The Best British Textile Designers - Interiors 2023

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

The article highlights 15 unique UK fabric shops and designers, moving beyond mainstream options to showcase artisan and distinctive fabric designs for home interiors. These selections cater to a wide range of tastes, from traditional country styles to eclectic prints, hand block-printed motifs, and sustainable options, providing inspiration for upholstery, curtains, cushions, and other soft furnishings. The aim is to introduce readers to designers and shops that offer unique aesthetic qualities and ethical production methods that might not be commonly known. St Jude's is featured for its artist-designed fabrics and wallpapers, including works by Mark Hearld, Angie Lewin, and Emily Sutton, making it suitable for those seeking unique prints. Kate Forman is recommended for traditional, vintage-style floral linens, ideal for country living rooms or bedrooms. Molly Mahon specializes in cheerful block prints, encouraging the mixing of various patterns for a vibrant interior. Susie Watson Designs offers a cohesive palette with prints ranging from florals to animal motifs, designed for easy incorporation into daily life with a muted and pastel color scheme. Madder Cutch & Co stands out for its commitment to sustainability, printing linens with natural pigments and plant extract dyes in a garden studio, also offering cushions and fabric accessories. Fanny Shorter reimagines botanical prints with maximalist fabrics for those desiring a unique take on nature-inspired designs. Morris & Co is recognized for its iconic prints, experiencing a revival that suits both traditional and contemporary interior schemes. Cabbages & Roses caters to vintage enthusiasts with understated designs, including faded floral linens and timeless stripes, perfect for period properties. Tori Murphy presents timeless style through stripes and geometric patterns, woven in a traditional Lancashire mill, ensuring durability and enduring appeal. Sam Wilson provides whimsical printed fabrics based on linocut designs, offering an understated way to integrate nature into interiors. Rapture & Wright is noted for its bold, hand-printed fabrics, featuring Moorish-inspired geometrics and the 'Walled Garden' print, ideal for making an impact. Sylvia & Margot specializes in cushions with intricate florals and birds, based on artist Rebecca's hand-carved linocuts. Ian Mankin is highlighted for its extensive collection of stripes and checks in cottons, linens, and wools, all woven in a historic Lancashire mill, offering a wide variety for different preferences. Cloth & Clover offers Scottish-milled linen mixes that evoke a traditional style, suitable for older properties or adding historic charm. Finally, Pippa Blacker Interiors provides elegant, nature-inspired fabrics and wallpapers based on Pippa's sketches and paintings, all made in the UK, with an option for a made-to-measure service for various soft furnishings. Each selection emphasizes distinctiveness, quality, and specific aesthetic appeals to guide consumers in their fabric choices. #FabricShopsUK #HomeInteriors #FabricDesigners #UpholsteryFabrics #CurtainFabrics #CushionFabrics #ArtisanFabrics #SustainableFabrics #VintageStyle

The Spear's Interiors Index 2025 highlights the industry's top interior designers, those capable of creating properties, private jets, and yachts that meet the demanding standards of high-net-worth individuals. The article emphasizes that the best interior designers skillfully integrate lighting, flooring, furniture, textiles, and color to produce a harmonious space that appears effortlessly designed. This expertise involves distilling a client's desires into a cohesive and functional environment. The index introduces three Senior Statespersons: Andrew Winch, David Linley, and Anouska Hempel, recognized for their established reputations and significant contributions to their respective markets and the broader design sector. Anouska Hempel's firm, for instance, operates under the philosophy that every design should embody 'mystery, romance, theatre and perfection.' These individuals are crucial in shaping the ethos of their firms and the industry as a whole, providing leadership and setting high standards for design excellence. The selection process for the Spear’s Interiors Index is rigorous, involving the Spear’s Research Unit which annually assesses and updates its rankings. This process includes collecting data from and about advisors and firms, evaluating submission forms, compiling nominations, conducting peer reviews, and analyzing third-party sources. Researchers also gather references and recommendations, consult with experts, and carry out numerous interviews. Each advisor is then scored using a proprietary system that weighs various attributes, and these scores directly inform the new rankings in the Spear’s Indices. The rankings are first published online and subsequently in print, as part of the annual Spear’s 500 directory, which features leading advisors across all indices. Among the distinguished designers, eight are awarded the 'Top Flight' ranking, the highest achievable in the Index, which underscores the depth of talent within the Spear’s Index. Noteworthy among these is Martin Waller, whose travel-inspired design house, Andrew Martin, is celebrated for its 'kaleidoscopic' designs. Kelly Hoppen, another Top Flight designer, counts prominent figures like David and Victoria Beckham among her clientele, highlighting her appeal to high-profile clients. These designers are instrumental in establishing trends and redefining luxury, comfort, and functionality in their projects. The article also profiles several other interior designers, including Sharon Lillywhite of Oliver Burns Studio, known for her thoughtful luxury designs in projects ranging from Belgravia townhouses to Italian lakeside villas. Charu Gandhi, from Elicyon, a former member of the Candy & Candy design team, has completed high-profile projects globally, including multiple apartments in One Hyde Park and a large penthouse in Dubai. Laura Hammett, who founded her firm with her husband Aaron, provides comprehensive services including architectural and spatial planning, focusing on creating authentic, livable, and timeless spaces tailored to client preferences. Sameena Singh, founder of Littlemore, specializes in hospitality, branded residences, and ultra-high-net-worth projects, often commissioning bespoke art and furniture. Philippa Thorp, of Thorp Design, operates internationally on projects that emphasize longevity and quality. Matthew Williamson, initially a fashion designer, transitioned into interior design, bringing a 'joyful maximalism' to his projects, including work on Belmond’s La Residencia and London’s Design Museum. These designers, with their diverse styles and areas of expertise, are all capable of translating client wishes into exceptional spaces, whether their taste leans towards minimalism or maximalism. The selected advisors operate worldwide, undertaking projects from North America to Asia, consistently delivering designs that reflect sophisticated personal styles and address practical requirements. #InteriorDesign #LuxuryInteriors #HighNetWorthClients #SpearsIndex #DesignExcellence #ArchitecturalDesign #HomeDecor #LuxuryYachts #PrivateJets

In an increasingly commoditized market flooded with generic products, establishing a unique brand identity and achieving customer recognition is paramount for designers. Textile designer Beatrice Larkin has successfully cultivated a signature style in her woven textiles, accessories, and interior products, making her designs instantly recognizable through their distinctive blurred edges and broken geometrics. Her creative process begins with hand-drawn sketches, where the initial marks, intricate patterns, and blotches made with pen and ink are deliberately preserved and celebrated in the finished fabric. This artistic approach ensures a consistent aesthetic across all her woven creations. The production of Larkin's textiles involves a collaborative effort with skilled manufacturers in the north of England. She works with a Jacquard mill in Lancashire to produce small runs of her woven designs, which are then washed and finished in the Yorkshire Dales. The process begins in her Margate studio, where she engages in extensive mark-making with inks, envisioning the final product's scale and application. These initial designs are then refined using Photoshop to determine fabric repeats and optimal sizing. Currently, her collection features two primary materials: fine Merino wool, typically used for throws, cushions, and accessories, and recycled cotton, a more robust option suitable for cushions, upholstery, and curtains. The Merino wool, known for its softness, is sourced from spinners in Italy. Similarly, the recycled cotton collection utilizes rejected fabrics from the clothing industry, which are re-spun and repurposed, also originating from Italian spinners. These yarns are then sent to the Lancashire mill for weaving, brushing, and washing before being returned to Larkin. The final products are then sewn either in her studio or by local Margate makers, though fabric is also available for purchase by the meter. This meticulous production chain underscores her commitment to quality and sustainable practices. Beatrice Larkin's entrepreneurial journey recently received significant recognition with the Start Up Award as part of the Women’s Launch Lab Incubator 2024. As one of ten female entrepreneurs selected from hundreds of applicants, she participated in an intensive three-day program. This program provided access to expertise from innovative female entrepreneurs, growth and marketing strategists, and public-speaking coaches. The experience culminated in pitching her business to venture capitalists and angel investors, including notable figures such as Alison Cork MBE, Akshata Murty, and Judy Naake MBE. Larkin emphasized that this experience offered valuable perspective and a significant confidence boost. Her business was founded in 2013, immediately following her Master's degree from the Royal College of Art, where her final collection garnered interest from prominent buyers like Heal’s. After graduating, she sought a British mill capable of producing her designs at scale. In 2015, Daylesford Organic provided funding for her initial fabric run, which was woven in the Cotswolds and Yorkshire. This collection was sold at Daylesford and served as a crucial launchpad for future manufacturing endeavors. By spring 2017, she began selling at Heal’s and unveiled her first collection at Clerkenwell Design Week. Larkin's immersion in the fabrics industry was a natural progression, deeply influenced by her upbringing. Her father owned Gordon Larkin Fine Wallpaper & Fabric in Canterbury, and her mother was also a textile designer, ensuring a household constantly surrounded by fabrics. Childhood memories of accompanying her father to design shows in Chelsea Harbour and exploring fabric showrooms further solidified her connection to the industry. She attributes her entrepreneurial spirit and the ability to forge her own path to observing her parents' lifestyle as business owners. Three years ago, Larkin relocated to Margate, drawn by its vibrant creative community. Since then, she has expanded her client base, with local stockists including Turner Contemporary and Harbour & Tide. Her brand, Beatrice Larkin, has also been embraced by renowned establishments such as Made, Studio Ashby, Conran and Partners, Tate Modern, and Piglet in Bed. Her journey reflects a blend of inherited passion, formal education, strategic partnerships, and a clear vision for her brand's aesthetic and ethical production. #TextileDesign #BeatriceLarkin #MargateDesign #WovenTextiles #InteriorProducts #SustainableMaterials #BritishManufacturing #Entrepreneurship #WomenInBusiness

The article presents a curated list of reliable paint colour recommendations from eight leading British interior designers: Emily Todhunter, Emma Sims Hilditch, Henriette von Stockhausen, Katrin Cargill, Lucy Elworthy, Luke Edward Hall, Susie Atkinson, and Sophie Elborne. This compilation serves as a guide for individuals looking to decorate their homes with enduring and aesthetically pleasing paint choices. Each designer offers their top selections across four categories: neutral, dark, soft, and bright, providing specific paint names and brands. Emily Todhunter suggests Dulux's Subtle Ivory 3 as a go-to off-white for ceilings and woodwork, Farrow & Ball's Down Pipe for its versatility, Edward Bulmer's Eau de Nile for a gentle green, and Paint & Paper Library's Deep Water Green for an uplifting turquoise. Emma Sims Hilditch recommends Neptune's Shell for cabinetry and walls, Farrow & Ball's Picture Gallery Red for grandeur, Farrow & Ball's Blue Gray for a serene atmosphere, and Farrow & Ball's Cook’s Blue for kitchens and exterior dining areas. Henriette von Stockhausen's choices include Farrow & Ball's Wimborne White as a soft all-rounder, Farrow & Ball's Studio Green for its depth, Edward Bulmer's Jonquil for a warm, old-fashioned feel, and Rose of Jericho's Dark Yellow for a brightening effect. Katrin Cargill favors Dulux's Jabot as a pure white neutral, Papers and Paints' Camo 2 for dining rooms, Little Greene's Angie for a soft pink, and Mylands' Circle Line for a strong yellow that pairs well with various fabrics. Lucy Elworthy's selections include Farrow & Ball's Slipper Satin for its compatibility with natural materials, Zoffany's Half La Seine for its fresh and serene qualities, Farrow & Ball's Inchyra Blue for bookcases and TV walls, and Farrow & Ball's Yellow Ground for its warmth and pairing with reds and purples. Luke Edward Hall suggests Farrow & Ball's Setting Plaster for a soft, delicate neutral, Papers and Paints' 4-050 for a 1970s chocolate brown, Papers and Paints' Pistachio for a calming green, and Papers and Paints' Manhattan for a vibrant coral. Susie Atkinson recommends Paint & Paper Library's Slate II as a warm pebble and sandy grey neutral, Abigail Ahern's Mulberry Red for a moody hallway, Cassandra Ellis's Faded Blossom for a luminous pink, and Farrow & Ball's Pale Powder for a subtle yet enlivening aquamarine. Lastly, Sophie Elborne highlights Zoffany's Norsk Blue for hallways and cosy rooms, Paint & Paper Library's Georgetown for a cosy brown that complements oranges and reds, SC292 Papers and Paints for a balanced white, and Edward Bulmer's Invisible Green for skirting and doors. The article emphasizes the importance of using tester pots to evaluate how colours appear in specific lighting conditions and with existing furnishings, as digital representations may not perfectly reflect the actual outcome. This advice underscores the practical approach to selecting paint colours for interior spaces, ensuring satisfaction with the final result. #InteriorDesign #PaintColors #HomeDecoration #DesignerRecommendations #NeutralColors #DarkColors #SoftColors #BrightColors #CountryLife

Donald Brothers, a Scottish furnishing-fabric company established in the early nineteenth century, is the subject of a collection of over 300 fabric design images now freely available on JSTOR, courtesy of Heriot-Watt University. The company, based in Dundee, has a rich history in textile design, though much of its business records, including details on specific designers for many pieces, have not survived. Despite this, the collection offers a significant glimpse into the company's aesthetic and its contribution to fabric design. The collection highlights various designers, including those who worked as freelancers and staff. One notable designer featured is Ernst Aufseeser, who created the 'Crossways' design in 1933. Aufseeser was a German emigrant who designed for multiple firms in Britain before returning to Germany where he died in 1940. His children also pursued careers in design, suggesting a lasting legacy within the family. His work for Donald Brothers showcases a geometric and modern aesthetic that was prevalent in the early 20th century. Mary Oliver, another prominent designer, is credited with 'London Square' from 1948. This design was inspired by views from her London flat, reflecting a personal connection to her work. Oliver's career began with practical design, as she was involved in designing models of landing beaches during World War II. Her ability to transition from such critical tasks to creating intricate fabric patterns while still a student demonstrates her versatile talent. Marjorie Young contributed multiple designs, including 'Cactus' (1950) and 'Berne' (1951). Young designed for both Wemyss Fabrics and Donald Brothers. Her career trajectory later shifted to local drawing and design after she started a family, indicating the evolving priorities and constraints faced by designers during that era. Her designs often featured natural motifs, capturing the organic forms of plants and landscapes. The collection also includes designs where the specific creators are unknown or not explicitly mentioned, such as 'Wildflowers' (1955), 'Beaumont' (1937), 'Carron' (1939), 'Medina' (1944), 'Persian Tree' (1930), and 'Windows' (1951). These pieces collectively represent the diverse artistic styles and influences that shaped Donald Brothers' output over several decades. For instance, 'Wildflowers' might evoke a pastoral English garden, while 'Persian Tree' suggests exotic and intricate patterns, showcasing a global influence on design. Other attributed works include 'Pisces' (1955) by George Zissimedes, a design likely featuring aquatic or celestial themes given its name. Cecil Judge's 'Bamboo' (1936) is particularly notable as it was supplied to significant clients like Harland and Wolff shipbuilders in Belfast and the General Dental Council in London, illustrating the broad application of Donald Brothers' fabrics in various commercial and institutional settings. These designs underscore the functional and decorative aspects of the fabrics, used not only in homes but also in public and commercial spaces. The availability of these samples provides valuable insight into the history of textile design, the evolution of interior aesthetics, and the careers of individual designers during the 20th century. Researchers and enthusiasts can explore the collection to understand artistic trends, material culture, and the industrial production of textiles in Scotland. #FabricSamples #TextileDesign #ScottishTextiles #DonaldBrothers #HeriotWattUniversity #InteriorDesignHistory #FurnishingFabrics #MidCenturyDesign #DesignHistory

The interior design landscape in the UK for 2024 is characterized by a blend of traditional and innovative elements, focusing on comfort, sustainability, and personalized aesthetics. This year's trends reflect transformations in living and working spaces. Sustainable design remains a primary concern, promoting eco-friendly materials and practices such as recycled materials, energy-efficient appliances, and sustainably sourced woods and textiles like bamboo and natural stone. This approach aims to bring an organic touch to interiors while upholding environmental responsibility. Building on sustainability, biophilic design emphasizes harmonizing indoor environments with nature. This involves integrating natural elements like plants, water features, and natural light, with living walls, indoor gardens, and large windows being key features. The objective is to enhance well-being and create serene, health-positive living spaces. Minimalism continues to be influential, but with a "warm minimalism" twist in 2024, focusing on softness, warm neutrals, and inviting, functional spaces using plush rugs, comfortable furniture, and a palette of warm whites, beiges, and soft greys. In contrast, maximalist eclecticism makes a bold statement, encouraging the mixing of patterns, textures, and colors to create vibrant, personalized spaces. This style involves layering, collecting, and showcasing individuality through rich jewel tones, bold wallpapers, and diverse art pieces. A vintage revival trend brings back mid-century modern and Art Deco influences, featuring curved furniture, brass accents, and geometric patterns, emphasizing elegance, history, and the quality of vintage pieces. Technology's role in interior design is evident through smart home integration, with voice-activated lighting, automated climate control, and smart security systems becoming standard components. Designers are focusing on seamless and aesthetically pleasing incorporation of these technologies. Panelling, particularly wood wall panels, sees a resurgence, offering texture and depth. These versatile panels can be used for feature walls, ceilings, or as backdrops for built-in furniture, bringing warmth and natural beauty, with reclaimed wood panels being popular for sustainable design. Curved lines and organic shapes are replacing sharp edges, creating a sense of movement and comfort in furniture and decor, enhancing overall harmony. Ceilings are transformed into creative canvases with bold colors, intricate wallpapers, and exposed beams, adding unique style and an unexpected element. Texture plays a crucial role, with mixing smooth leather, coarse linen, and plush velvet creating tactile experiences and visual appeal. Personalized spaces are central, with homeowners seeking bespoke furniture, custom art, and unique color schemes to reflect their individual tastes and lifestyles. Multi-functional spaces are essential due to remote work and flexible living, leading to modular furniture, clever storage, and adaptable room layouts. Earthy color palettes, inspired by nature, bring warmth and serenity through shades like terracotta, olive green, ochre, and deep browns. Artisanal craftsmanship is appreciated, with handmade and locally crafted items adding authenticity and character. Outdoor living spaces are becoming extensions of the home, integrating outdoor kitchens, dining areas, and composite decks. Moody interiors, with deep saturated hues such as navy blue, charcoal grey, and forest green, add drama and sophistication. Global influences are celebrated, incorporating elements from various cultures like Moroccan tiles or Japanese minimalism. Wellness design prioritizes physical, mental, and emotional well-being through holistic principles, focusing on air quality, natural light, and ergonomic furniture. Vintage industrial aesthetics combine rugged, utilitarian elements with nostalgic charm, featuring exposed brick and reclaimed wood. Fluid design emphasizes adaptability with open floor plans and modular furniture, accommodating changing needs. Finally, multifaceted lighting design is crucial, transforming spaces with statement chandeliers, sculptural pendant lights, and dynamic LED installations. Layering different light sources—ambient, task, and accent—creates depth, drama, and visual interest, allowing homeowners to adapt their interiors to various moods and activities throughout the day. These evolving trends reflect society's changing needs and preferences, enabling homeowners to create aesthetically pleasing, functional, sustainable, and deeply meaningful spaces. #InteriorDesign #UKDesignTrends #SustainableDesign #BiophilicDesign #WarmMinimalism #MaximalistEclecticism #VintageRevival #SmartHomeIntegration #WoodPanelling

Amidst a surge in home sales and ongoing challenges in renovations, including material and labor shortages, and supply chain interruptions impacting appliance availability, homeowners seeking to refresh their living spaces face difficulties. Rather than waiting for large-scale renovations or delayed furniture deliveries, an alternative solution lies in smaller, impactful updates such as upholstery projects or wallpaper installations. This approach offers a quicker fix for revitalizing a tired space and supports independent, often women-owned, businesses based in the U.S. This article highlights five California-based independent designers specializing in home textiles and wallpaper. Leah O’Connell, an interior designer from San Francisco, draws inspiration from her childhood experiences exploring the gardens of the Filoli estate. Her collection features feminine florals on oyster linen or matte paper, characterized by a balance of delicate geometry and showy florals. The color palette is earthy with subtle blues, pinks, and soft greens, creating a timeless and unfussy traditional aesthetic. Brook Perdigon Textiles, based in Los Angeles, offers designs for those who prefer patterns beyond florals or seek to complement existing floral motifs. Perdigon's creative process begins with paints, sketches, and cut-paper graphic designs, with her earthy color palette influenced by the California landscape and her global travels. Her background in designing carpets for Tai Ping is evident in her work, which frequently incorporates strong linear patterns, diamonds, and re-imagined plaids. Teresa Grow, the creator of Madison and Grow in Ojai, is an interior designer and color consultant known for her expertise in selecting paint shades for various projects. Her textile line, Madison and Grow, features hand-drawn botanical prints and patterns inspired by her hikes through the Los Padres National Forest. Grow recently moved her operations to Ojai, leading to a new collection of custom pillows. Fabric and wallpaper, hand-screened in Los Angeles, are also available by the yard, reflecting inspirations from Sonoma and Morro Bay. Lake August, founded by Alexis Hartman in Los Angeles, showcases designs infused with the creative energy of Silver Lake. Hartman reinterprets classic floral and vine prints with a contemporary edge, utilizing hand-painted patterns of local plants like agaves, nasturtiums, and sunflowers. She also transforms whimsical bunny patterns into chic designs. Hartman offers customized colors, uses water-based inks on Belgian linen wallpaper from American mills powered by renewable energy, and contributes a portion of each sale to the Center for Biological Diversity. Schuyler Samperton, an interior designer from Los Angeles, offers a textile line that blends traditional Indian motifs with a Southern California sensibility. Her fabrics are designed to evoke the appearance of vintage finds from global markets, drawing inspiration from antique kimonos and suzanis collected during her travels. A Parsons graduate with East Coast roots, Samperton's work combines traditional elements with a relaxed, bohemian aesthetic, featuring patterns with vivid colors. #HomeTextiles #WallpaperDesign #IndieDesigners #HomeDecor #CaliforniaDesign #InteriorDesign #SustainableDesign #WomenOwnedBusiness

This article explores the best bedding brands favored by interior design professionals, aiming to guide consumers in upgrading their bed linen. It emphasizes that smart purchasing and proper care can ensure bedding lasts for a decade. The article acknowledges diverse preferences, from crisp white cotton to relaxed linen in various colors, and offers insights into selecting brands that provide both style and substance. It addresses common bedding dilemmas such as the choice between fitted and flat sheets, and Oxford versus standard pillowcases. The article features recommendations from several prominent interior designers. Nicola Harding praises Toast for its gentle stripe patterns, which soften the bed's appearance and are more practical for everyday use than pure white. Eva Sonaike highlights Gilly Nicolson for its plain white sheets with customizable stitching, viewing them as a luxurious, lifetime investment. She also recommends Piglet in Bed for its linen bedding, especially for children with allergies, noting its wide color range. Kate Watson-Smyth also favors Piglet in Bed's striped range for children's and teens' rooms due to its practicality over white. Katherine Ormerod appreciates Piglet in Bed's natural linen for its year-round comfort and no-iron convenience, while Banjo Beale values the brand's lightweight, relaxed, and breathable washed linen. Eva Sonaike further suggests La Redoute for affordable linen fitted sheets that can be mixed and matched with other brands. Kate Watson-Smyth points out La Redoute's patterned bedding, allowing for creative mixing of plain, floral, and striped pillowcases to dress the bed without excessive cushions. Charlotte Tilbury recommends King of Cotton for its high-thread-count Egyptian cotton sateen bedding, valued for its weight, drape, and temperature-regulating properties. For a no-expense-spared option, she suggests Frette, known for its exceptional quality and the elegance added by Oxford pillowcases, preferably in white with embroidery. Jordan Cluroe and Russell Whitehead endorse Tekla for its organic cotton and linen bedding, noting its clean, simple aesthetic, quality craftsmanship, and washing durability. Charlotte Buchanan also praises Tekla's percale bedding for its organic cotton, pre-softened feel, and neutral color options. Athina Bluff recommends Soak&Sleep; for its balance of quality, style, and affordability, particularly its cotton-linen blend for breathability and a relaxed, inviting texture. Laura Stephens prefers Richard Haworth, a brand supplying hotels, for its durable, well-priced, pure white bedding, favoring the subtle Carlyle stripe for added interest. For a feminine touch, Laura Stephens also suggests Sophie Conran's bedding with scalloped edges. Katherine Ormerod agrees, valuing Sophie Conran's embroidered sheets for their luxurious, hotel-like feel. Kate Watson-Smyth highlights Rise & Fall for its sustainable bedding, appreciating practical features like labeled fitted sheets and its olive duvet and pillowcases. Katherine Ormerod commends Rise & Fall's cotton fitted sheets for their hospital-style elastic, ensuring they stay in place. Jessica Horton also praises Rise & Fall for its crisp, luxurious percale cotton and sustainability. Stephanie Barba Mendoza recommends Cologne & Cotton for its light, calming bedding, which allows for mixing and matching various patterns within the same color range, and also notes its children's options. Jessica Horton concludes with Bed Threads, an Australian brand known for its pure linen bedding in rich, heritage-friendly shades, preferring flat sheets for their versatility. #BeddingBrands #InteriorDesign #HomeDecor #LuxuryLinen #CottonBedding #HomeFurnishings #BedLinen #DesignerRecommendations #SustainableBedding

The Textile Company, a Sydney-based enterprise, has established itself as a significant force in Australia's interior design industry, supplying high-quality fabrics and wallcoverings to leading designers such as David Hicks, Greg Natale, Thomas Hamel, Alexandra Kidd, Kate Nixon, and Adelaide Bragg. Owner Peter Fitzgibbon, who started his career in a fabric warehouse in Auckland four decades ago, built the company on a deep passion for textiles. His early experiences included measuring and cutting fabric, moving into sales, and eventually buying, which led to crucial supplier relationships with international brands like Phillip Jeffries, Misia, and Fabricut. The company's showroom is organized with fabrics meticulously filed by color base, alongside a diverse library of grasscloth, wall coverings, and wall murals, reflecting a serious expertise in product. The inclusion of Peter's daughter, Jessica, marked a new phase for the business. Jessica's operational skills allowed Peter to dedicate more time to sourcing excellence and attending European trade shows, while she managed the day-to-day operations. Their collaboration leverages their distinct strengths, fostering growth and innovation within the company. Jessica emphasizes the importance of storytelling behind the brands they represent. She aims to understand and share the narrative of each fabric and wallcovering, bringing the product to life beyond its physical sample. An example she highlights is Jean Monro, a historic English fabric company renowned for weaving and hand-blocking fabrics for the British Royal Family. With King Charles's endorsement, Jean Monro is set to release 40 exclusive royal designs, showcasing a dedication to preserving traditional craft. Jessica actively hosts industry events to connect designers with craftspeople, facilitating a deeper understanding of these fabric houses. The Textile Company also champions traditional techniques, as seen in the 'Manila Hemp' grasscloth wallcovering collection from Phillip Jeffries. This collection features fibers grown and hand-loomed by artisans in the Philippines and finished by skilled craftspeople in Japan. These textural wallcoverings, available in various colors, are increasingly used in high-end residential and luxury hotel projects, offering an alternative to paint with their rich texture. Sustainability is a core focus for The Textile Company, recognizing the textile industry's environmental impact. Jessica highlights the importance of responsible selling, differentiating their products from fast fashion. She notes that reupholstering furniture is a considered act of sustainability. Peter makes conscious sourcing choices, opting for natural, pure linens and recycled polyesters whenever possible, reflecting the company's commitment to environmentally sound practices. The company's limited number of carefully selected suppliers ensures deep product knowledge and strong partnerships, allowing them to foster growth for both their business and their suppliers. Peter envisions the company as a legacy, emphasizing that while the textile business may not yield billionaires, it offers a fulfilling life of working with beautiful products and wonderful people. The Textile Company's approach reflects a blend of tradition, passion, collaboration, and a forward-thinking commitment to craft and sustainability in the world of interior textiles. #TextileCompany #InteriorDesign #Fabric #Wallcoverings #FamilyBusiness #Craftsmanship #Sustainability #LuxuryInteriors #AustralianDesign

This article highlights 21 exceptional craftspeople in Britain, as recommended by leading designers and architects featured in Country Life's Top 100 list. The selection emphasizes the critical role of collaboration and specialized skills in successful architectural and interior design projects, showcasing experts whose breadth and depth of experience significantly contribute to outstanding outcomes. The featured craftspeople span a wide array of disciplines. Tom Rennie, a carpenter and joiner, is lauded for his skill, particularly in working with ash. Ceramicists Katrin Moye and George Bronwin are praised for their exceptional and beautiful pieces, while Martha Freud's delicate and intricately inscribed porcelain ceramics are noted for their unique beauty and the joy they bring to special commissions. Edward Bulmer recommends Tom Kennedy for his mastery of scagliola, a 17th-century plasterwork technique. Fretton Handley's Clunie Fretton is recognized as a highly accomplished and versatile sculptor, carver, and gilder, celebrated for both new creations and exemplary restoration work. The Weald & Downland Living Museum is commended for its efforts in preserving traditional crafts, serving as a vital resource for knowledge and inspiration. Hot Metal Toby, known for Hot Metal Engineering, is the go-to expert for steel fabrication, capable of transforming vague concepts into practical designs, with a portfolio that includes significant work at RHS Wisley and Hyde Hall. Kevin Smith of Conservation Leadwork is recommended for his expertise in decorative and architectural lead pieces. Torc Pots is highlighted for its niche in grand-scale, contemporary planters that can complement even period homes, while Marshall Brass is presented as a reliable source for traditional ironmongery. Soane Britain receives accolades for its beautifully crafted, UK-made pieces that achieve a rare balance of uniqueness and timelessness. For joinery and cabinetry, Alex Cottrell of Llangollen Joinery is noted for immaculate work, with Lopen Joinery and Scope Joinery recommended for larger projects. Robert George, a wood artist and arborist, creates incredible one-off vessels and expressive furniture from carefully sourced timber. The Garden Trellis Co. is recognized for its passionate craftspeople and top-end products. Rupert Bevan and his team of furniture-makers are celebrated for their talent and their ability to inspire new material experimentation. Libby Russell recommends Jay Davey for woven willow work and Oxford Planters for superior wooden planters and garden furniture. Cotswold Decorative Ironworkers are long-standing collaborators, creating bespoke garden gates and railings. Darek Dziedzic of Unique Construction (London) is highlighted as an expert cabinet maker. Barley Studio in York is praised for its exquisite artistry and skill in stained glass. Francis Stacey is a master of finishing, excelling in perfectionist plastering and decorative effects using traditional methods. Johanna Welsh, a third-generation Suffolk pargetter, brings freshness and vigor to freehand ornamental plasterwork, often inspired by nature to bring ceilings and wall friezes to life. Lastly, decorative artist Tess Newall is recognized for her beautiful murals and folk art-inspired furniture, which often become standout elements in projects. #Craftspeople #BritishCraft #InteriorDesign #Architecture #Collaborations #SkilledArtisans #HomeDecor #Renovation #CustomFurniture

Humphries Weaving, a prominent British manufacturer, specializes in custom jacquard fabrics, offering bespoke weaving services tailored to specific project briefs. Their approach allows for customization in color, design, and composition. The company prioritizes design excellence and integrity, leveraging extensive knowledge, a rich archive, and technical expertise to produce fabrics for a diverse clientele. This includes prestigious institutions such as Royal Palaces and Historic Houses. While they predominantly focus on historical furnishings, Humphries Weaving also collaborates with contemporary interior design firms and provides fabrics for ceremonial gowns. A notable example of their work involves the authentic restoration of a listed building in Middelburg, The Netherlands. The client, engaged in researching historical fabric wall coverings, found Humphries Weaving's direct-to-customer approach appealing. They selected an 18th-century "Perquisite" damask from a range of gold and cream samples to create custom fabric, which was then woven in Sudbury, Suffolk. The clients undertook the installation of the fabric walling themselves and expressed satisfaction with the outcome, believing it effectively integrates the historical influences within the room. They credited Humphries Weaving for their assistance in navigating their historical pattern archive, as well as for their expertise, advice, and encouragement throughout the interior design process. Humphries Weaving's commitment to quality and historical accuracy is evident in their projects, reinforcing their position as a key player in the textile industry for both historical and contemporary applications. The company invites interested parties to explore their work further via their website and Instagram. #BritishTextileWeek #HumphriesWeaving #JacquardFabrics #BespokeTextiles #HistoricalFurnishings #InteriorDesign #TextileManufacturing #RestorationProjects #CustomFabrics

The article details the 'Technicolour' collection, a new textile collaboration between British graphic designer Peter Saville and the Danish textile company Kvadrat. This collection, comprising upholstery fabrics, rugs, and curtains, draws inspiration from a unique aspect of British rural life: 'smit marks' – the spray-painted patches used by shepherds to identify sheep. Saville, renowned for his work with Factory Records and various fashion clients, identified a 'pop' aesthetic in these utilitarian markings, which he calls 'rural graffiti,' seeing the spray can as a modern technological development. His long-standing collaboration with Kvadrat, dating back to 2004, initially focused on visual communication for the brand, with CEO Anders Byriel noting Saville's integral role in Kvadrat's transformation into a global cultural producer. The genesis of the 'Technicolour' collection stemmed from Saville's question about what would happen if the vibrant colors of these smit marks were not washed out but integrated into the wool production process. This inquiry led to the development of a collection that bridges farming, industry, and culture, aiming to bring elements of the outdoor pastoral landscape into interior cultural spaces. The 'Fleck' upholstery fabric, made from 100 percent English wool, is a key piece in the collection. It features neutral backgrounds subtly embedded with bright yellow, blue, and red fibers, creating a nuanced chromatic depth. Saville envisioned these textiles revealing unexpected color upon closer inspection, transforming seemingly plain surfaces into 'a cosmos of colour.' This concept builds upon a previous collaboration for the book 'Kvadrat Interwoven,' which utilized slim colorful yarns within a white and grey fabric. The collection further includes two types of curtains: 'Flux,' characterized by a rainbow stripe motif, and 'Fade,' a transparent curtain with iridescent neon hints that emerge with movement, both made from Trevira CS. Three ultra-tactile rugs, handwoven and robot-tufted, complete the range. 'Flock' and 'Fleece' rugs are crafted from pure new wool, directly referencing the sheep's coats, while 'Field' employs fine bamboo yarn for a more industrial interpretation. The overall goal for Saville was to create a journey from the pastoral to the cultural landscape, reminding observers of the land and fields, and bringing the outside indoors. Anders Byriel views the collection as more poetic than provocative, akin to a publishing house producing extraordinary works. He hopes 'Technicolour' will contribute to shaping a new aesthetic language for post-Covid interiors, providing much-needed excitement in a design landscape he perceives as currently 'good enough.' The collection was showcased at Salone del Mobile in Milan and Copenhagen's 3 Days of Design, highlighting Kvadrat's commitment to pushing design boundaries through innovative collaborations. #PeterSaville #Kvadrat #TextileDesign #TechnicolourCollection #WoolTextiles #InteriorDesign #DesignCollaboration #BritishCountryside #IndustrialDesign

The blog post presents a curated guide to London's most inspiring design shopping destinations, emphasizing the experiential nature of browsing through the city's varied streets and shops. It details a suggested itinerary for a full day of design-focused exploration, starting with a morning routine. The morning begins in Fitzrovia with coffee at Kaffeine, followed by a visit to Pentreath & Hall, known for its marbled lampshades and ceramic candlesticks. The itinerary then moves south towards Covent Garden, recommending a stop at Choosing Keeping for Italian notebooks and Japanese pens, and a second coffee break at Monmouth Coffee for a croissant. These early stops focus on unique decorative items and stationery, setting a tone for discovery. Midday shifts to the east, recommending a visit to Clerkenwell and Holborn to explore Present & Correct for stationery. Further east in Shoreditch, the guide highlights Labour and Wait, a store recognized for enamelware and striped dishcloths, with a suggestion to explore its vintage-inspired perfumes and bath accessories. Lunch is recommended at the Old Spitalfields Market, keeping it simple to allow for a more indulgent afternoon of shopping. The afternoon segment suggests a leisurely visit to Petersham Nurseries in Richmond or Covent Garden, depending on one's energy, for garden accoutrements and a glass of rosé. This is followed by a visit to 8 Holland Street, which offers a gallery-meets-home shopping experience, and Collins & Green Art for antique and vintage artworks, available by appointment. Nearby, Penny Morrison and Guy Goodfellow are recommended for their textiles, antiques, and home decor, underscoring their importance in a design shopping tour. The evening portion of the guide leads to Straw London for playful pieces made from natural materials, including baskets and ceramic serving items. The day concludes with a retreat to The Mandrake Hotel, described as a bohemian anchor with a dream-like design, lush fabrics, and surreal art, creating an opulent yet intimate atmosphere. The suggestion is to order a dirty martini in its courtyard garden. The article concludes by emphasizing that London's design shopping is not just about purchases but about the experience of discovery through its streets, coffee stops, and unexpected treasures, suggesting that true engagement with the city involves bringing home unique, hand-carried items as mementos. #LondonDesign #ShoppingGuide #InteriorDesign #HomeDecor #Antiques #Textiles #Stationery #BoutiqueHotels #Travel

This article celebrates the centenary of Lucienne Day, a pivotal figure in post-war British design, renowned for her vibrant, modernist textile designs. Lucienne Day, born on January 5, 1917, in Croydon, south London, studied at Croydon School of Art and the Royal College of Art (RCA) in the late 1930s, where she met her future husband, furniture designer Robin Day. Her RCA diploma show featured hand-block and screen-printed bold repeats, displayed alongside her husband's furniture, illustrating a nascent collaboration that would define both their careers. While their works often complemented each other, Lucienne Day forged a distinctive path in textiles, driven by a resolute modernist vision. Paula Day, Lucienne's daughter and director of the Robin and Lucienne Day Foundation, draws parallels between her mother's enduring influence and that of William Morris, highlighting the timeless quality of Lucienne's work. Paula suggests that Day's designs possess a "startling power and originality" that distinguishes them from many retro-style patterns. Lucienne Day sought to invigorate the textile industry with fresh, contemporary designs, drawing inspiration from modern artists such as Paul Klee, Joan Miró, and Alexander Calder, as well as decorative traditions from her studies at the V&A Museum. Plant forms, for example, consistently reappeared throughout her body of work. Her breakthrough came with 'Calyx', a stylized floral textile design launched at the 1951 Festival of Britain. This design, mixing muted and acid colors, was a radical departure in pattern aesthetics. Despite initial skepticism from Heal's fabrics director Tom Worthington, 'Calyx' proved immensely successful, leading to a two-decade-long collaboration with Heal's, during which she produced approximately 70 patterns for the brand. 'Calyx' remains in production today, a testament to its enduring appeal. Lucienne Day's style was characterized by continuous evolution, a responsiveness to fashion trends without merely following them, and an exploration of new artistic techniques. Early 1950s designs, such as 'Dandelion Clocks' and 'Trio', showcased quirky motifs rendered with fine black lines on solid colored backgrounds. Later, she experimented with monoprint techniques, creating textured effects through drawings on acetate sheets applied to tissue paper collages, as seen in 'Cadenza' and 'Night and Day'. Her architectural designs of the mid-1970s, including 'Apex' and 'Lucienne', led to her invention of "silk mosaics," a new textile medium using one-centimeter squares of richly colored silk to form strong abstract patterns. Among her vast portfolio, Paula Day finds 'Night and Day', a tea towel designed for Irish linen manufacturer Thomas Somerset in 1961, particularly poignant. This design, which perfectly balances a strong monoprint drawing of an owl with textured paper sun rays, symbolizes the relationship between her parents. Over her 60-year career, Lucienne Day collaborated with numerous prominent brands, including Liberty, John Lewis, Cole & Son, and Rosenthal, applying her distinctive flair to fabrics, wallpapers, carpets, homeware, and ceramics. Her unique combination of color, line, form, and composition created a recognizable style that continues to resonate decades later. Lucienne Day received significant accolades, becoming the first woman to be made master of Royal Designers for Industry in 1987 and awarded an OBE in 2004. She passed away in 2010 at the age of 93. In commemoration of her centenary, the Robin and Lucienne Day Foundation has released 100 previously unseen images of her work, which are featured on a 'Lucienne Day 100' poster and will be showcased in exhibitions, events, and awards throughout 2017. #LucienneDay #TextileDesign #ModernistDesign #BritishDesign #PostWarDesign #PatternDesign #MidCentury #DesignCentenary #DesignIcon

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

This article, part of a series on 'experts' experts,' compiles a list of 23 antique dealers highly recommended by leading British interior designers, architects, and garden designers. Author Giles Kime highlights the significance of sourcing unique antique pieces to infuse character and soul into interior and exterior design projects. The article underscores that these recommendations stem from a survey of two dozen members of the 'Country Life Top 100,' who were asked to identify the artisans, dealers, and writers most influential in their careers. This particular installment focuses on antique dealers, building upon previous parts that recognized exceptional craftspeople and influential design books. The featured dealers are located across the UK and in Paris, offering a diverse range of antiques from furniture and garden decor to ceramics and metalwork. Christian Fleming of Fleming Architects expresses his enjoyment of exploring reclamation yards, specifically mentioning English Salvage in Herefordshire for its rustic appeal. Kit Kemp praises Brownrigg for its extensive collection of desirable objects. Edward Bulmer emphasizes the importance of a dealer's knowledge and honesty, citing Anthony Fell in Norfolk as a preferred contact for his expertise and rare finds. James Alexander-Sinclair appreciates well-stocked salvage yards like Lichen Antiques in Oxfordshire, known for its constantly changing selection of unique garden elements. Angela Collins of Angela Collins Garden Design recommends Archie Mackie of Original House Interiors for his distinctive furniture and discerning eye. Sean Symington consistently turns to Lorfords Antiques for special pieces, commending their curated collection of statement furniture, antique blue and white ceramics, and aged oil paintings that add essential character to any space. Will Green in Northamptonshire, a fourth-generation antique dealer, is celebrated by James Thurstan Waterworth for his beautiful pieces that balance grandeur with humility, and tradition with a fresh perspective. Repton & Co in Cumbria is highlighted by Craftspeople for its eclectic collection, noting its connection to the eminent landscape designer Humphry Repton. Libby Russell of Mazzullo + Russell and Rupert Golby both endorse Lichen Antiques and Garden & Wood, respectively, for garden-specific antiques, including tools, cloches, and pots. Christopher Lawler of Johnston Cave points to Benjamin Steinitz of Galerie Steinitz in Paris for his profound knowledge and exceptional eye for outstanding pieces, emphasizing his collaborative spirit. Bunny Turner of Turner Pocock shares her recent positive experiences with Barney James at The Home Bothy in West Sussex, admiring his talent for selecting items with rich patinas that introduce a magical 'old' layer to rooms. Guy Oliver of Oliver Laws respects Simon Phillips of Ronald Phillips in London for his deep understanding of fine English furniture and art spanning the Queen Anne, Georgian, and Regency periods. Butter Wakefield recommends Max Rollitt in Hampshire and Brownrigg in Gloucestershire for their carefully selected pieces by masters in their field. Tom Turner expresses his affection for the country furniture from John Cornall Antiques in Warwickshire and the early Heal’s and Edwardian pieces from Miles Griffiths Antiques in North Yorkshire. Mungo Adam-Smith of Ian Adam-Smith Architects advises consulting Tim Corfield of Daniel Morris Art Advisory in London for fine furniture and Dorian Caffot de Fawes for his fantastic eye. Sherborne in Dorset is identified as an antique hub, with Molecula Modern and Macintosh Antiques offering interesting stock, as noted by Tom Balch of Rose of Jericho. Rupert Cunningham of Ben Pentreath Studio lists Guy Tobin, Repton & Co, McBain & Byrne, and Max Rollitt as his go-to dealers for their ability to unearth unique items from various periods. Finally, Isabella Worsley recommends Lorfords and Susan Deliss for her beautiful antique fabrics. #AntiqueDealers #InteriorDesign #GardenDesign #BritishDesigners #ArchitecturalAntiques #HomeDecor #CountryLife #ExpertsRecommendations