Karl Lagerfeld’s former Monaco villa plays host to new designs at Nomad fair

Nomad, the collectable design fair, holds its second edition at La Vigie, Karl Lagerfeld's former villa in Monte Carlo. The event, conceived by Giorgio Pace and Nicolas Bellavance-Lecompte, showcases innovative designs from 17 international galleries and special projects by artists such as LizWorks and Mathieu Lehanneur. This year's fair highlights a range of new works, emphasizing playful experimentation, meticulous craftsmanship, and the integration of diverse materials. Among the featured designs, Carwan Gallery presents five ceramic pieces by Swiss-Chilean designer Anton Alvarez. These tubular forms, first seen at Salone del Mobile, are characterized by a striking cobalt blue hue and a unique extruded appearance, reminiscent of Play-Doh. Sarah Myerscough Gallery showcases the work of Danish furniture makers Lasse Kristensen and Mette Bentzen, known as Egeværk. Their 'Void' table, crafted from a single Danish Ash tree, achieves a smooth, horn-like shape through a process of meticulously stripping each wood layer. New York's Friedman Benda gallery participates for the first time, exhibiting 15 eclectic works by Misha Khan. Khan's pieces feature exaggerated forms created using various materials, including marble powder, resin, and wood. Notable items include stools positioned around a fireplace and a large stainless steel and glass table titled 'Back Bend Starfish Puts on all Her Jewels for Her Workout.' Sabine Marcelis, based in Rotterdam, introduces an ice-blue iteration of her resin Soap table for Nomad Monaco, presented by Copenhagen's Etage Projects. This follows an off-white version released earlier at Nomad St. Moritz. The table's minimalist and matte form, which highlights Marcelis's expertise with resin, complements more opulent designs by Fredrik Paulsen and FOS also on display. David Gill Gallery presents the official launch of Mattia Bonetti's 'Tiger' cabinet. This piece combines mahogany, brass, and leather, creating a decadent mix of warm materials. The cabinet's wild, animalistic patterns are juxtaposed with its sophisticated shape, designed to stand out against the Monte Carlo landscape. Finally, Beirut-based design duo David and Nicolas for Nilufar Gallery unveil an updated version of their Chaise Maurice. Originally designed to revive a classic Lebanese chair, the vintage model now features Red Cavallino upholstery and an ottoman footrest, enhancing its luxurious appeal. The fair takes place from April 26-29 at Villa La Vigie, a location known for its prominent design history, having also hosted Nomad's inaugural edition. The event offers a comprehensive look at contemporary collectible design in a historic and picturesque setting. #NomadFair #CollectableDesign #Monaco #KarlLagerfeldVilla #DesignExhibition #ContemporaryDesign #FurnitureDesign #CeramicArt #WoodCraft #ResinArt

The article details a collaborative project between flooring brand Bolon and French architect Jean Nouvel, focusing on an installation at the Stockholm Furniture Fair. The collaboration stemmed from Nouvel's prior use of Bolon flooring in the Musée du Quai Branly in Paris, where he appreciated its hardwearing, tactile qualities, and visual appeal both from a distance and up close. Bolon, on the other hand, sought to challenge traditional perceptions of flooring and explore new artistic applications for their material. The inspiration behind the Stockholm Furniture Fair installation, as explained by Jean Nouvel, was to create a "Bolon universe" composed entirely of floors, devoid of ceilings or walls. This concept aimed to push the boundaries of how flooring material is perceived and used. Nouvel also emphasized the importance of human interaction within the installation, wanting visitors to engage with the material by lying on it or touching it. Initially considering regular mannequins, he humorously decided to use four copies of a sculpture of himself by Xavier Veilhan, noting that architects should seize opportunities for humor amidst the seriousness of their profession. From Bolon's perspective, Nouvel's installation has significantly influenced their future outlook. While currently a 100% flooring company, the project introduced the idea of blurring the lines between different architectural surfaces, such as floors, ceilings, and walls. This has opened up possibilities for future applications of their material, even suggesting the ambitious idea of covering building facades. The installation showcased Bolon's new 'Create' collection, some designs of which feature a unique 3D-effect pattern, further demonstrating the versatility and innovative potential of their products. The discussion highlights the mutual respect and creative synergy between the architect and the brand. Nouvel’s vision transformed a functional material into an immersive artistic experience, while Bolon gained new insights into the potential of their product beyond conventional uses. The collaboration underscores a shared commitment to innovation and artistic expression within the design and architecture industries, encouraging both parties to explore uncharted territories for material application and spatial design. The project serves as a case study for how design thinking can transcend traditional boundaries and inspire future product development. #JeanNouvel #BolonFlooring #StockholmFurnitureFair #ArchitecturalInstallation #DesignInnovation #MaterialApplication #CreativeCollaboration #InteriorDesign #ExhibitionDesign

Fashion Month, a biannual event spanning New York City, London, Milan, and Paris, showcases designers' latest collections. While the primary focus is on apparel, accessories, and beauty, the venues themselves play a crucial role in enhancing the storytelling of each collection. This article highlights several standout runway locations from the spring 2026 fashion shows, emphasizing their unique design elements and historical significance. Chanel consistently transforms Paris's Grand Palais into immersive spectacles, with a recent show featuring an outer space theme complete with glowing planets. Jacquemus, another brand known for distinctive locations, chose the Art Deco apartment of pioneering French architect Auguste Perret for its spring 2025 show. These examples underscore how a well-chosen setting can elevate a designer's vision and provide an additional layer of narrative to the runway experience. Louis Vuitton's spring/summer 2026 show took place at the Louvre museum in Anne of Austria’s summer apartment. Creative director Nicolas Ghesquière has a history of utilizing the Louvre, previously showing in the Pavillon d’Horloge and Passage Richelieu. For this particular show, models traversed marble checkerboard floors surrounded by deep red walls, dramatic columns, and gilded ceilings. French designer Marie-Anne Derville curated a selection of historical furniture, art, and objects for the event, including 18th-century cabinets, 1930s Art Deco seating, and 19th-century sculptures, seamlessly blending fashion with historical interior design. Willy Chavarria opted for an intimate, salon-style presentation at Printemps’s New York City flagship store. The show was held in the retailer’s Red Room, which features a mural of deep burgundy, fiery red, and shimmering gold tiles designed by Hildreth Meière in the 1930s. The Art Deco aesthetic of the room perfectly complemented Chavarria’s retro-inspired collection, with models navigating whimsical shoe towers topped with oversized floral light fixtures. Ulla Johnson’s spring 2026 collection, inspired by abstract expressionist painter Helen Frankenthaler, was presented at the Cooper Hewitt, Smithsonian Design Museum. Located in Andrew Carnegie’s former home, the venue's historic character, including intricate millwork and gilded wall adornments, remained preserved despite extensive renovations. The museum’s temporarily closed galleries provided an art-centric backdrop fitting for Johnson’s collection. Simone Rocha showcased her spring 2026 collection in London’s historic Mansion House, a Palladian-style structure from 1739 that serves as the Lord Mayor’s residence. The opulent salon, with its grand crystal chandeliers, towering columns, and intricate gold accents, provided a stunning setting. Notably, Rocha integrated interior design elements into her collection, featuring lace-trimmed pillow clutch bags carried by models. TWP’s spring 2026 runway show utilized the hidden Radio Park Rooftop at New York City’s Rockefeller Center. This lush garden, often overlooked, offered a unique outdoor setting. The collection itself drew inspiration from home gardens, with models sporting practical gardening footwear like rain boots and clogs. Abstract walkways made of concrete pavers and pebble gravel wound through the space, bordered by diverse greenery and hydrangea bushes, creating a harmonious blend of fashion and landscape design. Balmain’s spring 2026 show returned to the InterContinental Paris’s Opera Ballroom, a venue where creative director Olivier Rousteing presented his first collection 14 years prior. This renowned space exudes historic grandeur with its soaring, ornate gold-detailed ceiling, statues, tall windows, and grand chandelier, providing a nostalgic and beautiful setting for the collection. #FashionMonth #RunwayVenues #DesignInspiration #InteriorDesign #HistoricalArchitecture #ArtDeco #LuxuryFashion #ParisFashionWeek #NewYorkFashionWeek

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

Daniel Lalonde, CEO of Design Holding, discusses the company's vision and strategic plans, emphasizing its mission to be a global leader in high-end design by focusing on innovation, accessibility, and sustainability. Lalonde, who joined Design Holding in 2021, brings extensive experience from luxury brands like Nespresso and Louis Vuitton. His strategy aims to build a solid business plan and achieve global leadership in high-end design through a portfolio of complementary brands, reaching both designers/architects and end consumers via a multi-channel approach. The core of Design Holding's strategy is to allow its brands, such as Flos, B&B Italia, and Louis Poulsen, to maintain their individual heritage and DNA while fostering collaboration to leverage natural synergies. This approach has proven successful in expanding their contract business across retail, hospitality, corporate, and residential sectors. The company is committed to promoting organic growth within its existing brands while also exploring opportunities to integrate new brands that align with its high-end positioning and values. Accessibility to customers is a key pillar of Design Holding's growth strategy. Lalonde aims to make the high-end design experience less intimidating and more accessible by investing in an omnichannel approach that bridges online and offline interactions. This includes opening directly operated stores (DOS) and mono-brand stores in key global destinations like Miami, New York, Washington, Boston, Shanghai, and Tokyo. These physical spaces provide curated environments that inspire both customers and the architecture & design (A&D) community. For example, a new retail hub is planned for Manhattan’s Madison Avenue, and a B&B Italia Design Studio in Miami will showcase multiple brands. Over the next five years, Design Holding plans to pursue a four-point strategy: enhancing brand desirability through innovative products, pursuing a direct-to-consumer journey with more store openings and e-commerce investments, expanding geographical reach into North America, Greater China, and the Middle East, and strengthening its leadership in the high-end contract business. Illustrious examples of their contract work include projects for Bulgari Hotels and Rolex Stores. Sustainability is deeply ingrained in Design Holding's ethos. Lalonde emphasizes that crafting beauty must be done sustainably, viewing durability as a true embodiment of sustainability. The company challenges its brands to design long-lasting pieces with minimal environmental footprints, focusing on a circular economy model. This involves transforming frameworks and systems across the entire value chain, from sourcing and production to consumer use and end-of-life recyclability. Examples include the B&B Italia ‘Bambole’ collection and Flos ‘Almendra’ by Patricia Urquiola, which utilize recycled materials and facilitate recyclability. Additionally, Louis Poulsen’s 'PH 5' take-back scheme demonstrates a commitment to upcycling and reusing existing materials. Looking ahead to Salone del Mobile 2023 and Milan Design Week, Design Holding plans to showcase numerous new designs, with a particular focus on Maxalto. Flos will present new decorative and architectural designs at Euroluce, while B&B Italia and Fendi Casa will display their latest collections at their respective showrooms in Milan. The company's participation highlights its ongoing commitment to innovation and engagement within the global design community. #DesignHolding #DanielLalonde #LuxuryDesign #SaloneDelMobile #MilanDesignWeek #BrandStrategy #Sustainability #RetailExpansion #InteriorDesign

Milan Design Week annually transforms the city's historic streets with a multitude of installations, performances, and interventions, captivating visitors with creative displays in shop windows and hidden courtyards. In recent years, fashion brands have increasingly participated, extending their design expertise to furniture, interiors, and architectural spaces. This integration showcases a growing trend of interdisciplinary collaboration between fashion and design industries. Among the highlights of Milan Design Week 2019, Marni's 'Moon Walk' installation draws inspiration from celestial themes, merging 'primitive fascinations with the imagination of the future.' This project features a collection of brightly colored chairs, loungers, stools, and tables crafted from innovative materials by Colombian artisans, with whom Marni has a long-standing collaboration. The designs reflect an exploration of unexplored forms and textures, bringing a unique artisanal touch to the event. Jil Sander's 'Adjacent Field' installation, a collaboration between creative directors Lucie and Luke Meier and artist Linda Tegg, emphasizes sustainability and spontaneity. The Jil Sander headquarters in Milan houses a botanical display comprising mosses, succulents, weeds, herbs, and flowers, illuminated by a sophisticated lighting design by Nic Burnham. This installation transforms the space into a natural oasis, highlighting the beauty and importance of biophilia in urban environments. COS, an early adopter of Milan Design Week participation since 2012, partnered with architect Arthur Mamou-Mani for 'Conifera.' This futuristic bower, constructed from 3D printed wood and bioplastic conical bricks, occupied the courtyard of the historic Palazzo Isimbardi. The project exemplifies the brand's commitment to innovative design and sustainable practices through the use of advanced manufacturing techniques and eco-friendly materials. Tod's No_Code Shelter, a joint effort between Tod's and architect Andrea Caputo, created a multi-room exhibition within a cavernous space adjacent to the National Museum of Science and Technology. Surrounded by reconstructions of Leonardo da Vinci's inventions, the installation delved into themes of shelter, sustainability, and safety in contemporary society, prompting reflection on modern living challenges and solutions. Miu Miu presented 'M/Matching Colourstool,' a playful collaboration with creative agency M/M Paris. This design features a perforated linden wood stool that allows for customization with over 300 colored 'matchsticks,' offering owners a personalized decorative experience. The stool debuted at Milan's Teatro Gerolamo, underscoring Miu Miu's vibrant aesthetic and engagement with artistic expression. Issey Miyake, on its third appearance at Milan Design Week, collaborated with architect Jólan van der Wiel for 'The Strange Attraction of Water.' The piece, 'Journey of a Raindrop,' integrates water and design to simulate a raindrop's journey through various elements, showcasing an understanding of the natural world and its influence on creative expression. This installation offers an immersive experience, blending natural phenomena with artistic interpretation. Finally, Raf Simons and Kvadrat continued their collaboration with 'No Man's Land,' an installation at Garage 21 that explores the 'microarchitecture of yarn.' The exhibit featured apocalyptically styled soft furnishings, a prefab house by Jean Prouvé, and catering from London's Rochelle Canteen. This project highlights the innovative use of textiles and examines the intersection of fashion, architecture, and interior design in creating conceptual spaces. #MilanDesignWeek #FashionInstallations #InteriorDesign #ArchitecturalSpaces #SustainableDesign #ArtisanCraftsmanship #Biophilia #3DPrinting #TextileInnovation #CustomizableFurniture

The article discusses the "Tools for Life" furniture collection, a collaboration between Knoll and OMA, the architecture office co-founded by Rem Koolhaas. This collection, which was previewed at Prada's fall 2013 men's fashion shows, is set for its official debut at the Salone Internazionale del Mobile in Milan. The exhibition will take place on April 9 and 10 at Prada’s exhibition space. The furniture is specifically designed to address the increasingly fluid boundaries between living and working environments, emphasizing kinetic and flexible functionality over static forms. Rem Koolhaas articulated his objective for the collection as creating furniture capable of performing in both precise and unpredictable ways, with flexibility being a core tenet. A notable piece, the 04 Counter, is described as a massive, engineered item comprising three horizontal bars. These bars can stack to form a wall, or they can pivot and cantilever, allowing the piece to transform from a room divider into a "piazza," according to Benjamin Pardo, Knoll’s design director. Pardo observed that the dynamic nature of the object encourages user interaction and engagement. Other items in the collection, such as the 05 Round Table and the 06 Table, are also designed with adaptability in mind. The 06 Table, envisioned as an executive desk, features a two-layered top. Both tables can be electrically adjusted in height, ranging from standing level to lounge height, catering to various user needs and activities. The collection further extends to include a coffee table, diverse seating options, a screen, and a credenza, each contributing to the overarching theme of versatile living and working spaces. The launch of the "Tools for Life" collection coincides with Knoll’s 75th anniversary. Benjamin Pardo identifies parallels between OMA’s furniture and some of Florence Knoll’s classic designs, noting that both serve as "background pieces that create sub-architecture in an architectural space." However, Pardo highlights that "Tools for Life" is specifically a response to contemporary work patterns. He stresses the importance of discussing "work" rather than solely the "office," reflecting the modern reality that individuals now work across various environments. This emphasis on flexible work and living spaces is a prominent theme at this year's Salone. The fair itself is sponsoring an exhibition titled "Project: office for living," conceived by French architect Jean Nouvel. This exhibition will showcase five distinct work environments, including a classic apartment reconfigured into a cocoon-like workspace and a cityscape composed of mobile, modular, and stackable flat surfaces designed for easy arrangement and use. This parallel exploration of adaptable spaces indicates a broader industry trend where design minds are converging on similar solutions for evolving lifestyle and work demands. #FurnitureDesign #Knoll #OMAArchitecture #RemKoolhaas #FlexibleLiving #MilanDesignWeek #SaloneInternazionaleDelMobile #WorkFromAnywhere #InteriorDesignTrends

Milan Design Week, also known as Salone del Mobile, traditionally serves as a pivotal event for design enthusiasts and a leading international exhibition for furniture and interior design. In recent years, the event has expanded its scope, attracting significant participation from the fashion industry. Brands such as Gucci and Loro Piana are increasingly featured alongside established home brands, presenting events and new product launches that blur the lines between fashion and home design. Among the highlights of Milan Design Week 2025 is Miu Miu's Literary Club, which dedicates two days to exploring the works of French philosopher and writer Simone de Beauvoir. Concurrently, Prada Frames will host a symposium centered on the multifaceted concept of transportation. Louis Vuitton is set to introduce a new home collection, further solidifying the convergence of high fashion and interior aesthetics. La DoubleJ will host tarot card readings at its new headquarters, adding a unique experiential element to the design week offerings. Loewe, marking its ninth appearance at Salone, has collaborated with 25 artists, designers, and architects to create a collection of teapots. These pieces, crafted by figures such as Edmund de Waal, Walter Prince, and David Chipperfield, explore the cultural significance and conventions surrounding tea, ranging from highly literal to abstract interpretations. Loewe is also offering a Salone homewares collection, which includes coasters and leather charms. Prada Frames, the annual symposium organized by Prada, focuses this year on “In Transit,” investigating the infrastructures that facilitate the movement of both people and ideas. Discussions are held in unique historical settings, including the recently restored 1950s train, Arlecchino, designed by Gio Ponti and Giulio Minoletti, and the ornate Padiglione Reale, a former royal waiting area at Milan’s Central Station. Louis Vuitton is launching its inaugural home collection, showcased at Milan’s Palazzo Serbelloni. This new line encompasses furniture, lighting, tableware, textiles, and games, with a pinball machine reportedly inspired by Pharrell. The collection complements the brand’s existing Objets Nomades, a series of limited-edition pieces created by notable designers like India Mahdavi and the Campana brothers, which will also be on display. La DoubleJ is celebrating its 10-year anniversary by unveiling its new five-story headquarters, dubbed the “LDJ Starquarters,” in Milan’s Navigli district. This new space is designed to foster positive energy and will host a week of events, including tarot card readings and sound healing sessions in the newly opened Gong Temple on its rooftop. The brand is also releasing new versions of its Napoli Rosa homeware collection. Miu Miu's Literary Club returns for its second chapter, “A Woman’s Education,” building on last year's “Writing Life.” This year’s program explores themes of girlhood and love through the works of Simone de Beauvoir and Japanese author Fumiko Enchi, featuring performances and talks by authors such as Lauren Elkin, Geetanjali Shree, and Naoise Dolan. Gucci presents “Bamboo Encounters,” an exhibition at the 16th-century Milan monastery Chiostri di San Simpliciano. Curated by architect Ippolito Pestellini Laparelli, the exhibit highlights bamboo’s historical significance to the house through multidisciplinary works, including sculptures, bamboo baskets, and kites. Kartell is commemorating 25 years of its lighting line with an exhibition at its Milan flagship store, featuring iconic lamps and lighting pieces. The Kartell Museum, also celebrating its 25th anniversary, will host a retrospective on Italian industrial designer Joe Colombo. New products and re-editions, including a reissue of Colombo’s 1964 KD28 lamp, will also be released. Finally, Loro Piana has partnered with Dimoremilano to create “La Prima Notte di Quiete,” an installation transforming the courtyard of Loro Piana’s headquarters into a 1970s-style home. The space features furniture by Dimorestudio for Loro Piana Interiors, Dimorestudio pieces with Loro Piana fabrics, items from Loro Piana’s The Art of Good Living collection, and artworks from Milanese galleries. #MilanDesignWeek #FashionHomeCrossover #LuxuryInteriors #ArtAndDesign #PradaFrames #LouisVuittonHome #LaDoubleJ #MiuMiuLiteraryClub #GucciBamboo #KartellLighting #LoroPianaDimoremilano

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

Milan Design Week and Salone del Mobile 2024 provided a prominent platform for Japanese design, showcasing a diverse range of innovative creations from various brands. The event highlighted traditional craftsmanship integrated with modern aesthetics, spanning furniture, lighting, textiles, and art installations. Several key brands presented new collections and exhibitions across Milan, emphasizing unique materials and design philosophies. Karimoku Case, known for its woodworking and manufacturing precision, exhibited at Salone del Mobile with a theme of 'Natural Contrasts.' The exhibition, curated by architect Keiji Ashizawa, created a serene atmosphere with spaces designed to connect indoor and outdoor elements. A notable feature was the reintroduction of _keyaki_ (zelkova) wood, traditionally used in temples and shrines, into contemporary furniture, aiming to revive its popularity. Designs by Ashizawa, Norm Architects, and Norman Foster were prominently displayed, reflecting a holistic approach to furniture within specific project settings. Three other Karimoku brands also held separate exhibitions. Seyun, a collaboration fusing Zaha Hadid's futuristic designs with Karimoku's wood craftsmanship, unveiled a new side table, tray, and lounge chair, all crafted from single pieces of wood. Mas, creatively directed by Wataru Kumano, debuted in Milan with 'Project Hinoki,' an exploration of Japanese cypress wood, featuring minimal lights by Daniel Rybakken and low triangular tables by Ville Kokkonen. Karimoku New Standard, with David Glättli as creative director, presented its first solo show in five years, showcasing pieces like the Polar sofa by Moritz Schlatter and textiles from a collaboration with Reiko Sudo's nuno, all in an atmospheric artist's studio setting. The textile industry was represented by Hosoo, a centuries-old Kyoto maker, in collaboration with Michele de Lucchi. Their 'Mind Landscape Collection' explored forest aesthetics through four new textiles (Cedar, Red Elm, Red Oak, Afzelia) with motifs derived from macro photographs of wood fibers and satellite imagery, blurring the lines between wood and fabric. Issey Miyake's 'Fold and Crease' installation, created by Dutch collective We Make Carpets, featured 60,000 hand-dyed bamboo skewers forming an undulating abstraction, evoking an underwater landscape within the brand's flagship store. Sugiyama Furniture, specializing in solid iron craftsmanship, presented 'The Beauty of Lines,' showcasing the versatility of iron in minimalist interior products. Collaborations with Japanese creatives yielded pieces like Kazuteru Murasawa's Felice chairs, combining lightweight iron with organic leather details, and Fumie Shibata's Wall Deco series. Ambientec, a Japanese lighting brand, introduced Fotika, a hybrid portable and desk lamp designed by Kensaku Oshiro, inspired by the light filtering through ocean waters and crafted from a single piece of aluminum. Majotae, a Japanese hemp brand, presented Majotae 9490, a new line of bedding made from _tamai-fu_, a super-fine traditional hemp, with textiles displayed in natural dyes. The exhibition also showcased historical hemp artifacts and a live demonstration of traditional weaving. Stellar Works, a Japanese furniture brand based in Shanghai, returned with an expansive showcase inspired by Marco Zanuso, featuring new Neri & Hu products like the Qi collection sofas and the Taiko terrazzo table by Studio Stefan Scholten. Finally, Nagano Interior, making its Salone del Mobile debut, presented solid wood furniture crafted from materials like red oak and Japanese ash, embodying the concept of 'wa' or harmony, with pieces like the DT614 table and Corona chair. Ritzwell, another Fukuoka-based furniture maker, blended Japanese craftsmanship with functional design, showcasing the Constantino Armchair by Shinsaku Miyamoto and the MT Coffee Table, alongside new wood color shades Sohbobku and Gen. #MilanDesignWeek #SaloneDelMobile #JapaneseDesign #FurnitureDesign #TextileInnovation #LightingDesign #Craftsmanship #SustainableMaterials #InteriorDesign

This article showcases the unique interior design styles of three designers, Jenny Powell, Edward Girardi, and Biff Bartron, as demonstrated in their personal homes. Each designer offers insights into their design philosophy, material choices, and practical tips for creating functional and aesthetically pleasing living spaces. Jenny Powell, owner of Somethings Unique, resides in a spacious Landenberg home with her family. Her design approach emphasizes a blend of elegance and family-friendliness, incorporating a relaxed European style with Scandinavian influences. After moving into their home, the Powells lightened dark wood floors and painted walls in pastel yellow and beige to create a brighter atmosphere. Powell's design is characterized by mixing old and new elements, such as Swedish Rococo-style sidechairs paired with contemporary fabrics, and the use of natural light and preserved greenery. Key elements of her home include fauteuil chairs from Spain with a gray-blue glaze, silk curtains in two colors, and durable microsuede upholstery for family-friendly living. The kitchen features granite countertops and unique hammered metal hardware, while the sunroom offers a casual dining space with a pine farmhouse table. Powell's home is adorned with her father's art, and she advocates for mixing styles, choosing tactile materials, incorporating personal art, and using a soft Scandinavian color palette. Edward Girardi, a proponent of high-rise living, has transformed his 16th-floor condominium in Wilmington into a sophisticated urban sanctuary. His design focuses on maximizing space and functionality in a compact environment. Girardi converted an adjoining unit into an intimate media room, painted in a custom purple-tinged gray. He meticulously blends his own paint colors and uses a sophisticated neutral palette as a backdrop for his home. A large, self-painted contemporary artwork dominates the living room, complementing the angular, masculine aesthetic. He repurposed a cocktail table by replacing its gold top with etched glass and staining the wood mahogany. Girardi's philosophy includes investing in neutral basics and updating accessories with lively prints. He emphasizes grouping family photos for impact and keeping them current. The dining area features a glass and chrome table for spaciousness, and custom built-in cabinets hide a bar and storage. His galley kitchen is designed for efficiency, with ceiling-height cabinets, slate tiles, and cork flooring. In the bedroom, a contemporary pedestal bed is paired with Shaker nightstands, and the space is unified by painting moldings and doors the same color as the walls. Girardi's advice for small spaces includes using larger tiles, decluttering with built-in storage, grouping pictures, measuring furniture carefully, and using solid colors to enlarge a space. Biff Bartron, a partner in BW Design Group, showcases an elegant California ranch home in Wilmington that balances luxury with simplicity, reflecting his preference for peaceful, spa-like environments. Despite initially being in disrepair, Bartron envisioned an open, light-filled space. He renovated in stages, prioritizing the kitchen and bathrooms. The enlarged kitchen features two dishwashers, three microwave ovens, stainless steel sinks, granite counters, and porcelain tile floors that mimic limestone. Sleek cherry cabinets with frosted glass panels and a pass-through window enhance light. A clever design integrates a Sub-Zero refrigerator, with the back half extending into the garage. Bartron unified the public spaces by installing dark ebony-stained hardwood floors. The dining table has an acid-treated copper top, and the living room offers comfortable seating for 11 around a baby grand piano. A chocolate brown daybed and silk curtains frame a bay window, allowing the city lights to become part of the decor. His color palette and simple furniture highlight a dramatic art piece from Paris. The powder room features hand-painted bamboo shoots and polished river rocks in the sink, adding a surprise element. The master bath is a spa-like retreat with a large stone shower and bamboo accents. Guest rooms on the lower level open to a private garden, and a secondary kitchen caters to entertaining. Bartron upgraded lighting and installed a whole-house stereo system. His recent addition of an Asian-inspired front porch creates a tranquil entry. Bartron recommends an Asian-inspired palette, using frosted glass for light and privacy, pampering oneself with luxury baths and linens, keeping window treatments simple to preserve views, and choosing durable materials for pet and family-friendly living. #InteriorDesign #HomeDecor #DesignerHomes #ScandinavianDesign #UrbanLiving #ModernRanch #SpacePlanning #Renovation #HomeStyling

For the 2014 Melbourne Cup Carnival at Flemington Racecourse, Mim Design collaborated with The Big Group and Design Depot to create the Lexus Design Pavilion, a luxurious space within The Birdcage. The design concept drew inspiration from the event's iconic roses, the fashion, champagne, and particularly the new Lexus NX car, integrating its sleek lines and angular forms into patterns and fabrics throughout the marquee. The pavilion aimed to provide a sought-after setting for guests to enjoy the carnival atmosphere. The entrance to the marquee featured the Lexus NX car prominently, flanked by a media wall and mounted stacks of branches and roses, signaling the involvement of sustainable designer Joost Bakker. The ground floor housed a versatile brass bar, which served as a DJ booth and champagne station, alongside a hatch offering gourmet burgers by chef Neil Perry. Artist Chris Watterson applied an ombre effect to the marquee walls, adding depth and softness, while custom-designed banquette seating provided comfort and vibrant color with its fragmented patterns. The multi-story pavilion encouraged guests to move upwards, with stairs leading to the first floor. Miriam Fanning, principal of Mim Design, highlighted the intended 'wow' factor upon reaching the upper level. This floor served as the glamorous centerpiece, featuring a forty-eight-seat Attica pop-up restaurant. The restaurant was dramatically adorned with an organic canopy installation by Joost Bakker, consisting of a steel grid from which hundreds of freshly coppiced smoke bush branches were suspended with galvanized wire. Hundreds of repurposed light globes, saved from Bakker's previous retrofits, were also suspended and transformed into miniature vases for rose bulbs, filled daily with fresh water and between five thousand to six thousand roses. The pavilion's rooftop deck, designed by celebrity landscape designer Jamie Durie, offered views of the racecourse and a vertical herb garden, providing a sunny spot for attendees. The project faced specific challenges inherent to temporary structures, such as the absence of built structural walls, requiring self-supporting designs. Lead times were also a constraint, with builders only gaining access four to six weeks before race day, which complicated furniture scheduling. Despite these hurdles, the design team embraced the opportunity to contribute to the internationally recognized Melbourne Cup Carnival, emphasizing the celebratory aspect of the event. #LexusDesignPavillion #MimDesign #MelbourneCupCarnival #EventDesign #LuxuryHospitality #JoostBakker #SustainableDesign #JamieDurie #TemporaryArchitecture

Architect Mariam Issoufou discusses her design philosophy and recent projects, including the Rolex Pavilion at the Venice Architecture Biennale and the upcoming Bët-bi museum in Senegal. Issoufou, founder of Mariam Issoufou Architecture and a professor of architecture heritage and sustainability at ETH Zurich, emphasizes a research-led approach that prioritizes local contexts, craftsmanship, and sustainable practices. Her work spans various regions, with a notable focus on projects within the African continent and Europe. The Rolex Pavilion, commissioned for the Venice Architecture Biennale, was designed to reflect Rolex's identity while addressing Carlo Ratti's 2025 theme of adaptation to climate change. Issoufou's design for the pavilion showcases a commitment to local materials and artisan collaboration. The facade is constructed from recycled wooden beams sourced locally, and the interior features a translucent colored ceiling crafted by Murano glassmakers, which creates dynamic light effects. The terrazzo flooring incorporates recycled Cottisso crushed glass. Issoufou aimed to honor Venice's heritage of making and to demonstrate how recycled and local materials can be used effectively in high-profile projects, similar to her work in Africa where materials like recycled metal, earth, and cement are commonly employed. Her design process for the Rolex Pavilion began by considering the unique shape of Venice, a city divided by the Grand Canal, which inspired the form and exhibition spaces of the structure. The project also focused on collaboration across different intelligences and showcased resource efficiency. Issoufou expressed pride in seeing the pavilion come together through the work of local glass, metal, and woodworkers, highlighting the successful integration of traditional Venetian artistry with contemporary sustainable design principles. Issoufou’s practice is characterized by a consistent research-led methodology across all her projects. Instead of imposing a design, she first investigates the architectural history, climate, and vulnerabilities of a specific location. Following this, she identifies and engages with local makers and their existing knowledge and skills. This collaborative and context-driven research then informs the design process, ensuring that each project is uniquely tailored to its environment and community. This approach allows the questions she asks in her projects to remain consistent, while the solutions and outcomes vary based on the specific research findings. Sustainability, for Issoufou, is an intersectional concept that extends beyond mere ecological considerations. She integrates green standards with social, cultural, and economic upliftment for the communities involved in her projects. This holistic view ensures that her architectural interventions contribute positively to the broader well-being of people and places, preserving cultural heritage and fostering economic opportunities. Beyond the Rolex Pavilion, Issoufou is currently focused on the construction phases of two significant projects: the Bët-bi museum in Senegal and the Ellen Johnson Sirleaf Presidential Center in Monrovia, Liberia. The Bët-bi museum, commissioned by the Josef and Anni Albers Foundation and Le Korsa, will be a 1,000-square-meter center for contemporary and historic African art, also serving as a temporary home for repatriated objects. Its triangular form is inspired by the Indigenous Serer people's belief system, symbolizing the relationship between elements, the living, and the dead. The museum will be built into the landscape using sustainable, traditional materials with the help of local artisans, reflecting Issoufou’s commitment to culturally resonant and environmentally responsible design. The Ellen Johnson Sirleaf Presidential Center, where Issoufou is the lead architect, involves collaborations with Sumayya Vally and Karen Richards Barnes, further exemplifying her collaborative and community-focused design ethos. These ongoing projects underscore her dedication to creating spaces that are deeply rooted in their cultural and environmental contexts while promoting sustainability and community engagement. #Architecture #SustainableDesign #VeniceArchitectureBiennale #RolexPavilion #MariamIssoufou #CulturalHeritage #CommunityEngagement #AfricanArchitecture #LocalCraftsmanship

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

The July London Victoria, an apartment-hotel located across from Victoria Station, offers a unique blend of residential comfort and hospitality services, catering to both short-term guests and long-stay digital nomads. Situated in a prime London location, this 114-key "urban retreat" integrates public-facing hospitality spaces, including The Idler restaurant and an associated deli, designed to provide a calming environment amidst the city's fast pace. These establishments offer urbanites an opportunity to relax and connect. The hotel's interior design, a collaboration between an in-house design team, the London and Los Angeles-based firm Fettle, and architects Studio Moren, skillfully combines comfort with adaptability. The design aesthetic pays homage to the Art Deco architecture prevalent in the area, incorporating sea foam greens, pale pinks, salmony oranges, and burgundy reds across various surfaces such as tiled walls, intricate crown detailing, and two-tone walls. The public spaces, like The Idler, feature plush banquette seating, a distinctive ceiling mural within bold molding, and herringbone-pattern parquet flooring accented with tile trim. White and black marble slabs top curved-edge counters, which are clad in tambour pattern wood slatting, adding to the sophisticated ambiance. Specific design elements like painted glass sphere pendants and select fabric upholstery contribute to the overall refined aesthetic. Accommodation options include guest rooms, suites, and two Family Apartments with interconnected rooms, alongside a co-working space, all equipped to support various aspects of guests' lives, from relaxation to remote work. The layouts are thoughtfully designed to facilitate these diverse needs. In the guest rooms, custom oak joinery provides integrated wardrobes, kitchenettes, and storage solutions. Bespoke brass pendants and discrete bedside lights with fluted shades further enhance the personalized and functional design. This thoughtful approach ensures that guests have all the necessary amenities for an extended stay, whether for business or leisure. Sustainability is a core value for The July brand, and this commitment is reflected in the material choices and furnishing strategies employed throughout the hotel. A notable aspect of the interior furnishing involves the careful sourcing and refurbishment of vintage pieces, aligning with contemporary trends in architecture and design that prioritize environmental consciousness and unique, characterful aesthetics. This approach not only supports sustainable practices but also imbues the hotel with a distinct personality that resonates with its historical context and the modern traveler's desire for authenticity. The July London Victoria differentiates itself within the hospitality sector by fostering a balance between private living and social engagement, a strategy it aims to replicate in its expanding portfolio across Europe. Andy Goodwin, co-founder and creative director of Fettle, emphasized that the design concept was developed to reflect The July’s brand values and its narrative, which is deeply rooted in the local area's history. He highlighted the multifunctional nature of the apartment-hotel rooms, which needed to accommodate relaxation, dining, and work within each apartment, complemented by dedicated meeting, flexible, and wellness areas. This holistic design ensures that the hotel serves as a comprehensive urban retreat, offering a seamless experience for its varied clientele while maintaining a strong connection to its London setting and a forward-thinking approach to hospitality. The hotel offers flexible accommodation options and shared facilities designed to create a vibrant community while still allowing for individual privacy. Its location near a major transportation hub makes it an ideal choice for a diverse range of travelers. Overall, The July London Victoria represents a contemporary solution for urban living, blending design, functionality, and sustainability to create a memorable stay experience. #apartmentHotel #LondonTravel #ArtDecoDesign #digitalNomad #sustainableDesign #interiorDesign #hospitality #urbanRetreat #fettleDesign

The 62nd Salone del Mobile in Milan, a prominent international design event, and its accompanying Fuorisalone events are showcasing a diverse range of Japanese design talent. Several established and emerging Japanese designers and brands are presenting their latest works, emphasizing innovation, sustainability, and traditional craftsmanship. Among the newcomers at the Rho Fiera exhibition complex are Adal and Nagano. Adal is presenting its 'Look into Nature' brand, which re-imagines igusa (Japanese rush grass), traditionally used in tatami, as a sustainable material for contemporary furniture. This involves transforming igusa into flexible textiles for chair backrests, coffee table panels, minimalist room screens, and abstract wall art, all inspired by Japanese landscapes. Nagano Interior, on the other hand, focuses on solid wood, highlighting its natural grain and texture through meticulous hand-finishing in its 'Think Basic' series. Daft about Draft, directed by Taiju Yamashita, is exhibiting for the second time at Rho Fiera. The brand features plush furnishings and sleek tables characterized by curved forms, soft textiles, dusky tones, and a focus on velvety textures, dark woods, and brushed metals. Yamashita's approach views furniture as a medium for expression, aiming to create personal narratives through user experience. Sixteen works are on display this year, with six making their debut in Milan. Karimoku Furniture is presenting its largest Milan showing to date, with four of its brands spread across different venues. At Rho Fiera, Karimoku Case, a collaboration with renowned designers Norm Architects and Keiji Ashizawa, showcases furniture for specific architectural projects. New pieces include those designed for the 'Bellustar Tokyo' hotel (Case 09) and the 'Azabu Hills Residence' complex (Case 10), featuring curvilinear forms, subdued hues, and the first use of lighter-toned keyaki (zelkova) wood in the Case series. Fuorisalone events in Milan’s Tortona district feature Karimoku New Standard, making its first appearance in five years with an installation curated by Connie Husser and creatively directed by David Glaettli. Karimoku's collaboration with Zaha Hadid Design also returns with new additions to its architecturally inspired Seyun lineup. A new brand, Mas, an all-wood furniture line from Karimoku, is also introduced. Named after the traditional hinoki (Japanese cypress) masu cup and a nod to 'mass production,' Mas includes clean-lined chairs, benches, stools, and tables made from Japanese coniferous woods, detailing unique joinery. SaloneSatellite, which spotlights young designers, features Hana Mitsui, who is re-thinking traditional textile production through recycling waste materials. Her 'Visual Illusion' installation includes 'Blurring Checker,' a fabric inspired by the deliberate misalignment of independently dyed warp and weft threads in kasuri textiles, creating soft, blurred patterns. Product designer Kodai Iwamoto showcases new lighting works, including the 'Komoru' circular wall lamp and the 'Arrow Stand Lamp,' which emanates light mysteriously from behind, demonstrating his self-taught techniques in metalworking and wood carving. Further Fuorisalone innovations include the 'Origin of Simplicity. 20 Visions of Japanese Design' exhibition at the ADI Design Museum, curated by Rossella Menegazzo. This exhibition explores simplicity in Japanese design from the 1960s to the present, featuring over 150 works in a forest-like setting designed by Kenya Hara. The Isola Design Festival, expanding to new venues in Milan’s Isola district, includes three exhibitions with Japanese creators. Yu Watanabe transforms his space into an atelier for 'Disclosure: Design Studios Unveiled,' exhibiting material explorations and urushi (Japanese lacquer) pendant lamps. Shinkogeisha’s 'New Craft' exhibition combines design, engineering, and technology into contemporary craft, showcasing 3D-printed items like Nosemono (attachments to natural rocks and branches) and Tilde’s knit-textured radios. Arakawa Grip celebrates its 50th anniversary with an installation by Kaori Akiyama, and also features new furniture and homeware products from 16 Japanese designers. Other notable presentations include 'Wonderpowder,' a collaboration between design studio We+ and Shimadzu, exploring the design potential of powder as a material through an interactive installation at Dropcity. Majotae, a textile brand directed by Teruhiro Yanagihara Studio, is launching its first collection of naturally dyed bedding, reviving taima-fu, an extra-fine hemp fabric from the Edo Period, with the help of modern technology. #SaloneDelMobile #MilanDesignWeek #JapaneseDesigners #FurnitureDesign #SustainableMaterials #TextileInnovation #Craftsmanship #ArchitecturalDesign #ProductDesign

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship