In the worship of stone: Haus Balma by Kengo Kuma & Associates in Switzerland

Kengo Kuma, born in 1954 in Yokohama, Japan, initially favored modern concrete homes over his traditional wooden childhood dwelling, which featured rice paper screens and tatami mats. His perspective on traditional architecture shifted after being deeply impressed by Kenzo Tange's Yoyogi National Gymnasium, designed for the 1964 Tokyo Olympics, which ignited his passion for architecture. Over time, Kuma developed a profound appreciation for his childhood home's craftsmanship, natural materials, and the unique sensory experience it offered, influencing his architectural philosophy. Kuma's current architectural approach emphasizes harmony with the environment, history, and local traditions, focusing on the use of natural and handmade materials. This philosophy is evident in his diverse projects globally, including the wooden Japan National Stadium in Tokyo and the stone-clad V&A Dundee in Scotland. He begins each project with an immersive site visit to understand its 'spirit,' feeling the breeze and smelling the soil, often spending an entire day there to grasp its essence before selecting the most suitable materials. He believes that finding the 'protagonist material' for a place is crucial for architecture. His recent works demonstrate this material-focused approach. The UCCA Clay Museum in Yixing, China, incorporates handmade ceramic tiles to celebrate the region's pottery heritage, while the CMP Inspiration museum in Taichung, Taiwan, features a green-planted roof seamlessly integrated with partially buried exhibition galleries. For the Banyan Tree Higashiyama Kyoto, Kuma drew inspiration from traditional Japanese Noh theatre, creating an outdoor stage using yellow cedar and Kyoto cypress, highlighting the ethereal beauty of local traditions. In the South of France, Kengo Kuma & Associates designed the World Heritage and Pyrénées National Park House in Gavarnie, emphasizing harmony with the stunning natural landscape through traditional materials. The building's fluid form and glazed walls offer mountain views, while its thatched roof celebrates local haymaking traditions. Kuma actively advocates for the sustainable properties of thatch, using it in innovative ways such as exterior walls in the Yusuhara Marche and an upside-down thatched roof at Greenable Hiruzen, despite the challenges of reintroducing traditional materials into contemporary construction. Kuma has designed over 70 museums worldwide, including the V&A Dundee and the Hans Christian Andersen Museum. He redefines museums not just as spaces for art, but as places for conversation with art, space, and gardens, prioritizing intimacy and a sense of belonging within urban environments. His favorite museum project is the Nezu Museum in Tokyo, which he redesigned to integrate with its gardens, preserving the spirit and lifestyle of its founder, Nezu Kaichiro. He sees the museum as a tender, intimate space with a soft atmosphere, particularly appreciating the small café where Nezu's living room once stood. Addressing challenges in contemporary architecture, Kuma notes the rising costs of projects due to global events. He believes the solution lies in a long-term vision, emphasizing that architecture should create 'treasures' for future generations. He advocates for a return to nature, natural materials, and craftsmanship, which he sees as the foundation of community and economy. Kuma aspires to be remembered as the architect who transformed concrete-centric architecture back to using natural materials, drawing inspiration from the simplicity and sensory richness of his childhood home. He also admires Geoffrey Bawa's work, finds inspiration in Japan's onsens and ryokans for design ideas, and considers the Bamboo House in China one of his favorite projects due to its contrast with the Great Wall. #KengoKuma #Architecture #NaturalMaterials #SustainableDesign #JapaneseModernism #MuseumDesign #CulturalHeritage #ThatchArchitecture #EnvironmentalHarmony

The Acme Brick, Tile and Stone location in Florence serves the entire Florence and Tri-Cities metropolitan area, offering a comprehensive range of building materials for residential and commercial projects. This outlet provides a wide selection of bricks from various manufacturers, including Acme Brick, Belden Brick, Old Carolina Brick, Cherokee Brick, Columbus Brick, Lawrenceville Brick, Lee Brick, Meridian Brick, Palmetto Brick, Pine Hall Brick, Ragland Clay, and Sioux City Brick. Customers can choose from different brick sizes such as King, Queen, and Modular, as well as Thin Brick and surplus inventory options. Beyond bricks, the Florence showroom features an extensive collection of flooring materials, including hardwood and tile sourced globally. It also offers a variety of stone products, including cast stone and natural stone from numerous manufacturers and suppliers like Coronado Stone, Horizon Stone, MStone, Majestic Stone, ProVia Stone, and Stonebrook Thin Veneer. The facility also showcases architectural features such as cladding, fireplaces, glass accents, and iron doors. For outdoor living spaces, the Florence location provides outdoor furniture, pool coping, turf, grills, kitchen components, and outdoor heaters. These offerings allow customers to create integrated culinary and entertainment areas. Acme Brick, Tile and Stone in Florence is committed to providing resources and support for architects, designers, and builders. This includes architectural services, environmental product declarations (EPD), innovative building products, and a project inspiration gallery. Technical resources like the Pocket Guide to Brick Construction and Technical Services Digests are also available, alongside Health Product Declarations (HPD). Educational and support services include continuing education programs, case studies, and access to The Acme Technical Center. The company also offers virtual reality tools such as Virtual Mason, Masonry Designer, and Revit for design visualization. The showroom highlights a variety of specific brick products, including Abbeville – Queen – Heritage, Academy – Modular – Heritage, Aden Blend – Queen – Heritage, Adobe Wells – King – Heritage, Allendale – King – Heritage, Allendale Rustic – Queen – Heritage, Allentown – King – Velour, Allentown – Modular – Velour, Alluvial Light – Modular – Ruff, Alluvial Light – Modular – Velour, Alluvial Medium – Modular – Ruff, Alluvial Medium – Modular – Velour, Alpine – King – Heritage, Amaretto – Estate – Velour, Amaretto – King – Velour, Amaretto – Modular – Velour, Americana – Modular – Heritage, and Ansley Park – Modular – Heritage. The store operates Monday through Friday, with Saturdays and Sundays being closed. Detailed store information indicates a focus on providing diverse options for both indoor and outdoor applications, catering to various design preferences and construction needs. #BuildingMaterials #HomeDesign #InteriorDesign #ExteriorDesign #ConstructionSupplies #Flooring #StoneProducts #OutdoorLiving #ArchitecturalFeatures

K-Studio has designed Southwand House, a holiday home located in the Navarino Dunes resort area of Costa Navarino, Messinia, Greece. This architectural project integrates vertical stone walls with horizontal concrete planes, creating a dwelling that blends modernist aesthetics with traditional regional influences. The stone, sourced from local quarries, is prominently featured both on the exterior and interior, providing a textured contrast to the smooth concrete roof slabs. The design of Southwand House draws inspiration from the stone "tower houses" prevalent in the Messinia region, known for their monumental stone structures. The architects sought to create an interplay between these rough-hewn vertical elements and the sleek horizontal concrete, fostering a sense of seamless transition between indoor and outdoor spaces. This combination blurs boundaries and allows for a feeling of outdoor lightness within the interior, while offering a sense of protection when outdoors. The house occupies a linear plot with significant natural surroundings, including a sea view to the southwest, an olive grove to the north, and a golf course to the southeast. At the core of the design is a central courtyard featuring an established olive tree, which serves to divide the floor plan into two distinct halves. The east side of the house accommodates communal living areas, while four bedrooms are situated on the west side and the first floor. K-Studio’s design philosophy for Southwand House emphasizes a fluid living experience, enabling various daily activities such as cooking, showering, lounging, and exercising to occur in both indoor and outdoor settings. The studio aimed to reflect the organic complexity of Messinian folk architecture, which often features irregularly-shaped stone volumes, courtyards, and passages. To achieve this, they developed a system of orthogonal modules that, when juxtaposed, generate intricate relationships through negative spaces, courtyards, and pathways. The southern end of the building is designed to open up, with the living and dining rooms, as well as an adjacent bedroom, leading out to terraces. A swimming pool extends from these outdoor spaces, wrapping around them and offering views towards the sea. The pool's stepped base provides varying depths, catering to diverse preferences. Southwand House is part of a series of projects by K-Studio, founded by brothers Dimitris and Konstantinos Karampatakis, in scenic Greek locations. Previous works include Villa Mandra in Mykonos, the Manna hotel in Arcadia, and the Liknon visitor centre in Samos. The name "Southwand" is derived from the practice of seeking warmth by resting against a south-facing wall on a sunny day, symbolizing a comfortable and active model of living that harmonizes with its natural environment and promotes social interaction. #HolidayHomes #GreekArchitecture #StoneConstruction #ConcreteDesign #KStudio #Messinia #IndoorOutdoorLiving #ArchitecturalDesign #CoastalLiving

In the northern German town of Bielefeld, a new suburban villa designed by Titus Bernhard Architects presents itself as a sculptural and monolithic stone structure. The project comprises two distinct pitched-roof volumes: a main residence and a separate garage with integrated accommodation. Each volume is meticulously clad in a different type of natural stone, contributing to the dwelling's unique aesthetic and tactile quality. The main house features Dietfurt Dolomite, characterized by its lighter, rough, and textured surfaces, while the garage is finished with Wachenzeller Dolomite, which is polished to a smoother, darker appearance. This deliberate choice of materials and varied finishes creates a striking contrast and depth in the architectural composition. The genesis of this project dates back to 2016, when the clients initiated an architectural competition to select their designer. Titus Bernhard Architects' Augsburg-based studio emerged victorious among five competing firms. The design brief necessitated adherence to local building regulations, specifically mandating a pitched roof for the new structure. Within this seemingly conventional framework, the architects pushed the boundaries of design. They achieved this by employing stone tiles that seamlessly wrap around both the facade and the roof, creating a continuous, sculptural shell. Furthermore, large panes of frameless glass are integrated, abutting the edges of the structure to maintain a minimalist and sophisticated aesthetic. The villa's facade reflects a thoughtful consideration of privacy and openness. The street-facing elevation is relatively enclosed, emphasizing privacy, with the main entrance subtly recessed behind a lush front garden. In contrast, the rear facade is significantly more open, featuring an expansive first-floor terrace accessible from the main bedroom, which also includes a dedicated sitting area. The ground floor's internal layout is functionally divided. A long entrance hall, stairwell, and service space provide circulation and utility, while the primary living areas are arranged in an open-plan configuration. This integrated space encompasses living, sitting, eating, dining, and kitchen zones, all designed to overlook a wraparound stone terrace. Complementing the internal spaces, a covered external seating area adjoins an informal family dining space, with a more formal dining room situated next to a cozy sitting room and a library. Throughout the interior, polished stone floors extend the material narrative from the exterior. Custom-made joinery and pristine white walls define the kitchen, bedrooms, and circulation areas, including a first-floor gallery. A key focus for Bernhard and his team was the meticulous detailing of joints and intersections between disparate surfaces and angles, highlighting the precision of the craftsmanship. Functional elements are discreetly integrated, such as concealed drainage slots at the base of the roof slopes. Flush-mounted rooflights are strategically placed to channel natural daylight, allowing it to cascade through the interior and reach even the basement level, ensuring a well-lit and airy ambiance throughout the subterranean spaces. Titus Bernhard Architekten, established in 1995, has a history of award-winning projects and participation in international events like the Venice Biennales, cementing their reputation for innovative and thoughtful architectural design. #GermanArchitecture #StoneCladVilla #TitusBernhardArchitects #BielefeldHouse #ModernResidential #NaturalStoneDesign #PitchedRoof #ArchitecturalDetailing

