Retro revival: Torbreck Apartment Renovation

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

As temperatures drop, the article highlights the opportune time to undertake home renovation projects that can enhance warmth, dryness, and overall comfort, especially during autumn and winter. These renovations not only improve living conditions but also have the potential to boost property value. The piece encourages forward-thinking by planning changes for the upcoming 12 months, whether it's converting an underutilized garage into additional living space or constructing an extension to alleviate spatial constraints within the home. It underscores the importance of early fact-finding to understand the scope of work, necessary permissions, and estimated costs. For both first-time renovators and seasoned home improvers, the article positions itself as a comprehensive resource, offering expert advice and inspiration to help individuals confidently create their ideal living spaces. It delves into various aspects of renovation through a series of sub-sections, starting with Case Studies, Conversions, Extensions, Exterior, and Project Planning. Each category provides specific guidance and insights. Under Extensions, the article addresses crucial considerations such as dealing with drains. It poses questions like "Can I move a drain as part of an extension project?" and explains when permissions are required and how to obtain them. It also discusses how drainage issues can impact extension plans, offering expert advice to ensure a smooth project. A personal account is shared about a five-year renovation journey, leading to plans for a second extension to transform a three-bed semi into a five-bed home. The Project Planning section tackles regulatory aspects, inquiring "Do you need planning permission to convert a basement?" and providing legal expert insights into the complex rules. It also clarifies building regulations for basement conversions, emphasizing their mandatory nature. Furthermore, it warns homeowners about potential £5,000 fines for roof maintenance during autumn, particularly concerning disturbing protected animals like nesting bats. In the Exteriors segment, the focus shifts to sustainable drainage systems (SuDS), explaining their necessity and how they can protect homes while improving curb appeal. It offers eight practical ways to perfect driveway drainage, highlighting how poor drainage can detract from a home's appearance and providing solutions without compromising aesthetic appeal. The article also weighs the pros and cons of tarmac driveways, including a personal anecdote about a 30-year experience. Finally, the Shopping section provides practical advice for seasonal home maintenance and outdoor living. It covers topics such as how to store garden furniture in winter to maintain its condition, recommendations for the best patio heaters to extend outdoor enjoyment into autumn, and tips for weatherproofing pizza ovens. It also explores the benefits and worth of heated propagators for gardening and reviews the best patio cleaners for a spotless outdoor space, concluding with an evaluation of whether greenhouses are a worthwhile investment for productive gardening. #HomeRenovation #HomeImprovements #WinterPreparation #ExtensionPlanning #BuildingRegulations #SustainableDrainage #ProjectPlanning #ExteriorDesign #HomeMaintenance

A couple residing in lower Manhattan acquired a circa 1892 Renaissance Revival brownstone and sandstone row house in Prospect Heights, Brooklyn, measuring three stories high and just under 17 feet wide. While the house retained significant original details such as stained glass, wainscoting, an intact staircase, and carved Queen Anne style wood mantels, the new owners sought a brighter and more contemporary living space. They enlisted Gowanus-based architect Jeff Etelamaki to undertake a comprehensive renovation of the two upper floors, with a 'clean-up' of the garden level for an au pair or visiting family. The architect identified the primary challenges as the house's overall darkness and awkward proportions. The parlor level, for instance, suffered from a narrow entry hall, staircase, and galley kitchen that consumed a third of the house's width, leaving an exceptionally long and narrow living area (9 feet, 8 inches wide by 42 feet long). Etelamaki addressed this by opening up the hallway wall and dividing the lengthy space widthwise. An expanded kitchen was relocated to the rear of the parlor floor, and a dining area, featuring a round table to counteract the angularity of the space, was placed in the middle. This strategic repositioning was deemed the most practical solution for the layout. A significant stylistic decision involved replacing the existing ornate mantels and a large pier mirror. The homeowners opted for simpler white marble mantels, sourced from earlier-era Boston houses via New Hampshire, after the original pieces were sent to an architectural salvage warehouse in Harlem. This choice was partly facilitated by the necessity to replace the uneven and worn parquet flooring with new white oak planks from Madera Surfaces. Other improvements included removing a wall to open the stair hall and whitewashing existing dark brown woodwork to enhance brightness and modernize the interior. While much of the original detail, such as the front door, trim, wainscoting, and stair balusters, was preserved, the latter were highlighted with Farrow & Ball’s Manor House Grey. Additional design elements included abstract art by Brooklyn-based painter Alex Soffer positioned over the mantels in the parlor and kitchen areas. Two barrel-shaped chairs in the front parlor were chosen to complement the mantel's opening and prevent the narrow space from feeling overcrowded, while original stained glass panels above the parlor windows were retained. Custom kitchen cabinetry, along with a wall of glass-doored cabinets, was crafted by Tamas Matyek of Brooklyn-based Prowood. Lighting fixtures, including hanging lights over the black granite island, contemporary glass fixtures in the dining area and entry hall, and sconces throughout the house, were supplied by Allied Maker. A new powder room was integrated to the right of the kitchen, necessitating a slight bump-out into the kitchen space. Built-in white oak and mixed hardwood cabinets with integrated pulls were installed to optimize space in the kitchen, given its limited width for a dining table or banquette. On the upper floor, two smaller rooms were combined to create a single, full-width primary bedroom, with salvaged wainscoting used for repairs. The primary bedroom features furniture from Chicago’s Blu Dot. The central section of the top floor was reconfigured to include a walk-in closet and an entirely new skylit bathroom, which is partly clad in large-format porcelain tile. The existing door to a deck remained, with a potential future addition to that floor considered. #ProspectHeights #TownhouseRenovation #InteriorDesign #ArchitecturalSalvage #ModernUpdate #MarbleMantels #BrooklynRenovation #EtelamakiArchitecture #HomeRedesign

