Nate Berkus on the New Age of Interior Design

The article discusses designer Nate Berkus' recent bedroom project, highlighting his successful integration of contemporary and vintage elements to create a rustic modern aesthetic. Berkus is known for his ability to blend pieces from different eras and styles, making them feel harmonious and artfully considered, even in new constructions. This particular bedroom design showcases his mastery of this approach, emphasizing a refreshing simplicity that belies thoughtful curation. The core of Berkus' design philosophy, as demonstrated in this project, revolves around a neutral color palette and a minimalist approach to furnishings. Despite the apparent simplicity, the design incorporates meaningful vintage pieces that contribute a sense of luxury and history. Notable examples include a vintage-style flush mount light and a shabby-chic wooden wardrobe. The light fixture evokes the thoughtful interiors of the 19th and 20th centuries, suggesting a curated selection rather than mass-produced items. The wardrobe, with its intricate carvings and worn wood, serves as a timeless, functional element that has evidently endured over time. Berkus further enriches the vintage appeal by adding a three-tiered floor lamp, which appears to be mid-century in style. This demonstrates his willingness to mix various vintage aesthetics, preventing the space from feeling too uniform or period-specific. The lamp, crafted from gold metal and wrapped in leather, introduces warmth and a sense of luxury, effectively contrasting with the rustic charm of the wardrobe and the elegant simplicity of the overhead light. A key aspect of Berkus' talent lies in his ability to balance these vintage touches with modern design elements. The bedroom features an angular chair, a contemporary interpretation of a mid-century form, juxtaposed with a stark marble pedestal. The marble piece adds an organic luxury, showcasing how materials and forms can bridge different design eras. The success of this eclectic mix is attributed to Berkus' meticulous consideration of color, texture, and pattern, which ensures a fluid and modern feel throughout the bedroom, despite the stylistic contrasts. To complete the design, Berkus incorporates elements that introduce softness and align with the modern organic trend. This includes a plush, neutral-toned carpet, subdued gray curtains, and organic linen bedding. These textures soften the overall aesthetic and add comfort. A particularly bold and characteristic design choice, noted as typical of Berkus' style, is the framing of the bedroom's entrance with custom-made leather doors, accented with gold to tie into the luxurious details within the room. This project serves as a masterclass in combining diverse pieces to achieve a cohesive and inviting space that feels both rustic and modern.

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The article details Nate Berkus's recent design project for clients on the Upper East Side of New York City, who specifically requested a home reminiscent of his former West Village townhouse, which he famously renovated with his husband, Jeremiah Brent, in 2020. The clients, who split their time between Los Angeles and New York, were drawn to Berkus and Brent's personal style and a similar architectural aesthetic, as both townhouses were built in 1899. Berkus acknowledged the flattery but was careful to avoid directly replicating his and Brent's shared design, ensuring sensitivity to his husband’s original contributions. However, many elements from his former home, such as certain finishes, wallcoverings, and a notable double-height white oak bookshelf, were adapted for the new project. The renovation focused on creating a comfortable, timeless family home. Key design choices included retaining the overall layout of the home to save costs, particularly in plumbing and electrical work. Original architectural features like banisters, hardware, windows, shutters, and marble fireplaces were meticulously restored. The staircase, for instance, was repainted and fitted with a stair runner to conceal wear, maintaining its historical integrity while being cost-effective. The living room features new white oak flooring and a 19th-century French chaise, positioned to connect the homeowners with the city's activity. Vintage French iron sconces and grasscloth-covered walls add texture and warmth to the family room, with a custom-made sofa accommodating the unique space. In the kitchen, the original layout, cabinets, range, and refrigerator were kept, but finishes and other appliances were updated. Cabinets were repainted, and the island was enlarged, making it suitable for large family gatherings. A distinctive Italian stone with a notched edge was incorporated as a key feature. The dining area includes a custom banquette and a natural oak table, complemented by vintage chairs and a ceiling light sourced from 1stdibs, creating an eclectic yet cohesive space. The primary bedroom features an antique tapestry, found on LiveAuctioneers and customized to fit behind the headboard, offering a timeless alternative to a direct replication of Berkus’s own scenic wallpaper. A cherished family chandelier from the clients' parents' home found a new place above their bed, symbolizing a new chapter for them. The primary bathroom underwent a significant transformation, with space reallocated from the home office to create an en-suite with a double vanity, separate WC, soaking tub, and stand-up shower. Berkus chose classic, enduring finishes, such as white oak floors, marble moldings, and a freestanding black enamel tub. The home office retained its original architectural details, which were carefully restored and integrated into the room's design, including a bookcase from 1stdibs, existing sconces, a mirror from Lorfords Antiques, and wallcovering from Holland & Sherry. The home office bathroom, painted in Benjamin Moore’s Great Barrington Green, features a mirror from 1stdibs and a Nero Marquina marble countertop, reflecting the homeowners’ desire for warm, handsome spaces over stark white walls. #InteriorDesign #NateBerkus #HomeRenovation #LuxuryHomes #NewYorkCity #HouseTour #ArchitecturalStyle #TimelessDesign #InteriorDecor

The practice of displaying large groupings of art, known as gallery walls, originated in 17th-century France as a way to showcase wealth. While this tradition is not expected to go completely out of style, designers like Nate Berkus suggest that it could benefit from a contemporary update. Berkus, a prominent HGTV designer, has expressed that seeing a full gallery wall in a room can be overwhelming for him, leading his brain to "shut down." However, he clarifies that he does not dislike gallery walls entirely, even describing them as "really charming" in an Instagram post. He appreciates how these collections of photographs and artwork evoke memories and connect to loved ones. Berkus differentiates between personal photographs and general artwork for wall displays. He suggests that family photos are best suited for vintage frames placed on surfaces such as desks, tables, pianos, or fireplace mantels. This approach allows walls to be reserved for more "graphic and a bit less personal" art pieces, such as sculptures or paintings. This distinction helps to curate different types of visual narratives within a home. Regarding the existing artwork from a previously large gallery wall, Berkus advises a shift towards a more curated display. He suggests modernizing gallery walls by arranging art in smaller clusters and unconventional groupings, rather than a single large collection of oversized paintings. For instance, a small piece of art could be hung slightly off-center from a headboard or a living room couch. Another option is creating "gallery clusters" – small groups of paintings or photos strategically placed on side walls, near a home bar, or in the kitchen. These smaller gallery clusters can be organized around specific themes, such as food-related art for the kitchen or pieces by a favorite artist in a meaningful location. Despite their reduced size, these clusters should still adhere to basic decorating principles, such as arranging items in groupings of three. This method of curating art preserves the essence of a gallery wall, even when it is broken down into smaller, more intentional displays. This approach aligns with current decorating trends that favor more personalized and less overwhelming visual arrangements. #NateBerkus #GalleryWalls #HomeDecor #InteriorDesignTrends #ArtDisplay #DecoratingTips #ModernHome #DesignPhilosophy

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

The article presents an interview with renowned interior designer Jeffrey Alan Marks, discussing current trends and shifts in the interior design industry. Marks, known for his California cool aesthetic and television appearances, shares insights from his home in Montecito, detailing how client preferences and the design process have evolved, especially in the wake of recent global changes. Marks observes a significant shift in consumer behavior, noting an unprecedented excitement for summer and a desire for home entertaining. He anticipates a period akin to the Roaring Twenties, where people prioritize creating safe, special, and intimate environments at home. This trend is driving demand for outdoor living spaces, larger barbecue areas, and indoor/outdoor bars, leading to sold-out outdoor furniture from major retailers like Restoration Hardware and Palecek. He emphasizes that the importance of home, particularly outdoor living areas, has become more pronounced, with individuals investing in these spaces to enhance their quality of life. He also highlights the digital transformation impacting the design industry. Online sales for his business have tripled, indicating a strong willingness among consumers to purchase items sight unseen, especially when familiar with the vendor. This digital boom extends to real estate, where properties are sometimes bought without physical visits. Clients are increasingly using digital tools like Instagram boards and Zoom meetings to conceptualize their design ideas, arriving with organized visions of what they want. This increased client involvement, Marks states, does not diminish his role but rather transforms it into a more collaborative guidance process, as clients still require professional expertise for sourcing unique items and navigating complex design decisions. Marks addresses the pervasive influence of large retailers like Restoration Hardware, noting that even affluent clients building multi-million dollar homes often present images from these brands as their desired aesthetic. He relates this phenomenon to the impact of cinematic sets, where curated environments, like Nancy Meyers's kitchens, become aspirational but are often misunderstood as easily replicable. Despite the popularity of these readily available styles, Marks finds his value in guiding clients through the process and adding a unique, curated touch, even when working with commercial products. Regarding art, Marks observes that clients are spending more time and money on collecting meaningful pieces rather than simply filling wall space. There is a growing inclination to wait for the 'right' artwork, reflecting a more thoughtful and personal approach to art acquisition, a trend not seen in other aspects of home decor. Marks expresses a desire for a return to 'preppiness' in home design, moving away from avant-garde or shock-value aesthetics. He advocates for infusing color into homes, describing his own house as red, white, and blue with green accents, and featuring candy-striped curtains. He believes color is crucial for psychological well-being and seeks to create happier, more jovial spaces, contrasting with the popular monochromatic styles seen in brands like Jenni Kayne. Finally, Marks discusses his approach to designing sophisticated beach houses, which diverge from the traditional floppy, shabby aesthetic. His designs incorporate tailoring, structure, and a refined sensibility, often drawing from English influences due to his training in England. He emphasizes the significance of 'the little things' in design—the details that make a lasting impression, such as curtains, antique bowls, or carefully placed potted plants. He strives to include one unexpected surprise in each room, a signature element that makes the space uniquely '#JAMapproved'.

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Vancouver-based interior designer Sophie Burke, founder of Sophie Burke Design, has carved a niche for her understated yet sophisticated approach to both residential and commercial projects. Her distinctive style and client-centric methodology have earned her national recognition within Canada. Burke's design philosophy emphasizes creating spaces that authentically reflect the personalities and lifestyles of their inhabitants, eschewing generic trends in favor of bespoke, intimate environments. Burke's design journey began in Vancouver, where she studied art history at the University of British Columbia, followed by interior design studies in London, England. This international experience, particularly her initial role with Sir Terence Conran at Conran and Partners, exposed her to a rich tapestry of design influences, including European aesthetics and Scandinavian styles, alongside a blend of modern and historical architecture. This diverse background significantly shaped her approach, enabling her to draw from a broad spectrum of design elements. Upon returning to Vancouver, Burke established her own studio, concurrently managing her burgeoning career with raising three children. A hallmark of her work is the profound attention she dedicates to understanding her clients. She views each project as a collaborative journey, often spanning two to four years, during which she delves deeply into clients' hobbies, passions, daily routines, and functional needs. This meticulous process ensures that the resulting interiors are not only aesthetically pleasing but also highly functional and deeply personal, avoiding repetitive or formulaic designs. Burke notes that the year 2020 saw a significant shift in interior design priorities, partly due to global circumstances that encouraged more time spent at home. This led to an increased investment in home renovations and a heightened demand for spaces that offer comfort and appeal. Key areas of focus for clients included dedicated home offices, serene bedrooms, and personal wellness spaces, such as areas for practicing yoga, indicating a move towards creating functional and calming environments within the home. A prominent trend observed by Burke is the growing preference for natural materials, textures, and organic elements. This trend reflects a desire to foster a connection with the natural world, especially as individuals spend more time indoors. She anticipates a rise in the use of green hues, specifically mossy, forest-like tones, in 2021, further emphasizing this connection to nature. Additionally, disruptions in global supply chains have inadvertently spurred a positive development: a greater emphasis on sourcing local design and products. Burke highlights several Canadian companies and florists, such as Provide Home, Barter Design, Lock and Mortice, Marmalade, The Wild Bunch, and Quince, as exemplary local businesses contributing thoughtful and beautiful products to the design landscape. #InteriorDesign #HomeDecor #SophieBurkeDesign #VancouverDesigner #DesignTrends #PersonalizedInteriors #NaturalMaterials #LocalDesign #PostPandemicDesign

The article discusses how interior designer Nate Berkus successfully integrated chicken wire-fronted cabinets into a modern organic kitchen, challenging the perception that this design element is outdated and reserved for overly rustic or old-fashioned spaces. The author initially considered chicken wire cabinets to be a detail that makes a kitchen look dated, associating them with country or fussy aesthetics. However, Berkus's latest New York City townhouse project demonstrates that with the right design choices, this traditional feature can appear chic and contemporary. The kitchen designed by Berkus features warm white Shaker cabinets, complemented by a marble countertop and backsplash with gray and amber tones. This foundation creates a timeless and elegant backdrop. The introduction of chicken wire-fronted cabinet doors, which might typically be seen as a dated element, is presented as a surprising and effective design choice. Unlike glass-fronted cabinets that often lean towards a traditional look, the wire alternative adds an industrial touch, making it suitable for a modern or transitional kitchen. The functionality of these cabinets is also highlighted. They provide breathing space to an otherwise continuous run of upper cabinets, offering an opportunity to display beautiful kitchenware without sacrificing storage. The success of this design relies heavily on how items are displayed within the cabinets. Berkus curated the contents with organic materials like wood and terracotta, and maintained a minimal color palette of white bowls and clear glassware, which allows the intricate wire pattern to stand out. A subtle yet crucial detail contributing to the harmony of the design is the repetition of a circular motif throughout the kitchen. This is evident in the cabinet hardware and kitchen countertop decor, creating visual continuity that ties the chicken wire detail into the overall scheme. This thoughtful integration prevents the wire from feeling out of place or clichéd. The article emphasizes that the key to modernizing chicken wire cabinets lies in a balanced mix of materials and a strategic application. Using chicken wire on every cupboard would likely result in an overwhelming and excessively farmhouse aesthetic. Instead, Berkus's approach showcases a refined and intentional use of the element, making it an elevated detail rather than a dated one. The author concludes by acknowledging that while chicken wire-fronted cabinets might not be a top trend for 2025, Berkus's design makes a compelling case for their potential resurgence in kitchen trends for 2026 and beyond, suggesting they can turn heads when executed thoughtfully. #NateBerkus #KitchenDesign #CabinetryTrends #InteriorDesign #ModernOrganic #HomeDecor #KitchenTrends #RusticChic

The article presents an interview with Cliff Fong, founder of Matt Blacke Inc., who discusses the evolving landscape of interior design, client behaviors, and his personal philosophy on style and living. Fong, known for his ability to blend high-end pieces with more accessible items, began his career in fashion before transitioning to interiors. His notable clients include Ryan Murphy and Ellen DeGeneres. Fong observes a significant shift in client behavior, particularly amplified by the pandemic. Many urban dwellers are acquiring properties in more remote locations, such as Wyoming, Maine, and North Carolina, often without prior physical visits. This trend reflects a desire to escape conventional urban life and pursue experiential environments or reconnect with their roots in smaller towns. Clients are increasingly using their second or third homes to create meaningful experiences for their families, demonstrating a growing sense of goodwill and generosity in how they approach their living spaces. Another key theme Fong highlights is the increasing appreciation for nature as a luxury. With growing awareness of climate change, access to and enjoyment of nature are becoming more exclusive. Fong, who draws inspiration from the architectural and sculptural qualities of nature, notes that clients are now seeking his expertise not only for interior spaces but also for designing and defining their outdoor living areas, recognizing that life extends beyond the indoors. The interview delves into Fong's long-standing professional relationship and friendship with Ellen DeGeneres. He describes her approach to moving and redesigning homes as a hobby, driven by a deep love for design rather than financial investment. Fong emphasizes that DeGeneres focuses on creating beauty and reimagining properties, treating each project as an opportunity to transform a space. This perspective underscores a client mindset that prioritizes aesthetic fulfillment and personal enjoyment over purely monetary gains. Fong also addresses the challenges of financial freedom in a consumerist society. He notes that clients with significant wealth often accumulate possessions without critical consideration, leading to a feeling of being overwhelmed by their belongings. This behavior, facilitated by the ease of online shopping, can bypass the essential questions of necessity, desire, and meaningfulness. Fong suggests that the ability to acquire things instantly can sometimes detract from a thoughtful connection to one's possessions. The discussion then shifts to Fong's passion for discovery, particularly through flea markets, which he missed during the pandemic. He describes himself as a "scavenger at heart," valuing the process of finding unique items. He differentiates this sense of discovery from the experience of more established clients, for whom design might be a routine aspect of their multi-property lifestyles. This highlights the varying levels of engagement and personal connection clients have with the design process. Fong elaborates on his "high/low" approach to style, which he applies to both fashion and interior design. He views fashion at its highest level as an art form and a means of communication, where self-knowledge dictates personal expression. He advocates for mixing high-end pieces with vintage finds and everyday items, such as a Prada garment with Gap chinos, to create a fresh and unique look. This philosophy extends to his interior design work, where his objective is to craft unique and personal spaces that communicate the essence of the family living there. Using an analogy of getting dressed, Fong explains his method for "dressing a room." He compares a rug to a pair of jeans, a foundational element upon which other pieces can be built. A refined sofa is akin to a tailored sport coat, while an overstuffed sofa is like a comfy sweater, all interchangeable on the same base. Accessories like pillows, throws, and lamps serve as seasonal accents, allowing a room to be adapted based on mood or time of year. This analogy underscores design as a dynamic, layered, and personal process. Finally, Fong distinguishes between collecting and hoarding, humorously noting that the difference often lies in the zeros in a bank account. He shares his experience working with clients who possess extensive art collections rivaling the value of their real estate. His role involves an editing process to find commonalities between art and furniture, arranging diverse possessions to create a cohesive collection rather than a chaotic accumulation. He appreciates visual stimulation but emphasizes the importance of thoughtful curation to avoid an overwhelming environment.

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This article features an interview with Vance Burke, a prominent interior designer known for his modern aesthetic that occasionally incorporates equestrian themes. Burke, who divides his time between Santa Monica and Palm Springs, has a rich background in design, having studied in New York and Paris and worked for notable firms like Donghia Associates and Parish-Hadley. He also worked for Jed Johnson, where he gained experience with high-profile clients like Mick Jagger and Richard Gere. Burke emphasizes a collaborative approach to design, working closely with both architects and clients to ensure a fun and stress-free process. The designer shares insights into his philosophy, stating that design is a continuous collaboration. He believes in creating a consistent experience, from the landscaping and architecture to the interior upholstery, rugs, and art, ensuring everything feels cohesive and unique. Burke highlights the importance of understanding and prioritizing client happiness, acknowledging that there isn't a single 'right' solution in design but rather multiple valid approaches. When it comes to integrating equestrian elements into modern interiors, Burke suggests starting with foundational elements that possess an earthy, organic integrity, such as reclaimed-wood floors or rough-cut stone. He advocates for juxtaposing these natural textures with sleek modern walls and a high-contrast, dressage-inspired color palette, perhaps using saddle leather, off-white linen, or dark navy and black accents, along with lacquered surfaces. For accessories, his mantra is "fewer, bigger, better," recommending select pieces like a Deborah Butterfield sculpture, a Susan Rothenberg drawing, minimalist black and white photography, or a Tang dynasty horse to continue the equestrian narrative. Burke also notes that equestrian clients are often passionate about their horses, sometimes prioritizing barn aesthetics over their own homes. Burke discusses the influence of fashion on interior design, particularly in color trends. He cites the 1980s equestrian style with its dark, jewel-toned colors like burgundy and emerald, and patterns such as paisley and plaid. He sees both fashion and interior decorating as a process of reinterpreting the past to create something new, combining classic and modern elements. He praises brands like Hermès for their ability to blend these aspects seamlessly. He also recounts a personal, albeit challenging, horse-riding experience during a ride-a-thon in India, where he rode Marwari horses, which ultimately deterred him from further riding. Looking ahead, Burke is venturing into furniture and fabric design, with plans for a new fabric line currently in its preliminary stages. He also humorously shares his "retirement plan." The interview was conducted by Carol Cohen Hodess, editor at large for Equestrian Living magazine, who has worked with Burke on her own homes. The full article originally appeared in "Equestrian Living June/July 2017." #InteriorDesign #EquestrianDesign #VanceBurke #ModernInteriors #DesignPhilosophy #HomeDecor #CollaborativeDesign #FashionInfluence #LuxuryLiving

Nina Takesh, a Los Angeles-based interior designer and founder of Nina Takesh Design, is celebrated for her ability to craft interiors that combine contemporary elegance with a global perspective. Her design approach is deeply influenced by her background as co-founder and former CEO of the luxury baby brand Petit Tresor, as well as her extensive experience designing homes both in the U.S. and internationally. This diverse experience has honed her instincts for balance, proportion, and meticulous detailing, which are evident in her visually striking and highly livable spaces. Takesh describes her signature style as a blend of refinement and warmth, aiming to create environments that envelop inhabitants in a sense of comfort, love, and a touch of mystery. She deliberately avoids cool colors and starkness, favoring warm tones that interact harmoniously to produce an inviting atmosphere. This pursuit of 'mystery' in design leads her to question fully open-concept layouts, which she believes reveal too much of a home’s aesthetic too quickly. Instead, she advocates for designs that incorporate pathways and distinct rooms, guiding visitors through a journey of discovery and maintaining an element of surprise. To achieve this sense of a journey, Takesh often modifies architectural elements like door openings, particularly in ranch-style homes where she might introduce arches to enhance visual interest. She emphasizes the importance of sightlines, ensuring that undesirable views—such as a toilet from a bathroom door—are concealed. A notable example of this technique is her use of a 'disappearing door,' flush with the wall and covered in wallpaper, to seamlessly integrate a powder room into a bar area, preserving the flow and intrigue of the space. Bold silhouettes and sculptural shapes are prominent features in Takesh’s work, inspired by her global travels and observations of intricate details in diverse settings, from Italian ornamental gates to patterns on clothing. She enjoys sourcing unique items from flea markets, which she finds to be rich hunting grounds for inspiration. A consistent design decision across her projects is the use of specific molding profiles, applied in a distinctly European manner, sometimes extending up and over ceilings to elevate a room. She also favors lower paneling in dining rooms to create an enveloping and warm ambiance. Her color palette frequently includes rust tones, often incorporated through mohair and silk fabrics, and natural materials like raffia and sisal for their warm, oatmeal hues. These natural textures are versatile and help to 'ground' high-end rooms, allowing for a juxtaposition of ornate and everyday elements, such as pairing an 18th-century armoire with an IKEA sisal rug. Greens and browns are also staples, chosen for their timeless, calming qualities that evoke nature. Takesh stresses that texture is paramount in her designs, aiming for at least six distinct textures—such as glass, marble, mohair, cashmere, wood, and metal—in a room to prevent flatness and provide variation in sheen. She has increasingly embraced the depth offered by contrasting polished with matte finishes. Takesh observes a growing willingness among clients to experiment with bolder design choices, moving away from past inhibitions. However, she points out a common design mistake: incorrect art placement. She insists that art in living spaces should be hung at eye level when seated on a sofa, rather than too high, to be properly appreciated. For her, true craftsmanship, visible in details like good paint and precise caulking, is what ultimately unifies and perfects a room’s aesthetic. #InteriorDesign #NinaTakesh #DesignPhilosophy #HomeDecor #LuxuryInteriors #TexturalDesign #ColorPalette #ArchitecturalDetails #VintageFurniture

Interior designer Nate Berkus has recently advocated for the inclusion of bouclé fabric in kitchen design, a move that challenges conventional interior decorating norms. Bouclé, traditionally favored for cozy living areas and bedrooms due to its luxurious and soft texture, is now being introduced into a more utilitarian space: the kitchen. Berkus showcased this innovative approach in an Instagram post, featuring two distinct Los Angeles kitchens, both incorporating the same bouclé-upholstered bar stools. The featured stools boast a minimalist design, characterized by sleek black frames complemented by soft gray, bouclé-covered cushioning. This selection marries the refined aesthetic of bouclé with practical kitchen furniture. Melissa Read, Creative Director at Studio Burntwood, highlights the growing popularity of bouclé, noting its inherent femininity, tactile appeal, and its capacity to infuse warmth and softness into any environment. Read also points out the expanding collections of bouclé fabrics from luxury houses, offering a wide array of colors and textures suitable for various upholstery and window dressing applications. Berkus's rationale for integrating bouclé into the kitchen stems from his philosophy of selecting enduring furniture pieces that can adapt to different spaces over time. He emphasizes the longevity and resilience of the stools, a sentiment echoed by Read, who clarifies that bouclé, typically made of wool, is surprisingly hardwearing and durable despite its delicate appearance. This characteristic makes it a viable option for high-traffic areas like the kitchen. The adoption of bouclé in the kitchen aligns with the rising 'quiet luxury' trend, which prioritizes subtle elegance and quality craftsmanship. The fabric's ability to add texture and a sophisticated aesthetic makes it versatile for various furniture types, including headboards, ottomans, and accent armchairs, as suggested by Read. The article encourages readers to consider incorporating bouclé into their home designs, whether in luxury kitchens or more traditional living and bedroom settings. To facilitate this, the article provides examples of bouclé furniture available for purchase, including a CB2 Peg Upholstered Bar Stool, an Anthropologie Brooke Dining Chair, and a CB2 Boucle Ivory White Pouf. These selections demonstrate how bouclé can be integrated into different areas of the home, providing comfort, style, and a touch of modern sophistication, thereby elevating the overall design aesthetic. #NateBerkus #BoucléTrend #KitchenDesign #InteriorDesign #LuxuryFabric #HomeDecor #CelebrityStyle #Furniture #MinimalistKitchen