The Home Front: Talking interior design trends with Sophie Burke

This article compiles a list of modern home design trends that many people find impractical, aesthetically displeasing, or potentially outdated. The trends highlighted cover various aspects of home interiors and exteriors, drawing on community feedback and a Reddit discussion. These disliked trends include the prevalence of small bathtubs, often criticized for their lack of functionality and comfort. One contributor recounts getting stuck in a small tub, likening the experience to a turtle on its back. Another significant concern raised is the diminishing space between newly constructed homes, with setbacks as little as five feet from property lines. This design choice is not only seen as inadequate for privacy but also as a considerable fire hazard, as heat from one burning house can easily cause adjacent homes to combust within a 20-foot radius. This highlights a critical safety issue overlooked in contemporary housing developments. Moving to furniture, the article notes a widespread dissatisfaction with oversized, 'boneless' sofa couches. Critics mention the difficulty in finding traditional pull-out sofa beds, indicating a shift towards less practical and less versatile living room seating options. The term "luxury vinyl tile" is also singled out, with respondents asserting that no such thing truly exists, implying a perceived misrepresentation of material quality. Square or rectangular sinks are deemed problematic due to the difficulty in keeping their corners clean, favoring rounded designs for hygiene and ease of maintenance. Open-concept layouts, while popular, are increasingly viewed negatively, especially in the context of climate change. Concerns are raised about their inefficiency in controlling heat and air distribution, leading to suggestions for the reintroduction of features like transom windows with modern temperature controls. The article also points out the perceived ubiquity and eventual staleness of white quartz kitchen countertops, suggesting they are a fleeting trend. Bathroom designs featuring half shower doors are criticized for causing water to spill and making the bathroom floor wet, prompting questions about their functionality. Other criticized trends include painted brick, which some find visually unappealing, and pot fillers installed over stoves. While seemingly convenient, pot fillers are deemed impractical because they necessitate carrying a heavy pot to the sink for drainage after cooking, effectively adding a step rather than removing one. Zany carpet designs are also mentioned as an undesirable trend. The article touches on painted cabinets, suggesting that while neutral wood tones are timeless, brightly colored or overly yellow painted cabinets will likely fall out of fashion. Distressed-looking furniture is criticized unless it is an authentic antique piece, indicating a preference for genuine character over manufactured wear. Integrated or transparent refrigerators are another trend that draws criticism. Many users find them unsuitable for everyday use, contrasting them with idealized images of perfectly arranged contents often seen in celebrity homes. Finally, the growing trend of excessively large, multi-person showers is called out for being drafty, cold, and challenging to clean, questioning the necessity of such expansive designs for typical households. The article concludes by inviting readers to share their own disliked home design trends. #HomeDesignTrends #InteriorDesign #HousingIssues #KitchenDesign #BathroomDesign #FurnitureTrends #ArchitecturalCritique

Sarah Peake, founder and creative director of Studio Peake, shares insights into her distinctive interior design philosophy, influences, and showcases three notable projects. Peake's journey into interior design began with an interest in textiles and pattern cutting, followed by foundational experience with renowned designers Alidad and Todhunter Earle. These early experiences instilled in her the importance of meticulous detail and the ability to manage large-scale international projects, shaping her holistic approach to design. Peake's design ethos emphasizes the contextual relevance of each interior, steering away from a fixed style. Instead, she advocates for a collaborative vision that integrates her creative input with the client's preferences and the inherent characteristics of the space. Her work often features bold use of color, diverse materials, and patterns, alongside a harmonious blend of contemporary and antique furnishings. A core principle is to ensure the space reflects the client's personality, and she finds creative inspiration when tasked with incorporating existing client possessions or adhering to specific color constraints, believing that such limitations can foster artistic innovation. Inspiration for Peake is drawn from a myriad of sources, including clients, the architectural context, historical periods, and even natural landscapes. She maintains an extensive library of books for research and frequently captures visual cues from her surroundings. Her typical color palette leans towards blues and greens, often warmed with wood, yellow, or gold tones, which she finds relaxing and neutral, particularly suitable for bedrooms and bathrooms. However, she stresses the importance of variety, ensuring that while certain colors anchor a design, others are introduced to create dynamic schemes. Material selection focuses on natural elements such as wood, linen, and bouclé wool. She appreciates the versatility of stone, from Italian marble for a luxurious feel to English limestone for rustic charm. Her designs are further enriched by the strategic use of contrast, juxtaposing natural textures with vibrant lacquers and brass accents. Finishing touches are crucial to Peake's designs, frequently incorporating items like curly Gotland sheepskins or richly textured bouclé, either as upholstery or cushions. Swedish flatweave rugs are another signature element, with Peake actively seeking original pieces or commissioning new ones from traditional Swedish factories. Beautiful ceramics, particularly organic shapes with unique glazes, are also a passion. For Instagram inspiration, she recommends following Studio Giancarlo Valle, Pierre Yovanovitch, and Meta Coleman. Peake highlights three key projects that exemplify her work. The Parsons Green house involved transforming a blank canvas with Victorian features into a contemporary yet layered family home, blending modern art with antique rugs and bespoke elements like a tiled fireplace. The master bedroom in this project features a calm palette with Edward Bulmer 'Celadon' paint and a Vanderhurd rug, while the guest bedroom showcases vibrant colors and custom-designed beds. The Vauxhall cottage project, her first solo endeavor, involved restoring a Georgian cottage, transforming an industrial aesthetic into a cozy, colorful home. This included a kitchen refresh with new limestone flooring, painted joinery, and antique handles, complemented by soft furnishings. The master bedroom in Vauxhall features 'Fencing Blue' paint, Pierre Frey fabric, and a pre-existing painting by Venetia Berry as a color anchor. The small box room was dramatically transformed into a bed nook, utilizing V-grooved MDF paneling, Edward Bulmer 'Fair Blue' paint, and Ottoline Devries wallpaper. Finally, the Barons Court apartment, an Edwardian mansion block flat, required a fresh, modern update while honoring its traditional elements. This project features a dramatic layout with a freestanding Water Monopoly bath as a focal point, a study with traditional panelling and a mid-century modern light fitting, and a bedroom with Lewis & Wood wallpaper and a mix of antique and contemporary furnishings. Each project demonstrates Peake's skill in blending diverse elements to create unique and personalized living spaces. #InteriorDesign #StudioPeake #SarahPeake #HomeDecor #DesignEthos #ColorPalette #MaterialSelection #RenovationProjects #LuxuryInteriors

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign

This article discusses eight interior design trends that expert designers believe will make homes look dated in 2025. It emphasizes that while some design choices age gracefully, others can instantly make a space feel outdated. The piece aims to guide homeowners on what decor choices to reconsider and what to embrace instead for a more thoughtful and character-filled interior. The first dated trend identified is the '90s kitchen, characterized by orange, honey oak cabinetry and Tuscan-inspired aesthetics with warm tones and ornate details. Designers suggest that these features, along with fluorescent overhead lighting, no longer align with current trends favoring lighter, more natural materials. To update such kitchens, refinishing cabinets by painting or sanding and restaining them, or changing wall colors, countertops, and flooring, are recommended. The second trend is 'Millennial Gray' interiors. This widespread use of cool-toned gray, popular in the 2010s, is now seen as making spaces feel cold, impersonal, and reminiscent of builder-grade design. The antidote proposed is a shift towards warmer woods, rich browns, and creamy beiges, which add depth and comfort. Designers also advise against a gray-on-gray aesthetic, advocating for layers of color, texture, and personality to avoid a flat and uninspired look. The solo use of overhead 'big light' fixtures is another element contributing to a dated feel. Harsh, single-source lighting can make a room appear flat and uninviting. Instead, layered lighting, incorporating lamps, sconces, and dimmable fixtures, is championed for its ability to create warmth, depth, and ambiance. Ignoring the importance of thoughtfully designed lighting elements can instantly age a space. Matching furniture sets, particularly those sold as complete living room or bedroom packages, are considered outdated. Designers now encourage mixing materials, styles, and eras, suggesting homeowners shop for vintage or custom pieces to create a more curated and dynamic aesthetic. The article highlights that overly staged or matchy-matchy spaces lack the depth and personalization valued in contemporary design, emphasizing individuality over fast furniture and hyper-trendy elements. Accented trims and moldings, traditionally painted in contrasting colors to walls, are another design choice that is beginning to feel dated. The modern approach leans towards 'color drenching,' where trims, walls, and even ceilings are painted in the same hue. This creates a seamless, immersive look, whereas contrasting colors can create visual stops that disrupt the flow of a space. For a subtle transition, tonal variations with deeper or glossier hues in the same color family are suggested. Slogan-heavy, mass-produced art, such as 'Live Laugh Love' signs, is criticized for making homes appear out of touch. The current preference is for meaningful, collected pieces like original artwork, antiques, or handmade items that reflect personal style. Thrifted art, flea market finds, and family heirlooms are recommended to build a layered, lived-in aesthetic that is more personal than generic prints. Black hardware is another trend that designers believe has passed its peak. While once contemporary, matte black fixtures can now appear stark and predictable, especially in bathrooms where they are difficult to clean and maintain. The trend is moving towards warmer, more classic finishes like unlacquered brass, antique bronze, and polished nickel, which are perceived to age more gracefully. Finally, plain and sterile countertops, including solid white quartz, speckled granite, or basic laminate, are deemed boring. Despite their practicality, they no longer represent a timeless choice. Instead, countertops with more movement and character, such as natural stone or quartz mimicking marble, travertine, or soapstone, are favored. The article suggests that since countertops are a major visual element, they should not be played safe but rather used to elevate the space. #InteriorDesign #HomeDecorTrends #DatedDesign #KitchenDesign #ColorTrends #LightingDesign #FurnitureTrends #HomeStyling

This article advocates for the revival of several "outdated" home design trends to bring more personality, color, and functionality into modern living spaces. The author, drawing on a self-proclaimed expertise in home decoration through simulation games and a passion for design, expresses a desire to move beyond the current minimalist and often sterile aesthetic prevalent in contemporary homes. The discussion covers eleven distinct design elements, offering insights into their historical appeal, potential for modernization, and the benefits they could bring to residential architecture and interior design. First, the article champions conversation pits and sunken living rooms, highlighting their ability to create intimate gathering spaces and versatile floor plans. It dismisses the notion that these features are limited to a 1970s aesthetic, suggesting they can be adapted for various rooms and contemporary styles. Next, the piece argues for a return to closed floor plans, contrasting them with the open-concept layouts that have become standard. The author recalls a time when distinct rooms like living rooms, family rooms, dining rooms, and kitchens served specific purposes, fostering different types of social interaction and functional organization. This traditional separation is presented as a way to add depth and intentionality to a home's layout. A strong emphasis is placed on reintroducing color into home design, moving away from the dominance of millennial gray, white, and beige. The article suggests that bold, bright, and saturated colors, incorporated through paint, furniture, appliances, or accessories, can significantly enhance the mood and individuality of a space. Following this, the author defends wallpaper and accent walls, which have fallen out of favor, as excellent tools for adding unique patterns, textures, and artistic elements without the permanence of paint. The argument is made that these design choices allow for personal expression and can transform a room's vibe, even in rental properties. The concept of foyers is also explored, presented as a traditional and grand entryway that offers a sense of arrival and a layer of privacy by separating the main entrance from the core living areas. While acknowledging the modern preference for mudrooms, the article suggests that both formal foyers and practical mudrooms can coexist. Tuscan kitchens, reminiscent of early 2000s design, are proposed for a modernized comeback. The author suggests that by reinterpreting their core elements—richness, warmth, and a connection to culinary tradition—without succumbing to tackiness, they can inspire unique and inviting kitchen spaces. The idea of incorporating arches, which are described as timeless yet sometimes divisive, is supported as a means to introduce natural curvature, luxury, and elegance. Arches are highlighted for their versatility, not just as architectural features but also in mirrors, windows, and cabinetry. The article further advocates for vintage and repurposed furniture, citing environmental benefits and the unique character they bring. This trend is seen as a rejection of "fast furniture" culture, allowing homeowners to curate spaces with storied pieces that are both sustainable and distinctive. Glass bricks, often associated with 1980s office aesthetics, are presented as a versatile material that can add a cool, vintage touch while offering privacy and allowing natural light into a space, especially in bathrooms. Finally, textured ceilings are put forward as a way to add visual interest and cover imperfections, moving beyond the stigma of popcorn ceilings towards more eclectic and modern applications of texture. The piece concludes by championing marble beyond its current use in kitchen counters and bathrooms, proposing its broader application in floors, tables, and walls to make a grand, luxurious statement throughout the home. Ultimately, the article underscores the importance of subjective design choices, encouraging individuals to personalize their homes to truly reflect their tastes and make their space a personal sanctuary. #HomeDesign #InteriorDecor #DesignTrends #ArchitecturalRevival #VintageFurniture #ColorInDesign #PersonalizedSpaces

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

As 2015 concludes, design industry experts forecast key trends for the upcoming year, highlighting a shift towards creating home environments that serve as sanctuaries amidst the pressures of modern life. The overarching themes for 2016 interiors emphasize simplicity, serenity, and seamlessness, aiming to help individuals disconnect and detox. This is reflected in the prevalence of warm yet calming color palettes, natural textures, soft shapes, and increasingly tailored and intuitive furniture designs for both residential and office spaces. One significant prediction is the dual color of the year from Pantone: Rose Quartz and Serenity. These pastel pink and powder blue shades, while seemingly sweet, represent a broader societal movement towards gender fluidity and equality, signifying a more unilateral approach to color. This forecast aligns with trends observed in British wallpaper brand Graham & Brown, which incorporated dusty pinks and pale blues accented with warm metallics. Calico Studios had already anticipated this with their Aurora line of gradient wallpapers, inspired by ombre skies and created with ultramarine and indigo dyes. A "Design Detox" is also expected, with major paint and wallpaper brands opting for quiet and calming hues. Stacy Garcia notes that the constant demand for connectivity has fostered a desire for quiet simplicity. This translates into a move from cold grays to warmer stone tones, exemplified by Sherwin-Williams' choice of Alabaster (SW 7008) as its 2016 Color of the Year, symbolizing new beginnings. Benjamin Moore selected Simply White OC-117, while Valspar's "Comfort Zone" palette offers a restorative antidote to fast-paced lifestyles, aiming to balance mind, body, and spirit. Warm metals, including rose gold, brass, copper, and gold, are anticipated to remain dominant, particularly in bathrooms and kitchens. London-based interior designer Gemma Gordon-Duff suggests pairing these metals with raw, natural materials like marble and wood, highlighting their timeless quality as a good investment. Examples include Dornbracht’s Cyprum, an 18-carat patina made from a copper and gold alloy, Patricia Urquiola’s Cuna bath for Agape with a tubular copper frame, and Arik Levy’s Bowl collection for Inbani, which combines white ceramic with copper and marble details. The "Rough Luxe" trend involves the instant aging of materials and the addition of texture and depth to spaces. Jon Sherman of Flavor Paper predicts the rise of wallpapers mimicking industrial finishes, adding an unexpected and sensory dimension to sterile environments without the practical challenges of actual rough materials. Similarly, Piet Hein Eek’s tromp l’oeil papers for NLXL replicate painted bricks and salvaged wood, while John Whitmarsh’s cement tile collections for Clé use gypsum cement castings from reclaimed materials. Customization in interiors is also gaining traction, with online furniture brands like Hem and Tylko offering customers the ability to personalize designs, from fabrics and sizes to unique shapes and forms, utilizing advanced algorithms and 3D software. ShopFloor, launched at NeoCon, also uses generative algorithms for customized furniture and wall coverings. Retro technology is softening its aesthetic, integrating into home decor rather than standing out as purely functional devices. Samsung’s Serif TV, with its I-shaped profile and concealed wiring, reintroduces the stylized television concept of the mid-20th century. Michael Young’s portable Bluetooth speaker for Brionvega blends 1960s styling with modern tech in a stitched leather case, echoing early portable radios. New York-based Symbol crafts modern audio HIFI consoles and vinyl storage, bridging technology with fine furniture. "Tailored Materiality" emphasizes the use of varied materials, colors, and textures in workplaces to create more inspiring and personalized environments. Steve Delfino of Teknion notes an increased focus on materiality to influence wellness and productivity. Teknion’s upStage™ offers diverse material options, including textiles, wood veneer, glass, and metal finishes, drawing inspiration from residential design. The Alumni chair by Jesse Visser and Geke Lensink features various base options and upholstery choices, making it suitable for both home and office. West Elm’s new office division also aims to make workspaces feel less traditional through diverse finish options. "Seamless Functionalities" highlights a move towards intuitive, multi-functional furniture. Heloisa Righetto of WGSN Lifestyle observes that while multi-functional furniture isn't new, its integration is becoming more fluid. Werner Aisslinger’s ‘Bikini Island’ sofa system for Moroso allows for extensive customization, accommodating various activities within a living space. Wireless charging stations are increasingly being integrated into furniture and lighting, as seen in Ikea’s new product line. Le Lit National’s Origami bed by Elise Fouin incorporates decorative storage pockets and a desk into its headboard. Finally, 1970s-inspired furnishings are making a comeback. Stacy Garcia notes that the era’s relaxed, free-spirited nature has influenced both fashion and interiors, characterized by bold, raw, and globally-influenced elements. Her Calabasas furniture collection reflects this, as does Lenny Kravitz’s collaboration with CB2, which features polished metals, geometric patterns, walnut, and sheepskin, inspired by 1970s New York club culture. Ionna Vautrin’s Chouchin pendant lamps for Foscarini also evoke the 70s with their lantern shapes and specific colorways. In the realm of office design, "Agile Planning" continues to evolve, with increasing demand for flexible and adaptable products that can adjust to changing work landscapes, as seen in Poppin’s Series A Desk System, Teknion’s hiSpace, and Humanscale’s QuickStand height-adjustable workstation. #DesignTrends #InteriorDesign #ColorForecast #HomeDecor #FurnitureDesign #OfficeDesign #MaterialsInnovation #SmartHome #Sustainability

The article discusses 15 home design trends that interior designers predict will be outdated by 2026. The piece emphasizes the importance of personal style over fleeting trends, encouraging homeowners to make informed choices for their living spaces. First, all-white kitchens are on their way out, with a shift towards more layered, atmospheric spaces featuring deep greens, inky blues, and soft taupes. Scallop-top beds are also losing relevance, as designers favor tailored, architectural headboards with stronger lines and natural materials. Waterfall kitchen islands, once a symbol of modern design, are now considered overdone; homeowners are seeking warmth and visual interest through mixed materials like wood, metal, or natural stone. Millennial gray is being abandoned for warmer neutrals, saturated colors, and bolder design choices. Oversized, statement pendants are giving way to more refined, thoughtfully scaled fixtures that complement a room's architecture. Traditional dining rooms are becoming less prioritized as hosting becomes more informal, with spaces being repurposed into home offices, cozy movie rooms, or libraries. Understated craftsmanship is also a thing of the past, as there's a growing desire for detailed woodwork, ceiling treatments, paneling, and crown molding to add character. All-neutral rooms are being replaced by designs that incorporate more depth in colors and natural materials, such as limewash, stone tables, and patterned fabrics. The modern farmhouse style, characterized by white and black interiors and exteriors, is seen as boring and dated, lacking intentional design. Bouclé, once a popular tactile material, has lost its impact due to ubiquity, with designers now preferring brushed wool, slub linen, and matte chenille for comfort and dimension. Minimalism is being supplanted by maximalism, which embraces color, pattern, and layered design to create expressive and personal spaces. Matching wood tones are also out, as homeowners and designers increasingly appreciate mixing various wood tones for a layered, natural feel. Flat drywall is being replaced by textured walls and ceilings, featuring plaster finishes, fluted details, and elaborate wallpapers or murals that add warmth and dimension. Finally, catalog-inspired rooms are less desired, with clients seeking homes that reflect their individual stories, confidence, and restraint rather than generic aesthetics. Café curtains, while charming, are losing favor to fuller, floor-length drapery or simple linen shades that offer cleaner lines and do not interrupt architecture or natural light as much. #HomeDesignTrends #InteriorDesign #HomeDecor #KitchenDesign #BedroomDesign #LivingRoomDesign #ColorPalettes #FurnitureTrends #HomeRenovation

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

This article highlights ten home design trends that designers believe should be retired in 2023, offering a critique of styles that have become overdone or problematic. The overarching theme suggests a shift away from aesthetics that are either too stark, too cluttered, or incorporate materials and shapes that are impractical or visually unappealing, moving towards more balanced, organic, and durable design choices. The first trend discussed is all-white bathrooms, which are now considered cold and outdated in an era favoring more color. Designers advocate for colorful bathroom interiors, especially through shower tiles. Following this, outdoor maximalism, characterized by overly dense and varied outdoor decor, is identified as a trend to scale back. The advice is to adopt a neutral color palette outdoors, allowing natural greenery to be the primary focal point. Black stainless steel appliances also make the list due to reports of peeling, chipping, and flaking, which expose the shiny steel underneath, diminishing their aesthetic appeal and leading to consumer complaints and even a class-action lawsuit against one manufacturer. Unlike traditional stainless steel, black stainless steel involves a coating that proves to be less durable. Bouclé fabrics, popular for furniture like sectional sofas and chairs, are criticized for not aging well. The fabric's lumpy, textured appearance, often used for cozy vibes, is prone to pilling and can appear dirty, particularly in lighter shades, and is not considered pet-friendly. Zellige tiles, while unique due to their handcrafted imperfections, are pointed out for potentially looking sloppy, especially on kitchen backsplashes or shower tiles, and can pose a trip hazard when used on floors due to their unevenness. Super shiny surfaces, from countertops to appliances, are another trend designers wish to move past, as they are being replaced by more organic, natural materials with honed or matted finishes that offer a softer, less reflective sheen. Low backsplashes, which are small edgings around countertops, are deemed unfinished and inadequate for wall protection, their original purpose. Designers recommend extending backsplashes to new heights, even to the ceiling, for a more impactful look. Mirrored furniture, such as nightstands and dressers, is losing favor, despite its past association with luxury. These pieces are criticized for being prone to fingerprints and smudges, quickly appearing outdated, and reflecting undesirable elements in a room. Dining benches, popular with farmhouse decor, are listed for their discomfort and inconvenience, making it difficult for diners to move freely. The article advocates for a return to traditional dining chairs. Finally, the "blobby" home trend, or "blobject," featuring amoeba-like shapes in decor and furnishings, is highlighted as the most horrifying trend. This includes curvy tables, wavy mirrors, plump furniture, and mushroom-like lamps. A related and potentially dangerous TikTok trend involving spray-foam insulation to coat home accessories is also cited for creating a visually unappealing, gooey, and globby effect. The article concludes by inviting readers to share their own opinions on design trends that should fade. #HomeDesignTrends #InteriorDesign #DecorTrends #HomeRenovation #DesignersChoice #RealEstateTrends #HomeStaging #ResidentialDesign #KitchenDesign

This article explores 22 home design trends that, despite their popularity, are often perceived as impractical, aesthetically questionable, or outright problematic by many individuals. The piece compiles insights from various people who shared their least favorite design choices, highlighting the subjective nature of home aesthetics. One significant point of contention revolves around the absence of doors in certain areas of the home, particularly doorless bathrooms, especially when located within bedrooms. Critics argue that this design choice compromises privacy, contributes to hygiene concerns due to the potential spread of moisture and odors, and necessitates inconvenient arrangements for occupants. Similarly, doorless showers are criticized for causing the entire bathroom to become wet after each use, leading to additional cleaning and potential slip hazards. The use of faux materials is another trend that draws significant disapproval. Specifically, the application of faux wood beams made of materials like foam is cited as a cheap imitation that fails to achieve the desired rustic or modern farmhouse aesthetic and can even be considered an eyesore. This reflects a broader distaste for design elements that lack authenticity and are implemented purely for superficial appeal. Paint choices also come under scrutiny, with 'agreeable gray' being singled out for its perceived blandness and unsuitability in certain lighting conditions. Many individuals find this color to appear dull or lifeless, contrasting with its widespread promotion as a versatile neutral, and note that it can be difficult to cover up with subsequent paint applications. Architectural and spatial planning issues are frequently mentioned. The practice of building large houses on small lots, resulting in minimal outdoor space and close proximity to neighbors, is criticized for sacrificing functionality and privacy for the sake of interior square footage. An imbalance in room sizing is also highlighted, particularly the trend of oversized master bedrooms and bathrooms that come at the expense of other necessary rooms or overall living space. Critics argue that such large private spaces are often underutilized for social gatherings, making their extensive size unnecessary. Kitchen design trends are a major source of frustration. Two-toned kitchen cabinetry is seen as a fleeting fad that can quickly become dated, potentially requiring future homeowners to undertake costly renovations to achieve a more cohesive look. The placement of kitchen sinks in center islands is deemed impractical, as it leaves dirty dishes and drying items constantly on display, detracting from the kitchen's aesthetic and cleanliness. Furthermore, pot fillers are questioned for their utility and the potential for stagnant water in their pipes. Safety and accessibility concerns also emerge as key criticisms. The absence of stair banisters is identified as a significant safety hazard and a potential liability. Similarly, the design of homes requiring occupants to walk through a bathroom to access a closet is viewed as inconvenient and unhygienic. Above-ground sinks, or bowl sinks set on top of vanities, are often seen as bulky and difficult to clean around. Functionality and practicality are central themes in the critiques. The lack of mudrooms or small entryways in favor of larger living spaces is problematic, especially in regions with varying weather, as it leads to dirt and wetness being tracked directly into main living areas. Kitchen cabinets that extend to the ceiling are deemed wasteful, as the top shelves are often out of reach for most people, making them purely decorative or storage for seldom-used items. Fake balconies, which consist of sliding glass doors leading to nowhere, are described as a pointless architectural feature. Finally, decorative trends like excessive pillows on beds are considered impractical due to the constant need for rearrangement. The increasing use of DIY paneling to mimic period properties is seen as an inauthentic attempt at historical design. Barn doors, despite their popularity, are often associated with a tacky aesthetic, even in luxurious homes. The placement of bathrooms near kitchens or dining areas is also widely disliked due to its perceived lack of hygiene and comfort. #HomeDesignTrends #InteriorDecor #ArchitecturalCriticism #ResidentialDesign #HomeAesthetics #KitchenDesign #BathroomDesign #HomeImprovement

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

This article compiles a comprehensive list of 34 home design trends that people find particularly irritating or impractical, drawing from over 500 reader responses. The submissions highlight a range of aesthetic and functional concerns with modern home decor and architectural choices. Many readers express a preference for practicality and timeless design over fleeting trends. Kitchen design is a significant area of contention, with open shelving being a frequently cited annoyance. Respondents criticize open shelving for its impracticality in daily use, citing issues with dust accumulation and the necessity for dishes to always be perfectly matched and displayed. The lack of proper storage in large, expensive homes, particularly the absence of an entryway closet for coats and shoes, is another common complaint. This issue extends to a general lack of functional storage for household items like vacuums. Lighting choices also draw criticism, with many disliking huge, overly bright Edison-style bulbs that can be harsh on the eyes. Microwaves built into lower cabinets are highlighted as a significant accessibility problem, especially for individuals with mobility issues or families with young children, due to the difficulty in bending down and potential safety hazards. Bathroom trends receive considerable negative feedback, particularly the concept of "shower rooms" where a freestanding tub is enclosed within a large shower. Concerns include increased cleaning effort due to scum buildup on the tub, potential mold growth behind freestanding tubs, and the general impracticality of such designs. Similarly, narrow niches in showers without adequate shelving are deemed inefficient and poorly planned. Freestanding tubs, in general, are criticized for the difficulty of cleaning the area behind them. Architectural and structural elements are also critiqued. The trend of adding fake fireplace chimneys with artificial siding is seen as disingenuous. Open floor plans are widely disliked, primarily because cooking odors can permeate the entire living space, making it difficult to contain smells like fish. The placement of laundry facilities within the kitchen is also considered unsanitary and impractical. Critics of new builds point out the tendency to construct houses without sufficient trees on the property, leading to a bare and uninviting aesthetic, and the unusual practice of building entire sides of homes without any windows. Specific fixtures and materials are not spared from criticism. Flat-bottomed farmhouse sinks are described as problematic because water does not drain properly, requiring excessive water for cleaning. Pot lights are often seen as excessive and less appealing than a single, well-chosen light fixture. Two-toned kitchens, featuring cabinets or islands in contrasting colors, are frequently deemed uncoordinated and aesthetically displeasing. Two-handle faucets are disliked for their lack of single-hand temperature control, making tasks like dishwashing inconvenient. Roughly textured kitchen backsplash tiles and stones are criticized for being difficult to clean, especially in a functional kitchen environment, contrasting with the ease of maintenance of subway tiles. New construction features like ventless hood vents, which only offer lighting without actual ventilation, are highlighted as functionally useless. Pot fillers over stoves are seen as an unnecessary plumbing expense, as the filled pot still needs to be moved off the stove. In terms of cabinetry, the lack of drawers in kitchen renovations and new builds, particularly in senior communities, is a significant accessibility issue for older individuals. The trend of building "monster houses" on tiny lots, leaving no space for landscaping, is also unpopular. Mini-split air conditioning units are considered aesthetically unappealing, especially in historic homes, and are likened to an industrial or office environment. Safety concerns are raised regarding deck railings with horizontal balusters, which are seen as a climbing hazard for toddlers. Gray flooring is described as already dated, tacky, and cheap-looking. Painting brick on mid-century homes white is considered a regrettable and potentially illegal alteration. Fake stone, particularly the cheap, plastic-looking variety, is disliked for its inauthentic appearance. Layouts that require walking through a bathroom to access a closet are criticized for their lack of privacy, especially in multi-person households. Clear shower doors are also flagged for privacy concerns. Lastly, quartz countertops are viewed as a fake and plastic-looking material, similar to 1970s and 1980s laminate, and barn doors are widely considered an overused and inappropriate design choice unless the home is actually a barn. #HomeDesignTrends #InteriorDecor #HomeRenovation #ArchitecturalCritique #KitchenDesign #BathroomDesign #ReaderOpinions

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces