Interactive floor plan: Villa Geldrop, Holland

The Villa Veth, designed by Rotterdam-based 123DV Architects, is a contemporary residential structure located in Hattem, a wooded suburb of Zwolle, Netherlands. This project adheres to the studio's characteristic design philosophy of creating pristine white buildings situated within natural, verdant landscapes. The villa is notably positioned above a utility room and a car-port, with a direct staircase providing access to the entrance hall. The architectural design emphasizes functionality and aesthetic integration with its surroundings. The lower level, which includes the utility room and car-port, is subtly rendered in a dark color to help it blend seamlessly with the natural environment. The primary living spaces and bedrooms are situated on the first floor. This floor features an L-shaped arrangement of private areas, encompassing two studies, a music room, four bedrooms, and a master suite. These private quarters are intelligently separated from the main living area by an internal wall of integrated cupboards, offering both privacy and efficient space utilization. The main living space of Villa Veth is characterized by its bright and open design. It is enveloped by seamless, curved glass walls that offer expansive views of the exterior wooden decking and the surrounding trees, fostering a strong connection between the interior and the natural outdoor setting. The entire first floor is unified by a polished concrete floor, which creates a sleek and continuous surface throughout the space. Elements such as the integrated kitchen worktop, prep area, and breakfast bar are designed to appear as if they are floating, contributing to the villa's modern and minimalist aesthetic. The dining, cooking, and sitting areas form a single, spacious, south-facing zone. This large open-plan area is complemented by an over-sailing rectangular roof, which provides shaded and covered sections for the wraparound terrace. This design choice extends the usable living space outdoors, allowing residents to enjoy the terrace in various weather conditions. The kitchen itself is described as sleek and contemporary, aligning with the overall modern design of the villa. The master bathroom also reflects this contemporary design language. Ellie Stathaki, the Architecture & Environment Director at Wallpaper*, reviewed the villa. Her expertise as a trained architect and established journalist, with a focus on global architecture and leading architects, provides a credible perspective on the design. The article highlights Villa Veth as a significant addition to the modern residential architecture scene in the region, showcasing 123DV Architects' commitment to purist design, functional layouts, and harmonious integration with nature. #VillaVeth #123DVArchitects #NetherlandsArchitecture #ModernResidential #ContemporaryDesign #ArchitecturalInnovation #Hattem #ArchitecturalPhotography

The article presents Campodels House, a concrete structure in the Bündner mountains near Chur, Switzerland, designed by artists and architects Pascale Wiedemann and Daniel Mettler. This building serves as a sober second home, emphasizing a pared-down interior to draw attention to the site's natural light and spaciousness. Its unique design allows for two families to reside there, with an interlocking staircase ensuring privacy and minimal awareness of each other's presence. The location, nestled in a popular mountain region close to renowned destinations like Davos, Lenzerheide, St. Moritz, and Zurich, offers abundant leisure opportunities, leading the architects to intentionally keep the physical structure simple. This approach aligns with the 'Swiss Box' school of residential design, characterized by minimalist aesthetics and functional efficiency. The house features a pure and unadorned concrete shell. Its doors and window openings are framed with wood, exhibiting minimal detailing. Floor-to-ceiling sliding glass walls provide access to recessed external balconies, blurring the lines between indoor and outdoor spaces. The interior color palette is largely restrained, with the exception of a polychromatic accent in the basement entry area and lacquered wardrobe doors in each apartment, adding subtle touches of vibrancy. Each of the two four-room apartments, one on the ground floor and the other on the first, is sparsely furnished. They incorporate minimally detailed Strato kitchens and expansive open spaces, creating a multi-aspect main living area that encourages a focus on the surrounding environment and the architectural details. The design maintains a long diagonal dimension by keeping the living space and kitchen open to the stairwell, promoting an open and connected feel within the apartments. Each apartment includes two bedrooms that branch off the main living area, offering a functional layout for its occupants. The deliberate simplicity in design, both in structure and interior finishes, aims to highlight the natural beauty of the location and the quality of light within the space. This architectural project exemplifies a modern residential approach that prioritizes integration with nature and a minimalist lifestyle, providing a serene retreat in a picturesque mountainous landscape. The choice of materials, particularly concrete and wood, contributes to the dwelling's robust yet refined aesthetic, harmonizing with its alpine surroundings. The overall intent is to create a living environment that is both functional and aesthetically pleasing, serving as a testament to the effectiveness of restrained design in a natural setting. #ResidentialArchitecture #SwissDesign #ConcreteHouse #MinimalistInterior #AlpineLiving #PascaleWiedemann #DanielMettler #ChurSwitzerland #ArchitecturalFeatures

The article showcases Villa Metamorphosis, an architectural project by Japanese architect Ben Ryuki Miyagi, located in Ulster County, upstate New York. The property began as a 1960s shack-like house and has undergone a significant transformation into an eccentric two-bedroom villa, fitting for its proximity to the artistic community of Woodstock. The villa is situated on a one-acre plot with rolling lawns and woodlands, providing a scenic and secluded environment that was crucial to Miyagi's design philosophy, aiming for a building that could serve as a photographic object within the landscape. Miyagi's 18-month extension project introduced several distinctive features. One end of the house now incorporates three top-lit, curved domes. These domes are designed to enhance natural light within the interior while simultaneously providing privacy by blocking views of an adjacent property. The exterior cladding of the domes consists of hand-cut asphalt shingles, arranged in a pattern resembling fish scales and secured by white battening. This design was inspired by Frank Stella's Black Series paintings, demonstrating an artistic influence on the architectural aesthetics. At the opposite end of the villa, the bedrooms receive natural light through four translucent polycarbonate louvres. These louvres are uniquely shaped like beaks and offer both illumination and privacy due to their opacity. The front facade of the house is finished with black stucco, and the original windows have been replaced with frameless glass openings. Miyagi describes these openings as featuring "hieroglyphic geometries" that evoke an East Asian sensibility, blending cultural influences into the design. Beyond the main structure, Miyagi integrated three additional features into the grounds to enhance the landscape and define sight-lines. The first is a long structure adjacent to the house, functioning as an extended hallway that leads to a small room with an open roof, known as the House of Solitude. This structure also serves as a fence, framing the view across the fields while acting as a visual barrier against neighboring houses. The second addition is a symbolic structure composed of four towers, resembling an inverted torii, which is a traditional Japanese temple gate. This element further integrates Miyagi's cultural background into the American landscape. The third feature is a concrete deck positioned in front of the house, which includes a void where one can sit. This feature is named the Sky Mirror because it collects rainwater, reflecting the sky and creating a dynamic interplay with the heavens. This stage-like structure also delineates the foreground boundary of the site. Miyagi emphasizes that these external objects are not merely decorative sculptures but serve pragmatic functions, acting as screens or defining spatial boundaries. He conceptualizes them as a "choreographed sequence of themes," which he refers to as the "Landscape of Geometric Mythology." This approach highlights a blend of functionality, artistic expression, and thematic coherence throughout the property. The architect acknowledges the combined elements create a poetic whole, even without explicit symbolic intent. #VillaMetamorphosis #BenRyukiMiyagi #Architecture #UpstateNewYork #ArchitecturalDesign #ModernArchitecture #LandscapeArchitecture #JapaneseInfluence

Lassila Hirvilammi, a Finnish architecture firm, has completed House Ulve, a residential project in Seinäjoki, Finland. The clients approached the firm to design a 300 sq m private house in a low-rise residential area characterized by 1950s homes. To ensure visual and typological harmony with the existing urban environment, the architects decided to divide the large house into two distinct volumes. The two parts of the building are arranged at a 90-degree angle and connected at the northern corner of the plot. The volume facing the street accommodates the more communal areas of the house, while the second block contains the private spaces, such as bedrooms, bathrooms, and a sauna. Both sections of the house share a consistent aesthetic, featuring blueberry-tinted stained wood and a zinced tin roof. This architectural complex not only unifies two separate volumes into a single dwelling but also blends two distinct cultural influences in its design. The architects drew inspiration from both Finnish and Norwegian building traditions, referencing the traditional Finnish "pohjalaistalo" house—common in the Pohjanmaa region—and classic Norwegian fisherman's cottages. House Ulve incorporates a strong eco-friendly dimension, primarily through passive design strategies rather than advanced technology. The house is naturally heated by a geothermal heat pump, complemented by optimized sun exposure due to its orientation. The architects noted that the L-shaped configuration creates a favorable inner courtyard micro-climate. The design of the openings, combined with blinds, is intended to prevent overheating, eliminating the need for artificial cooling during the summer months. Local and recyclable wood serves as the primary building material, while Ekovilla, an eco-conscious insulation material made from a blend of wood fiber and recycled paper, is used for thermal regulation. The architects described the project as challenging due to the large scale of the house within a modest residential context, yet they found the client collaboration productive and inspiring. They emphasized the goal of discovering the extraordinary within an ordinary setting. House Ulve was recently finished in 2009, with Lassila Hirvilammi simultaneously working on other projects, including Sauna Tonttu in Soini and the upcoming Kuokkala Church in Jyväskylä. #ResidentialArchitecture #FinnishDesign #SustainableDesign #LassilaHirvilammi #HouseUlve #ModularArchitecture #GeothermalHeating #LocalMaterials #NordicArchitecture

The 'Spiral' House, a modern extension to an old French countryside residence, showcases Powerhouse Company's design approach to integrating new architecture with existing structures. The project is located in Burgundy's rural landscape on a 13,000m2 property, centered around an original farmhouse. The extension adds 200sqm to the property, primarily to accommodate new guest rooms for the family. The design is characterized by its 'spiral' form, where an arm of the extension extends from the main house's upper floor, twisting down to the ground. This creates a loosely defined inner courtyard between the long volume of the extension and the existing farmhouse. The architectural challenge addressed in this project was the coexistence of the old and the new. Powerhouse Company opted for a bold, yet well-considered design that contrasts with the traditional architecture of the original farmhouse. The extension's form facilitates a dialogue between the structures, rather than a direct mimicry. The client was actively involved in the design process, leading to a high-ceilinged, elongated structure featuring glass walls on one side to maximize openness and connection to the surroundings. The lower end of the extension houses a living room and library, providing additional communal space for the main residence. The more private upper end contains two guest suites, ensuring privacy for visitors. An internal staircase runs parallel to the extension's inner outline, accommodating its gentle inclination and maintaining the fluid, organic feel of the design. The patio, formed by the spiral's curve, serves as a subtle homage to the region's traditional 'Clos' courtyards, which are common in local enclosed vineyards. This patio also functions as the complex's main entrance, skillfully blending the old and new sections of the property. The elevated volume of the extension helps to seamlessly merge the interior spaces with the external garden and the surrounding parkland, enhancing the sense of integration with nature. The extension by Powerhouse Company is designed for both openness and a skillful combination of indoor and outdoor environments, making it an integral part of the overall complex. The design visually and physically connects guests with the natural landscape of Burgundy, fostering an immersive experience. Additionally, the project successfully links the historical elements of the farmhouse with contemporary architectural design, aiming to make guests feel fully incorporated into the family's life and the home's history. The blend of functionality, aesthetic contrast, and respect for the site's context defines the 'Spiral' House as a notable example of modern architectural intervention. #Architecture #ResidentialDesign #ModernExtension #FrenchCountryside #PowerhouseCompany #SpiralHouse #ArchitecturalDesign #Burgundy #InteriorExteriorIntegration

The Sebastopol Residence, completed in 2009, is located among the rolling hills of northern California and was designed for two graphic designers by San Francisco-based architects Turnbull Griffin Haesloop. The house is strategically positioned on a steep slope between two redwood trees, with an east-west orientation maximizing natural light and views. The design concept is a simple, long, rectangular, one-level wooden box that integrates living, sleeping, and a studio space that also functions as a garage, alongside a pool area. The northern facade of the residence fully opens up to the expansive landscape, allowing residents to embrace the surrounding natural beauty. In contrast, the southern side is more enclosed, providing privacy and protection from a nearby road and driveway. The material palette includes cedar cladding, a metal roof, Douglas Fir ceilings and decking, sheetrock walls, and ipe flooring, contributing to a warm and homely ambiance. Despite its modest size of 1,700 sq ft, the open-plan layout and the seamless integration of indoor and outdoor spaces through large openings create an airy and spacious feel, ideal for showcasing the owners' art collection. The architects were particularly influenced by the site's natural features, noting the mature redwood stands flanking a large, bowl-shaped meadow. This observation led to the decision to design the house to span across the meadow, thereby claiming the scenic views and connecting the structure to the land, anchored by the existing redwood trees. This approach emphasizes the integration of the residence with its natural surroundings, making nature a central element of the design. Key features of the Sebastopol Residence include its thoughtful orientation, which capitalizes on the site's views and natural light, and its material choices that enhance the connection to the environment. The design prioritizes both aesthetic appeal and functional living, offering a practical yet elegant solution for its inhabitants. The studio's dual purpose as a garage highlights the efficient use of space within the modest footprint. The extensive use of glass and large openings blurs the boundaries between the interior and exterior, fostering a continuous interaction with the Californian landscape. This residence exemplifies a harmonious blend of modern architecture with the serene natural setting, tailored to meet the specific needs and lifestyle of its inhabitants. #Architecture #ResidentialDesign #CaliforniaArchitecture #ModernHome #TurnbullGriffinHaesloop #SustainableDesign #OpenPlanLiving #ArchitecturalFeatures

The Sebastopol Residence, located in northern California, is a residential project designed by San Francisco-based architecture firm Turnbull Griffin Haesloop. Completed in 2009, this house was custom-built for two graphic designers and is situated on a steep slope amidst rolling hills, carefully positioned between two mature redwood trees. The design prioritizes an east-west orientation to maximize views and natural light. The primary concept behind the residence is a long, rectangular, single-level wooden box. This structure not only accommodates the essential living and sleeping areas but also integrates a studio that serves as a garage and a dedicated pool area. The architectural approach responds thoughtfully to its immediate environment. The north elevation is designed to open up extensively to the surrounding landscape, providing expansive views of the natural scenery. In contrast, the southern side of the house is more enclosed, offering privacy and protection from a nearby road and the property's driveway. The material palette contributes to a warm and inviting atmosphere. The exterior is clad in cedar, complemented by a metal roof, while the interiors feature Douglas Fir ceilings and decking, sheetrock walls, and ipe flooring. Despite its modest size of 1,700 sq ft, the Sebastopol Residence achieves an airy and spacious feel through its open-plan arrangements and the seamless integration of indoor and outdoor spaces. This is largely accomplished through the strategic use of large openings, blurring the boundaries between the built environment and nature. This design not only enhances the sense of openness but also provides an ideal backdrop for the owners to display their art collection. The architects articulated their design philosophy, stating that upon first encountering the site, they were particularly impressed by the 'large bowl-shaped meadow that sloped down in the direction of the view' flanked by mature redwood stands. This observation led them to the conclusion that the house should 'span across the bowl to claim the view and connect to the land at either end, anchored by the mature stands of redwoods.' This intent underscores the design's deep respect for and integration with its natural surroundings, making the landscape a central element of the architectural composition. The Sebastopol House exemplifies a harmonious relationship between modern living and the California landscape, where thoughtful design allows the residents to fully engage with and appreciate the beauty of their environment. #Architecture #ResidentialDesign #CaliforniaArchitecture #ModernHome #SustainableDesign #TurnbullGriffinHaesloop #SebastopolResidence #OpenPlanLiving #LandscapeIntegration

This blog post details the radical transformation of an old house and barn in Charrat, Valais, Switzerland, into a single-family home by Clavien Rossier architects. The project involved a significant overhaul, retaining only certain original elements like the cellar and existing levels, while demolishing a substantial portion of the old structure to make way for a contemporary design. The architects introduced a striking geometric clean shape to the renovated building, integrating functional elements throughout the design. A key alteration was the replacement of the original pitched roof with an ochre-tinted concrete volume, which now sits atop the building. This change contributes to the home's distinct aesthetic. Further modifications included making the upper-level walls thinner and enlarging window openings to maximize natural light ingress. The windows feature angled walls, which create a dynamic interplay of light and shadow within the interior spaces, adding to the home's unique character. The internal arrangement deviates from traditional layouts, with the architects opting for a corridor-less plan. This design strategy relocates circulation paths towards the building's exterior outline, along the external walls, which results in the top floors' rooms not being fully separated from each other. This open-plan approach fosters a sense of continuity and spaciousness. The first floor of the transformed residence is dedicated to communal areas, designed for family interaction and gathering. In contrast, the top floor houses the bedrooms, each strategically positioned to offer framed views of the surrounding Swiss mountains through large windows. This integration of the natural landscape into the living experience is a prominent feature of the design. The exterior of the house, clad in stone, complements the novel interior layout, creating a cohesive and visually appealing structure. The project showcases a thoughtful blend of preservation and modern architectural intervention, resulting in a unique and functional family home that stands out in its setting. The design by Clavien Rossier architects exemplifies an innovative approach to renovation, where historical context meets contemporary design principles to create a distinctive living space. #Architecture #ResidentialDesign #SwissArchitecture #ClavienRossier #Renovation #ContemporaryHome #InteriorDesign #Valais

Mecanoo designed 'Villa Vught,' a remote residence in the Dutch countryside, by reinterpreting the traditional Dutch farm typology, known as the 'hoeve.' This traditional form consists of farmhouses and living quarters loosely arranged around a central courtyard, which provides a protected yet open space connected to the surrounding landscape. This spatial arrangement informed the villa's configuration, which distributes its functions across three distinct volumes, creating the impression of a small village. Two of these volumes are designed as gabled barns, seamlessly integrating with the gardens. The third, taller volume contrasts with these and offers expansive views of the surrounding landscape. This prominent structure houses the master bedroom on the ground floor, children's rooms on the upper floors, and a roof terrace, optimizing the scenic vistas. One of the barn-like volumes contains the main living areas, including a living room, a kitchen with a dining space, and a large veranda oriented towards the south-west. The first floor of this barn features a workspace and a playroom. The second barn is dedicated to a cooking studio, equipped to host up to 20 participants for culinary classes, workshops, and team-building activities, catering to the client's interests. Adjacent to the cooking studio are a garage, a storage area, and a guest suite located on the first floor. The layout strategically connects the residential functions while preserving the detached character of a traditional farmstead. A half-sunken corridor, ingeniously concealed beneath a grass mound, creates a discreet link between the taller volume and the main living barn. In contrast, the barn housing the cooking studio and guesthouse remains completely detached, ensuring unobstructed sightlines from the central courtyard to the picturesque landscape. The architectural design of Villa Vught extends its homage to the farmstead typology through its construction and material choices. The exterior is clad in dark bronze anodized aluminum, profiled to mimic the corrugated iron roofs commonly found on nearby farm buildings. This cladding extends from the façade to the rooftop, creating a cohesive aesthetic. The window frames, traditionally brighter, feature a lighter bronze aluminum finish, providing subtle contrast. Each building thoughtfully frames views of the adjacent farmlands, offering curated scenes of the natural environment. The interior and structural elements heavily feature wood, specifically cross-laminated timber for the structure and European silver fir for interior surfaces, chosen for its sustainability and warmth. The villa boasts an energy performance coefficient (EPC) of 0.26 and utilizes electric heat pumps for both heating and cooling, underscoring its commitment to energy efficiency. The project, designed between 2016 and 2018, was realized between 2018 and 2019, covering an area of 683 sqm. #VillaVught #Mecanoo #DutchArchitecture #FarmhouseTypology #SustainableDesign #ResidentialArchitecture #CountrysideLiving #ArchitecturalDesign #Netherlands

The article presents Stable Acre House, a residential project by architect David Kohn, located in Norfolk. David Kohn, a graduate of Cambridge and Columbia University, established his London studio in 2007. His practice quickly gained recognition, winning the Young Architects of the Year award just two years after its inception, following his notable work at Caruso St John, where he contributed as a project architect for award-winning projects like the Museum of Childhood and Gagosian Gallery. Stable Acre House is described as Kohn's most recent work, characterized by its minimal and respectful approach to a stable conversion. The design was created for London-based gallerist Stuart Shave. The house is situated within the remains of a 19th-century stable complex. It features a long, orthogonal brick structure composed of an agglomeration of different volumes. The design incorporates an open living space positioned between two smaller pavilions. These pavilions include entrance areas and the private quarters of the house. The materials chosen for the construction are intentionally simple, consisting of oak cladding, a metal roof, a concrete floor, and white-painted brick. The architect notes that the contemporary construction and material choices serve to complete what was originally a functional ruin, integrating new elements with the historical structure. This project represents the practice's first significant residential commission. Alongside Kohn's temporary rooftop venue, Skyroom, which was installed on the Architecture Foundation HQ in Southwark, Stable Acre House has cemented his reputation in the architectural field. The article features multiple illustrations that provide a visual tour of the property, showcasing various rooms and design elements. These illustrations depict the living room, a dining area integrated with the living space, a single bedroom, a work area complete with a desk and bookshelf, another bedroom, and a bathroom. An interactive floor plan is also mentioned, allowing for a detailed exploration of the layout. The visual content supports the description of the house's minimalist aesthetic and the careful integration of contemporary design within the existing historical framework. The article also includes additional images of other design-related content, such as 'The Savoy, London' which underwent an extensive renovation, highlighting its restored elegance, the Beaufort Bar, and its new logo. Other visual elements include various works by Brent Dzekciorius, Raw Edges, and Seongyong Lee, covering diverse design objects from furniture and installations to tableware and lighting fixtures. These additional sections, while not directly related to Stable Acre House, offer a broader context of contemporary design and architecture, showcasing a range of talents and projects previously featured by the publication. #Architecture #ResidentialDesign #StableConversion #DavidKohn #Norfolk #MinimalistAesthetic #ArchitecturalRenovation #ContemporaryConstruction #InteriorDesign

Arc House, a private residence designed by East Hampton-based Maziar Behrooz Architecture, is the latest offering from the firm, catering to a couple and their two dogs. The defining feature of the house is its striking curved roof, which emerged from a blend of practical and aesthetic considerations. The property's location, directly beneath a flight path and adjacent to a train track, necessitated a design solution that could mitigate noise pollution while simultaneously fulfilling the owners' desire for a self-supporting, column-free interior with a seamless flow. The architects adopted an industrial building technology approach, creating a hangar-type space to address both the noise issue and the need for an expansive, uninterrupted internal volume. The design aimed to create a feeling of airiness and comfort, while maintaining a homely atmosphere. Maziar Behrooz achieved this by carefully selecting a curve size for the roof. Complementing this, two large openings were strategically placed on opposing sides of the curved structure. These openings provide picturesque views of the landscaped garden and the surrounding natural environment, and also allow for visual connections through different sections of the house. The architectural layout distinctly separates the private and social areas of the residence. The main living spaces, which include areas for displaying the owner's art collection, are situated beneath the expansive curved roof. In contrast, the bedrooms are housed within an adjacent structure characterized by a flat roof, ensuring privacy. The lower level of Arc House is dedicated to functional and recreational spaces, incorporating an office, a sitting room, a garage, and a gym. Sustainability and energy efficiency were integral to the construction of Arc House. The design incorporates various energy-saving techniques and materials. These include the use of Structural Insulated Panels (SIPs), high-thermal windows, and closed-cell foam insulation. These features collectively contribute to a structure that not only presents an aesthetically pleasing and comfortable living environment but also significantly reduces energy consumption compared to conventionally built homes of comparable size. The integration of these elements showcases a holistic approach to modern residential architecture, balancing innovative design with environmental responsibility and occupant well-being. #ArcHouse #MaziarBehroozArchitecture #ResidentialDesign #CurvedRoof #SustainableArchitecture #EastHampton #ArchitecturalInnovation #EnergyEfficiency #ModernHomeDesign

Interior designer Sara Hillery, after a successful career start in Houston, returned to Richmond in 2014 with her young family, seeking a home that could integrate her growing business and personal life. Her priority was a home that could serve as both an office space for Sara Hillery Interior Design and a display for her design philosophy to clients, in addition to being a functional family residence. They settled on a Dutch Colonial home, which initially featured a series of boxy rooms. Hillery envisioned its potential for transformation into a versatile space that would accommodate both work and leisure. The initial renovation focused on creating an open-concept living space. Walls on the main floor were removed to enhance the sense of size and flow between rooms. The entire house was painted white, a technique Hillery often employs to establish a unified flow and provide a neutral backdrop for the family’s diverse collection of art, mirrors, and framed pieces. This open layout also significantly improved the home’s suitability for entertaining, a key consideration for the family. The Hillerys frequently host guests, including annual crawfish boils, celebrating Julian Hillery’s New Orleans heritage. The kitchen, considered the heart of the home, received significant attention during the renovation. It was designed with an island and bar stools to encourage gathering, snacking, and conversation. A light-filled breakfast nook offers a bright space for morning meals and casual chats. The family room is another central gathering point, featuring a cooking fireplace inspired by a Williamsburg tavern. This unique element influenced the room’s simple color palette of warm browns, tans, and gold accents, complemented by two plush sofas for relaxation and socializing. Hillery’s design philosophy, “If you truly love a piece, you’ll find a place for it,” is evident throughout the home. This is particularly showcased in the dining room, where French antique mirrored windows, acquired from a Texas antiques fair, became a focal point after custom column niches were built to accommodate them. The second floor was also meticulously designed. The master bedroom was conceived as a calm, neutral sanctuary, accented with yellow and gold to add warmth and personality. For her three young children, Hillery aimed to create bedrooms that reflected their evolving personalities while maintaining the home’s classic style. The nursery features a neutral color scheme suitable for either gender, incorporating a rustic changing table, a gold mirror, and soft colors to create a chic, rather than overly childish, aesthetic. Her blue-loving son’s room boasts natural light, rich wood paneling, and a durable wood floor, with a trunk for storage and his guitar readily accessible. Her eldest daughter’s room is adorned with pink, purple, and blue, and she actively participated in its decoration. Antiques are thoughtfully integrated throughout the home, mixed with new and upcycled items. Hillery notes that antiques, with their inherent imperfections, add character and subtly expose her children to beauty and history. Practical, kid-friendly elements include durable seagrass rugs and playful framed art. The lower level of the home houses a playroom and the Sara Hillery Interior Design office, allowing Hillery to balance her demanding career with family life and to demonstrate her design concepts to clients within a real residential setting. #HomeDecor #InteriorDesign #HouseTours #FamilyHome #Renovation #OpenConcept #DutchColonial #SaraHillery

The holiday retreat named 'Ferskûle', a Frisian word meaning 'hidden', was designed by the Denkkamer design group and is situated on Schiermonnikoog, a Dutch Wadden island. This new structure replaces an existing residential unit and is discreetly nestled within lush greenery. The design adheres to strict island regulations, limiting the gross building envelope to a maximum of 110 square meters, which informed the compact yet defined building structure. The architectural composition features two solid volumes encased in yellow brickwork. These volumes are dramatically punctured by angular steel frames and large glass windows, allowing for expansive views of the surrounding landscape. The building is topped with a gently sloping roof, designed to seamlessly integrate the structure with its natural environment. The most prominent exterior feature is the large corner windows, which not only pierce through the solid mass but also provide occupants with direct visual contact with the outdoors. Denkkamer, the Dutch architectural practice behind the project, employed a consistent soft color palette throughout the design, evident in both the exterior facades and the interior spaces. While the exterior emphasizes stone-like, solid materials, the interior incorporates warm natural tones and gray finishes. Extensive use of wood is featured in the wall cladding and ceilings, contributing to a cozy and inviting atmosphere. The interior layout is thoughtfully arranged to maximize both views and functionality. A horizontal cut in the facade creates a recessed alcove that accommodates seating volumes and a workspace, offering panoramic vistas. The design also includes a bay window and a sunken sitting room, complete with a wood fireplace, enhancing the sense of comfort and connection to nature. Common areas are centrally located, with functions revolving around a central cooking counter within the living-dining zone. Private spaces, such as the bedrooms, benefit from ample natural light and views through large skylights. An underground foundation supports the light timber frame of the structure, providing stability and also creating several sunken seating pits in the basement of the holiday home. This architectural approach not only respects the island's building regulations but also enhances the living experience by blending the modern design with its natural surroundings, offering a secluded yet visually connected retreat. #DenkkamerDesign #HolidayRetreat #DutchArchitecture #SchiermonnikoogIsland #YellowBrickwork #CornerWindows #SustainableDesign #ResidentialArchitecture #InteriorDesign

The Chilmark Guest House in Massachusetts, designed by Charles Rose Architects, is a compact guest cabin spanning 800 sq ft. It is situated on a steep slope overlooking a clearing and Vineyard Sound, with its design focused on maximizing views through large windows and balconies, creating an open and light-filled atmosphere. The house features two bedrooms, each with an en-suite bathroom, positioned at opposite ends, and a shared kitchen and dining area. Additional living spaces include a cellar, porch, and roof terrace. The selection of natural materials such as pigmented concrete, stone, copper, cedar, and fir for the exterior, and teak, mahogany, and cork for the interior, enhances the connection to the outdoors and the building's delicate character. The article also showcases several other examples of compact, nature-integrated homes. The Sol Duc Cabin by Olson Kundig Architects in West Washington demonstrates a balance between openness and resilience. Its design allows for expansive views of the wilderness, while robust steel panels can seal the structure, providing a bunker-like defense against severe weather. The cabin is elevated on four steel pillars to prevent flooding, and its interior, warmed by leftover wood, features a simple layout with living and kitchen areas on the lower level and a bedroom on the mezzanine. A covered balcony provides a sheltered space to enjoy the surroundings. Pobble House, designed by Guy Holloway Architects and located in the Dungeness headland, is characterized by three distinct volumes clad in larch, Corten steel, and cement. A glazed sliding door in the open-plan living area connects directly to the outdoors, retracting completely into wall pockets. The interior design emphasizes neutral tones and discreet furnishings, ensuring the focus remains on the sparse natural landscape. The house, capable of accommodating up to ten guests, is constructed with a timber-frame, synthetic waterproofing, and durable exterior cladding, designed to age gracefully and integrate with its natural environment. Fonte Boa House in Portugal features a white rendered façade, reflecting local architectural traditions, with strategically placed windows to optimize internal views. Its concrete pad foundations minimally impact the landscape. The interior employs a simple palette of white walls and timber floors, complemented by integrated furniture to maintain a clutter-free space. Notable design elements include a frameless glass façade in the living room offering dramatic views and a glass lobby at the entrance facilitating a smooth transition from outside to inside. The semi-sunken carpark with concrete retaining walls provides a buffer from the main road, and a hallway on the first floor, with a pitched ceiling, resembles an art gallery. The Houl, a net-zero carbon dwelling in Dumfriesshire, reinterprets the traditional Scottish 'longhouse'. Designed by Simon Winstanley Architects, it sits on a west-facing slope overlooking the River Ken valley. This lightweight steel and timber-frame structure is clad in untreated cedar, allowing it to weather naturally. Its low-slung design, with long monopitched roofs, follows the hillside's contours. The house incorporates PassivHaus standards of insulation and a reflective thermal membrane to achieve net-zero carbon emissions. The main living areas are oriented to capture valley views, while ancillary spaces are recessed at the rear, demonstrating a commitment to both environmental sustainability and aesthetic integration with the landscape. Finally, the Wood Cabin by Atelier St, nestled in the pinewoods of the March of Brandenburg, presents a fairytale-like appearance with its dark wood façade, pitched roof, and small chimney. The exterior is clad in dark brown glazed pinewood, contrasting with a white-painted interior. Large picture windows illuminate the space, and a ladder leads to a gallery level. The cabin includes a custom-built pinewood kitchen, two bedrooms, and one bathroom. #ResidentialArchitecture #GuestHouse #CabinDesign #SustainableArchitecture #ModernLiving #ArchitecturalDesign #InteriorDesign #LandscapeIntegration

The 'C House,' a holiday home designed by Getaway Projects, is situated in the eastern woodlands of the Netherlands, specifically outside Rijssen in the province of Overijssel. Its name is derived from its distinctive C-shaped footprint, resembling a half-hexagon. The architectural design integrates the structure seamlessly into the expansive natural environment, aiming to provide a private retreat for its occupants. The house is composed of five distinct sections, each serving a specific function within the overall layout. The layout features elevated bedrooms at each end of the C-shaped structure, accompanied by attached bathrooms. These spaces are designed to offer privacy and tranquility, with broad openings that allow residents to experience the surrounding nature, including views of a swimming pool and tall grasses. The central part of the C House accommodates a raised kitchen, which provides extensive views of the surrounding forest. This elevated position not only offers a vantage point but also establishes the kitchen as a focal point for social gatherings within the home. The design emphasizes an open concept, allowing the natural environment to permeate the interior spaces. Between the elevated bedrooms and the central kitchen, the ground level of the C House is dedicated to a dining area and an intimate sitting area. These spaces are carefully arranged to complement the overall flow and functionality of the house, ensuring comfort and aesthetic appeal. The exterior of the C House is characterized by its Corten steel cladding, which has naturally oxidized over time to develop a reddish hue. This material choice provides both visual appeal and practical benefits such as durability and resistance to weathering. Complementing the Corten steel, untreated Fraké wood is used for the window sills and interior finishes. Fraké wood is chosen for its thermal modification properties and its aesthetic contribution to the design, ensuring a cohesive and harmonious look throughout the house. An unheated natural swimming pool, featuring a 12-meter swimming lane, is an integral part of the property. This pool utilizes a helophyte filter system, incorporating lava stones and yellow irises, to naturally purify the water, enhancing the ecological balance and the serene atmosphere of the C House. The project details identify Getaway Projects as the architecture studio responsible for the design, with Kirsten Bos credited for the photography. The house's location in Rijssen, Overijssel, Netherlands, positions it within a natural setting that influences its design principles and material choices. The 'C House' represents a contemporary approach to residential architecture, emphasizing integration with nature, functional partitioning of space, and the use of materials that age gracefully and sustainably. The overall design creates a holiday home that is both aesthetically distinct and environmentally responsive. #CortenSteel #DutchArchitecture #GetawayProjects #HolidayHome #NaturalSwimmingPool #Netherlands #ResidentialDesign #SustainableMaterials #WoodenInteriors

Dax Roll and Joyce Urbanus, the founders of the Amsterdam-based interior design studio Nicemakers, have created a rural retreat named 'Forest Home' in Veluwe, a nature reserve in the Gelderland province of the Netherlands. This mid-century bungalow serves as their personal sanctuary, allowing them to disconnect and reconnect with nature. The property is described as being so remote that locating it can be a challenge, yet the effort is rewarded by its setting among fir trees and heather fields. The inspiration for the Forest Home emerged from the success of Nicemakers, which gained significant recognition after completing 'The Hoxton' project in 2014. The constant demand for their expertise led Roll and Urbanus to seek a space for relaxation and rejuvenation. They discovered a dilapidated property and, in collaboration with architect friends, transformed it within six months, opening up the structure to integrate the surrounding natural landscape into the interior views. Roll emphasizes their unique approach to hospitality design, stemming from his background in restaurant and bar work, where he learned the practical aspects of creating inviting spaces. He highlights the importance of lighting, noting that Nicemakers prioritizes illumination from the outset of a project, rather than as an afterthought. Urbanus echoes this philosophy, stating their goal is to create interiors that feel effortless and timeless. Their measure of success is when clients perceive their designs as having always been there, requiring no changes over time. This approach reflects their commitment to longevity and thoughtful design. The article also showcases three of Nicemakers' notable refurbishment projects, illustrating their versatile design capabilities across different types of establishments. De Plesman in The Hague, completed in 2025, involved transforming the 1939 Art Deco former headquarters of Dutch airline KLM into a modern meeting point. Urbanus explains that their role was to revitalize the existing narrative of the building. The Brecon, a 22-room retreat in the Swiss Alpine village of Adelboden, refurbished in 2024, features a pared-back palette, stone flooring, woolen upholstery, and leather trims. The design aims to complement the natural beauty of the Swiss Alps without detracting from the comfort of a traditional chalet. De L’Europe in Amsterdam, a seventh-century inn refreshed in 2021, involved extensive research into the building's history and the collection of unique pieces from the 1900s to achieve a curated, non-showroom feel that aligns with Dutch neoclassical style. These projects demonstrate Nicemakers' ability to blend historical context with contemporary design, creating spaces that are both functional and aesthetically enduring. #InteriorDesign #MidCenturyModern #RuralRetreat #ArchitecturalDesign #HospitalityDesign #NicemakersStudio #Veluwe #TimelessDesign #DutchDesign