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Midcentury in Marietta: Dana and Hicks Poor restore a ’50s gem
After a seven-year stint in New York, Dana and Hicks Poor, both Marietta natives, returned to their hometown only to find suitable housing scarce. The couple, initially considering new construction, stumbled upon a foreclosure notice on a midcentury-era house they had always admired while Dana was on a walk near the square. Despite its dilapidated state, the house exuded a modern energy that resonated with the couple's aesthetic.
Dana, an interior designer, and Hicks, a general contractor, were undeterred by the extensive repairs needed. They viewed the house's potential as a sign and an opportunity for a joint project, having long collected period furniture and being enthusiasts of midcentury architecture and design. The home's structural damage necessitated a complete gut renovation. However, the Poors meticulously salvaged some original lighting and fixtures, and made the decision to reconstruct an almost identical floor plan, replicating many of the original architectural details. Dana noted that the original layout was so well-conceived that there was no need for alteration, and it perfectly aligned with their own design preferences.
Built in 1957, the house was designed by Gloria Kidd Brown, a notable Marietta resident and one of Georgia Tech's pioneering female graduates, who later studied at the New York School of Interior Design and worked with prominent architects like John Portman. Hicks described the brick-and-redwood house as an anomaly in a neighborhood predominantly characterized by traditional cottages. The original owners had sought a California-inspired design, similar to the split-level homes gaining popularity on the West Coast at the time.
The interior design of the restored home incorporates a blend of old and new elements. The dining room features a Danish walnut table alongside a modern blown-glass bubble chandelier and a rug from West Elm. A salvaged 'Hicks Grocery' sign, though unrelated to the family, adds a local touch. Natural light is abundant throughout the house, a feature Hicks particularly appreciates. Vintage furniture, such as a Knoll desk and an Adrian Pearsall dresser, is complemented by pieces like a living room sofa acquired from a neighbor, a lawyer who had preserved it specifically for the house's next owners. The Poors are not strict purists, blending patterned rugs and other contemporary items with their midcentury collection, ensuring every piece tells a story.
The home's open-plan layout is well-suited for the couple's two daughters, Sydney, eight, and Holland, six, who occupy the entire second floor due to the house's master-on-main configuration. The durability of vintage furniture also proves practical for a family with children. Hicks values the simplicity of midcentury design and the thoughtful connection between each room, highlighting architectural elements like the wooden soffits and sculptural stair railing.
Beyond their personal project, the article also touches upon the broader revival of midcentury architecture in Atlanta. Events like Modern Atlanta's annual tour and the DeKalb History Center's exhibit, 'The Mid-Century Ranch House: Hip and Historic!', underscore this growing appreciation. Several Atlanta neighborhoods are identified as having significant midcentury architectural presence, including Collier Heights, Sagamore Hills, and Northcrest. The Cecil and Hermione Alexander House, designed by architect Cecil Alexander, is also cited as a notable example, having been listed on the National Register of Historic Places.
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