mecanoo references the layout of dutch farmhouses for 'villa vught' in the netherlands

The Villa Veth, designed by Rotterdam-based 123DV Architects, is a contemporary residential structure located in Hattem, a wooded suburb of Zwolle, Netherlands. This project adheres to the studio's characteristic design philosophy of creating pristine white buildings situated within natural, verdant landscapes. The villa is notably positioned above a utility room and a car-port, with a direct staircase providing access to the entrance hall. The architectural design emphasizes functionality and aesthetic integration with its surroundings. The lower level, which includes the utility room and car-port, is subtly rendered in a dark color to help it blend seamlessly with the natural environment. The primary living spaces and bedrooms are situated on the first floor. This floor features an L-shaped arrangement of private areas, encompassing two studies, a music room, four bedrooms, and a master suite. These private quarters are intelligently separated from the main living area by an internal wall of integrated cupboards, offering both privacy and efficient space utilization. The main living space of Villa Veth is characterized by its bright and open design. It is enveloped by seamless, curved glass walls that offer expansive views of the exterior wooden decking and the surrounding trees, fostering a strong connection between the interior and the natural outdoor setting. The entire first floor is unified by a polished concrete floor, which creates a sleek and continuous surface throughout the space. Elements such as the integrated kitchen worktop, prep area, and breakfast bar are designed to appear as if they are floating, contributing to the villa's modern and minimalist aesthetic. The dining, cooking, and sitting areas form a single, spacious, south-facing zone. This large open-plan area is complemented by an over-sailing rectangular roof, which provides shaded and covered sections for the wraparound terrace. This design choice extends the usable living space outdoors, allowing residents to enjoy the terrace in various weather conditions. The kitchen itself is described as sleek and contemporary, aligning with the overall modern design of the villa. The master bathroom also reflects this contemporary design language. Ellie Stathaki, the Architecture & Environment Director at Wallpaper*, reviewed the villa. Her expertise as a trained architect and established journalist, with a focus on global architecture and leading architects, provides a credible perspective on the design. The article highlights Villa Veth as a significant addition to the modern residential architecture scene in the region, showcasing 123DV Architects' commitment to purist design, functional layouts, and harmonious integration with nature. #VillaVeth #123DVArchitects #NetherlandsArchitecture #ModernResidential #ContemporaryDesign #ArchitecturalInnovation #Hattem #ArchitecturalPhotography

Villa Geldrop, a recently completed residential project by Amsterdam-based architects Hofman Dujardin, is situated in a suburb outside Eindhoven in the Netherlands. The dwelling initially appears to be a simple, even generic, house shape. However, it is a spacious, ingeniously designed, and modern family home. The house is located on a large, flat site within the Dutch countryside. Its exterior is characterized by clean, geometric volumes, featuring a composition of dark cladding and glass surfaces that elegantly contrast with the surrounding green landscape. The interior layout of Villa Geldrop is straightforward and adheres to a clean, minimal aesthetic. The ground floor accommodates the living and dining areas, as well as the kitchen. The upper level, nestled beneath an angled roof, houses a study area. The design incorporates white interiors and generous openings, which contribute to the perception of a larger and brighter space, creating a seamless visual continuation with the surrounding countryside. This design strategy maximizes the feeling of openness and integrates the indoor and outdoor environments. A distinctive feature of Villa Geldrop is its subterranean extension. A few steps lead from the main house volume to a pair of underground structures. These volumes run parallel to the site's main pathway and opposite each other, effectively nearly doubling the house's overall floor space. This underground section is dedicated to the bedrooms. Between the two subterranean volumes, a small, semi-open patio at the lower level serves as a connector. This patio, along with the large glazed openings on the upper levels, ensures that the entire interior of the house is suffused with natural light, dispelling any potential for darkness often associated with underground spaces. The inclusion of this patio is crucial for both natural light and ventilation within the lower levels. Villa Geldrop was designed for a local businessman as a family home. The architectural design successfully achieves a balance between comfort and contemporary style. Hofman Dujardin's layout is praised for its clever arrangement, which maximizes spatial effect and functionality, demonstrating an effective solution despite any practical constraints that may have been present during the design and construction phases. The house stands as an example of thoughtful modern residential architecture. #VillaGeldrop #HofmanDujardin #DutchArchitecture #ModernHome #UndergroundExtension #ArchitecturalDesign #Eindhoven #FamilyHome #ResidentialArchitecture

Danish design company Vipp has unveiled its fourth hotel destination, a 1775 farmhouse located on the island of Lolland, Denmark. This new addition expands Vipp's portfolio of distinctive accommodations, which previously included a loft and a chimney house in Copenhagen, as well as the 'Shelter' cabin on Lake Immeln, Sweden. These untraditional hotel properties serve as immersive settings for guests to experience exclusive locations while showcasing the versatility of Vipp's minimalist products and furniture. The company highlights that these stays also allow guests to 'test drive' Vipp kitchens and other designs before making a purchase. The newly opened Vipp Farmhouse is situated within the Søllestedgaard estate, nestled within a sprawling 1400-acre forest. Originally a gardener's residence, the farmhouse seamlessly blends traditional vernacular countryside architecture with Vipp's modern aesthetic. Jette Egelund, the second-generation owner of Vipp, noted that the project was inspired by a rediscovered appreciation for nature and the Danish countryside during lockdown, offering guests a tranquil escape and a taste of farm life. The Farmhouse project was a collaborative effort with Ulrik Th. Jørgensen, the estate owner, and featured interior designer Julie Cloos Mølsgaard, who was tasked with infusing a contemporary feel into the historic location through furniture, artworks, and objects. The interiors of the farmhouse harmoniously combine traditional architectural elements with the functional, contemporary pieces that are characteristic of Vipp. Key features like the whitewashed façades and thatched roof of the original structure were meticulously preserved. Inside, Vipp's Scandinavian minimalism is evident, complemented by a serene palette of natural hues. The spaces are adorned with some of Vipp’s most iconic designs, ranging from the original pedal bin to its sophisticated kitchen systems. The V1 kitchen, for instance, is a focal point, alongside the 'Cabin' round table with a dark oak base and marble top, and leather-seated 'Cabin' chairs. A study corner features the 'Swivel' chair and Vipp Table lamp, while the living room showcases Vipp's latest furniture collection, including the 'Chimney' sofa, coffee table, and floor reading lamp. The surrounding environment of the Vipp Farmhouse promises a nature-rich stay. Guests can explore Denmark’s largest private greenery, 'Den Grønne Verden,' and indulge in culinary delights at Spiseriet, a Michelin-starred restaurant that prides itself on using fresh local produce. The entire experience is designed to provide a cohesive blend of historical charm, minimalist design, and natural beauty, offering a unique opportunity to immerse oneself in the Vipp lifestyle within an idyllic countryside setting. #VippFarmhouse #DanishDesign #MinimalistInterior #CountrysideEscape #HotelDesign #ScandinavianMinimalism #InteriorDesign #ArchitecturalPreservation #LuxuryAccommodation

Research and design studio De Nieuwe Context has developed an outdoor living space in Nederweert, a Dutch town, by reinterpreting the traditional rural shed archetype. This contemporary structure is situated on an expansive residential plot and functions as an extension of an existing brick storage area. Its placement strategically divides the front yard from the backyard and garden. The design objective was to create a comfortable outdoor area suitable for various social activities, including dining and hosting parties. The outdoor living space is constructed from red-painted, corrugated steel, drawing inspiration from the practical aesthetics of rural sheds. From the front, the structure presents itself as a simple shed, featuring a single access door and a few potted plants at each end. In contrast, the rear facade is largely open, revealing a furnished interior designed for gatherings and meals. This open configuration allows for a seamless connection with the adjacent outdoor amenities. Complementing the shed is a private, rectangular swimming pool, integrated into the landscape with lush vegetation, creating a smooth transition into the garden. The project emphasizes detailing in its construction, reflecting the pragmatic approach of rural architecture. The structure is bordered by concrete slabs, which align with the lines of the original building and extend toward the swimming pool. The ground material then shifts to red brick tiling around the pool area. These new flooring materials provide a subtle contrast to the existing stone pavement in both the front and backyards. The steel framework, painted with red lead for rust prevention, features a corrugated sheet texture that extends into the gutter. For insulation, the interior roof is clad with Siberian larch wood, a material chosen for its lightness and affordability. This outdoor living space serves as a versatile area for various outdoor activities, balancing functional requirements with aesthetic considerations. The design thoughtfully integrates the structure into its natural surroundings, providing both privacy and opportunities for social interaction. The use of robust materials like steel and concrete, combined with the warmth of Siberian larch wood, creates a durable yet inviting environment. The reinterpretation of the rural shed archetype ensures that the space maintains a connection to traditional forms while offering modern amenities and a contemporary feel. #OutdoorLivingSpace #RuralArchitecture #ModernShedDesign #DutchArchitecture #CorrugatedSteel #GardenDesign #ArchitecturalReinterpretation #DeNieuweContext

This article explores the unbuilt architectural project, Mies van der Rohe's Brick Country House, conceived in 1923 or 1924. The project is significant as an early representation of Mies's visionary ideas regarding architectural forms and construction, influencing his later works such as the Barcelona Pavilion. Although never constructed, the Brick Country House is widely recognized, largely due to a couple of charcoal drawings: a three-dimensional sketch and a floor plan. The floor plan, in particular, has garnered considerable attention for its aesthetic qualities, reflecting Cubist spatial concepts and resembling De Stijl paintings. This drawing is often reproduced and has served as a pivotal image in architectural history, even gracing the cover of 'William Curtis’s Modern Architecture Since 1900'. The article delves into the project's historical context, noting that while it may have been a conceptual work, there is evidence Mies considered building it for himself. Both drawings were instrumental in establishing his reputation, circulating widely in modernist exhibitions across Europe and the United States. Mies's explicit aim with this design was to achieve a 'higher unity' between nature, houses, and people, challenging conventional enclosed room layouts. He stated that the design abandoned the traditional concept of enclosed rooms in favor of a series of spatial effects, where walls lose their enclosing function and instead articulate the 'house organism'. This term 'organism' is described as both ambiguous and resonant, highlighting the fluid, undefined boundaries between rooms and with the exterior. Frank Lloyd Wright's influence on Mies's work, particularly in this project, is acknowledged. The article also references Werner Blaser's later floor plan, drawn under Mies's supervision, which meticulously detailed the placement of each brick. This specific detail is presented as a post-hoc articulation of Mies's method, solidifying his approach for critics and historians. The author then describes their own model of the house, interpreting the cantilevered sections as covering patios and the closely spaced parallel walls in the largest room as enclosing stairs to an upper floor. The internal layout is characterized by a dense, defined section on the right, transitioning through a narrow middle section to a more open area on the left. This plan is noted for its precise, asymmetric logic and an energetic quality that suggests endless extension through its non-intersecting exterior walls. The three-dimensional sketch, while preliminary, appears to exclude landscaping elements like trees, emphasizing the horizontal character of the house and portraying nature as a 'sheer plane'. This creates an impression of order and serenity, but also isolation. From a practical standpoint, the design promotes an open lifestyle, facilitating interaction among inhabitants due to full visibility. The layout suggests potential uses for different areas: utility or servant quarters on the right, a library or den in the middle, and formal social spaces on the left. The second floor, being separate and private, is posited for bedrooms and other intimate spaces. Mies's original floor plan only provided general labels of 'living space' and 'service space', further underscoring the abstract nature of the design. The article acknowledges the practical conundrums of the design, such as the ambiguity of front, back, or main entrance, which could be interpreted as a deliberate rejection of conventional formalities in a country setting. The exterior walls are highlighted for their intriguing layout, creating three distinct outdoor areas accessible only through the house, implying complete dominance over the estate but lacking functional definition for these segregated yards. The author admits the challenges of completing the unbuilt design, emphasizing the need to preserve the original concept while addressing practicalities. The creation of a second-floor plan by the author involved making structural assumptions based on design guidelines rather than conventional use, aiming to maintain the open dynamics and horizontality of the original concept. The author poses open questions about resolving design and construction conflicts, the suitability of Mies's vision for contemporary society, and the enduring relevance of his artistic assumptions for architects today. #MiesVanDerRohe #BrickCountryHouse #UnbuiltArchitecture #ArchitecturalTheory #ModernArchitecture #ArchitecturalHistory #DesignProcess #ConceptualArchitecture #FloorPlanDesign

Dax Roll and Joyce Urbanus, the founders of the Amsterdam-based interior design studio Nicemakers, have created a rural retreat named 'Forest Home' in Veluwe, a nature reserve in the Gelderland province of the Netherlands. This mid-century bungalow serves as their personal sanctuary, allowing them to disconnect and reconnect with nature. The property is described as being so remote that locating it can be a challenge, yet the effort is rewarded by its setting among fir trees and heather fields. The inspiration for the Forest Home emerged from the success of Nicemakers, which gained significant recognition after completing 'The Hoxton' project in 2014. The constant demand for their expertise led Roll and Urbanus to seek a space for relaxation and rejuvenation. They discovered a dilapidated property and, in collaboration with architect friends, transformed it within six months, opening up the structure to integrate the surrounding natural landscape into the interior views. Roll emphasizes their unique approach to hospitality design, stemming from his background in restaurant and bar work, where he learned the practical aspects of creating inviting spaces. He highlights the importance of lighting, noting that Nicemakers prioritizes illumination from the outset of a project, rather than as an afterthought. Urbanus echoes this philosophy, stating their goal is to create interiors that feel effortless and timeless. Their measure of success is when clients perceive their designs as having always been there, requiring no changes over time. This approach reflects their commitment to longevity and thoughtful design. The article also showcases three of Nicemakers' notable refurbishment projects, illustrating their versatile design capabilities across different types of establishments. De Plesman in The Hague, completed in 2025, involved transforming the 1939 Art Deco former headquarters of Dutch airline KLM into a modern meeting point. Urbanus explains that their role was to revitalize the existing narrative of the building. The Brecon, a 22-room retreat in the Swiss Alpine village of Adelboden, refurbished in 2024, features a pared-back palette, stone flooring, woolen upholstery, and leather trims. The design aims to complement the natural beauty of the Swiss Alps without detracting from the comfort of a traditional chalet. De L’Europe in Amsterdam, a seventh-century inn refreshed in 2021, involved extensive research into the building's history and the collection of unique pieces from the 1900s to achieve a curated, non-showroom feel that aligns with Dutch neoclassical style. These projects demonstrate Nicemakers' ability to blend historical context with contemporary design, creating spaces that are both functional and aesthetically enduring. #InteriorDesign #MidCenturyModern #RuralRetreat #ArchitecturalDesign #HospitalityDesign #NicemakersStudio #Veluwe #TimelessDesign #DutchDesign

Paul Denoly and Nick Blaine, the founders of Hawkins New York, have meticulously restored and reimagined an 18th-century farmhouse in upstate New York, transforming it into a cohesive blend of their distinct design preferences. The couple, known for their ability to balance modernity and warmth in their home goods store, applied the same collaborative approach to their personal residence. Blaine's former apartment reflected a 'Design Within Reach catalog' aesthetic, while Denoly's leaned towards a 'very cool grandma' vibe, making their joint design process a series of thoughtful compromises. In 2011, they acquired the farmhouse, originally built by Dutch settlers in the 1750s and rumored to have been a stop on the Underground Railroad. The property was in a state of disrepair, necessitating extensive restoration. They collaborated with local craftspeople, including Claverack Builders and mason Mike Budai, to revitalize the original stone structure and a 1901 clapboard addition. A notable discovery during the renovation was the initials 'JVD' carved by the original builders, the Van Dusen family, on an interior wallboard, which they preserved for future framing. Following structural repairs, the focus shifted to the interior design. Inspired by traditional Dutch Colonial paneling, Blaine created a modernized, simplified version for the living room walls. The selection of paint proved to be a meticulous process, with the couple testing at least six shades of pink before settling on the ideal hue. For the flooring, they opted for tinted concrete tiles from Mexico, consistent with Hawkins’s signature color palette of pinks, blue-grays, and creams. Friends assisted in laying the tiles in a random pattern, and the couple deliberately omitted grouting to allow for natural wear over time, contributing to a lived-in patina. Attention to detail extended to preserving the historical character of the home. During the restoration of the original doors, Denoly and Blaine appreciated the accumulated layers of paint and chose to leave them as they were. Other design elements, such as the application of copper electrical tape around the perimeter of the kitchen walls, exemplify a DIY approach coupled with an appreciation for aged textures and materials. The farmhouse serves as an ongoing project and a practical laboratory for Hawkins New York's product development. The couple tests prototypes and new collections within their home, such as evaluating new linen colors across different rooms to ensure compatibility with their established palette. Similarly, various silhouettes from their Versa vase collection are arranged on mantels, breakfast tables, and coffee tables, with any ill-fitting designs being edited out. This hands-on process ensures that new products not only meet aesthetic standards but also integrate seamlessly into a living environment, reflecting their philosophy that a product's quality is confirmed when they enjoy living with it. #FarmhouseRenovation #HomeTour #InteriorDesign #HawkinsNewYork #HistoricHome #DutchColonial #DesignProcess #SustainableDesign #ModernFarmhouse

The holiday retreat named 'Ferskûle', a Frisian word meaning 'hidden', was designed by the Denkkamer design group and is situated on Schiermonnikoog, a Dutch Wadden island. This new structure replaces an existing residential unit and is discreetly nestled within lush greenery. The design adheres to strict island regulations, limiting the gross building envelope to a maximum of 110 square meters, which informed the compact yet defined building structure. The architectural composition features two solid volumes encased in yellow brickwork. These volumes are dramatically punctured by angular steel frames and large glass windows, allowing for expansive views of the surrounding landscape. The building is topped with a gently sloping roof, designed to seamlessly integrate the structure with its natural environment. The most prominent exterior feature is the large corner windows, which not only pierce through the solid mass but also provide occupants with direct visual contact with the outdoors. Denkkamer, the Dutch architectural practice behind the project, employed a consistent soft color palette throughout the design, evident in both the exterior facades and the interior spaces. While the exterior emphasizes stone-like, solid materials, the interior incorporates warm natural tones and gray finishes. Extensive use of wood is featured in the wall cladding and ceilings, contributing to a cozy and inviting atmosphere. The interior layout is thoughtfully arranged to maximize both views and functionality. A horizontal cut in the facade creates a recessed alcove that accommodates seating volumes and a workspace, offering panoramic vistas. The design also includes a bay window and a sunken sitting room, complete with a wood fireplace, enhancing the sense of comfort and connection to nature. Common areas are centrally located, with functions revolving around a central cooking counter within the living-dining zone. Private spaces, such as the bedrooms, benefit from ample natural light and views through large skylights. An underground foundation supports the light timber frame of the structure, providing stability and also creating several sunken seating pits in the basement of the holiday home. This architectural approach not only respects the island's building regulations but also enhances the living experience by blending the modern design with its natural surroundings, offering a secluded yet visually connected retreat. #DenkkamerDesign #HolidayRetreat #DutchArchitecture #SchiermonnikoogIsland #YellowBrickwork #CornerWindows #SustainableDesign #ResidentialArchitecture #InteriorDesign

Interior designer David Jimenez, a New York City native who moved to Paris six years ago, shares his experience finding and decorating an expansive eight-room private apartment in a centuries-old manor house in France’s Oise department. Jimenez sought a country retreat for weekend getaways that was within an hour of Paris, featured handsome architecture, and was surrounded by private grounds, fields, and forests. After a two-year search, he discovered his dream home near the charming village of Saintines, an hour north of Paris and 30 minutes from Chantilly, nestled in a region rich with history and natural beauty, including the medieval Compiègne forest. The apartment, located on the second floor of the manor, possesses graceful symmetry and parquet floors, with rooms flowing elegantly into one another in an enfilade style. Jimenez enhanced this natural flow by painting the entire apartment in a warm off-white, or blanc cassé. His design inspiration came from classic French decorators like Henri Samuel, whose work on versatile and elegant rooms he studied to achieve a similar aesthetic in his own home. He aimed to create spaces that were comfortable yet deeply connected to the beauty of the French countryside and its joie de vivre. Jimenez immersed himself in the local art and culinary scenes, discovering antique dealers, art galleries, and farmers’ markets in nearby villages such as Verberie and Pierrefonds. He describes finding unique pieces like bronze chandeliers, beveled mirrors from an estate sale, and a draper table with cobalt blue leather chairs from a shop at the foot of Château de Pierrefonds. These encounters often led to strong friendships with local shop owners and artisans, who in turn connected him with skilled craftspeople—from upholsterers and curtain makers to electricians and gilders. The apartment's design fosters a convivial atmosphere, particularly in the salon. Jimenez strategically placed a ticking-upholstered recamier in the center of the room, facing the fireplace, preferring it over chairs that would obstruct the view. He also added numerous stools to provide flexible cocktail seating. Louis XVI-style chairs near a tapestry offer a strong presence and can be easily incorporated into any conversation group. From the salon’s tall windows, Jimenez enjoys views of apple orchards and fern-filled glades, along with the sounds of horses from the château grounds and a symphony of birds. This natural setting provides him with a profound sense of calm, joy, and well-being. More of Jimenez’s projects are featured in his book, 'Parisian by Design'. #DavidJimenez #FrenchCountryside #ManorHouse #InteriorDesign #FrenchDecor #Antiques #ChâteauLiving #HomeDecor #VerandaMagazine

This blog post details the creation of Megan and Dustin Moon's custom-built home in Kalamazoo, Michigan, designed by Liz Hoekzema of KLH Custom Homes. The couple, with their newborn Nolan, opted to build a new house after failing to find existing properties with sufficient land or the desired playful yet modern farmhouse aesthetic. Their decision to build from the ground up, despite friends' warnings about the overwhelming process, was facilitated by KLH Custom Homes, which manages all aspects from blueprints to decor. A key design element highlighted is the creative use of affordable lighting fixtures. Designer Liz Hoekzema had previously acquired a stock of Leanne Ford's lighting collection from Target, envisioning their use in a future project. Four of these dome pendant lamps were ultimately installed in 2.5-year-old Nolan Moon's playroom, situated on a ceiling adorned with a whimsical, mustard-hued zebra wallpaper, demonstrating how budget-friendly items can be integrated into a unique, high-end design. The home's interior intentionally deviates from typical modern farmhouse tropes. Instead of rustic, salvaged wood beams, the designers opted for white oak floors with a clear coat to enhance their warm, yellow undertones, distinguishing the new build from older constructions. Popular subway tiles were eschewed in favor of star patterns and mustard yellow stripes, adding distinctive character. The exterior features a Danish barn-inspired look, incorporating a dark metal pitched roof and fiber cement-board siding designed to mimic shou sugi ban, reflecting the family's desire for a bold and unique home. The kitchen presents a tuxedo-inspired color scheme, blending a soapstone-topped island and jet-black cabinetry (which cleverly conceals the refrigerator) with an airy white range and tile-covered hood. Marvin windows and French doors in the 18-foot-high living room provide abundant natural light, fresh air, and crucial sightlines to the street and backyard firepit, allowing parents to keep an eye on Nolan. A practical breezeway connects the garage to a functional mudroom, equipped with lockers and a laundry cabinet. This long hallway, featuring striped Swiffer-friendly floor tiles, serves to prevent dirt and snow from being tracked into the main living areas. This striped pattern extends to the nearby powder room, which includes a marble mosaic and mustard backsplash, creating a cohesive design narrative. A walk-through pantry, located off the mudroom and behind the kitchen range, features arched shelving and naturally aging brass light fixtures, serving as both a functional snack area for Nolan and a visually appealing architectural statement visible from the entryway. The second floor is dedicated to Nolan, a decision made for long-term living flexibility, while Megan and Dustin's bedroom is on the ground level. Nolan's playroom ceiling is clad in circus-tent-worthy stripes, with varying line directions to emphasize the home's unique rooflines, adding an older home aesthetic to the new construction. The zebra-patterned wallpaper on the playroom ceiling, framed by mustard-hued trim, creates a distinct visual effect, while built-in storage under the window provides a streamlined solution for toys and cleverly distracts from an offset window. A low-sitting sofa ensures both child and parent comfort. The parents' bedroom offers a cocoon-like sanctuary with all four walls painted black, making the white ceiling appear cloud-like and promoting restful sleep. The Moons strategically saved on minor details, such as using off-the-shelf hardware, while splurging on significant entertaining spaces like the fully finished basement with a wet bar and island. This basement provides an essential retreat during Michigan's long winters and a dedicated space for Nolan as he grows. The custom build allowed for tailored solutions, ensuring every family member's needs were met. #KalamazooHome #CustomBuild #DanishFarmhouseStyle #ModernFarmhouse #InteriorDesign #PlayroomDesign #AffordableLighting #UniqueFinishes #FamilyHome #NewConstruction

Daniel Beauchemin, an interior designer who previously assisted Jamie Drake in decorating New York mayor Michael Bloomberg's apartment, and Marc de Laat, a graphic designer and photographer, decided to leave Manhattan's fast-paced life. They exchanged their Chelsea apartment and a house in Bucks County, Pennsylvania, for a small castle in the Netherlands, located near Eindhoven, de Laat’s hometown. The property, built in 1864 as a summer residence for a royal court member, was transformed by Beauchemin and de Laat into a cozy and inviting home. Beauchemin and de Laat met in Manhattan in 2005, and de Laat later moved to New York. Beauchemin, who continued to design interiors selectively after leaving Jamie Drake, focused on creating homes that reflected the owner's story rather than mere movie sets. This philosophy extended to their own residence, which features a harmonious blend of their individual collections. They discovered a shared aesthetic, including similar vintage Wedgwood Queen’s Ware, Haags Lofje silverware patterns (Dutch and British versions), and Persian rugs, indicating a deep compatibility in their tastes. Their search for a European property revealed a mutual appreciation for architectural styles, particularly pure Bauhaus or 19th-century designs. They found the Dutch castle online in the fall of 2007, and, drawn by its proximity to de Laat’s family, made an offer four months later, moving in the following spring. De Laat describes the castle as having “beautiful bones” despite its previous “Disney palace” décor, characterized by crystals, stained-glass windows, and pastel walls. The renovation took approximately 18 months, involving the recovery and painting of the facade and the replacement of much of the ground-level flooring with aged wood parquet. Beauchemin managed the interior color scheme and furniture arrangement, while de Laat meticulously curated objects and art, creating still life-like displays. Examples include a Dutch Louis XVI card table with a colorful glass bowl by a young Czech artist and Beauchemin’s collection of lemon squeezers alongside a vintage Christofle tea service. The grand rooms are made intimate by the extensive art collection, primarily housed in Beauchemin’s custom frames. The couple owns nearly 1,100 artworks, two-thirds of which are on display, ranging from an original Rembrandt print and an abstract Ralph Rucci painting to an iconic Mario Testano photograph of Princess Diana. Beauchemin now serves as the director of Larson-Juhl France, one of the world's largest custom-framing companies, spending several days a week across the border. Despite their active lives, they continue to garden and host friends at their Dutch castle, viewing their home as a reflection of their lives rather than a mere display. #DutchCastle #InteriorDesign #ArtCollection #HomeRenovation #LuxuryLiving #EuropeanHome #DesignPhilosophy #MarcDeLaat #DanielBeauchemin

House TP, a renovation project by Belgian architecture firm dmvA, addresses the challenges of urban farming in the densely packed city of Mechelen, Belgium. The project was conceived for a client passionate about gardening, or with “green fingers,” and sought to integrate a greenhouse into a compact, 90-square-meter home situated next to a church. The house is notably sandwiched between two other buildings and features a north-oriented rear, which typically limits access to natural light. To overcome the natural light limitation, the architects implemented an innovative solution by removing the original rear wall of the building, preserving only a single steel beam. This beam then served as an anchor for additional structural beams, creating a base for a "floating" greenhouse. This design allows ample natural light to filter through to the patio space located beneath the greenhouse, enhancing the usability and ambiance of the outdoor area. Furthermore, large glazed openings were incorporated into the building's rear facade, providing expansive views of the new greenhouse from the second and third floors. The interior layout of House TP was also strategically reorganized to maximize light exposure. The primary living areas, including the kitchen and dining spaces, were relocated to the third floor, where they benefit most from natural light. Conversely, the bedroom was positioned on a lower floor. The ground floor was designed with flexibility in mind, offering an additional living space that can be easily converted into a bedroom as needed. The architects opted for an open-plan layout and removed internal walls to create a more spacious feel within the compact footprint of the home. The staircase was thoughtfully placed to the side of the building, preventing any obstruction of sightlines and contributing to the open aesthetic. The exterior of the house underwent significant transformation as well. Unlike its traditional redbrick neighbors, House TP's exterior was painted a bright white, making it stand out and contributing to a fresh, modern appearance. A notable addition to the exterior is a gate featuring steel blinds installed at a 45-degree angle. This design provides privacy for the residents while simultaneously maintaining an open and light impression. According to dmvA’s project statement, this intervention not only fulfilled the homeowner’s desire for a greenhouse and improved living conditions but also revitalized the surrounding streetscape, transforming a previously problematic dark corner into a vibrant space. The project exemplifies a creative approach to integrating green spaces and optimizing natural light within challenging urban environments. #HomeRenovation #UrbanFarming #FloatingGreenhouse #ArchitecturalInnovation #NaturalLight #CompactLiving #SustainableDesign #InteriorDesign #MechelenBelgium

Architectural firm i29 has completed a Senior Shelter, an independent 1,076-square-foot residence in the Netherlands, designed for older generations to live alongside their families. The project emphasizes thoughtful multigenerational living, allowing for close proximity between grandparents and their children and grandchildren while maintaining individual privacy. This black-clad, single-story home is situated amidst a lush, treed environment and serves as an addition to the family's main residence. The design of the Senior Shelter integrates seamlessly with its natural surroundings through a minimalist, low-slung profile and an exposed-rafter roof. The exterior features waxed-wood facades and an extended roof clad in sandwich panels, which create shaded walkways and overhangs. This elongated roofline and modest scale help the structure blend into the landscape, minimizing its visual impact and fostering a sense of harmony with nature. The strategic placement of the home aims to promote familial connection while respecting personal space, achieved through careful site integration and a balanced spatial layout. A central patio forms the core of the home, providing ample natural light and acting as a visual and functional link between the interior and exterior spaces. Three fully retractable sliding glass doors allow residents to open the living areas directly to the garden, promoting an indoor-outdoor lifestyle and enhancing the feeling of openness. Additionally, sliding panels on the west side of the building offer adjustable shade and privacy, enabling the home to adapt to varying seasonal conditions and personal preferences. The interior aesthetic is characterized by a serene material palette consisting of oak, light gray concrete, and soft white accents. A continuous band of oak wall cladding extends throughout the interior, drawing the eye upward and emphasizing the high ceilings and exposed rafters. This design choice contributes to a sense of spaciousness, making the home feel larger than its actual footprint. The white ceilings and rafters create a visual contrast with the dark exterior, preventing the interior from appearing too stark and maintaining a bright, airy atmosphere. The layout includes custom-designed cabinetry and a minimalist kitchen, dining, and living area that wrap around the central patio. This arrangement provides each open space with optimal access to the outdoors, whether for fresh air when the doors are open or for varied views of the surrounding greenery when closed. On the opposite side of the house, the bedroom and bathroom are situated, accessed through glass doors that define the private quarters without obstructing the visual flow through the home. This intentional design ensures both privacy and an uninterrupted sense of connection to the light and landscape, embodying a balanced approach to modern multigenerational living. #MultigenerationalHome #i29Architecture #NetherlandsDesign #MinimalistArchitecture #BlackHouse #IndoorOutdoorLiving #SustainableDesign #ModernArchitecture #SeniorLiving

The 'C House,' a holiday home designed by Getaway Projects, is situated in the eastern woodlands of the Netherlands, specifically outside Rijssen in the province of Overijssel. Its name is derived from its distinctive C-shaped footprint, resembling a half-hexagon. The architectural design integrates the structure seamlessly into the expansive natural environment, aiming to provide a private retreat for its occupants. The house is composed of five distinct sections, each serving a specific function within the overall layout. The layout features elevated bedrooms at each end of the C-shaped structure, accompanied by attached bathrooms. These spaces are designed to offer privacy and tranquility, with broad openings that allow residents to experience the surrounding nature, including views of a swimming pool and tall grasses. The central part of the C House accommodates a raised kitchen, which provides extensive views of the surrounding forest. This elevated position not only offers a vantage point but also establishes the kitchen as a focal point for social gatherings within the home. The design emphasizes an open concept, allowing the natural environment to permeate the interior spaces. Between the elevated bedrooms and the central kitchen, the ground level of the C House is dedicated to a dining area and an intimate sitting area. These spaces are carefully arranged to complement the overall flow and functionality of the house, ensuring comfort and aesthetic appeal. The exterior of the C House is characterized by its Corten steel cladding, which has naturally oxidized over time to develop a reddish hue. This material choice provides both visual appeal and practical benefits such as durability and resistance to weathering. Complementing the Corten steel, untreated Fraké wood is used for the window sills and interior finishes. Fraké wood is chosen for its thermal modification properties and its aesthetic contribution to the design, ensuring a cohesive and harmonious look throughout the house. An unheated natural swimming pool, featuring a 12-meter swimming lane, is an integral part of the property. This pool utilizes a helophyte filter system, incorporating lava stones and yellow irises, to naturally purify the water, enhancing the ecological balance and the serene atmosphere of the C House. The project details identify Getaway Projects as the architecture studio responsible for the design, with Kirsten Bos credited for the photography. The house's location in Rijssen, Overijssel, Netherlands, positions it within a natural setting that influences its design principles and material choices. The 'C House' represents a contemporary approach to residential architecture, emphasizing integration with nature, functional partitioning of space, and the use of materials that age gracefully and sustainably. The overall design creates a holiday home that is both aesthetically distinct and environmentally responsive. #CortenSteel #DutchArchitecture #GetawayProjects #HolidayHome #NaturalSwimmingPool #Netherlands #ResidentialDesign #SustainableMaterials #WoodenInteriors