AD100 Designer Kelly Behun Adds a Dash of Fun to This Zen Hamptons House

AD100 designer Hadley Wiggins recently completed a significant project: the interior design of a stately limestone town house located on Manhattan's Upper East Side. The residence, home to a family with two young children, required a design approach that respected its historical architectural features while introducing softness, warmth, and individuality suitable for contemporary family living. When the house was acquired, it retained its original architectural details such as moldings, windows, and fireplace surrounds, but had undergone a previous renovation that resulted in a very stark, optic white aesthetic. The primary objective for Wiggins was to implement more nuanced design choices to create visual contrast and interest, thereby enhancing the inherent beauty of the existing architecture rather than overshadowing it. Wiggins's design philosophy is characterized by an intriguing interplay of subtle tones interspersed with strategically placed moments of saturated color. For example, richly hued spaces, such as the dining room—which Wiggins considers one of her favorite projects—were designed to "compress" the home's expansive layout. This technique allows for the creation of cozy and intimate areas within a large home, contrasting with the more airy, light-filled spaces. A unifying element across the diverse palette of the home is Wiggins’s meticulous curation of furnishings, art, and decorative objects, a process she undertook with the assistance of art advisor Kate Bellin. Each room is a blend of pieces from various eras, styles, and origins, reflecting Wiggins's signature approach of selecting items that resonate with her and then integrating them harmoniously into the space. This method results in a collected aesthetic, giving the impression that the homeowners have accumulated these cherished pieces over a long period. Notable elements in the design include an antique tapestry in the living room, which serves as a foundational piece for the space, complemented by an oil painting and a diverse array of lighting fixtures. Wiggins's proficiency with pattern and texture, honed during her tenure at Ralph Lauren, is evident throughout the home. She emphasizes that incorporating pattern is a complex process, involving numerous fabric choices that must meet criteria for design, durability, and client approval, ultimately leading to a rewarding outcome. This detailed attention extends even to functional areas, such as the powder room, which features a custom wood vanity and matching toilet seat, clad in a moody, cocoon-like wallpaper. Wiggins believes that a powder room's purpose transcends mere function, aiming instead to evoke a sense of the incredible. Despite the exquisite detailing and bespoke elements, Wiggins maintains that the house is fundamentally a family home. She asserts that her role is not to create a museum-like environment, but a living space capable of accommodating the realities of family life. The design is intended to evolve and age gracefully, improving over time. This distinctive blend of elegance and approachability, historical respect and modern sensibility, and deliberate specificity combined with serendipitous finds, defines Wiggins's work. She actively seeks out pieces that possess beauty due to their age and wear, striving to achieve an "imperfect perfection" in every space she designs. #HadleyWiggins #AD100Designer #NewYorkTownHouse #UnderstatedElegance #InteriorDesign #UpperEastSide #HomeDecor #ArchitecturalRenovation #FamilyHome

The article details the transformation of a Bridgehampton, New York, Hamptons home by architects Timothy Haynes and interior designer Kevin Roberts. The property, initially purchased 12 years prior by a New York businessman, was a five-acre estate near the ocean and the town of Bridgehampton. He had previously renovated the mid-1990s house with interior designer Victoria Hagan, streamlining its postmodern architecture into a comfortable beachside retreat for himself and his two sons. This earlier renovation, featuring a blue-and-white scheme, was prominently featured on the cover of ELLE DECOR in 2002. The current renovation was prompted by the homeowner's remarriage, necessitating a redesign to accommodate his new wife and her 10-year-old daughter. The couple initially engaged Haynes and Roberts for a partial renovation, including the kitchen and master bath. However, as their family grew and their entertaining needs expanded, a more extensive overhaul became necessary. The wife, a fashionista and museum patron with a strong design aesthetic, desired to infuse the home with her personal style, incorporating contemporary art, vibrant colors, vintage and antique furnishings, and a touch of glamour. A primary goal was to create a dining room capable of hosting 25 people for large family gatherings like Thanksgiving. Significant structural and landscape changes were implemented. The existing tennis court, which obstructed views and was unused by the couple, was removed along with the original swimming pool. Haynes and Roberts collaborated with Manhattan-based landscape architect Edmund Hollander, who had designed the property's initial garden, to create an ambitious new landscape plan. This included a new saltwater pool inspired by a Slim Aarons photograph, featuring limestone steps cascading into the water. Hollander also designed garden walks bordered with Japanese holly, green velvet boxwood, masses of hydrangeas, lilacs, peonies, and roses. A new poolhouse was constructed with two wings: one for a changing room and sauna, and the other featuring a chic bar and lounge with a white-and-blue circle-patterned marble floor. These wings frame an outdoor dining pavilion, complemented by a gravel-lined garden and a bosque of plane trees. The main house underwent extensive modifications, including the expansion of rooms and the lifting of ceilings to enhance the sense of space and ease. In the master bedroom, a wall with a Juliet balcony was replaced with expansive windows overlooking the garden, and a previously underutilized terrace was converted into an enclosed sitting room. The homeowners were deeply involved in every design decision, from fixtures to furniture selections. The living room was reimagined as the home's social hub. Haynes and Roberts raised its gabled ceiling to 20 feet and doubled the space with an addition featuring a wall of windows and French doors. The interior decor of the living room includes oversized white leather cocktail tables, ample seating, and a vintage Harvey Probber tufted sofa, which Roberts divided into two sections to face the garden. The design philosophy emphasized functionality and comfort, ensuring that every piece of furniture invited relaxation. A notable artistic element is a faceted mirror sculpture by Doug Aitken above the striped marble mantel, spelling out the word “more,” reflecting the wife’s preference for a touch of extravagance. #InteriorDesign #HomeRenovation #HamptonsStyle #LuxuryHomes #LandscapeArchitecture #ContemporaryArt #VintageFurniture #ArchitecturalTransformation #SeasideLiving