This article details the comprehensive gut renovation of a three-story row house in Sunset Park, Brooklyn, transforming a stripped-down structure into a bright and comfortable home for a family of five. Architect Ula Bochinska of Bostudio Architecture, in collaboration with architect Witek Wisniewski, spearheaded the redesign, which embraced modern design principles given the absence of original vintage details in the house. The renovation involved taking the house down to its studs, with only the stair railing and a colored-glass skylight salvaged from the original structure, which had been significantly altered in the mid-20th century. The new design prioritizes a modern aesthetic both internally and externally. The front and rear facades are clad in gray fiber cement board, establishing a contemporary look. The interiors are warmed by oak doors, floors, and wood-trimmed casement windows, creating a balance between modern sleekness and natural warmth. The design process focused on creating durable spaces that would withstand the test of time, utilizing a neutral palette of grays and whites, natural stone, and wood to prevent the design from quickly dating. The layout was reconfigured to include a duplex residence for the family on the main floor and the floor above. The lower level was developed into a separate apartment, currently serving as guest accommodations, a home office, and a playroom. The kitchen, featuring a streamlined and slightly industrial feel, incorporates exposed brick and ductwork. Most of the cabinetry in both the kitchen and the master bath was sourced from IKEA, demonstrating how well-configured off-the-shelf components can achieve a custom look. Specific design elements highlight the modern approach and thoughtful material selection. Equitone fiber cement panels were installed on the facades in an offset grid pattern, while Marvin windows with black aluminum exteriors and oak interiors were chosen for their aesthetic and functional qualities. The staircase was rebuilt with white oak treads and risers, integrating the salvaged newels, railings, and balusters. The white oak flooring extends to clad the front of the U-shaped kitchen island, unifying the space. The kitchen features a farmhouse sink, pendant lights from IKEA, a concrete-like man-made countertop, a Bosch stove, and a Riobel sink faucet. Practical and aesthetic considerations extended to the master bedroom, which includes a wood-bladed ceiling fan from Restoration Hardware and wall-hugging radiators from Runtal, combining design appeal with functional necessity. The master bathroom maintains a simple yet effective design with an IKEA vanity and cabinet, complemented by classic white hex tiles on the floor. An exterior stair from the lower level leads to the rear yard, and a skylight enhances natural light in the downstairs area. Excavation work allowed for the creation of a high-ceilinged room in a rear extension on the lower level, maximizing space and light. The project exemplifies a cost-conscious yet design-forward renovation, aiming for longevity and timeless appeal. #ModernDesign #TownhouseRenovation #SunsetPark #BostudioArchitecture #InteriorDesign #BrooklynHome #ArchitecturalRenovation #ContemporaryLiving #FamilyHome

This article highlights the transformative power of strategic interior design through the case study of a Brooklyn apartment. Initially, the apartment suffered from a bland aesthetic, characterized by a generic kitchen, plain white walls, and an uninspired entrance. The renovation aimed to infuse character and sophistication into the space, demonstrating how thoughtful design choices can significantly impact the living environment. The kitchen, which originally felt dark and small due to its wooden cabinets, underwent a significant overhaul. Designers opted to replace the dark upper cabinets with sleek white ones. This change not only brightened the room but also created an illusion of greater height and offered enhanced storage capacity, as the new cabinets were taller than their predecessors. The choice of lighter materials extended to the countertops, where a low-maintenance quartz was installed, replacing a darker alternative. A Carrara marble backsplash was incorporated to unify the design, adding a touch of elegance. A notable aspect of the kitchen renovation was the ability to retain the existing stainless steel appliances, which, against the backdrop of the new, lighter finishes, gained a renewed visual prominence. Beyond the aesthetic upgrades, the kitchen's lighting scheme was completely rethought. Recessed lighting was introduced to provide overall illumination, complemented by two oversized pendant lights positioned above the island, serving as both functional and decorative elements. Under-cabinet lighting was also installed, effectively transforming the space from a dim and uninteresting area into a luminous and sophisticated one. The renovation efforts were not confined to the kitchen; the hallway also received considerable attention. Prior to the makeover, the hallway was described as lacking personality, featuring plain walls and doors. To create a more intimate and welcoming atmosphere, designers strategically lowered the ceiling by a couple of feet. This adjustment, combined with the addition of pendant lighting, imparted a cozier and warmer feel to the corridor. Further details were added to the doors through the application of trim and a coat of dark gray paint, which enriched their appearance. An accent wall was introduced, featuring a wallpaper with a subtle yet intricate design, adding visual interest without overwhelming the space. To complete the transformation, a bold runner was laid on the floor, injecting a vibrant pop of color and defining the pathway. #ApartmentMakeover #InteriorDesign #HomeRenovation #KitchenDesign #HallwayDecor #BrooklynApartment #SweetenDesign #ModernHome #HomeDecor

This article highlights the evolving and personal home decor journey of Daniel King and Meghan Lavery, the founders of Home Union, a popular vintage store in Brooklyn. Their apartment serves as a dynamic showcase for their constantly shifting collection of vintage finds and personal treasures, reflecting their business and their lifestyle. The couple's decorating adventure began when they moved in together and embarked on a trip to Maine to find secondhand furniture for their new rental. What started with a few Danish dining chairs quickly escalated into a passion for collecting, leading to a significant surplus of vintage pieces. This surplus was the unexpected catalyst for the creation of Home Union, initially an Instagram account for their finds, which subsequently expanded into a storage unit, a showroom, and ultimately, a successful retail store. Initially, their individual design preferences—Meghan's love for all-white spaces and romantic boho vibes, and Daniel's inclination towards dark wood and Danish furniture—presented a challenge in blending their styles. However, over time, their aesthetics merged into a distinct and bolder style characterized by space-age Italian modernism, 1980s influences, and a curated selection of Danish pieces. Their confidence in using color has grown, contributing to the vibrant atmosphere of their Williamsburg home. Their apartment, located in a building with double-height ceilings, allowed for grand design statements despite its 1980s construction. The couple took on numerous DIY projects to personalize their rental, replacing undesirable original features such as doorknobs and a metal railing with more contemporary and minimalist elements like red plastic handles, canary yellow pulls, and a plywood balustrade adorned with hanging plants. They even undertook a rental-friendly kitchen renovation, painting cabinets, and installing a new countertop, sink, faucet, and tiled backsplash with landlord approval, showcasing their hands-on approach and long-term commitment to making the space feel like home. The living space is a carefully curated blend of items from their store and personal cherished possessions. Pieces like a Milo Baughman burl-wood credenza and a Terje Ekstrom spider-like chair rotate through their home, illustrating the fluid nature of their decor. A Paul Mayan floor lamp, which couldn't be sold due to a minor flaw, became a beloved fixture. The living room also features a limited-edition rug from a collaboration between Home Union and Swedish designer Katherine Plumb, highlighting their commitment to unique and meaningful pieces. The couple's dedication to finding the perfect decor extends to international searches, exemplified by their years-long quest for a pair of cherry red Gerd Lange sconces. After discovering one, they spent years searching eBay and messaging European sellers until they finally found a matching piece, demonstrating their perseverance in achieving their design vision. Daniel King, with his background in furniture-making, personally restores pieces for their store and also creates his own designs. The upstairs den, a multi-functional space, now features his built-in plywood chairs and a bookcase, transforming it into a cozy retreat. Their apartment is described as an ongoing project, constantly evolving with small tweaks such as painting the front door, upgrading the bathroom vanity, and tiling the balcony doorstep. The addition of new items like squiggly vases, futuristic lamps, or vintage Marcel Breuer rattan chairs continually refines their living space. Daniel and Meghan's home is a testament to their passion for vintage design and their collaborative journey in developing a unique and ever-changing aesthetic. #HomeUnion #VintageDecor #BrooklynApartment #InteriorDesign #DIYHomeRenovation #MidCenturyModern #RentalFriendlyDecor #DesignEvolution

The article details the redesign of a 1920s Mediterranean Revival home in Bronxville, focusing specifically on the living room. The family of four, upon purchasing the home, sought to restore its original architectural details that had been removed by previous owners, while also creating a family-friendly environment. Designer Alexandra Denburg of M&P Design Group, in collaboration with contractor Michael Guttilla, spearheaded this transformation, aiming to reintroduce Mediterranean elements and revitalize the space. Denburg's design approach for the living room emphasizes a careful selection of furniture shapes and materials to create a balanced and cohesive aesthetic. She strategically paired a square sofa with a curved one, demonstrating a mindful consideration of how different forms interact within a space. The choice of fabrics and materials was guided by both functionality and visual appeal. For instance, a large, fully upholstered sofa was complemented by a smaller, leg-exposed upholstered sofa, and two armchairs with decorative metal frames were placed on the opposite side of a wooden coffee table. This combination ensures visual interest and variety. Central to Denburg's material palette for the living room were woods, stones, metals, clays, and various fabrics. She explains her design philosophy by highlighting the importance of juxtaposing different textures and finishes—such as polished against raw stones, soft velvets with chunky knits, and woods with diverse surface textures. Mixed metals were also incorporated to add depth. This layering of textures and materials is crucial, especially within a monochromatic scheme, as it prevents the space from appearing flat and instead introduces tactile interest. Architectural details were also a significant focus of the redesign. To reinstate some of the home's original character, Denburg installed ceiling beams. These beams serve a dual purpose: they visually heighten the room by extending sightlines and provide a contrasting element to the dark wood flooring, enhancing a neutral color palette. The fireplace was another area of significant renovation. Denburg removed the wall jut behind it, creating a flush surface for the new fireplace, and added an angled surround to further contribute to the room's perceived height. Moravian star lights were installed, hanging alongside strong linear beams, exemplifying Denburg's eclectic approach to furnishing styles. She states that she always incorporates a mix of styles, regardless of the overarching aesthetic, to achieve a dynamic and engaging design. The overall transformation of the Bronxville living room by Alexandra Denburg successfully marries the restoration of historical architectural details with modern, family-friendly design principles, utilizing a rich interplay of shapes, textures, and materials to create an elegant and inviting space. #BronxvilleLivingRoom #HomeRedesign #InteriorDesign #AlexandraDenburg #MediterraneanRevival #FamilyFriendlyDesign #TextureAndMaterial #ArchitecturalRestoration

Architect Andrea Leung embarked on a deeply personal design project, transforming her 1,600-square-foot Tribeca loft in New York City into a space inspired by her childhood memories of hidden rooms and secret passageways in her grandmother's Vancouver penthouse. After a decade-long search for the ideal property, Leung found a loft that offered the necessary foundation for her vision. She preserved the loft's original verdigris tin ceilings and three cast-iron Corinthian columns, maintaining a connection to its historic character. The renovation began with significant structural changes, including the removal of a mezzanine that previously overhung a small kitchen. Following this, Leung strategically designed a series of private rooms along the eastern side of the apartment. A key architectural feature is a continuous expanse of glass and mirror, comprising both fixed panels and triple-bifold doors. This innovative wall system allows for dynamic interaction between the private and public spaces, enabling rooms to be revealed or concealed as desired. The reflective surfaces of the glass and mirror wall play a crucial role in the apartment's aesthetic and functionality. They effectively capture and distribute natural sunlight throughout the space, while also reflecting views of Leung's meticulously chosen furnishings. These custom pieces include a set of brass and walnut credenzas, a dining table, and a console. The reflective qualities of the wall also serve to visually distract from the dropped ceiling, contributing to a sense of greater height and openness. Leung describes her completed apartment as “the spatial embodiment of how I want to live,” emphasizing its dual purpose as both a private retreat for periodic escape and a versatile environment for entertaining guests. The design thoughtfully integrates luxurious materials and bespoke elements throughout. The kitchen, for instance, features Breccia Capraia marble cladding on its walls and counter, complemented by custom cabinetry crafted from patinated lacquered brass. The primary bathroom showcases Grigio Toscana marble for its floor, walls, and custom sink, with fixtures by Vola, a Signature Hardware tub, and a Duravit toilet. Additional design details include a dressing room behind the bedroom, lined with warm walnut, and a secondary bathroom featuring Invisible Grey marble for its floor, walls, and custom sink, alongside Kohler and Vola fixtures. The dining area is illuminated by a Lambert & Fils chandelier, with dining chairs by Grazia & Co. The living area is furnished with an Arch bench by Pietro Franceschini, a Nicci Nouveau lounge chair by Adam Court, and a Silhouette floor lamp by Svend Aage Holm-Sørensen, all arranged around a custom brass coffee table. The bedroom itself provides a tranquil retreat, featuring a Pierre Paulin lounge and a chandelier by Lee Broom. These elements collectively create a sophisticated and highly personalized living environment that fulfills Leung's vision for a light-filled and adaptable home. #AndreaLeung #TribecaApartment #InteriorDesign #LoftRenovation #MirroredWalls #CustomFurnishings #MarbleInteriors #NewYorkDesign #ArchitecturalRenovation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article highlights the successful remodel of a Tudor-revival style home, originally a carriage house built in 1902, by the design team Kaminski + Pew. The property, located in Philadelphia, had undergone several less tasteful renovations over the years, losing some of its original charm and functionality. The new clients, an older couple relocating from Iowa to be closer to their children, sought a home that honored its history while supporting single-floor living as they aged. The core challenge was that the house was in an "upside-down" configuration, with a dance studio on the first floor and all primary living spaces, including the kitchen, located on the second floor. Kaminski + Pew began the project by thoroughly cataloging the existing details of the home. They identified and appreciated original features such as diamond lattice windows, heavy stonework, tin ceilings, rounded plaster walls, and substantial wood wainscoting. Their primary goal was to restore these elements and ensure that any new additions blended seamlessly with the historical context. The previous insensitive renovations were carefully reversed, and the existing wood floors were sanded and stained a rich chestnut to add sophistication. Damaged or missing trim and wainscoting sections were meticulously rebuilt or matched. The most significant aspect of the renovation involved moving the main living functions to the ground floor. The ground floor, previously a large open space due to its original use as a carriage house and later a dance studio, needed to be reconfigured to accommodate a kitchen, living area, dining room, and a new ground-floor bedroom and bathroom. To achieve a more intimate scale appropriate for a couple, the designers introduced two modest wing walls and a gentle arched opening to delineate the kitchen from the living/dining area. The tin ceiling and wainscoting were extended and adapted to make these new architectural elements appear original. A bold design choice for the kitchen involved selecting Rookwood Red from Sherwin-Williams for the cabinetry. Initially, the clients preferred neutral tones, but the designers persuaded them by drawing inspiration from the home’s red shingle roof and deep red front door, thus integrating the color into the home’s existing palette. For the countertops, a leathered granite was chosen for its soapstone-like appearance, offering durability and lower maintenance compared to actual soapstone. The kitchen also features an antique table sourced from a local auction, chairs from Fourhands, a pendant light from Visual Comfort, and sconces from Hudson Valley Lighting, with appliances from Bosch and a Wolf induction cooktop. Addressing the challenges of an old home, particularly the existing tin ceiling, required innovative solutions. While preserving the tin ceiling added texture and scale, it also presented difficulties when adding new lighting. The team discreetly installed new surface-mounted lighting by routing wires through the ceiling joists above the tin. A fabricator and installer were found to match existing profiles, ensuring that the new electrical work was indistinguishable from the original. Furthermore, a poorly placed spiral staircase that served as the only access to the second floor was removed and replaced with a more gracious stair located off the entryway, enhancing both safety and flow. The redesigned bathrooms feature dark wooden vanities with veined marble countertops and pale blue paneled walls with large mirrors, marble sinks, and gold lighting fixtures. Ultimately, the project transformed a neglected Tudor-style property into a warm and welcoming home that respects its historical narrative while providing modern functionality for its residents. The designers successfully blended past and present, creating a timeless space that meets the client's needs for comfortable single-floor living. #HomeRenovation #TudorRevival #HistoricPreservation #InteriorDesign #KitchenRemodel #SingleFloorLiving #ArchitecturalRenovation #HomeTours

Peter Dolkas, an interior designer originally from the Bay Area, utilized his former one-bedroom apartment in a five-story 1890s building in Brooklyn Heights as a creative laboratory for his design ideas. Dolkas, who now partners with Michelle Ficker in Studio Dorion, a Dumbo-based boutique design firm, gained valuable experience through this personal project. Their firm is currently engaged in various projects, including a Park Slope brownstone and a NoHo loft. Dolkas and Ficker previously collaborated at renowned interior designer Billy Cotton's firm. Their joint venture, Studio Dorion, was named to evoke an old-fashioned, fictional character overseeing the operation, deviating from the typical eponymous naming convention. The apartment, converted to condos in the late 20th century, presented an Old World charm, particularly with a bay window featuring stained glass transoms that overlooked the street. However, it also posed a significant design challenge: a dated 1980s kitchen positioned opposite the fireplace wall, separated from the living room by a large cabinetry unit. Dolkas addressed this by removing the dividing wall, relocating the refrigerator to an interior wall, and integrating it into new custom cabinets, creating an entirely new kitchen space. The original fireplace, deemed unremarkable by Dolkas, was replaced with a minimalist mantel crafted from painted sheetrock, introducing a contemporary element to a room predominantly furnished with antiques. Dolkas, who holds a master’s degree in fine and decorative arts from Sotheby’s in London, frequently acquires pieces through auctions, such as those held at Doyle on the Upper East Side and Showplace on West 25th Street. Most of the furnishings and decor within the apartment are either antique or vintage, accumulated progressively over time. He regards his home as a dynamic space where furniture is continuously rotated and experimented with. The entry area was adorned with period-appropriate Willow Bough wallpaper, a classic William Morris design. A jute rug from Rugs USA provided a neutral foundation in the living room, complementing the diverse antique collection. The dining area featured an oversized paper globe lantern as a focal point. A live-edge coffee table top was creatively propped in a corner, and a Georgian book cabinet was acquired from Doyle. The sofa, a find from Showplace Antiques, was reupholstered in cotton velvet. An antique mirror, also an auction discovery, had its frame painted matte black. The walls were painted in Farrow & Ball’s Slipper Satin, with Lime White used for the trim. A vertical arrangement of vintage Dunster agateware plates enhanced the wall alongside the mirror. Dolkas designed an unlacquered hurricane candle sconce, which is available on his website. The dining table was a leftover piece from a previous project at Billy Cotton's, and the marbled table lamp was sourced from Housing Works. A corner niche opposite the dining table housed a built-in bookshelf, accented by a vintage table lamp found in Los Angeles. The bedroom was designed with a moody ambiance, achieved by painting the walls in Farrow & Ball’s Treron, a deep green. The pencil post bed was an eBay find from Great Windsor Chairs in Lancaster County, PA. Other bedroom elements, including a heavyweight Belgian linen bed cover from John Derian, a $5 overhead lantern from Jamali Garden, an antique chest from an auction, and area rugs from Paula Rubinstein, were acquired individually. In the kitchen, new custom cabinetry was painted in Farrow & Ball’s Lime White, featuring metal drawer pulls from Rejuvenation. The countertop was made of sealed wood, and the island was topped with a Carrara marble slab, a remnant from another project. The backsplash utilized undecorated blank tiles from Regts Delft Tiles, a Dutch company. The new cabinetry also cleverly concealed the refrigerator and freezer. Throughout the apartment, light switches were updated with new ones from House of Antique Hardware. In the bathroom, inexpensive subway tiles from Nemo were used for the walls, and a striped duster skirt, held by magnets, was added to the original sink. A framed medicine cabinet from Restoration Hardware completed the bathroom's refresh. #InteriorDesign #BrooklynHeights #ApartmentRenovation #StudioDorion #VintageDecor #AntiqueFurniture #HomeStyling #PeterDolkas #DIYDesign

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

This article details the comprehensive renovation of a Brooklyn brownstone, highlighting how architect Joshua Keay of Eponymous AD and interior designer Anne Brewer of Lewis Birks transformed a historic space for a young family. The project addressed several key areas, starting with a significant decision regarding the brownstone's original staircase. Despite its traditional appeal, the staircase was in poor condition due to age and construction wear, leading the team to replace it while salvaging and refinishing the handrail, spindles, and newel posts to retain some of its historical essence. This choice underscored the common dilemma in historic renovations: whether to preserve or completely overhaul. The renovation extended to the parlor floor, which previously featured a series of square-shaped living and dining rooms and a narrow kitchen. Keay and Brewer reimagined this layout by introducing large ceiling beams and removing a dividing wall to create a full-width, open-concept living space. This transformation allowed for a more functional and expansive kitchen area, moving away from the previously restrictive "series of countertops." A notable design element introduced during this phase was the creation of a wet bar in a transitional space. Instead of simply replacing the worn-down pocket doors that once framed the living room, Brewer designed a "jewel box" wet bar. This striking feature involves deep red painted walls and ceiling, complemented by a turquoise Calacatta marble countertop from ABC Stone, creating a dramatic visual transition from lighter adjacent rooms. In the kitchen, soft gray custom stained oak cabinets from Shinnoki were selected to harmonize with the blue-green veining of the marble island. Storage was maximized with tall cabinets along one wall, discreetly incorporating non-operable panels where a chimney prevented functional space, ensuring a seamless aesthetic. A built-in bench, upholstered in durable vinyl fabric resembling leather, offered practical and stylish seating. The dining table, a custom piece by Withers & Grain made from bleached ambrosia maple, added a unique touch with its distinctive beetle-made markings. The kitchen's design also addressed the challenge of limited wall space due to the staircase's protrusion. The solution was an asymmetrical arrangement of open shelving, including a thin stainless steel ledge above the range, which bisects the stone backsplash. This innovative shelving provides an airy feel while maintaining functionality for daily essentials. The main bedroom underwent a design update as well, inspired by a green-gray rug. The walls were painted a sky blue, with the exception of the wall behind the headboard, which was adorned with a subtle, watercolor-like silk Phillip Jeffries wallpaper. In the bathroom, space constraints led Keay to design a curved bench, providing a practical surface for toiletries without obstructing movement. The floor featured a custom mosaic tile design from Nasco Tiles, chosen for its ability to conform to rounded surfaces, echoing a French mosaic pattern discovered by Brewer. Overall, the renovation successfully blended the brownstone's historic character with modern functionality and dramatic design elements, particularly in the transitional spaces. #BrooklynBrownstone #HomeRenovation #InteriorDesign #StaircaseDesign #OpenConceptLiving #WetBarDesign #KitchenDesign #CustomCabinetry #BathroomRenovation

The world of interior design frequently cycles through trends, bringing back elements from the past with renewed appeal. This article explores six retro design trends that interior designers identify as making a significant comeback in contemporary homes. These trends offer a blend of nostalgia and modern functionality, moving beyond outdated fads to introduce fresh perspectives. One prominent trend is the re-emergence of glass blocks. Once considered a staple of interior cool, glass blocks are now valued for their ability to create spatial separation while allowing light to flow through. Designers like Cecile Gottlich highlight their aesthetic value, noting their capacity to add texture, color, and architectural detail to any space. This revival is particularly relevant as open-concept layouts are becoming less popular, making glass blocks an ideal solution for subtle division. Another trend gaining traction is the use of cork tiles for both flooring and walls. Gottlich emphasizes cork's environmental benefits, citing its sustainability, biodegradability, and carbon absorption properties. Modern cork tiles have evolved to offer a wider range of looks and colors, including marbled finishes, making them suitable for various interior styles, from modern to rustic. Their functionality and ability to add warmth and texture contribute to their renewed popularity. Wood-on-wood decor, or "wood washing," is also making a comeback, albeit with a contemporary twist. While the 1960s and 1970s saw an abundance of dark, heavy wood in interiors, today's trend, as described by Zoë Bailey, focuses on lighter-toned woods and slimmer, often mid-century modern furniture pieces. This approach creates a more minimalist and comforting atmosphere, aligning with a growing desire for a stronger connection to nature through design. Checkerboard flooring, reminiscent of 1950s diners, has been reinterpreted for modern homes. Rebecca Winter points out that while traditional black and white or red and white checks remain, newer iterations incorporate fresh color combinations like sage and cream or navy and sand. This bold yet simple graphic pattern offers a timeless appeal, adding interest to entryways, kitchens, and bathrooms. Available in materials such as marble, ceramic, and vinyl, it provides a touch of nostalgia without appearing dated. Skirted detailing is another retro element returning to prominence, signaling a shift from sleek lines to more flowy, feminine, and traditional styles. Gottlich explains that flounces, frills, fringes, and box pleats add a whimsical and soft touch to furniture and spaces. Beyond skirted furniture, custom fabric skirts can be added to existing pieces like stools, coffee tables, kitchen cabinets, or even islands, offering an easy way to embrace this aesthetic. Finally, colored bathrooms are experiencing a resurgence, moving beyond the monochromatic white and neutral tones that have long dominated. Bailey notes that while avocado green bathroom suites are best left in the past, contemporary colored bathrooms feature sophisticated palettes, including dramatic dark tones like deep greens and earthy shades, alongside occasional pops of brighter colors. This trend reflects a growing confidence among clients to incorporate bolder hues into their private spaces. #RetroDesignTrends #InteriorDesign #HomeDecor #GlassBlocks #CorkTiles #WoodWashing #CheckerboardFlooring #SkirtedDetailing #ColoredBathrooms #DesignRevival

Canadian studio Post Architecture has undertaken a significant renovation of a century-old brick house in Toronto, located across from a popular park in the Riverdale community. The project, named Riverdale Dormer House, involved a collaboration with engineers, designers, and builders to modernize the urban residence and enhance its connection to exterior views, while maintaining sensitivity to the surrounding streetscape. The architects aimed to integrate a modern aesthetic within the existing masonry structure, acknowledging the challenges of such an intervention. A key exterior modification was the replacement of the original roof and attic with a new third-floor addition. This addition is clad in standing-seam metal and features a sloped facade facing the street and a flat roof at the rear, designed to align with the heights of neighboring buildings. Traditional gabled dormers were removed and replaced with large, rectilinear window boxes. These new dormers are characterized by deep overhangs on all sides, strategically designed to modulate both internal and external views. Inside, the renovation focused on adapting the dwelling to accommodate a modern lifestyle. A new kitchen extension was added, which includes a custom wine cellar. Furthermore, a new garage was constructed, incorporating a hydraulic lift that can store up to three cars or be used to free up floor area, effectively extending the rear yard. The modernization efforts also extended to the integration of a radiant floor heating system throughout the house and the installation of commercial-style return air vents, enhancing comfort and efficiency. Lighting design was a crucial aspect of the interior update, with LED lights installed to be as discreet as possible. These lights were specifically positioned to complement and highlight the various art walls present throughout the house, contributing to the overall contemporary decor. The ground floor of the residence was reconfigured to feature an open-plan layout, encompassing a living zone, dining room, and kitchen, which seamlessly connects to a wooden deck in the backyard, promoting indoor-outdoor living. The basement level was designated for utilitarian and recreational spaces, housing an exercise area, a laundry room, and additional storage. A central staircase, crafted from a combination of wood, glass, and metal, serves as a prominent design feature and facilitates circulation within the home. This staircase leads to the second floor, which contains two bedrooms and a spacious den, providing flexible living arrangements. The master suite is privately situated on the third level, offering expansive views and a serene retreat. Throughout the interior, a diverse palette of materials was utilized to create a contemporary aesthetic, including elegant marble counters and warm wooden flooring. This project aligns with Post Architecture's portfolio of work, which also includes other notable residential renovations such as the Junction Shadow House in Toronto, known for its slender urban design and a distinctive monochrome staircase with white perforated metal guards. The photography for the Riverdale Dormer House project was provided by Arnaud Marthouret at Revelateur Studio. #ResidentialArchitecture #HomeRenovation #TorontoRealEstate #PostArchitecture #ModernDesign #InteriorDesign #UrbanLiving #ContemporaryUpdate #HistoricHome

La Macchina Studio, an Italian architecture firm, recently completed the renovation of a 1950s one-bedroom apartment in Rome's Appio Latino quarter, named 'Retroscena.' The project focused on restoring original Venetian terrazzo floors while incorporating bold colors and theatrical elements to create a dynamic living space. Studio founders Gianni Puri and Enrica Siracusa aimed to enhance the apartment's "irreverent and surreal nature" by playing with color contrasts, graphic motifs, and unexpected design elements, likening the space to a "surreal set where reality and fiction coexist in a quasi-theatrical scene." The renovation began with the meticulous restoration of the apartment's existing terrazzo floors, with local craftsmen enlisted to bring them back to their original state. To provide a neutral backdrop for the vibrant additions, walls and certain architectural features were painted in bright white. Against this white canvas, primary colors were introduced to create striking visual accents. For instance, an arched doorway and a low, mid-century style cabinet in the living area are painted a bright blue. A pair of zesty lemon-yellow fabric curtains can be drawn to partition the living area from the kitchen diner and to provide privacy for the balcony door. The blue-lacquered wooden archway, extending almost a meter from the wall, serves to screen the kitchen from the hallway's view and defines the entrance to the bedroom. A red wall-hanging above the sofa further contributes to the primary color palette. The bathroom was conceived as a two-room space. The first section, featuring a bath and shower, is encased in white square ceramic tiles with dark grouting, forming a graphic check mosaic. A pointy arched doorway leads to the second part of the bathroom, which houses a toilet, bidet, and a sink framed by the arch. Peacock-blue enamelled walls and a dimmable ring light mirror above the sink amplify the theatrical aesthetic within this private space. In the bedroom, a brick-red micro cement treatment applied by La Macchina Studio gives the floor a ruddy hue, offering a warmer, softer contrast to the bolder living areas. A low-hanging orb-style pendant light and peach velvet curtains further contribute to this softer ambiance. The entryway also features pinkish cement flooring, differentiating it from the rest of the apartment. Built-in white wardrobes in the hallway cleverly conceal a hidden room, which functions as a study, maximizing the apartment's functional space. La Macchina Studio, founded in 2013 by Puri and Siracusa in Rome, has previously undertaken other notable renovations in the city, including an apartment with terracotta-colored walls and another featuring a reading den with a porthole-style cutout. This Retroscena project showcases their distinctive approach to residential interior design, blending historical elements with contemporary, playful interventions. #ApartmentRenovation #RomeArchitecture #LaMacchinaStudio #InteriorDesign #TerrazzoFloors #ColorfulInteriors #MidCenturyApartment #ArchitecturalRestoration #ResidentialDesign

A circa 1824 brick townhouse in Brooklyn Heights, formerly owned by landscape designer Alice Ireys, underwent a decorative makeover by Brooklyn-based design studio White Arrow for a family with two school-age children. The homeowners desired a design that honored the home's history while incorporating a fresh, modern sensibility, with a particular appreciation for cozy, antique elements and the simplicity of modern design. Keren Richter, co-founder and principal designer of White Arrow, aimed to create interiors that felt rooted in tradition yet updated for a young family. This project was a decorative overhaul rather than a gut renovation, as the townhouse's historical integrity, including Federal-era details like the newel post, stair, and parlor moldings, had been well-preserved by the previous owner. The structure, mechanical systems, and the four-story layout were suitable for a family of four, described by Richter as not overly grand, allowing for an intimate living experience. The design approach was strategic, focusing on enhancing existing features and introducing new decorative elements. Inspired by British decorating aesthetics, characterized by pattern mixing, florals, and a sense of coziness, White Arrow removed old wallpaper, repainted walls, and introduced layered lighting. Most of the furnishings were new acquisitions. The front parlor, designated as an adult entertaining space, features a crescent-shaped green velvet sofa and a Kant coffee table by RW Guild, chosen for their curvilinear forms to promote gathering and a convivial atmosphere. The room's white paint was selected to highlight the patterning of the antique fireplace tiles, avoiding visual clutter that wallpaper might introduce. The entry hall includes a Sawkille Rabbit bench beneath a contemporary photograph by Dean West. The rear parlor houses the formal dining room, which is adorned with hand block-printed wallpaper by Marthe Armitage for Hamilton Weston. A custom O’lampia chandelier illuminates a Nickey Kehoe Harvest dining table and Svenskt Tenn dining chairs. A modernist console and various artworks were brought by the homeowners from their previous residence. The garden level hosts the kitchen in the center, with a dining/breakfast area at the rear and a children's play area at the front. The kitchen cabinets are painted a pale blue from Fine Paints of Europe, complemented by Gordon stools from Lostine and rattan cone lights from Soane. The family dining area, situated at the rear of the garden level, opens to the backyard through sliding glass doors and features a round Bobbin table by Alfred Newall. A boldly striped stair runner connects the four floors of the house, adding a consistent design element. The second floor includes a sitting/family room adjacent to the primary bedroom. This room, painted in a deep blue, is conceived as an evening space with ample seating, including a rolled-arm sectional and a Chinese Art Deco rug. The dark color scheme in this room is intended to create a cozy, English library-like atmosphere and discreetly camouflage the television. The primary bedroom is furnished with a Kyma headboard by Ensemblier and a Nickey Kehoe bench upholstered in striped fabric by Flora Soames. The main bathroom retained its existing claw-foot bathtub and blue painted floors, requiring minimal intervention. The children’s top-floor bedrooms feature dormer windows, with the daughter's room enveloped in Svensk Tenn botanical wallpaper and the son's room decorated with bold primary colors, both designed to create lasting memories. #BrooklynHeights #TownhouseRenovation #InteriorDesign #EnglishDesign #WhiteArrow #HistoricHome #DecorativeMakeover #FamilyHome #TraditionalModernBlend