
From Venice to Vanderbilts: A Brief History of Terrazzo
Terrazzo flooring, a Venetian technique involving the use of chipped marble, granite, glass, or quartz embedded in a cement binder that is then ground and polished, gained popularity in the United States after the Vanderbilt family incorporated it into their Fifth Avenue mansion during the Gilded Age. This introduction by the Vanderbilts not only spurred a wave of Italian artisan immigration but also ignited a significant aesthetic movement in American design. Following its initial adoption, terrazzo flooring experienced widespread use across the United States throughout the 1900s, appearing in diverse projects from the Hoover Dam floors to the iconic stars on Hollywood Boulevard. Notably, architect Richard Neutra frequently utilized terrazzo in his Midcentury Modern homes in Southern California.
The Maestrelli family of Florence, inspired by this tiled tradition, continues to champion terrazzo's allure in Venice. For their new hotel, Violino d’Oro, slated to open in the fall, Sara Maestrelli and her aunt Elena collaborated with the Asin family, one of Italy's most established flooring clans, to bring the property's vision to life. The Maestrellis have a long-standing history of working with the Asins on various renovations, including their other properties like the Grand Hotel Minerva in Florence and Villa Roma Imperiale in Forte dei Marmi.
The Violino d’Oro, housed within a 17th-century building near Rio S. Moisé, features a Renaissance facade. However, architects Piera Tempesti Benelli, Riccardo Burigana, and Tiziana Folin have modernized its interiors. The design integrates traditional decorative elements with contemporary touches. The mosaics adorning the hotel's floors serve as a powerful metaphor for the essence of Venice itself. Sara Maestrelli explains that while tourists often perceive Venice as a singular entity, the city is, in fact, a rich amalgamation of numerous precious pieces, encompassing a multitude of colors, shades, and historical moments—a characteristic mirrored by the diverse components of terrazzo.
The creation of the hotel's elaborate terrazzo floors is a meticulously slow and steady process. Each individual piece is laid by hand, with each floral motif requiring approximately two hours of dedicated work. Asin Ermino, the company's official name, boasts a diverse portfolio that includes intricate mosaics in private residences, modern patterns in museums, and even installations in a Belgian theater. Eraldo Asin, 90 years old, currently leads the family business as a third-generation craftsman, with his son Luca representing the fourth generation. The Asins meticulously crafted the floral motifs for the Violino d’Oro, where every detail, from vibrant petals to delicate stigmas, necessitates the careful cutting and precise layering of marble cubes. This intricate handcraft ensures that the flowers are uniquely formed. The Maestrellis emphasize their commitment to this time-honored, slower process, believing that such enduring craftsmanship creates flooring that will withstand the test of time, contrasting with items produced quickly that often have a shorter lifespan. This story is featured in the September 2023 issue of Town & Country.
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