Blue Heron, a prominent custom home builder in the Las Vegas Valley known for its design-forward luxury homes, has recently inaugurated its new Blue Heron Lifestyles Design Studio. This expansive 12,200-square-foot facility is designed to serve as a comprehensive hub for interior design, showcasing a wide array of fine art, furnishings, accessories, and textiles. The studio's primary purpose is to enable clients to visualize and curate the intricate design elements of their prospective custom homes, providing a tactile and immersive experience that goes beyond traditional design consultations. Leading the Blue Heron Lifestyles Design Studio as its president is Hedy Woodrow, an industry veteran with over three decades of experience spanning retail, hospitality, design, and product development. Woodrow's extensive background, which includes working with VIP and luxury clientele on bespoke interior projects, informs her leadership at the new studio. She draws inspiration from diverse sources, including global travel, luxurious hotel interiors, floral arrangements, various geographies, and cultural aesthetics. Woodrow notes a significant parallel between trends in fashion and interior design, observing how both fields often align in their adoption of specific colors, textures, and overall impact. The client engagement process at the Blue Heron Lifestyles Design Studio is structured into three distinct phases to ensure a streamlined and personalized experience. The initial phase, known as the Discovery Phase, involves clients visiting the studio to articulate their lifestyle, preferences, and design inspirations. During this stage, clients are encouraged to bring visual aids such as magazine tear sheets, photographs of inspiring environments, and collections of desired colors, room aesthetics, and floral arrangements to help communicate their vision effectively. Following the Discovery Phase is the Design Phase. In this stage, clients collaborate with the studio's design team, utilizing advanced technological tools to explore a three-dimensional model of their future home. This allows for a detailed selection process for color palettes, fabrics, textures, and finishes, ensuring that every element aligns with the client's vision. The immersive 3D modeling helps clients make informed decisions about their home's interior, seeing how various choices will come together in a cohesive design. The final stage is the Procurement Phase, where Blue Heron takes full responsibility for managing all logistical aspects of the design project. This includes handling interactions with vendors, placing orders for selected materials and furnishings, scheduling deliveries, and overseeing installation timelines. This comprehensive approach aims to provide clients with a seamless, turnkey experience, minimizing stress and ensuring that the entire interior design process is executed efficiently and to the highest standards. Woodrow emphasizes the rewarding aspect of working with her talented team to help clients achieve homes that not only meet but exceed their expectations, celebrating each milestone in the transformation of their living spaces. #BlueHeron #LifestylesDesignStudio #LuxuryHomes #InteriorDesign #LasVegas #CustomHomes #HomeDecor #DesignProcess #HedyWoodrow

Boston, with its historical architecture, including red brick brownstones and Georgian-style structures, offers a rich source of inspiration for design enthusiasts. The Beacon Hill neighborhood, particularly known for its Federal-style rowhouses and cobblestone streets, is highlighted as a prime example of the city's architectural charm. This area is home to unique home décor shops and accommodations that blend old-world charm with modern aesthetics. One notable destination is Koo de Kir, a home décor shop on Chestnut Street. The shop's name, a phonetic play on the French "Coup de Coeur," signifies an item that captivates. The owner curates a selection of unique items, aiming to offer products that are distinctive and memorable. Among the favored items mentioned are the Lotus Nesting Bowls, which are popular during wedding season, indicating their appeal as gifts or household additions. Adjacent to Koo de Kir is another recommended shop, Good, which offers a broader range of lifestyle accessories, encompassing both fashion and home goods. Its inventory includes antiques, works of art, and vintage accessories, suggesting a focus on curated and unique finds for those seeking distinctive pieces for their personal style or living spaces. For an immersive experience in Beacon Hill, the Charles Street Inn is suggested as a lodging option. This inn is characterized by its quiet and cozy ambiance, combined with an old-world flair. Each room is individually named after historical Beacon Hill residents, such as John Singer Sargent or Ralph Waldo Emerson, adding a historical touch. A key feature of the inn is the presence of authentic 1860 marble working fireplaces in every room, contributing to its charm and historical authenticity. Beyond traditional design, the article explores the contemporary design integration seen at the Liberty Hotel, located at the periphery of Beacon Hill. This hotel exemplifies how Boston marries its historical heritage with modern design and an energetic nightlife. Originally the Charles Street Jail, completed in 1851, the hotel's recent renovation respectfully incorporated elements of the original structure and its former purpose, creating an innovative and modern space. Its nightclub, Alibi, and restaurant, Clink, are highlighted as popular venues, partly due to their interior design, which creatively reinterprets the building's history. The article concludes by emphasizing Boston's ability to offer an exciting and inspiring experience for design aficionados, challenging any perception of the city as overly traditional or "stuffy." It showcases Boston as a city where historical elegance and contemporary design coexist and inspire. #BostonInteriorDesign #BeaconHill #HomeDecor #ArchitecturalInspiration #BoutiqueShopping #LuxuryTravel #HistoricalRenovation #LifestyleAccessories

The article details the transformation of a newly built, characterless spec house in East Hampton into a multilayered home brimming with personality, overseen by designer Heidi Caillier for client Colleen DeCourcy. DeCourcy, who leads the global creative team at Snap, sought to infuse the house with character after purchasing it as a standard builder's spec home featuring white walls and subway tiles. Her collaboration with Caillier, initiated through an online platform, quickly evolved into a traditional design partnership, marked by creative freedom and a shared appreciation for sophisticated design. The design philosophy centered on creating a home that felt as though it had been curated over time, avoiding the sterile appearance of new construction. Caillier achieved this by incorporating bespoke elements and a rich blend of textures, patterns, and historical influences. A significant aspect of the design involved integrating pieces from BDDW, a brand known for handmade furniture by artist Tyler Hays. Several BDDW items were selected, including a distinctive bench-cushioned sofa and custom-upholstered armchairs. The kitchen walls were adorned with BDDW tiles featuring Delft pottery-inspired flora-and-fauna vignettes, and Hays was commissioned to create an eight-foot-wide tapestry-like canvas for the living room, depicting a lakeside scene. The home’s aesthetic draws inspiration from British country interiors, characterized by deep, moody color palettes, often with rooms painted a single color including ceilings and trim, and an emphasis on coziness and intricate details. This nod to old-world traditions is evident in elements like classic floral prints, antique Persian rugs, and unique chandeliers. Despite the historical influences, the design is distinctly modern in its execution and ingenuity. For instance, the dining room features a hand-painted mural by James Mobley, with pastoral motifs inspired by local woodlands that extend onto the ceiling, creating an immersive experience. Each of the home’s 7,500 square feet was meticulously considered. The main communal areas—the dining room, kitchen, and living room—maintain a direct line of sight and chromatic harmony, yet each possesses a distinct identity. The library, for example, is enveloped in floor-to-ceiling bookshelves painted in Farrow & Ball’s Salon Drab, a chocolate brown, and furnished with 19th-century-inspired armchairs from Jamb, upholstered in plaid wool with velvet trim, alongside a large green ottoman and a vintage floor lamp. The property's four-acre landscape was also rewilded by local garden designer Charlie Marder, adding various tree species to establish a sense of heritage and connection to nature. Specialized details are prominent throughout the residence. A guest bath boasts a custom vanity with Bardiglio blue marble, custom Zia Tile floor tiles, and beadboard walls. Another guest room features a custom bed covered with a Melin Tregwynt Welsh Blanket, a Stephen White hanging light, and an Adam Pogue custom ottoman. The pantry is notable for its vibrant carmine red, achieved with Farrow & Ball’s Bamboozle paint. The primary bath showcases Portola Paints Lime Wash on its walls and a tub by The Water Monopoly, while the poolhouse bath is adorned with custom Tabarka tile, a vintage Italian modernist mirror, and a Barovier & Toso sconce. The comprehensive design approach aimed to create a home that felt rich with history and personal touches, rather than a brand-new space. This layered aesthetic reflects both the client's desire for a lived-in feel and the designer's philosophy of allowing creative freedom to manifest unique design ideals. The result is a home that seamlessly blends classical inspirations with contemporary artistry, creating a comfortable and visually engaging environment for DeCourcy and her family. #HomeDesign #InteriorDesign #HamptonsHome #HeidiCaillier #CustomFurniture #BDDW #BritishCountryInteriors #ArtIntegration #LuxuryLiving

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

This article highlights an Atlanta home in the Buckhead neighborhood, designed by Lyndsy Woods, that masterfully blends traditional architectural elements with modern touches and antique furnishings. The home, a new construction with Georgian architectural influences, was designed to incorporate classical features on the interior while maintaining a warm and inviting atmosphere suitable for a family with two young children. Lyndsy Woods worked with the family from the building stage, allowing her to understand their daily life and tailor the home's design to their specific needs and how they would utilize each space. The design approach focused on creating a soft, neutral shell with muted wall colors like Benjamin Moore York Gray (tinted at 50% strength) and White Dove for trim. This neutral backdrop ensures that the layered fabrics and furnishings, including the family's collection of antique pieces, are highlighted rather than overwhelmed. Built-in elements are kept tone-on-tone to avoid distraction. Even in more formal areas such as the dining room and family room, the aim was to evoke warmth and welcome. A key aspect of Woods's design philosophy, as detailed in the article, is the successful integration of formal and informal items. She avoids the heavy, museum-like feel that can result from too many antiques by pairing them with cleaner, modern elements. This mixing of styles creates a collected and unique aesthetic, preventing the space from feeling overly structured or stuffy. An example cited is the use of modern print fabrics in the dining room alongside gilded antiques, with a light background to tie everything together. The designer prefers cooler wall tones to balance the warmer, often reddish undertones of antique woods, thus toning down golden hues and creating a fresher look. Her personal style leans towards clean lines but with soft, livable palettes and rich textures. Specific rooms are showcased, illustrating this blend: the living room features a custom light fixture by Solaria Lighting and a linen sofa from Lee Industries, chosen for its timeless silhouette and adaptability to new looks with different pillows. The classic white kitchen is equipped with Walker Zanger tiles, Visual Comfort lighting, and Ballard Designs barstools. A butler's pantry is adorned with antiqued-mirror walls and a small sink for convenience. The family room continues the theme with Benjamin Moore's York Gray walls, an Aidan Gray chandelier, and an antique table. The dining room boasts Schumacher fabric on window treatments and upholstered chairs, with a Hickory Chair table, and a touch of pink adds a modern accent to the antique setting. The master bedroom, designed to feel like an upscale hotel suite, is furnished with antiques and features walls painted in a tinted version of Benjamin Moore’s Revere Pewter. The master bathroom is elevated with luxurious Duralee fabric window treatments, soft green shades, an abstract painting, and custom his-and-her vanities. The powder room is enlivened with Farrow & Ball wallpaper. The article concludes by emphasizing the home's welcoming nature and its beauty as a family residence, crediting designer Lyndsy Woods for her award-winning work and Marc Mauldin for the photography. #HomeDesign #InteriorDesign #AntiqueModernMix #LuxuryHomes #AtlantaRealEstate #LyndsyWoodsDesign #HomeFeatures #BuckheadHomes

British designer Bethan Laura Wood resides in a 575-square-foot apartment in a 1925 Art Deco building in East London, reflecting her vibrant and unconventional design aesthetic. Her home is an extension of her professional work, which is characterized by a bold use of color, texture, and a blend of industrial materials with artistic references. The apartment features powder pink stairwells, mint green window frames, and baby blue accents, providing an appropriate backdrop for her colorful creations. Inside, Wood’s living space is a dynamic display of peach, pistachio, and mauve walls, complemented by geometric rugs and a collection of unique objects. These include Pyrex lamps shaped like floral bouquets, a side table made from extruded pastel plastic, and various pieces she has designed or acquired. Wood emphasizes color as her primary language for interpreting places, drawing inspiration from regional palettes such as London's earthy grays and Venice's saturated blues. Her work often incorporates industrial materials like laminate, manipulating them to imitate other substances and exploring themes of globalism and authenticity through design history. Her current exhibition, "Ornate," at Milan’s Nilufar Gallery, draws inspiration from diverse sources including Japanese kimono fabrics, Victorian boudoirs, and insect anatomy. The exhibition features pieces like scalloped aluminum cabinets, glass light fixtures resembling hard candies, and an aluminum and brass headboard with shimmering gold and purple squiggles. Wood's living room is a visual feast, showcasing both her own designs and works by other artists and designers. Notable pieces include the Royal Daybed by Nathalie Du Pasquier and George Sowden, and a circular, jellyfish-like green, yellow, and blue resin lamp by Gaetano Pesce. A woven jacquard tapestry, designed by Wood and inspired by stained-glass windows in Mexico City, covers an entire wall, alongside an earth-toned laminate dining table with geology-inspired marquetry and a totemic light fixture made of stacked beaker-esque forms, produced with Italian glassblower Pietro Viero. Collaboration is central to Wood's practice, and many items in her home are products of partnerships or exchanges. Her collection extends into a narrow hallway adorned with hats and handbags hanging on Murano glass hooks, and artworks covering the walls. Her bedroom features an Ultrafragola mirror by Ettore Sottsass and a neon glass light by Jochen Holz, illuminating a 1970s floral textile acquired during a trip to Brazil. A small, sunny library, dubbed her "room for dreaming," houses art books, animal figurines, glass sculptures, and wooden busts, including a birthday card from her mentor, Martino Gamper. Throughout the apartment, Wood masterfully combines high design with evocative everyday objects found during her travels or at London flea markets. She deliberately positions pieces to create dialogues, such as a multicolored rope mask by Bertjan Pot near a painting of a knight in psychedelic swirls. She also notes the connection between a jar of "pickled" balloons by Saelia Aparicio and a poster by Scottish Pop artist Eduardo Paolozzi, whose motifs she frequently references. Wood's passion for collecting and creating began in childhood, influenced by her mother's accumulation of eclectic items. While her minimalist father preferred these objects to be hidden, Wood's home openly displays her collections, which she views as a material record of her life's experiences, travels, and relationships. Living surrounded by pieces from friends and fellow makers provides her with comfort and connection, especially during times of isolation. #BethanLauraWood #HomeDesign #InteriorDesign #ColorfulInteriors #ArtDeco #DesignerHome #ContemporaryDesign #LondonDesign #ArtisticLiving

Amy Mitchell, a New Hampshire-based interior designer and owner of Home Glow Design, discusses her unconventional path into the design industry and her unique business approach centered around the concept of a 'forever home.' Initially pursuing a career as an opera singer, Mitchell transitioned through PR and marketing before discovering her passion for interior design, inspired by her childhood home's emphasis on quality and lasting design. Her parents, despite a blue-collar budget, invested in well-made furniture, instilling in her a belief that one's environment significantly impacts emotional well-being and that thoughtful purchases should endure. Mitchell's personal journey of decorating her own 'forever home' in New Hampshire highlighted a gap in the market: clients who desire quality and character in their interiors but aren't looking to spend exorbitant amounts or engage in frequent, trendy makeovers. She observed that many homeowners, particularly those in their 30s and 40s in her region, become disillusioned with disposable furniture as their families grow. These clients are ready to invest wisely but often lack the guidance to create cohesive, high-quality spaces. This realization led her to establish Home Glow Design, catering to this mid-priced market segment. Her services are designed to help clients make informed, long-term decisions about their homes. One notable offering is the 'Forever Home Road Map,' an online consultation service. This program helps clients align their personal style with their home's architectural style, especially when the two might seem disparate. It also addresses budget constraints by assisting clients in prioritizing spaces and creating a multi-year spending plan to achieve their design goals without feeling overwhelmed. This approach reflects Mitchell's own experience of renovating her home room by room over several years, guided by a clear vision. The Road Map aims to provide clients with a solid foundation and initial ideas for their priority spaces, enabling them to confidently tackle subsequent rooms. Mitchell also offers 'Forever Room Design Master Plans,' which she describes as a more personalized version of e-design, moving beyond the 'cookie-cutter' aesthetic often associated with such services. She emphasizes sourcing from a diverse range of suppliers, including trade brands and online resources, and provides detailed presentations and source lists. For clients who prefer hands-on project management, this service offers comprehensive guidance. For those seeking a fully managed experience, her 'Full-Service Design' option handles all aspects of a project. Operating in a rural New Hampshire setting presents unique challenges, such as limited access to design centers and manufacturer representatives. Mitchell compensates for this by relying on self-education, networking with metropolitan designers, and her blog, 'The Saturday Blog.' The blog, which she consistently updated for four years, has been instrumental in establishing her authority, sharing tips on investing in quality, and fostering a 'forever mentality' among readers. She uses it to address common homeowner dilemmas, such as updating knotty pine paneling without erasing a home's history, encouraging readers to balance personal style with architectural integrity. Mitchell also navigates the local 'Yankee frugality' mindset, where people often prioritize cost-saving over quality or aesthetic appeal. She combats this by emphasizing the long-term value of investing in durable, well-designed pieces and the positive impact a thoughtfully curated home has on emotional well-being. She advises clients to overcome 'money guilt' associated with discarding old, unloved items, viewing such decisions as sunk costs that free them to create a home they truly enjoy. Her pricing model, involving an hourly rate and a markup on products, is explained as a way to provide clients with high-quality results within their budget, while also covering the inherent risks and administrative efforts involved in sourcing and managing design elements. She reflects on her personal growth, prioritizing her family life and client satisfaction over an endless pursuit of more credentials or industry accolades, finding contentment in helping clients create homes they love. #InteriorDesign #HomeGlowDesign #ForeverHome #NewHampshireDesign #DesignBusiness #Edesign #HomeRenovation #YankeeFrugality

The article details a significant renovation project undertaken by Jade Timmerman of JNT Interiors in a historic Hyde Park bungalow. The project aimed to blend the home's original character and heritage with modern living requirements for a young, active family of five. Initiated in 2019 and completed for a 2022 move-in, the renovation expanded the living space from 2,500 square feet to 5,200 square feet. The expanded home now features two stories, five bedrooms, five and a half bathrooms, and a two-car garage, accommodating the family's needs while also providing space for cherished family heirlooms. Timmerman's design philosophy for this project was heavily inspired by Southern homes, aiming to imbue the space with a sense of warmth, richness, family, and togetherness. A key aspect of her approach was ensuring cohesion throughout the home, where each room possesses unique elements and a distinct feeling, yet all contribute to an aligned and harmonious overall design as one navigates through the spaces. Several specific design elements and areas of the home are highlighted. The original fireplace was refinished in Benjamin Moore’s Stormy Monday, complemented by a Nero Marquina marble hearth and a custom-made Rowe loveseat upholstered in charcoal performance velvet. An inviting sunroom features an outdoor fireplace with black herringbone tile, vibrant blue and green accents, cozy faux wicker chairs, and an outdoor-friendly dining table, ideal for evening relaxation. The bar area showcases custom-painted inset cabinetry paired with walnut wood hardware, adding a warm touch to the space. For the laundry room, Timmerman selected Moroccan-style zellige tile in a checkerboard pattern with inset stars. The unique nature of zellige tile, being hand-cut and hand-glazed, ensures that no two tiles are identical, contributing to the room's distinctive character. The master bathroom is another example of Timmerman's ability to harmonize old and new elements, featuring an ornate marble mosaic floor, a crystal chandelier, a Waterworks bathtub, and custom white oak cabinets. Beyond the interior, the property includes an outdoor area designed for entertainment. A large backyard in Hyde Park, a desirable commodity, was brought to life with a pool and hot tub designed by Landmark Pools. This outdoor oasis also includes a well-appointed outdoor kitchen and bar area, catering to outdoor cooking and entertaining. The comprehensive design and expansion transformed the historic bungalow into a spacious, functional, and aesthetically cohesive 'forever family home' that respects its historical roots while embracing modern comfort and style. #HydePark #HomeDesign #InteriorDesign #HistoricRenovation #SouthernHomes #LuxuryInteriors #JNTInteriors #CustomHome #FamilyHome

Interior designer Ariella Duker embarked on a personal journey to create her dream home in Amenia, New York, after years of designing spaces for clients while living in a series of Manhattan rentals. Her venture into homeownership began eight years ago when she was captivated by the scenic beauty of Wethersfield Garden in Amenia. This discovery prompted her to research local properties, leading to the purchase of a 10.5-acre rocky and overgrown parcel of land in 2013. Duker's initial plan was to build her house from the ground up, a process she admits was filled with unforeseen challenges. She faced obstacles such as blasting through solid rock and encountering black bears, which served as a crash course in country living. Drawing inspiration from the symmetry and formality of European country homes, Duker collaborated with Sloan Architects in Millbrook. The final design of her dream home features a pared-down, more modern profile, better suited for the upstate New York climate and its practical needs. The main residence spans over 3,400 square feet, including a kitchen, living room, dining room, study, guest room/home office, mudroom, and powder room on the first floor. The second floor houses a primary suite, two additional bedrooms, two bathrooms, and a laundry area. Complementing the main house, Duker also added a pool, a 425-square-foot pool house, and a detached garage. Initially, Duker acted as her own general contractor, managing permits and subcontractors. However, she eventually enlisted the help of R.A. Nilsen Construction in Millbrook to get the project back on track. Once construction was complete, Duker focused on furnishing her home with a blend of antique finds from local shops and the renowned Brimfield Flea Market in Massachusetts. Her design aesthetic, characterized by warm whites and greiges, provided a consistent and elegant backdrop for these curated pieces, and also proved advantageous given pandemic-related supply chain issues. The interior spaces reflect Duker's personal style and practical considerations. The living room, designed for intimacy, features swivel chairs to encourage interaction and French doors that expand the space onto a porch during warmer months. Ombre drapes in the living room visually connect to the horizon. Her foyer is bathed in natural light through a glass front door, with neutral walls and pale wood accentuating classic molding. The dining room houses a vintage Swedish extension table with Savonarola chairs, which Duker restored with durable indoor/outdoor fabric. The crisp kitchen, designed and built by DeVol Kitchens, features English-made cabinetry and hardware, highlighting Duker's preference for functional elegance. A notable and cozy spot in the house is a velvet chaise, a sentimental piece that has accompanied Duker throughout her career, now serving as a favored resting place for her friends' dogs and her foster pups. Duker regards her home as a personal design laboratory, a space where she could finally express her full creativity, unlike her previous rental experiences in New York City. The completed home not only embodies her design philosophy but also radiates a positive energy, built on the support and camaraderie of friends and collaborators. It serves as a perfect setting for her to reciprocate the hospitality she has received over the years. Duker's team for the project included R.A. Nilsen Construction, Sloan Architects, Louis Fusco Landscape Architects, and Northwest Lawn and Landscaping, as well as Domenick Lopane Landscaping. #InteriorDesign #HomeOwnership #HudsonValley #Amenia #CustomHome #ArchitecturalDesign #Antiques #RenovationJourney

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

The article describes the transformation of a 24th-floor penthouse at the Alagon on Bayshore, spearheaded by luxury designer Rob Bowen. The design approach, termed “high gloss meets high fashion,” draws inspiration from fashion houses, Parisian salons, and cinematic interiors. The four-bedroom, 4.5-bath residence is conceived to function as both a comfortable family home and an impressive venue for entertaining. The design incorporates panoramic views of Tampa Bay from the primary suite and salon, utilizing minimal drapery and strategic lighting to blend the exterior with the interior. The foundational aesthetic of the penthouse is a high-contrast black and white palette, which is then overlaid with vibrant jewel tones such as magenta, eggplant, and emerald, along with gold accents to introduce dramatic flair. A significant technical hurdle during the project involved applying black lacquer on a large scale, a process where even minor imperfections could compromise the intended smooth finish. The interior features custom lighting fixtures by Gabriel Scott and Lindsay Adelman, which serve a dual purpose as functional lighting and sculptural art pieces. Textural depth and visual interest are achieved through various elements, including flocked houndstooth wallcovering, shimmering Lucite panels, woven metal drapery in the salon, and glass bead wallpaper with a gold-leaf overlay. Among the various meticulously designed spaces, the rotunda stands out as Bowen's personal favorite, characterized by its dramatic architectural presence, custom marble floors, and glossy black walls. Despite the opulent design elements, a key objective was to create a home that authentically reflects the clients' personalities while maintaining both livability and a visually unforgettable atmosphere. Specific areas of the penthouse are detailed further. The kitchen features a black and white scheme with bronze accents on columns and backsplashes, complemented by white cabinets from T2theS Design + Build. A handmade Gabriel Scott chandelier, an eggplant Minotti sofa, and kitchen stools upholstered in a kelly-green crocodile pattern add distinctive touches. In the dining room, an acrylic room divider by T2theS, designed to mimic waves, helps minimize visual distractions. This space is furnished with magenta Kyle Bunting Hide-upholstered chairs surrounding a Baxter table, all illuminated by a Lindsay Adelman chandelier. The salon offers stunning waterfront views framed by woven metal curtains, featuring a gold leather and black velvet Holly Hunt sofa, a Gabriel Scott chandelier, and a custom Kyle Bunting rug. The black, white, and gold theme extends into the primary bathroom, which boasts SICIS mosaic flooring and a custom T2theS makeup vanity with bronze and crystal hardware. The his-and-hers closets in the primary bedroom showcase French white oak flooring, stained black and sealed. His closet includes black lacquer drawers and hide wallcovering, while hers features a Maya Romanoff glass-beaded wallcovering with gold leaf accents. The primary bedroom itself incorporates the same beaded and gold leaf wallcovering, an upholstered faux-chinchilla headboard, a Bernhardt bed, a Mongolian lamb rug, and two Bernhardt nightstands, all contributing to the cohesive and luxurious design narrative. #HomeDesign #InteriorDesign #LuxuryInteriors #RobBowenDesign #PenthouseDesign #TampaBay #HighFashionInteriors #CustomLighting #TexturalDesign

The Brooklyn town house belonging to actor David Harbour and singer-actor Lily Allen is a vibrant and unconventional space, designed in collaboration with AD100 designer Billy Cotton and architect Ben Bischoff of MADE. The home, described as a "familial fantasyland of daring beauty and individual connoisseurial vision," stands in stark contrast to the prevailing trend of minimalist, neutral aesthetics. Its interiors feature a dynamic mix of chintz balloon shades, crystal chandeliers, pink silk, tiger-patterned textiles, and Mylar wallpaper, reflecting Allen's bold, eclectic, and fun personal taste, as noted by both Cotton and Harbour. The project began with the renovation of a late-19th-century Italianate brownstone in Brooklyn’s Carroll Gardens neighborhood. Architect Ben Bischoff recalls the house's initial deteriorated state and the subsequent discovery of original moldings and doors beneath layers of past renovations. The couple sought to preserve the historical character while creating a casual, family-friendly environment, rejecting overt formality. Billy Cotton presented three design directions: traditional English, modern Brooklyn town house, and a layered Italian style, which the couple embraced due to the neighborhood's Italian-American history and Allen's desire for something "weird and wonderful." The layout of the house also deviates from typical conventions. The second level features a primary bath-cum-sitting room, adorned with wall-to-wall floral carpet, Zuber wallpaper, and sink stands fashioned from Louis XVI–style commodes. This eclectic design prioritizes the owners' preferences over traditional resale value concerns, as highlighted by Allen. The primary bedroom, uniquely situated as a windowless chamber between the main bath and dressing rooms, further exemplifies the personalized approach to the home's design. On the piano nobile, the kitchen and dining area are positioned at the front of the house, immediately accessible from the street, signifying its role as the home's central gathering space. Conversely, the living/garden room, featuring a double-sided sofa in emerald velvet, is located at the rear. The lower-level media room, devoid of original 19th-century details, adopts a crisp, contemporary interior with a glamorous, Madeleine Castaing-inspired aesthetic, showcasing matching tiger-patterned carpet and sofa against high-gloss, creamy-white walls. This design choice, according to Cotton, is a reflection of Allen’s captivating presence and her aversion to conventional living spaces. David Harbour, a self-proclaimed "suburban boy" accustomed to a more conventional aesthetic, expresses admiration for his wife's distinctive vision and willingness to take design risks. Despite the unconventional style, which their children playfully refer to as the "clown house," the home embodies a deeply personal and creatively executed living environment that perfectly suits the family's unique preferences. The collaboration between the homeowners, designer, and architect resulted in a unique and character-filled Brooklyn residence. #HomeDesign #InteriorDesign #CelebrityHomes #BrooklynRealEstate #EclecticDecor #RenovationProject #ArchitecturalStyle #LuxuryInteriors

The Tower Residence 34, located at 111 West 57th Street in Manhattan, features interiors designed by Kelly Behun. This residence spans 4,500 square feet across three bedrooms and three and a half bathrooms, offering views of Central Park. The building itself is a combination of the landmarked 1925 Steinway Hall by Warren and Wetmore and a new tower addition by SHoP Architects. Kelly Behun, founder of her studio in 2001, aimed to integrate fine art and architecture within the apartment. She describes the apartment's location as central to Manhattan, creating a sense of the city unfolding in all directions. This perspective influenced her design choices, such as a custom chandelier in the living room that reflects the neighboring gilded roof, green silk velvet on the sofa that complements the park's trees, and dusty lavenders and grays that evoke the sky and skyline. Behun either custom-designed or carefully curated every element in the residence. For the art collection, she collaborated with advisor Valerie Cueto, selecting works by artists such as Phoebe Washburn, Gonzalo Lebrija, Manolo Valdes, and Alexander Calder. The design approach emphasizes a blend of modern luxury with classic old-world details, alongside contemporary art and design elements. The entry area of the apartment features clear views to both the north and south. A vintage Karabagh Runner is layered over a floor made of white macauba. The Great Room includes custom seating designed by Kelly Behun, notably a pair of armchairs crafted from linen, suede, and lacquered oak, developed in partnership with Narciso Rodriguez. A painting by Chris Ofili is displayed in the home office, which is furnished with a handcrafted Throne Chair by Mauro Varotti. This chair is flanked by ebonized oak and lacquer bookshelves designed by Matt Castilleja. The Great Room's dining area is adorned with Ted Lawson’s 2020 artwork, made from MDF, stainless steel, and lacquer, positioned above a mohair dining banquette. The cersued oak dining table and chairs are custom designs by Kelly Behun Studios. A c. 1968 chair and ottoman by Olivier Mourgue are also present. The primary bedroom contains a custom bed made of white oak, upholstered in ivory velvet with tambour detailing, and features two Kassandra Thatcher table lamps. In the secondary bedroom, brass and ceramic table lamps by Kelly Behun Studio for Hudson Valley Lighting, with linen shades, illuminate a hand-painted wallpaper on Japanese paper. The kitchen showcases custom chateau gray oak cabinets, stepped crystallo white quartzite countertops and backsplash, and Gaggenau appliances. A blown-glass, ash, and cherry chandelier by Jérôme Pereira hangs above Matt Castilleja’s custom solid rift-sawn white oak dining table. The primary bathroom features a custom polished-nickel bathtub, designed by Studio Sofield and crafted by William Holland, with bronze fittings hand-cast by P.E. Guerin. The bathroom walls and radiant-heated floors are made of veined white onyx. #ManhattanApartment #LuxuryInteriors #KellyBehun #ModernArt #InteriorDesign #CentralParkViews #CustomFurnishings #StudioSofield

This article offers an exclusive look into the residences of several prominent 'Grey's Anatomy' cast members, showcasing their diverse and often luxurious personal spaces. It highlights how these celebrities have curated their homes to reflect their individual tastes and lifestyles, spanning various architectural styles and geographic locations from Los Angeles to Utah and even Perth. Ellen Pompeo, known for her role as Meredith Grey, resides in a Mediterranean-style villa in Los Feliz, Los Angeles, with her husband Chris Ivery and their three children. Her home features an outdoor kitchen equipped with a pizza oven, a chicken coop, and a swimming pool. The interior boasts a kitchen with a La Cornue range, black cabinets, a Carrara-marble backsplash, and a custom-made pot rack by Bullard, as detailed in Architectural Digest. Abigail Spencer, who played Megan Hunt, lives in a Spanish Colonial home in Los Angeles. She emphasizes the need for order in her living space to balance the creative chaos of her work. Her dining room includes a large wooden table and rattan-style chairs, adorned with a cream carpet and vibrant floral accents. Her bedroom is characterized by white walls and natural wooden elements, such as a bedside table, blinds, and a dream catcher. Kate Walsh, formerly Addison Montgomery, made a significant move to Perth, Australia, in March 2020. Her Perth home is described as bright and airy, featuring wooden floorboards and white walls, complemented by a heart print in the hallway. Her bedroom includes a white chair by balcony doors, a grey sheepskin rug, and a rabbit sculpture by Hunt Slonem. Her living room, seen with a cream sofa and drinks trolley, provides a cozy setting for relaxation. Patrick Dempsey, known as Derek Shepherd, resides in Malibu with his wife Jillian and their three children. Their home, designed by Frank Gehry and acquired in 2015, underwent a transformation to become a family-friendly estate. The five-acre grounds, designed by landscape architect Scott Shrader, feature a flat lawn for sports, an outdoor kitchen with a pizza oven, and enclosures for various animals, including chickens, miniature donkeys, goats, pigs, and a tortoise. Richard Flood, who portrayed Dr. Cormac Hayes, divides his time between Milan and Los Angeles. His LA home reveals a bedroom with a wooden headboard and matching side tables, accented by a gold painting. His living room features a prominent brick fireplace, which was festively decorated for Christmas with snowflakes, baubles, and stockings. Katherine Heigl, formerly Izzie Stevens, relocated to Utah in 2010 with her husband Josh Kelley and their children, seeking a more tranquil lifestyle. Her property offers extensive views, a barn, and a swimming pool. The living room is notable for its abundance of windows, a large pink corner sofa, a glass coffee table, and a white rug, with bookshelves displaying personal ornaments. Her kitchen has white cabinets with wooden handles, leading into a living area with cream chairs. Her bedroom is painted a soft green, featuring a cream headboard and a wooden bedside table. TR Knight, known as George O'Malley, has shared glimpses of his rustic home interior on social media, characterized by leather and wooden accents. His living room includes a brown leather armchair with a red framed artwork, and his garden features wooden decking used for growing strawberries in plant pots. The article provides a comprehensive overview of the design choices and personal touches that make each of these celebrity homes unique and inviting. #CelebrityHomes #HomeDecor #InteriorDesign #ArchitecturalStyle #LuxuryRealEstate #EllenPompeo #PatrickDempsey #KatherineHeigl

A new book titled “Design in the Hamptons,” authored by architectural publisher and art critic Anthony Iannacci, challenges the conventional perceptions of Hamptons estates by showcasing 19 private homes designed by prominent New York architects and interior designers. Set to be released on September 9, this publication delves into residences that defy the typical mega-mansion aesthetic, including a small cottage featuring impressive gardens. Iannacci highlights that the selected homes continue a tradition of talented New York designers creating retreats in the Hamptons that offer a contrast to urban life in Manhattan. He describes this new wave of design as a “treasure trove of residential design,” emphasizing its respect for the Hamptons' renowned landscape. The timing of the book is noted as opportune, coinciding with a significant building boom, allowing it to present contemporary design concepts. Iannacci, who grew up visiting his family's beach cottage in Southampton, stresses that there isn't a single approach to how these homes facilitate living. The author observes a cultural evolution in the design, construction, and furnishing of Hamptons homes, marked by a renewed interest in modernist structures that incorporate traditional elements. He suggests that the pursuit of an authentic Hamptons experience is a personal journey for each homeowner. This approach often translates into living room layouts designed for intimate conversations or strategically placed picture windows framing specific natural features, moving away from generic or mass-produced design. Among the featured properties is the cottage belonging to designers Tony Ingrao and Randy Kemper. This home, originally part of the historic Lorenzo and Mary Woodhouse estate, was a carriage house. Upon acquiring the property in 2005, Ingrao and Kemper meticulously recreated the estate's legendary gardens, which had been lost. Despite the cottage's modest size, its expansive and lavish gardens now rival botanical institutions. The designers enhanced the former garage structure with elements like old barn beams and plaster walls, making the garden central to their design vision. They had previously sold a home in Montauk due to its unsuitable conditions for gardening, underscoring their commitment to cultivating the Hamptons property. Their walled-in garden, complete with antique brick walls and a fountain, serves as their primary outdoor living area during the summer, complemented by an adjacent shed used as an outdoor dining room. The pool is also intentionally surrounded by lush plantings to prevent it from dominating the landscape. In stark contrast, the book also features Todd and Lauren Merrill’s modern 1986 home in the Shinnecock Hills of Southampton. Merrill, a designer and antiques dealer, restored the Charles Gwathmey- and Horace Gifford-inspired house to its original, clean lines. He recounted that the house, when purchased two years prior, had been altered with '80s-style decor, including a curved tile backsplash and large murals, which he systematically removed to reveal the underlying architectural integrity. The 9,000-square-foot residence, though structurally sound, had its design diminished by superfluous elements like extra trim and moldings, which Merrill stripped away. Today, the home functions as a “design lab” for Merrill’s collection of mid-century and modern classic furniture, offering ample space and light for displaying his pieces. Architect Russell Groves, currently renovating his own 1970s ranch house in East Hampton, emphasizes the challenge of maintaining simplicity in the often-extravagant Hamptons. For a client’s six-bedroom shingled East Hampton retreat, Groves aimed to maintain the scale reminiscent of 19th-century homes, incorporating modern art and vintage accessories with classic details like wainscoting and wood banisters. Interior designer Suzanne Shaker collaborated with architect Cary Tamarkin on his Shelter Island family residence, constructed from old-growth cypress. The living room features Noguchi Akari pendants and a custom platform sofa, designed to maximize sea views, with clerestory windows operated by customized sailboat cranks. Shaker notes the quieter, less developed nature of Shelter Island compared to the Hamptons, informing their design’s focus on preserving and appreciating nature. Finally, the husband-and-wife design team Robin Standefer and Stephen Alesch of Roman and Williams transformed a 1970s suburban ranch in Montauk into what they call an “unfinished summer camp.” Their approach involved revealing the structure's bones by removing asbestos paneling and sheetrock, exposing wires, conduits, and ducts, and replacing sheetrock with tambour wood. These design choices have influenced their commercial projects, such as the café at Facebook’s headquarters and the Standard High Line hotel. The overall message conveyed by the book is that the ideal Hamptons escape is defined by personal happiness and authenticity, rather than size or adherence to fleeting trends. #HamptonsDesign #ArchitecturalDesign #InteriorDesign #ModernistHomes #LuxuryRealEstate #GardenDesign #CoastalLiving #DesignBook #NewYorkDesigners