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Home & Design | History in the Making
This article details the construction of a new Edina home for Kara and Jason Allcox, which integrates European and Californian design influences through specific architectural and interior design choices. The homeowner, Kara Allcox, had a clear vision for the house even before the family relocated to Minnesota, meticulously planning every detail. Her design aspirations included a German smear exterior, rounded bullnose corners on interior walls, plaster for the fireplace, exposed ceiling beams, arches, and built-in features to achieve an old-world European aesthetic. She also pre-selected light fixtures and cabinet hardware, demonstrating a comprehensive approach to the home's design.
The Allcoxes, having previously renovated their Chicago townhouse, decided to build a new home in the Minneapolis area to be closer to family. They partnered with City Homes, a custom builder in the Twin Cities, and selected a corner lot in Edina, valued for its urban feel within a suburban setting, close to local shops and restaurants. Architect Tom Flint from Alexander Design Group was engaged to bring Kara’s vision to life, focusing on a design that combined European sensibilities with a California vibe, emphasizing abundant natural light. The team successfully incorporated specific details such as an arched front door, a brick firebox, and a subtle herringbone pattern throughout the home, which appears in the white oak flooring of an upstairs hallway.
Rebecca Remick, principal and general manager of City Homes, noted the extensive detailing in the house, where every space features unique elements. The design incorporates numerous arches, starting from the custom front door and extending into the living room, complementing a floating staircase that maximizes natural light. The interior walls are painted in Benjamin Moore’s Snowfall White with a matte finish, providing a neutral backdrop for furniture and artwork. The TV room includes a fireplace wall finished in plaster, deliberately designed without a tempered glass door to evoke an old-world aesthetic, alongside exposed ceiling beams.
Material selections were crucial in achieving the desired casual yet sophisticated atmosphere. Kara chose honed quartzite for the kitchen countertops and backsplash, avoiding shiny materials. Unlacquered brass cabinet hardware with a living finish was used, intended to develop a patina over time, and various metals were mixed throughout the house to add character. Vintage-looking pendants from Ann-Morris were a favorite fixture in the kitchen. The kitchen layout strategically places the sink on the perimeter rather than the island, with an arched opening above it providing a partial view outside while maintaining privacy. The butler's pantry was designed with extensive cabinetry, including a refrigerator and freezer drawer, reflecting a desire for ample storage space.
The primary bedroom features painted beams and a shiplap-clad cove ceiling, creating a grand and distinctive space. A transom window was incorporated to allow more natural light. The primary bathroom continues the no-sheen theme with a matte tub and honed marble countertops and tile flooring, avoiding a glitzy appearance. An Italian tub was perfectly fitted into a vaulted alcove, a design modification resulting from a permit issue that ultimately enhanced the space. Under-counter lighting with motion detection was installed beneath the white oak vanity, adding a modern and practical touch. The project involved collaborations with City Homes as the builder, Alexander Design Group for architecture, and Studio M Interiors for interior design.
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