Sensational, Modern Spread Designed by Glenn Allen Galaway on Merrick

Architect Michael Gallin's design philosophy focuses on maintaining the integrity of traditional architectural detailing while simultaneously incorporating open spaces conducive to modern living. A key feature of his approach is the creation of a second-story loft, which serves as an innovative solution for layering and connecting informal family living areas above the more formal living and dining rooms. This design element not only maximizes space utilization but also fosters a sense of openness and connectivity within the home's various zones. In the kitchen, Gallin employs open display shelving, which similarly bridges the gap between the functional work area and a family recreation space, promoting interaction and a visually continuous flow. Expert opinions from various designers and architects highlight the success of Gallin's work. Whitlock praises the varied lighting scheme, which includes cove, under-cabinet, and down lights, for its effectiveness. Whitlock also notes that the open shelves in the kitchen provide a focal point and maintain an open connection to the adjacent room, appreciating the intricate detailing under the stair rail on the second floor. Lima describes the living and dining room, despite their large shell and two-story ceiling, as having an inspiring and natural feel due to the architectural detailing and the unusual cantilevered room above the dining area. Lima commends the interior's ease, which nonetheless evokes grandeur and elegance, noting that the eye effortlessly navigates the space while prominent points of interest are strategically placed in the furnishings, colors, and architecture. Lima concludes that the interior is memorable both architecturally and aesthetically, showcasing a gorgeous combination of intricate millwork detailing and dynamic architectural form, deeming the project perfectly executed. Boscarello emphasizes the dramatic and unique use of space, particularly the impressive second-floor cantilever over the dining area, and expresses admiration for the Arts and Crafts details incorporated throughout the design. Kossar points out that the detail of the rail and ceiling beautifully complement and embrace the art and furniture within the space, contributing to a cohesive and well-integrated aesthetic. Collectively, these insights underscore Gallin's skill in blending traditional elements with modern functionality, creating visually appealing and highly practical living environments. The project exemplifies a harmonious balance between preserving classic aesthetics and adapting to contemporary lifestyle needs, demonstrating how thoughtful design can transform a house into an inspiring and elegant home that optimizes every available square foot. The seamless integration of different design elements and the strategic use of space are consistently highlighted as significant achievements in Gallin's architectural work, making the home both grand and livable. #ArchitecturalDesign #SpaceOptimization #ModernLiving #TraditionalAesthetics #InteriorDesign #HomeRenovation #MichaelGallin #CantileverDesign #OpenConcept

Gala Magriñá, an interior designer, shares her journey from film and television studies at New York University to founding her eponymous design firm in 2018. Initially, Magriñá worked for Diesel, creating window and in-store displays, and later launched her own production agency, orchestrating events for high-profile companies. A pivotal moment in her career was the discovery of Vedic meditation, which led her to redefine her professional purpose and shift from temporary event spaces to permanent interiors. This newfound passion for mindfulness became a cornerstone of her design philosophy, aiming to create spaces that merge aesthetic appeal with holistic well-being. Her Westchester, New York-based firm, which is women-led, undertakes both commercial and residential projects globally. Magriñá's design approach focuses on balancing diverse elements to create environments that inspire and uplift the energy of their occupants. She values the support and guidance of her mentors and fellow interior designers, often collaborating and seeking feedback to enrich her creative process. Despite a demanding schedule, she prioritizes meditation to maintain her well-being and productivity, especially when feeling fatigued in the afternoon. In her "Friday Five" feature, Magriñá identifies five key sources of inspiration. Travel is her primary muse; she finds visiting diverse cities like Rishikesh, Hong Kong, Dubai, and Tokyo particularly transformative. She enjoys planning visits to museums, stores, and restaurants in new cities but also embraces spontaneity, allowing herself to wander and discover hidden gems. Art and objects are another significant source of inspiration. She frequently attends art and design fairs, such as Art Basel and Design Miami, documenting ideas for future projects. These outings, often shared with designer friends, serve as essential breaks from routine work, fostering creativity and camaraderie. Interior architectural and design details consistently capture her attention. Magriñá often photographs elements like door handles and moldings, particularly noting European design for its simple yet modern aesthetics, which she integrates into her projects in the United States. Nature provides another profound source of inspiration and peace. Daily walks in the park, regardless of weather, help her find mental clarity and generate new ideas, as the vastness of nature helps put her problems into perspective. Finally, her hometown, New York City, remains a constant wellspring of creativity. The city's energy, people, fashion, and architecture, from the bustling streets to the iconic Chrysler Building, continually stimulate her imagination. She resonates with artist Marina Abramovic's sentiment that Manhattan's bedrock amplifies its energy, a feeling Magriñá experiences every time she steps into the city. The article also showcases several projects by Gala Magriñá Design, illustrating her aesthetic. The Design Studio Office in Long Island City, a 4,000-square-foot headquarters for a creative agency, blends mid-century modern with industrial flair, featuring hybrid meeting rooms and collaborative spaces tailored for a post-COVID work environment. The Irvington, NY Residence involved transforming a 1929 colonial-style home by preserving original details, using soothing off-white palettes, and incorporating pops of color through furniture, abstract art, and curated accessories. The West 67th Street Apartment, a two-bedroom unit with New York City views, underwent a full remodel emphasizing soft tones, natural woods, and textures to create a "sanctuary" feel, with notable features like a dark blue grasscloth wallpaper in the primary bedroom. The Postlight 5th Avenue Office was reimagined as a Soho House-inspired space, featuring curated lounge areas, custom wallpaper, and a 24-foot TV wall, designed for both employees and clients. Lastly, the Yousician NYC Office, located in a loft-style building in the Meatpacking district, incorporates the company's signature green, converting a space into a music-inspired hangout room with a bar and record player, embracing a "resimercial" concept for a fun and informal setting. #InteriorDesign #GalaMagrina #DesignInspiration #NewYorkCity #MindfulDesign #CommercialDesign #ResidentialDesign #TravelInspiration #ArtAndDesign

Gladys Tay, a vintage dealer and social media personality from Singapore, showcases her eclectic and maximalist design style in her 1984 Shoreview split-level home. Her unique approach to interior design, which blends modern and traditional furnishings with a keen eye for sculptural and artistic pieces, has garnered a significant following on Instagram. Tay's design philosophy is characterized by a playful attitude towards objects, where items are not confined to their intended use but are reinterpreted as art or multi-functional pieces. This is exemplified by her perspective on a hand chair, which she views as both a functional item and a piece of art to be creatively integrated into her space. Tay's home, spanning 1,800 square feet, is a dynamic canvas where pieces are regularly rotated from storage to display, ensuring a fresh and captivating aesthetic. Despite the spontaneous appearance of her arrangements, each item's placement is thoughtfully considered to maximize its visual impact without overwhelming the overall design. She maintains a neutral color scheme throughout her home to create a sense of cohesion and continuity between different spaces, often moving items between rooms to achieve a desired look. Timelessness is a core value in Tay's design ethos. Her art collection, which spans various eras and styles from portraits to abstract works, is a testament to this principle. She believes that good design, regardless of its age, can stand the test of time. As a vintage dealer, finding such pieces is central to her work. She frequents Minneapolis stores like Covet Consign, Bauer Brothers Salvage, and Hunt & Gather, seeking out items that are at least 20 years old and possess strong aesthetic appeal, purpose, and functionality. Tay is particularly drawn to multi-use items, such as a console table that can serve as a desk, entryway table, or bathroom vanity, always considering how an item can contribute to a room's energy and character. Her passion for unique finds and eclectic design is deeply rooted in her childhood experiences. Her father, who traveled extensively for work, would bring back limited-edition items from places like Manila, Japan, Hong Kong, and China, fostering her appreciation for one-of-a-kind objects. This early exposure to diverse cultural artifacts shaped her current design sensibility. Tay's Instagram profile, @thegladystay, initially started for personal lifestyle sharing in 2016, evolved into a platform where she shares her home's evolving design and her distinct style. Her hand chairs, in particular, often generate significant engagement and discussion among her followers. Her advice to aspiring designers is to maintain an open mind when shopping, avoid preconceived expectations, and trust one's intuition, emphasizing that true design comes from within. She also operates a vintage market called Foo Shoppe on chairish.com/shop/fooshoppe. #GladysTay #EclecticDesign #MaximalistDesign #VintageDealer #HomeDecor #InteriorDesign #Shoreview #ArtCollection #TimelessDesign

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

This article offers an exclusive look into the interior design of 'Meraki Beauty & Wellness,' a salon and spa located in Lahore, co-founded by sisters Saba and Fatima. The establishment is presented as a tranquil retreat, offering a complete beauty experience in a Zen-like environment, strategically located away from the bustling commercial areas of Gulberg and near the burgeoning DHA Phase 5. The salon's interior design is characterized by a harmonious blend of modern and industrial elements, creating a stylish yet comfortable space. The designers deliberately moved away from opulent decorations like typical chandeliers and vibrant colors, opting instead for a minimalist, contemporary aesthetic that promotes serenity and inner peace. This approach is evident in the choice of a muted color palette and natural materials, which define the three distinct zones of the salon. The entry from the staircase area is designed as a dark transition space, leading into a lighter, more open main reception and hair styling area. The second floor features grey-shaded sofa seats for manicure and pedicure sessions, alongside separate rooms for makeup and massage. Additionally, three nail art stations are decorated in shades of navy blue, benefiting from natural sunlight and outside views. Strategic lighting plays a crucial role in enhancing the ambiance and highlighting key interior design elements. The second floor, in particular, exudes a bright and cheerful atmosphere. The owners, Saba and Fatima, emphasize the importance of hygiene, client satisfaction, and continuous in-house training, with Saba having completed multiple training courses in skin and hair from Dubai and New York. The waiting area provides ample seating, and the overall artsy design, infused with contemporary touches, is given a warm character through bright pops of pink and purple against a backdrop of black and grey, breaking potential monotony. The interior is also designed to optimize space, incorporating areas for Pilates and yoga classes, along with a small health bar, creating a homely setting for clients. Functionality and ease of maintenance are also key considerations, as demonstrated by the use of leather upholstered furniture and wall panels that are easy to clean. The decor maintains a simple and functional appeal, reminiscent of a traditional living room, yet includes occasional glamorous accents. Wrought iron encased lights contribute to the sophisticated look without being ostentatious, and subtle gold strokes add an elegant touch. Laser-cut separators and the salon's logo in gold and black serve as central design features. The sisters, strong advocates of minimalism, frequently intend to refresh the salon's look to provide a novel experience for their clientele, ensuring every detail is meticulously managed to offer a high-quality, personalized service. The spa area further exemplifies thoughtful space planning with wooden flooring, racks, and display furniture, complemented by planters and cozy sofas that create a soothing ambiance, catering to the city's style-conscious clientele. #SalonInteriorDesign #SpaWellness #LahoreBeauty #MinimalistDecor #ModernIndustrial #ZenEnvironment #PersonalizedService #SpacePlanning #ClientExperience

Maharam, a prominent textile house, has released a new capsule collection of reissued fabrics, rugs, and wallpapers, celebrating the creative legacy of iconic American designer and architect Alexander Girard. This collection is part of Maharam’s ongoing ‘Textiles of the 20th Century’ series, which already features 30 of Girard's patterns. The newly reintroduced designs were originally conceived by Girard during his tenure as founding design director of Herman Miller’s textile division, a period spanning from 1952 to 1973, during which he developed over 300 designs. The current offering from Maharam comprises six designs, available across two upholsteries, three wall coverings, and one hand-woven rug. These selections highlight Girard’s distinctive ability to craft graphic patterns and incorporate unusual color and texture combinations. Maharam's approach involves faithfully reproducing these historic designs while integrating contemporary considerations, such as environmental impact and material innovation. To further illuminate Girard's work and influences, Maharam has commissioned a short film that delves into the significant role of Santa Fe and the New Mexico landscape in shaping his artistic vision. A notable example of this commitment to responsible reproduction is the 'Mexidot' (1963) upholstery pattern. Originally part of a series of handwoven stripes known as 'Mexicotton,' the Girard Studio, managed by Alexander Girard’s grandchildren, requested that the updated version prioritize environmental sustainability and accessibility. In response, Maharam Design Studio utilized recycled spun yarns to mimic the original appearance of natural cotton, ensuring the textile meets current demands for high-traffic commercial and residential settings. The collection also features three wallpaper designs: 'Alphabet' (1952), 'Roman Stripe' (1952), and 'Broken Stripe' (1952). These have been digitally printed on non-PVC substrates, preserving the original warmth, tactility, and vibrant colors of Girard’s initial creations. 'Pepitas' (1952), an upholstery design characterized by a pointed ellipsis formed by two intersecting discs, exemplifies Girard’s versatile aesthetic, suitable for various applications including drapery and wallpaper. The 'Millerstripe' rug, based on a 1972 upholstery textile previously reissued by Maharam in 2002, celebrates the enduring appeal of the stripe motif. This rug is crafted from a wool twill, depicting the original polychromatic layout at double its initial scale. Mary Murphy, Maharam’s vice-president of design, emphasizes the cohesive nature of Girard’s body of work, noting that many of his designs harmonize well together. She also highlights Girard’s belief in textiles as a fundamental building material for any space. The Girard Studio concludes that the collection aims to raise awareness about the breadth and diversity of Girard’s designs. They describe the upholsteries, wallcoverings, and rugs as offering an understated yet distinctly Girardian style, appealing to those who appreciate a classic yet unexpected aesthetic. The partnership between Maharam and Girard Studio reflects a dedication to preserving and recontextualizing historical design while embracing modern demands for sustainability and functionality. #AlexanderGirard #MaharamTextiles #TextileDesign #MidCenturyModern #InteriorDesign #SustainableDesign #Wallpaper #Upholstery #Rugs

This article by André Leon Talley delves into the significant influence of Syrie Maugham, a prominent English-born interior decorator from the early 20th century. Talley recounts receiving Pauline C. Metcalf's book, *Syrie Maugham: Staging the Glamorous Interior*, from Karl Lagerfeld, which prompted his reflection on Maugham's signature style. He notes his recent acquisition of a Louis XV provincial commode painted in a 'pickled' style, characteristic of Maugham's aesthetic, drawing a parallel to a commode in her own all-white salon from 1927. Talley also recalls a previous encounter with Maugham's influence in the 1980s, when he and Manolo Blahnik discovered ceremonial English drums repurposed as coffee tables in London, echoing the decorator's innovative approach. The article highlights Maugham's role as a patron of emerging artists, showcasing her collaborations and introductions of various talents. She championed decorative plasterwork by Oliver Messel, furniture designs by Jean-Michel Frank and his associates, and floral arrangements by Constance Spry. Her network extended to architects like David Adler and decorator Frances Elkins. Maugham's design philosophy transcended geographical boundaries, impacting American homes, including those of tastemaker Babe Paley in New York and actress Jean Harlow in Hollywood. Her aesthetic even permeated Hollywood set design, notably influencing Cedric Gibbons's all-white set for Harlow's 1933 film *Dinner at Eight*, which famously employed eleven shades of white to create depth and contrast. The piece further illustrates Maugham's impact through iconic imagery, such as Cecil Beaton's portrait of his sister, Baba, in a sleek white dress within Maugham's renowned 'Party Room.' This room, pivotal to her success, was celebrated for its resonance with the Modernist style of the era. The evolution of Maugham's style is exemplified by a 1950 *Vogue* photograph of Babe Paley in a ruby satin Charles James dress, set against a Maugham backdrop featuring a tufted lettuce-green sofa, green velvet wool carpet, and damask stenciled walls at Kiluna Farm. This image underscores how Maugham's design continued to define refinement and unorthodox elegance over decades. Maugham's inspiration stemmed from diverse sources, including the tufted Second Empire upholstery of Empress Eugenie of France’s bathroom watercolors. She adeptly integrated these historical elements into contemporary rooms, believing that Victorian design principles could soften the often stark lines of modernism. The article concludes by tracing Maugham's enduring legacy, noting how her ideas, such as the concept of an overstuffed, fringed sofa, were reinterpreted by later designers like Mark Hampton, who applied them to create a beautiful room in a La Jolla, California home in 1994. This demonstrates the lasting influence of Syrie Maugham's visionary approach to interior design. #SyrieMaugham #InteriorDesign #DesignHistory #ModernistStyle #HomeDecor #AndréLeonTalley #PaulineCMetcalf #Vogue

The article presents an interview with renowned interior designer Jeffrey Alan Marks, discussing current trends and shifts in the interior design industry. Marks, known for his California cool aesthetic and television appearances, shares insights from his home in Montecito, detailing how client preferences and the design process have evolved, especially in the wake of recent global changes. Marks observes a significant shift in consumer behavior, noting an unprecedented excitement for summer and a desire for home entertaining. He anticipates a period akin to the Roaring Twenties, where people prioritize creating safe, special, and intimate environments at home. This trend is driving demand for outdoor living spaces, larger barbecue areas, and indoor/outdoor bars, leading to sold-out outdoor furniture from major retailers like Restoration Hardware and Palecek. He emphasizes that the importance of home, particularly outdoor living areas, has become more pronounced, with individuals investing in these spaces to enhance their quality of life. He also highlights the digital transformation impacting the design industry. Online sales for his business have tripled, indicating a strong willingness among consumers to purchase items sight unseen, especially when familiar with the vendor. This digital boom extends to real estate, where properties are sometimes bought without physical visits. Clients are increasingly using digital tools like Instagram boards and Zoom meetings to conceptualize their design ideas, arriving with organized visions of what they want. This increased client involvement, Marks states, does not diminish his role but rather transforms it into a more collaborative guidance process, as clients still require professional expertise for sourcing unique items and navigating complex design decisions. Marks addresses the pervasive influence of large retailers like Restoration Hardware, noting that even affluent clients building multi-million dollar homes often present images from these brands as their desired aesthetic. He relates this phenomenon to the impact of cinematic sets, where curated environments, like Nancy Meyers's kitchens, become aspirational but are often misunderstood as easily replicable. Despite the popularity of these readily available styles, Marks finds his value in guiding clients through the process and adding a unique, curated touch, even when working with commercial products. Regarding art, Marks observes that clients are spending more time and money on collecting meaningful pieces rather than simply filling wall space. There is a growing inclination to wait for the 'right' artwork, reflecting a more thoughtful and personal approach to art acquisition, a trend not seen in other aspects of home decor. Marks expresses a desire for a return to 'preppiness' in home design, moving away from avant-garde or shock-value aesthetics. He advocates for infusing color into homes, describing his own house as red, white, and blue with green accents, and featuring candy-striped curtains. He believes color is crucial for psychological well-being and seeks to create happier, more jovial spaces, contrasting with the popular monochromatic styles seen in brands like Jenni Kayne. Finally, Marks discusses his approach to designing sophisticated beach houses, which diverge from the traditional floppy, shabby aesthetic. His designs incorporate tailoring, structure, and a refined sensibility, often drawing from English influences due to his training in England. He emphasizes the significance of 'the little things' in design—the details that make a lasting impression, such as curtains, antique bowls, or carefully placed potted plants. He strives to include one unexpected surprise in each room, a signature element that makes the space uniquely '#JAMapproved'.

The article profiles the interior design firm Breckinridge Taylor, founded by Charles Taylor and Breck Woolsey, focusing on their return to Dallas from California and their impact on the local design scene. Both designers, originally from Texas, met in San Diego and decided to establish their business in Dallas, citing the city's abundance of opportunities for small businesses. They experienced initial delays in launching due to their ongoing individual projects but eventually succeeded in forming their company. Breckinridge Taylor is noted for its collaborative style, which blends vintage aesthetics with an eclectic mix of traditional, midcentury, and contemporary elements. The designers incorporate unexpected shapes and finishes into their work. Taylor describes his style as more contemporary, often mixing it with midcentury modern pieces, while Woolsey combines traditional and midcentury modern with Hollywood Regency influences. They aim to introduce current design trends to Dallas, often drawing from what is popular on the coasts or their personal tastes. Beyond their interior design services for residential and commercial spaces, such as the Osgood O’Neil salons, Breckinridge Taylor has ventured into furniture design. They collaborated with Mecox to create a line of 70 wood furniture pieces available in various finishes and also designed a rug collection sold at Interior Resources. Additionally, they have created special edition Lucite furniture for Plexicraft and will soon feature their updated vintage pieces at Again & Again. They have also launched a separate furniture line called Whilom Inc., which will soon be available at Mecox. On the commercial front, the duo has completed the interior design for John Tesar’s Spoon restaurant in Preston Center. They credit their success to the support and endorsement of bloggers, tastemakers, and influencers. Both designers expressed admiration for the architecture and innovative design of the Perot Nature and Science Museum, which they view as an example of the originality they hope to see more of in Dallas. The Design District in Dallas is highlighted as their favorite area, recognized for its comprehensive resources for designers and its potential for future growth with new restaurants, living spaces, and hotels. The article also mentions their participation in charitable events, including a Habitat for Humanity competition and a Dwell With Dignity event, demonstrating their engagement with the local community. #InteriorDesign #HomeDecor #DallasDesign #BreckinridgeTaylor #FurnitureDesign #CommercialDesign #VintageModern #EclecticStyle #TexasDesigners

Sara Story Design, a New York City-based firm, collaborated with Lake|Flato Architects to create SK Ranch, a modern ranch retreat nestled in the Texas Hill Country. The expansive property spans 10 acres of rolling hills and encompasses a main house, a guest retreat, a pool house, and a tennis pavilion. The architectural design of the ranch skillfully merges modern aesthetics with classic ranch elements, incorporating both modern and vintage furnishings, clean lines, and an impressive collection of contemporary art. The construction prominently features massive blocks of Texas Lueders limestone, complemented by steel and glass walls, which allow for abundant natural light and offer expansive views of the surrounding green landscape through floor-to-ceiling windows. The main house features an open-concept living and dining area with double-height ceilings, creating a grand and spacious ambiance. A notable design element in this space is the Fragile Future chandelier by artists Lonneke Gordijn and Raph Nauta, crafted from dandelion seed heads, concrete, and phosphorus bronze. This unique lighting fixture is positioned in front of a surrealist painting by Tomasz Kowalski. Beyond the main living area, the house includes an eat-in kitchen, six bedrooms, and a master suite. The pool house provides a tranquil space with views of both the landscape and the pool, suggesting a serene environment for relaxation. Each of the bedrooms within the ranch is designed with a distinct character. The master suite, conveniently located adjacent to the great room, is characterized by perforated suede wall panels that impart a luxurious feel. This suite also features a vintage 1970s Eileen Gray Transat Chair and a painting by Kati Heck. The separate guesthouse offers additional accommodation, comprising two bedrooms, an indoor/outdoor living room, and a wine cellar, further enhancing the retreat's amenities. The overall design emphasizes a harmonious blend of indoor and outdoor living, capitalizing on the picturesque Texas landscape. The selection of materials, from local limestone to contemporary art, reflects a considered approach to creating a sophisticated yet comfortable family ranch. #ModernRanch #TexasArchitecture #LuxuryHomes #InteriorDesign #ContemporaryArt #SaraStoryDesign #LakeFlatoArchitects #ArchitecturalDesign #HomeDecor

Undulating lines and wavy silhouettes have gained significant traction in interior design since the onset of the pandemic, offering a blend of energetic appeal and comforting aesthetics. These designs, which mimic the natural ebb and flow of water, contribute to a calming atmosphere while incorporating a trendy Memphis Milano–style whimsy. This trend manifests in various decor accents, bringing organic and playful elements into home interiors. Among the featured items is Porta Romana’s Clam Shell mirror, available in Plaster White and Koi Carp finishes. This statement mirror draws inspiration from classical motifs, with its rolling curves evoking the linework found in Botticelli’s 'The Birth of Venus.' Another notable piece is the Wave rug from Tsar Carpets. Hand-tufted from wool, this rug features sinuous, fluid lines designed to resemble smooth waters, enhanced by high pile heights and stipples for added comfort and dimension. The Alison Rose Zephyr Bianco Carrara Field Dimensional tile for Artistic Tile showcases elegant curved brass lines inlaid into textured stone. This tile can be arranged in straight or broken-joint layouts, each producing distinct undulating patterns. Mind the Gap’s Sea Waves wallpaper, offered in Taupe and Neutral, draws inspiration from traditional Japanese woodblock prints. It depicts the outlines of crashing ocean surf, creating an ethereal and atmospheric effect suitable for dramatic bathroom installations or as an accent wall alternative to traditional landscape artwork. Porta Romana also offers the Clam Shell wall light, a biomorphic sconce with a nautical theme. This shell-shaped light features rows of undulating grooves and a textured plaster finish. The porcelain Blue Dragon figurine by Chelsea House adds a touch of character and color. Its serpentine outline is designed to bring joy to tablescapes, side tables, or bookshelves, providing a vibrant accent to more subdued decor. Finally, the Gracie Waves Border mosaic for New Ravenna offers a sea wave tile motif in an 18-inch border format. This piece provides an impactful design element without requiring an entire wall, functioning effectively as a bathroom mural or a kitchen backsplash. These diverse products illustrate how wavy and fluid designs can be integrated into various aspects of home decor to achieve a cohesive, free-spirited aesthetic. #WavyDecor #InteriorDesignTrends #HomeDecor #OrganicShapes #MemphisMilanoStyle #StatementMirror #TexturedRugs #DimensionalTile #WallpaperDesigns #AccentLighting #DecorativeFigurines #MosaicArt

This blog post showcases a modernist-style home recently listed for $1.7 million in Williamsburg, Virginia. The property, situated on nearly ten wooded acres overlooking a small waterway and marshland, was designed by renowned local architect and University of Virginia School of Architecture professor W.G. Clark. Constructed in 2005, the concrete block structure offers a stark contrast to other homes in the area, largely hidden from view due to its secluded location. The current owner, Mark Segal, purchased the property in 2018 and undertook a two-year renovation to update the interior while meticulously honoring Clark's original vision and drawing inspiration from modernist icons such as Pierre Chareau and Le Corbusier. Segal, a fan of European modernism from the 1930s, was attracted to the home's strong reflection of beloved designs and its private, waterfront lot. The renovation aimed to modernize the finishes while preserving many of Clark's custom features, including built-in cabinetry and workspaces. He notes that the interplay of materials and natural light creates a warm and inviting atmosphere. The two-story residence features imposing 17-inch-thick concrete walls, engineered with an air gap for insulation, which are visually balanced by expansive glass block windows. These windows not only flood the interior with natural light but also provide scenic views of the surrounding property. The double-height living and dining area is illuminated by custom Hope’s steel windows, partially set with 12-inch Corning glass blocks. Segal updated elements like the massive 17-foot-tall room divider separating the kitchen and dining area, which was previously a lighter, natural-colored stain. The 3,000-square-foot home includes two bedrooms and two full bathrooms. One bathroom features Clark's modernist vanity design, incorporating repurposed steel girders, and a reproduction 1930s bathtub custom-cast in England. A mezzanine level overlooking the dining area offers the potential for a third bedroom. The kitchen retains Clark's original cabinetry and stainless steel countertops, complemented by updated appliances and a walk-in pantry. One of the bedrooms boasts a 16-foot-long solid mahogany workstation, an original feature, with natural light provided by a glass-block window overlooking the backyard. A library/den also benefits from a full-height, glass-block window. Outdoors, a blue stone patio connects the main house to a screened pavilion and storage area, both designed by W.G. Clark in 2010. The 9.98-acre lot encompasses a large lawn, a fenced area suitable for pets or gardening, and extensive natural forest. The property boasts 600 feet of water frontage along Gordon’s Creek, a brackish waterway linked to the James River. Notably, the property is not located within the FEMA 100-year floodplain, eliminating the need for flood insurance. Most of the home's furnishings, including designs by notable figures like Jean Prouvé, Charlotte Perriand, Jean-Michel Frank, Pierre Chareau, and Marcel Breuer, are available for separate purchase. #ModernistArchitecture #VirginiaRealEstate #HomeRenovation #ArchitecturalDesign #WaterfrontProperty #W.G.Clark #InteriorDesign #ModernHome

The ancient art of marbling, traditionally found in antique books with its distinctive swirling and veined patterns reminiscent of Carrara quarries and Florentine workshops, is experiencing a significant resurgence in contemporary design. This centuries-old technique, once confined to specialized applications, has now permeated various aspects of modern aesthetics, from high fashion to home decor. The trend's widespread adoption is evident through its incorporation into collections by notable designers and brands. For instance, Rachel Comey has featured kaleidoscopic marbled prints in her collaboration with Target, making the sophisticated pattern accessible to a broader audience. In the realm of home decor, prominent ELLE DECOR A-List designers, such as Beata Heuman, are actively integrating marbled objects and fabrics into their clients' residences. This signifies a high-end endorsement of the trend, demonstrating its versatility and elegance in interior spaces. Beyond bespoke designs, a multitude of products are available for individuals looking to infuse this dreamy, rippling motif into their own homes. Entertaining experts and lifestyle brands, including John Derian, Rebecca Gardner, and Skye McAlpine, are offering their unique interpretations of marbling across various household items. Key product categories showcasing this trend include tabletop linens, such as those from Summerill & Bishop, which recently launched a collection of marbled linen tablecloths in multiple patterns. John Derian's shop features an array of marbled pieces, from decoupage items and papers to a unique collaboration with Astier de Villatte, and newly added marbled tabletop additions like plates, platters, and bowls crafted using a specialized stamping technique by Sylvie Saint-Andre Perrin in Paris. Decorative trays, exemplified by Wolfum Handcrafted Wooden Mix & Match Trays, offer a practical and stylish way to incorporate the pattern for organizing trinkets or serving. Dinnerware also embraces the marbled aesthetic, with brands like Bornn offering multicolor enamel sets featuring soft marbled patterns in various hues. Lighting fixtures are not left out, with Rebecca Gardner's Houses & Parties offering a range of marbled paper lampshades in diverse colors and swirls, alongside other marbled items such as party crackers, cachepots, lanterns, and scented candles. The trend extends to stationery, with Skye McAlpine's collaboration with Papier resulting in a line of marbled products including menu cards, place cards, and customizable recipe journals. Even luxury home accessories like candles are seeing this revival, as seen with the Acqua di Parma Oh L’Amore Candle, which comes with an elegant Carrara marble stand, a collaboration involving Artemest and the historic Giannini bookbinding company. Smaller decorative accents also feature marbling, such as Chantico Fireplace Matches from Ark Elements, which also offers marbled plates and bowls. Hand-marbled candles from BrightnessVermont showcase the pattern in various color schemes, highlighting its artisanal appeal. Furthermore, textiles play a significant role, with Beata Heuman's Dappled Velvet fabric available by the yard and in pillows, and Susi Bellamy's Mulberry Fantasy Marbled Velvet Square Cushion drawing inspiration from Florentine artistry. Finally, the trend makes a bold statement in wallcoverings, with Voutsa's collaboration with Lambert McGuire Design on an eye-popping marbled wallpaper used in the Hotel Saint Vincent, demonstrating the pattern's capacity to transform entire spaces. #MarblingTrend #HomeDecor #InteriorDesign #TabletopDecor #TextileDesign #DesignerCollaborations #LuxuryHome #ArtisanCraft #PatternResurgence

This article highlights three new home decor boutiques that have recently opened in Southwest Florida, specifically between Sanibel and Naples, in 2025. These shops, celebrated for their distinct styles and community contributions, are recognized for bringing character and purpose to the local retail landscape. The first featured shop is the STARability Home Collection, located in the Naples Design District. This expanded home decor shop is noted for its unique business model, where 100% of its proceeds support programs for adults with intellectual and developmental disabilities. The collection primarily consists of high-end, secondhand finds, meticulously sourced and curated. Anne Fleming, the former general manager of Waterside Shops and a 2024 Gulfshore Life Woman of the Year, played a pivotal role in launching this new location, leveraging her luxury retail expertise and extensive network to secure top-quality donations. These donations include items such as Roche Bobois dining chairs, a John-Richard credenza, Natuzzi leather sectionals, velvet sofas, and vintage books, all maintained in excellent condition. Interior designer Monica Lukas is responsible for arranging these items into polished, showroom-ready vignettes, effectively showcasing the breadth and quality of the inventory, which can sometimes amount to a full house's worth of donations. Next, the article introduces 41 Home & Garden, an interiors-focused extension of Christian Busk’s well-established greenhouse and garden shop, also situated in the Naples Design District. Opened in the fall of 2024, this showroom showcases a blend of character-rich pieces, including Art Deco Donald Deskey originals, midcentury modern silhouettes, and Sicilian ceramics, all presented within a refined and relaxed setting. Christian Busk, known for his nearly 50 years of experience in transforming outdoor spaces, applies his keen eye for design to interiors. He personally curates the collection through extensive travel and estate sale exploration, combining deliberate selections with spontaneous finds. The store's unique appeal stems from this mix of precision and serendipity in its curation, inviting visitors to appreciate each item's story and craftsmanship. Assistant editor Annamarie Simoldoni notes the care evident in Christian’s selections, describing the shop as a thoughtful addition to the local design scene. The third shop is Home by Rachel Pierce, a boutique on Sanibel Island that opened last summer. Founded by Rachel Pierce, an NBC-2 anchor turned artist, the shop embodies a beach-forward aesthetic, earning a strong following for its breezy and well-edited collection. Sandy Stilwell Youngquist, a local restaurateur and Gulfshore Life Community Advisory Board member, highlights this shop as a standout new addition to the island. The interior design of Home by Rachel Pierce features seafoam green upholstery, octopus-patterned pillows, and various shell decor, complemented by curated furnishings sourced by co-owner Lauren Speas. Rachel Pierce actively engages her network of local makers, ensuring the shop remains deeply rooted in Sanibel’s creative community and reflects the natural beauty of the island. Collectively, these three establishments contribute to Southwest Florida’s home decor shopping landscape by offering diverse styles, supporting noble causes, and bringing unique curatorial visions to the forefront. #DesignInspiration #HomeDecor #RetailDebuts #SouthwestFlorida #Shopping #InteriorDesigners #LocalBusinesses #Philanthropy #ArtDeco #MidcenturyModern #CoastalStyle

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Texas Design Week Houston will host a panel discussion on Thursday, April 17, from 11 am to 1 pm, at Ann Sacks, focusing on the importance of decorative arts in interior design. The panel features prominent figures in the decorative arts world: Guillaume Féau of Féau Boiseries Paris, master verre églomisé artist Miriam Ellner, and designer Sara Story. The event includes an illustrated talk, book signings, and cocktails, and is part of the broader Texas Design Week Houston schedule. Guillaume Féau represents Féau Boiseries, a Parisian company established in 1875 known for preserving and recreating centuries-old wood paneling. The firm possesses an extensive collection of antique decorative paneling, including fragments from Napoleon’s office and pieces by notable designers such as Jansen, Emilio Terry, Alberto Pinto, Madeleine Castaing, Jacques-Émile Ruhlmann, and Jean-Michel Frank. The archive also contains historical elements like rooms designed for Madame de Pompadour and 18th-century chinoiserie panels. Féau Boiseries has collaborated with leading interior designers including Jacques Garcia, Jean-Louis Deniot, and Michael S. Smith, and their work has adorned the homes of influential patrons like Henry Frick, Henry Ford, and the Getty family. Under the leadership of Guillaume Féau and Angélique Féau-Leborgne, the company is expanding its presence in the United States with a new showroom in New York City’s D&D Building, aiming to provide easier access to their archives and reproduction panels spanning from the 17th century to the Art Deco period. Miriam Ellner, a master of verre églomisé, will also participate. Her artistry involves transforming plain glass into intricate decorative pieces using techniques like gilding, painting, and applying layers of gold and silver leaf, powdered potions, and other materials. Her New York City studio, where she works with a team of artists, produces custom wall panels, doors, ceilings, decorative screens, tables, mirrors, and abstract art. Ellner’s work is highly sought after by top designers such as Michael S. Smith, Bunny Williams, Emily Summers, and Peter Marino. She is recognized globally as a leading practitioner of verre églomisé, as highlighted by Glenn Adamson, former director of the Museum of Arts and Design. Her new book, “Golden Glass: Verre Églomisé,” showcases her unique artistry and experimental approach. Ellner's training includes a century-old art school in Brussels, where she learned decorative painting, gilding, trompe l’oeil, and the preparation of materials, followed by specialized training in verre églomisé with Frances Binnington in London. Sara Story, a Houston native based in New York City, has established an international design practice with projects worldwide and her own lines of lighting, wallpaper, and furniture. She is included in the AD 100 list and has been featured in numerous design and lifestyle publications. A significant career milestone was the 2014 feature in Architectural Digest showcasing the contemporary Hill Country ranch house she designed with Lake/Flato. Story is also deeply involved in the art world, serving on the Board of Ballroom Marfa, a founding member of Proyecto Dracula, and a Board of Trustees member for the New Museum, as well as a member of the Guggenheim Museum’s International Director’s Council and the Design Leadership Network. #TexasDesignWeek #DecorativeArts #InteriorDesign #GuillaumeFeau #FeauBoiseries #MiriamEllner #VerreEglomise #SaraStory #DesignPanel #LuxuryInteriors