Exposed brick, a material with a long and diverse history in construction across various cultures, is now experiencing a resurgence in contemporary interior design, particularly within retail spaces and furniture. This versatile material has transcended its traditional structural role, evolving into a foundational element for artistic and cultural expression, as evidenced by its application in Roman architecture and the strategic perforated designs found in the Mediterranean. Renowned architects like Louis Kahn, Walter Gropius, Mario Ridolfi, Aldo Rossi, and Renzo Piano have previously showcased brick's capacity for innovation. Today, exposed bricks, interior bricks, and brick tiles are transforming spaces, integrating historical heritage with sustainable design practices. Kengo Kuma's design for Camper's Barcelona storefront exemplifies this trend, where the architect merges Japanese and Spanish cultural influences. Kuma reinterprets traditional brick tiles, creating a unique fish-scale pattern that forms decorative matrices, displays, desks, and chairs. This approach highlights the module's versatility and its ability to serve multiple functions within a retail environment. Similarly, Japanese designer Tsuyoshi Hayashi's "Kawara Bench" collection reimagines the traditional Japanese clay shingles, Kawara. Conceived in 2014, the collection incorporates salvaged and ready-made shingle scraps into lightweight wooden structures, showcasing a sustainable and artistic use of materials. The addition of color to these pieces further expands the aesthetic possibilities of brick. In furniture design, Simone Bonanni's Obon coffee table collection for Moooi uses terracotta, celebrating its warm tones and embracing slight imperfections as part of its aesthetic. These minimalist tray tables, in various sizes and mounted on cylindrical bases, introduce an earthy touch to modern interiors. The application of brick also extends to specific regional contexts, such as Aesop's Sao Paulo store, which pays homage to Brazil's traditional cobogó bricks. Designed by Fernando and Humberto Campana, the store utilizes perforated bricks to provide natural shade and ventilation, creating a seamless flow between indoor and outdoor spaces. The design incorporates radial motifs, reflecting artisanal traditions and Mediterranean influences, similar to Patricia Urquiola's Tierras and Celosia collections for Mutina. Tierras features modular, multi-colored porcelain stoneware claddings with earthy tones, bringing tactile materiality to industrial production. Celosia, on the other hand, consists of hollow terracotta modules that use a three-dimensional effect to redefine interior aesthetics. In Aesop's Brussels location, Bernard Dubois Architects employed traditional yellow brick tiles, common in the Benelux region, referencing works by modernist pioneer Hendrik Petrus Berlage. Dubois uses basic rotations and aggregations of these tiles, laying them vertically to cover curved surfaces, creating a continuous and uniform interior that balances tradition with innovative design principles. This global reinterpretation of brick underscores its enduring relevance and adaptability in contemporary architecture and interior design, moving beyond its ancient origins to shape modern retail and living spaces. #ExposedBrick #InteriorDesign #RetailArchitecture #SustainableDesign #KengoKuma #TsuyoshiHayashi #SimoneBonanni #CampanaBrothers #PatriciaUrquiola #ArchitecturalMaterials

The article highlights the efforts of cousins Pranidhi Tuladhar and Aabhushan Man Singh Tuladhar, who run an Instagram page called 'The Last of Kathmandu Valley.' Their initiative aims to document and preserve the rapidly disappearing old architectural heritage of Kathmandu Valley. Pranidhi, after returning from Paris, where she studied fashion management and photographed city architecture, noticed the decline of traditional buildings in her hometown. This prompted her to collaborate with her cousin Aabhushan, an architect, to create a platform that would draw attention to these overlooked historical structures. The cousins' work is driven by a deep appreciation for the unique character of Kathmandu's old houses, which they liken to individuals, present one day and gone the next. Aabhushan's interest in architecture was sparked by stories of his ancestral home and the opulent houses of Lhasa Newars, known for their exquisite woodwork. Pranidhi, a design consultant, grew up amidst these old houses in Asan and feels a nostalgic attachment to them, especially after her time abroad. She observed significant changes in Kathmandu's urban landscape post-2015 earthquake, noting the haphazard rebuilding efforts and the shift towards modern concrete structures, which she describes as lacking a distinct identity. The article traces the architectural evolution of Kathmandu, from its unique cultural continuity spanning over 2,000 years to the introduction of European neoclassical styles by Rana rulers after the 1934 earthquake. The construction of Juddha Sadak (New Road) and the subsequent adoption of concrete as a building material further transformed the city, leading to a "hotchpotch urbanscape." The 2015 earthquake exacerbated this trend, destroying many remaining old buildings and leaving others in disrepair. Maintaining these old houses is challenging due to the high costs and scarcity of skilled craftsmen, often leading owners to rent them out cheaply rather than undertake restoration. The Instagram page frequently receives messages from people sharing nostalgic memories associated with these houses, often inquiring about preservation methods. Pranidhi suggests that implementing strict laws and providing stipends for maintenance, similar to practices in Paris, could help save these structures. Another pressing issue is the fragmentation of building facades due to inheritance divisions, resulting in carved wooden windows being cut in half and old houses being rebuilt into narrow, tall structures. The cousins recount instances where they documented a house with five carved windows, only to find two of them demolished on a subsequent visit. They advocate for internal structural changes while preserving the external facades to maintain the city's architectural integrity. Despite witnessing the rapid disappearance of many old houses, they also encounter pleasant surprises, such as well-maintained and freshly painted homes that offer a glimmer of hope. Working with their full-time jobs, Pranidhi and Aabhushan photograph houses during their walks, sharing images and collaborating on captions for their Instagram page. They have expanded their content to include reels, with one clip about balconies garnering significant views. While currently focusing on photography, they aspire to incorporate personal memories and historical narratives associated with these houses. Their initiative, though not initially intended to be large-scale, aims to encourage public awareness and appreciation for the hidden beauty within Kathmandu Valley's traditional architecture, urging people to "look up" and notice what is often overlooked. #KathmanduArchitecture #HeritagePreservation #ArchitecturalHistory #UrbanDevelopment #CulturalHeritage #Nepal #TraditionalHouses #SocialMediaActivism #HomeDesign

The article highlights Steinbild, a German-based company that transforms ancient natural stones into illuminated wall art, bringing a unique blend of history and modern design to luxury home decor. Greg Kathan, president of USA sales for Steinbild, discovered the product through a friend and was so captivated by its uniqueness that he changed his career path from being a United Airlines pilot of 27 years to lead its American operations. Kathan and his family subsequently moved to Utah, drawn by the natural beauty of the Wasatch Mountains, particularly the Midway area which reminded him of his European upbringing. Steinbild's innovative process involves cutting these stones, some dating back up to 2,000 million years, into thin slivers, often just 2/8-inch thick. These delicate stone slices are then meticulously set into high-quality frames crafted by master carpenters. A key feature of Steinbild's creations is that each piece is entirely unique, as the natural formations, crevices, and dents in the stone ensure no two artworks are identical. The company emphasizes its commitment to using 100% natural stones without chemical preservation, differentiating its products in the market. The company offers several product lines to cater to diverse aesthetic and functional needs. The 'Soul Line' features smaller pieces crafted from healing stones, making them suitable for spaces like spas or bathrooms. The 'Focus Line' incorporates a variety of stones in different shapes, offering customization options and the ability to be backlit for illuminated wall art. For larger artistic statements, the 'Essential Line' utilizes limited-edition stones that can be cut into significant formats, such as 20-by-20 inches up to 3-by-3 feet. This line also allows for creative presentations like mirror images of the same stone, framed to resemble butterfly wings. The most ambitious offerings are the 'masterpieces,' which are one-of-a-kind murals custom-commissioned and handcrafted to fit specific wall spaces, with a skilled German craftsman overseeing the cutting process using a spinning diamond rope. These ancient stone artworks, despite their substantial size and weight (ranging from 30 to 100 pounds for larger pieces), are designed to be relatively easy to hang. Steinbild serves a diverse clientele, including interior designers, businesses, art galleries, and homeowners. While primarily selling online, they also maintain a small home gallery for in-person viewings by appointment. The company's presence in areas like Park City and Summit County, known for their appreciation of art and design, provides an ideal market for these distinctive pieces. The Kathans view this as a family business, aiming to introduce these unique works of art to a community that values originality and historical depth in home decor. Each artwork is presented as a narrative, carrying the story of its ancient origins and the Earth's distant past into contemporary living spaces, offering clients a tangible connection to geological history. #LuxuryHomeDecor #AncientStones #IlluminatedArt #Steinbild #NaturalMaterials #ArtisanCraftsmanship #HomeDesign #ParkCity #GeologicalArt

Natural stone specialist Salvatori unveiled its latest collections, 'Nereo' and 'Nagi,' at Milan Design Week 2025, showcasing innovative applications of natural stone in bathroom design. The Tuscany-based brand is renowned for transforming ancient materials into contemporary, almost weightless designs, blending beauty with functionality and innovation. Their annual showcase takes place at their showroom in Via Solferino 11, located in Milan’s Brera district, within a Milanese palazzo that overlooks an inner courtyard. Elisa Ossino, an architect and interior designer, created the 'Nereo' bathroom collection, drawing inspiration from the Nereids, sea nymphs from Greek mythology. This collection aims to capture the fluidity of water within the solid form of stone, establishing a dialogue between movement and permanence. The 'Nereo' collection features wall-mounted vanity units that offer various configurations, including options for an integrated basin, a countertop basin, or a basin-free surface, providing versatility for different design preferences. Ossino describes the collection as both sculptural and timeless, offering a modern interpretation of classicism while emphasizing the inherent beauty of the material. She notes that the form is minimal and simplified, yet the material's power is enhanced by its generous dimensions. A key design element of 'Nereo' is its rounded countertop and the curves extending along the unit's sides, which introduce a sense of softness to the solid stone. The integrated sink, carved from a single block, exemplifies Salvatori's advanced technological capabilities combined with deep traditional knowledge of stone craftsmanship. Gabriele Salvatori, the CEO, highlights the challenge of creating a solid marble sink due to its weight and the integration of highly engineered, customizable drawers with hidden handles. This approach evokes the timeless energy and presence of old country house sinks, which were often carved directly from marble, a practice that evolved as marble processing shifted towards slabs and fragmentation over time. Ossino reflects on the emotional journey of this project, from its meticulous design to its revelation from a block of stone, stating that the material feels like a sculpture rather than a mere functional object when treated with such care. The 'Nereo' collection is available in a diverse palette of stones, including Bianco Carrara, Crema d'Orcia Aura, Verde Antico, and Verde Guatemala, offering a range of aesthetic choices. Complementing the 'Nereo' collection is 'Nagi,' a new marble surface designed by Canadian duo Yabu Pushelberg. 'Nagi' features delicate ripples, a texture that mimics the wavy patterns created when a stone disrupts still water. This design serves as a meditation on movement and a tribute to the serene rhythm of water, elegantly rendered in natural stone. The name 'Nagi' itself is a Japanese word signifying the calm or stillness of the sea, reinforcing the tranquil theme. Salvatori explains that the challenge in creating 'Nagi' was to interpret these ripples without making the design appear banal or repetitive, resulting in an elegant pattern that creates an almost flowing effect. 'Nagi' is highly versatile, as it can be installed horizontally or vertically, allowing for dynamic compositions and arrangements, with its short edges aligning seamlessly. The green palette, reminiscent of Piero Portaluppi's iconic green, introduces a new material, Verde Antico, which transports viewers back in time. Salvatori's showcase at Milan Design Week 2025 emphasizes their continued commitment to pushing the boundaries of natural stone design, creating pieces that are both functional art and enduring expressions of craftsmanship and innovation. #MilanDesignWeek #Salvatori #NaturalStone #BathroomDesign #ElisaOssino #YabuPushelberg #SculpturalDesign #InteriorDesign #StoneCraftsmanship

Acme Brick, Tile and Stone in Northwest Arkansas offers a comprehensive range of building materials and design solutions from its 5,000 sq. ft. showroom. The showroom provides a diverse selection of products for both interior and exterior applications, catering to various architectural and design preferences. Customers can explore displays of Acme-manufactured products, which include a wide array of bricks, as well as an extensive collection of other building materials such as natural and synthetic stone, metal siding, tiles, hardwoods, luxury vinyl plank (LVP) flooring, built-in grills, iron doors, bathtubs, and fireplaces. The inventory at the Northwest Arkansas location is substantial, featuring a large supply of clay bricks, pavers for outdoor landscaping and hardscaping, and masonry cement. This ensures that both residential and commercial projects can find suitable materials for their construction and renovation needs. The store emphasizes providing a broad spectrum of choices to inspire and facilitate various building and design endeavors. Beyond just products, Acme Brick, Tile and Stone positions itself as a resource for inspiration and practical application. They encourage customers to visit their showroom to visualize how different materials can be incorporated into their projects. The store also maintains an active online presence through its Facebook and Instagram pages, where they share the latest information, events, and promotions, offering visual examples of their products in real-world settings. The product categories available cover a wide range of needs, including various types of brick (King, Queen, Modular, Thin Brick, and Surplus Inventory), diverse flooring options (Brick, Thin Brick, Tile, Pavers, Stone, and Wood), and a selection of natural and manufactured stone products (Cast Stone, Coronado Stone, Horizon Stone, MStone, Majestic Stone, ProVia Stone, and Stonebrook Thin Veneer). Architectural features such as cladding, fireplaces, glass accents, and iron doors are also prominently featured. For outdoor living spaces, the store offers outdoor furniture, pool coping, and turf. Culinary spaces can be enhanced with grills and kitchens, outdoor grills, and heaters. The store also supports architects and designers with specialized products and resources, including architectural services, environmental product declarations (EPD), health product declarations (HPD), and technical services digests. They provide virtual reality tools like Virtual Mason and Masonry Designer, along with Revit files, to assist in project visualization and planning. Educational and support resources are available, including continuing education courses, case studies, and access to The Acme Technical Center for technical documents and installation guides. A project inspiration gallery further aids customers in conceptualizing their designs. The Springdale location is open Monday through Friday, with Saturdays and Sundays closed. The overall aim is to be a comprehensive supplier and guide for building and design projects, from material selection to technical support. #BuildingMaterials #HomeDesign #InteriorDesign #ExteriorDesign #Construction #Flooring #Stone #Brick #ArchitecturalFeatures

Andreas Kunert and Naomi Zettl, operating under the name Ancient Art of Stone, are a husband and wife team specializing in the creation of intricate and aesthetically striking stone walls. Their collaborative work showcases a unique blend of artistry and craftsmanship in the field of dry stone masonry. Andreas Kunert's journey into stone artistry began over two decades ago, with an early influence from the Rock Ages Granite Quarry near his family's Vermont home, which ignited his passion for working with stone. For Kunert, a critical aspect of his artistic process involves the meticulous selection of stones for each project, emphasizing that the inherent qualities of the materials are integral to the final aesthetic and structural integrity of their creations. The duo's artistic endeavors are not confined to specific locations; they accept commissions for both private residences and public installations, and their work has garnered international recognition, with examples found across the globe. This global reach underscores the universal appeal and timeless nature of their stone artistry. In addition to their custom commission work, Ancient Art of Stone has expanded its accessibility through the establishment of an online store. This digital storefront offers limited edition Giclee prints, allowing a broader audience to acquire reproductions of their celebrated stone artworks. The availability of these prints provides an opportunity for individuals to engage with their work beyond physical installations, making their art more accessible for display in various settings. The article highlights several examples of their work through a series of illustrations, showcasing the diversity and complexity of their stone wall designs. Each image serves as a testament to their ability to transform natural stone into visually captivating structures. These examples collectively demonstrate their mastery of composition, texture, and form, which are central to their artistic expression. The details within these walls reveal a careful consideration of each stone's placement, contributing to a cohesive and harmonious overall design. The intricate patterns and varied stone sizes evident in their work reflect a deep understanding of geological materials and an exceptional skill in manipulating them to achieve artistic objectives. Further engagement with their work is encouraged through their official website and Facebook page, providing platforms where enthusiasts can explore their portfolio in greater depth and stay informed about their latest projects. These online resources offer a comprehensive view of their artistic philosophy and the evolution of their craft. The article positions Ancient Art of Stone as a notable presence in the realm of art and design, specifically within the niche of stone masonry, offering both large-scale installations and accessible art prints to a global clientele. Ultimately, the article presents Andreas Kunert and Naomi Zettl as significant contributors to the art of stone construction. Their work is characterized by a dedication to craft, an appreciation for natural materials, and an ability to create structures that are both functional and profoundly artistic. The breadth of their projects, from private commissions to public works, alongside their venture into art prints, illustrates a multifaceted approach to sharing their unique artistic vision with the world, establishing them as distinguished practitioners in their field. #StoneArt #DryStoneMasonry #AndreasKunert #NaomiZettl #AncientArtOfStone #ArtisticWalls #StoneSculpture #ArchitecturalArt #CustomCommissions

The article introduces Steinbild USA, a company that transforms ancient, millions-of-years-old stones into illuminated wall art, bringing a unique blend of prehistoric geology and modern luxury to home decor. Greg Kathan, the president of USA sales for Steinbild, stumbled upon this venture when asked to translate a German catalog for a friend. Impressed by the product, he soon took on the role of leading its sales in the U.S. Steinbild's core innovation lies in taking rejected pieces from quarries worldwide—stones deemed unsuitable for commercial manufacturing due to their unique properties—and repurposing them into art. These stones, some dating back an astounding 2,000 million years, are cut into thin slivers, often as thin as 2/8-inch, while preserving their natural textures, crevices, and dents. Each piece is entirely unique, given the inherent variations in natural stone, and no chemicals are used in their preservation, maintaining their organic integrity. Greg and his wife, Melanie, moved to Utah eight years ago, drawn by the natural beauty of the Wasatch Mountains, which reminded Greg of his childhood in Bavaria and his skiing experiences in Switzerland. This love for the outdoors and the region's similarity to Europe solidified their decision to settle in Midway, Utah. The couple, who share a romantic story of a whirlwind courtship and marriage, now work together to promote Steinbild’s unique art. They see Park City, with its abundance of art connoisseurs and designers, as an ideal market for their products, which offer an exclusive aesthetic that cannot be replicated. Steinbild offers several distinct lines of products, each catering to different aesthetic and functional needs. The Soul Line features smaller pieces crafted from healing stones, ideal for tranquil spaces like spas or bathrooms. The Focus Line utilizes a variety of stones in different shapes, customizable for general decor and often backlit to create illuminated wall art. For larger formats, the Essential Line offers limited-edition stones that can be cut into sizes ranging from 20-by-20 inches to 3-by-3 feet. A unique feature of this line is the ability to slice stones into mirror images, framing them to resemble butterfly wings. The pinnacle of Steinbild's offerings is its custom-commissioned masterpieces—one-of-a-kind murals handcrafted by an experienced German stone designer to precisely fit specific wall spaces. The process of creating these large pieces involves cutting massive blocks of ancient stone, sometimes the size of a living room couch, into ultra-thin slices using a spinning diamond rope. These custom-framed artworks are then shipped directly to clients. While some pieces can be substantial, weighing between 30 to 100 pounds for larger formats, they are designed for easier hanging than one might expect. Steinbild collaborates with designers, businesses, art galleries, and homeowners. While primarily selling online, they also maintain a small home gallery for private viewings by appointment. Each artwork serves as a geological narrative, whispering tales from Earth’s deep past, including eras like the ice age and the existence of extinct creatures, allowing individuals to bring a piece of ancient history into their contemporary living spaces. #LuxuryHomeDecor #AncientStones #IlluminatedWallArt #SteinbildUSA #InteriorDesign #GeologicalArt #NaturalStone #CustomArt #ParkCityUtah

Kengo Kuma, a prolific and versatile Japanese architect, has been making significant contributions to the world of architecture, marked by his recent completion of his first U.S. public commission in Portland and the ongoing construction of the stadium for the 2020 Tokyo Olympics. Kuma's architectural philosophy is characterized by a modernist interpretation of traditional Japanese design principles, emphasizing the innovative use of sustainable materials to seamlessly integrate structures into their natural and urban surroundings. His works often highlight a profound respect for context and a desire to create spaces that blend with their environment rather than dominating it. Among his notable projects is the Asakusa Culture Tourist Information Center in Tokyo, Japan, which stands near the historic Sensō-ji temple. This center employs a contemporary architectural language to reference traditional Japanese construction, presenting a vertical stack of smaller structures with asymmetrical roofs that mirrors the vibrant energy of its neighborhood. In China's Sichuan Province, the Xin Jin Zhi Museum Chengdu, situated at the base of Laojunshan Mountain, explores themes of light and water. The museum features an elegant facade draped with floating tiles, allowing natural light to filter through during the day and illuminating beautifully at night. The Komatsu Seirin Fabric Laboratory in Ishikawa, Japan, showcases Kuma's innovative approach to renovation. This three-story office building, which serves as a workspace, exhibition, and research facility, incorporates cutting-edge carbon fiber technology for earthquake resistance. This material, ten times stronger than iron and inspired by local braiding techniques, was used for structural reinforcement for the first time in this project. The LVMH Headquarters in Osaka, Japan, is a multi-use building housing boutiques and offices. Its exterior is clad in a thin layer of onyx plates from Pakistan, sliced to four millimeters and sandwiched between glass, creating a luminous stone box effect at night in the bustling city center. For the Aitoku Kindergarten in Saitama, Japan, Kuma designed an early childhood education center with multiple pitched roofs made of wood and steel, angled to reflect the town's landscape and provide a cozy learning environment. SunnyHills at Minami-Aoyama in Tokyo, a patisserie for a Taiwanese pineapple cake company, features a nest-like structure crafted from Hinoki (Japanese cypress) using the traditional "Jigoku Gumi" construction method, allowing abundant natural light to create a bright and airy interior. Green Cast in Odawara-shi, Kanagawa, Japan, is a mixed-use building whose facade consists of aluminum die-cast planters. These planters, created with monobloc casting, help cool the interiors while facilitating natural daylight and ventilation. The Yufeng Spa Resort in Yunnan Province, China, draws inspiration from the nearby holy Yunfengshan Mountain. Kuma arranged the resort buildings to mimic the flow of spiritual energy from the mountain, using locally sourced stones laid in a mosaic pattern to achieve a pixelated effect. The Mont-Blanc Base Camp in Les Houches, France, designed as the headquarters for Blue Ice, a climbing and mountaineering company, integrates with its forest environment through a facade made of thick oak panels, echoing the surrounding trees. The building's wide oak plank roof harmonizes with the terrain. The Nezu Museum of Art in Tokyo, Japan, positioned behind a bamboo row near an upscale shopping district, successfully merges urbanity with nature. Its unique roof design and bamboo-lined approach blend the interior space with the garden. In Oregon, the Portland Japanese Garden Cultural Village expansion project benefited from Kuma's expertise in traditional Japanese design. The expansion, considered the most authentic Japanese Garden outside Japan, references the Katsura Villa in Kyoto, with glass walls and wooden screens that open to integrate architecture and nature within Portland's urban forest. Finally, Kuma's design for the Japan National Stadium in Tokyo, chosen for the 2020 Olympics, pays homage to traditional Japanese temples. This "urban forest" concept incorporates plants and trees on every level, a large oculus above the track, and a latticed larch-and-steel canopy, reportedly inspired by his work on the Portland Japanese Garden. #KengoKuma #JapaneseArchitecture #SustainableDesign #ModernArchitecture #ArchitecturalInnovation #CulturalIntegration #UrbanForestConcept #MaterialInnovation #TokyoOlympics

