historic home in the Fan District, built in 1909, exemplifies this shared style. They meticulously preserved the home's original charm, refinishing floors and retaining existing chandeliers to maintain its inherent grandeur. Their approach to furnishing involved a slow and deliberate process of acquiring pieces from estate sales, antique markets, and local stores like Class and Trash. The entryway features an original crystal chandelier juxtaposed with an industrial console table and an African elephant mask, showcasing their ability to blend diverse styles. The dining and living area combines a West Elm dining table with midcentury modern chairs and a velvet sofa, illuminated by vintage stained-glass panels. The use of subtle color notes and carefully chosen art and decor creates a harmonious space that seamlessly merges new and old. Luke Cochran's South Side Richmond home also reflects the family's aesthetic, with his mother, Sheryl, providing design guidance. Renovations in Luke's home were minimal, primarily focusing on removing walls to create a more open layout, thereby preserving its original character. His design philosophy centers around unique pieces, such as an antique carved wooden cabinet sourced from Circa in Charlottesville, which is contrasted with contemporary gold lamps. The dining room features deep blue walls and modern cabinets, softened by a wooden pantry door from Caravati’s in Ashland. A retrofuturistic Sputnik-inspired light fixture bridges modern features with warm wooden elements, resulting in a refined yet comfortable atmosphere. Across both homes, a consistent theme emerges: the juxtaposition of furniture with eclectic art collections and luxurious mirrors. This common stylistic thread connects the generations, illustrating how a shared passion for design can manifest uniquely in different living spaces while still retaining a familial signature. Each home, while reflecting the individual tastes and travel experiences of its occupants, maintains an inviting ambiance where art, music, and creativity are central to the living experience. This intergenerational influence and the conscious curation of diverse elements define the Cochran family's interior design approach. #homes #interiorDesign #homeDecor #families #antiques #vintageStyle #artCollections #eclecticDecor

This article offers comprehensive guidance on effectively hanging art, drawing insights from award-winning designers, a museum director, and Christie’s specialists and art handlers. It emphasizes the importance of considering the context in which art will be displayed, noting that factors such as whether the space is domestic, business, or institutional, along with architectural elements like windows, doors, ceiling height, and floor quality, all influence how an artwork is perceived and interacts with its environment. The article advises against hanging art in locations that could lead to damage. Specifically, it cautions against placing artworks above fireplaces or radiators, as heat can melt or damage canvases over time. Similarly, direct sunlight is highlighted as a risk for fragile or unprotected works, with a strong recommendation to avoid hanging drawings or watercolors near windows. To mitigate these risks, smart framing techniques are suggested, including the use of special glazes that block UV light to prevent fading and seals that create artificial environments to protect against humidity and temperature fluctuations. The article references a guide to framing for further expert advice. Establishing the correct height for hanging art is another key aspect. It notes that modern and contemporary works are typically hung at 1.55 meters to the middle of the picture, a standard adopted by museums and Christie’s. Old Masters are often hung slightly higher. However, domestic settings may require adjustments based on furniture and ceiling height, and some artists, like Le Corbusier, provided specific hanging instructions. The importance of using double fixings rather than a single central one is stressed to prevent works from tilting forward or moving easily. The article also delves into the aesthetic considerations of art display. It introduces the concept of “negative space” as a crucial element when arranging multiple artworks, defining it as the space between works that guides the spectator's eye. Designers encourage variety in art arrangements, advocating for the mixing of periods and genres to create dynamic visual dialogues. Examples include pairing 17th-century portraits with contemporary paintings or combining a large painting with smaller groups of photographs. Finding visual or thematic links between artworks is suggested as a method for grouping, even if they span centuries apart, as demonstrated by juxtaposing a Leda and the Swan painting with modern bird sculptures, or a David LaChapelle work with a Dutch Old Master to explore shared themes. Conversely, playing on contrasts is also presented as an effective strategy to allow individual works to stand out as singular forces. Finally, the article provides practical advice for installation, emphasizing the need for technical precision over subjective judgment. It recommends using a tape measure and spirit level to ensure artworks are hung straight, especially for symmetrical arrangements. Structural considerations are also paramount: understanding wall composition is crucial, particularly for heavy pieces, and it's important to be cautious of water pipes and electrical wiring, especially in older homes where their placement might be less predictable. Despite these technicalities, the overarching message is that personal preference should ultimately guide the arrangement, stating that there is no absolute right or wrong way to organize a collection. Experts’ personal approaches reveal diverse methods, from protecting prints in bedrooms to integrating small works into bookshelves, underscoring that a good artwork will look appealing regardless of its placement. #ArtHanging #HomeDecor #InteriorDesign #ArtCollection #FramingArt #ArtDisplay #MuseumStandards #ArtPreservation #ContemporaryArt

This article provides ten key tips from David Pollack, an Old Master Specialist at Sotheby's New York, on effectively hanging artworks to enhance a living space. The primary advice emphasizes that personal preference dictates the 'correct' way to hang art, as individuals should arrange pieces in a manner that brings them joy. However, Pollack also offers professional insights to optimize the visual impact of artworks within a home. The article differentiates hanging strategies based on the artwork's scale and detail. Intricately detailed and minutely painted pictures, such as smaller works or sketches, are best placed where they can be viewed up close, like on a side wall, desk, or bookshelf. Conversely, large, painterly pieces require more expansive settings, such as above a sofa, mantelpiece, or on a larger wall, to allow their full visual impact to be appreciated. Regarding placement within a home, Pollack suggests hanging cherished artworks in high-traffic areas, including sitting rooms, dens, and bedrooms. These locations ensure both residents and guests have frequent opportunities to view and enjoy the pieces. The article also addresses distinctions in displaying contemporary art versus Old Masters. Contemporary works, often larger, are typically hung as individual statement pieces with ample surrounding space, while Old Masters were traditionally displayed 'Salon Style,' covering entire walls. While this traditional method can be visually rich, Pollack cautions that it is best suited for spaces with high ceilings and large walls, and he expresses a fondness for the intentionally asymmetrical 'gallery hang' of smaller works. Conservation is highlighted as a crucial aspect of responsible art display. The article advises particular care for pieces on wood panels, which are susceptible to warping due to humidity fluctuations, recommending consistent climate control. Proper framing is also presented as a means to create a protective microclimate for delicate works. The integration of different styles and periods is strongly encouraged, with Pollack advocating for blending old and new art as the most effective way to collect and decorate. He notes that such an approach allows for unique connections between seemingly unrelated works, creating interesting and personalized home environments. Regarding framing, Pollack, as an Old Master specialist, offers guidance on traditional frames. He suggests that certain 'old fashioned' frames, like simple, jet-black 17th-century Dutch frames, can appear surprisingly modern and complement various paintings. Traditional gilt frames can also work in contemporary homes, though elaborately carved 18th-century French frames are described as grand statement pieces requiring deliberate placement. The article also touches upon the role of interior designers, acknowledging their value for larger projects while asserting that personal taste should ultimately drive display decisions. Finally, the importance of conservation is reiterated, particularly concerning light exposure, which can damage works on paper or other non-oil-based mediums, though oil paintings are generally more resilient to direct sunlight. The overarching golden rule presented is that 'quality looks good next to quality,' implying that a well-chosen object can hold its own in any domestic setting. #ArtworkDisplay #HomeDecor #InteriorDesign #ArtCollection #OldMasters #ContemporaryArt #ArtConservation #FramingArt #SothebysTips

Etsy, a global marketplace founded in 2005, has evolved from a platform primarily for handmade goods to include a vast array of craft supplies, antiques, and vintage items. With over 2.5 million sellers, navigating the site effectively can be challenging due to its extensive and diverse offerings. This guide provides strategies for shopping on Etsy, akin to how style and design editors approach it, offering advice on how to locate unique treasures while avoiding common pitfalls. One key recommendation is to approach Etsy with a mindset similar to visiting a flea market or an antiques store. Given the boundless nature of online shopping, setting a time limit for browsing can prevent aimless wandering. Instead of prolonged, undirected searches, users are encouraged to employ specific keywords in the search engine. Sellers utilize various descriptors such as tags, titles, categories, and attributes to list their products. Therefore, being precise with search terms increases the likelihood of finding desired items. If initial searches are unsuccessful, creative rephrasing of keywords can yield better results, as effective sellers often use a multitude of descriptors to attract a broader audience. Planning ahead is crucial, especially when an item is needed by a specific date. Many products on Etsy are made to order, and international shipping can introduce unpredictable delays. Unlike