Zhongli Peng's Residence / WEN Architect

Local House, completed in 2022, is a contemporary and sustainable residence situated within the historically significant Mount Eagle Estate in Eaglemont, Australia. Designed by Zen Architects, the project reinterprets the architectural character of the suburb while integrating seamlessly with its meticulously landscaped environment. The Mount Eagle Estate, originally planned and designed by Marion Mahoney and Walter Burley Griffin in 1915, is known for its winding roads and community parklands that follow the natural topography, with dwellings designed to be secondary to the natural landscape. The Griffins, proponents of modern architecture, advocated for designs free from stylistic precedents. This historical context informed the architectural approach for Local House, adhering to the estate's guidelines which encourage modern designs while complying with heritage, landscape, and vegetation protection overlays. The residence spans 214 square meters and was constructed by CBD Contracting Group. Key materials used in its construction include wood, concrete, and brick, contributing to its sustainable and contextual design. The architectural team was led by Ric Zen as the Design Architect, with Luke Rhodes as the Project Architect, and Madeleiene Ingham and Sanderson Bell serving as Architectural Assistants. OPS Engineers provided the engineering expertise for the project. The design prioritizes harmony with the natural surroundings, a core principle of the Mount Eagle Estate. This is evident in the integration of the house with its garden and facade, featuring numerous windows that allow for ample natural light and views of the landscape. The interior spaces are designed with a focus on natural materials, incorporating wooden elements, exposed beams, and thoughtful layouts that enhance functionality and aesthetic appeal. The presence of large windows throughout the house, including in living areas, bedrooms, and bathrooms, highlights the connection between indoor and outdoor environments. Courtyards and patio areas further extend the living space into the garden, providing opportunities for outdoor enjoyment and interaction with the natural setting. Interior photography showcases various rooms, including living areas with wooden tables and chairs, a kitchen with contemporary countertops and shelving, and bedrooms designed for comfort and natural light. The bathroom features modern fixtures and large windows, reinforcing the bright and open aesthetic. The overall design emphasizes a minimalist yet warm ambiance, achieved through the careful selection of materials and the strategic use of natural light. The project successfully balances modern architectural principles with the historical and environmental sensitivities of the Mount Eagle Estate, creating a dwelling that is both innovative and respectful of its unique context. #ResidentialArchitecture #SustainableDesign #ModernArchitecture #MountEagleEstate #ZenArchitects #Melbourne #Australia #ContemporaryHouse #EnvironmentalIntegration

This article details the design and construction of Local House, a new home in Eaglemont, Melbourne, created by Zen Architects for homeowners Eleneth and Peter. The project aimed to accommodate the couple as they age, allowing them to remain in their community while sensitively responding to the historically significant Mount Eagle Estate, designed by Walter Burley and Marion Mahony Griffin in 1914. The estate's original garden suburb ideology, characterized by curving streets and shared garden access, heavily influenced the new home's design. The clients, having lived on their block for 32 years, sought a home that would be suitable for their next stage of life after their children had moved out. The brief emphasized a house similar in accommodation and size to others in the area, yet flexible enough to meet changing needs, particularly mobility concerns for aging in place. Zen Architects responded by retaining the entire front garden and positioning the house further back on the site to enhance street appeal and create more "breathing room." The strategic placement of the home on the flattest part of the site minimized excavation, facilitating single-level living. The resulting residence is smaller than its predecessor, returning nearly 100 square meters to the garden, and efficiently planned for two people, with a dedicated wing for visiting family. A central aspect of Local House is its deep connection to the landscape. The design incorporates windows of varying sizes and scales throughout the home, offering diverse views of the surrounding gardens. Some windows are tall and narrow, framing intimate garden scenes, while others are positioned higher to capture expansive views of the sky and mature trees. This deliberate approach creates an immersive experience, allowing occupants to feel deeply connected to the natural environment. The careful siting also achieved a balance between privacy and expansive outlooks, with the house positioned on a gentle slope to ensure privacy from the street while maximizing scenic vistas. The material palette of Local House draws inspiration from the local Art Deco architecture. Slate stone flooring extends from the courtyard into the living spaces, providing a tactile connection to the outdoors and incorporating in-floor heating for modern comfort. The exterior and some internal walls feature a rough, hand-thrown troweled render, a distinctive finish that required precise application by a single artisan to ensure consistency. This render, combined with recycled brick and timber, aligns with the material character of neighboring homes. The landscape design, initially developed by Jo Russell-Clarke and Vivid Landscapes, was ultimately cultivated by Eleneth and Cath and Ross Bennie from Green Schemes. This collaborative effort resulted in an evolving garden that embraces various microclimates, moving away from traditional rigid designs towards a dynamic and diverse landscape. The project successfully navigates site constraints, including significant vegetation and heritage overlays, to create a home that is not only respectful of the Griffin masterplan but also profoundly celebrates its natural setting. #ResidentialArchitecture #AgingInPlace #GardenSuburbDesign #LandscapeIntegration #SustainableDesign #Eaglemont #ZenArchitects #MelbourneHomes #Materiality

This article explores the tranquil and thoughtfully designed home of Dave Wheaton and Melodee Meyer, founders of Martial Arts Family Fitness in Santa Barbara. The property, located at 1825 Stanwood Drive, is characterized by its seamless integration of indoor and outdoor spaces, reflecting a 'zen sanctuary' aesthetic that is both contemporary and influenced by Eastern designs. The house sits on an acre of land, featuring two distinct entrances. One entrance off Stanwood Drive includes a bridge over a stream leading to the front door, while another off Conejo Road features a wooden gate, bamboo fence, and Chinese dragon statues, opening into a lush courtyard with a bubbling stone fountain. This courtyard, with its fern-filled landscape, serves as Melodee's personal tropical retreat, inspired by her and Dave's time in Hawai‘i. Throughout the grounds, stone statues, many sourced from Bali, are strategically placed, enhancing the unique and serene outdoor environment. Inside, the home opens with a double-high glass front door, complemented by an original light fixture from The Biltmore hotel, leading into a red-walled foyer. Three steps descend into a spacious yet cozy living room, distinguished by vaulted ceilings, skylights, an elegant gray fireplace, and expansive floor-to-ceiling windows. Hidden features, such as a painting that slides away to reveal a television screen and a climate-controlled wine cellar concealed behind a closet door, demonstrate a blend of artistic design and practical functionality. The kitchen and its adjacent dining area are designed for entertaining, featuring bamboo floors that extend from the living room. The kitchen is equipped with stainless-steel appliances, soapstone countertops, a long breakfast bar, and a large island, all accented by a subway-tiled backsplash, dramatic lighting, and a red accent wall that ties into the entryway's color scheme. The master bedroom suite, located in a separate wing on the first floor, offers luxurious amenities, including 'his and hers' closets, a bathroom with a Jacuzzi tub, a cozy window seat, and a redwood sauna. A private deck accessible from the master suite features a hot tub, ideal for stargazing. The upper level provides additional family space or office options with two more bedrooms and bathrooms. The home encompasses a total of three bedrooms and three and a half bathrooms, incorporating modern upgrades like solar power and radiant floor heating, alongside practical elements such as a conveniently located laundry room near the master suite, all contributing to an effortlessly enjoyable living experience. The outdoor spaces are a significant highlight, featuring winding paths through succulent gardens, past boulders, and various fruit trees, including persimmon, pomegranate, and avocado. The multi-level grounds are meticulously landscaped with walls and pathways, creating secluded nooks and hideaways perfect for relaxation. Several gazebos and a pergola offer additional shaded areas, while a stairway leads to a private spot by the creek. A large, terraced outdoor dining area, conveniently situated near the kitchen, is designed for extended use throughout the year. A walled alcove with seating around a gas fire pit provides an intimate setting for social gatherings. The property at 1825 Stanwood Drive is presented as a distinctive sanctuary, currently available for sale through Bartron Real Estate Group of Berkshire Hathaway HomeServices California Properties. #HomeDesign #ZenSanctuary #SantaBarbaraRealEstate #MartialArtsFamilyFitness #OutdoorLiving #ContemporaryDesign #AsianInfluences #LuxuryHome

The Youkong Living Room, a project designed by Wutopia Lab for Vanke Midwest, completed its construction in Chengdu's Go Mall in February 2019. This project addresses the common issue in Chinese residential districts, known as "Xiao Qu," where highly similar spatial layouts result in a lack of communal spaces and hinder community building among residents. The design by Wutopia Lab aims to transform this conventional living model by introducing a dynamic and interactive communal hub that fosters social interaction and a sense of belonging. The project covers an area of 345 square meters and was photographed by CreatAR Images. The architectural design was led by Principle Architect Ting Yu and Project Architect Liran Sun, with support from the design team including Haoyang Li. The decoration design was handled by Qianmo Interior Design, specifically Baomo Zeng. The light counseling was provided by Chloe Zhang. The owner of the project is Chengdu Vanke, and it is located in Chengdu, Sichuan, China. The primary materials used in the construction include glass, steel, and concrete, which contribute to its modern aesthetic and structural integrity. Wutopia Lab's approach to the Youkong Living Room challenges the traditional enclosed residential district model, which often isolates residents despite their close proximity. The design seeks to create a vibrant public space that encourages residents to gather, interact, and build a stronger community. This initiative reflects a growing recognition of the importance of social infrastructure within urban residential developments, aiming to counteract the anonymity often found in high-density living environments. The communal living room is envisioned as a flexible and adaptable space, capable of accommodating various activities and events. Its interior design elements, including furniture and shelving, are likely chosen to support a range of social functions, from casual meetings to organized community events. The use of specific materials like glass, steel, and concrete suggests a contemporary and durable design, emphasizing both functionality and aesthetic appeal. The project's location within a mall also implies an intention to integrate community life with urban commercial activity, making it easily accessible to a wider public while serving the immediate residential area. Overall, the Blue Heart - Youkong Living Room project represents an innovative solution to the challenges of modern urban living in China. By prioritizing communal space and fostering social interaction, Wutopia Lab aims to redefine the living experience within residential districts, creating a more connected and engaged community.

The Star House, a 6,600-square-foot single-family residence in Kaohsiung, Taiwan, designed by Atelier Gratia principal Grace Ming-En Chang, presents a unique blend of fortress-like protection and open, airy living. This inward-gazing structure was conceived to offer a sense of refuge amidst the dense urban environment. From the street, the home appears as a faceted concrete monolith, providing a robust and private exterior. However, once inside, the design reveals an open and airy layout centered around a private courtyard. Every room in the residence benefits from a view of this central sanctuary through full-height glass walls. Many of these glass panels are designed to slide open, providing direct access to decks or balconies, thereby seamlessly connecting the interior with the outdoor spaces. The focal point of the courtyard is a ground-floor Zen garden, which pays homage to Japanese aesthetics and culture, reflecting the homeowner's past residency in Japan. Chang explains that this garden utilizes geometric principles to symbolize an idealized vision of heaven. A striking feature of the Zen garden is a single, sculptural pine tree that emerges from the center of an infinity-edge reflecting pool. This pool is also home to koi, adding a dynamic and tranquil element to the space. An iris-lined path gracefully leads from the courtyard to the backyard, which is lushly forested with bamboo and ferns, further enhancing the connection to nature. The integration of greenery extends to the rooftop, where the landscape transitions into a more wild and free-form style. This rooftop garden is described by Chang as a “gesture of giving back to nature.” A prairie of tropical grass covers the roof, playing a crucial role in the home's environmental performance. This grass is irrigated using recirculated rainwater, contributing to water conservation efforts. Beyond its aesthetic appeal, the rooftop vegetation serves a functional purpose by helping to block the harsh sun, thereby cooling the interior temperature of the home. The lawn is interspersed with various shrubs and fragrant native flora, including rosemary, jasmine, and lantana. These plants have not only beautified the space but have also quickly attracted local wildlife, turning the rooftop into a haven for butterflies and birds, thus creating an unexpected oasis within the urban landscape of Kaohsiung. The project was a 2022 Best of Year Winner for Residential Landscape, highlighting its innovative design and successful execution in blending urban living with natural tranquility. The design exemplifies how architectural planning can create a serene and private environment within a bustling city, using thoughtful landscaping and a strategic layout to achieve both aesthetic beauty and functional benefits. #AtelierGratia #ZenGarden #ResidentialLandscape #TaiwanDesign #CourtyardHouse #SustainableDesign #UrbanOasis #ArchitecturalInnovation

Chencong Zhang, an interior designer and spatial experience designer, embarked on her creative journey driven by a deep desire to create spaces that evoke a sense of belonging. Her personal experience of longing for comfort and familiarity, stemming from being away from her family since the age of 11 and being unable to see them for over 4.5 years due to the pandemic, fueled this aspiration. Initially, Zhang pursued civil engineering as an undergraduate, a popular field in China at the time. However, after two years, she realized it was not her true calling and took a gap year to explore modern arts, design, and other creative avenues. This period ignited an urge to pursue work that resonated emotionally and could impact others' feelings positively. Her first significant step into interior design came in 2015 when she had the opportunity to work on a 7000 sq ft office in Shanghai. The project's goal was to create a comfortable, communicative working environment that seamlessly integrated with its spacious outdoor terrace. Zhang's creative input, particularly her use of colors and materials in material boards and Photoshop renderings, was highly praised. She also collaborated on designing and installing a ceiling installation made of stone and wood, a challenging but rewarding experience that solidified her passion for design. In 2016, Zhang officially began her interior design education at RISD (Rhode Island School of Design). There, she learned about transforming old spaces, gaining inspiration from successful case studies, and connecting with like-minded peers and professors. A pivotal experience was a 2018 visit to Morocco with the Architecture and Ceramics department, where she immersed herself in Islamic art, rich colors, and intricate patterns. This trip, and the subsequent creation of pieces reflecting cross-cultural exchange, broadened her perspective and reinforced the impact of cultural fusion in design. Zhang views storytelling as the core magic behind creating distinctive and tailored spaces. She emphasizes that interior design is about imbuing spaces with personality and crafting a journey for occupants. Her process involves extensive research and imaginative exploration of possibilities. She cites a hotel rooftop design project in Miami, where she integrated elements inspired by the local subtropical climate, lush landscapes, and Bahamian murals, resulting in a bold and unique space that garnered positive online reviews. Zhang attributes her ability to be a good storyteller of spaces to her sensitive nature, which allows her to deeply feel and, in turn, enable others to feel. Her time at RISD, interacting with artists from various disciplines like digital art, glassmaking, furniture design, and textiles, further enriched her understanding of different media and their application in expressing a space's personality. While acknowledging the challenges of bringing creative designs to fruition, including time, cost, and durability, Zhang highlights the importance of problem-solving. Her experience leading the construction administration for a 200-key, $50 million hotel renovation project taught her invaluable lessons in collaboration with consultants, contractors, and clients, and in making informed compromises to deliver high-quality results. She defines her role as a designer as helping clients realize their dreams, emphasizing listening to their needs, offering options, and respecting their perspectives. Zhang's personal journey underscores the message of following one's heart to discover one's true self and purpose. #InteriorDesign #SpatialExperienceDesign #CreativeJourney #StorytellingInDesign #RISDAlumni #CulturalExchange #ProjectManagement #DesignPhilosophy #Entrepreneurship

This article highlights the Singapore apartment, The Rasidence, a spacious, Zen-like interior designed by Alex Liu of Right Angle Studio. The 1,570 sq ft duplex apartment, located in the Bishan neighbourhood, showcases a harmonious blend of Scandinavian and Japanese design principles, creating a calm and cocooning urban sanctuary. Liu's approach defies the common pitfalls faced by designers creating their own homes, demonstrating a disciplined serenity throughout the project. The exterior of the apartment block is nondescript, offering no hint of the refined interiors within. The three-bedroom, three-bathroom apartment features an artful mix of design elements, including Fritz Hansen 'Grand Prix' dining chairs, a 'Cuba' chair by Carl Hansen & Son, and an oversized marble and limestone fruit bowl by John Pawson for When Objects Work. These pieces are strategically placed to enhance the apartment's serene atmosphere. Further enhancing the Zen aesthetic, low-slung futon beds and deeply set couch benches are framed by translucent sliding shoji doors and windows crafted from solid ash. These open to views of green treetops, integrating nature into the living space. A standout feature is an air-well that extends through the second floor, complemented by a faux skylight and a Japanese maple, creating a light-washed, tropical Japanese fantasy. The material palette further supports the apartment's concept, utilizing oak laminate for all joinery work, porcelain tiled floors, sintered stone for the kitchen countertop, and travertine and stucco for walls and display niches. These materials contribute to the overall tactile and visual tranquility of the space. The project was not without its challenges, particularly the wall area behind the dining room, which required nine reworkings. Liu explained that initial drafts restricted spatial flow, leading to the reorientation of the staircase. This adjustment allowed for the integration of a display pantry with the physical wall, optimizing movement within the apartment. The staircase reorientation also posed a new problem: its original landing directly in the dining room. Through multiple on-site experiments and simulations, the team concealed the last two steps within a raised bench, enhancing traffic flow in the confined space. This meticulous problem-solving approach is characteristic of Right Angle Studio, founded by Alex Liu and his brother Jay in 2012. The studio’s diverse portfolio includes residential homes, a bakery cafe, a jewellery atelier, and a public reading room, each project reflecting the same bespoke and quietly satisfying design philosophy evident in The Rasidence apartment. #SingaporeApartment #ZenDesign #RightAngleStudio #InteriorDesign #ResidentialArchitecture #ScandinavianJapanese #DuplexApartment #AlexLiu #UrbanHaven

In 2014, China launched a home reconstruction program named "Dream Home," which enlisted architects and interior designers to tackle various issues in old houses. These homes often suffered from irregular shapes, cramped spaces, or insufficient natural light. The program's core philosophy revolved around human-centered design, emphasizing respect for residents, fostering human relationships, and redefining the concept of "home." These renovation projects aimed to provide more than just updated living spaces; they sought to offer residents a renewed sense of dignity and an improved quality of life. One featured project, "A Home in the Gap" by Pingyuan Design, addresses common challenges found in urban dwellings. The article presents a collection of 12 distinct remodeling ideas, each illustrating innovative solutions to prevalent housing problems in China. These solutions often involve creative spatial reconfigurations, optimization of natural light and ventilation, and the integration of versatile, multi-functional elements to maximize limited square footage. The designs presented showcase how architectural intervention can transform seemingly insurmountable housing difficulties into comfortable and functional living environments. The featured designs highlight several recurring themes and design strategies. These include the imaginative use of vertical space, the incorporation of adaptable furniture and partitions to create flexible layouts, and the strategic placement of windows and skylights to enhance natural illumination. Many projects demonstrate a commitment to sustainability by repurposing existing structures and materials, and by integrating passive design principles. The architects involved often focused on improving social interactions within the home, such as designing communal areas that encourage family engagement and provide opportunities for connection with the outside world. The article also touches upon the broader societal implications of such remodeling initiatives. By transforming dilapidated or dysfunctional homes, the program not only addresses individual housing needs but also contributes to the revitalization of urban areas and the preservation of community character. The projects reflect a growing awareness of the importance of well-designed residential spaces in promoting physical and mental well-being. Ultimately, these remodeling ideas aim to demonstrate that thoughtful design can profoundly impact the lives of residents, turning challenging living situations into inspiring and supportive homes. #ChineseArchitecture #HomeRemodeling #HousingSolutions #UrbanRenovation #SustainableDesign #InteriorDesign #ArchitecturalInnovation #ResidentialArchitecture #SmallSpaceDesign

This article presents the 'House in Tama' project, designed by Cheng Hao Chung Architect, located on the border of Kanagawa and Tokyo, Japan. The house is situated on the southern slope of a hill, offering ample sunlight and a clear atmosphere, despite being in a dense residential neighborhood. The design approach for this 116 square meter residence, completed in 2024, focused on integrating with the natural topography and maximizing light and views while ensuring privacy and comfort for the inhabitants. The architectural concept emphasizes a multi-layered structure that adapts to the sloping site. The design creates a sequence of distinct yet interconnected spaces, each with its own relationship to the exterior environment. The architects utilized a combination of concrete, wood, and glass as primary materials, contributing to both the structural integrity and the aesthetic of the house. Concrete provides a robust foundation and defines the main volumes, while wood introduces warmth and texture in interior finishes. Large glass panels are strategically placed to blur the boundaries between indoor and outdoor spaces, allowing natural light to penetrate deeply into the living areas and offering framed views of the surrounding landscape and the distant Buddhist cemetery. A key aspect of the design is the careful consideration of the site's unique characteristics. The building form responds to the contours of the hill, creating a stepped profile that minimizes its visual impact and blends with the terrain. The internal layout is organized to take advantage of the southern orientation for optimal sunlight exposure and to create a comfortable microclimate within the house. The use of varied ceiling heights and spatial configurations contributes to a dynamic and engaging living experience, moving from more intimate, enclosed areas to expansive, open-plan zones that facilitate family interaction and entertaining. The project involved collaboration with structural engineer Jun Yanagimuro and constructor Sekkeikomu. The construction process highlighted attention to detail in material selection and craftsmanship, aiming for a durable and aesthetically pleasing outcome. The interior spaces feature a minimalist aesthetic, allowing the quality of materials and the interplay of light and shadow to define the atmosphere. The design includes functional elements such as a modern kitchen, comfortable living areas, and private bedrooms, all designed with a focus on usability and long-term sustainability. Overall, the House in Tama demonstrates an architectural solution that responds thoughtfully to its context, balancing modern design principles with respect for the natural and cultural landscape. The project showcases how a residential building in a challenging urban-natural interface can achieve both architectural distinction and a high quality of life for its residents through careful planning, material selection, and a strong conceptual vision. The dwelling serves as a contemporary example of Japanese residential architecture, prioritizing light, views, and a harmonious relationship with its immediate surroundings. #ResidentialArchitecture #JapaneseArchitecture #ModernDesign #SlopingSite #NaturalLight #Concrete #Wood #Glass #UrbanIntegration #SustainableDesign

The Pavilia Hill, a newly finished residential complex located in Hong Kong's Tin Hau neighborhood, adopts a wabi-sabi aesthetic. Adrian Cheng, executive vice-chairman and joint general manager of New World, the company behind the project, says that "in a busy city like Hong Kong, it is hard to find a place to soothe our nerves and have peace of mind." The complex's five 31-story buildings are connected by a magnificent Japanese landscape garden designed by Shunmyo Masuno, one of Japan's most well-known living landscape architects. The tranquil area promotes peaceful contemplation with a stone walkway that winds through a number of exquisitely maintained—yet seemingly unplanned—undulating hills dotted with Bonsai, man-made waterfalls, and sculptural rocks. Enormous stone sculptures that represent mountains, water, existence, purity, and sound define each tower. Koichiro Ikebuchi, a Japanese interior designer based in Singapore, oversaw the creation of the amenities, which include a tranquil clubhouse, a gym, and an indoor swimming pool and bath with an onsen-inspired design. Throughout, semi-translucent shoji screens, natural materials, and simple textured walls all showcase contemplative, classic modern and traditional Japanese elements. Ikebuchi describes using natural materials that will gracefully age in their own distinct and appealing ways. A contemporary tea pavilion showcasing a magnificent ink painting by well-known Chinese artist Zheng Chongbin, a private outdoor meditation area, and a semi-private lounge with a Japanese garden in each tower lobby are among the pastoral settings. Cheng, who lived in Kyoto and studied art and culture, views the initiative as evidence of a developing desire for living environments that go beyond aesthetics to foster emotional connection. It appears that Hong Kong shares this opinion, based on how quickly the apartments were purchased. The complex includes a sleek and tranquil clubhouse, a gym, and an indoor swimming pool and bath with an onsen-inspired design. Throughout, the interiors are both thoughtful and modern, incorporating classic Japanese materials. The five blocks that make up The Pavilia Hill are each 31 stories high and are joined by a magnificent Japanese landscape garden. Shunmyo Masuno, one of Japan's most well-known living landscape architects, designed the exterior landscaping. In the meantime, Koichiro Ikebuchi, a Japanese interior designer based in Singapore, oversaw the creation of the inhabitants' amenities. Developers New World, who recently finished the 358-unit project, aimed to create a place where inhabitants could unwind and escape the hustle and bustle of the city. The Pavilia Hill's development demonstrates a thoughtful approach to urban living, emphasizing tranquility and connection to nature within a dense metropolitan environment. The integration of traditional Japanese design principles, from the wabi-sabi aesthetic to the specific choice of materials and landscaping, creates a unique residential experience. This project caters to a growing demand for homes that offer not just comfort and luxury, but also a sense of peace and emotional well-being, standing as a notable example of how architectural and interior design can contribute to a higher quality of life in bustling cities. #HongKongArchitecture #WabiSabiDesign #ResidentialDevelopment #JapaneseLandscape #InteriorDesign #UrbanRespite #ZenLiving #LuxuryApartments #ModernJapaneseDesign

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

Kristin O’Connor’s Midlothian lakefront home exemplifies the integration of feng shui principles to create a harmonious and aesthetically pleasing living space. O’Connor, with a background in advertising and a passion for home building and renovation, collaborated with Scott Stephens of SMS Architects and feng shui consultant Robyn Bentley, known as the Feng Shui Diva, to realize her vision. The process began by dividing the property and house plans into eight compass directions, allowing Bentley to identify and utilize positive energy patterns while neutralizing negative ones based on the home's construction year and orientation. This precision extended to determining the most auspicious direction for the house to face. Room by room, the design focused on balancing the five elements of feng shui: wood, fire, earth, metal, and water. Bentley also incorporated O’Connor’s astrology chart, identifying her as a “double-fire Sagittarius,” which influenced the use of fire, metals, and earth colors throughout the home. While most of the house maintains a minimalist aesthetic with Benjamin Moore White Chocolate walls, allowing O’Connor’s art collection to stand out, the dining room offers a striking contrast. It features metallic elements like a crystal and gold metal chandelier, and the walls and built-in shelves are painted in a bronzy Willow by Benjamin Moore, aligning with O’Connor's personal feng shui. Addressing an imbalance in O’Connor’s bedroom, Bentley introduced metal elements to counteract negative earth energy. This involved painting the walls in Benjamin Moore’s Odessa Pink and strategically placing metal barbells in her nightstand. Bentley also used O’Connor’s kua number, derived from her birth year and gender, to determine the optimal sleeping direction, emphasizing its significant impact on well-being for both adults and children. The kitchen design is grounded in earth-based feng shui, featuring European-style cabinetry made from strong-grained cherrywood and stone finishes. A warm gray quartzite waterfall island, countertops, and backsplash anchor the social areas, balancing the expansive water views. A unique backsplash by New Ravenna Tile, named “Personal Space,” adds a celestial theme, creating a playful contrast with the earthy elements and a 'galactic wink' at the cocktail station. Nature plays a crucial role in the home's feng shui. The design maximizes views of the surrounding trees and lake, with the north-facing side of the house predominantly glass. O’Connor meticulously planned window placements based on seasonal lighting. The indoor and outdoor spaces seamlessly merge at the patio, where a saltwater pool and fireplace are nestled within the nooks of the home’s two wings, enhanced by high-gabled roofs. This U-shaped design creates a sense of embrace, symbolizing a perfect balance of water, air, and earth elements. Bentley advised against an infinity pool, suggesting it would symbolize prosperity flowing away from the home. Richmond designer Wendell Welder contributed to the natural landscape plan, opting for low-maintenance hydrangea gardens and natural meadows with wildflowers, eliminating the need for mowing, blowing, or chemical use. This approach has attracted diverse wildlife, including butterflies, bumblebees, hummingbirds, bald eagles, geese, deer, and foxes. O’Connor emphasizes that the thoughtful and personalized planning ensures every part of the house feels good, highlighting that the unseen emotional and ethereal energies of a space are as crucial as its visible design in fostering a harmonious environment. #HomeDecor #InteriorDesign #FengShui #ArchitecturalPrinciples #HomeHarmony #RobynBentley #MidlothianHome #SustainableLandscape #ElementBalance

The Villa Tabebuia, located in Bangalore, India, is a contemporary Japanese-style residence designed by TaP Design Inc. The primary objective of this project was to create a serene and elegant living space that harmonizes with its natural surroundings. The design incorporates extensive use of teakwood elements and organic accents, seamlessly integrating the interior with the lush greenery of the property. This design philosophy aimed to foster a sense of tranquility and connection to nature. The project involved a close collaboration between the client and the design studio, with a focus on making minimal structural modifications to the existing shell of the building while significantly elevating the overall aesthetic and functionality. The outcome is a luxurious yet understated environment that provides a retreat from the demands of urban life. The villa spans 15,000 square feet, featuring a meticulously planned layout that optimizes both space and natural light. Upon entry, a double-height foyer is accentuated by a cascading bird chandelier, creating a dramatic and welcoming first impression. The ground floor's central feature is the dining area, which offers panoramic views of the poolside. This space is strategically positioned just past the entryway, where a wood and rope screen serves as a subtle divider, enhancing spatial flow without fully enclosing the area. A prominent wall of windows ensures that the central interior is bathed in natural light, simultaneously providing uninterrupted views of the outdoor landscape and the swimming pool. The modern staircase, initially a charred orange, was refinished in matte black, a color choice that complements the black window frames and dining room chairs, contributing to a cohesive and sophisticated palette throughout the home. The living room features sliding glass doors that can be fully opened, blurring the lines between indoor and outdoor spaces and creating an immersive experience that allows residents to feel as though they are relaxing by the pool. Upstairs, a family room provides an intimate gathering space that overlooks the double-height area below. The furniture in this family room is modular, offering flexibility and adaptability to various needs and preferences. The bedrooms are designed for comfort and sophistication, with each room tailored to specific occupants, from a child’s play area to a serene guest retreat. The guest bedroom is designed with layered rugs, soft muted hues, and brass accents to create a warm and inviting atmosphere. The primary bedroom suite, spanning 1,000 square feet, maintains a neutral palette and features a sliding glass wall that connects it to an adjacent patio. To enhance the sense of spaciousness, furniture selections are kept low to the ground, giving them a floating appearance. The bed is anchored to the ceiling with wooden poles, adding a unique architectural detail, and a dedicated lounge area within the suite further contributes to its expansive feel. The villa also includes an elongated swimming pool that runs the entire length of the house, ensuring it is visible from every room and reinforcing the home's strong connection to its outdoor environment. #ZenInspiredDesign #BangaloreArchitecture #TaPDesignInc #ContemporaryJapaneseStyle #LuxuryVilla #NaturalLightDesign #IndoorOutdoorLiving #SustainableDesign

Steffen Welsch Architects undertook an intensive makeover of a traditional semi-detached house in Melbourne, focusing on creating a sense of flow within the interior spaces. The project was guided by the principles of Feng Shui, an ancient Chinese art, which the architects found to correlate surprisingly well with their understanding of good design. This correlation involved ensuring sunlight access, proper air and ventilation, balanced natural light, an equal relationship between indoor and outdoor spaces, comfort, privacy, material balance, and a well-organized environment. The initial structure, a semi-detached house on a long, narrow plot, required a new extension to accommodate additional bedrooms and a spacious kitchen and living/dining area. The design incorporated a courtyard to separate the existing structure from the new addition, a strategic choice intended to draw light and air into the deeper parts of the floor plan. The new extension unfolds gradually as one moves through the house, beginning with a study area integrated into a wide central corridor. This corridor features a curved wooden wall that discreetly conceals a storage area. Beyond this point, the house opens into a generous main living space, encompassing the kitchen, dining area, and a sitting area, all of which seamlessly connect to a deck and the garden beyond. The central staircase plays a dual role, functioning both as a sculptural focal point and a conduit for natural daylight. It emerges from the family zone with bold curves and Barraganesque flashes of color as its planes twist and turn. Material choices throughout the space further enhance the design's intentional flow and aesthetic. For instance, the timber flooring in the dining room is mirrored by the wood-clad ceiling in the sitting area, which creates a detached, cocoon-like tranquility, blurring the lines between the inside and outside. The innovative design of the new roof also contributes by forming a covered balcony and a planting area, integrating natural elements into the extended living space. The project was driven by the philosophy of "Build less, accomplish more," indicating a focus on maximizing impact through thoughtful and efficient design rather than extensive construction. This approach allowed the architects to achieve significant functional and aesthetic improvements within the existing footprint, demonstrating how the ancient principles of Feng Shui can be translated into contemporary architectural practice to create harmonious and well-balanced living environments. #FengShui #HouseExtension #MelbourneArchitecture #SteffenWelschArchitects #ResidentialDesign #InteriorFlow #SustainableDesign #ArchitecturalRenovation

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign