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Hints of midcentury modern design bring a Belmont ranch back to the future
After residing in their 1948 ranch house in Belmont for over a decade, the homeowners sought a comprehensive style overhaul, initially engaging interior designer Annie Hall. The project commenced with a redesign of the kitchen and an update to the main living areas, which were characterized by dark woodwork, tile floors, and a lack of cohesive decor. Hall aimed to establish a consistent, modern aesthetic, moving away from what she described as a "cacophony of styles" that previously defined the home. Her approach to modern design prioritizes warmth, comfort, and an inviting atmosphere, deliberately avoiding starkly modern interiors. The first phase successfully transformed the main living spaces.
Subsequently, architect Bill Boehm was brought in to conceptualize and execute a second-story addition for an expanded bedroom area, where Hall continued to apply her modern design principles. Boehm also undertook the revitalization of the home's exterior, while landscape architect Melissa MacDonald was tasked with refreshing the outdoor spaces. Hall's design strategy for the interior involved a clean, bright, and accessible palette of colors and materials.
In the living room, a neutral scheme was implemented, centered around an asymmetrical concrete fireplace surround. This feature evolved from the homeowners' initial interest in concrete floors, which proved impractical for the space. Hall designed custom floor-to-ceiling white oak built-ins, incorporating back-painted glass doors to serve as a backdrop for the television. A tufted animal print ottoman was introduced to provide a traditional counterpoint to the sleek sectional, reflecting Hall's preference for integrating subtle traditional elements within modern designs.
The dining room features a minimalist yet vibrant design. Natural woven shades were used to complement the homeowners' refurbished burlwood table. The space is energized by leggy fiberglass shell chairs in orange, blue, yellow, and gray, which echo the colors of the Artaic mosaic tile backsplash in the adjacent kitchen. This backsplash was chosen to reflect the home's inherent midcentury modern architecture. The kitchen cabinetry exhibits a color-block effect, combining white oak with a pale blue custom-matched to the lightest tile color, further enhancing the midcentury modern theme. White oak panels extend from the kitchen to a dry bar, visually connecting these areas. The sunroom, located off the dining table, was unified with the overall design by painting its new built-in console in the same pale blue hue.
When Boehm joined the project, the primary objective for the addition was to create a private retreat for the homeowners, as their twins had occupied the newly redesigned living room. Before adding the primary suite, Boehm addressed the disarray in the existing bedroom wing. The previous layout required passing through a daughter's bedroom to access the couple's offices and included an awkwardly situated guest bedroom near the front entrance. Boehm reorganized this area, creating separate bedrooms for each daughter with a shared bathroom between them. A short hallway now leads to these bedrooms and a laundry closet, with a door providing access to the offices. Hall decorated the girls' bedrooms with bold, modern striped wallpaper in distinct color combinations and painted the shared bathroom a vibrant orange.
The second-story addition designed by Boehm now houses the primary suite, which includes a separate lounge area. Hall furnished this lounge with asymmetrical built-ins, a comfortable sectional, and a wet bar. The bedroom features a vaulted ceiling that aligns with the gable roofline and corner windows that draw inspiration from existing windows on the lower level, reinforcing the home's modernist aesthetic through elements like corner windows and picture windows framed by divided light casements. To accommodate the new staircase leading to the primary suite, the guest room was removed; out-of-town guests are now accommodated by a pull-out sofa in the husband's office. The staircase, a blend of midcentury modern and industrial design, incorporates open risers and perforated metal panel guardrails, mirroring those of the basement stair redesigned by Hall in the first phase. This design allows natural light to permeate the bedroom and entry halls, a significant improvement over the previous layout where guest bedroom walls obstructed light to the central part of the house.
For the exterior, Boehm implemented relatively subtle yet impactful cosmetic enhancements. A jet-age pentagonal awning was added to both the front entrance and the rear terrace. The garage facade was refaced with a distinctive arrangement of shiplap boards and fiber cement panels, effectively "resurrecting the home’s modernist potential." The project demonstrates a successful integration of modern design principles with the original character of the 1948 ranch house, creating a cohesive and functional living space for the family.
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