R5 Michael Gallin’s Traditional and Modern Aesthetics Optimize Space

Gladys Tay, a vintage dealer and social media personality from Singapore, showcases her eclectic and maximalist design style in her 1984 Shoreview split-level home. Her unique approach to interior design, which blends modern and traditional furnishings with a keen eye for sculptural and artistic pieces, has garnered a significant following on Instagram. Tay's design philosophy is characterized by a playful attitude towards objects, where items are not confined to their intended use but are reinterpreted as art or multi-functional pieces. This is exemplified by her perspective on a hand chair, which she views as both a functional item and a piece of art to be creatively integrated into her space. Tay's home, spanning 1,800 square feet, is a dynamic canvas where pieces are regularly rotated from storage to display, ensuring a fresh and captivating aesthetic. Despite the spontaneous appearance of her arrangements, each item's placement is thoughtfully considered to maximize its visual impact without overwhelming the overall design. She maintains a neutral color scheme throughout her home to create a sense of cohesion and continuity between different spaces, often moving items between rooms to achieve a desired look. Timelessness is a core value in Tay's design ethos. Her art collection, which spans various eras and styles from portraits to abstract works, is a testament to this principle. She believes that good design, regardless of its age, can stand the test of time. As a vintage dealer, finding such pieces is central to her work. She frequents Minneapolis stores like Covet Consign, Bauer Brothers Salvage, and Hunt & Gather, seeking out items that are at least 20 years old and possess strong aesthetic appeal, purpose, and functionality. Tay is particularly drawn to multi-use items, such as a console table that can serve as a desk, entryway table, or bathroom vanity, always considering how an item can contribute to a room's energy and character. Her passion for unique finds and eclectic design is deeply rooted in her childhood experiences. Her father, who traveled extensively for work, would bring back limited-edition items from places like Manila, Japan, Hong Kong, and China, fostering her appreciation for one-of-a-kind objects. This early exposure to diverse cultural artifacts shaped her current design sensibility. Tay's Instagram profile, @thegladystay, initially started for personal lifestyle sharing in 2016, evolved into a platform where she shares her home's evolving design and her distinct style. Her hand chairs, in particular, often generate significant engagement and discussion among her followers. Her advice to aspiring designers is to maintain an open mind when shopping, avoid preconceived expectations, and trust one's intuition, emphasizing that true design comes from within. She also operates a vintage market called Foo Shoppe on chairish.com/shop/fooshoppe. #GladysTay #EclecticDesign #MaximalistDesign #VintageDealer #HomeDecor #InteriorDesign #Shoreview #ArtCollection #TimelessDesign

Gala Magriñá, an interior designer, shares her journey from film and television studies at New York University to founding her eponymous design firm in 2018. Initially, Magriñá worked for Diesel, creating window and in-store displays, and later launched her own production agency, orchestrating events for high-profile companies. A pivotal moment in her career was the discovery of Vedic meditation, which led her to redefine her professional purpose and shift from temporary event spaces to permanent interiors. This newfound passion for mindfulness became a cornerstone of her design philosophy, aiming to create spaces that merge aesthetic appeal with holistic well-being. Her Westchester, New York-based firm, which is women-led, undertakes both commercial and residential projects globally. Magriñá's design approach focuses on balancing diverse elements to create environments that inspire and uplift the energy of their occupants. She values the support and guidance of her mentors and fellow interior designers, often collaborating and seeking feedback to enrich her creative process. Despite a demanding schedule, she prioritizes meditation to maintain her well-being and productivity, especially when feeling fatigued in the afternoon. In her "Friday Five" feature, Magriñá identifies five key sources of inspiration. Travel is her primary muse; she finds visiting diverse cities like Rishikesh, Hong Kong, Dubai, and Tokyo particularly transformative. She enjoys planning visits to museums, stores, and restaurants in new cities but also embraces spontaneity, allowing herself to wander and discover hidden gems. Art and objects are another significant source of inspiration. She frequently attends art and design fairs, such as Art Basel and Design Miami, documenting ideas for future projects. These outings, often shared with designer friends, serve as essential breaks from routine work, fostering creativity and camaraderie. Interior architectural and design details consistently capture her attention. Magriñá often photographs elements like door handles and moldings, particularly noting European design for its simple yet modern aesthetics, which she integrates into her projects in the United States. Nature provides another profound source of inspiration and peace. Daily walks in the park, regardless of weather, help her find mental clarity and generate new ideas, as the vastness of nature helps put her problems into perspective. Finally, her hometown, New York City, remains a constant wellspring of creativity. The city's energy, people, fashion, and architecture, from the bustling streets to the iconic Chrysler Building, continually stimulate her imagination. She resonates with artist Marina Abramovic's sentiment that Manhattan's bedrock amplifies its energy, a feeling Magriñá experiences every time she steps into the city. The article also showcases several projects by Gala Magriñá Design, illustrating her aesthetic. The Design Studio Office in Long Island City, a 4,000-square-foot headquarters for a creative agency, blends mid-century modern with industrial flair, featuring hybrid meeting rooms and collaborative spaces tailored for a post-COVID work environment. The Irvington, NY Residence involved transforming a 1929 colonial-style home by preserving original details, using soothing off-white palettes, and incorporating pops of color through furniture, abstract art, and curated accessories. The West 67th Street Apartment, a two-bedroom unit with New York City views, underwent a full remodel emphasizing soft tones, natural woods, and textures to create a "sanctuary" feel, with notable features like a dark blue grasscloth wallpaper in the primary bedroom. The Postlight 5th Avenue Office was reimagined as a Soho House-inspired space, featuring curated lounge areas, custom wallpaper, and a 24-foot TV wall, designed for both employees and clients. Lastly, the Yousician NYC Office, located in a loft-style building in the Meatpacking district, incorporates the company's signature green, converting a space into a music-inspired hangout room with a bar and record player, embracing a "resimercial" concept for a fun and informal setting. #InteriorDesign #GalaMagrina #DesignInspiration #NewYorkCity #MindfulDesign #CommercialDesign #ResidentialDesign #TravelInspiration #ArtAndDesign

The article highlights the journey and design philosophy of Ryan Saghian, a millennial interior designer who has rapidly established himself in the industry. Saghian's career trajectory is compared to that of Kobe Bryant, emphasizing his early start and intense dedication to his craft, beginning with an internship at Woodson & Rummerfield House of Design during high school and subsequently earning a degree in Interior Architecture from the Art Institute of California. Saghian chose an unconventional path by launching his own design studio, Ryan Saghian Interiors, in his early twenties, utilizing social media to build his brand and client base. This strategic use of social media allowed him to overcome the traditional industry expectation for young designers to spend years under senior talent. His efforts led to significant recognition, including being the youngest recipient of the Interior Designer of the Year award by the city of Los Angeles, inclusion in the International LuxDeco Top 100 talents, and a feature on Bravo's Best Room Wins television show. Saghian's design aesthetic is characterized by a blend of Old Hollywood glamour and modern millennial energy, creating spaces that feel authentic and lived-in. His approach is deeply rooted in emotion and self-expression, evident in his diverse portfolio that encompasses not only interior spaces but also original furniture, wall treatments, rugs, and even a signature scented candle inspired by childhood memories. He articulates that creativity stems from the heart and intuition, aiming to infuse spaces with personal expression, which he identifies as the distinctive Ryan Saghian experience. His brand, Ryan Saghian Home, reflects his vision of integrating classic design elements into contemporary pieces. This collection draws inspiration from his extensive travels and exploration of thrift stores, flea markets, and trading posts. Saghian's ambition is to make his design accessible to a wider audience through his line of furnishings, wallpaper, and dinnerware, enabling individuals globally to incorporate his distinctive style into their homes. The article also touches upon Saghian's collaborative work, such as his handmade cork wallpaper collection for Bijou, which features gold glimmers and paint splashes reminiscent of Jackson Pollock's style. He is currently developing new, "more earthy" pieces for Moss, a renowned design and art emporium in Manhattan, alongside a new rug and signature tile collection. Despite these evolving tastes, Saghian maintains that black and white, a staple in his designs, will always remain timeless. Looking ahead, Saghian expresses a strong desire to expand his design influence into the hospitality sector, dreaming of designing hotels, restaurants, and bars that embody his signature style. #RyanSaghian #InteriorDesign #MillennialDesigner #OldHollywoodGlamour #ModernDesign #DesignEntrepreneurship #HomeFurnishings #DesignInnovation #LuxuryInteriors

Jonathan Matti, an interior designer with an architectural background, has established himself over four decades as a leading figure in Manila's interior design scene. He is the founder and CEO of an eponymous interior design firm and is known for projects such as the Goldenberg Mansion's Glass House and the creative hub Vetted. Matti describes his design philosophy as an integration of "Old World elegance meets 21st-century living," aiming to create spaces that are rich and nuanced without feeling anachronistic or like a museum. Matti emphasizes the importance of client collaboration, stating that successful projects stem from clients who share his appreciation for graceful, modern interiors with a historical feel. He welcomes opinionated clients, viewing such exchanges as a healthy dialogue that enriches the design process. His approach resonated internationally, leading to a collaboration with British company de Gournay to create "Latina Manila," a wallpaper series inspired by Filipino culture and history. His architectural training enables him to bridge the gap between space design and interior design, effectively resolving incongruities between a structure's architecture and its interior furnishings. A notable highlight of Matti’s career involved designing "The Glass House" at the Goldenberg Mansion. Following an unexpected downpour during an event hosted by First Lady Liza Araneta-Marcos, Matti was tasked with creating a weather-proof indoor space. He conceived an air-conditioned annex of glass, steel, and wood, drawing inspiration from pre-Victorian era glasshouses. This structure was designed to blend with the gardens and allow natural light and views in, while providing a comfortable, semi-outdoor venue for events, complete with appropriate lighting. Matti's transition from aspiring architect to celebrated interior designer was influenced by his early exposure to diverse architectural styles through his mother, a real estate broker specializing in Makati villages. His first interior design project, which involved significant re-arrangement and minor construction, solidified his passion for interior design. This initial success led to numerous projects, eventually prompting him to focus solely on interior design. The creative hub Vetted emerged during the pandemic when Matti repurposed a rented storage space. Envisioned as a venue for pop-up events and creative gatherings, Vetted extends Matti's design philosophy, ensuring that all hosted events align with his aesthetic. Its inaugural event was an art exhibit by Elmer Borlongan. Despite initial challenges, Vetted has successfully hosted various events, including a pop-up store collaboration called “Garden of Earthly Delights.” Matti continues his collaboration with de Gournay, hinting at future home-related projects that will bear his signature elegance and meticulous vetting. #InteriorDesign #OldWorldElegance #JonathanMatti #ArchitecturalDesign #PhilippineDesign #DeGournay #GoldenbergMansion #VettedCreativeHub

The year 2025 is anticipated to bring a significant shift in interior design, moving towards greater self-expression and innovation. Several key trends are expected to dominate, influencing how individuals decorate and experience their homes. A prominent trend is the widespread adoption of color, with "color drenching" being a major influence. This technique involves painting walls, trim, and ceilings all the same rich hue to create an immersive and cohesive look. Designers predict a resurgence of earthy tones like olive, ochre, eggplant, and burnt red, alongside warm neutrals. Jewel tones such as persimmon, midnight, sage green, and cinnamon rose are also expected to add vibrancy and sophistication. Even for those who prefer neutrals, a shift from gray to warm brown tones is noted for paint colors, fabrics, and stained cabinetry. Textured walls are also gaining popularity, building on the color-drenching trend. This includes an increased use of wallpaper in various rooms and areas, as well as wood paneling and plaster finishes, all contributing to a warmer and cozier ambiance. Maximalism, which emphasizes curated individuality over minimalist aesthetics, is another significant trend. This approach encourages layering textures, patterns, and cherished items to create rooms that evoke emotion and energy, transforming spaces beyond their basic function. Beth Haley, a principal designer, notes that this involves intricate ceiling designs and a blend of different design styles, from traditional to contemporary, to create dynamic interiors. Statement tiling is evolving beyond bathrooms to become a focal point in various areas like entryways, mudrooms, and home bars. Designers are exploring vibrant colors and unique styles in tile, often combining them with classic materials like white marble to create memorable spaces. Handmade tiles with natural textures and organic feels are particularly in vogue. The integration of hidden technology is another key development, enhancing both functionality and aesthetics. This includes smart lighting systems, hidden speakers, voice-controlled assistants, and furniture with built-in charging stations, all designed to blend seamlessly into the home environment. Game tables are making a comeback, with increased client interest in incorporating spaces for activities like Mahjong or chess, highlighting a desire for engaging home entertainment. An old-world influence is also evident, with a growing appreciation for architectural sensibilities found in older designs and international styles. This includes the use of antique lumber, brick, and custom doors and windows, creating spaces that feel broader, time-worn, and authentic. The fusion of past and present is celebrated, with vintage furniture integrated into modern spaces and vice versa. Sustainability and biophilic design continue to shape trends, leading to an emphasis on warm wood tones and natural materials. Medium-toned wood is becoming a popular choice for interiors, adding warmth and coziness. The incorporation of large windows for natural light, green walls, sustainable flooring like bamboo or cork, indoor gardens, and water-saving appliances are all part of this trend. Finally, there is a focus on handcrafted objects and personal mementos. Artisanal pieces, family heirlooms, and items collected during travels are being used as focal points, bringing unique character, warmth, and a sense of history to interiors, making spaces feel personal and grounded. This also extends to the creation of tranquil, spa-like spaces dedicated to well-being, including steam showers, saunas, fitness areas, and cozy lounge spaces for relaxation, reflecting a shift towards prioritizing self-care within the home.

The exhibition, 'Dear Future,' showcases five decades of Gaetano Pesce's work at Goldwyn House in the Hollywood Hills, presenting a blend of his historic pieces and new editions. The event, hosted by LA Design gallery The Future Perfect, is situated within a 20th-century mansion converted into an appointment-only gallery space. Key pieces on display include Pesce's Monolithic table, Airport Lamp, Nobody’s Perfect chair, Fiona Table, Multicolour Floor Lamp, Side Table with Rocks, and the Soho armchair in red. A central highlight is the 'La Mamma' armchair, an iconic design inspired by the ancient 'Venus of Willendorf,' now presented in a new edition crafted from recycled bottle corks, accompanied by a tapestry depicting a pregnant woman. Other notable works feature the 'Leaf Shelf,' a resin-based shelving unit available in various colors, and the 'One of Us Lamp,' characterized by its anthropomorphic eyes, nose, and mouth. Pesce’s distinctive, playful design ethos is also evident in the 'River Table,' which integrates grassy banks and resin water onto a table structure, and the 'Some of Us' series of anthropomorphic vases. Gallery founder David Alhadeff characterizes Pesce's artistic approach as a form of 'counter-design,' which challenges conventional design paradigms by embracing elements such as incoherence, unpredictability, eccentricity, and originality. This perspective underscores the unique and unconventional nature of Pesce's creations, positioning them as a departure from more prescriptive design philosophies. The exhibition offers a comprehensive overview of Pesce's creative evolution, from early works to contemporary pieces, emphasizing his consistent use of unconventional materials and forms. Many of the items displayed are available for purchase, allowing collectors and enthusiasts to acquire pieces directly from the show. The Goldwyn House setting provides an intimate and exclusive environment for viewing the collection, reinforcing the artistic integrity and curatorial intent behind 'Dear Future.' The exhibition runs until March 31, providing a limited-time opportunity to experience Gaetano Pesce's influential and imaginative designs in a unique architectural context. #GaetanoPesce #FurnitureDesign #ArtExhibition #GoldwynHouse #TheFuturePerfect #LAEvents #Postmodernism #DesignHistory #InteriorDesign

Heritage maximalism is an emerging interior design trend that merges traditional aesthetics with the expressive and vibrant elements of maximalist style. This approach emphasizes history, craftsmanship, and personal storytelling through rich, layered spaces. Unlike some maximalist interpretations that can appear chaotic, heritage maximalism is characterized by intentional curation, integrating color, pattern, and collected objects with specific meaning and a strong respect for vintage decor. Interior designers Nina Lichtenstein and Tanner Morgan describe this style as a “soulful reclamation of depth, history, and identity,” focusing on thoughtfully chosen items that evolve over time and contribute to a unique home narrative. Kailee Blalock from House of Hive Design Co. highlights the movement's drive for nostalgia and authenticity, translating into custom touches like carved furniture, heirloom-quality trim work, and elaborate drapery. Achieving the heritage maximalist look involves a four-step process. First, it requires establishing meaningful foundations, starting with significant elements like room color, flooring, and staple furniture pieces. These foundational items serve as anchors, creating a base for subsequent layers. Sherrell Neal, founder of Sherrell Design Studio, notes that this style embraces history without being confined by it, blending old and new elements to create a personal and evolving space. Traditional craftsmanship in case goods and tables provides a solid grounding, which then allows for the introduction of contemporary fabrics, artwork, rugs, and window treatments to reflect modern living, ensuring the space feels both permanent and dynamic. Second, the trend comes alive through extensive layering of texture and pattern. Patterns are central to heritage maximalism, often featuring items with historical provenance such as vintage tapestries, block-printed textiles, inherited quilts, or evocative wallpapers. The art of mixing these patterns requires careful consideration of balance, tone, and narrative. Designer Danielle Balanis emphasizes that the style thrives on this diverse mix of patterns, textures, and objects to maintain visual interest and playfulness. Third, personal stories are told through carefully chosen objects and collections. This aspect moves beyond mere styling to genuine storytelling, where every visible item earns its place through personal or cultural history. Examples include open shelving, glass-front cabinets, and layered mantels used to display meaningful items such as old books, handmade pottery, postcards, and a mix of original and thrifted art. This approach fosters a sense of authenticity and personal connection within the living space. Finally, the heritage maximalist look balances old and new elements, aligning with transitional design principles. This balance ensures the space avoids feeling overwhelming. Designers suggest combining antique pieces, like heirloom pillows or vintage coffee tables, with new furniture to create a harmonious tension. Sherrell Neal points out that integrating collected pieces over time fosters a sense of familiar rhythm in design, where well-built vintage or antique furnishings add character, soul, and a quiet grandeur to the home. The article concludes by emphasizing that heritage maximalism is not a rigid formula but an aesthetic that values curation, personal expression, and a layered approach to create timeless and vibrant interiors. #HeritageMaximalism #InteriorDesign #MaximalistDecor #VintageDecor #HomeStyling #DesignTrends #LayeredInteriors #TraditionalDesign #EclecticStyle

The author argues that a widespread "modernization" trend in architecture and interior design, particularly concerning residential homes, has led to a decline in aesthetic quality and individuality. This trend, characterized by neutral color palettes like grey and beige, and a preference for minimalist, sterile designs, is seen as detrimental. The author expresses a longing for intricate and ornate details, such as embellished walls, textured ceilings with grand chandeliers, and carved wooden staircases, which were more common in past architectural styles. The current focus on a uniform, sanitized aesthetic, often associated with hospitals, is criticized for being bland and sad, failing to incorporate color or personality. The article highlights that many people are transforming historically significant homes, such as mid-century residences, into these modern, greyscale boxes made of glass, erasing their unique character. The author advocates for a maximalist approach, embracing mismatched furniture, diverse designs, and imperfections, believing these elements contribute to a home's charm and reflect the lives of its inhabitants. Personal aspirations for a future home include retaining original antiquated floors, polished wood staircases, and even "ugly wallpaper" to preserve history and character. The author desires an extravagant chandelier, vibrant colors, and a living space that clearly indicates life and thriving, rather than mere survival. The author envisions a home with a beautifully crafted fireplace for holiday traditions, a creaky wooden porch for morning coffee, and a bay window for observing the world, emphasizing the importance of natural charm over manufactured perfection. The article suggests that society needs to move beyond an obsession with "perfect aesthetics" and embrace a more colorful, vibrant approach to design. The piece concludes by warning that adherence to these rigid, formulated standards of perfection will lead to a progressively colorless and less inspiring living environment, urging readers to go "big" and "live life colorfully" in their design choices. #ModernArchitecture #InteriorDesign #HomeDecor #ArchitecturalTrends #Maximalism #NeutralColors #DesignPhilosophy #HomeAesthetics

The year 2024 has seen interior design evolve, influenced by global events and technological advancements. While 2023 focused on simplicity and individuality, 2024 continued these themes, integrating "crafted experimentations" and subtle interventions. The design world grappled with unexpected societal shifts, including rising voices from the global South and the widespread impact of artificial intelligence, leading to discussions about digital equity and misinformation. Despite ongoing environmental initiatives, natural disasters underscored the need for resilient design solutions. Key design trends in 2024 balanced new technologies with timeless principles. "Dark mode" became a prevalent aesthetic across web, graphic, product, and interior design. Modern nostalgia remained a strong influence, blending historical aesthetics with contemporary elements. Environmental consciousness continued to drive design, with a focus on creating spaces that benefit both people and the planet. Overall, 2024 trends were an evolution of previous years, offering upgrades and reinterpretations rather than entirely new concepts. Color palettes prominently featured earth tones, aligning with Pantone's 2025 Color of the Year, Mocha Mousse. The year also marked a return to luxury materials, characterized by sharper, darker, and colder finishes that reimagined classic styles with a bolder presence. Hospitality interiors, particularly coffee shops and pop-up restaurants, adopted community-centric layouts, where communal seating around a central point fostered shared culinary experiences. Minimalist decor transitioned into "quiet luxury," manifesting as a refined, spa-like aesthetic in residential, commercial, and hospitality settings. A notable shift in form was the re-emergence of sharp geometric edges, contrasting with the organic shapes that had dominated in previous years. This geometric revival was evident in pitched roofs, grid-based layouts, and angular furniture and fixtures. Based on an analysis of over 1000 projects, specific trends identified included pitched roof interiors, the sophisticated combination of concrete and steel in varying shades of grey, and the aforementioned "quiet luxury" style. Further trends encompassed community-centric culinary spaces, sculptural islands as focal points, and the return of sharp rectangular forms. Color choices leaned towards rustic brown and muted burgundy, while mahogany wood saw a resurgence in popularity. Dark accents were widely incorporated, and living trees were increasingly used as central design elements within interior spaces. These trends collectively illustrate a year of nuanced refinement and adaptation within the interior design landscape. #InteriorDesign #DesignTrends #Architecture #Materiality #ColorPalette #GeometricForms #QuietLuxury #HospitalityDesign #SustainableDesign

Worrell Yeung, a Brooklyn-based architecture practice, designed the Springs Artist Studio, an 800-square-foot, two-story addition to an existing home in East Hampton, New York. This project was developed for a painter/creative director and a florist who possess an extensive collection of art and objects. The upper floor of the new structure is dedicated to a painting studio, while the ground level serves as a flexible exhibition space, a single-car garage, and includes a powder room. The project faced significant design challenges due to the neighborhood's strict zoning regulations and the site's environmental sensitivities. To minimize its impact on the natural landscape, Worrell Yeung meticulously positioned the addition within the smallest possible footprint, ensuring that no existing trees were removed during construction. The studio's deliberate integration into the wooded environment means it gradually reveals itself to visitors, appearing subtly through the dense tree canopies and being only slightly visible from the road. A fully glazed connector links the new addition to the existing home, allowing for uninterrupted views of the lush, surrounding woodland. This connector also provides a transitional space between the home and the work environment. The foyer features plywood cladding and a matching plywood staircase that leads to the upstairs painting studio. A refurbished vintage David Weeks chandelier is installed above the staircase, adding a touch of sophisticated design. The upper-level painting studio is distinguished by a 360-degree panorama of four-foot-tall ribbon windows. These windows offer views of the dense tree canopies, and to the west, Hog Creek and osprey nests. The design maximizes natural light while framing unique views from every direction with unobstructed glass corners. To achieve this continuous ribbon window effect, Worrell Yeung collaborated with Silman Structural Engineers to incorporate small steel columns that match the window mullions and feature steel rod cross-bracing for lateral support, creating a visually floating roof structure. Birch plywood boards cover the studio floor and extend four feet up the walls, meeting the base of the windows. This plywood finish is both efficient and utilitarian, contributing natural warmth to the space. A plywood-clad peninsula of cabinet space, located near the staircase landing, provides storage for the artist's materials and includes a sink for diluting paints. The walls and vaulted ceiling above the ribbon window are painted white, reflecting natural light throughout the space and creating an optimal environment for painting and art exhibition. Four minimal uplights provide diffuse illumination, complementing the abundant natural light. The ground floor's flexible space serves as both an exhibition area and a garage, capable of housing the homeowner's 1966 Chevy Impala Supersport Convertible. Plywood-lined walls in this area allow for the installation of artwork, transforming it into a temporary gallery. The powder room is also clad in plywood, but it is stained with a semi-sheer Yves Klein blue, which allows the natural wood grain to remain visible. From a distance, the studio presents itself as an abstract volume with minimal horizontal windows. However, upon closer inspection, the textured wood and varied plank sizes break down the building's scale, adding richness and detail. Worrell Yeung's design choice to vary the facade emphasizes the firm's interest in creating objects and materials that can be read at different scales, and in developing architecture with minimal environmental impact. The Springs artist studio appears to effortlessly float above the ground, and when illuminated at night, it transforms into a glowing lantern within the trees. #ArtStudioDesign #ArchitecturalAddition #WorrellYeung #SustainableDesign #PlywoodInteriors #NaturalLight #EastHamptonArchitecture #EnvironmentalIntegration #ModernDesign

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This lookbook presents a collection of ten flamboyant interiors that exemplify the maximalist aesthetic, a design philosophy that embraces exuberance and a free-spirited use of pattern, color, and texture, in direct opposition to minimalism. The article highlights that while the Memphis Group, an 1980s design collective renowned for their bold postmodern creations, is often credited with pioneering this style, maximalism continues to be a prominent influence in contemporary interior design for both residential and public spaces. One featured example is the Hotel Les Deux Gares in Paris, designed by Luke Edward Hall, where contemporary pea-green walls are contrasted with chintzy wallpaper and soft velvet sofas, aiming for an "anti-modern" aesthetic that references a historical Paris. Another example is Casa TEC 205 in Mexico by Moneo Brock, which draws inspiration from the vibrant works of Mexican architect Luis Barragán, incorporating striking wallpaper prints, geometric tiling, and color-blocked walls, notably a large floral mural in the kitchen and dining area. The Rookies optician in Munich, designed by Stephanie Thatenhorst, challenges conventional healthcare facility aesthetics with a kid-friendly maximalist approach. It features a bright blue carpet, geometric wall tiles, U-shaped neon lights, and apricot-colored fabric display areas, creating a "noisy, wild and unique paradise for children." Marcel Wanders' renovation of the Schiphol airport lounge in the Netherlands showcases distinct, flamboyant rooms, including a seating area inspired by Amsterdam's canal houses, complete with wall panels resembling stained-glass windows and a cartoonish street light-mimicking lamp. Kelly Wearstler's design for the Austin Proper Hotel and Residences in the USA blends local art and textiles with vintage elements to create an eclectic interior. The hotel's drinking establishment, for instance, features high ceilings adorned with decorative wallpaper, a cobalt blue-painted bar, low stuffed armchairs, chunky wooden tables, and stone plinths. Similarly, the members' club Annabel's in London, revamped by Martin Brudnizki Design Studio, uses clashing animal prints across its surfaces and includes whimsical elements like a gorilla sculpture, designed to transport visitors to another realm. Marcel Wanders' maximalist touch is also evident in the Mondrian hotel in Doha, Qatar, which boasts mismatched patterns and oversized furnishings. A notable space is the 27th-floor swimming pool, crowned by a floral-patterned stained-glass dome and featuring bulbous white seating, a tactile grass-like bridge, and monochrome tiling. The Studio Job office in Belgium, designed by founder Job Smeet, is described as a "visual assault," featuring a bedroom with paint-splattered walls, shark-patterned wallpaper, a maze-like rug, and spaghetti-print bed sheets. Jessica Schuster Design's overhaul of the Esme Hotel in Miami incorporates saturated tones and sculptural furnishings to achieve a "bohemian grandeur." A mahogany cocktail bar in the hotel is encircled by fringed stools and sculptural pendant lighting, all set against a checkered floor and a wooden ceiling. Finally, the Polychrome House in Sydney, a 1960s residence renovated by Amber Road and Lymesmith, integrates bright primary colors throughout its rooms. Its open-plan living space features graphic paved floors inspired by aerial photographs of the surrounding terrain, contrasting with white-painted brick walls partially covered by an abstract mural. This collection demonstrates the diverse applications of maximalism, showcasing how designers employ bold choices in color, pattern, and texture to create visually rich and expressive interiors. #MaximalistInteriors #InteriorDesign #ColorTheory #PatternMixing #DesignAesthetics #LukeEdwardHall #MarcelWanders #KellyWearstler #ResidentialDesign #HospitalityDesign

Heritage maximalism is an emerging interior design trend that merges traditional interiors with the expressive qualities of maximalist style. This approach emphasizes history, craftsmanship, and individuality through layered, character-rich spaces. Unlike transient design trends, heritage maximalism is rooted in personal storytelling and a celebration of unique home elements. It distinguishes itself from conventional maximalism by maintaining intentionality, layering colors, patterns, and collected objects with meaning and respect for vintage decor, rather than creating visual chaos. Designer Nina Lichtenstein describes it as a soulful reclamation of depth, history, and identity, moving beyond a simple 'more is more' philosophy to focus on the deliberate selection and arrangement of objects. The essence of this style is significantly influenced by materials and craftsmanship. Tanner Morgan of Morgan Madison Design highlights how heritage maximalism integrates vintage and antique pieces to add depth and authenticity, utilizing rich materials and thoughtful details to create dramatic moments and a timeless appeal. Kailee Blalock from House of Hive Design Co. notes that this trend is driven by a desire for nostalgia and authenticity, featuring layered history, storytelling through objects, and intricate detailing. This translates into custom touches like carved furniture, heirloom-quality trim work, and elaborate drapery. Achieving the heritage maximalist look involves several key steps. First, it requires starting with meaningful foundations. Instead of immediately adding decorative layers, the focus is on establishing strong foundational elements such as room color, flooring, and staple furniture pieces. These elements anchor the space and set the overall tone, allowing subsequent layers to shine. Sherrell Neal emphasizes embracing history while ensuring the space feels fresh by incorporating contemporary fabrics, artwork, rugs, and window treatments. This creates a narrative-rich environment that feels permanent yet dynamic. Second, layering with texture and pattern is crucial. Pattern plays a central role, often featuring vintage tapestries, block-printed textiles, inherited quilts, or wallpapers that evoke historic homes. The art of mixing these patterns requires sensitivity to balance, tone, and narrative coherence. Danielle Balanis underscores that heritage maximalism thrives on this mix of patterns, textures, and objects, making the design interesting and enjoyable. Third, the trend encourages telling personal stories through objects and collections. This means curating items with personal or cultural history, such as inherited plates, handmade pottery, old postcards, or a mix of original and thrifted art. These displays are not merely styling but a form of storytelling, imbuing the home with soul. Finally, balancing old and new elements is essential. Heritage maximalism is rooted in transitional design, blending different eras effectively. This involves combining vintage items, like antique tables or heirloom pillows, with newer pieces, such as modern sofas or chests, to create a harmonious tension. This approach ensures the space feels collected over time, rather than hastily assembled, offering a familiar rhythm of design. Well-built vintage or antique furnishings with their timeworn character and rich wood tones contribute depth and grandeur, making the home feel vibrant, timeless, and continuously evolving. #HeritageMaximalism #InteriorDesignTrends #TraditionalDecor #MaximalistStyle #VintageDecor #HomeDecor #LayeredInteriors #EclecticDesign

Curtains are experiencing a significant resurgence in interior design, moving beyond their traditional role as window treatments to encompass entire rooms. This trend is evident in various high-end establishments, such as the Ra Ra Room in Phoenix, People’s in Manhattan, The Nines in NoHo, and WSA in the Financial District, all featuring extensive use of drapery. Even high-fashion brands like Valentino and boutique hotels like Civilian are incorporating curtains as a central design element. This widespread adoption of drapery is driven by a confluence of factors, including a lean towards maximalism and fashion-forward interiors. Beyond aesthetics, curtains provide a unique blend of comfort, privacy, and improved acoustic performance. The design director at Gensler, Siobhan Barry, likens the drapes to garments, emphasizing their ability to elevate a space into a realm of fantasy. Ryan Mahoney, creative director at Workstead, highlights how covering an entire room with drapery can unify a space, injecting a sense of mystery and playfulness while also acoustically enhancing the environment. The historical context of drapery use in interiors is also noteworthy. Napoleon I famously used tent-like drapes in his battlefield campaigns and chateaux, a style later mimicked by decorators. The Viennese modernist Adolf Loos designed a bedroom entirely swathed in white drapes in 1903, which was described as an "architecture of pleasure" or "architecture of the womb." Later, designers like Billy Baldwin and Halston incorporated extensive drapery in their projects, reflecting evolving design sensibilities. Psychologically, draped fabrics contribute to a sense of comfort and relaxation. Environmental psychologist Dr. Sally Augustin explains that humans associate curving lines, both two and three-dimensional, with comfort, while straight lines are linked to efficiency. In an increasingly anxious world, environments with softer textures and colors offer a reprieve, allowing individuals to feel revitalized. Artist and designer Monica Curiel also explores the psychological weight of textiles, connecting drapery to notions of nostalgia, care, innocence, and curiosity, often inspired by her matrilineal heritage. Drapery also manipulates the perception of space, offering both a soft aesthetic and a practical device for privacy. Designer Adam Charlap Hyman uses draperies to create walls that appear soft and to suggest spaces beyond, while also providing a means to create convenient deceptions or make legitimate walls seem more impermanent. This aligns with Loos's practice of using curtains to mediate between private and public spaces and to enhance the theatricality of interiors, a concept further explored by theorist Beatriz Colomina. The association of curtains with performance is another compelling aspect. British designer Lee Broom's 'Overture' wallcovering, created with Calico, features a trompe l'oeil drapery effect, drawing inspiration from his background in acting and the transformative power of set design. Rachel Cope, Calico’s creative director, notes that this emotive quality helps animate rooms, satisfying a desire for interiors that narrate, ground, and inspire. The pervasive influence of social media also plays a role, with people seeking spaces that act as backdrops for their digital presence, effectively turning interiors into stage-like settings for self-expression and performance. #InteriorDesign #CurtainTrends #MaximalistInteriors #ArtDeco #ArchitecturalHistory #EnvironmentalPsychology #TextileArt #SpacePerception #TheatricalInteriors

This blog post highlights a 1961 architect-designed residence located at 1919 Merrick Street, praising its enduring elegance and the architect's skill in integrating the structure with its natural surroundings. The home, designed by Glenn Allen Galaway, a protégé of New York architect Phillip Johnson, showcases a dignified portfolio in both Dallas and Fort Worth. The article emphasizes Galaway's success in leveraging the property's ravine views, seamlessly blending the design into the environment. Despite being 57 years old, the three-bedroom, three-and-a-half-bath house maintains a timeless aesthetic, having undergone a thoughtful renovation in 2014 that respected its original architectural intent. The interior features a cantilevered bay with floor-to-ceiling windows next to the fireplace, effectively bringing the outdoors inside. A paneled, floating wall cleverly divides the living area from a study, incorporating bookcases on the study's side. The open galley kitchen overlooks an informal dining area and bar, and the recent renovation introduced high-end finishes and materials, including top-tier appliances and a slab Carrara marble backsplash. The dining area offers a view of a private court, and strategically placed skylights enhance the natural light within the interior spaces. Bedrooms are also designed with floor-to-ceiling windows, and when combined with large, mature trees and the home's raised position, create the ambiance of a luxurious treehouse. The bathrooms have been updated with contemporary hardware and trendy wallpaper, exemplified by a Quadrille Ikat backdrop for a shell-framed mirror. The 4,145-square-foot, split-level house includes an informal living area downstairs, accessible via stairs. This lower level features a second fireplace and a wall of windows opposite a bookcase wall. The property gives the impression of floating in space, supported by slender stilts, with the nearly one-acre lot serving as a private green oasis. The article notes that the street view initially conceals the luxury within, but closer inspection reveals Galaway's subtle and effective approach to the challenges posed by the steeply graded lot. Plans for a pool and guest house, designed by Dallas-based firm Droese Raney, and a landscape plan by Archiverde, are available and will be transferred to the new owner. The property is currently listed at $1.6 million by Kris Karr and Kendall Kostohryz at Williams Trew. #ModernArchitecture #GlennAllenGalaway #FortWorthRealEstate #LuxuryHomes #HomeRenovation #InteriorDesign #ArchitecturalDesign #MidCenturyModern

This article explores six distinct homes that successfully merge traditional interior design elements with modern aesthetics, demonstrating that these seemingly contrasting styles can coexist harmoniously. It challenges the notion that traditional decor must be antiquated or stuffy, instead showcasing how it can be integrated with contemporary sensibilities to create unique and comforting spaces. The first example is a historic Tudor-inspired house in Austin, Texas, owned by Carrie and Robert Hicks. Interior designer Carrie Hicks, along with architect Paul Lamb, preserved the home's 1926 charm while incorporating a modern, Mies van der Rohe-inspired steel and glass addition. The dining room, in particular, features an eclectic mix of furniture and art from various eras, including a Collection Particulière asymmetrical dining table, Rose Uniacke Hoof tables, Faye Toogood sconces, and an Ultrafragola mirror by Ettore Sottsass, alongside works by Berndnaut Smilde and Victor Vasarely. This project exemplifies the challenge of blending opposites to create a cohesive design. Next, the article highlights Ashley Stark Kenner's transformed 19th-century Upper East Side town house in New York. Initially intended as a minor fix-up, the project evolved into a gut renovation led by Lichten Architects. Only the façade remained, with significant structural changes including basement excavation, a new top floor, and terraces. Kenner, drawing on her extensive design background, guided the aesthetic towards a 'laid-back, organic, beachy, a little bit French' style. The living room features 1957 Pierre Jeanneret chairs, a custom sofa, a Kelvin LaVerne cocktail table, and artworks by Julian Schnabel, Brent Wadden, and Damien Hirst, illustrating a fresh take on a historic abode. A Park Avenue apartment owned by West Coast transplants showcases how California breeziness can be integrated into traditional New York decor. Designer Young Huh achieved this by using a light, bright, and airy palette of peaches, creams, and rose shades. She incorporated traditional elements like wainscoting and crown molding into the new-build high-rise, creating architectural interest. The formal living room, designed for entertaining, features a custom pomegranate-patterned rug, Art Deco Dedar-upholstered Bergère chairs, a vintage Murano chandelier, and an ancient Greek terra-cotta Aphrodite statue, blending different eras and styles effectively. Matthew Bees' Charleston apartment exemplifies a 'nouveau traditionalist' approach, characterized by a love for formal interiors infused with bold colors, varied textures, and unexpected decor choices. Notable features include a zebra rug, a flamboyant Louis Philippe bed crown, and a statue of Narcissus. Bees' aesthetic is described as 'meaningful and layered,' combining a serious collection of English antiques with playful elements like dark foyers opening to airy living spaces and the prominent use of green and yellow hues, reflecting his connection to nature and his personality. Finally, a New Jersey colonial home designed by Fawn Galli is presented as a 'funky traditional' space. Galli collaborated closely with the homeowners to understand their collective tastes, encouraging them to create a Pinterest board and observing their clothing styles. Her intuitive approach led to a home office with musical instruments, a swing chair-appointed bedroom, and an eclectic blend of vintage and modern elements with vibrant prints and textures throughout. The exterior's charming all-white facade belies the layered and dynamic interior compositions, where things have a 'weird sparkle' and traditional elements are 'jazzed up.' These examples collectively demonstrate the versatility and appeal of mixing traditional and modern design principles to create personalized and inviting living spaces. #TraditionalDesign #ModernInteriors #HomeDesign #EclecticDecor #InteriorStyling #ArchitecturalRenovation #HomeDecor #DesignFusion #ResidentialArchitecture

The author explores the concept of "Design with a capital D," a term coined by T magazine editor Pilar Viladas, which refers to high-end, statement-making interiors. While admiring such designs, the author questions the necessity of always making a bold statement in a room, noting that rooms can become "rudderless" if too safe. The author's personal approach is to seek an "anchor" rather than a "statement" in design. The author discusses the pitfalls of the "statement wall," suggesting it can lead to a sense of completion prematurely. An experience is recounted where a client had invested heavily in De Gournay wallpaper for a dining room, leaving the rest of the apartment undone. The author's solution was to elevate the surrounding decor to match the grandeur of the wallpaper, emphasizing that complete overhaul isn't always necessary to transform a space. The author also touches on situations where decor becomes too tasteful, requiring a "punch" to disrupt the complacency. A personal anecdote illustrates this: while designing her own sitting room with elegant, understated elements, she introduced a zebra linen fabric to add an unexpected jolt. The author reflects on the influence of style icons like Lee Radziwill, whose tiger silk velvet sofa served as an inspiration, but also cautions against "statement seating" becoming a design cliché. The author advocates for introducing bold elements later in the decorating process, after a sense of balance has been established, to prevent them from dominating the entire space. Balance is highlighted as crucial, comparing it to cooking, and a trick for achieving harmony between rooms with strong patterns involves using a complementary color from the wallpaper in the adjacent room. The author admits to a lack of restraint in her own decorating preferences, contrasting it with the admired minimalist approach of interior designer Joanna Plant, who expertly curates a few perfect items. This personal struggle stems from a desire to possess many beloved items. Ultimately, the author emphasizes that rooms are not meant to be static but should evolve, bringing life to otherwise inoffensive interiors. The author dismisses the worry of rooms becoming boring, stating that their primary purpose is to serve as a backdrop for living, not to constantly entertain. The underlying message is to have fun with decorating, allowing for playful elements without overthinking cleverness, as seen in the September 2025 issue of Elle Decor. #InteriorDesign #Maximalism #DecoratingTips #HomeDecor #DesignPhilosophy #RitaKonig #StatementDecor #RoomBalance