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

Acme Brick, Tile and Stone's Pelham location in Alabama features the largest brick and tile showroom in the Birmingham area, serving seven counties and surrounding regions. The 4,000-square-foot showroom displays a comprehensive range of products for residential and commercial construction, including various brick samples, natural stone, simulated stone, and limestone fireplace surrounds. The selection also includes specialized items such as Isokern fireplaces, clay and concrete pavers, and diverse patio products. Beyond exterior and structural materials, the showroom offers a high-end flooring section. This area showcases ceramic and porcelain tile, hardwood floors, and natural stone options. The facility also provides installation services for granite, marble, limestone, and quartz countertops, catering to both aesthetic and functional needs within a home or commercial space. For those undertaking DIY projects or professional installations, the store stocks all necessary tools, supplies, cleaners, and sealers. Customers visiting the Pelham location can benefit from the expertise of in-house design professionals. These specialists are available to assist with product selection and design guidance, ensuring that clients find the most suitable materials for their specific project requirements. The store’s extensive product categories include various types of brick (cladding, thin brick, surplus brick), a wide array of flooring options (hardwood, laminate, luxury vinyl, tile, mosaics, pavers), and diverse stone products (Majestic Stone, MStone, Stonebrook). Detailed product listings are available, featuring different brick sizes like Modular, Queen, and King, and various textures such as Smooth, Velour, and Wirecut. Color filters are also provided, allowing customers to easily navigate options like Beige, Red, and Bronze. This comprehensive product offering, combined with expert support, positions the Pelham showroom as a central resource for building and design materials in the region. The store's hours are Monday to Friday, from 8:00 AM to 5:00 PM, with weekends closed. #HomeDesign #BuildingMaterials #Brick #Tile #Stone #Flooring #InteriorDesign #ExteriorDesign #Showroom

In the foothills of Sierra Morena, Spain, a distinctive dwelling named 'Casa Tierra' has been meticulously carved into the natural limestone strata of the Cuevas del Pino estate. This project, undertaken by UMMO estudio, showcases a harmonious integration of architecture with the existing geological features. The interior design celebrates the rough texture and inherent characteristics of the calcarenite stone, which is prominently featured throughout the living spaces. The design philosophy behind 'Casa Tierra' revolves around a continuous and fluid dialogue between the ancient, pre-existing rock formations and the new architectural interventions. Rather than directly contacting the stone, the intervention maintains a sympathetic proximity, creating a peaceful and unique abode. This approach allows the natural environment to remain a dominant aesthetic element while ensuring modern comfort and functionality. The dwelling's interior layout is sculpted to conform to the irregular contours of the natural rock, resulting in a strong sense of enclosure. Despite being embedded within a cave, the spaces are surprisingly bright, thanks to strategically placed windows that allow ample natural light to penetrate. This careful allocation of openings ensures that the residence does not feel subterranean or dark, but rather open and inviting. New elements introduced into the cave home include a sophisticated marble floor, sleek glass openings, and subtle stone details that complement the natural surroundings. Additionally, the project incorporates hand-crafted furniture, which adds a layer of bespoke artistry and warmth to the unique spatial experience. These modern additions are carefully selected to enhance, rather than detract from, the inherent beauty of the cave environment. The integration of walls provides necessary partitioning for functional areas such, as the bathroom and bedroom, while maintaining the fluid nature of the overall design. Concrete and marble flooring has been meticulously laid to contrast with the ruggedness of the existing rock, creating a visual and tactile juxtaposition that highlights both the raw and refined aspects of the home. Stone tiling is also used to further emphasize this interplay between natural and artificial textures. The architects at UMMO estudio focused on creating a new spatial experience that profoundly values the tectonic nature of the region. The project serves as a testament to how contemporary design can respectfully engage with ancient natural formations, transforming them into livable and aesthetically rich environments. 'Casa Tierra' offers a retreat that is both deeply connected to its geological context and equipped with modern amenities, providing a distinctive living experience. #CaveHome #LimestoneArchitecture #SpanishArchitecture #SustainableDesign #NaturalMaterials #IntegratedArchitecture #ResidentialDesign #Cordoba #UMMOEstudio

Local House, completed in 2022, is a contemporary and sustainable residence situated within the historically significant Mount Eagle Estate in Eaglemont, Australia. Designed by Zen Architects, the project reinterprets the architectural character of the suburb while integrating seamlessly with its meticulously landscaped environment. The Mount Eagle Estate, originally planned and designed by Marion Mahoney and Walter Burley Griffin in 1915, is known for its winding roads and community parklands that follow the natural topography, with dwellings designed to be secondary to the natural landscape. The Griffins, proponents of modern architecture, advocated for designs free from stylistic precedents. This historical context informed the architectural approach for Local House, adhering to the estate's guidelines which encourage modern designs while complying with heritage, landscape, and vegetation protection overlays. The residence spans 214 square meters and was constructed by CBD Contracting Group. Key materials used in its construction include wood, concrete, and brick, contributing to its sustainable and contextual design. The architectural team was led by Ric Zen as the Design Architect, with Luke Rhodes as the Project Architect, and Madeleiene Ingham and Sanderson Bell serving as Architectural Assistants. OPS Engineers provided the engineering expertise for the project. The design prioritizes harmony with the natural surroundings, a core principle of the Mount Eagle Estate. This is evident in the integration of the house with its garden and facade, featuring numerous windows that allow for ample natural light and views of the landscape. The interior spaces are designed with a focus on natural materials, incorporating wooden elements, exposed beams, and thoughtful layouts that enhance functionality and aesthetic appeal. The presence of large windows throughout the house, including in living areas, bedrooms, and bathrooms, highlights the connection between indoor and outdoor environments. Courtyards and patio areas further extend the living space into the garden, providing opportunities for outdoor enjoyment and interaction with the natural setting. Interior photography showcases various rooms, including living areas with wooden tables and chairs, a kitchen with contemporary countertops and shelving, and bedrooms designed for comfort and natural light. The bathroom features modern fixtures and large windows, reinforcing the bright and open aesthetic. The overall design emphasizes a minimalist yet warm ambiance, achieved through the careful selection of materials and the strategic use of natural light. The project successfully balances modern architectural principles with the historical and environmental sensitivities of the Mount Eagle Estate, creating a dwelling that is both innovative and respectful of its unique context. #ResidentialArchitecture #SustainableDesign #ModernArchitecture #MountEagleEstate #ZenArchitects #Melbourne #Australia #ContemporaryHouse #EnvironmentalIntegration

The former residence of the late Japanese fashion designer Kenzo Takada, known as The Kenzo House, is currently on the market through Christie's Real Estate. Located in the Bastille area of Paris, the four-story home was originally constructed by Takada in 1993 within the courtyard of an 18th-century Parisian building. Takada, who founded his eponymous label in Paris, sought to create a living space that harmoniously blended Eastern and Western design aesthetics, reflecting his own cultural background and artistic vision. The initial design of the house, which took seven years to complete, aimed to incorporate elements reminiscent of Japan, providing a tranquil contrast to the vibrant Parisian atmosphere that inspired his fashion work. The property underwent a significant redesign in 2018 by acclaimed Japanese architect Kengo Kuma. Kuma's architectural philosophy, focused on a “frame of nature,” guided the renovation, emphasizing the integration of natural materials and light to foster a deeper connection with the environment. Kuma's redesign utilized organic Japanese building materials such as ceramic, stone, bamboo, and various types of wood, aligning with his belief that these materials enhance the experience of nature within architectural spaces. He championed transparency as a characteristic of Japanese architecture, employing light and natural elements to achieve a distinctive form of visual and atmospheric clarity within the home. The Kenzo House features an expansive layout including four bedrooms, six bathrooms, a music room, a fitness room, a study, an elevator, and staff studio apartments. A central aspect of the property's appeal lies in its meticulously designed outdoor spaces. The garden includes a stone pond inhabited by nishiki carp, and extensive landscape gardens featuring cherry trees, maple trees, bamboos, moss, rocks, and waterfalls, all crafted to evoke the serene beauty of a traditional Japanese landscape. A key element of Kuma's redesign involved reorienting each bedroom to face the garden, visually and materially framing the house with nature. The property also boasts a Japanese pavilion with a traditional tea-ceremony room, complete with tatami mats and shoji sliding doors, opening directly onto the koi pond. Further incorporating Japanese design, a terrace with an outdoor lap swimming pool was converted into an engawa, a traditional Japanese exterior corridor made of wooden latticing, providing a covered outdoor dining and entertaining area with lush green foliage. An elegant stone bathtub offers panoramic views of the Parisian rooftops, contributing to the sense of luxury, peace, and pleasure envisioned in the home's design. #KenzoTakada #ParisRealEstate #JapaneseArchitecture #KengoKuma #LuxuryHomes #HomeDesign #EasternWesternFusion #ArchitecturalRenovation #GardenDesign

This article explores upcoming trends and ideas for home design and construction in 2026, emphasizing the role of durable and aesthetically pleasing materials. It highlights brick as a foundational element, renowned for its longevity and ability to withstand the test of time, and encourages builders and homeowners to consider brick for its unmatched durability. The discussion extends to various material options, including premium steel siding from MAC Metal Architectural, which offers a selection of rich colors and intriguing profiles suitable for both residential and commercial projects. Examples of MAC Metal Architectural cladding products are provided, such as Ash Grey, Black Walnut, Cedar, Cork, Smoked Birch, Teak, Torrefied, and White Oak, each designed to enhance a building's aesthetic. Beyond cladding, the article delves into different types of brick, showcasing Acme Brick's diverse collections. It presents several brick options, including Rustic White (Modular, Velour finish), Craftsman Painter (Queen, Heritage finish), Coventry Cottage (King, Heritage finish), Vetropieno Blu, Amaretto (Modular, Velour finish), Browns Ferry (Queen, Heritage finish), Saltgrass (King, Heritage finish), Silver Ridge (King, Heritage finish), Quorum (Modular, Heritage finish), and Academy (Modular, Heritage finish). These varieties cater to a range of design preferences, from classic to contemporary. The article also touches upon the importance of stone collections for adding timeless elegance to spaces, featuring natural tones and distinctive textures. Stonebrook products like Anthracite (Marble), Bay Ridge (Sandstone), Canyon Ridge (Sandstone), Cavern (Limestone), Crimson (Sandstone), Fawn (Limestone), Galena (Sandstone), Galena Bay (Sandstone), Grand Canyon (Sandstone), and Khaki (Limestone) are presented as options to bring character and sophistication to projects. In addition to product showcases, the article discusses the significance of architectural design, urging readers to dream big and execute bold designs using brick. It mentions Acme Brick Company's support for architecture through national awards and university outreach programs, and its focus on publicizing innovative work by architect customers through case studies. A key aspect highlighted is the fire resistance of bricks, with a video explaining why firefighters choose brick for safety and durability, particularly in high-risk areas. The article encourages engagement through a newsletter and various social media platforms, providing resources such as project inspiration galleries, architectural services, continuing education, and technical documents to assist in informed decision-making for building projects. #HomeDesignTrends #ArchitecturalMaterials #BrickConstruction #CladdingOptions #StoneCollections #FireResistance #BuildingInnovation #SustainableDesign #InteriorDesignIdeas