StudioTamat transforms Rome "villino" with glass floors and mirror ceilings

STUDIOTAMAT undertook a comprehensive renovation of Casa Rude, a 120-square-meter Brutalist-inspired apartment with a 40-square-meter terrace located in the suburbs of Rome, specifically in Tor de’ Cenci. This project was designed for a lawyer couple seeking a departure from their previous small city apartments, desiring a residence filled with natural light, original character, and modern amenities, all while overlooking the Castelporziano Nature Reserve, providing both wooded and sea views. The design philosophy centered on enhancing the distinctive features of the 1980s terraced building, aiming to re-establish spatial fluidity and highlight existing materials and details as a foundation for a new aesthetic vision. The main living area was conceived as an open-plan loft, characterized by unfinished walls and exposed concrete elements from the building's support structure, which serve to visually interconnect the various spaces. This raw, Brutalist foundation is harmoniously combined with a diverse palette of tones, textures, and materials, creating a visually engaging environment. The coarse texture of terracotta tiles on the oval kitchen island and the concrete pillars provides a striking contrast with the smooth, elegant Patagonia marble countertops that link these elements. Custom design pieces are integrated throughout the apartment, such as a dining table featuring a Shou sugi treated wood top, supported by a black base and a glossy red ceramic leg, introducing a sleek, modern touch. Functionality is addressed through a large, birch wood cube that acts as a multifunctional unit, ingeniously concealing a pantry, offering coat storage, providing additional storage solutions, and housing a television. In the home office area, a wall constructed from perforated bricks facilitates the passage of natural light while maintaining a subtle separation from the living room. A custom-designed desk extends from built-in shelves and is supported by a circular red wheel, which echoes the design element of the dining table and allows the desk to be repositioned along a track. A pivoting door strategically separates the communal areas from the private sleeping quarters, which include a main bedroom with an en-suite bathroom and a guest room. Within the primary bedroom, ribbed glass sliding doors offer a balance of privacy and natural light for the bathroom space. The terrace, an expansive outdoor area, is equipped with an outdoor kitchen, multiple seating zones, a dining area, and an outdoor shower, all positioned to maximize the enjoyment of sunset views. #BrutalistArchitecture #ApartmentRenovation #RomeInteriors #STUDIOTAMAT #ModernDesign #InteriorArchitecture #CustomFurniture #OutdoorLiving #PatagoniaMarble

La Macchina Studio, led by cofounders Gianni Puri and Enrica Siracusa, undertook the renovation of an 807-square-foot apartment in Rome, Italy, originally built in the 1950s. The project aimed to transform the space for a young couple, drawing inspiration from diverse artistic fields including cinema, painting, and illustration, citing influences ranging from the Sienese School and David Lynch to Katsumi Komagata and Prince. This eclectic approach informed the studio's design philosophy, focusing on creating a theatrical and surreal environment within the residential setting. The renovation involved the introduction of new materials to complement the existing structure. Botticino marble and brick red microcement were integrated throughout the apartment, providing a contemporary foundation. These materials were juxtaposed with bold color accents, such as a prominent blue arched door in the main living area. This door serves as a visual focal point and a transition point, leading into the bedroom and embodying the studio's desire to incorporate unexpected elements. A key design objective was to instill a sense of magic and playfulness into everyday living spaces. The architects achieved this by employing a strategy of color contrasts, graphic motifs, and deliberate “incursions” of surprising elements. The intention was to enhance the irreverent and surreal nature of the architectural narrative, making the apartment feel dynamic and engaging. This approach is evident in the selection of furnishings and decorative items. The living and dining areas feature a combination of classic and contemporary design pieces. Venetian terrazzo flooring forms a consistent base across these spaces. Furnishings include Mariolina chairs by Enzo Mari for Magis and a Tulip dining table by Eero Saarinen for Knoll. Lighting fixtures such as the Cirque by Louis Poulsen add to the curated ambiance. In the kitchen, Dioscuri 14 lamps by Artemide contribute to the functional yet stylish illumination. The classic blue arched door, made of lacquer wood, stands out as a signature element, reinforcing the playful design language. Further details within the apartment demonstrate the studio's comprehensive design vision. A Divano Goto sofa by Disegno Doppio and a Colonna stool by Ettore Sottsass for Kartell are placed in communal areas, alongside a painting created by La Macchina Studio itself. Another area features a Componibili side table by Anna Castelli Ferrieri for Kartell, a vintage chair from the 1950s, and an illustration titled “Birds” by Gianni Puri, highlighting his dual role as an architect and illustrator. The bedroom features brick red microcement flooring and a Bright Modeco 20 pendant by Nordic Tales, maintaining the cohesive material and color palette. In the bathroom, mosaic wall coverings in ceramic, light grey microcement flooring, and a Bonola 50 bathroom sink by Ceramica Flaminia complete the thoughtful renovation. #ApartmentRenovation #RomeDesign #LaMacchinaStudio #InteriorDesign #MidCenturyModern #ColorContrast #ArchitecturalRenovation #PlayfulDesign #ItalianArchitecture

This article highlights an innovative optical illusion integrated into the flooring of a showroom for Casa Ceramica, a tile company located in Manchester, UK. The design creates the visual effect of a large, deep hole in the floor, but it is, in fact, a perfectly flat surface. The primary purpose of this ingenious design is to deter visitors from running through the showroom's hallway, encouraging a slower, more deliberate pace. While the precise reasons for people rushing in a tile showroom are not explicitly stated, it is humorously suggested that the tiles themselves might be so compelling that customers are eager to see them. The owner of Casa Ceramica, Duncan Cook, demonstrated the illusion in a video, initially navigating the seemingly treacherous floor cautiously before revealing its flat nature by walking directly over the 'hole' with ease. A representative from the company explained that the inspiration behind this flooring was to craft an entrance that plays on illusions, aiming to redefine expectations of how tiles can be utilized in design. The design effectively creates a sense of disorientation upon entering the showroom. However, the illusion is directional, meaning it only works when viewed from one specific angle, ensuring that visitors can safely exit the showroom without experiencing the same disorienting effect. The article includes several images and GIFs that visually demonstrate the optical illusion from different perspectives, showcasing its effectiveness. These visuals confirm that the floor indeed appears to have significant undulations and depressions, despite being entirely level. The illusion is achieved through a meticulous pattern and shading of tiles, creating a trompe l'oeil effect that tricks the eye into perceiving depth where none exists. This creative application of tile design not only serves a practical purpose—slowing down foot traffic—but also acts as a memorable and engaging feature for the showroom, leaving a strong impression on visitors. Public reactions to the illusion, as noted in the article, indicate widespread impression and sometimes a sense of unease or vertigo from the convincing visual trick. Comments from individuals suggest that even after knowing it's an illusion, the visual impact can be so strong that it remains difficult to 'unsee' the perceived hole or wavy surface. This feedback underscores the success of the design in achieving its intended effect of both captivating and cautioning visitors. The floor's design exemplifies how artistic creativity and an understanding of perception can be applied to functional spaces to enhance user experience and achieve specific behavioral outcomes. #OpticalIllusion #TileDesign #ShowroomDesign #InteriorDesign #CreativeFlooring #TrompeLoeil #ArchitecturalInnovation #CasaCeramica

La Macchina Studio, an Italian architecture firm, recently completed the renovation of a 1950s one-bedroom apartment in Rome's Appio Latino quarter, named 'Retroscena.' The project focused on restoring original Venetian terrazzo floors while incorporating bold colors and theatrical elements to create a dynamic living space. Studio founders Gianni Puri and Enrica Siracusa aimed to enhance the apartment's "irreverent and surreal nature" by playing with color contrasts, graphic motifs, and unexpected design elements, likening the space to a "surreal set where reality and fiction coexist in a quasi-theatrical scene." The renovation began with the meticulous restoration of the apartment's existing terrazzo floors, with local craftsmen enlisted to bring them back to their original state. To provide a neutral backdrop for the vibrant additions, walls and certain architectural features were painted in bright white. Against this white canvas, primary colors were introduced to create striking visual accents. For instance, an arched doorway and a low, mid-century style cabinet in the living area are painted a bright blue. A pair of zesty lemon-yellow fabric curtains can be drawn to partition the living area from the kitchen diner and to provide privacy for the balcony door. The blue-lacquered wooden archway, extending almost a meter from the wall, serves to screen the kitchen from the hallway's view and defines the entrance to the bedroom. A red wall-hanging above the sofa further contributes to the primary color palette. The bathroom was conceived as a two-room space. The first section, featuring a bath and shower, is encased in white square ceramic tiles with dark grouting, forming a graphic check mosaic. A pointy arched doorway leads to the second part of the bathroom, which houses a toilet, bidet, and a sink framed by the arch. Peacock-blue enamelled walls and a dimmable ring light mirror above the sink amplify the theatrical aesthetic within this private space. In the bedroom, a brick-red micro cement treatment applied by La Macchina Studio gives the floor a ruddy hue, offering a warmer, softer contrast to the bolder living areas. A low-hanging orb-style pendant light and peach velvet curtains further contribute to this softer ambiance. The entryway also features pinkish cement flooring, differentiating it from the rest of the apartment. Built-in white wardrobes in the hallway cleverly conceal a hidden room, which functions as a study, maximizing the apartment's functional space. La Macchina Studio, founded in 2013 by Puri and Siracusa in Rome, has previously undertaken other notable renovations in the city, including an apartment with terracotta-colored walls and another featuring a reading den with a porthole-style cutout. This Retroscena project showcases their distinctive approach to residential interior design, blending historical elements with contemporary, playful interventions. #ApartmentRenovation #RomeArchitecture #LaMacchinaStudio #InteriorDesign #TerrazzoFloors #ColorfulInteriors #MidCenturyApartment #ArchitecturalRestoration #ResidentialDesign

A tile company named Casa Ceramica, located in Manchester, has installed a unique optical illusion floor in their showroom entrance, which was implemented twelve months prior to this report. The design creates the visual effect of a wavy or sinking floor, despite being entirely flat and stable underfoot. This installation was conceived to demonstrate the diverse applications of tiles and to incorporate an optical illusion theme, which the company successfully achieved. The floor is constructed from porcelain tiles that were custom-cut by Aquacut into over 400 individual pieces. Duncan Cook, the director of Casa Ceramica, meticulously tiled these pieces according to a specific design layout to produce the intended visual effect. The result is a floor that challenges perceptions of stability, making individuals feel as though they might walk unsteadily, even when they are on a perfectly level surface. The unique flooring serves as a distinctive feature for the showroom, aiming to capture the attention of visitors and showcase the company's innovative use of tiling. Beyond the optical illusion floor, the showroom also features walls adorned with quotes, which were created by a local artist named Myro, adding another artistic element to the space. #OpticalIllusion #TileDesign #InteriorDesign #ShowroomDisplay #Manchester #CasaCeramica #FloorArt #ArchitecturalInnovation

Palazzo delle Pietre, a 15th-century building in Rome's historic Campo Marzio district, offers a unique hospitality experience that blends ancient Roman history with modern design. Owner and collector Carlo Mazzi transformed the time-worn structure, which sits atop the ancient Baths of Nero, into a collection of luxury serviced apartments. The restoration, completed over seven years, aimed to create a space that fosters a "conversation between past and future," embodying the ancient concept of _Civis Romanus sum_—that one becomes a Roman citizen through elective affinity rather than birth. The property features 10 unique apartments, ranging from intimate studios to expansive penthouses, each meticulously designed to serve as a private home for sophisticated, art-loving travelers. Mazzi's extensive collection of approximately 200 archaeological finds and 50 Renaissance-era pieces is distributed throughout the common areas and apartments, creating a continuous dialogue with contemporary design elements. Guests will find modern furnishings and lighting, such as Harry Bertoia chairs by Knoll, desks by De Padova, and Artemide lights, juxtaposed with antique wooden headboards, restored doors, and Roman stone fragments. The interior design emphasizes material richness, incorporating at least ten different types of marble, including rare book-matched slabs, alongside vaulted ceilings and travertine doorways. Textiles from Lo Studio di Beatrice Petriccione di Vadi soften the architectural geometry of stone and wood. Each apartment is fully equipped with bespoke items, including Richard Ginori porcelain, allowing guests to immerse themselves in daily Roman life while benefiting from hotel-like services such as concierge assistance, spa appointments, and event space access. Notable accommodations include the "Penthouse Apartment" and "La Corte Rooftop Terrace," a split-level residence with panoramic views and a private hammam. The property's strategic location on Via delle Coppelle places guests within walking distance of iconic Roman landmarks such as Piazza Navona, the Pantheon, and Caravaggio's masterpieces, yet it maintains a distinct neighborhood feel away from chaotic tourist hubs. This provides an authentic Roman living experience where history, art, and artisan culture converge. Palazzo delle Pietre also cultivates a vibrant cultural atmosphere through its "FraMmenti Club," which hosts monthly events, talks, and salons designed to foster social cohesion and revive the spirit of ancient Roman academies. Wellness facilities are integrated with artistic flair; the fitness room is uniquely adorned with original Andy Warhol Marilyn portraits, contrasting with the ancient surroundings. The communal wellness area features a hammam with green mosaics and a massage room clad in warm yellow marble, underscoring the property’s commitment to an artful and luxurious guest experience. The establishment aims to offer a discreet and unique hospitality choice, enabling travelers to feel like citizens rather than mere tourists in a city that continually evolves. #LuxuryTravel #RomanHistory #ModernDesign #BoutiqueHotel #ArtCollection #ItalyTravel #InteriorDesign #CulturalImmersion #PalazzoDellePietre

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject

Alexander Design transformed a four-story building, originally constructed in 1926 as a telephone company headquarters in Venice, into a modern multi-use space. The historic structure now accommodates offices, gallery spaces, and a penthouse loft that includes a private roof garden. The design approach emphasizes a monochromatic palette, predominantly featuring various shades of grey, which is complemented by the warmth of natural wood accents and soft textures throughout the interior. Preserving some of the building's original industrial details was a key aspect of the renovation, integrating the historical character with contemporary design. The penthouse loft features an open-plan layout, designed to maximize the influx of natural light through its expansive windows. The original structural columns are strategically retained, serving as subtle indicators that help delineate different functional zones within the large, undivided space. These areas include a living room, a kitchen, a dining room, multiple sitting areas, a dedicated office, a bedroom, two bathrooms, a gym, and an unconventional addition of an indoor swing, adding a playful element to the sophisticated environment. The deliberate placement of these elements ensures that the open feel of the loft is maintained while providing distinct functional areas for various activities. The kitchen area exemplifies the blend of functionality and aesthetics in the loft's design. It is equipped with open wall shelving that offers both storage and display opportunities, a series of lower cabinets for essential kitchen items, and a large central island. This island is not only a significant workspace but also incorporates additional storage, enhancing the kitchen's utility without compromising its sleek, minimalist appearance. The integration of modern kitchen amenities within the historic shell demonstrates a thoughtful approach to adaptive reuse. Throughout the conversion, Alexander Design focused on creating a cohesive and inviting atmosphere. The material selection, including the greys, woods, and soft textiles, contributes to a calm and sophisticated aesthetic that respects the building's past while embracing modern living. The project highlights how historical buildings can be reimagined to serve contemporary needs, providing unique living and working environments. The thoughtful design ensures that the loft is not only visually appealing but also highly functional, offering a luxurious and comfortable lifestyle within a historically significant context. #LoftConversion #VeniceDesign #AlexanderDesign #MonochromaticPalette #IndustrialDetails #OpenPlanLiving #HistoricRenovation #PenthouseLoft #InteriorDesign

This article highlights the comprehensive renovation and enlargement of a 2,583-square-foot apartment situated on the top two floors of a historic building in Rome. The project, undertaken by local firm Studio Strato, aimed to enhance the apartment's connection to its outdoor surroundings, specifically a lush green park. The redesign emphasizes preserving elements that narrate the building's history, such as exposed beams and pillars, which were intentionally left visible to showcase the restoration process and the building's historical layers. The renovation began with the demolition of existing internal walls to create a more open and integrated living space. This transformation resulted in a single, expansive area that combines the living and dining functions. The interior aesthetic was significantly brightened with fresh white walls and complemented by larch parquet flooring. A notable feature is a sleek black fireplace, contributing to an overall airy and modern environment. Central to the common area is a striking pink staircase, which serves both a functional purpose, connecting the lower level to the master bedroom above, and an aesthetic one, visually delineating the living and dining zones. To improve the apartment's connection to the outdoors and maximize natural light, large, expansive windows were installed. These windows not only flood the interiors with sunlight but also offer panoramic views of the adjacent park. The dining area, located next to the living lounge, provides direct access to a balcony, further blurring the lines between indoor and outdoor living. The kitchen also underwent a modern upgrade, now equipped with stainless steel appliances, reflecting a contemporary design approach. Vincenzo Tattolo, co-founder of Studio Strato, articulated the design intent as enriching the house with a strong graphic look. This was achieved through specific material choices, such as using masonite for the walls of the master bedroom and the widest wall in the kitchen, adding a distinctive texture and visual interest. The master bathroom features Fornace Brioni tiles on both the floor and walls, contributing to a cohesive and sophisticated design. Similarly, the daughter's bathroom is adorned with dotted mosaic tiles, also from Fornace Brioni, ensuring design continuity and quality throughout the apartment. The article includes floor plans of both the lower and upper levels, providing a comprehensive overview of the spatial arrangement and how the renovation optimized the flow and functionality of the apartment. The project successfully blends historical preservation with modern design elements, creating a bright, open, and graphically rich living space that is well-connected to its Roman setting. #apartmentRenovation #romanArchitecture #interiorDesign #studioStrato #modernLiving #historicBuilding #openConcept #pinkStaircase #italianDesign

The Milan-based design studio 6:AM, founded by Edoardo Pandolfo and Francesco Palù in 2018, is redefining the application and perception of Murano glass. The studio's name, 6:AM, signifies the moment the furnaces on the Venetian island are ignited daily, marking the continuation of a 700-year-old glassmaking tradition. Pandolfo, a Venice native, and Palù, an architect, aim to introduce Murano glass to a broader audience through a diverse range of products, including architectural installations, modular lighting, furniture, and sculptural objects, all characterized by precision, materiality, and conceptual clarity. Their work spans bespoke commissions for international brands and research-driven explorations into the future of glassmaking. 6:AM's approach marries ancient techniques with contemporary aesthetics, emphasizing a continuous dialogue between craftsmanship and design. This synergy means that product development and glassworking techniques evolve in parallel, where the object's shape often dictates how the glass is worked, and conversely, the design influences the choice of technique. The studio collaborates closely with Murano's master artisans, leveraging their extensive expertise in manipulating glass in its molten state. They actively experiment with layering, fusing, and adapting traditional methods to expand the material's potential while striving to minimize environmental impact. A notable project demonstrating this ethos is FLOAT, unveiled during Milan Design Week 2024. This collection repurposed salvaged glass from 1930s Milanese windows into furniture, shelving, and architectural cladding. By combining fused glass panels with minimalist steel structures, FLOAT explored new technical and aesthetic possibilities for post-industrial materials. This initiative culminated in the 'Resourceful Intelligence' installation at the 2025 Venice Architecture Biennale, where reprocessed glass from Milan’s Palazzo Missori was utilized to showcase circular design strategies, developed in collaboration with Park Associati. Earlier in the year, 6:AM held its inaugural solo exhibition, 'Two-Fold Silence,' at Milan's historic Piscina Cozzi during Milan Design Week. The exhibition featured Quadrato, a lighting collection that draws inspiration from 1920s industrial design, blending Bauhaus rationalism with the geometric abstraction of Kazimir Malevič. The Quadrato collection, crafted from blown Murano glass with varying textures and opacities, included a screen-printed lattimo wall lamp encased in painted iron, offering a modern interpretation of early 20th-century emergency lights. From crafting jewel-like hand-blown Murano glass stools for Bottega Veneta’s SS26 runway show to their pioneering material recovery projects, 6:AM consistently demonstrates a distinctive visual language. This language is characterized by fluid silhouettes, luminous textures, and a steadfast commitment to handmade quality. Each cuboid stool for Bottega Veneta, for instance, began as a 43 cm glass block shaped using cast-iron molds engraved with CNC technology, reflecting a process akin to traditional marble sculpture. The studio's work is deeply embedded in Murano’s historical glassmaking heritage, yet it is decisively forward-looking, continuously pushing the boundaries of glass design. #GlassDesign #MuranoGlass #6AMStudio #MilanDesign #SustainableDesign #BottegaVeneta #ArchitecturalInstallations #ContemporaryCraftsmanship #CircularDesign

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Architect Tommaso Spinzi, originally from Como, Italy, and with a diverse international professional background, returned to Milan in 2018. There, he undertook the renovation of a 2,000-square-foot former workplace near the city center, converting it into his personal loft. The space, which he describes as a “white canvas,” previously served as a stable for postal service horses in the late 1800s before becoming an office. Spinzi's design approach for the ground-floor space involved preserving its industrial characteristics, such as tall multi-paned windows, concrete floors, and an open layout, while integrating softer elements, both vintage and new. His primary architectural alteration involved creating a passage beneath an existing mezzanine to establish a dining area, with the mezzanine itself repurposed into his bedroom. The loft's functional areas, including the kitchen, bathroom, living and dining spaces, library, and a garage for his 1983 Porsche 911SC, flow seamlessly, loosely defined by furniture arrangements. The design is characterized by an interplay of materials and textures, combining vintage and contemporary pieces, many of which are Spinzi's own creations. The thoughtful placement of artwork and strategic use of green accents, which Spinzi identifies as his favorite color, further personalize the space. Green is applied to walls, in upholstered furniture, and through foliage compositions, bringing natural elements indoors. A central theme in Spinzi's design philosophy is the integration of vintage furniture, which he uses to promote upcycling and celebrate Italian craftsmanship. For example, in the library, a 1960s Afra and Tobia Scarpa sofa in tobacco leather is paired with a vintage armchair, re-covered by Spinzi in emerald velvet, and his own marble Medusa stool. The space also features a 1970s Italian vanity mirror and one of Spinzi's abstract paintings. He emphasizes selecting pieces for their aesthetic value and Italian origin, rather than solely their designer provenance, incorporating several anonymous yet impactful items. The living area showcases this approach with shapely burnt orange-upholstered armchairs and a notable wooden soldier sculpture, whose origins are unknown but contribute significantly to the aesthetic. These are complemented by a 1970s Mario Bellini Le Bambole sofa, a drawing by Alessandro Paglia, and Spinzi's Origini console and cocktail table, both topped with greige terrazzo-like Ceppo. Spinzi, who has a preference for stone and metal, meticulously explores and enhances the inherent qualities of various materials in his work. His creations have been exhibited at the Rossana Orlandi Gallery in Milan, and his designs, along with curated vintage finds, are available through his online shop. The apartment also features light fixtures made of Murano glass, such as a large 1970s Venini chandelier in the bedroom, and a sculpture composed of stacked marble samples. Spinzi’s philosophy extends to the broader context of urban development, advocating for the repurposing of old structures rather than demolition and new construction. He views this as a way to respect the historical integrity and “soul” of buildings and cities, while simultaneously minimizing environmental impact. This conscious approach aligns contemporary concerns with enduring Italian design traditions, celebrating the resilience of Milan's architectural heritage, from its grand palazzi to industrial complexes. #MilanApartment #LoftConversion #TommasoSpinzi #ItalianDesign #VintageFurniture #IndustrialInterior #UpcyclingDesign #ArchitecturalRenovation #InteriorDesign #SustainableDesign

Dimorestudio, in collaboration with Loro Piana, unveiled an immersive installation titled 'La Prima Notte di Quiete' at Milan Design Week 2025. This unique presentation explores the blurred lines between reality and cinematic fiction, set within the evocative backdrop of an elegant, fictional 1970s villa. The experience was designed to showcase new furniture pieces from Dimoremilano – Dimorestudio's furniture brand – for Loro Piana Interiors, alongside existing studio classics re-imagined with Loro Piana fabrics. The installation, located in the Cortile della Seta courtyard at Loro Piana's headquarters, begins with guests entering a foyer designed to resemble a vintage cinema, complete with red velvet curtains and leopard-print carpet. Visitors are then guided through a series of holding areas before entering a pitch-black space. The core of the experience unfolds as individual rooms of the villa are dramatically illuminated, synchronized with a soundtrack composed by Nicola Guiducci. This multisensory approach creates an atmosphere of suspense and intrigue, leaving attendees to ponder the narrative of the villa's unseen inhabitants. The setting is a stormy night, emphasized by the sounds of thunder and water cascading down glass panels. Intermittent voices add to a sense of commotion, subtly reflected in the disarray of the interior spaces: crumpled bed sheets, scattered grapes, and misplaced throw pillows. The meticulous attention to detail is evident in elements like a half-read book on a sofa and faint suggestions of mold on the ceiling, all contributing to the plausibility of the scene. Dimorestudio emphasizes that this realism is achieved through a balanced curation of diverse objects, mirroring the sophisticated taste one would find in a genuinely lived-in home. Among the featured pieces is the 'Varallo' round bed, characterized by a tubular steel frame integrated with a Mohair velvet-upholstered headboard. The 'Valsesia' oval dining table also incorporates the same tubular steel for its legs, supporting a lacquered wood top with an Altai wool and cashmere fabric center. The installation also includes various other luxuriously crafted items, such as cabinets, seating, lighting, and decorative objects, all seamlessly integrated to appear as if they were collected over time by the villa's residents. Classic Dimoremilano designs like the 'Tavolo 089', 'Dega', 'Sciura', and 'Patty' armchairs are reinterpreted using Loro Piana Interiors fabrics, underscoring a commitment to tactile luxury and harmonious design. A notable debut within the installation is Loro Piana's 'Punti a Maglia' porcelain tableware, handcrafted in Limoges, which is presented dramatically shattered, adding to the installation's narrative of disruption. Antique sculptures and artworks, sourced from various galleries including Tornabuoni Art and Cardi Gallery, are strategically placed throughout the vignettes and in metal and glass vitrines, further enriching the environment. Dimorestudio's reputation for a cinematic design approach is evident, with influences from filmmakers like David Lynch and Federico Fellini. The installation, which intentionally raises more questions than it answers, serves as a masterclass in set design, inviting visitors into a thought-provoking experience that culminates in a golden, engraved key as a parting gift, subtly implicating the visitor in the unfolding mystery. #MilanDesignWeek #Dimorestudio #LoroPiana #InteriorDesign #FurnitureDesign #ImmersiveInstallation #CinematicDesign #LuxuryInteriors #ItalianDesign

The multidisciplinary studio Zaven, based in Venice, Italy, embarked on a project named "Practice Practice Practice," which explores ceramic as a medium to create three-dimensional tiles. This endeavor was inspired by the work of Italian artist Nino Caruso, whose artistic approach resonated with Zaven's creative direction. The studio's objective was to develop tiles that transcend traditional flat surfaces, aiming to inject vitality and dynamic interaction into interior spaces through their graphic and sculptural qualities. Zaven's design process utilized clay, allowing for the creation of tiles with a bold, graphic aesthetic. A key innovation in these ceramic tiles is the interplay of positive and negative space, achieved through the incorporation of both concave and convex surfaces. This design choice results in a visually engaging product that manipulates light and shadow, adding depth and texture to any installed area. The collection features three distinct modules, each designed to be versatile, enabling various installation patterns and arrangements. This modularity empowers designers and homeowners to create customized, curated looks that cater to specific aesthetic preferences and spatial requirements. The ability to mix and match these modules offers a high degree of flexibility, transforming walls and surfaces into unique artistic expressions. The "Practice Practice Practice" tile collection made its public debut at the London Design Fair, where it was presented as part of the Brompton Design District. This exhibition provided Zaven with a platform to showcase their innovative approach to ceramic design, highlighting the potential of three-dimensional tiles to enhance contemporary interiors. The tiles represent a departure from conventional flat tiling, offering a modern alternative that blends artistic expression with functional design. The project demonstrates Zaven's commitment to pushing the boundaries of material use and design principles, translating a deep appreciation for craft into a product with broad appeal. The collaboration with Stylnove for the ceramic production underscores the technical expertise involved in realizing Zaven's vision. Stylnove's craftsmanship ensured that the intricate designs and specific textural requirements of the tiles were met with precision and quality. This partnership highlights the importance of collaboration between designers and manufacturers in bringing innovative concepts to fruition, ensuring that the artistic intent is translated into a durable and aesthetically pleasing product. The focus on ceramic as a medium also points to its enduring appeal and adaptability in modern design, capable of offering both traditional charm and contemporary flair depending on its application. Ultimately, Zaven's "Practice Practice Practice" collection is a testament to how traditional materials can be reinterpreted to create modern, engaging, and dynamic interior elements. By focusing on graphic qualities, three-dimensionality, and modularity, the studio has crafted a product that encourages creative exploration in interior design, providing a new way to "animate interiors" with depth, texture, and artistic character. #CeramicTiles #3DTiles #InteriorDesign #ZavenStudio #NinoCaruso #LondonDesignFair #ArchitecturalSurfaces #ModernDesign #HomeDecor

The Wall2Floor Terrazzo system by Novacolor reinterprets the traditional Venetian Terrazzo, a flooring material with historical roots, for contemporary architectural applications. This system incorporates Murano glass crystals, providing a modern aesthetic while honoring a centuries-old craft. The original Venetian Terrazzo, developed over time, was a composite of lime, fine earthenware, and colored marble and glass granules. Its evolution saw the inclusion of precious marbles from various regions, contributing to its diverse appearance and high demand. Novacolor's Wall2Floor Terrazzo is a mineral flooring system, developed in collaboration with the Promovetro Consortium of Murano. This partnership ensures the integration of authentic Murano cotisso crystals and Carrara marble into the material, resulting in unique and inimitable surfaces. The system offers seamless, continuous coatings suitable for both horizontal and vertical surfaces in residential and contract spaces, aligning with current high-end architectural trends. The irregular patterns and six color variations, coupled with the brilliance of the Murano glass, allow for a dynamic visual effect that shifts with the changing light throughout the day. Beyond its aesthetic appeal, the application of new production techniques enhances its functionality, making it a viable option for diverse interior designs. Murano glassmaking holds significant historical and cultural importance, dating back to the 11th century. In 1291, Venetian glassworks were relocated to Murano to mitigate fire risks, leading to the island becoming a renowned center for glass production. Utilizing locally available raw materials like silica sand, master glassmakers continuously refined techniques to create a highly valued material. This expertise fostered a prized craftsmanship, making Murano glass recognizable and appreciated globally. The Wall2Floor Terrazzo system bridges this rich heritage with contemporary design needs, allowing the allure of Venetian glass art to be integrated into modern living and commercial environments. The Wall2Floor Terrazzo system is part of Novacolor’s broader Wall2Floor range, which emphasizes multilayered mineral systems for continuous surface applications. This product represents a fusion of traditional Venetian artistry and modern material science, offering a durable and visually striking solution for interior finishes. The collaboration with the Promovetro Consortium underscores a commitment to authenticity and quality, ensuring that the Murano glass elements are genuine and contribute to the system's unique character. The product aims to bring a piece of Venetian cultural heritage into diverse architectural projects, from private residences to public contract spaces. #VenetianTerrazzo #MuranoGlass #Novacolor #Wall2Floor #InteriorDesign #ArchitecturalFinishes #SurfaceCoatings #ItalianCraftsmanship #DesignTrends