atelier ryo abe organizes perfil house around weathered steel core

Lindy McDonough and Conor MacKean, co-founders of Lindquist Object, transformed a historic 1886 former voting hall in Pawtucket, Rhode Island, into their unique family home. The building, known as the Fifth Ward Wardroom and listed on the National Register of Historic Places, has a rich past, having served as a polling place, a school, and an American Legion post, and has housed generations of Rhode Island School of Design (RISD) professors. McDonough, a RISD alumna herself, and MacKean embraced the building's 140-year history when they purchased it a decade ago. The artists inherited a space previously used as a printmaking studio, which they decided to adapt for residential living rather than their own artistic practices. To guide the renovation, they collaborated with RISD alumni friends, architect Anastasia Laurenzi and Michael Larsen of Oblique Studio. Their approach focused on utilizing humble materials, embracing wabi-sabi principles, and preserving the building's original character while making it more functional for modern life. Despite significant changes, including the addition of a kitchen, a lofted bedroom, a powder room, a laundry area, and a full bathroom, the unique quirks and historical essence of the structure were carefully maintained. A key design element was the integration of elements that appear historically accurate. For instance, the front doors, sourced from a Rhode Island factory and dating back to the 1880s, seamlessly blend with the building's age, often mistaken for original features. The heart pine floors, though original, were updated with a water-based finish and a light oil coat to ensure durability for their family, including their dog Hugo and toddler Ulla. The kitchen, designed with timber framing and traditional Japanese joinery, features a salvaged original soapstone sink, and MacKean personally crafted the cabinets from marine-grade plywood, selecting utilitarian yet beautiful pines. Larsen later added dovetails to address any cracks, further enhancing the wabi-sabi aesthetic. McDonough’s vision for an M.C. Escher-esque staircase leads to the lofted bedroom above the kitchen. This metal structure, welded by Larsen, provides both strength and durability. The loft's pine flooring serves a dual purpose, acting as the ceiling for the kitchen below. Another bedroom, accessed through an original arched doorway, was divided to create a full bathroom featuring a freestanding tub and a separate shower. The bathroom's vintage milky gray tiles were serendipitously acquired from a friend's mother's bar, and Larsen ingeniously designed a brass piece to connect the tile with the wood floor, bridging the material gap. This creative solution reflects the couple’s philosophy of embracing natural wear and patinas, a sentiment also evident in their leather goods business, Lindquist Object. The home stands as a testament to their dedication to preserving history while creating a lived-in, evolving space that continues to acquire new stories and character, much like their handcrafted products. #HomeTour #HistoricRenovation #ArtistHome #RhodeIslandDesign #AdaptiveReuse #WabiSabi #DIYHome #ArtisanCraftsmanship #InteriorDesign

Tokyo architect Fumihiko Sano utilized Muji's steel shelving system to construct a room-like installation for the "Measuring: This much, That much, How much?" exhibition at Tokyo's 21_21 Design Sight gallery, held from February to May 2015. This installation, titled "Unit of Muji," reimagined the popular self-assembly shelving unit, which first went into production in 1996, beyond its conventional function as storage to propose a more integrated living space. Sano's concept aimed to expand the shelving unit's utility, transforming it into an environment where storage and living are seamlessly unified. He drew inspiration from the shaku, a traditional Japanese architectural measuring unit, noting that the Muji shelving unit's dimensions of 800 millimeters by 370 millimeters align with this historical standard. The installation was composed of various lengths of these shelves, forming a structural grid that extended across both horizontal and vertical surfaces. Smaller shelving units were stacked to create pillars, providing support at the corners of the space and forming its external walls. Within this modular structure, irregularly arranged shelves showcased a selection of Muji's homeware products and clothing items, suggesting a functional domestic setting. To further emphasize the concept of a liveable space, a staircase and a dining table were integrated into the internal area of the installation. Sano explained that by employing steel shelving units to create a style reminiscent of traditional Japanese architecture, where pillars, rather than solid walls, provide support, he presented a novel perspective on the Japanese living environment. The construction of the installation prioritized simplicity and minimal intervention with the original shelving units. Only a few joints needed to be removed to allow for the configuration of multiple units without requiring any welding. The design deliberately left the simple connections and the slender metal-rod surfaces visible, highlighting the lightweight and modular nature of the structure. This approach underscored the adaptability and potential of mass-produced furniture to form complex, habitable structures, offering a fresh take on domestic space and the reinterpretation of everyday objects within an exhibition context. The project was photographed by Daisuke Shima/Nacása & Partners. #FumihikoSano #Muji #SteelShelving #ModularDesign #InstallationArt #JapaneseArchitecture #InteriorDesign #ExhibitionDesign #TokyoDesign

The article presents the renovation of a 1970s wooden house located in Sumida City, Japan, undertaken by the architecture firm ROOVICE. Originally a dark and compact 65m² residence, the project focused on adaptive reuse with modest updates to align it with contemporary living standards. The revitalization effort is detailed through various aspects of its design and implementation. The project involved a comprehensive overhaul of the existing structure. The renovation aimed to maximize natural light and create more open, functional spaces. Key interventions included reconfiguring the interior layout, replacing outdated materials, and introducing modern amenities while preserving the house's inherent character. The design philosophy emphasized thoughtful, subtle changes rather than radical transformations, ensuring that the updated house retained a connection to its past while embracing modern needs. Material selection played a crucial role in the renovation. Wood, being the primary material of the original structure, was thoughtfully integrated into the new design. This likely involved restoring existing wooden elements, using new timber for structural enhancements or finishes, and ensuring a cohesive aesthetic that celebrated the material's warmth and texture. The choice of materials contributed to both the durability and the visual appeal of the renovated spaces. The layout modifications addressed the previous issues of darkness and compactness. Strategies to increase natural light might have included enlarging windows, creating new openings, or reorienting certain rooms. The aim was to foster a brighter and more spacious feel within the limited footprint of 65m². This spatial reconfiguration would have considered the daily activities of the occupants, designing areas that flowed seamlessly into one another and provided flexibility in use. ROOVICE, led by architect Sorai Takei, executed the project in 2023. The photographs by Akira Nakamura document the completed house, highlighting its transformed interior and exterior. The firm’s approach demonstrates a commitment to sustainable practices by revitalizing an existing building, thereby reducing the environmental impact associated with new construction. The project also serves as an example of how older residential properties in dense urban areas like Sumida can be successfully adapted for modern living. In terms of manufacturers, the project utilized products from Electrolux, Globo Daily, Miratap, and toolbox. These suppliers likely provided various fixtures, appliances, and construction components that integrated into the updated design. The mention of these manufacturers offers insight into the specific choices made for the interior fit-out and functional elements of the house. Overall, the renovation of the House in Sumida by ROOVICE showcases a mindful approach to adaptive reuse. It illustrates how a dated residential structure can be transformed into a functional and aesthetically pleasing modern home through strategic design decisions, careful material selection, and an understanding of contemporary lifestyle demands. The project contributes to the ongoing discourse on revitalizing existing urban housing stock. #ResidentialArchitecture #HouseRenovation #JapaneseArchitecture #AdaptiveReuse #WoodenHouse #InteriorDesign #SumidaCity #ROOVICE #ArchitecturalPhotography

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

This article delves into the renovation of a late 1800s house in Uptown Chicago, owned by architect Jonathan Solomon and city planner Meg Gustafson. The couple undertook a significant renovation, especially focusing on merging the kitchen and dining rooms to create a more communal cooking space. A key challenge was the load-bearing wall separating these two areas. Architect Keefer Dunn, collaborating with the homeowners, devised a solution that not only addressed the structural necessity but also introduced an aesthetic element. Traditionally, such a load-bearing wall would be replaced with a hidden laminated veneer lumber (LVL) beam and columns. However, Jonathan Solomon proposed using exposed steel elements to visually communicate the structural modification and emphasize the weight of the new support system. DWorking with engineer Marcus Woods, Dunn calculated the required size and placement of steel components to safely transfer the structural load from the wall and the overlying wood-framed floors to the foundation. Initially, the team considered using open-web steel joists. This choice was partly influenced by the homeowners' admiration for the filigreed character of the Helmut Jahn–designed Thompson Center. However, a pandemic-driven surge in e-commerce and subsequent warehouse construction led to a scarcity of steel joists, prompting the team to re-evaluate their material choice mid-project. During the demolition phase, an alternative solution was identified: a wide-flange steel I-beam. This 'off-the-shelf' option was readily available from metal distributors, allowing the project to proceed without significant delays. The I-beam effectively consolidates the load-bearing function of the former wall. It is supported by two steel posts positioned on either side of the new opening between the kitchen and dining room. One post in the rear of the room aligns directly with an existing steel post in the basement, part of the house's original structural spine. The second post, located at the front of the room, required more complex integration due to its proximity to an existing masonry fireplace in the living room. To accommodate this, the architect and collaborators designed a second hearth that opens the fireplace to the new kitchen/dining area, simultaneously anchoring the second steel post to the substantial brick foundation in the basement. Dunn emphasized the importance of using appropriate fasteners and ensuring adequate load distribution when attaching the steel post to the existing brick structure. The renovation necessitated temporary supports in the basement to allow for minor reconfigurations and securements, resolving creaking in the kitchen/dining room's floor. Temporary shoring was also installed on the first floor to facilitate the demolition of the load-bearing wall and the installation of the I-beam. While original architectural features such as dentil moldings, ceiling coffers, and wainscoting were largely preserved in the dining room, some wood paneling was repurposed for use upstairs. Dunn praised the contracting company, Raw Building Concepts, for their precision in managing the different tolerances between steel installation and fine carpentry, especially since the beam was designed to be exposed and integrated with wood detailing. Dunn noted that the shift from open-web steel joists to an I-beam transformed the design's architectural reference from Helmut Jahn to Mies van der Rohe. He also highlighted a 'spiritual connection' with the house's original construction, where a historic steel beam already existed in the living room, mirroring the new structural intervention. #HomeRenovation #StructuralEngineering #ChicagoArchitecture #SteelBeams #HistoricPreservation #InteriorDesign #KitchenDesign #ArchitecturalDetails

This article highlights the transformation of a 17th-century building in Copenhagen, originally part of a royal naval base, into a contemporary townhouse. The renovation, undertaken by architect Danielle Siggerud and her husband Mathias, focused on preserving the building's historical integrity while introducing modern elements. Key to this approach was the retention of original features such as exposed timber beams and arched windows and doors, which serve as visual reminders of the structure's industrial past. The design philosophy emphasized the interplay of history and natural light. Internal walls were removed to enhance daylight penetration, and all four floors were interconnected, creating a sense of openness. Danielle notes the captivating effect of shadows and the contrast between light and darkness, which contribute to a warm and intimate atmosphere throughout the house. The interior palette is characterized by neutral tones and earthy textures, including plastered stone-colored walls and blonde timber floorboards, which are softly illuminated, giving the spaces an ethereal quality. Functionally, the open-plan kitchen and dining area features large arched windows that offer views of the canal and garden. A sleek kitchen island made of honed Carrara marble anchors the space. The decor reflects Danielle's refined yet understated style, prioritizing timeless furniture, structures, and materials that are not driven by fleeting trends. She works intuitively, favoring natural materials that will age gracefully. The home incorporates a blend of vintage and auction-acquired furniture, which injects personality and historical depth into each room. This is complemented by a sophisticated collection of art, ceramics, and sculptures. The master bedroom exemplifies this design approach, with a material bedhead, tactile bed linen, and a restrained color scheme that create a calm and soothing environment. A black and brass Serge Mouille wall lamp adds a touch of drama, while the use of stools as versatile bedside tables is suggested as a practical and flexible decor tip. This thoughtful integration of old and new elements results in a home that is both modern and deeply connected to its historical roots. #IndustrialDesign #HomeRenovation #ExposedTimberBeams #CopenhagenArchitecture #HistoricPreservation #ContemporaryTownhouse #NeutralPalette #VintageFurniture #InteriorDesign

Studio B Architects designed the Zale Residence, a contemporary house in Aspen, Colorado, addressing significant site challenges. The property, located on a sloped, angular lot close to downtown Aspen, faced constraints from an active street and neighboring buildings on three sides, along with a specific one-story building requirement. To overcome these challenges, the architects strategically elevated the 2,500-square-foot (232-square-meter) home on a concrete plinth. This elevation not only met the building restriction but also enhanced privacy for the residents and optimized their access to views of Aspen Mountain and abundant sunshine. The Zale Residence is characterized by flat-roofed volumes clad in zinc, resting prominently on the board-formed concrete plinth. The ground level of the structure includes a garage integrated into one side. Access to the main living areas is via a concrete stairway enclosed by glass walls, leading to the front entrance. Upon entering, visitors arrive in a central corridor that effectively divides the home into two distinct wings. One wing encompasses the primary living spaces, including the kitchen, a spacious living room, and the master suite. The other wing is dedicated to additional private areas, housing two bedrooms and a family room. These wings are designed to wrap around a compact, private courtyard situated at the rear of the property, creating an intimate outdoor space. Inside, the residence features extensive floor-to-ceiling glass windows that allow natural light to permeate the living areas throughout the day. The architectural design incorporates sectional differences and an open-plan layout to further maximize natural light and ensure a seamless flow within the home. The hidden rear terrace is embraced by the architecture, offering a secluded outdoor retreat. The interior decor of the Zale Residence complements the exterior material palette, utilizing charcoal overtones to maintain a cohesive aesthetic. The finishes include light-textured porcelain floors, marble with subtle grey veining, and premium drywall, contributing to a sophisticated and modern ambiance. To introduce warmth and a touch of natural texture, wire-brushed cypress was used for both the ceilings and interior doors. Additionally, the home is curated with art pieces that reflect the clients' passion for travel, adding a personal and cultural dimension to the living environment. This project showcases Studio B's ability to navigate complex site conditions and regulatory requirements to deliver a modern, functional, and aesthetically integrated residential design. Their previous work includes an addition to a Colorado riverside home, featuring weathered wooden boards, further demonstrating their expertise in sensitive and contextually appropriate architectural solutions. #ResidentialArchitecture #AspenColorado #ContemporaryHome #ZincCladding #GlassWalls #ElevatedDesign #SiteResponsiveArchitecture #ModernInteriors #ConcretePlinth

This blog post details the transformation of an A-frame home office in a 1959 beach cottage, undertaken by an architect and his wife. The space, originally a walled-off bedroom, was uniquely modified with a glass panel overlooking the living room, making it an ideal candidate for a dedicated home office. The redesign was inspired by a viral TikTok video featuring a dream home office setup, prompting the couple to focus on a particular desk as the centerpiece for their new workspace. They selected the Ridge Bleached Oak Desk from CB2, which served as the foundational element around which the rest of the office's aesthetic was built. The couple aimed to complement the desk with other light oak furniture to maintain a cohesive design. They chose the Wooster Sideboard from Serena & Lily, noted for its wooden frame and textural linen doors, adding to the room's elegant and natural feel. For seating, they sought a cost-effective alternative to the expensive Herman Miller Eames Lounge Chair and Ottoman, ultimately finding a virtually identical dupe, the Emma Lounge Chair and Ottoman from Keeks Design, which was significantly more affordable. This allowed them to achieve the desired look without exceeding their budget after a major home purchase. To introduce a grounding element and add texture, the couple installed FLOR carpet tiles in the Tweed Indeed pattern with a Lichen colorway. This choice not only provided a soft, neutral base but also subtly mirrored the design of the CB2 desk legs. Recognizing the potential for the room to become too monochromatic with the prevalent beige and light oak tones, they strategically incorporated elements to introduce color and life. Two fiddle leaf ficus plants in QCP’s Bayamo Round planters were placed to frame the desk, adding greenery and a natural touch. The search for artwork led them to “Out of Office” by Anna Landstedt from Helm + Oar, a piece featuring colorful striped umbrellas and a playful cardboard sign. This selection infused the space with vibrant hues and a touch of whimsical irony, creating a focal point above the Serena & Lily console table. The console table itself was adorned with a succulent-filled concrete herb trough from March SF, further enhancing the natural and decorative aspects of the office. Addressing the need for storage, especially for the architect’s extensive collection of architectural books, the couple opted for two Trent Austin Design Flythe Ladder Bookcases from Wayfair. These wall-mounted bookcases offered ample space for books and decor, while also providing an important safety feature against tipping, a consideration given their young child. The shelves were styled with personal items such as photos, plants, and sentimental artwork, alongside Mustard Made baskets filled with children’s books and toys, making the office a functional and personalized space for both work and family interaction. The overall makeover successfully transformed the A-frame space into a stylish, functional, and inviting home office that balances aesthetic appeal with practical needs. #HomeOffice #OfficeMakeover #InteriorDesign #AFrameHouse #DIYProjects #HomeRenovation #DecoratingIdeas #FurnitureSelection #ArchitectHome

Case Real, a Fukuoka prefecture-based design and architecture firm, has undertaken a partial renovation of the Yamaguchi Sake Brewery in Kurume city, Japan. The project involved updating a traditional cedar-beam property, originally constructed in the early 1800s by the Yamaguchi family ancestors. Designers Koichi Futatusmata and Koichi Shimohira were responsible for infusing contemporary architectural thought into the historic site. The core of the renovation addressed the client's desire to effectively utilize the courtyard situated between the aged main house and a warehouse on the same premise, while ensuring continuity between the two structures. To achieve this, Case Real connected the buildings with a washed-finished cement floor and a stair. Additionally, large openings in the lounge space of the main house were re-arranged to foster a closer connection between the two previously distinct areas. The design facilitates the delicate sake brewing process, which requires gentle handling of rice milling and precise humidity levels in the rooms. The newly created connective courtyard allows for a more comfortable flow of this intricate process. A key feature of the renovation is the secret garden, intentionally sparsely ornamented with slim native trees and anchored by off-white pebbles. This garden is designed to provide a distinct and meditative area, offering brewers a serene space to unwind during their shifts. In conjunction with the garden, a new, dedicated lounge space was created. This lounge is conceptualized as a zen environment that respects the brewery's historical roots while embracing a contemporary outlook. The walls within this space are rendered in modern sweet-chestnut shades, and vast windows are strategically placed to maximize natural light. The flooring incorporates characterful, polished stone, referencing the structure's early days. Overhead, the original cedar beams remain sturdy, serving as a constant reminder of the Yamaguchi family’s long-standing heritage in sake brewing. Case Real has a history of designing functional workspaces that prioritize employee freedom and creativity, as seen in their previous projects such as a Japanese storehouse live-work conversion and minimalist designs for brands like Aesop. This renovation of the Yamaguchi Sake Brewery continues that tradition, blending historical preservation with modern functionality and a tranquil aesthetic. The project exemplifies a harmonious integration of old and new, creating a refreshed environment that supports both the traditional craft of sake brewing and the well-being of its practitioners. #JapaneseArchitecture #SakeBrewery #MinimalistDesign #SecretGarden #ArchitecturalRenovation #WorkspaceDesign #TraditionalCraft #ZenDesign #CaseReal

ROOVICE has completed the Shirokanedai House project, a renovation of a 50-year-old wooden residence in Tokyo's Minato ward, Japan. The primary objective of this project was to upgrade the 1970s two-story house for enhanced earthquake resistance, establishing safety as the fundamental principle guiding all subsequent aesthetic and functional improvements. The renovation successfully integrates traditional Japanese architectural elements with contemporary design principles, aiming to improve the property's overall functionality, safety, and visual appeal for continued rental use. The decision to renovate rather than demolish was driven by the prohibitive costs associated with demolition in Japan and the property's sound structural condition. The ground floor underwent a significant transformation to create a more open and inviting living space. This involved the removal of existing dividing walls and ceiling boards, effectively merging the former kitchen with two tatami rooms into a single, expansive area. The previously dim, grayish walls were repainted in a crisp white, and new windows were installed to maximize natural light penetration, contributing to a brighter atmosphere. The traditional tatami floors were replaced with hemlock wood flooring, and the kotatsu stove pit was covered. The kitchen and corridor areas were updated with durable clinker tiles, and a custom-made kitchen counter was installed, adding a contemporary touch. A distinctive triangle-shaped built-in cupboard in the corridor wall was visually accentuated by a diagonal wall connecting it to the kitchen wall. A new glass door, designed to complement the cupboard's style, was also added, enhancing both functionality and aesthetic coherence. Further enhancements on the ground floor included the bathroom, which was reconfigured to accommodate a washing machine. The front room's flooring was updated with practical PVC sheeting. A new bathtub and white wall tiles were installed, while traditional Tamaishi tiles, reminiscent of the Shōwa era, were selected for the bathroom and toilet floors. The wooden steps connecting the living room to the garden were replaced with stone steps, fostering a more robust connection between the interior and exterior spaces. Upstairs, the renovation maintained a respectful link to the home’s traditional roots while introducing modern updates. The kitchenette in the corridor was removed, and the wall in this area was tiled with the same clinker tiles used on the ground floor, ensuring design consistency. New tatami mats were laid in the tatami rooms, and the shoji doors were refurbished, preserving their traditional character. The outer corridor’s flooring and windows were updated to align with the ground floor's design. All walls throughout the upper level were painted white, contributing to a cohesive and bright ambiance. In the third room on the second floor, old wood boards were replaced with new lauan wood ones, and a beige carpet was laid, offering a soft contrast to the wooden elements. The balcony received waterproofing treatments, and its fencing was repainted black, concluding the comprehensive refresh of the home's exterior. #ROOVICE #HouseRenovation #EarthquakeResistance #JapaneseArchitecture #TokyoRenovation #ShirokanedaiHouse #TraditionalModernDesign #InteriorDesign #ArchitecturalUpdate

This article details the Netherton family's journey in revitalizing a 100-year-old Craftsman bungalow located outside of Bolivar, Missouri. Brian and Nikki Netherton acquired the two-acre property, which includes three barns, with the intention of raising their children, Dalia (8) and Paul (6), in a rural setting reminiscent of their own upbringings on farms. Nikki was particularly drawn to the historical details of the house, such as its decorative concrete column bases on the front porch, which evoked a sense of over a century of history. Upon purchasing the home, the Nethertons embarked on extensive restoration efforts focused on preserving the original character of the bungalow. Brian dedicated an entire winter to meticulously removing thick, black carpet adhesive from the original hardwood floors using a heat gun and scraper. The couple also undertook more significant renovations, including replacing windows and adding a half bathroom. A notable project involved the dining room fireplace, which was part of a 1969 addition and did not align with the Craftsman aesthetic. They removed cedar trim and wood panels, replacing them with sheetrock that was painted to match the room, and opted for a minimal brick hearth to allow for a seating area. On the exterior, Brian began peeling away vinyl siding, a material that had obscured many of the bungalow's original features. This process uncovered the home’s authentic white cedar shake siding, a gable with beveled trim above the front porch, and even the original bracket boards, revealing the architectural details that had been hidden for over 50 years. The house's history dates back to 1914 when it was built by Charles and Stella Hood after a tornado destroyed their previous home. Nikki discovered the Hood family's names etched in the concrete of the basement floor, a testament to the home's deep roots. Nikki Netherton's passion for historic homes significantly influences the interior decoration. She favors items with an old-world charm, aiming to create a "fancy-feeling lifestyle" with cloth napkins, tea and coffee serving sets, flower vases, candlesticks, and vinyl records. She frequently sources furniture, wall art, and blue-and-white dishes from local antique shops like Back Road Relics in Bolivar. Her decorating choices reflect a desire to instill in her children an appreciation for architectural history and well-crafted items from the past. The home also serves as a canvas for the family's cherished traditions and the kind of childhood they envision for their children. The living room's built-in bookcase colonnades, originally featuring a curtain rod, were transformed into a stage with a red curtain. This stage now hosts an annual nativity play performed by Dalia, Paul, and their cousins, with Nikki providing piano accompaniment. During the winter months, the family embraces their natural surroundings by foraging pine branches, pine cones, and holly twigs from their property to use as decorations, fostering a cozy atmosphere conducive to reading, baking, and sipping hot tea by the fire. #HomeRenovation #CraftsmanBungalow #HistoricHome #FamilyLife #InteriorDesign #HomeRestoration #RuralLiving #ArchitecturalPreservation

Designers Cami Luppino and Alana Irwin of lulu HOME curated a sophisticated residence in Rye for long-term clients with four young children. The design emphasizes generous proportions, abundant natural light, and a blend of style and comfort. Having previously worked with the family, the designers understood their active lifestyle, aiming to create a serene refuge. They subtly adjusted architectural plans to foster a more open layout while ensuring each room maintained its distinct character. The overall aesthetic is cohesive, featuring recurring motifs, a largely neutral color palette, and strategic touches of deeper tones. Lighting fixtures, sourced globally, were treated as art and complemented a curated collection of commissioned pieces. Despite its elevated appearance, the design incorporated family-friendly fabric and furniture choices, resulting in an architectural yet breezy, edited yet cozy environment. The designers stressed a "less is more" approach, ensuring every element was thoughtfully placed. The kitchen and great room seamlessly integrate through the use of sleek stone, with the marble waterfall-edge island designed to avoid seams by maximizing slab size. This area, central to family dinners and entertaining, features easily accessible flatware and glasses. The great room boasts vertical drama with a Parisian alabaster-and-leather light fixture and floor-to-ceiling limestone fireplace. Automated sheer drapery diffuses natural light from large windows. A compact desk area, carved from the main hallway, serves as a command center for the busy mother, featuring a tonal mix of light and dark wood, and a modern black-and-white chair. The entryway showcases an architectural white-oak and metal staircase, connecting three levels and highlighting the blend of lighter materials with deeper, grounding tones. A custom bronze-and-oak console, an oak feature wall, and a custom rug by Fayette Studio further enhance this space. The butler’s pantry, designed for less-used dining ware, features a hand-painted custom wallcovering and Farrow & Ball’s Pitch Black cabinets. The dining room combines striking and subtle details, including a temperature-controlled wine room, suede-adorned walls, and chairs upholstered in ombre mohair. The lulu HOME-designed dark dining table and an intersecting glass-and-leather light fixture complete the space. The primary bedroom suite offers a restful retreat with a tonal palette and custom textures, including a hand-knotted rug and an oversized mohair headboard. Leather-front custom nightstands with integrated USB charging provide ample storage. A sitting room adjacent to the bedroom includes a mini-fridge and coffee station. The ensuite bath features hand-applied limewash, a floating tub, and oversized limestone slabs, softened by linen curtains. The formal entertaining room, a master class in restraint, includes a leathered Taj Mahal quartzite fireplace and floating benches. A showstopping light fixture and intersecting coffee tables echo patterns found elsewhere. Touches of sage green and a custom artwork inspired by the couple’s wedding vows add depth. The husband’s home office features a muted grass cloth wallcovering and a deep navy rug, with newsy artwork adding personality. The lower-level bar, designed with dark stone, chic furnishings, and mood lighting, offers a speakeasy-like ambiance for after-dinner drinks and entertaining. #RyeHome #HomeDesign #InteriorDesign #LuluHOME #LuxuryInteriors #NaturalLight #SophisticatedDesign #FamilyFriendly #CustomFurnishings

The "Courtyard House with Seven Rooms" project, designed by Takayuki Kuzushima and Associates, is a residential property located in the suburbs of Nishio, Aichi Prefecture, Japan. Completed in 2022, the house spans an area of 95 square meters and was constructed with structural support from Komatsu Structural Design. The design process for this house was unique, starting from the owner's extensive collection of architectural and interior design images sourced from social media and magazines. This collection included a diverse range of aesthetics and functional ideas, from bare concrete exteriors and wood-paneled facades to minimalist and eclectic interiors, alongside practical storage solutions and antique furniture preferences. Faced with a seemingly disparate set of inspirations, the architects opted against a selective approach to integrate these varied elements. Instead, their design philosophy focused on creating a foundational framework capable of accommodating and harmonizing this overflow of diverse and potentially evolving preferences. The core concept revolves around an "open room to room" strategy within a "build room in town" context. This approach aimed to foster a continuous and adaptable living environment that could embrace the owner's changing tastes over time, rather than confining them to a rigid, pre-defined style. The house is characterized by the use of wood and steel as primary materials, reflecting a blend of traditional and contemporary Japanese architectural elements. The design likely incorporates a courtyard, as suggested by the project title, to introduce natural light and ventilation while maintaining privacy in a suburban setting. The "seven rooms" could refer to distinct functional zones or spaces within the house, each potentially reflecting a different aspect of the owner's collected inspirations, yet interconnected through the overarching design framework. The emphasis on adaptability and the ability to integrate diverse aesthetic preferences suggests a highly personalized and flexible living space. This project exemplifies an architectural response to the modern homeowner's desire for a custom-built environment that can evolve with their lifestyle, moving beyond a single, static design vision. #ResidentialArchitecture #Houses #Nishio #JapanArchitecture #CourtyardHouse #JapaneseDesign #ArchitecturalInnovation #WoodConstruction #SteelStructure

Local architectural practice Slow has completed the Yamaguchicho House in Nagoya, Japan, a family home characterized by its raw exterior of blackened wood and corten steel, topped with an overhanging pitched roof. Situated on a slightly elevated corner plot surrounded by roads, the design prioritizes privacy, featuring an almost windowless exterior. Natural light is introduced through strategically placed skylights, contributing to the interior's 'healing' and sanctuary-like ambiance. The entrance to the single-story residence is framed by a corten steel box, accessible via a sloping garden that wraps around the building. The interior layout is centered on a combined living, dining, and kitchen area, which subtly steps up to two bedrooms located in the western, slightly elevated section of the home. A central bathroom, enclosed by exposed concrete walls, effectively divides these primary living and sleeping zones. These concrete walls also serve as a backdrop for the kitchen counters, seamlessly integrating the functional spaces. Michitaro Kondo, founder of Slow, explained that the design incorporates a concrete box within a wooden box, divided into three layers—gathering, plumbing, and private space—with ceilings and glass connecting these areas. This arrangement fosters a sense of familial presence throughout the residence, allowing occupants to remain aware of each other's activities. Illumination further extends from a skylit entrance area through an elevated storage unit crafted from black wood, which also demarcates the living space. A large horizontal window in the southern end of the living area offers views of the road, while a row of small trees in the garden provides both shade and privacy. Above the exposed wooden roof, a compact mezzanine area is accessible via a slender black steel ladder in the living space, offering additional utility or a secluded retreat. The bathroom features a shower and bath positioned beside a large window, overlooking a small courtyard enclosed by a section of charred cedar cladding. The interior material palette is intentionally minimal, with white walls providing a stark contrast to the exposed wood of the ceiling and the concrete elements of the bathroom. Kondo noted that the choice of baked cedar and steel for the exterior was aimed at creating a structure that, while simple and 'hut-like' in appearance, presented an unprecedented architectural style within the local area. This approach emphasizes a unique aesthetic without being overtly flamboyant. The project aligns with other contemporary Japanese homes that embrace a minimalist design, such as the conversion of a century-old home in Shimane into a guesthouse by Studio AMB and a Tokyo residence designed as a singular large room by IGArchitects. #JapaneseArchitecture #CharredWood #CortenSteel #NagoyaHouse #MinimalistDesign #Skylights #ResidentialArchitecture #PrivacyFocusedDesign

Architects Andrea Fisk and Jess Hinshaw of Boerum Hill-based Shapeless Studio were tasked with transforming a newly acquired, two-bedroom condo in a partially completed building into a functional, inviting, and comfortable home for a young family. The condo, located on the periphery of the brownstone belt, presented a raw, unfinished space, but also boasted several appealing features, including a spacious outdoor terrace with city views, an attractive pre-installed developer's kitchen, and wide plank floors. The architects commenced their work by introducing a subtle texture to the walls using a limewash finish. A significant aspect of the renovation involved the design and installation of custom cabinetry for every room, crafted by ABC Millwork in Gowanus. The design philosophy for the cabinetry drew inspiration from the warm wood tones present in the existing kitchen. White oak was chosen for the units in the entry and living room, while walnut was selected for the primary bedroom. The built-ins in the primary bedroom, in particular, evoke a Japanese aesthetic, reflecting the architects' preference for simple, elegant, and well-organized design principles that resonate with Japanese design. The newly acquired furniture adheres to a chic modern style, featuring plush and comfortable fabrics. Notable pieces include a Kelston sectional sofa from Design Within Reach and vibrant orange Bollo chairs by Fogia. The living room seamlessly connects to the outdoor terrace, which was lushly landscaped by Elevations Landscape Design + Build using only container plantings. The millwork throughout the condo was designed with a strong emphasis on functionality and "program." The white oak unit in the entry hall serves multiple purposes, incorporating open and closed storage, a shoe bench, coat hooks, and display space. In the living room, a formerly blank wall was transformed into a multi-functional area, featuring seating, additional storage, a media center, a bar, and an ethanol Eco-Smart fireplace that does not require traditional piping or flues. The architects also custom-designed a dining table, made by Brooklyn-based Ivory Build, to perfectly accommodate four to six individuals. This is complemented by Tokyo dining chairs from Bensen, a pendant lamp by Astep x Gino Sarfatti, and a textured rug. The primary bedroom features gleaming cabinetry crafted from highly figured walnut, chosen to create a more subdued and moody atmosphere. This millwork encompasses a built-in headboard, integrated side tables, bookshelves, dresser drawers, and an elaborate closet. The closet's design is particularly noteworthy, featuring a slatted sliding door inspired by Japanese aesthetics. For the nursery, furniture was sourced from Crate & Kids. The outdoor terrace is outfitted with specific outdoor furniture and container plantings, selected by Gowanus-based Elevations Design + Build, to ensure continuous blooms throughout the season. The project successfully transformed a raw condo into a character-rich, comfortable, and highly functional home. #BoerumHill #CondoDesign #CustomMillwork #ShapelessStudio #InteriorDesign #ModernFurnishings #BrooklynRealEstate #FunctionalDesign #JapaneseAesthetic

This article details the comprehensive renovation of a 1889 brick-and-brownstone row house in Minneapolis, which was previously gutted in 1979 and converted into condominiums. The homeowner, Seth Goodspeed, sought to blend historic elements with modern functionality in his 1200-square-foot condo, occupying half of the second floor and the entire top floor. He enlisted David Heide Design Studio, valuing their creative problem-solving and artistic finesse in tight spaces and their respect for the building's architectural heritage. The 1979 renovation had drastically altered the interior, removing original woodwork and plaster, and converting the space into an open-concept layout with an unusual third-floor balcony opening to the dining room. The only original feature remaining was the staircase, with its balustrade hidden behind knee walls. Goodspeed and the design team opted not for a strict historical recreation but rather to redefine the condo with a clear floor plan, incorporating historically accurate elements that nod to the building's age while accommodating contemporary living. Significant improvements included adding a closed utility/storage room, relocating a bedroom door to create a more public den/TV room, and, notably, filling the floor gap that created the odd balcony, thereby adding 40 square feet to the dining room. Historical character was restored through the replacement of hollow-core doors with paneled oak doors featuring Emtek hardware, the addition of an arched opening reflecting original brickwork, and the reintroduction of period-appropriate millwork, painted black for a modern contrast. Financial resources were strategically allocated, allowing for some splurges like a checkerboard marble surround for a new gas fireplace, while incorporating budget-savvy solutions such as the homeowner-installed black IKEA kitchen. The designers subtly enhanced the IKEA kitchen to give it a custom, built-in appearance. Other thoughtful details included a unique obscure plate glass "shower door" on the bathroom window for privacy and light, and the careful sourcing of vintage and antique lighting fixtures from various regional shops. The project earned David Heide Design Studio the 2019 ASID MN Design Excellence Award for Historic Restoration/Preservation. A considerable portion of the article is dedicated to discussing the exposed brick walls, a feature inherited from the 1979 renovation. While traditionally frowned upon by preservationists due to potential issues like dust, spalling, and reduced insulation, the design team embraced this existing condition. The article acknowledges the historical debate surrounding exposed brick, particularly in old homes where plaster was often removed for a minimalist aesthetic in the 1970s and 80s. However, it also notes a shift in contemporary taste, where exposed brick in well-maintained conditions is now appreciated for its warmth and texture, especially in adaptive reuse projects. In Goodspeed's condo, the exposed brick walls were found to be well-laid and sound, contributing to the home's charm despite some thermal fluctuations and a lack of sound dampening. The project aimed to interpret, rather than strictly restore, the poorly executed 1970s condo conversion, integrating the client's extensive art collection, which is often juxtaposed against the historic elements of the house. #HomeRenovation #HistoricPreservation #MinneapolisRowHouse #InteriorDesign #AdaptiveReuse #DavidHeideDesignStudio #ExposedBrick #PeriodAccents #ArtCollection

Seiichi Yamada and Associates have completed 'House in Nishichiyoda,' a private residence in Shizuoka City, Japan, featuring a distinctive operable silver facade. This innovative exterior design allows the home to transform its relationship with its surroundings. When fully closed, the reflective surface mirrors the environment, including passersby and the natural foliage, effectively blurring the house's physical presence. This creates a sense of integration and chameleon-like adaptability within the landscape. The facade's dynamic nature is further emphasized when individual walls open, creating dark apertures that allow sharp beams of light to penetrate the interior. This controlled influx of light creates a dramatic interplay of shadow and illumination, shaping the atmosphere within the house. When all walls are opened, the boundaries between the interior and exterior dissolve, creating a seamless connection and allowing abundant natural light to flood the living spaces. The architects describe this process as analogous to a monk's daily ritual of opening and closing fittings, suggesting that these small, deliberate actions contribute to a unique way of living within the home. This architectural approach aims to foster a mindful engagement with the building and its environment. The design philosophy behind 'House in Nishichiyoda' is rooted in a contemporary reinterpretation of traditional Japanese housing styles. Seiichi Yamada and Associates sought to evolve existing architectural traditions rather than simply replicate them, aiming to construct a Japanese house for the future without succumbing to nostalgia. The structural integrity of the building is achieved through a unique construction method involving cypress pillars. These pillars are erected on the outer periphery of a 3 x 6 angle at a 900 mm pitch and are interconnected to form a gable roof. Flat lattice beams, assembled at an 1,800 mm pitch, are then stacked, shifted by 900 mm to the left and right, to create a robust beam frame. This intricate system of interconnected pillars not only ensures the slenderness ratio is maintained but also incorporates a heat-insulating layer, contributing to the energy efficiency of the residence. The result is a frame that appears to float like a cloud within the building's interior, adding a sense of lightness and openness to the design. The three levels of the house are vertically connected by a wooden staircase, which acts as a central spine for circulation. A small light source positioned within the frame illuminates the ground floor, enhancing the sense of vertical connection and bringing natural light deeper into the home. The project's name, 'House in Nishichiyoda,' reflects its location in Shizuoka, Japan. The architects, Seiichi Yamada and Associates, have demonstrated a commitment to innovative design that respects cultural heritage while embracing modern architectural principles. The house is a testament to how an operable facade can redefine spatial relationships, control light, and integrate a dwelling with its natural and urban context, offering a new perspective on residential architecture in Japan. #OperableFacade #JapaneseArchitecture #WoodenHouse #SeiichiYamadaAndAssociates #ShizuokaJapan #ReflectiveExterior #NaturalLight #SustainableDesign #ResidentialArchitecture