A Very Traditional Tudor Gets an Avant-garde Interior Renovation

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

This article details the transformation of a formal center-hall Colonial home in Canton into a light, airy, and casual space, a challenge undertaken by mother-daughter interior designers Susan Hayward and Jillian Hayward Schaible. The clients, whose tastes lean traditional, sought a refreshed aesthetic for their long-standing residence. The renovation began in the kitchen, located at the back of the house, which was initially made brighter through the addition of skylights by the builder. The designers' role involved selecting fixtures and finishes to imbue warmth into the all-white kitchen the clients desired. To achieve this, the designers incorporated nickel gap and walnut beams to visually break up the extensive ceiling in the large, cabinetry-filled space. A warm white paint, Benjamin Moore Cotton Balls, served as a foundational creamy hue, complemented by oil-rubbed bronze accents and a hammered copper sink, with the bronze hardware's subtle gold undertones adding depth. A custom walnut top on the dining island introduced a rich contrast to the quartzite used on the perimeter and prep island. The connection between the kitchen and breakfast nook was enhanced by widening the opening, allowing more natural light to flood the spaces. Hayward noted that sunlight now streams directly into the nook, drawing attention to this area, which was further embellished with a textural wallpaper featuring oversized leaves. The breakfast nook also features a curved banquette, strategically implemented to maximize the natural light and views of the surrounding greenery. This design choice also resolved a furniture layout challenge, as the clients' original table and chairs did not fit centrally. Positioning them with a banquette in a corner created a cozy gathering spot. In the front of the house, an office, already featuring new, traditional walnut millwork, was transformed into a feminine retreat. The design process for this room started with selecting wallpaper, with the client being drawn to Lee Jofa panels by Aerin, which provided an old European, romantic garden feel. Complementary elements included a subdued neutral rug, a velvety blue chair, and a distressed iron chandelier adorned with glass crystals. A key objective for the designers was to ensure that the refreshed home did not appear to be recently redone. Schaible emphasized that the design aimed for an aesthetic where everything seemed to have always been in place, belonging naturally within the home's existing character. The article also provides resources for the interior design services and the carpenter involved in the project, along with a correction regarding the carpenter's phone number. #HomeMakeover #InteriorDesign #ColonialHome #KitchenRenovation #BreakfastNook #HomeOfficeDesign #TraditionalStyle #ResidentialDesign #CantonMassachusetts

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

This article showcases a meticulously renovated 19th-century Melbourne home, “Victoria House” at 24 Northcote Road, Armadale, that seamlessly blends mid-century modern aesthetics with classic English farmhouse influences. Interior designer Tali Roth led the project for a couple in their 30s who appreciated the home's heritage architecture but desired a more contemporary feel without compromising its original integrity and soul. The renovation journey, undertaken during the COVID-19 pandemic, allowed for a deliberate and thoughtful selection of furnishings, with international lead times aligning fortuitously with the construction timeline. The design philosophy embraced the clients' contrasting tastes: one favoring modernist elements and the other, an English-farmhouse look. This dichotomy is evident throughout the house. For instance, the rose-pink library features a cheerful Giancarlo Valle ‘Smile’ chair alongside an 18th-century French verdure tapestry. In the sitting room, a pale grey modular USM ‘Haller’ unit is paired with an armchair re-covered in a decorative, puzzle-pattern fabric. Significant structural changes were made to optimize space and flow. A former bedroom, walk-in-robe, and ensuite were reconfigured into a sitting room, linen closet, and a redesigned bathroom. Existing corridor shelves were retained and repainted, and a floating desk and study nook were converted into a coat closet. The entryway and powder room feature new tumbled Carrara and Bardiglio marble tiles laid in a checkerboard pattern, extending from the hall to the powder room walls. The kitchen, though retaining its original layout due to the extensive scope a larger renovation would entail, underwent a complete rebuild. It now boasts a sophisticated and traditional look with classic tapware, shaker cabinetry, a reeded glass storage cupboard, and Arabescato Corchia marble countertops, replacing the old timber veneer joinery. The living area is thoughtfully curated with a custom steel coffee table, a plump Arflex ‘Marenco’ sofa upholstered in blue mohair velvet, and a large circa 1940s French oak sideboard, aiming for a purposeful, inviting, and usable space within a small footprint. Upstairs, the principal and second bedrooms share a bathroom. A home office overlooks the backyard, while a grand library, overlooking the street, is enveloped in Porter’s Paints French Wash in ‘Victoriana’ pink. This room serves as a reading space, featuring an antique Palladian bookcase, a six-panel Chinese privacy screen, an Artemide ‘Shogun’ floor lamp, and an oversized 18th-century French verdure tapestry. The master bedroom adopts a mid-century aesthetic with calm, muted tones, including Venetian plaster walls and a custom bed and wardrobes. The master ensuite features integrated Calacatta Viola stone for the bath and a custom travertine curved stone sink. The homeowners expressed satisfaction with the outcome, highlighting how Tali Roth's design successfully merged their personalities and preferences, creating a modern yet soulful home that can evolve with them. #HomeRenovation #InteriorDesign #MelbourneRealEstate #MidCenturyModern #EnglishFarmhouseStyle #HeritageHome #LuxuryInteriors #DesignCollaboration #PeriodArchitecture

This article highlights the successful remodel of a Tudor-revival style home, originally a carriage house built in 1902, by the design team Kaminski + Pew. The property, located in Philadelphia, had undergone several less tasteful renovations over the years, losing some of its original charm and functionality. The new clients, an older couple relocating from Iowa to be closer to their children, sought a home that honored its history while supporting single-floor living as they aged. The core challenge was that the house was in an "upside-down" configuration, with a dance studio on the first floor and all primary living spaces, including the kitchen, located on the second floor. Kaminski + Pew began the project by thoroughly cataloging the existing details of the home. They identified and appreciated original features such as diamond lattice windows, heavy stonework, tin ceilings, rounded plaster walls, and substantial wood wainscoting. Their primary goal was to restore these elements and ensure that any new additions blended seamlessly with the historical context. The previous insensitive renovations were carefully reversed, and the existing wood floors were sanded and stained a rich chestnut to add sophistication. Damaged or missing trim and wainscoting sections were meticulously rebuilt or matched. The most significant aspect of the renovation involved moving the main living functions to the ground floor. The ground floor, previously a large open space due to its original use as a carriage house and later a dance studio, needed to be reconfigured to accommodate a kitchen, living area, dining room, and a new ground-floor bedroom and bathroom. To achieve a more intimate scale appropriate for a couple, the designers introduced two modest wing walls and a gentle arched opening to delineate the kitchen from the living/dining area. The tin ceiling and wainscoting were extended and adapted to make these new architectural elements appear original. A bold design choice for the kitchen involved selecting Rookwood Red from Sherwin-Williams for the cabinetry. Initially, the clients preferred neutral tones, but the designers persuaded them by drawing inspiration from the home’s red shingle roof and deep red front door, thus integrating the color into the home’s existing palette. For the countertops, a leathered granite was chosen for its soapstone-like appearance, offering durability and lower maintenance compared to actual soapstone. The kitchen also features an antique table sourced from a local auction, chairs from Fourhands, a pendant light from Visual Comfort, and sconces from Hudson Valley Lighting, with appliances from Bosch and a Wolf induction cooktop. Addressing the challenges of an old home, particularly the existing tin ceiling, required innovative solutions. While preserving the tin ceiling added texture and scale, it also presented difficulties when adding new lighting. The team discreetly installed new surface-mounted lighting by routing wires through the ceiling joists above the tin. A fabricator and installer were found to match existing profiles, ensuring that the new electrical work was indistinguishable from the original. Furthermore, a poorly placed spiral staircase that served as the only access to the second floor was removed and replaced with a more gracious stair located off the entryway, enhancing both safety and flow. The redesigned bathrooms feature dark wooden vanities with veined marble countertops and pale blue paneled walls with large mirrors, marble sinks, and gold lighting fixtures. Ultimately, the project transformed a neglected Tudor-style property into a warm and welcoming home that respects its historical narrative while providing modern functionality for its residents. The designers successfully blended past and present, creating a timeless space that meets the client's needs for comfortable single-floor living. #HomeRenovation #TudorRevival #HistoricPreservation #InteriorDesign #KitchenRemodel #SingleFloorLiving #ArchitecturalRenovation #HomeTours

Widad and Ara Tachdjian, along with their two young children, relocated from France to North London, bringing with them a cherished collection of furniture and artwork. This collection, consisting of a dozen paintings, two sofas, a dining table and chairs, and other smaller items, became the foundation for their vision of a warm and vibrant home. Widad expressed a desire for a home filled with energy and color, incorporating various styles that reflect their travels and African heritage. Before realizing this vision, several structural changes were necessary. The Edwardian house, despite its high ceilings and solid structure, required a layout redesign to enhance flow and maximize its potential. Additionally, period features such as fireplaces, ceiling mouldings, and skirting boards, which had been removed previously, needed to be reinstated. The unique construction of the semi-detached house, connected at the back to another property, meant the only garden was at the front and there were no windows at the rear. This resulted in abundant light at the front but a dark back portion of the house. Specifically, the kitchen, situated behind a reception room, only received light from a small side window, and the stairwell lacked natural light entirely. To address these challenges, Widad and Ara enlisted the help of Zulufish, a London-based interior design and architectural practice. Caroline Milns from Zulufish spearheaded the creation of a large, light-filled family space on one half of the ground floor. This involved removing the wall between the former kitchen and front reception room to allow light from the front bay window to permeate the entire area. A glazed door was also added to the side window, providing garden access. Within this open-plan family space, distinct zones were created. The kitchen, featuring denim blue cabinetry built by Hux London (Zulufish's sister company), was visually separated by blue graphic floor tiles. Caroline noted the clients' adventurous spirit regarding color and pattern, which influenced the lively interiors. The dining and lounging areas, in contrast, featured honey-colored herringbone oak flooring, chosen for its classic appeal, and were softened with rugs and tactile upholstery. Modern globe lamps were a recurring lighting theme throughout the home, blending contemporary aesthetics with the period setting. A significant innovation was the removal of a corner section of the second reception room, replaced with an L-shaped Crittall-style glass panel and double doors. This transformation dramatically improved natural light in the previously dark hallway and stairs. Widad highlighted this change as having the most significant impact on the home's sense of openness while maintaining room separation and privacy. The Crittall-style panels were echoed in kitchen shelving and an expansive L-shaped ebony veneer bookcase in the second reception room, custom-made by Hux London. The second reception room also housed two velvet Roche Bobois sofas from France, one in midnight blue and the other with a graphic print, alongside colorful artworks by Ara’s uncle. The design process centered on integrating these personal items, ensuring they complemented the layout and that the color schemes, flooring, joinery, and furnishings harmonized with them. The overall palette of the house was directly influenced by the artworks, creating a cohesive and vibrant environment that breathed new life into the home. Widad’s vision for an eclectic, vibrant home filled with beloved family pieces was successfully realized. #EdwardianRenovation #HomeMakeover #InteriorDesign #ColorfulInteriors #OpenPlanLiving #KitchenDesign #LightingDesign #Zulufish #NorthLondonHome

This article details the comprehensive renovation of a century-old Sydney home, originally built in 1914, transforming it into a modern family residence. The property, located on a corner block near Centennial Park, underwent extensive refurbishment after being purchased in 2017 by a young professional couple. The house was in a state of disrepair, requiring new wiring, plumbing, a new kitchen, and repairs to a collapsing ceiling. The owners enlisted architect Carla Middleton to oversee the project, aiming to create a 'forever home' suitable for a growing family. Middleton describes the original house as dilapidated but an amazing blank canvas. The renovation strategy involved reducing the number of bedrooms from six to three, which would be housed in a newly constructed second storey. Conversely, the number of bathrooms was increased to four, plus a powder room, emphasizing quality over quantity in terms of sleeping quarters. On the ground level, the design focused on creating expansive living areas. The original front rooms were preserved and repurposed as family rooms, a study, and a sitting room. Great care was taken to restore original features such as skirtings, cornices, fireplaces, and stained-glass windows, maintaining the home's historic charm. A key design objective was to implement an open-plan living concept, moving away from the smaller, separated rooms of the previous home. The new extension at the rear features an 11x8-meter living space that seamlessly connects to a sun-drenched deck. Given the home's north-south orientation, a primary goal was to maximize natural light in this area. Carla Middleton achieved this through a striking void space that reaches 6.7 meters at its highest point and extensive glazing. This design ensures that the northern light floods the living/dining area and extends to the upstairs bedrooms overlooking the void. The exterior of the extension, clad in James Hardie Scyon cement-composite boards, contrasts with the original brick structure while subtly referencing its form through a new roofline composed of three gables. These gables correspond to the kitchen, dining, and living zones downstairs. The original hallway was also maintained as a central axis, creating a clear vista from the front door to the light-filled rear living space. For the interior design, Carla Middleton collaborated with the owners to establish a palette that blends her neutral, natural material preference with their crisp, contemporary style and appreciation for darker tones. This resulted in an interplay of black, white, and mid-grey hues, complemented by stone elements throughout the home. The kitchen, a focal point for entertaining, exemplifies this blend with black and white cabinetry by Holtz Joinery and Elba marble benchtops and splashback, featuring a substantial 4x1.3-meter island bench. The renovation was completed as the family grew, with the owners welcoming two children during the project, making the newly transformed space a comfortable and functional home. #HomeRenovation #HistoricHome #ModernExtension #SydneyArchitecture #OpenPlanLiving #NaturalLightDesign #InteriorDesign #FamilyHome #CarlaMiddletonArchitect #AustralianHomes

The French Room at the Adolphus Hotel in Downtown Dallas has undergone a significant 16-month renovation, transforming its aesthetic from pastel cherubs and red velvet to brilliant white and expensive gold. This extensive facelift encompassed the restaurant’s three primary areas: the salon, the bar, and the dining room, each now boasting a contemporary and ornate appearance. Historically, The French Room maintained an elegant but somewhat dated charm, characterized by faded colors and pleated window curtains. The renovation aimed to bridge the gap between its traditional elegance and modern appeal, seeking to attract a broader clientele while retaining its prestigious identity. This required a substantial effort from the renovation team to update the decor without entirely discarding its foundational character. In the salon, the space largely retains its original architectural essence, featuring extensive carved dark wood trim and molding. The room is adorned with various artworks, and a single chandelier casts a soft, iridescent glow. Modular seating arrangements provide flexibility for accommodating different party sizes, ensuring comfort and adaptability. The bar area has also been updated, adopting a much dimmer lighting scheme that evokes the ambiance of a high-end speakeasy. It is distinguished by deep blue walls, classical paintings, and a brass ceiling. Silver trays filled with cocktail elixirs are meticulously arranged on a dark stone bar top, enhancing the sophisticated and intimate atmosphere. The dining room, often considered the heart of The French Room, maintains its original architectural framework but features extensive interior design changes. The former crushed red velvet chairs have been replaced with elegant Bergere dining chairs upholstered in pristine white fabric. Thick pleated tablecloths are set with pure white china plates, accompanied by a single glass and a gold candleholder. The previous artwork and wall coverings have been substituted with clean white and gilded flourishes. The heavily ornate molding and trim are now coated in semi-reflective gold paint, featuring classic French-style framing. Additionally, a few booth seats have been incorporated to offer guests more private dining options. Chef Michael Ehlert presides over the culinary offerings, presenting a refined take on French cuisine with dishes that blend traditional flavors with modern plating techniques. The menu, which is seasonal, includes items such as snails with pommes dauphine and watercress, seared foie gras, and consommé chartreuse. To conclude the dining experience, guests can select from The French Room’s traveling dessert cart, providing a sweet finish to their meal in this renowned Dallas establishment. #FrenchRoom #RestaurantRenovation #DallasDining #AdolphusHotel #LuxuryInteriors #FineDining #InteriorDesign #HotelRenovation #DallasRestaurants

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

Studio Thomas, led by principal designer Kristen Thomas, undertook the renovation of a historic Tudor-style property in one of Denver's oldest neighborhoods. Built in 1912 by Jacques Benedict, the home featured intricate Gothic details, diamond-pane windows, and dentil molding. The design brief focused on creating a modern, liveable space that respected the home's original architecture while incorporating the owners' European heritage and curated lifestyle. The project successfully balanced contemporary design with the building's traditional elements, resulting in an elevated yet functional family home that reflects both its inhabitants and its rich history. The kitchen, identified by Kristen as her favorite room, served as the starting point and set the tone for the entire design. It was transformed into a luxurious yet practical space, wrapped in Panzano marble for countertops, backsplash, and the oven hood, blending minimalism with timeless grandeur. The marble's rich greens, deep blues, and creamy undertones dictated the home's overall color palette. This area had previously been renovated in a sterile, ultra-modern style that disconnected it from the rest of the house. Studio Thomas's intervention aimed to bridge this gap by reintroducing materials and details that honored the home's heritage, such as live-finish plumbing fixtures and classic cabinetry, while still accommodating modern living. A charming breakfast nook within the kitchen features a custom oval table designed for family gatherings, emphasizing intimacy over grand scale. The intentional use of varied textures and a carefully selected neutral palette, including dark wood floors, cream plaster walls, and Benjamin Moore's Baby Fawn for trim, ensured warmth and depth throughout the property. Antique brass fixtures were incorporated to provide an aged aesthetic that would gracefully evolve over time. The entryway showcases a blend of eclectic and curated elements, featuring checkerboard flooring that runs throughout the property, complemented by modern furnishings and a minimal color scheme. The original architectural framework, such as the custom-forged stair railing, was enhanced with contemporary touches. A cozy snug room deviates from traditional designs, offering a mix of formality and comfort through a dark color palette, rich fabrics, and metallic accents. A vintage brown leather armchair provides a lived-in quality, while a leafy houseplant adds freshness against the deep tones. The home bar, though compact, exudes grandeur with metallic accents, tarnished mirror walls, a marble countertop, and deep gray cabinets. Sculptural pieces, like an organic-shaped stool, introduce contemporary coolness. The living room exemplifies the seamless integration of the building's original infrastructure with Studio Thomas's interior design. The original ceiling molding was painted a rich green to highlight its beauty, and a custom curved sofa was commissioned to soften the rectangular space and improve balance. Layering warmth and softness was achieved through hand-plastered walls, which contribute to an old-world richness, and full French-pleated drapery that adds both luxury and relaxation, appealing to the European sensibilities of the clients. The dining area, framed by Gothic-style windows, blends historic and modern elements, featuring black-clad window frames in areas without original leaded glass and modern lighting. The thoughtful mixing of traditional dining furniture and Chinoiserie ceramics with a boucle sofa and a low-slung coffee table creates impressive harmony. Even small details, such as a simple wooden stool and rustic bowl in a hallway, were carefully curated to allow the original features to stand out. The master bedroom employs deep, earthy forest green tones for built-in cabinetry and the back wall, fostering a sense of warmth and coziness, enhanced by gold accents and balanced with neutral linen bedding. The walk-in closet maintains a minimal yet timeless elegance, with gold accents and a statement chandelier, ensuring both sophistication and practicality for daily living. The master bathroom, quiet and minimal, features Taj Mahal stone counters, plastered walls, and live-finish plumbing fixtures, with personalized details like shadowboxed vintage children's clothing and original artisan sketches that tell the family's story, embodying an effortless, beautiful, and purposeful design. Kristen Thomas describes the home as a thoughtful blend of old-world charm and contemporary design, rooted in tradition but with a fresh, edited sensibility, seamlessly integrating contemporary styles for modern life with traditional elements that honor the home's original features. This approach creates a design that is both authentic and timeless. This project exemplifies how modern design can integrate respectfully with historic architecture, creating a home that is both beautiful and deeply personal. Kristen Thomas's approach emphasizes meticulous curation, from the grand architectural details to the smallest decorative elements, ensuring that every space within the Denver home tells a story and serves its inhabitants' needs. The result is a home that feels both luxurious and lived-in, bridging centuries of design with grace and intentionality. The harmonious blend of traditional and contemporary elements is consistently applied across all rooms, creating a cohesive narrative throughout the property. Each design choice, from the kitchen's Panzano marble to the master bedroom's deep green, is meticulously considered to contribute to the home's unique character and a sense of enduring elegance. #TudorStyleHome #HistoricRenovation #LuxuryInteriors #TransitionalDesign #ModernEuropeanStyle #KitchenDesign #MarbleKitchen #NeutralDecor #ArchitecturalPreservation