Means to a blend: Nespresso enlists Universal Design Studio for its NYC boutique

New York City's vibrant coffee scene extends beyond mere caffeine consumption, encompassing a thriving culture of independent and small-chain coffee shops that prioritize design. This article highlights several meticulously designed coffee establishments across Manhattan and Brooklyn, catering to individuals who appreciate both a quality brew and aesthetically pleasing surroundings. These venues range from those housed in historic buildings to contemporary spaces, each offering a unique design narrative. Flora Coffee, situated in the Met Breuer, reimagines the 1966 Marcel Breuer building with a sensitive renovation by Beyer Blinder Belle. It retains the original robust concrete elements while introducing natural woods, leather, and bronze metalwork, complemented by the building’s original disc-shaped lighting. Devoción, a Brooklyn-based establishment, operates from a former meatpacking plant. Its interior, designed by Studios Go, features a bright and airy atmosphere, highlighted by a vertical garden of coffee plants, reflecting the brand's commitment to freshness and direct sourcing of organic beans from Colombia. Reynard, though a restaurant, serves as an ideal coffee spot within the Wythe Hotel. It showcases a factory-chic aesthetic with original brickwork, timber beams, and soaring cast-iron columns, emblematic of Williamsburg's design sensibilities. Intelligentsia's New York outpost, nestled within the Roman and Williams-designed High Line Hotel, offers a bookish ambiance with raw brickwork, oriental carpets, and Chesterfield sofas, allowing patrons to enjoy their coffee indoors or al fresco in the hotel’s courtyard. Kava Cafe, located in Manhattan's Meatpacking District, boasts interiors by Roman and Williams, drawing inspiration from a Venetian coffee crawl. Its design features meteoric oak motifs with exposed screws on the walls and a spiraling, brightly colored terrazzo floor, all inspired by a Chris-Craft boat’s dashboard. Happy Bones, founded by Kiwis, is a minimalist conversion of an alleyway in Little Italy. Architects Hannah Chiaroni-Clarke and Danu Hassik, along with interior designer Ghislaine Viñas, transformed the compact space into a stylish venue with whitewashed brickwork, steel mesh displays, and a large skylight. Sweatshop in Williamsburg brings Melbourne’s renowned coffee culture to New York, established by Ryan De Remer and Luke Woodard. Its effortlessly cool monochrome interiors reflect the founders' passion for design, evident in their furniture and interiors studio of the same name. Chalait, co-founded by Michelle and Ramon Puyane, is Manhattan’s first matcha-focused tea and coffee shop, with its newest and largest location in Hudson Square. Designed by Kontoret, it combines modern Japanese architecture with Scandinavian design, utilizing sustainable materials like black stained pinewood and whitewashed oak to create a serene environment. Finally, Chillhouse in the Lower East Side offers a unique concept, combining a full-service café and bar with a nail salon and massage boutique. Designed by Jeffrey White of Ecology Architecture Urbanism, it serves as a relaxing haven for city dwellers, offering both invigorating caffeinated drinks and calming options. Each of these coffee bars demonstrates a thoughtful approach to interior design, enhancing the coffee-drinking experience through distinct architectural and decorative choices, making them destinations for design enthusiasts. #NYCCoffeeShops #InteriorDesign #CoffeeCulture #ArchitecturalDesign #CafeDesign #NewYorkCity #DesignDevotees #HospitalityDesign #UrbanSpaces

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Matches Fashion, a prominent online luxury retailer, has expanded its offerings with the launch of its Homewares Studio. This new venture aims to provide a curated selection of designer homewares, mirroring the high-end fashion experience the platform is known for. The initiative comes in response to a growing consumer demand for elevated home aesthetics, driven in part by social media and the desire to create interiors as fashionable as personal wardrobes. The Homewares Studio features a diverse range of products, including throws, cushions, tabletop items, and decorative pieces. It brings together established luxury brands and emerging designers, creating a comprehensive collection for interior design enthusiasts. Among the notable established brands included are Gucci, known for its distinct homewares that inspire complete remodelling fantasies; Maison Margiela; Loewe; and the homewares stalwart Missoni, recognized for its vibrant patterns and textiles. The platform also champions new and exciting talents in the design world. For instance, British designer Luke Edward Hall's ceramic pieces, which serve as canvases for his hand-painted illustrations of classical sculptures, flora, fauna, and bold slogans like “VICTIM OF LOVE,” are featured. Other emerging brands highlighted include Once Milano, offering sophisticated crushed-linen table linens in muted tones; Cire Trudon, specializing in haute parfumerie through its exquisite candles; and Raawii, a Copenhagen-based brand celebrated for its modernist crockery and rich color palettes. Matches Fashion’s approach to its homewares offering mirrors its successful strategy in ready-to-wear fashion: introducing shoppers to exclusive and innovative talents. An example is Kilometre Paris, which presents a collection of embroidered tea towels, cushions, and aprons designed to evoke postcards from exotic destinations, with each piece intricately crafted by region-specific female artisans. The studio also addresses specific trends, such as the popularity of Pendleton blankets, famously featured in Raf Simons’ Calvin Klein 205W39NYC collection for Spring 2018, which are now available for purchase. In addition to these designers, the article highlights a variety of specific items available, such as the Raawii Strom small ceramic jug, Once Milano rectangular crushed-linen tablecloth, L’Objet large Teo vase, Cire Trudon Marie-Antoinette Bust decorative candle, Calvin Klein 205W39NYC x Pendleton wool-cotton saddle blanket, Luke Edward Hall fish-painted ceramic serving platter, La Double J Editions set of two Housewives glasses, Cinnamon Projects Circa Mineral dalmation stone incense burner, Pendleton Fire Legend wool and cotton-blend blanket, Kilometre Paris palm-tree embroidered cotton apron, Maison Margiela embroidered clock, Saved NY cloud-jacquard cashmere blanket, Gucci Herbarium Verde porcelain salad bowl, Anya Hindmarch Anya Smells Washing Powder small scented candle, Missoni Home Ridley zigzag-knit cotton throw, and Perfumer H Ash scented candle. Each item is presented with its price and a direct link to Matches Fashion for purchase. The launch of the Homewares Studio reflects a broader trend of integrating fashion and lifestyle, allowing consumers to extend their personal style into their living spaces. By offering a meticulously chosen range of high-quality, designer home goods, Matches Fashion positions itself as a destination for creating aspirational interiors, reinforcing the idea that home décor is as crucial to personal expression as clothing. The platform encourages consumers to embrace the concept of "dressing for the home you want," turning their living spaces into curated reflections of their desired lifestyles. #MatchesFashion #HomewaresStudio #DesignerHomewares #InteriorDesign #LuxuryLifestyle #HomeDecoration #FashionRetail #EmergingDesigners #HighEndDecor

RH, a prominent home furnishings retailer, has launched RH Contemporary, a new business branch that significantly expands its product offerings through collaborations with a diverse array of global designers. This initiative marks RH's most substantial concept launch since RH Modern in 2015, reinforcing the company's ambitious growth trajectory. The new collection encompasses a wide range of items, from large furniture pieces such as sofas, beds, wardrobes, and outdoor furniture, to lighting, textiles, and decorative objects. The launch of RH Contemporary follows other significant developments for the company, including the unveiling of RH San Francisco, the acquisition of private planes and a yacht for charter, and plans for future locations in Manhattan, Oxfordshire, Paris, London, Milan, and an 'RH Ecosystem' in Aspen featuring the company's first spa. The development of RH Contemporary began prior to the pandemic, with RH leadership strategically using that period to focus on long-term growth initiatives rather than short-term revenue pursuit. A key aspect of RH Contemporary is its multi-tiered approach to elevating production standards and materials. This includes a partnership with Holland & Sherry, an established Savile Row tailor, to supply a comprehensive range of fine textiles for upholstery and curtains. Additionally, the collection features high-caliber Indian hand-loomed throws and pillow covers by textile artist Neeru Kumar, whose work has been acquired by the Victoria & Albert Museum. A significant portion of RH Contemporary's upholstered furniture, including modular leather seating and low linear sofas, is crafted in Italy. To achieve this, RH collaborated with expert Italian upholsterers, ALT in Romagna and Crivellari in Padova, whose founders are prominently credited on the RH website alongside the designers. Italian-sourced materials, such as travertine stone from outside Rome and Arabescato marble, are also widely used, although some fabrication occurs elsewhere. The emphasis on top-tier materials and production, including lacquered burl wood, hand-carved Spanish alabaster, and hand-applied plaster on lighting, is reflected in the collection's higher price points, with items like Jonathan Browning’s ‘Vouvray’ chandelier starting at over $35,000 and Joris Poggioli’s ‘Vitolo’ dining table starting at over $12,000. Gary Friedman, RH chairman & chief executive officer, notes that RH Contemporary items are priced approximately 30 to 35 percent higher than the current RH offerings. While large-scale furniture forms the core of the collection, smaller shoppable items are also included, such as vases and decorative dishes by Brooklyn-based ceramicist Dina Nur Satti, which incorporate her Sudanese and Somali heritage. Friedman expresses strong belief in RH Contemporary's potential impact, stating that it will likely have a greater influence on the company than RH Modern, not only from a design perspective but also in terms of quality. He anticipates that this new venture will redefine consumer perceptions of RH and expand its market aperture significantly. #RHContemporary #DesignerCollaborations #LuxuryFurniture #InteriorDesign #HighEndMaterials #ItalianCraftsmanship #GlobalDesigners #HomeFurnishings

This article details a unique advertising campaign by Sonos, a home sound system manufacturer, which transformed a New York City subway shuttle train into a moving art installation. The campaign utilized the distinctive black-and-white cartoons of Mark Alan Stamaty, covering the entire train, both inside and out, including ceilings and seats. This initiative was part of a larger branding effort for Sonos's first retail store opening in SoHo, New York City. The project originated when Sonos, through the branding agency Partners & Spade, sought Stamaty's artistic contribution for the interior design of their new store. The store featured soundproof listening booths, shaped like small houses, each with a different interior theme. Anthony Sperduti, co-founder of Partners & Spade, a long-time admirer of Stamaty's work, particularly his children's book "Who Needs Donuts?", commissioned him for the store's design. Stamaty immersed himself in the vibrant street life and music culture of SoHo to create six detailed drawings at 25% scale, specifically tailored for the listening pods, integrating features like shelves and ceilings into his artwork. Beyond the subway train, Stamaty's artwork was also applied to various other media as part of the campaign. This included the Sonos store's windows, shopping bags, advertisements in 'T' (The New York Times fashion/interior design Sunday supplement magazine), and even billboards near Sonos headquarters in Boston. Fernando Music, managing director of Partners & Spade, emphasized the agency's belief in using design to solve business problems and highlighted the campaign's success in generating widespread media coverage for the store's opening. The campaign's overarching message was about how Sonos can transform a home with music, a concept reflected in the diverse decoration of the listening pods, each designed to evoke a different home experience. Whitney Walker, general manager of the Sonos store, affirmed the campaign's remarkable success in New York City, noting its direct benefits not only for the flagship store but also for Sonos's retail partners. This collaboration between Sonos, Partners & Spade, and Mark Alan Stamaty demonstrates an innovative approach to advertising, effectively integrating art into a large-scale commercial endeavor to create a memorable and immersive brand experience for the public. #AdvertisingCampaign #SubwayArt #MarkAlanStamaty #Sonos #PartnersAndSpade #SoHo #BrandExperience #InteriorDesign #NewYorkCity

Postcard Bakery, a new establishment in New York City's West Village, presents a distinctive interior design that draws inspiration from retro Japanese aesthetics, specifically from Asian artwork. Designed by Sarah Carpenter of Sarah Carpenter Studio, the bakery's vibrant and nostalgic atmosphere stands in contrast to the minimalist style of the adjacent flagship restaurant by the Nami Nori team. Carpenter aimed to create a bold and unexpected typology for the New York commercial space, one that complements the brand while offering a fresh visual experience. The design process involved immersing Carpenter in visuals related to baked goods, vintage postcards from various travels, and a curated Spotify playlist. This sensory approach allowed her to capture the desired emotional resonance for the bakery's customers. The compact 300-square-foot storefront is a testament to Carpenter's skill in integrating a rich palette of colors and patterns without overwhelming the space. She strategically paired pastels with richer hues to achieve this balance. The seating area at the entrance features comfortable banquettes upholstered in a textured, buttery yellow fabric, offering a welcoming spot for patrons to enjoy their bubble tea or coffee on citrus-colored bistro tables. A custom wallcovering, developed in collaboration with LMNOP, the agency responsible for the bakery's graphics, is a central design element. Framed by oak millwork, the pattern evokes the artistic style of illustrator Yumeji Takehisa, utilizing a powdery matcha green tint instead of a conventional botanical green. This choice adds a subtle yet impactful nod to Japanese culture and aesthetics. The service area behind the display case is a particular highlight, featuring a luxe vermillion red covering the ceiling, walls, and counters. Carpenter deliberately incorporated arches, constructed from flexible PVC and finished in high-gloss paint, to create a striking visual statement. This "red portal" serves as a unifying element for the entire design, showcasing Carpenter's philosophy of making significant design moves within hospitality projects, where intricate details can sometimes be overlooked. The bakery's curved glass and stainless steel display case, while functional for showcasing pastries and sandwiches, also acts as a focal point. Carpenter paid close attention to this high-touch area, ensuring that the polished metal's reflectivity creates an engaging interplay with the surrounding matte surfaces. Even the flooring, often an afterthought, contributes significantly to the bakery's aesthetic. A pearlescent checkerboard pattern formed by honey onyx and glacier white stone tiles shimmers underfoot, adding another layer of sophisticated detail to the overall design. #CommercialDesign #InteriorDesign #RetroJapaneseDesign #ColorPalette #PatternDesign #BakeryDesign #SarahCarpenterStudio #NewYorkDesign #HospitalityDesign

Peter Dunham, an ELLE DECOR A-List interior designer renowned for his 'Englishman-meets-L.A. style,' is expanding his presence with a new 3,500-square-foot showroom in New York City. The showroom, located at the New York Design Center's 200 Lexington Avenue, is set to open on August 19. Dunham, who has been operating from Los Angeles since 2003, expressed his long-held desire to establish a New York presence, stating, 'For me, it’s always New York...and honestly, I wish I’d done it sooner.' The new space will showcase a diverse range of products from both Dunham’s Hollywood at Home and Peter Dunham Textiles brands. Visitors to the showroom will experience an environment designed to emulate Dunham's distinct interior projects, characterized by opulence, playfulness, vintage influences, and a strong affinity for bold colors and patterns. The showroom aims to offer a tangible experience, allowing clients to 'touch and feel and try and test the quality and comfort' of his offerings, emphasizing the designer's belief in the importance of physical interaction with products despite the shift in retail landscapes. The showroom's layout is meticulously curated to reflect Dunham's design philosophy, presenting a comprehensive display of his work. A central feature will be an array of his signature prints and woven fabrics, including the widely recognized 'Fig Leaf' print, which adorns the walls. This is complemented by outdoor furniture selections, such as a textured beige Hollywood at Home Rush Club armchair, upholstered in Nawab fabric. The space also includes a dark green cabinet filled with indoor-outdoor poufs, a varied collection of patterned cushions, and a wall dedicated to fabric swatches, inviting tactile exploration. His latest 'Shani' textile launch, drawing inspiration from Indian block prints, will also be featured. Beyond textiles and seating, the showroom will display lamps, a four-poster bed draped in a 100 percent alpaca bedcover crafted by Peruvian handweavers, and cowhide chairs. Notable pieces include the 'Carmania' woven fabric, previously used in Dunham’s Paris apartment. The showroom is designed to be a condensed yet comprehensive representation of Dunham’s extensive career and dedication to fabric artistry. Dunham describes the showroom as a layered environment, mirroring his approach to designing a room—a fusion of art, accessories, vintage items, his original designs, and collaborations with artisans. For those unable to visit in person, the article provides a glimpse into some of the featured items, offering a preview of the diverse collection available at the new New York location. #PeterDunham #NYCShowroom #InteriorDesign #HomeDecor #Textiles #HollywoodAtHome #NewYorkDesignCenter #DesignTrends #FabricDesign

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

The concept of universal design, which aims to make spaces accessible to everyone regardless of age or physical limitations, is explored through the renovation experience of Jenna Reed-Côté, a wheelchair user. Initially hesitant to embrace universal design due to a desire to overcome physical challenges, Reed-Côté eventually committed to renovating her Vancouver condo with the help of interior designer Kendall Ansell. The renovation focused on transforming Reed-Côté's kitchen and bathroom to enhance her independence and safety. In the kitchen, 90-degree angles were eliminated from the countertop layout, replaced by gentle curves and obtuse angles, facilitating easier wheelchair maneuverability. Cabinetry under the counters was recessed, allowing Reed-Côté to get closer to essential work zones like the cooktop, prep surfaces, and sink, which helps maintain her center of gravity and reduce fall risks. Most counters were lowered to 34 inches, two inches below the standard, for improved comfort and visibility into pots. One section retained standard height to accommodate the dishwasher, although alternatives like dishwasher drawers were considered but deemed too costly for the budget. Overhead cabinetry was designed with pull-down shelves, making previously inaccessible items reachable. A chest-height oven with a side-opening door was installed, eliminating the need for precarious leaning and significantly reducing injury risk. These modifications, while specifically addressing Reed-Côté's needs, are presented as beneficial for all users, exemplifying the core principle of universal design. The bathroom renovations included modified counters and a shower bench for stability. The article also mentions the growing trend of 'smart' toilets that combine toilet and bidet functions, which can aid individuals with mobility issues and offer eco-friendly benefits by reducing toilet paper use. Interior designer Kendall Ansell highlights that these universal design adaptations not only improve functionality but can also serve as a selling point for resale, especially with an increasing focus on aging in place. A significant challenge discussed is the cost associated with universal design elements. Reed-Côté's renovation required higher-end finishes and custom cabinetry to withstand the wear and tear from wheelchairs and walkers. For instance, quartz countertops and backsplashes were chosen for durability and ease of cleaning, and specialized door handles were installed. The team also sought standard shallow sinks to avoid the expense of custom-made alternatives. The article concludes with the hope that sharing such renovation stories will build momentum for wider adoption of universal design principles, which could lead to a decrease in the cost of UD-related products. Reed-Côté expresses how her home, once merely a shelter, has become a place where she feels limitless and empowered to pursue her life goals. #UniversalDesign #HomeRenovation #AccessibleDesign #InteriorDesign #WheelchairAccessibility #KitchenDesign #BathroomDesign #AgingInPlace #AccessibilityStandards

Fifth Group Restaurants, known for establishments like La Tavola and Ecco, is set to transform its Midtown seafood restaurant, Lure, into Lure Saltwater Kitchen and Bar. The original Lure will close on September 2nd, with the new concept opening just a week later. The renovation reflects changes in the dining scene and habits within Midtown, aiming to inject new excitement and energy into the space that has been operational for 13 years. Lure Saltwater Kitchen and Bar will maintain its focus on sustainable seafood, but with a revamped approach centered around small plates prepared on a newly installed wood-fire grill. The interior will undergo a refresh, and a new patio bar is being added to enhance the dining experience. The beverage program is also being updated to complement the new culinary direction. To lead this transformation, the team has brought in chef de cuisine Olivier Reedholm, formerly of The Grey in Savannah and the Michelin-starred Under in Norway. Reedholm will collaborate with Fifth Group's vice president of culinary, Mark Jeffers, and director of culinary, Brandon Chavannes, who was involved in the initial opening of Lure. This culinary trio is partnering with Farmers & Fisherman Purveyors to ensure that all seafood items adhere to the Monterey Bay Aquarium’s Seafood Watch List, promoting sustainability. A key feature of the new menu will be the daily-to-weekly changing “Fleeting Moments” selection, offering fresh oysters, aguachile, crudo, ceviche, and tartare. This ensures a dynamic menu, encouraging repeat visits. A unique shared plate option, the “Tackle Box-Chef Assortment,” will present raw bar items in a vintage tackle box. The small plates section will feature imaginative dishes such as mussels in Thai coconut broth, blue crab tamale with pumpkin mole, and crispy shrimp with Chinese chili garlic crunch, peanuts, and seaweed. For diners preferring more traditional entrees, five options will be available, including pork shank, wood-grilled chicken, wagyu steak frites, and a filet of fish in brown butter sauce. These dishes aim to provide a classic yet approachable dining experience, distinct from a formal chop house. The wood-fire grill is expected to impart unique and dynamic flavors to these offerings. To cater to health-conscious guests, Lure Saltwater Kitchen will offer “Breadless Service” with house-made kimchi, pickles, and spicy condiments, alongside gluten-free anchovy garlic bread. Salads and vegetables will be available from the “From the Soil” section of the menu. A notable dessert item will be wood-fired, slow-roasted pineapple in rum caramel, served with house-made ice cream. The beverage program, curated by Fifth Group head of beverage innovation Ian Mendelsohn, will feature cocktails designed to complement the kitchen’s bright and exotic flavors. Options will include a frozen “creamsicle” cocktail and drinks incorporating shochu, yuzu, lemongrass, and chili. The wine list will expand to about 50 sustainable, biodynamic, or organic varieties, and eight beers will also be on offer. The aesthetic changes, guided by design team ai3 (who also designed the original Lure), will introduce new pops of color, including red and green, throughout both the indoor and outdoor spaces. New patio furniture and murals by a local artist will contribute to the refreshed ambiance. The new patio bar will host a happy hour from 4 p.m. to 6 p.m. daily, featuring half-price oysters. Beyond culinary and design enhancements, Lure Saltwater Kitchen emphasizes environmental sustainability. The restaurant will collect rainwater for toilet flushing and plant watering. It has also partnered with Shell to Shore, a nonprofit organization that repurposes oyster shells to rebuild reefs, thus contributing to marine ecosystem restoration. The new Lure will soft-open on September 10th, with its official grand opening slated for September 16th. #FifthGroupRestaurants #LureSaltwaterKitchenAndBar #MidtownAtlanta #SustainableSeafood #RestaurantRedevelopment #WoodFireGrill #SmallPlates #EnvironmentalSustainability

Maya Newlin, the driving force behind KAMO Studio, shares her entrepreneurial journey, detailing the motivations and experiences that led her to establish her own interior design business. From a young age, Newlin harbored aspirations of entrepreneurship, often sketching floor plans and envisioning room transformations. Her passion for design was nurtured through a childhood fascination with a Victorian dollhouse, which served as an early outlet for her creativity in curating and storytelling within spaces. Prior to founding KAMO Studio, Newlin pursued a career as a national competitive figure skater, a background that instilled in her ambition and a strong-willed approach. Her professional path included a significant role as an Imagineer for Walt Disney Imagineering. While initially perceived as a dream job, the large-scale, impersonal nature of designing for global audiences at Disney led her to realize a longing for more intimate, one-on-one creative problem-solving. This experience, though valuable for fostering creativity, reinforced her desire to work independently, leading her to pursue a Master's degree in Interior Architecture, complemented by business courses, to equip her for launching her own venture. KAMO Studio, co-founded with business partner Jasmine, specializes in residential and boutique hospitality projects. The studio's philosophy centers on creating personalized spaces that genuinely reflect their clients' personalities and life stories. They emphasize incorporating unique elements like vintage finds and generational heirlooms into contemporary designs, aiming to celebrate everyday moments and evoke specific emotions within a space. The focus is on achieving an effortless aesthetic that also boasts hidden functionality, a skill KAMO Studio has refined and prides itself on. Newlin highlights the matchmaking aspect of design, where understanding and translating a client's often unarticulated desires into a tangible design is paramount. The studio guides clients beyond transient trends, encouraging them to trust their instincts and create spaces that resonate deeply with their individual needs. Newlin also provides a detailed, week-long itinerary for experiencing Los Angeles, offering a glimpse into her personal preferences and local favorites. The itinerary covers a range of activities, from active pursuits like rollerblading from Venice to Malibu and hiking in the Vicente Bluffs Reserve, to cultural experiences such as visiting art exhibitions at Hauser & Wirth. Dining recommendations span various cuisines and atmospheres, including Gjusta for baked goods, Ospi Venice for handmade pasta, Blueys Santa Monica for brunch, Le Great Outdoor for farm-to-table fare, Manuela or Bavel in the Arts District, and Broad Street Oyster Company for seafood. The itinerary also includes shopping excursions at Abbot Kinney and ROW DTLA, a nightcap at the DTLA Proper hotel, exploring Culver City's Citizen Public Market, and a day in Malibu with a visit to Cielo Farms for wine tasting. Sundays are reserved for the Brentwood farmers market and Jon & Vinny's for Italian food, showcasing a balance of local exploration, culinary delights, and relaxation. Finally, Newlin dedicates a "shoutout" to her mother, Kathy, acknowledging her as a primary source of inspiration and support. Her mother's pioneering career as one of the first female scientists in STEM, despite facing challenges, serves as a powerful role model for Newlin as a female entrepreneur. This recognition underscores the personal influences that have shaped Newlin's drive and resilience in building her business. #InteriorDesign #SmallBusinessOwner #Entrepreneurship #KAMOStudio #WaltDisneyImagineering #LosAngelesTravel #DesignPhilosophy #FemaleEntrepreneur #BusinessJourney

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions