Michael Graves's 'Forever House' is Changing the World of Universal Design

This article details the construction of a new Edina home for Kara and Jason Allcox, which integrates European and Californian design influences through specific architectural and interior design choices. The homeowner, Kara Allcox, had a clear vision for the house even before the family relocated to Minnesota, meticulously planning every detail. Her design aspirations included a German smear exterior, rounded bullnose corners on interior walls, plaster for the fireplace, exposed ceiling beams, arches, and built-in features to achieve an old-world European aesthetic. She also pre-selected light fixtures and cabinet hardware, demonstrating a comprehensive approach to the home's design. The Allcoxes, having previously renovated their Chicago townhouse, decided to build a new home in the Minneapolis area to be closer to family. They partnered with City Homes, a custom builder in the Twin Cities, and selected a corner lot in Edina, valued for its urban feel within a suburban setting, close to local shops and restaurants. Architect Tom Flint from Alexander Design Group was engaged to bring Kara’s vision to life, focusing on a design that combined European sensibilities with a California vibe, emphasizing abundant natural light. The team successfully incorporated specific details such as an arched front door, a brick firebox, and a subtle herringbone pattern throughout the home, which appears in the white oak flooring of an upstairs hallway. Rebecca Remick, principal and general manager of City Homes, noted the extensive detailing in the house, where every space features unique elements. The design incorporates numerous arches, starting from the custom front door and extending into the living room, complementing a floating staircase that maximizes natural light. The interior walls are painted in Benjamin Moore’s Snowfall White with a matte finish, providing a neutral backdrop for furniture and artwork. The TV room includes a fireplace wall finished in plaster, deliberately designed without a tempered glass door to evoke an old-world aesthetic, alongside exposed ceiling beams. Material selections were crucial in achieving the desired casual yet sophisticated atmosphere. Kara chose honed quartzite for the kitchen countertops and backsplash, avoiding shiny materials. Unlacquered brass cabinet hardware with a living finish was used, intended to develop a patina over time, and various metals were mixed throughout the house to add character. Vintage-looking pendants from Ann-Morris were a favorite fixture in the kitchen. The kitchen layout strategically places the sink on the perimeter rather than the island, with an arched opening above it providing a partial view outside while maintaining privacy. The butler's pantry was designed with extensive cabinetry, including a refrigerator and freezer drawer, reflecting a desire for ample storage space. The primary bedroom features painted beams and a shiplap-clad cove ceiling, creating a grand and distinctive space. A transom window was incorporated to allow more natural light. The primary bathroom continues the no-sheen theme with a matte tub and honed marble countertops and tile flooring, avoiding a glitzy appearance. An Italian tub was perfectly fitted into a vaulted alcove, a design modification resulting from a permit issue that ultimately enhanced the space. Under-counter lighting with motion detection was installed beneath the white oak vanity, adding a modern and practical touch. The project involved collaborations with City Homes as the builder, Alexander Design Group for architecture, and Studio M Interiors for interior design. #HomeDesign #EuropeanInfluence #CaliforniaVibe #CustomBuild #InteriorDetails #ArchitecturalDesign #EdinaHome #NaturalLight #VintageElements

The concept of universal design, which aims to make spaces accessible to everyone regardless of age or physical limitations, is explored through the renovation experience of Jenna Reed-Côté, a wheelchair user. Initially hesitant to embrace universal design due to a desire to overcome physical challenges, Reed-Côté eventually committed to renovating her Vancouver condo with the help of interior designer Kendall Ansell. The renovation focused on transforming Reed-Côté's kitchen and bathroom to enhance her independence and safety. In the kitchen, 90-degree angles were eliminated from the countertop layout, replaced by gentle curves and obtuse angles, facilitating easier wheelchair maneuverability. Cabinetry under the counters was recessed, allowing Reed-Côté to get closer to essential work zones like the cooktop, prep surfaces, and sink, which helps maintain her center of gravity and reduce fall risks. Most counters were lowered to 34 inches, two inches below the standard, for improved comfort and visibility into pots. One section retained standard height to accommodate the dishwasher, although alternatives like dishwasher drawers were considered but deemed too costly for the budget. Overhead cabinetry was designed with pull-down shelves, making previously inaccessible items reachable. A chest-height oven with a side-opening door was installed, eliminating the need for precarious leaning and significantly reducing injury risk. These modifications, while specifically addressing Reed-Côté's needs, are presented as beneficial for all users, exemplifying the core principle of universal design. The bathroom renovations included modified counters and a shower bench for stability. The article also mentions the growing trend of 'smart' toilets that combine toilet and bidet functions, which can aid individuals with mobility issues and offer eco-friendly benefits by reducing toilet paper use. Interior designer Kendall Ansell highlights that these universal design adaptations not only improve functionality but can also serve as a selling point for resale, especially with an increasing focus on aging in place. A significant challenge discussed is the cost associated with universal design elements. Reed-Côté's renovation required higher-end finishes and custom cabinetry to withstand the wear and tear from wheelchairs and walkers. For instance, quartz countertops and backsplashes were chosen for durability and ease of cleaning, and specialized door handles were installed. The team also sought standard shallow sinks to avoid the expense of custom-made alternatives. The article concludes with the hope that sharing such renovation stories will build momentum for wider adoption of universal design principles, which could lead to a decrease in the cost of UD-related products. Reed-Côté expresses how her home, once merely a shelter, has become a place where she feels limitless and empowered to pursue her life goals. #UniversalDesign #HomeRenovation #AccessibleDesign #InteriorDesign #WheelchairAccessibility #KitchenDesign #BathroomDesign #AgingInPlace #AccessibilityStandards

The article highlights the critical need for Universal Design in American homes, emphasizing that contemporary housing largely fails to accommodate the diverse needs and abilities of its residents. It centers on the story of Rosemarie Rossetti, whose life-altering spinal cord injury in 1998 rendered her previous home largely inaccessible. This personal experience spurred her and her husband, Mark Leder, to embark on a journey to create a home that epitomizes Universal Design principles, which advocate for environments and products accessible to all, irrespective of age, size, or ability. Rossetti's challenges post-injury underscore the shortcomings of conventional home design. Simple tasks became formidable obstacles, revealing how standard layouts and features—like narrow doorways, thick carpets, and high counters—create significant barriers for individuals with mobility issues. Her basement office, previously central to her publishing business, became unusable, ultimately leading to the closure of her company. This realization fueled her determination to design a home that would support her evolving lifestyle and serve as a model for others. After an unsuccessful search for existing accessible homes, Rossetti and Leder decided to build their own custom residence, the Universal Design Living Laboratory (UDLL), in Columbus, Ohio. They collaborated with local architect Patrick Manley and extensively researched accessible home design, drawing inspiration from independent-living centers and literature on Universal Design. This approach provided them with hope, demonstrating that thoughtful design could address their needs without compromising aesthetics or functionality. The UDLL, completed in 2014, is a LEED Silver-certified national demonstration home that incorporates numerous Universal Design features, such as 36-inch wide doorways, tiered countertops, curbless showers, and elevated dishwashers. These elements are designed to accommodate both Rossetti, who uses a wheelchair, and Leder, who is over six feet tall, proving that Universal Design can cater to a wide range of physical characteristics. The UDLL serves as a living resource, educating visitors on the practicality and aesthetics of Universal Design. Rossetti actively advocates for its wider adoption, dispelling the misconception that accessible design looks institutional. She emphasizes that Universal Design benefits everyone, not just those with disabilities, by promoting safety, convenience, and independence for all family members, from children to seniors. The article connects Rossetti's personal initiative to broader discussions about inclusive design, referencing exhibitions like "Access + Ability" at the Cooper Hewitt, Smithsonian Design Museum, and "Without Walls: Disability and Innovation in Design" at the Victoria & Albert Museum. Furthermore, the piece highlights a National Building Museum exhibition, "Making Room: Housing for a Changing America," which showcases how American households have diversified significantly over the past six decades. The exhibition argues that housing design has lagged in adapting to these demographic shifts, with nuclear families no longer being the dominant household type. The rise of single-adult households, couples without children, and multi-generational living arrangements underscores the increasing demand for flexible and adaptable housing solutions. Universal Design is presented as a crucial strategy to meet the needs of this diverse population, offering adaptable living spaces that can evolve with residents' changing circumstances. Rosemarie Rossetti’s efforts, including her self-published "The Universal Design Toolkit" and her consultations with organizations like Habitat for Humanity, exemplify a commitment to fundamentally rethinking home design to be inclusive and forward-thinking, urging designers and builders to integrate these principles from the outset. #UniversalDesign #AccessibleHomes #HomeAdaptation #InclusiveDesign #DisabilityAccess #ResidentialArchitecture #AgingInPlace #HousingInnovation #DesignForAll

The article introduces "tile drenching," a current interior design trend that involves covering a significant portion of a room, or even an entire room, with tile to create a dramatic and cohesive effect. This approach goes beyond traditional tile applications like simple kitchen backsplashes or bathroom floors, encouraging homeowners to utilize tile in more expansive and unexpected ways, including floor-to-ceiling installations in various spaces. According to designer Erin Williamson of Erin Williamson Design, drenching a space in tile fosters architectural coherence, offering a sense of effortless grandeur and permanence by unifying the space with a single, definitive material point of view. The trend's current popularity is attributed to several factors, including its practicality. It simplifies the design process by reducing the number of material choices, making it nearly impossible to make a mistake since all selections inherently coordinate. Aimee Meisgeier of AM Interior Design notes that tile drenching is versatile, suitable for both large and small areas, and aligns with other popular design trends like color and pattern drenching, offering a similar opulent and stylish aesthetic. For those looking to implement tile drenching, several tips are offered. Choosing tiles wisely is paramount; designers recommend selecting tiles with tonal variation or texture, such as hand-glazed or embossed finishes, to prevent a flat appearance. When using multiple tiles, it's suggested to first identify a dominant tile for a focal point and then select complementary colors for balance. Durability is another critical consideration, particularly because tiles are permanently installed on multiple surfaces. Designers advise ensuring the chosen material is appropriate for all intended applications, noting that not all wall tiles are suitable for floors and that specific environments like steam showers or outdoor spaces require special attention. Porous or highly textured stones are generally discouraged for bathrooms and kitchens due to cleaning difficulties and moisture absorption. The article also highlights the importance of selecting the right space for tile drenching. Contained areas like powder rooms, showers, and bath niches are ideal for bold designs without overwhelming the overall space. Implementing floor-to-ceiling tile in smaller rooms can create an illusion of height and add a thoughtful layer of design detail. Furthermore, tile drenching can transform unusually shaped rooms or those with sloped ceilings and dormers into unique spaces. Counterintuitively, the lack of contrast between materials in a drenching application can make a space appear larger by blurring edges and contours. Finally, the trend encourages a "jewel box" treatment, especially in small, enclosed rooms, allowing for bold and fanciful design choices that create an immersive and surprising experience for visitors. Overall, tile drenching is presented as an innovative and aesthetically pleasing design solution that brings cohesion, practicality, and a luxurious feel to various rooms within a home, offering an opportunity to be bold and creative with tile applications. #TileDrenching #InteriorDesign #HomeDecor #TileTrends #BathroomDesign #KitchenDesign #DesignTips #ArchitecturalCoherence

This article presents an in-depth conversation with architect Bjarke Ingels, marking nearly ten years since his last interview with Archinect. The discussion focuses on BIG's extensive work in 3D printing and its implications for the architectural profession, as well as the emerging role of artificial intelligence in design. The interview begins by exploring BIG's latest collaboration with construction technology specialists ICON: a collection of pre-designed, 3D-printable homes for ICON's new CODEX catalog. Ingels details the philosophy behind these designs, which originated from investigations into how single-family homes could leverage 3D printing technology. He explains the three distinct collections within CODEX: the 'Storm' collection, featuring hurricane-resistant designs; the 'Fire' collection, offering resilience against wildfires; and the 'TexNext' collection, reimagining traditional Texan typologies like shotgun and porch houses through a 3D printing lens. These collections aim to provide affordable, customizable housing solutions that respond to specific environmental challenges and regional aesthetics. The conversation then delves into how previous 3D printing projects, such as the Mars Dune Alpha simulation habitat, the hospitality project with Liz Lambert, and the 100-home Wolf Ranch development, have informed BIG's approach to the CODEX collection. Ingels highlights that these earlier experiences demonstrated the potential for organically delivering large-scale communities. The traditional method of viewing demonstration homes and purchasing a plot for later construction is contrasted with the efficiency of having 3D printers on-site, capable of delivering a wider variety of customized homes on demand. This approach, termed 'home delivery on-demand,' offers increased customization for a broader audience and can be applied to both large developments and individual plots. Ingels also discusses the specific circumstances where 3D printing offers advantages over conventional construction methods. He points out that innovations driven by the challenges of building on the Moon and Mars, such as ICON's new robotic arm printers, are now yielding benefits for Earth-bound construction. These advanced printers can create taller, more complex structures with reduced site preparation, increasing quality and speed while lowering costs. For the immediate future on Earth, low-rise structures, particularly single-family homes, are best suited to leverage 3D printing's benefits, including effortless customization and freedom of form, which represent significant improvements over traditional methods. Furthermore, the article explores the concept of new business models for architects. Ingels suggests that the product-based model, exemplified by CODEX, allows architects to refine and improve their designs over time, similar to product manufacturers. This contrasts with the traditional service-based model where each project starts from scratch. He envisions a future where architects could generate ongoing royalties from their intellectual property, even after retirement, as seen with his co-founded design practice, KiBiSi. This product-oriented approach also enables continuous feedback and iteration, leading to enhanced quality and efficient delivery. Finally, the discussion addresses the impact of artificial intelligence on architectural practice. Ingels reflects on the progression of design tools, from crayons to rulers to mice, each offering new possibilities while requiring a shift in control. He posits that AI represents the next evolution, allowing young designers to leverage a creative force comparable to that of a large, experienced team. AI eliminates barriers to entry for delivering complex visions with precision and skill, much like modern digital camera technology has democratized film production. Ingels expresses excitement for architecture-focused AI systems like ICON's 'Vitruvius,' acknowledging that while these technologies are in their early stages, their rapid pace of improvement, driven by global collaboration and learning, promises a future of immense potential for the architectural profession. #BjarkeIngels #BIG #ICON #3DPrinting #ArchitecturalInnovation #ArtificialIntelligence #HomeDesign #SustainableArchitecture #FutureOfArchitecture

The summer of 2025 ushers in a variety of interior design trends, with experts emphasizing patterns, specific color palettes, natural textures, and the integration of indoor and outdoor spaces. These trends aim to create fresh, inviting, and personalized home environments, encouraging homeowners to experiment with various elements. One prominent trend is the incorporation of patterns with personality. Designers suggest using eye-catching patterns like striped linen, floral wallpaper, or sculptural light fixtures to add freshness and movement to a space. Even in neutral interiors, a well-placed pattern can introduce whimsy and depth, making a room feel more dynamic and engaging. This approach focuses on creating interiors that breathe and evolve with the season. Another key trend is the use of pale yellow. This soft, buttery shade is predicted to continue its popularity from spring into summer 2025. Described as versatile and uplifting, pale yellow serves as an ideal neutral alternative to white and beige, offering an easy way to update existing decor and brighten a space. Natural woven accents are also gaining traction. Materials such as rattan, cane, and abaca are returning to interiors in more refined, sculptural forms. These elements add warmth and movement while maintaining an open and airy feel, grounding a space without making it heavy. This trend aligns with a broader desire for texture and natural materials in home design. Outdoor living is significantly influenced by the rise of outdoor bars, which encourage al fresco entertaining. Homeowners are increasingly creating well-stocked bar setups on their patios with bar tables, modern bar carts, and signature cocktails or mocktails. This trend transforms outdoor spaces into inviting destinations for social gatherings. Relaxed luxury continues to be a strong theme, characterized by effortless yet thoughtfully layered spaces. This involves using natural materials like linen, cane, and bleached woods, paired with sun-faded tones such as ochre, soft green, and warm white. The trend extends to outdoor areas, where patios and terraces are designed with the same attention to detail as indoor rooms, featuring custom pieces, soft lighting, and beautiful textures. The blurring of indoor and outdoor spaces is a significant focus, with designers aiming to create intentional and inviting transitions between the two. This includes lush landscaping, comfortable lounge seating, and tailored accents like layered pillows and sculptural umbrellas, all contributing to an effortless summer living experience. This integration enhances the functionality and aesthetic appeal of both indoor and outdoor environments. Incorporating lightness is another important aspect, achieved through elements like lime-washed white wall colors, white lounge cushions, umbrellas, and blind-free windows. The goal is to make homes feel as airy and whimsical as possible, incorporating details like bamboo hanging chairs, fringe detailing on patio umbrellas, rattan bar carts, and yellow-tinged outdoor glasses with gold flatware. Checkered patterns are popular, particularly in arresting color pairings like mustard and rust, soft purples with warm oranges, and muted pinks with earthy greens. This trend offers a fresh and playful way to introduce color without being overwhelming. Tropical patterns in bright hues are also recommended, especially those featuring a variety of tropical foliage in color combinations like pink, gold, and green. These patterns can be easily incorporated through bedding and throw pillows for a low-commitment update. Saturated colors, including jewel tones, sage, and uplifting citrus hues, are encouraged for adding personality and evoking specific moods in home decor. This trend emphasizes taking risks with color to create vibrant and expressive spaces. Finally, gallery walls with mismatched frames are replacing uniform setups. This approach adds a relaxed, summery feel and allows art collections to grow organically, embracing different materials, textures, and styles to create layered looks. Elevating utilitarian spaces with custom window treatments, like Roman shades, is also noted as a way to make these functional areas more refined and finished, contributing to an overall cohesive design.

Erick Mikiten, an architect and universal design expert, transformed a Berkeley home for a wheelchair user by integrating an inconspicuous elevator. Mikiten, who uses a wheelchair himself due to osteogenesis imperfecta, emphasizes that universal design should not compromise aesthetic appeal. His new firm, The Art of Access, aims to advocate for radical levels of universal design, demonstrating that accessibility and artistic design are compatible. The project in Berkeley involved Fran and her husband, Chris, who faced the decision of selling their century-old Craftsman-inspired home or undergoing extensive remodeling to accommodate Fran’s multiple sclerosis. They chose to remodel, and Mikiten’s approach differed from other architects by holistically integrating accessibility into the overall design. Before the remodel, Fran had difficulty leaving her 3,000-square-foot home due to 22 stairs at the entrance and multiple internal flights. Mikiten's solution involved tunneling back into the hillside from the garage and bringing the house's facade forward. This created a stack that allowed for an elevator shaft connecting all four levels. Instead of a simple elevator shaft, he incorporated it into a larger addition, creating nooks on the upper floors and an improved exterior entry experience with a new arbor. The nooks on the third and fourth floors made these rooms more interesting, and bookshelves around the elevator walls disguised blank spaces, making the design feel more intentional. Additionally, a laundry space was converted into an in-law unit for a future caregiver or their college-aged son, and the primary bathroom was rearranged without moving walls to be wheelchair-friendly. Mikiten highlights that universal design should consider diverse needs, not just specific disabilities. He argues that often, perceived trade-offs in design occur because accessibility is treated as an afterthought rather than an integral part of the initial design process. He believes that building spaces that cater to a single condition limits future freedom, advocating for flexible designs that accommodate changes over time. The architect acknowledges that adding an elevator can be expensive, but much of universal design can be achieved through thoughtful planning and smart choices that don't necessarily increase costs. This includes decisions like allocating extra space for a bathroom or selecting appropriate fixtures and smart home features. He points out that the architectural profession often views ADA compliance as an add-on, whereas he sees it as a minimum standard from which to build greater accessibility and inclusion. The article also discusses the growing demand for "aging-in-place" driven by the Baby Boomer generation, coupled with soaring housing costs and the rise of multigenerational living and Accessory Dwelling Units (ADUs). Mikiten observes a shift in mindset, with more people planning for future accessibility needs proactively, rather than reactively in times of crisis. This proactive approach, he notes, provides flexibility for homeowners to accommodate aging parents or adult children, and even to downsize into ADUs themselves, alleviating housing pressures across generations. He also sees an increasing expectation for inclusion among younger generations, particularly in tech workplaces, which suggests a broader shift towards a more universally designed built environment for everyone, throughout their lives. #universalDesign #agingInPlace #accessibleDesign #homeRenovation #architecturalInnovation #disabilityAdvocacy #multigenerationalHousing #residentialArchitecture #berkeleyHome

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation

The author shares a personal, in-depth look into the mobile game 'Design Home,' dissecting its gameplay, psychological hooks, and overall user experience. The article begins by explaining the core mechanics of the game, where players act as interior designers tasked with decorating various rooms based on specific briefs. Players select furniture and decor items, often dictated by stylistic requirements, and then submit their designs for voting. The game features two in-game currencies, cash and diamonds, which, despite having different functions, both contribute to a system that consistently puts the player at a financial disadvantage. The author highlights that completing challenges often costs more than the reward received, leading to a continuous deficit and an eventual need to purchase cheaper, less desirable items. The article then evaluates 'Design Home' through a 'Good vs. Evil' framework, assigning scores based on different aspects of the game. The initial premise, akin to the home decorating aspect of 'The Sims,' is deemed a positive. However, the 'briefs' or fictional backstories for each room are criticized for being overly flowery and irrelevant, drawing comparisons to Carrie Bradshaw's writing style. A significant point of contention is the pervasive presence of 'Kathy Kuo' branded furniture, which constitutes a large portion of the in-game catalog. The author observes the inconsistencies in Kathy Kuo's aesthetic and satirically suggests that Kathy Kuo might be a 'ruthless populist' whose diverse designs appeal to a broad audience, implying a strategic marketing move. The article also points out that these are 3D renders of real-world products, directly linking the game to real-life sales for brands like Kathy Kuo. Another 'evil' aspect discussed is the financial model. The author reveals that sustained play inevitably leads to in-app purchases, as the game's economy is designed to deplete initial funds quickly. This financial drain is compared to the cost of a three-year interior design course. The voting system, where players rate each other's designs, is also criticized. The author argues that the judges are primarily mothers with different aesthetic preferences, leading to arbitrary and often frustrating scores. Furthermore, the voting mechanism frequently pits good designs against good designs or bad against bad, forcing players to make unfair choices or award undeserved high scores. This system often results in players receiving lower scores than expected, hindering their ability to earn free items and further pushing them towards in-app spending. The article concludes with the author's resigned acceptance of continued play despite the mounting frustrations, likening the experience to an endless, financially draining trip to Ikea. #DesignHome #MobileGames #InteriorDesign #GamingExperience #FreemiumGames #InAppPurchases #GameReview #CasualGaming

This article highlights 20 distinct residential projects that exemplify the integration of indoor and outdoor living spaces, a highly sought-after feature for homeowners. The concept emphasizes maximizing space for entertainment and relaxation, providing harmonious connections with nature through elements like large windows, sliding glass doors, and open-plan layouts. These designs incorporate ample natural light, greenery, and picturesque views, transcending architectural boundaries across various settings, including modern country houses, chic city apartments, and luxurious beachfront villas. The article serves as an updated compilation of notable indoor-outdoor living designs. The featured homes showcase diverse approaches to this design philosophy. For instance, a Tropical Modernist Miami Home by Strang Design utilizes aluminum louvers and floor-to-ceiling pocket doors to create a fluid indoor-outdoor experience, tailored for a Brazilian family on an oak grove. Daniel Joseph Chenin's cinematic desert dwelling, Fort 137 in the Mojave Desert, draws inspiration from early Vegas settlements, using travertine floors and stucco ceilings to frame views of the arid landscape. In São Paulo, FCstudio's Casa Bento prioritizes outdoor living with a custom garden, firepit, and dipping pool, catering to a couple's desire for entertaining in a subtropical climate. Bobby Niven’s Scriptorium in Scotland, a tiny concrete structure for writer residencies, blends art with the environment, demonstrating how small spaces can also foster a connection to the outdoors. Thomas Melhorn's Florida home, inspired by Wabi-Sabi philosophy, integrates the design with its coastal surroundings, featuring a gently curved roof that mirrors the dunes and materials reflecting the local environment. Further examples include an equine-friendly oasis in Ecuador's Andes Mountains by Gabriel Rivera Arquitectos, which connects the home and stables, making some areas accessible to horses. Cini Boeri's vacation houses in Sardinia, resembling brutalist tents, are perched on a rocky shoreline, showcasing pioneering female architectural design that interacts with the rugged landscape. A serene home by Olson Kundig and Erica Colpitts Interior Design in North Vancouver, British Columbia, reimagines a mid-century structure to embrace the surrounding forest and rural British aesthetic. Hawk & Co.'s California coastal oasis features striking interiors and expansive views, with a design that nods to Napa Valley's rustic-industrial style. Pascali Semerdjian Architects' sustainable home in São Paulo incorporates extensive greenery and carefully curated interiors to reflect the city's modern style and connect with nature. The projects also include sculptural house designs by Standard Architecture in Los Angeles, which blend American vernacular architecture with modern pools and expansive oak interiors. T.K. Chu Design Group’s meditative home in Suzhou, China, integrates with the historic Couple Gardens through expansive windows and biomorphic furnishings. Aidlin Darling Design's soaring home on a Bay Area precipice is resolutely modern yet feels rooted in its rugged setting, designed to offer shelter from harsh elements. Zarysy's lake house in Poland reimagines the cabin aesthetic, drawing inspiration from its natural surroundings with raw materials and green forest hues. Laidlaw Schultz Architects’ Laguna Beach beauty offers contemporary intervention in a 1960s dwelling, maximizing Pacific Ocean views. Andreas Bründler transforms a 19th-century carriage house in Basel, Switzerland, into a family home with plenty of indoor-outdoor living spaces, framing views with a curved buttress and sliding glass walls. Another award-winning high desert retreat by Aidlin Darling Design in Coachella Valley is thoughtfully sited to preserve the boulder-strewn landscape. Abramson Architects and Magni Kalman Design's lush Beverly Hills abode features an expansive courtyard as its central heart. Studiohuerta’s residence in Cabo San Lucas works in concert with elements, using local materials and traditional building strategies for a modern sculptural form. Finally, Dylan Farrell Design's Sydney home renovation boldly stimulates the senses with quirky shapes, colors, and a dining room that opens to the outdoors, creating modern spaces for a young family. #IndoorOutdoorLiving #ResidentialDesign #ArchitecturalInnovation #SustainableDesign #ModernHomes #LuxuryRealEstate #LandscapeIntegration #InteriorDesignTrends #GlobalArchitecture

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

The article details the design process and outcome of a new build home in Minneapolis, Minnesota, which was specifically crafted to possess a timeless, lived-in feel, rather than appearing brand new. Interior designer Victoria Sass spearheaded this project for a family of five, collaborating with architecture firm Murphy & Co. The core challenge was to infuse character and an aged aesthetic into a modern construction, a task Sass describes as surprisingly difficult. The design philosophy aimed to avoid the 'too perfect' trap often associated with new builds by incorporating elements that mimic the natural irregularities and evolved nature of older homes, such as slightly unconventional floor plans and asymmetrical shapes. The initial design brief from the homeowners favored an understated, classic American white brick house, reflecting a 'casual but tailored' sensibility. This led to plans emphasizing wooden balconies, large windows, screened verandas, and a traditional porch, all situated to capitalize on the tranquil waterside setting near Minnehaha Creek. The interior adopted a traditional color palette of off-whites, rusts, and caramels, complemented by oak flooring and timber windows, establishing a grounding backdrop across the home's three main living levels. A significant shift occurred in the design direction when the family spent time in Barcelona during a pause in construction. This experience broadened their perspective, prompting a desire for more color and 'joie de vivre' upon their return. Victoria Sass adapted the design to incorporate these new influences, focusing on furniture, fabrics, hardware, and lighting to introduce unexpected and vibrant elements. This strategic re-evaluation led to the inclusion of unique pieces such as a mosaic table made from corn husks, sourced from a Spanish artist, and a sculptural 'Moon light' art installation in the entryway. Further examples of this evolved design approach include a powder room vanity adorned with distinctively mismatched tiles, deliberately chosen to evoke Mediterranean design aesthetics, and a dining room featuring a bespoke wall mural by Ginny Sims. This mural intricately weaves in the family's personal story, adding a deeply customized and playful touch. The snug area boasts a chimney breast finished with hand-fired tiles, which Sass notes might subtly reference Scandinavian coziness, reflecting her husband's Danish heritage. Across the home, there's a strong emphasis on varied textures—from large-scale photographic prints and custom wall sculptures to marbleized wallpaper in the study—contributing to a rich, almost three-dimensional feel. Victoria Sass highlights the delicate balance required to integrate diverse decorative influences while maintaining a cohesive overall aesthetic. She explains that a consistent color palette and careful consideration of scale are crucial for harmonizing these elements. The designer emphasizes that if one design 'dial' is turned up, another must be adjusted to ensure equilibrium. The final result is a home that seamlessly combines classic and experimental features, juxtaposing graphic silhouettes with undulating forms. This blend achieves what Sass terms a 'perfectly imperfect' outcome, effectively transforming a new construction into a residence that embodies the charm and character of an older, well-established home. #HomeDesign #InteriorDesign #NewBuild #TimelessArchitecture #MinneapolisHome #VictoriaSass #HomeTours #DesignPhilosophy #ArchitecturalRenovation

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

Extra&ordinary; Design is a London-based studio founded by Hyunhee Hwang, specializing in creating design-led products that elevate everyday spaces. Hwang's extensive experience in the design industry in South Korea and England, spanning over a decade, has shaped her distinctive aesthetic. This aesthetic is characterized by a blend of playful colors, sculptural forms, and the innovative use of jesmonite, a versatile composite material known for its tactile qualities and ability to mimic natural stone. The studio's latest collection, named Scala, draws inspiration from the grandeur of Roman marble architecture, specifically focusing on the visual elements of marble block stairs and columns. The Scala collection encompasses a range of home objects, including vases, candle holders, incense holders, and decorative trays. Each item within this collection is individually cast and meticulously handmade, resulting in unique marble-like characteristics and finishes. This artisanal approach ensures that no two pieces are exactly alike, adding to their individual charm and exclusivity. The use of jesmonite allows for the replication of marble's luxurious appearance while offering a more sustainable and lightweight alternative. Beyond the Scala collection, Extra&ordinary; Design also features pieces from its Jumony collection. This collection includes accessory trays and wall-mounted planters, which are distinguished by their ruffled edges. These delicate, fabric-inspired details are a direct nod to traditional Korean garments and accessories, reflecting Hwang's cultural heritage and her ability to integrate diverse influences into contemporary design. The Jumony collection's design elements evoke a sense of softness and movement, contrasting with the more structured forms of the Scala collection, yet maintaining the studio's overarching commitment to unique and visually engaging objects. Extra&ordinary; Design's philosophy centers on transforming mundane household items into pieces of art that contribute to the overall aesthetic and atmosphere of a home. By focusing on unexpected forms, vibrant colors, and innovative materials like jesmonite, the studio aims to create objects that are not only functional but also serve as focal points in a space. This approach challenges the conventional understanding of home furnishings, encouraging consumers to view everyday objects as opportunities for artistic expression and personal style. The studio’s dedication to craftsmanship and thoughtful design is evident in every piece, making each a conversation starter and a testament to the beauty that can be found in the reimagining of the ordinary. #ExtraordinaryDesign #HomeDecor #Jesmonite #SculpturalDesign #InteriorDesign #HandmadeObjects #ScalaCollection #JumonyCollection #HyunheeHwang

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Metricon has unveiled its latest collection of display homes at SkyRidge, showcasing a fusion of thoughtful design and superior craftsmanship tailored for the contemporary home upgrader. These four residences are engineered to embody light-filled, intelligent, and insightful designs, seamlessly blending local Australian aesthetics with enduring functionality. Each home at SkyRidge is characterized by a cohesive layout that balances sophistication with practicality, ensuring that every space enhances the rhythm of daily life. The design philosophy centers on creating bright, fresh, and warm atmospheres, offering open social areas for gatherings, and incorporating intuitive zoning to provide both privacy and connection. This approach defines modern living at its peak. Adrian Popple, Metricon’s Design Director, emphasizes that customers seek more than just a house; they desire a home that feels welcoming and meticulously considered. This philosophy is evident across the SkyRidge display homes, where every space serves a purpose, the kitchen acts as the central hub, and natural light freely flows through open-plan living areas, culminating in a modern yet timeless expression. The collection includes the Waterford 47, which makes a bold statement in modern contemporary design with its Pacific façade, featuring striking cantilevers and geometric forms. This home offers a well-appointed guest suite, an entertainer’s kitchen with a butler’s pantry, and expansive living spaces with dramatic ceiling voids. Upstairs, it provides three bedrooms with ensuites and a secluded master suite. Its interiors are marked by sleek dark cabinetry, metallic accents, and statement tiles. The Vantage 48, with its Las Palmas façade, draws inspiration from Palm Springs, showcasing mid-century modern charm through clean lines and expressive details. It boasts grand voids and an arched window that illuminate the open-plan living and dining areas, extending seamlessly to an outdoor entertaining space. The upper level includes a master retreat and additional bedrooms. The interior design of the Vantage 48 features curved forms, pastel accents, and a sophisticated wine storage room. The Clara 27, presenting the Escape façade, blends traditional elements with modern sensibilities. It features a private bedroom wing, a media room, and open-plan living areas. The kitchen, equipped with a walk-in pantry and raked ceilings, is positioned as the heart of the home. Scandi Luxe interiors, incorporating veined tiles, soft hues, and brass finishes, contribute to its warm and understated luxury. Completing the collection is the Marion 40, featuring the classic Princeton façade, which combines refined aesthetics with functional design. A grand entry leads to a light-filled stair foyer and a study. The master suite upstairs includes two walk-in robes, a private balcony, and an indulgent ensuite. This home offers multi-zoned living to ensure both privacy and connection, with coastal-inspired interiors in crisp whites and soothing greys creating a serene atmosphere. Popple highlights the kitchen in the Marion 40 as a highly functional and welcoming space, enhanced by carefully selected lighting. These homes collectively underscore Metricon’s dedication to quality and innovation, providing prospective homebuyers with a vision of an elevated lifestyle. Located at Parkway Circuit, Worongary 4213, these display homes are open daily for exploration. #HomeDesign #ModernLiving #MetriconDisplayHomes #SkyRidge #InteriorDesign #ArchitecturalInnovation #FamilyHomes #LuxuryRealEstate #HomeUpgraders