conventional boutiques or large retail chains, Etsy sellers might require several days to prepare and dispatch items. Even with expedited shipping, international deliveries can vary significantly in duration; a rug from Turkey might arrive in two days, while a smaller package from Europe could take three weeks. To mitigate these uncertainties, it is important to factor in extra time when a deadline is involved. For urgent needs, utilizing filters to find products shipping from within the user's country, such as the U.S., can help expedite delivery. Communication with sellers is another important aspect of successful Etsy shopping. If product images or descriptions are insufficient, potential buyers should not hesitate to message the seller to request additional photos or more detailed information. Inquiring about faster shipping options than those stated on the product page is also acceptable. The responsiveness of a seller often indicates the quality of their service, though it is reasonable to allow at least a day for a reply. For custom-made items, reaching out to discuss specifications or custom work is encouraged, as artisans often welcome discussions about their craft and new project ideas. The article also highlights specific Etsy shops recommended by VERANDA editors, categorized by the types of items they offer. These recommendations include Brauer Antique for rustic linens, Anthea's Attic for vintage artwork, 4 Holly Lane Antiques for vintage English tableware, and Happy French Vintage for French objets. Other notable shops are Victoria Handmade for hand-woven bags, HANDSONHIPS for Turkish carpets, Illuminate Vintage for vintage-inspired lighting, So Rugs and Textiles for vintage textiles, African Art Box for African handicrafts, Krasnova Silk for hand-dyed silk ribbons, Indian Stores for block-printed fabrics, Easternwoven for Turkish textiles, and Chayaacrafts for hand-painted lampshades. Each of these shops offers unique items that contribute to distinctive home aesthetics and personal style. #EtsyShopping #HomeDecor #VintageFinds #HandmadeGoods #InteriorDesign #OnlineShoppingTips #ArtisanCrafts #GlobalTreasures #DesignEditor

Hitomi Hosono's latest solo exhibition, 'Brook Street: An Artist's Eye,' showcases 30 new ceramic pieces within the historic London showroom of Sibyl Colefax & John Fowler. This unexpected pairing brings contemporary botanical ceramics into a space known for its classic English grandeur, a Mayfair townhouse dating back to 1723. The exhibition, held in association with Adrian Sassoon, strategically places Hosono's works among antique furnishings, often near windows overlooking a lush garden, creating a dialogue between crafted and natural beauty. Hosono's work, while deeply rooted in her Japanese upbringing with its delicate leaf and cherry blossom motifs, also draws inspiration from British influences. A significant example is her 'roses and pansies bowls,' which were inspired by a Colefax and Fowler fabric pattern from 1845. This particular series marked a technical and aesthetic departure for Hosono, as these bowls close inward, offering a sturdier, more tactile surface meant to be touched, contrasting with her earlier, more outward-emanating designs. She expresses a desire for people to experience the softness of the porcelain, akin to touching flower petals. The exhibition also features a tropical-themed series, initially created for last year's Jerwood Makers Open, with energetic patterns of hibiscus, coral, mangrove, and banana leaves. The vibrant colors in these pieces are achieved by mixing pigment directly with porcelain powder, a technique Hosono employs to preserve the intricate lines of her designs, as glaze would obscure them. Her use of the term 'delicate' for her work is an understatement, given the extraordinary level of detail and precision involved. Hosono's artistic process is meticulously labor-intensive. It requires months to perfect plaster molds of tiny leaves and flowers. She then uses modified, sharpened dental tools to add intricate detail to each component before individually applying them to a clay surface. Some pieces are so fragile that they cannot be shipped internationally due to the risk of damage. Notably, in her 'dew drop bowls,' each water droplet is individually carved, a detail she acknowledges might not be immediately noticed but is essential for the beauty of the final work. For the first time, Hosono's drawings are also on display, a decision influenced by Philip Hooper, design director of Sibyl Colefax & John Fowler. Hosono initially resisted this, considering drawings part of her creative process rather than finished products. She uses drawing to understand the structure and beauty of plants, viewing it as a form of anatomical study. She emphasizes that her ceramic representations are not exact replicas but are based on her memories and interpretations of botanical forms, leading to fantastical yet authentic results. She embraces the individuality of her artistic vision, as seen in her distinctive banana leaf pieces. The influence of the Perrier-Jouët Arts Salon Prize, which Hosono won in 2013, is evident in grape-patterned vessels that pay homage to the champagne house's Art Nouveau heritage, and in the overall adventurous and free-spirited nature of the collection. As a member of the Arts Salon, Hosono now contributes to selecting new winners, acknowledging the Salon's role in broadening her artistic horizons and providing a source of inspiration through its gatherings of creative influencers. #CeramicArt #HitomiHosono #LondonExhibition #InteriorDesign #BotanicalArt #ContemporaryCeramics #ArtAndInteriors #SibylColefaxAndJohnFowler #AdrianSassoon

Emily Van Hoff, a Chicago-based artist, creates vibrant wall hangings that seamlessly blend her background in graphic design with traditional quilting techniques. These pieces are a contemporary homage to the craftswomen of past generations, showcasing a distinct fusion of digital design principles and tactile artistry. Van Hoff's work is characterized by geometric patterns and bold color palettes, including shades of bubblegum pink, lavender, and cobalt. Each wall hanging incorporates design elements such as thick stripes, bisected circles, and meticulously arranged rows of stitches, reflecting her stated goal of translating digital design into tangible art objects. Working from her home studio, Van Hoff meticulously constructs these textile art pieces, imbuing them with a modern aesthetic while respecting the heritage of quilting. The choice of colors is deliberate, creating a striking visual impact that makes her work highly sought after. Her creations are not merely decorative items but expressions of a creative process that bridges two distinct disciplines: the precision and visual communication of graphic design with the warmth and texture of textile art. The quilts serve as a testament to the enduring appeal of handcrafted goods and the potential for traditional crafts to evolve through contemporary influences. Van Hoff's artistic practice highlights the intersection of fine art and craft, demonstrating how everyday materials can be elevated into sophisticated visual statements. The tactile nature of her wall hangings invites viewers to engage with the art on a deeper level, appreciating the intricate stitching and the interplay of colors and shapes. Her success in quickly selling out her works underscores the demand for unique, handcrafted items that offer both aesthetic beauty and a connection to artisanal traditions. Her process involves a careful consideration of composition, color theory, and material choice, echoing the deliberate decisions made in graphic design. By applying these principles to textiles, Van Hoff creates pieces that are both visually dynamic and structurally sound. The wall hangings serve as focal points in any space, bringing a burst of color and a sense of thoughtful design to interiors. They represent a harmonious balance between structured design and the organic nature of fabric, offering a fresh perspective on how art can integrate into daily living. #EmilyVanHoff #TextileArt #Quilting #GraphicDesign #WallHangings #ModernCraft #FiberArt #ColorBlocking

The article highlights the growing popularity of heirloom-style furniture and introduces a collection from The Pioneer Woman line at Walmart that offers this aesthetic at an affordable price, with all featured pieces under $500. The author, an interior design enthusiast from a young age, explains their personal connection to furniture with a sense of history and praises how Ree Drummond's collection captures the essence of classic, well-loved pieces. The collection incorporates design elements such as scalloped aprons, visible wood grain, and turned spindles, reminiscent of items found at estate sales or passed down through generations. Eight specific furniture items from the collection are reviewed in detail. The Harper Spindle Accent Chair, described as an 'old-soul' piece, features a solid wood frame with hand-turned-feeling spindle arms and legs. It boasts thick, reversible cushions in a durable fabric, available in Antique White or Jade, and is noted for its comfort and charming aesthetic at a fraction of the cost of designer alternatives. The Helen Coffee Table is presented as a low-slung, generously scaled piece for a sitting room, crafted from solid wood with a hand-applied heirloom brown stain and a scalloped apron, and includes an anti-scratch touch-up pen. The Harper Counter Wood Stools, sold as a set of two, offer a ladder-back silhouette in crisp white or Homestead Brown. They are constructed from solid wood with arched seat edges for comfort and a cross-brace footrest for stability. The Harper Spindle Bed, a 'Jenny Lind' homage, features 19th-century lathe-turned spindles in a solid wood frame with ample proportions. It is designed to be sturdy enough to forgo a box spring and is celebrated for its timeless appeal. The Harper Bench combines ranch-house and parlor aesthetics with a faux cowhide-patterned cushion and a solid wood frame with turned legs. Its padded seat is covered in a soft, cleanable fabric, and the bench includes a slatted lower shelf for storage. The Harper Spindle Nightstand is a single-drawer piece made of solid wood with slim spindle legs and a smooth painted finish. It includes hidden USB charging ports, making it both functional and discreet. The Helen Bookcase, a six-foot-tall unit with a narrow 15-inch depth, is built from solid wood with a scalloped crown detail and visible grain, offering five open shelves and a deep bottom cubby. Lastly, the Harper Wood Trim Office Chair blends farmhouse warmth with a vibrant turquoise faux leather upholstery. It features a solid wood frame, padded seat, adjustable height and tilt, and a smooth-gliding caster base, designed for comfort and style in a home office setting. Each piece is highlighted for its quality, design, and budget-friendly price point. #HeirloomFurniture #PioneerWomanCollection #WalmartHome #AffordableDecor #HomeFurnishings #InteriorDesign #SpindleFurniture #ScallopedDetails

The article focuses on the collaborative work between Berlin-based artist Noé Sendas and Wallpaper* magazine for their March issue cover story, 'The Lady Vanishes.' This project integrates Sendas's artistic approach with contemporary fashion, specifically highlighting spring/summer 2015's graphic designs. Noé Sendas is known for his 'un-collage' technique, where he manipulates found photographs by removing elements to introduce new meanings. His work draws inspiration from cinematic and literary sources, treating photographs as three-dimensional objects and exploring concepts of gravity, weight, and balance. Sendas emphasizes the creation of something 'beautifully strange and unexpected' through a combination of hard work, chance, trickery, desire, and intuition. His celebrated 'Crystal Girl' series exemplifies this by deconstructing Hollywood golden age film stills, transforming portraits into ambiguous, elegant still lifes by eliminating faces, limbs, and contextual details. The collaboration for 'The Lady Vanishes' was initiated by Wallpaper*'s creative director, Sarah Douglas, and involved fashion director Isabelle Kountoure. The goal of this project was to produce content that is both contemporary and timeless, with Kountoure expressing keen interest in how Sendas would adapt his methods to new materials, specifically fashion photography. Photographed by Jan Lehner, the 16-page spread presents the human body as both a theoretical and material entity. The imagery explores how a single image can evoke diverse interpretations from viewers. Crucially, in these photographs, the clothing itself becomes the object of focus, rather than the female form, shifting the emphasis from the wearer to the garment. Sendas posits that the artist's role is to 'deceive,' or to cast a 'glamour' that alters the spectator's perception, making objects appear different from their true nature. This perspective is applied to fashion, suggesting that fashion too can create an 'affectation' that transcends mere appearance. The 'The Lady Vanishes' series was also slated for exhibition at the Michael Hoppen Gallery during London Fashion Week, further bridging the gap between fine art and high fashion. The article explores how art can provoke rather than explicitly reveal, adding depth and meaning to otherwise ordinary objects or concepts. The collaboration showcases a unique blend of art, fashion, and photography, challenging traditional perceptions of identity and representation within visual media. #NoéSendas #ArtAndFashion #TheLadyVanishes #Photography #Surrealism #FashionEditorial #MichaelHoppenGallery #LondonFashionWeek #ContemporaryArt

Hailey Marie Losselyong, a self-taught, multi-disciplinary visual artist based in Pilsen, operates under the name HML Art & Design, focusing on bold murals, illustrations, and clothing designs that feature abstract female portraits. Her latest project, HML Home, is an installation housed at Vault Gallerie in Pilsen, transforming the gallery space into an IKEA-style apartment. This setup, featuring pieces from her past work including wall art, furniture, and clothing, serves to commemorate her artistic development and her commitment to creating intentional and accessible art. The installation is designed to give visitors the feeling of exploring a friend's apartment, encouraging them to examine various items like a closet rack, stickers, and prints. Throughout the exhibit, a recurring motif of stylized, unbothered women with closed eyes and colored lips appears. Many of these figures incorporate the slogan “Leave Me Alone,” either stenciled on their earrings or positioned alongside them, conveying a message of self-assertion: “Do no harm, but take no shit!” This phrase is integrated into various objects, such as jacket backs, shoes, framed images, flower pots, coffee tables, and drink coasters, and even extends to a bathroom wall, prompting reflection on the women's internal thoughts. Losselyong describes herself as a multi-disciplinary visual artist whose work primarily centers on portraits that highlight femininity and its dualities, exploring various strengths and weaknesses within female identity. Her artistic journey began in college in 2014, where she initially studied business but discovered her passion for painting and developed her unique style after a couple of years. Her art aims to be impactful and recognizable, often featuring large, bold elements and focusing on conveying emotion and movement. Inspiration for her projects often stems from women, particularly women of color. Losselyong prioritizes placing murals of women of color in spaces where they have historically been underrepresented, emphasizing the importance of representation for all individuals in art. The "Leave Me Alone" series specifically originated from her experiences with street harassment. She began incorporating the phrase on clothing after an incident where, despite wearing pants with the slogan, she was followed into a store, highlighting the persistent issue of boundaries being crossed and safety being compromised. This personal experience evolved into an artistic statement, inviting viewers to reflect on their own actions and how they might affect others, promoting mutual respect. Losselyong enjoys working across various mediums, viewing it as a way to challenge herself and foster creative growth, rather than limiting herself to a single form of expression. She values her freelance career for the autonomy it provides in selecting projects. Among her favorite projects is her involvement with the Mural Movement, founded by Delilah Martinez of Vault Gallerie. This initiative, born in 2020 during protests, aimed to beautify boarded-up storefronts with murals supporting Black Lives Matter and Black and brown unity. The movement has facilitated nearly 200 murals, providing opportunities for artists to showcase their work, particularly in Black and brown communities and for small businesses that might not otherwise afford such art. Losselyong advocates for art as a tool for social justice, believing it helps young people see themselves positively and enriches communities by replacing blank walls with vibrant artistic expressions. The HML Home installation is directly inspired by IKEA, reflecting Losselyong's interest in accessible art and functional design. She aims to demystify the art world by integrating art into everyday objects and furniture, allowing people to envision art in their personal spaces. She believes the home is a crucial space for self-expression and that art should not be confined to traditional canvases but can be incorporated into any functional item. Losselyong expressed gratitude for Vault Gallerie and Delilah Martinez's support, highlighting how Martinez provides artists with space and opportunities without imposing creative limitations. For aspiring artists, Losselyong advises early experimentation, learning from professionals, and understanding the business aspects of art, emphasizing that failure is a part of the learning process. She takes pride in the community her art has fostered and plans to continue exploring installations, collaborations, and expanding her artistic reach. #HMLArtAndDesign #HaileyMarieLosselyong #VisualArt #AbstractPortraits #PilsenArt #VaultGallerie #FeminineArt #LeaveMeAloneSeries #MuralMovement

This comprehensive guide highlights some of Nashville's premier home decor establishments, catering to a diverse range of styles and needs, from artistic pieces and framing services to unique gifts and furniture. It features six distinct businesses, each offering specialized products and services that contribute to enriching a living space. Bennett Galleries, established in 1978 in Green Hills, specializes in custom archival framing and features a curated collection of fine art from both established and emerging artists. They are recognized for their expertise in providing framing solutions for various art types and settings, from formal to modern. The gallery also offers an exceptional selection of art available for viewing on their website, serving interior designers and homeowners seeking unique artistic additions. COLOR, located in the White Bridge neighborhood and operating since 2005, is presented as a distinctive home decor and gift destination. This store emphasizes a personalized shopping experience, assisting customers with hostess gifts, bridal registry setups, and designing elaborate tablescapes. COLOR's inventory is dynamic, continually changing to include various home accessories, lighting fixtures, dinnerware, and other items, with a price range of $10-$400, offering options to refresh living spaces and find meaningful gifts. Epergne, situated in Belle Meade, offers an exquisite selection of tabletop items, ceramics, china, and fine table and bed linens. The store's collection is inspired by the extensive travels of its owners, Laura Chadwick and Susan Dyke. Epergne stocks prominent brands such as William Yeoward Crystal, Matouk, Juliska, John Derian, Gien, Agraria, and Mz Wallace, making it a go-to spot for unique gifts and elegant home essentials that are not commonly found elsewhere in the city. Ed Nash Studio, based in East Nashville, showcases the work of London-native artist Ed Nash. Nash, an alumnus of Reading University with a background in Fine Art and Psychology, creates large acrylic paintings characterized by vivid color transitions that evoke landscapes and deeper emotions. His abstract yet approachable pieces are suitable for various environments, from corporate installations to residential dining rooms. As an art appraiser, Nash also assists clients in finding the perfect placement for their art, highlighting his dual role as an artist and a consultant. GasLamp Antiques & GasLamp Too, located in the Design District/100 Oaks, is renowned as one of Tennessee's largest antique malls. It is a favored destination for designers, artists, and home decor enthusiasts seeking unique and salvaged items. The stores maintain a constantly updated inventory that includes furniture, art, and jewelry, ensuring a fresh array of discoveries for those looking to add distinctive touches to their homes or wardrobes. Margi’s Furniture & Design in Green Hills provides a blend of elegant and modern furniture with eclectic and timeless decor. The store offers a carefully curated selection of home furnishings alongside personalized interior design services. Whether customers are searching for a specific piece of furniture, decor, or guidance on fabric choices, Margi’s aims to fulfill diverse home design needs, further enhanced by convenient parking facilities. #NashvilleHomeDecor #InteriorDesign #ArtGalleriesNashville #AntiqueStores #FurnitureStores #TabletopDecor #LocalArtistsNashville

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence