Manomin Resawn Timbers Reclaims History—One Plank at a Time

The selection of appropriate wood tones is crucial for establishing a harmonious design foundation that complements a home's diverse colors and styles. Sarah Londerville, owner of Manomin Resawn Timbers in Hugo, emphasizes the inherent versatility of wood, noting that the same material can be manipulated to achieve multiple distinct aesthetics. This adaptability allows wood to enhance various architectural styles, including traditional farmhouse, timber-framed cabin, and contemporary homes. Londerville highlights that the flooring serves as the foundational palette from which subsequent design elements are developed. In recent years, light-colored, natural wood tones have gained significant popularity, a shift from the previous trend dominated by gray and white interiors a decade ago. Londerville predicts that blonde and mid-toned brown woods will remain fashionable for the next five years, but she also underscores wood's inherent flexibility to adapt to evolving design preferences. She asserts that individual taste plays a primary role in wood selection, noting that even plain oak can be successfully integrated into a midcentury-modern home when paired with the right colors. The choice between light, natural, and darker tones often hinges on personal preference, with lighter tones imparting warmth and darker tones creating rich contrasts with walls and furnishings. Londerville also observes a growing trend in mixing at least two different wood tones within a single home. Londerville is also recognized for her expertise in reclaimed wood, a material sourced through a meticulous process of salvaging wood from structures such as century-old barns, bridges, and industrial buildings. While reclaimed wood might seem incongruous with modern design elements, Londerville suggests that it can effectively introduce balance to contemporary themes. For those aspiring to a vintage aesthetic, antique oak is recommended, as its rich patina provides a naturally weathered appearance. Conversely, for a more modern ambiance, antique elm can impart an alluring sheen to flooring. Antique ash and maple are also suitable for contemporary designs, often presenting beautiful warm brown hues. This exploration of wood's diverse applications underscores its foundational role in interior design, offering a spectrum of possibilities for homeowners and designers alike. #WoodVersatility #HomeDesign #InteriorDesign #ManominResawnTimbers #ReclaimedWood #WoodTones #BuildingMaterials #DesignTrends #SustainableDesign

The article details the challenges and rewards of restoring historic buildings, focusing on the work of David Sutphen, owner of Southfen Restoration Home Builder and David Sutphen Design. The piece opens with the experience of Robert Voss and Ben Frey, who encountered unexpected complexities while renovating an historic building for their business, John Brown General and Butchery, in the Shawan Valley. Their initial plan for a quick renovation and opening was derailed by the discovery of extensive, outdated plumbing and electrical systems dating back to 1938. Voss credits Sutphen's expertise and passion for older spaces with successfully navigating these challenges. Sutphen's approach to restoration is highlighted as a blend of preserving historic charm while integrating modern functionality. With interior plans from Towson’s ADW Architects, the building housing John Brown General and Butchery was transformed from a dilapidated structure into a modern shop with a second-floor apartment, maintaining its historic character. Sutphen's lifelong interest in historic buildings, sparked by woodworking in high school and exposure to historic homes in Baltimore and the Eastern Shore, has shaped his philosophy. He is praised for his integrity in treating old buildings and his deep knowledge of historical construction methods and materials, as noted by Barbara Voss, Robert Voss's mother, who also worked with Sutphen on her own historic farmhouse. Sutphen emphasizes that restoring older homes requires critical thinking and problem-solving, going beyond mere assembly of parts. He explains his method of imagining himself as the original craftsman of the 18th or 19th century, which simplifies the process and reveals multiple valid solutions to a task. This mindset helps him preserve the building's spirit while incorporating modern conveniences. The article also addresses the importance of managing client expectations, as historic projects often present unforeseen difficulties. Sutphen's experience allows him to provide realistic advice. An example is the restoration of a 200-year-old log cabin in northern Baltimore County, where defects in the log walls only became apparent after cladding removal, necessitating continuous design adjustments. Despite such challenges, historic restorations can lead to pleasant surprises, such as the discovery of hidden stonework in Traill's log cabin, underscoring the value of recognizing and preserving worth-while elements in old structures. Sutphen views the demolition of older homes as a waste, driven by his commitment to preservation. Another project, Tom Spencer's 160-year-old fieldstone farmhouse, was saved from demolition by Sutphen, who completely restored and updated its interior, added an extension and garage, all while meticulously preserving its historic nature. Spencer expresses gratification at living in such a house, recognizing the privilege of residing in a preserved historic home. The article concludes by encouraging readers to visit southfen.com or davidsutphendesign.com for more information on Sutphen's work. #HistoricRestoration #HomeRenovation #ArchitecturalDesign #BuildingPreservation #DavidSutphenDesign #JohnBrownGeneralAndButchery #MarylandArchitecture #HistoricHomes

This article details the journey of Alex Pires, a Washington attorney turned Dewey Beach restaurateur and nightclub owner, and his wife, Diane Cooley, in building their shingle-style cottage in Dewey Beach, Delaware. The project began when Pires purchased a 1920s oceanfront cottage six years prior. Initially, Pires attempted two renovations to bring the cottage in line with the shingle style, inspired by the architecture of Henry Hobson Richardson in his hometown of North Easton, Massachusetts. Dissatisfied with the renovations, Pires and Cooley decided to demolish the existing structure and build a new home that truly reflected their vision. They enlisted long-time friend and architect David Jones of David Jones Architects in Washington, D.C., for the design. The objective was to create a distinctive residence that stood out among the typical developer-built cottages in the area. Jones, who developed an appreciation for historic architecture throughout his career, embraced the challenge of designing a shingle-style dwelling. The project presented unique challenges, including editing Pires's numerous ideas and adhering to height restrictions while maintaining the style's verticality. To ensure historical accuracy and detail, Pires and Cooley researched shingle-style architecture extensively, including touring historic "cottages" in Newport, Rhode Island, designed by pioneers of the style. The shingle style, originating in the Boston area in the 1880s, is characterized by unpainted wooden shingles and a departure from Victorian fussiness, favoring unembellished surfaces, honesty of form, and purity of line. Interiors were designed with fewer, larger rooms to maximize sunlight. Pires compiled photographs of notable architectural details, such as the small, multi-paned windows of Richardson's William Watts Sherman house and the turret inspired by the Isaac Bell House in Newport, designed by McKim, Mead and White. The house, situated on a corner lot, features two facades: a broad gable with a deep porch facing the ocean to the east, and a more vertical tower and gable facing the street and beach path to the north. Forest green trim bands contrast with the sand-colored cedar shingles. Nautical motifs, such as a lighthouse-shaped newel post, are incorporated into the exterior. The main floor is elevated to protect against ocean surges, with breakaway walls on the lowest level for the garage and storage, a design element that allows water to flow through without compromising the structural integrity of the house. This functional and aesthetic approach prevents the common "stranded" appearance of many beach houses built on pilings. Finding a builder capable of executing the intricate design proved difficult, with three companies declining the project. Pires ultimately hired Bob Purcell, known for his craftsmanship, after admiring a home he built in Lewes. Purcell accepted the job, committing to Jones's insistence on an entirely wooden construction, which is rare in modern building practices. The detailed design earned architect David Jones a 2008 national Palladio Award for best new house under 5,000 square feet. For the interiors, Pires and Cooley collaborated with Pinehurst, North Carolina-based designer Brenda Lyne, impressed by her work at the Bellmoor Inn. While Cooley initially desired a less formal style, she appreciated Lyne's ability to combine elegance with durability suitable for a beach house. The interiors feature a neutral palette with blond Australian cypress flooring and white painted wood paneling. The main level's living-dining room, facing the beachfront, is furnished with white linen slipcovered sofas, Asian-themed accents in blue, and contemporary local art. A screened-in wrap-around porch includes a hot tub and ocean views. The kitchen, though compact, is highly functional with a bead board-covered island, cream-colored cabinets concealing appliances, and blue Bahia granite countertops. Pires's office, in contrast to the breezy aesthetic of the rest of the house, features dark walnut paneling, plantation shutters, and built-in library shelving, displaying his collection of boxing memorabilia. The second floor includes an office-sitting area, a guest room, a bedroom for Pires's daughter, and a master bedroom with ocean views from the turret. Pires reflects on the project, stating their goal was not merely to build a large house but a well-designed and crafted home, honoring American architectural history while creating a lasting, beloved residence. #HomeDesign #CoastalArchitecture #ShingleStyle #HistoricPreservation #DeweyBeach #ArchitecturalDesign #InteriorDesign #OceanfrontHome #CustomBuilt

Wood floors are experiencing a significant resurgence in popularity among homeowners, driven by a wide array of options in style, color, and wood species, as well as their inherent durability, sustainability, and ease of installation. This renewed interest positions wood flooring as a premium choice in home decoration. The National Association of REALTORS® and National Association of the Remodeling Industry's 2022 Remodeling Impact Report highlights the financial benefit of installing wood floors, noting a 147% return on investment, underscoring their value for homeowners and sellers alike. Before listing a home, sellers might consider enhancing their wood floors to maximize this appeal. Choosing the right wood flooring involves several key considerations. Homeowners must decide between solid and engineered wood, each offering distinct advantages. Solid wood, traditionally more expensive, allows for multiple refinishes due to its uniform composition, while engineered wood, though often more budget-friendly, has a limited number of refinishes because of its thin hardwood veneer. Engineered flooring is praised for its enhanced stability, attributed to its multi-layered construction that resists expansion and contraction from temperature changes, making it suitable for various climates and rooms. The price point varies significantly based on factors such as construction type, wear layer thickness, board dimensions, and wood species, with some engineered options costing as much as or more than certain hardwoods. Current trends lean towards wider and longer boards, which impart a modern and luxurious aesthetic. Designers commonly prefer widths of at least 7 inches and lengths of 12 feet or more to create a visually appealing, seamless look. Color preferences also evolve with broader home furnishing trends; light tan or brown stains on natural or white oak are popular, particularly in Midwestern regions, with red oak also gaining traction. While some homeowners still favor the darker characteristics of woods like hickory for their contrast against white walls, it is noted that darker floors can more readily show dirt and dust. An emerging trend involves painting or staining wood floors in unconventional colors, like dark blue, to differentiate spaces and offer a cost-effective alternative to replacing existing flooring. Wood species selection is often influenced by regional availability, cost, and hardness. Southern clients frequently opt for harder woods such as maple and walnut due to their less busy grain patterns and versatility with various stains and finishes. In contrast, homeowners in the Northeast often choose maple, white oak, and red oak. Finish trends indicate a preference for a lower satin sheen over a glossy one, as satin finishes are more forgiving of dirt and scratches. Reclaimed wood and intricate decorative patterns like herringbone and chevron are also seeing renewed interest, though their installation can be costly due to limited availability and complexity. Maintaining wood floors is generally straightforward, requiring occasional cleaning with mild soap and water. A new coat of finish every few years is recommended to protect against normal wear and tear, and hardwood floors may need resanding every 10 to 15 years. While pets or standing water can cause damage, wood floors remain a natural, classic material that sets a high standard in home interiors. For those with budget constraints, cost-effective yet attractive flooring options are available, including luxury vinyl planks or tile, which are durable, easy to clean, and come in designs mimicking natural materials. Carpet and area rugs also provide warmth, define spaces, and can complement wood or stone flooring, particularly in colder climates or as decorative accents. #WoodFlooring #HomeDesignTrends #InteriorDecoration #RealEstateInvestment #FlooringOptions #HardwoodCare #Remodeling

Christine Becker, owner of Woven Inspiration, an interior design studio, has carved a niche in the preservation of historic properties, particularly gilded mansions, through specialized upholstery and fabric work. Her journey into design began in Verona, Italy, and Greenwich Village, N.Y., where she developed an early appreciation for architecture and hands-on craftsmanship, heavily influenced by her grandmother and mother who sewed and upholstered. She later formalized her skills through trade courses and opened her first shop, Upholstery Plus Fabrics, in Houston in 1988. Becker's passion for gilded mansions led her to relocate to Galveston, Texas, an area rich with such historical structures. Her studio, Woven Inspiration, specializes in intricate projects that demand historical accuracy and meticulous craftsmanship. A notable example is the 2018 renovation of the 1892 Bishop’s Palace in Galveston, a National Historic Landmark. This project involved reupholstering the walls and furniture in the music and gold rooms. For the music room, Becker and her team sourced 50 yards of silk damask from France, matching a very specific silver shade. The gold room required 68 yards of gold Scalamandré silk from Italy, featuring a Newport leaf pattern carefully matched to the existing stained glass windows. These material selections involved extensive research, consultation with the Galveston Historical Foundation, and a year-long process of sampling and matching with mills across Europe to ensure historical authenticity and a 'wow' effect for visitors. The installation phase of such projects highlights the demanding nature of the work. Becker's team employs industrial sewing machines to join fabric patterns, applies custom liners for moisture protection, and uses specialized adhesives and cording to secure the silk. The process for the gold room alone took six days with five people, demonstrating the intensity of the manual labor and precision required. Becker emphasizes the rarity of such 'serious craftsmanship' today, noting the need for pattern matching without computer assistance and an extremely keen eye for detail. Despite considering herself semi-retired, Becker's commitment to preservation keeps her engaged in significant projects. Her work at the Bishop’s Palace led to further collaborations with the Galveston Historical Foundation, including the reupholstery of the captain’s quarters in the 1877 tall ship ELISSA and the installation of a striped Scalamandré silk wall in the W. H. Stark House, a Victorian home in Orange, Texas. Beyond historical landmarks, Woven Inspiration also restores individual clients' antiques and heirlooms and undertakes contemporary coastal condo designs, reflecting the diverse nature of her business. Becker is acutely aware of the dwindling number of skilled craftspeople in the sewing industry. She maintains a high standard for her team, requiring a minimum of 15 years of experience and specialized skills like tufting. Many of her employees boast 30 to 40 years of experience. To address the decline, she actively works with local schools to introduce younger generations to upholstery and the broader textile arts, hoping to preserve these dying crafts. Her business also integrates repurposed materials, such as wood from a salvage yard, to create unique furniture pieces that resonate with the art of preservation. Becker views her work as a 'heartfelt business,' focusing on helping clients make informed design choices that align with their families' needs and the character of their homes. #HistoricalPreservation #InteriorDesign #Upholstery #TextileCraftsmanship #GildedAgeMansions #FabricSourcing #RestorationProjects #SkillPreservation

Los Angeles County outlines a streamlined rebuilding process for residents affected by wildfires, establishing one-stop permit centers to assist with navigation. Construction cannot commence until debris removal is complete, but residents are encouraged to apply for necessary permits as soon as they are ready. A guide titled "The Road to Rebuilding" helps residents understand the steps involved in the complex rebuilding process after a wildfire, including an animated video overview. Key rebuilding highlights include scheduling appointments at one-stop permit centers, applying for building or fire debris removal permits, learning about like-for-like rebuild options, obtaining temporary housing permits, and utilizing mapping resources. Information is also available for navigating manufactured and factory-built homes. The article addresses frequently asked questions related to fire rebuilds, covering topics such as what to expect, permitting timelines, and fees. A "like-for-like" rebuild, as defined by the Zoning Code, involves a replacement structure that is the same size, in the same location, and for the same use as the previous one. In the Palisades Fire affected area, modifications that do not increase floor area, size, height, or building footprint by more than 10% are allowed. In the Eaton Fire affected area, modifications can increase these aspects by up to 10% or 200 square feet, whichever is greater. These structures can have different internal floor plans or be smaller and do not need to comply with current Zoning Code requirements but must adhere to current Building, Fire, and Health and Safety Codes. The timeline for rebuilding is not definitive, with applications for temporary housing and like-for-like rebuilds generally required within two years of an emergency declaration. Extensions may be granted, but building permits expire if construction doesn't begin within 12 months. The duration of the permitting process varies based on project complexity, with expedited services for like-for-like rebuilds and pre-approved plans. More complex projects will still be expedited, with initial reviews within 10 business days and rechecks within 5 business days for Regional Planning. Additional agency approvals, such as a water agency "Will-Serve" letter, are usually required before a building permit can be issued. Minimum submittal requirements include one application with architectural plans and property ownership information to initiate review, with additional materials like structural and energy plans requested later. A debris removal permit is only necessary if homeowners opt out of the government-assisted program. Reusing existing foundations requires evaluation by an engineering consultant, ensuring the foundation meets current building code requirements after thorough testing and forensic analysis. Demolition permits are not required for those in the government's debris removal program if the foundation remains. The article also addresses specific code requirements, including exemptions and waivers for certain like-for-like rebuild projects in the Eaton Fire area, such as electric vehicle-ready infrastructure, cool roof requirements, graywater-ready plumbing systems, and low impact development (LID) requirements for buildings constructed before 2009. LID requirements are not waived in the Palisades area. Guidance is provided on cross-lot drainage and the process for determining previous square footage and available construction plans. Pre-approved building plans are available for homeowners, and solar panels are no longer mandatory but homes must be solar-ready. Fire sprinklers are required by current codes, and while new buildings must be electric-ready, gas appliances are still permitted. Wood-burning chimneys are now allowed for fire rebuild projects. Information on property tagging ("Yellow" or "Red" tags) provides details on access restrictions and safety concerns, with contact information for local Building and Safety District Offices and One-Stop Permit Centers. Temporary housing, including RVs, manufactured homes, or mobilehomes, is allowed with proper connections, and approvals expire two years after the emergency declaration, with possible extensions. Manufactured and factory-built homes can serve as permanent replacement structures if they meet fire-resistant construction requirements and are installed on a continuous concrete footing. Building new Accessory Dwelling Units (ADUs) is permitted as temporary housing while the primary dwelling is rebuilt, with expedited permitting and compliance with current codes. Utility-related questions cover septic systems, sewer connections, and undergrounding utilities. Existing septic systems can be reused if in good working order for like-for-like rebuilds, but upgrades are required if wastewater flow increases. Connection to county sewer lines is mandated if a property is within 200 linear feet of a sewer main and repair of a septic system is needed. Homeowners are responsible for the cost of lateral connections to underground utilities. The County supports the creation of community-driven sewer districts and clarifies that Public Health Department management keeps all inspectors informed of changes regarding septic, cesspool, and sewer systems. Incorporating greywater systems is encouraged for environmental benefits, though specific policies for new ADUs are still developing. Regarding swimming pools and spas, temporary fencing is required if existing barriers are damaged, and debris removal from pools is covered by the U.S. Army Corps of Engineers if within the ash footprint. Draining pools to the sewer requires a permit and specific conditions, otherwise, private water haulers must be hired. The rights of new buyers are also addressed, clarifying that while temporary housing eligibility is tied to prior residency, expedited permitting is available to all within two years of the emergency declaration, regardless of property ownership changes. Lastly, contact information for one-stop locations and various rebuilding resources for different cities within Los Angeles County are provided, including links for FEMA assistance, disaster loans, tax relief, and insurance claims. #WildfireRecovery #RebuildingProcess #LAcountyPermits #TemporaryHousing #LikeForLikeRebuilds #BuildingCodes #SepticSystems #SewerConnections #DisasterAssistance

Steve Smith, a former history major and grant writer, transitioned to a career in hand-hewn timber craftsmanship after being inspired by Eric Sloane's "A Reverence for Wood." Initially lacking experience, he ordered a Bulgarian broad axe and began learning the traditional technique of hand-hewing. This shift led him to establish Renaissance Timber, a company specializing in crafting hand-hewn mantels and beams from both reclaimed and freshly felled wood. Smith's work is characterized by a dedication to historical techniques and a deep appreciation for the inherent qualities of wood. When working with reclaimed barn wood, he prioritizes preserving its natural character, including nail holes, checking, scoring marks, and patina. His process is intentionally minimal, involving gentle cleaning with a wire brush, light sanding, and a protective finish of Briwax to maintain the wood's authentic appearance. Crafting with freshly felled logs presents a distinct set of challenges. Living in Maine, a state abundant in forests, Smith has access to a plentiful supply of timber. However, he emphasizes that successful hand-hewing goes beyond mere technique; it begins with proper log selection. Early in his career, he discovered that selecting the right log significantly impacts efficiency and the quality of the final product, noting that approximately half of the success in hand-hewing depends on this initial choice. Being selective about the logs he uses allows him to work more efficiently and produce superior results. Renaissance Timber's client base includes a notable proportion of millennials, who are drawn to the historical aspect of Smith's work and its connection to agricultural heritage. This interest reflects a broader appreciation for traditional craftsmanship and the story embedded within each piece of timber. Through his commitment to these centuries-old methods, Steve Smith not only creates unique timber products but also plays a role in preserving and celebrating historical building practices. His journey exemplifies a personal and professional transformation, moving from an academic and administrative background to a hands-on craft. The meticulous attention to detail and reverence for materials are central to his business, offering custom timber elements that embody a sense of history and artisan quality for modern homes. #HandHewnTimber #Craftsmanship #ReclaimedWood #TraditionalTechniques #TimberFraming #Woodworking #HomeDesign #Artisan #MaineCraftsmen

For several years, light wood tones have been a dominant feature in interior design, creating bright, open, and modern spaces. Shades such as pale white oaks, ash, and blonde maple have been particularly popular. However, there is a noticeable shift occurring, with a growing interest in darker, more dramatic wood tones as 2025 progresses. This article explores the resurgence of dark wood in home interiors. Light, natural-toned wood floors have been a perennial favorite, reflecting light effectively and making smaller rooms appear more spacious. They have also harmonized well with the minimalist aesthetic that characterized the past decade. Furniture brands like West Elm and CB2, along with Scandinavian and modern interior trends, have further solidified the presence of pale wood flooring and furniture, with companies like IKEA maintaining this aesthetic. Despite the long reign of light and airy interiors, consumer preferences are evolving. There is an increasing eco-consciousness, leading to a greater appreciation for high-quality, solid wood antiques and vintage pieces. Many of these items feature richer, darker tones and demonstrate superior craftsmanship. Simultaneously, a desire for warmth and visual depth in living spaces is becoming more pronounced. Designers and homeowners are increasingly incorporating walnut, chocolate brown, espresso, and other deep finishes, not only for flooring but also for cabinetry and architectural wood details. The trend extends to a revival of wood-paneled walls. Publications such as Architectural Digest have documented this transition, noting a move away from pale woods towards darker stains that establish a strong foundation in a room, adding intention, sophistication, and emotional depth to interiors. The return to dark wood is influenced by several factors. The growing appreciation for contrast in interiors, seen across social media platforms and among design professionals, is a key driver. Pairing dark wood floors with light, neutral walls creates a balanced and elevated aesthetic, offering a refreshing alternative to the all-light, all-bright styles of previous years. Some designers are even embracing a comprehensive “moody” aesthetic, combining dark floors, dark wood furniture, and deep wall colors to create immersive and atmospheric environments. As the popularity of all-white kitchens wanes, dark wood cabinetry is being used to reintroduce warmth, character, and visual interest. Dark wood evokes feelings of warmth, intimacy, and timelessness, making a bold statement while creating spaces that feel grounded, luxurious, and carefully layered. Furthermore, as deeper paint colors gain traction, there is a natural demand for furniture and flooring that complement these richer, more dramatic palettes. Integrating dark wood into a home can be achieved in various ways. Antique stores offer a wealth of well-crafted pieces, often in the sought-after walnut and espresso tones. For those hesitant to fully commit, starting with accent pieces like chairs, side tables, or vintage dressers can be an effective approach. More significant transformations can involve updating floors or cabinetry. Existing wood floors can be refinished with a deeper stain. Dark wood floors are particularly impactful in open living areas, formal dining rooms, home offices, and bedrooms. It is important to note that deeper stains may highlight dust, pet hair, and scratches more readily. However, the warmth and elegance they impart often outweigh the additional upkeep. It is not necessary to adopt a fully moody interior; dark furniture can create a striking contrast against light walls without overpowering the room. For those who prefer a middle ground, mid-toned woods like oak, maple, and walnut offer a compelling compromise. These finishes provide a warm, inviting hue without leaning into either extreme of light or dark. Their flexibility is highly valued, offering sufficient warmth without dominating or quickly becoming dated. While blonde woods remain a timeless option, darker wood is experiencing a significant resurgence, presenting a richer, warmer, and more textured aesthetic that brings depth, grounding, and sophistication to interiors. Dark wood encourages layering, contrast, and visual interest, resulting in intimate, luxurious, and thoughtfully designed spaces. Whether incorporated as a single accent piece, a statement floor, or dark cabinetry, these tones offer versatility, enduring appeal, and a method for creating a truly anchored home. Ultimately, the embrace of darker wood represents more than just a trend; it is a way to infuse warmth, personality, and a sense of drama into any room. #DarkWood #InteriorDesign #HomeDecor #WoodFlooring #Cabinetry #DesignTrends #VintageFurniture #ModernInteriors #HomeRenovation