Metairie Modern | Renovation of the Year

Interiors studio Design Theory has undertaken a renovation of a 1960s house located in the City Beach suburb of Perth, Western Australia. The project aimed to update the residence while preserving the original design's rich palette of natural materials. The client sought a home suitable for entertaining friends and living with dogs, requiring durable, easy-to-clean, and pet-proof finishes. The reworked floor plan needed to accommodate three bedrooms and two bathrooms. The initial assessment revealed significant structural issues, including widespread rot and termite damage, necessitating extensive restoration work on the base-building elements. Design Theory's approach involved restoring these foundational components in alignment with the original architecture and interior style. New joinery, finishes, and furniture were introduced, all inspired by mid-century design principles. This strategy allowed the home to evolve with contemporary functionality and sustainability while respecting its heritage. Beyond the structural repairs, the house required sensitive restoration and minimal updates, owing to its original design's forward-thinking emphasis on natural light, fresh air, and unpretentious living. The design cues were drawn from the era of the house's construction, characterized by humble and honest materials and restrained detailing. Existing cabinetry was sensitively restored and updated, always with a nod to the home's original aesthetic. The material palette predominantly features warm, earthy tones. Exposed brick in terracotta hues, native Blackbutt timber, and a cork-like Forbo Marmoleum flooring were extensively used. In the sunken lounge area, carpet tiles were installed to add comfort and a distinctive gridded visual texture. The robust use of timber and brick is counterbalanced by painted white wall sections, grid-patterned window frames, and low-hanging pendant lighting, creating a harmonious balance within the interiors. For the kitchen counters and bathrooms, simple mosaic tiles were chosen to continue the textural theme and to subtly reference the home's early 1960s origins. The studio adopted a palette inspired by the Western Australian landscape, incorporating Eucalyptus greens, warm timbers, and sunset oranges. The kitchen cabinetry features subtle detailing, such as full-width handles, providing visual interest without being overly dominant. An orange range cooker adds a retro accent. Several vintage furniture pieces acquired with the house were retained and meticulously restored. To soften the architectural lines and prevent the interiors from feeling like a rigid period piece, contemporary furniture with gently curving forms was introduced. Key original hardware, including door furniture and pendant lighting, was refurbished and reinstalled, contributing to the home's authentic refreshed character. #Perth #Renovation #MidCenturyModern #InteriorDesign #DesignTheory #CoastalHome #HouseRenovation #SustainableDesign #NaturalMaterials

The article discusses the renovation of an apartment located at 99 Spring Street in Melbourne, a modernist building completed in 1971. The apartment's transformation, undertaken by March Studio, aimed to create a 'house in the sky' that is materially rich and deeply connected to its urban surroundings. The building itself, known as the 'tower of power' in the 1980s due to its notable residents, was designed by Moore and Hammond and is considered an early example of the podium-tower model in urban architecture. The renovation pays homage to the building's 1970s origins while introducing a sophisticated vision for urban domestic life. March Studio's intervention in the apartment involved embracing and enhancing the existing bronze anodized aluminum glazing suites with a mix of shiny and weathered brass, stainless steel, and aluminum, creating a gilded aesthetic. A notable feature is the reflective aluminum ceiling system, inspired by Peter McIntyre's Parliament Station concourse ceiling, which links the living and kitchen areas. This ceiling not only reflects light but also expands the perception of space in these newly opened-up areas. The original three-bedroom apartment, already spacious, now feels even more expansive, offering panoramic views of Melbourne, including Treasury Gardens. The kitchen's design, influenced by the owner's hospitality background, prioritizes functionality and expression. It features four distinct joinery elements, including a central bench with thick curved terrazzo that serves as a focal point for gathering. A stand-up desk for recipes and a washing-up area with views of Treasury Place enhance its utility. The main living area was expanded by removing a third bedroom, creating two sitting areas and a generous dining space, all reflected in the distinctive ceiling. The bathrooms are designed as immersive, curving pods clad in penny-round mosaics, evoking a futuristic 1970s aesthetic. The project by March Studio is significant for its ability to both respect the modernist legacy of the building and reimagine contemporary domestic interiors. It avoids current design trends, instead speculating on the potential of space by incorporating the building's history and broader context into the interior design. The integration of these historical and contextual elements ensures that the new interventions are not clearly separate from the past, offering a sophisticated and timeless result. The article also lists specific products and materials used in the renovation, such as Porter’s Paints French Wash, Flos Zeppelin pendant lighting, Wolf M Series kitchen appliances, and furniture by Rigmarole Design and Oscar Niemeyer. Key project details, including the project team, joiner, and the Aboriginal Nation on whose land the building stands (Wurundjeri Woi-wurrung people of the Kulin nation), are also provided. The project demonstrates a thoughtful approach to renovation, balancing historical appreciation with modern living requirements. #ResidentialArchitecture #ApartmentRenovation #ModernistBuilding #InteriorDesign #MarchStudio #MelbourneArchitecture #DesignHistory #LuxuryApartment #AdaptiveReuse

An outdated mid-century home in El Segundo, California, underwent a significant transformation, evolving into a two-story residence while meticulously preserving its original character. Interior designer Alexis Vitale of Vitale Design Group recognized the home's potential despite its dated finishes and disjointed layout. The clients desired a living space that could accommodate their growing family, emphasizing warmth, honesty in materials, and a natural flow, all while respecting the home's mid-century roots. The design approach centered on honoring classic mid-century architecture, incorporating clean lines, natural materials, and ample natural light, while integrating a refined, contemporary aesthetic. The project, a collaboration between Vitale and architect Brett Horton, aimed to enhance flow, light, and livability, treating the renovation as an uncovering of a 'precious stone' to reveal its true beauty. A pivotal element in the redesign was tile, particularly the fluted concrete tile by Kinney Block, which was used on the exterior and served as an 'architectural heartbeat' for the home. Its sculptural quality influenced the overall form and texture throughout the property. The interior palette was inspired by moody green tiles in the kitchen, leading to a sophisticated scheme of earthy greens balanced with walnut and wenge woods. Structural modifications included expanding the layout and adding a second story to improve the home's functionality. The kitchen is identified as the true heart of the home, showcasing a blend of mid-century charm and modern sophistication. It features lush green tiles, a fluted island, a leathered quartzite slab, and sculptural concrete pendants, all contributing to a warm and deep ambiance. The kitchen seamlessly transitions into the living room, which then leads to a dining room featuring a custom bookcase and the home's original fireplace. Skylights were incorporated to maximize natural light in these communal areas. The upper level of the home includes a tranquil primary suite, designed with a sumptuous blue velvet bed, dark woods, textured grass cloth, pitched ceilings, and leathered sconces. The primary bathroom offers a spa-like experience, enhanced by abundant natural light from skylights. Additional rooms upstairs include a playful, color-drenched kids' bedroom with vintage touches and guest bathrooms featuring interesting tile and terrazzo flooring. A notable addition on the second floor is an adults' hangout area, a bar featuring mid-century-inspired tile and wood, complemented by a deep orange sofa for lounging. The renovation carefully maintained the home's architectural DNA, retaining its clean lines, organic materials, and connection to nature, while modernizing its proportions and details. Every material choice, from the fluted concrete chimney to walnut millwork and plaster finishes, was selected to refresh the mid-century palette. New elements such as custom lighting, handcrafted tile, and thoughtful layering were integrated to respect the original design language and adapt it for contemporary living. The project, nicknamed 'The Jewel,' successfully transformed a dated residence into a home that reflects the homeowners' identity, blending mid-century character with modern life for effortless, timeless, and beautiful living. #MidCenturyModern #HomeRenovation #InteriorDesign #ElSegundo #VitaleDesignGroup #HomeTransformation #ArchitecturalRedesign #KitchenDesign #HomeDecor

After residing in their 1948 ranch house in Belmont for over a decade, the homeowners sought a comprehensive style overhaul, initially engaging interior designer Annie Hall. The project commenced with a redesign of the kitchen and an update to the main living areas, which were characterized by dark woodwork, tile floors, and a lack of cohesive decor. Hall aimed to establish a consistent, modern aesthetic, moving away from what she described as a "cacophony of styles" that previously defined the home. Her approach to modern design prioritizes warmth, comfort, and an inviting atmosphere, deliberately avoiding starkly modern interiors. The first phase successfully transformed the main living spaces. Subsequently, architect Bill Boehm was brought in to conceptualize and execute a second-story addition for an expanded bedroom area, where Hall continued to apply her modern design principles. Boehm also undertook the revitalization of the home's exterior, while landscape architect Melissa MacDonald was tasked with refreshing the outdoor spaces. Hall's design strategy for the interior involved a clean, bright, and accessible palette of colors and materials. In the living room, a neutral scheme was implemented, centered around an asymmetrical concrete fireplace surround. This feature evolved from the homeowners' initial interest in concrete floors, which proved impractical for the space. Hall designed custom floor-to-ceiling white oak built-ins, incorporating back-painted glass doors to serve as a backdrop for the television. A tufted animal print ottoman was introduced to provide a traditional counterpoint to the sleek sectional, reflecting Hall's preference for integrating subtle traditional elements within modern designs. The dining room features a minimalist yet vibrant design. Natural woven shades were used to complement the homeowners' refurbished burlwood table. The space is energized by leggy fiberglass shell chairs in orange, blue, yellow, and gray, which echo the colors of the Artaic mosaic tile backsplash in the adjacent kitchen. This backsplash was chosen to reflect the home's inherent midcentury modern architecture. The kitchen cabinetry exhibits a color-block effect, combining white oak with a pale blue custom-matched to the lightest tile color, further enhancing the midcentury modern theme. White oak panels extend from the kitchen to a dry bar, visually connecting these areas. The sunroom, located off the dining table, was unified with the overall design by painting its new built-in console in the same pale blue hue. When Boehm joined the project, the primary objective for the addition was to create a private retreat for the homeowners, as their twins had occupied the newly redesigned living room. Before adding the primary suite, Boehm addressed the disarray in the existing bedroom wing. The previous layout required passing through a daughter's bedroom to access the couple's offices and included an awkwardly situated guest bedroom near the front entrance. Boehm reorganized this area, creating separate bedrooms for each daughter with a shared bathroom between them. A short hallway now leads to these bedrooms and a laundry closet, with a door providing access to the offices. Hall decorated the girls' bedrooms with bold, modern striped wallpaper in distinct color combinations and painted the shared bathroom a vibrant orange. The second-story addition designed by Boehm now houses the primary suite, which includes a separate lounge area. Hall furnished this lounge with asymmetrical built-ins, a comfortable sectional, and a wet bar. The bedroom features a vaulted ceiling that aligns with the gable roofline and corner windows that draw inspiration from existing windows on the lower level, reinforcing the home's modernist aesthetic through elements like corner windows and picture windows framed by divided light casements. To accommodate the new staircase leading to the primary suite, the guest room was removed; out-of-town guests are now accommodated by a pull-out sofa in the husband's office. The staircase, a blend of midcentury modern and industrial design, incorporates open risers and perforated metal panel guardrails, mirroring those of the basement stair redesigned by Hall in the first phase. This design allows natural light to permeate the bedroom and entry halls, a significant improvement over the previous layout where guest bedroom walls obstructed light to the central part of the house. For the exterior, Boehm implemented relatively subtle yet impactful cosmetic enhancements. A jet-age pentagonal awning was added to both the front entrance and the rear terrace. The garage facade was refaced with a distinctive arrangement of shiplap boards and fiber cement panels, effectively "resurrecting the home’s modernist potential." The project demonstrates a successful integration of modern design principles with the original character of the 1948 ranch house, creating a cohesive and functional living space for the family. #MidcenturyModern #HomeRenovation #InteriorDesign #BelmontRanch #ModernAesthetic #ArchitecturalAddition #KitchenRedesign #CustomCabinetry #LandscapeArchitecture

The article details a collaborative design-build project undertaken by siblings Maria De Cotiis, an interior designer, and Marco De Cotiis, a homebuilder, in East Vancouver. The project involved transforming a duplex into a 1,850-square-foot, four-bedroom home that seamlessly blends Old World charm with modern design elements, creating a neoclassical aesthetic. This unique fusion was specifically tailored to Marco's desire for a home that deviated from his typical Craftsman-style builds, leaning instead towards a "modern blend, like Norwegian style, but adding a touch of the neoclassical." The design process, undertaken in the aftermath of Marco's divorce, aimed to create a fresh start for him and his three daughters. The collaboration capitalized on the siblings' long-standing professional relationship, allowing for a deep understanding of Marco's vision. Maria incorporated clever design solutions, such as integrating millwork into roof slopes to optimize storage, contributing to the home's perception as a "mini mansion" due to its practical layout and efficient use of space. The main floor features herringbone floors, decorative molding, and ceiling flourishes reminiscent of fin-de-siècle Parisian apartments, which are juxtaposed with contemporary elements like flat-profile cabinet doors. The kitchen, being the central focus of the main floor, was designed to be highly functional yet not visually overwhelming. Maria achieved this by extending millwork across the entire back wall, painting it to match the decorative molding, creating a soft, monochromatic feel. A reeded panel was used to discreetly conceal the hood fan, with a Calacatta marble enclave housing the range. Sculptural counter stools with spherical elements serve as a focal point while maintaining a neutral palette, emphasizing a calming ambiance. In the living room, a curved sofa and chair continue the neutral theme, accented by black elements that define the space. A Samsung Frame TV, disguised as a painting, is positioned above a custom black marble mantle. The primary bathroom was designed to reflect a deep, moody vision, incorporating layered black marble in various formats and textures, complemented by art deco-inspired mirrors and sconces, evoking a luxury hotel aesthetic with a traditionally masculine feel. Conversely, the secondary bathroom, shared by Marco's daughters, adopted a feminine yet enduring design, featuring dove grey and lavender tones with layered marble tiles in different shapes and sizes, and a mix of polished nickel and gold fixtures. A small powder room on the main floor, strategically located, was transformed into a dramatic focal point with deep-red paint, bold mosaic floor tile, a floating corner vanity, a whimsical bird-topped mirror, and a glass-rod chandelier. The overarching goal for the home's design was to create a timeless space that would endure by harmoniously blending modern and traditional elements. #InteriorDesign #DuplexDesign #NeoclassicalStyle #ModernTraditionalBlend #MariaDeCotiis #HomeRenovation #VancouverHomes #CustomMillwork #MarbleFinishes

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

Kin Architects undertook the renovation of a small apartment in Brisbane’s Torbreck, the city's first high-rise apartment tower, for a young professional couple. Initially, the clients planned to manage the renovation themselves, but their cabinetmaker recommended Kin Architects' co-founders, Marjorie Dixon and Leah Gallagher, to design a kitchen island bench. This initial request expanded to encompass the entire apartment's renovation. The project presented a challenge due to updates already made by the clients, including selected tiles, installed plumbing fixtures, and a timber platform in the kitchen and dining area. The design objective was to integrate the mid-century modern aesthetic of the Torbreck building with contemporary functionality. The resulting kitchen island bench serves as the scheme's focal point, functioning as a bar, desk, and kitchen bench, crafted to appear as a sophisticated piece of timber furniture. Its design successfully merges the building's original character with modern needs. A key feature of the renovation is the full-height, panelled joinery that spans the living, kitchen, and dining areas. This bespoke element, showcasing the cabinetmaker's skill, discreetly conceals storage and a television, contributing to the apartment's polished look. The joinery includes a water-jet-cut marble buffet, designed for cocktail preparation, reminiscent of 1950s design with a modern, animated touch. A bold design choice was the selection of a vibrant blue carpet, which the architects successfully proposed to the clients. This colourful element contributes to the apartment's mid-century aesthetic. The bathroom also features bold design elements, including striking floor tiles complemented by recycled hardwood drawers in the vanity, echoing the timber finishes used in the kitchen. The renovation incorporates meticulous bespoke details, such as a mirror cut-out that allows an arched tap to sit flush with the marble splashback, and another cut-out enabling the shower door to open inwards. These details optimize space and functionality within the compact apartment. The project successfully creates a comfortable and stylish living space that respects the building's historical context while incorporating modern living requirements. Key products and materials used include Dulux Wash and Wear Acrylic Low Sheen paint in 'Whisper White' for walls, and Gaboon plywood panelling with hoop pine half rounds for kitchen joinery, finished with Porters Paints Wood Wash in 'Plain White'. Flooring in the kitchen features mixed recycled hardwood from Kennedy’s Timbers, and Tretford cord carpet in 'Freshwater 615'. The kitchen also includes a Corian benchtop in 'Glacier White', a recycled Carrara marble circular benchtop, and Astra Walker Icon tapware. Bathroom elements include Vast Dove Grey Satin rectified wall tiles and Arcade Hyde Multicolour glazed-porcelain floor tiles from Beaumont Tiles, alongside a recycled Carrara marble benchtop and Brodware City Plus tapware. The project was completed in 2018, with Kin Architects as the architect, and the owner as the builder, in collaboration with William McMahon Cabinetmaker. #ApartmentRenovation #MidCenturyModern #InteriorDesign #KinArchitects #BrisbaneArchitecture #CustomJoinery #ResidentialDesign #KitchenDesign

Sasha and Shay Knaani purchased a 1956 Modernist brick split-level home in Chevy Chase, Maryland, appreciating its architectural style, convenient location, and verdant backyard. However, the original structure presented several challenges. The house was not adequately sized for their needs, its front-facing rooms lacked privacy due to proximity to a major road, and the main level felt disconnected from the backyard because of the placement of bathrooms and bedrooms. Colleen Healey Architecture was engaged to address these issues, focusing on enhancing natural light and privacy while improving the connection to the outdoors. Healey's primary intervention involved removing the existing roof and installing a new flat roof, creating a clerestory with bands of windows between the new roof and the original brick structure. This innovative design, which gave the home its new name, The Clerestory House, brought abundant natural light into the great room while maintaining complete privacy, a critical requirement given the road frontage. Beyond the clerestory, Healey undertook a comprehensive reorganization of the interior spaces. The main entrance was relocated from the side to the front, where new dark brick walls now define and orient the split-level stairs. To create a seamless visual connection to the garden, one bedroom was eliminated, and the primary bedroom suite was reconfigured. This allowed visitors entering the home to see directly through to the garden, without any direct view into the private areas of the house. The kitchen was also strategically relocated to one side, which facilitated the creation of a cozy side court, further enhancing access to the garden. The renovation significantly expanded the home's footprint. In addition to the clerestory, Healey added a garage and a single-story kitchen extension, along with two new bedrooms. These additions brought the total area to an ample 4,000 square feet, now accommodating five bedrooms and five-and-a-half bathrooms. While local artist Kate Zaremba contributed a dramatic wallcovering for a glamorous powder room, the overall material palette remained intentionally restrained. Healey emphasized the dominant role of sunlight and the original brick in the design, stating her affection for how these "pieces of the outdoors made their way inside," highlighting the project's success in integrating natural elements and light. #ModernistHome #ClerestoryDesign #ResidentialArchitecture #ColleenHealeyArchitecture #MarylandHomes #HomeRenovation #NaturalLightDesign #SplitLevelRemodel

After a seven-year stint in New York, Dana and Hicks Poor, both Marietta natives, returned to their hometown only to find suitable housing scarce. The couple, initially considering new construction, stumbled upon a foreclosure notice on a midcentury-era house they had always admired while Dana was on a walk near the square. Despite its dilapidated state, the house exuded a modern energy that resonated with the couple's aesthetic. Dana, an interior designer, and Hicks, a general contractor, were undeterred by the extensive repairs needed. They viewed the house's potential as a sign and an opportunity for a joint project, having long collected period furniture and being enthusiasts of midcentury architecture and design. The home's structural damage necessitated a complete gut renovation. However, the Poors meticulously salvaged some original lighting and fixtures, and made the decision to reconstruct an almost identical floor plan, replicating many of the original architectural details. Dana noted that the original layout was so well-conceived that there was no need for alteration, and it perfectly aligned with their own design preferences. Built in 1957, the house was designed by Gloria Kidd Brown, a notable Marietta resident and one of Georgia Tech's pioneering female graduates, who later studied at the New York School of Interior Design and worked with prominent architects like John Portman. Hicks described the brick-and-redwood house as an anomaly in a neighborhood predominantly characterized by traditional cottages. The original owners had sought a California-inspired design, similar to the split-level homes gaining popularity on the West Coast at the time. The interior design of the restored home incorporates a blend of old and new elements. The dining room features a Danish walnut table alongside a modern blown-glass bubble chandelier and a rug from West Elm. A salvaged 'Hicks Grocery' sign, though unrelated to the family, adds a local touch. Natural light is abundant throughout the house, a feature Hicks particularly appreciates. Vintage furniture, such as a Knoll desk and an Adrian Pearsall dresser, is complemented by pieces like a living room sofa acquired from a neighbor, a lawyer who had preserved it specifically for the house's next owners. The Poors are not strict purists, blending patterned rugs and other contemporary items with their midcentury collection, ensuring every piece tells a story. The home's open-plan layout is well-suited for the couple's two daughters, Sydney, eight, and Holland, six, who occupy the entire second floor due to the house's master-on-main configuration. The durability of vintage furniture also proves practical for a family with children. Hicks values the simplicity of midcentury design and the thoughtful connection between each room, highlighting architectural elements like the wooden soffits and sculptural stair railing. Beyond their personal project, the article also touches upon the broader revival of midcentury architecture in Atlanta. Events like Modern Atlanta's annual tour and the DeKalb History Center's exhibit, 'The Mid-Century Ranch House: Hip and Historic!', underscore this growing appreciation. Several Atlanta neighborhoods are identified as having significant midcentury architectural presence, including Collier Heights, Sagamore Hills, and Northcrest. The Cecil and Hermione Alexander House, designed by architect Cecil Alexander, is also cited as a notable example, having been listed on the National Register of Historic Places. #MidcenturyModern #HomeRestoration #Marietta #InteriorDesign #ArchitecturalRenovation #GloriaKiddBrown #DanaHicksPoor #VintageFurniture #AtlantaArchitecture

A 1970s-style Dallas ranch house underwent a significant transformation, moving away from its original closed-in and sprawling floorplan to embrace an open, light-filled modernist aesthetic with South American influences. The homeowners, with a background in Mexico and Brazil, sought to infuse their new US residence with the warmth and richness reminiscent of their time in South America, creating a vibrant backdrop for their art collection and modernist furniture. Interior designer Joshua Rice led the renovation, focusing on opening up the space, enhancing natural light, and establishing a cohesive flow throughout the home. The original house posed challenges due to its convoluted layout, characterized by a series of disconnected rooms. Joshua Rice addressed this by strategically removing walls, thereby creating a 150-foot visual connection spanning nearly the entire length of the house. This design choice not only improved navigability but also brought a sense of unity to the interior. The entryway now feels spacious and offers a clear view into the kitchen, fostering a connection with other areas of the home. Artworks by Pago Mann and Mr Brainwash, displayed on neutral walls, introduce color and a playful element. One notable design solution involved replacing a hazardous, zig-zagging three-step transition between two living rooms with a simple yet elegant stone half-height wall. This Pietra Grey stone box, with its precise detailing—waterfall edges and articulated reveals—effectively separates the upper and lower levels while maintaining a spatial connection. This intervention significantly improved both the safety and aesthetic appeal of the space, moving beyond the original architectural limitations. The renovation heavily emphasized the use of natural materials and a neutral color palette. In the eat-in kitchen, Faye Toogood's Roly Poly round table and dining chairs introduce a softening element to the otherwise defined lines of the main kitchen. The kitchen itself features cabinetry crafted from teak with bronze accent panels by Forms & Surfaces, paired with concrete engineered quartz countertops by Santamargherita. These elements collectively contribute warmth and a touch of midcentury modern style. White oak flooring extends throughout the main rooms, offering a durable and visually cohesive surface, while a custom vent hood combining teak and blackened steel adds a modernist touch. The living rooms showcase a curated selection of vintage South American midcentury modern pieces. The main living area features iconic Presidential armchairs and a vintage Oushak rug, complemented by a cast bronze table by Jojo Corväiá. The dining room is anchored by a 1959 Guanabara rosewood table by Jorge Zalszupin and illuminated by an RBW Palindrome light, with Fiona Weedon's "Tears and Flowers 1993" oil on canvas adorning Venetian plaster walls. The upper living room, centered around the Pietra grey stone fireplace, includes a Sideways sofa, vintage Alta lounge chair, and two 'Diz' chairs, alongside additional cast bronze and ceramic tables and a rare Brazilian sculpture. The home office incorporates Aim lamps by Flos, vintage swivel and lounge chairs, and a desk from Poltrona Frau, while the main bedroom offers a window alcove with seating and a blackened steel fireplace. The project successfully blends modernist principles with rich, textural materials, creating a luxurious and welcoming environment. The architect, Mark McCollum, noted that despite the original convoluted floorplan, the careful crafting of connections resulted in a grand and gracious home. #HomeRenovation #InteriorDesign #ModernistHome #DallasArchitecture #MidCenturyModern #SouthAmericanInfluence #VintageFurniture #OpenConceptLiving #NaturalMaterials

This article details the comprehensive renovation of a 1927 Tudor-style house in Riverdale, New York, transforming its traditional interior into an avant-garde space. Purchased by Fritz and Lee Michel, the house initially featured a dated aesthetic with floral-print wallpaper and an abundance of brown tones. Designer Molly Luetkemeyer, founder of M. Design Interiors, spearheaded the project, drawing inspiration from the Wiener Werkstätte movement, contemporary to the house's original construction. This movement, known for its black and white geometric shapes and vibrant accents, became the guiding principle for the new interior. The renovation involved extensive structural changes to open up the cramped original layout. Thaddeus Briner of Architecture Outfit collaborated with Riccoboni Contracting to create a light-filled, open-plan living space. The entire renovation process spanned two years, allowing meticulous attention to detail, including a custom triangle-patterned carpet for the stairs, reminiscent of 1920s Viennese design. Each area of the house received a thoughtful modern update. The frequently used basement level, serving as the family’s primary entrance due to the house’s hillside location, was not overlooked. It was revitalized with a colorful paint scheme, bespoke cabinetry, and polished concrete floors. A central, open-concept kitchen was also integrated into the design. A key aspect of the project was the strong collaborative dynamic between the Michels and Luetkemeyer. Lee Michel contributed the idea for an Yves Klein blue dining-room table, while Fritz Michel sourced a unique chain-mail curtain to serve as a room divider from a Canadian armor maker. Even the couple's young daughters participated, requesting neon tubing, which Luetkemeyer translated into personalized nameplates above their beds. The most challenging design decision was the smoky-black color chosen for the living room, which required some persuasion but ultimately became one of the house’s most elegant and memorable features. The article highlights how the design team successfully merged the historical charm of the Tudor exterior with a bold, contemporary interior, creating a family-friendly home that is both personal and stylish, while subtly nodding to the architectural era's modern design movements. #DesignHunting #InteriorRenovation #TudorStyle #AvantGardeDesign #MollyLuetkemeyer #WienerWerkstätte #HomeDesign #RiverdaleRenovation #ModernInterior

This article showcases a meticulously renovated 19th-century Melbourne home, “Victoria House” at 24 Northcote Road, Armadale, that seamlessly blends mid-century modern aesthetics with classic English farmhouse influences. Interior designer Tali Roth led the project for a couple in their 30s who appreciated the home's heritage architecture but desired a more contemporary feel without compromising its original integrity and soul. The renovation journey, undertaken during the COVID-19 pandemic, allowed for a deliberate and thoughtful selection of furnishings, with international lead times aligning fortuitously with the construction timeline. The design philosophy embraced the clients' contrasting tastes: one favoring modernist elements and the other, an English-farmhouse look. This dichotomy is evident throughout the house. For instance, the rose-pink library features a cheerful Giancarlo Valle ‘Smile’ chair alongside an 18th-century French verdure tapestry. In the sitting room, a pale grey modular USM ‘Haller’ unit is paired with an armchair re-covered in a decorative, puzzle-pattern fabric. Significant structural changes were made to optimize space and flow. A former bedroom, walk-in-robe, and ensuite were reconfigured into a sitting room, linen closet, and a redesigned bathroom. Existing corridor shelves were retained and repainted, and a floating desk and study nook were converted into a coat closet. The entryway and powder room feature new tumbled Carrara and Bardiglio marble tiles laid in a checkerboard pattern, extending from the hall to the powder room walls. The kitchen, though retaining its original layout due to the extensive scope a larger renovation would entail, underwent a complete rebuild. It now boasts a sophisticated and traditional look with classic tapware, shaker cabinetry, a reeded glass storage cupboard, and Arabescato Corchia marble countertops, replacing the old timber veneer joinery. The living area is thoughtfully curated with a custom steel coffee table, a plump Arflex ‘Marenco’ sofa upholstered in blue mohair velvet, and a large circa 1940s French oak sideboard, aiming for a purposeful, inviting, and usable space within a small footprint. Upstairs, the principal and second bedrooms share a bathroom. A home office overlooks the backyard, while a grand library, overlooking the street, is enveloped in Porter’s Paints French Wash in ‘Victoriana’ pink. This room serves as a reading space, featuring an antique Palladian bookcase, a six-panel Chinese privacy screen, an Artemide ‘Shogun’ floor lamp, and an oversized 18th-century French verdure tapestry. The master bedroom adopts a mid-century aesthetic with calm, muted tones, including Venetian plaster walls and a custom bed and wardrobes. The master ensuite features integrated Calacatta Viola stone for the bath and a custom travertine curved stone sink. The homeowners expressed satisfaction with the outcome, highlighting how Tali Roth's design successfully merged their personalities and preferences, creating a modern yet soulful home that can evolve with them. #HomeRenovation #InteriorDesign #MelbourneRealEstate #MidCenturyModern #EnglishFarmhouseStyle #HeritageHome #LuxuryInteriors #DesignCollaboration #PeriodArchitecture

The article showcases a distinctive two-story, five-bedroom estate in Tierra Verde, which has been reimagined with midcentury modern aesthetics and timeless elements. The interior design was led by Eilyn Jimenez of Sire Design, known for her work on the Netflix series “Designing Miami.” The property is also available for purchase. Jimenez's design philosophy is influenced by her travels and client interactions, evident in this water-lover’s paradise. The home features twelve-foot ceilings on the ground floor and a striking 24-foot foyer with a pivot door, creating a grand entrance. Custom-stained oak windows with porthole-inspired accents, walnut wood stairs, and bespoke carpentry add warmth and integrate coastal influences throughout the residence. A blend of modern amenities and vintage finds defines the home's character. The kitchen and bar areas feature avocatus quartzite countertops, while a Clé tile fireplace adds a touch of classic elegance. This thoughtful curation of materials and furnishings creates a harmonious balance between contemporary design and timeless style. The estate's exterior was conceptualized by JR Structures Custom Builders, while Sire Design curated all outdoor furnishings, including sofas, side tables, and pool tiles, to create a tranquil, lagoon-like ambiance. The home's proximity to Fort De Soto State Park makes it an ideal location for outdoor enthusiasts. The property offers waterfront views and is equipped with a negative edge spillover pool, a heated spa, and an outdoor lounge area designed for entertaining. A substantial dock is built on the side of the home, providing unobstructed water views. Key collaborators in this project include Sire Design for interior design, JR Structures Custom Builders for construction, Monroe Design Group for architecture, and South Meadow Productions and Jeanne Canto of JNNS for photography. Dina Sierra Smith of Smith & Associates is the realtor for the property. This home serves as an example of how midcentury modern design can be reinvented for contemporary living while honoring its classic roots.

Ghiora Aharoni, principal of Ghiora Aharoni Design Studio, undertook a renovation project on his apartment located in a 1903 tenement building on Leroy Street in the West Village. His approach to combining two separate apartments into a single modern living space involved a process akin to an archaeological excavation. The primary goal was to integrate contemporary living with a reverence for the building's original architectural character and materials. This involved stripping the apartments down to their structural foundations, exposing elements that had been concealed for decades. The renovation began with the removal of walls, leading to the discovery of 1903 newspapers tucked between ceiling beams, which confirmed the building's completion year. The process revealed the original bricks, beams, and wooden studs, which were then preserved and incorporated into the design. Aharoni's intention was to achieve a sense of Quaker-like simplicity in the aesthetic, emphasizing the raw, authentic materials of the building. The project involved the meticulous work of contractors, F&N Solutions, whose contribution Aharoni described as spectacular. A significant design challenge involved integrating the two original kitchens, which were separated by a common wall. Aharoni located the shared chimney that serviced both kitchens and subsequently created a unique connecting fireplace. This fireplace, an EcoSmart Fire model, is open on both sides and uses an alcohol-based flame, eliminating the need for a traditional flue and preventing the emission of fumes or smoke. The design of this central feature was crucial in linking the two previously distinct living spaces, transforming them into a cohesive home. Throughout the apartment, a black-and-white color scheme predominates. Aharoni noted that while this palette currently defines the space, it is not his ultimate vision. He expressed a desire to introduce color, specifically mentioning plans for two blue-and-red chairs, indicating that the current monochromatic design is a temporary stage in the apartment's evolution. Despite the minimalist color scheme, Aharoni emphasizes that the atmosphere is far from cold, attributing the warmth to the abundant natural light. One of the most cherished features of the renovated apartment for Aharoni is the presence of eight windows, which allow natural light to flood the living space, creating a luxurious and expansive feel. He describes the experience of waking up to beams of light across the floor as a significant luxury. The combined apartment now boasts a 50-foot living room, which, despite its origins in a tenement building, presents an unexpected sense of grandeur and luxury in disguise. The renovation also included specific design elements like a wooden statue of the goddess Parvati, placed under a supporting beam for protection, a wood-and-plaster ribbon sculpture by Aharoni himself, and a collaboration with artist Hisao Hanafusa on the dining table design, complemented by George Nakashima dining chairs. The bathroom was updated with a shower replacing a bathtub and a sleek Boffi sink. The kitchen features under-counter appliances and a clever storage solution behind a painting that doubles as a door, accommodating Aharoni's regular dinner parties despite having only two stovetop burners. Window coverings were designed to be graceful, covering two at a time rather than individual shades. #TenementRenovation #GhioraAharoniDesign #WestVillageApartment #ArchitecturalArchaeology #HistoricPreservation #ModernInteriors #OpenConceptLiving #SustainableDesign

The article details the renovation of a midcentury ranch house in Southwest Portland, owned by clients who have previously collaborated with Bright Designlab for over a decade on three different properties. The current project, described as a 'rare time capsule' untouched for decades, presented significant potential due to its vaulted ceilings, expansive backyard, and a distinctive zigzag layout that resonated with the owners. The design approach for this renovation is characterized as 'Midsommar Modern,' a style that integrates moody florals with custom millwork and gleaming brass elements, reflecting the Pacific Northwest aesthetic. Alissa Pulcrano, the principal designer and founder of Bright Designlab, emphasizes a non-cookie-cutter approach to design, which is a key reason clients repeatedly choose her firm. This philosophy is evident in the bespoke nature of the renovation, which aims to infuse contemporary design while honoring the home's midcentury origins. The transformation highlights a thoughtful balance between preserving the architectural integrity and introducing modern amenities and stylistic choices. The renovation focused on enhancing the existing structural strengths, such as the impressive vaulted ceilings, to create a more open and updated living space. The integration of custom millwork suggests a commitment to tailored solutions and high-quality craftsmanship, providing both functionality and aesthetic appeal. The use of gleaming brass adds a touch of sophistication and luxury, contrasting with the moody floral elements that contribute to the 'Midsommar Modern' theme, creating a unique and personalized environment. This project represents a significant undertaking, transforming a dated property into a vibrant, modern home that still acknowledges its historical context. The collaboration between the homeowners and Bright Designlab underscores a shared vision for creating distinctive living spaces. The design choices, from material selection to the overall aesthetic, reflect a desire for a home that is both beautiful and highly functional, perfectly suited to the owners' lifestyle and the unique character of the Pacific Northwest. #HomeRenovation #MidcenturyModern #PortlandHomes #BrightDesignlab #BeforeAndAfter #PacificNorthwestDesign #CustomMillwork #InteriorDesign #ArchitecturalRenovation