eriko kasahara sculpts delicate, undulating interiors for japan's 'st. wave' wedding chapel

This blog post features the renovation of a 90-year-old house in Kamakura, Japan, transformed into an atelier by architect Yuji Okitsu. The project, named Annex House, serves as an annex to the clients' main residence, designed to host artists, culinary experts, and entertain friends. The building, a 721-square-foot structure, is situated on a flat site on a steep hillside, typical of Kamakura's topography. Upon initial assessment, the house had been stripped to its framework, with its original layout largely unidentifiable. The renovation aimed to harmonize the existing structure with the surrounding environment, preserving the historical essence of the building while integrating modern elements. A key design philosophy was to maintain respect for the house's long history. This was achieved by not painting the exposed parts of the repaired and reinforced framework to differentiate new wood from old. The project sought to symbolize the coexistence of old and new and the building's enduring presence. Material selection emphasized longevity and character. The exterior walls were clad in yakisugi, a traditional Japanese charred wood, known for its durability and aesthetic aging. Brass door knobs were chosen for similar reasons. Inside, solid chestnut wood flooring, repurposed from the client's previous home, and antique window frames that the clients already owned, were incorporated, adding personal history and warmth to the interior. The ground floor of the renovated space is primarily dedicated to the atelier, kitchen, and dining area. The strategic placement of the stairwell and variations in ceiling height create an open and fluid layout, allowing for unhindered circulation throughout the space. The second floor features low windows, known as muso-mado, which are traditional Japanese windows with vertical slats. These windows open to the first-floor atelier, facilitating the transmission of atmosphere, sounds, and warm air from the wood stove, thereby creating a unified, open-plan feel across both levels. A distinctive feature of the renovation is the concrete deck in the garden. This deck is engineered to collect a thin layer of water when it rains, transforming it into a reflecting pool. The ripples on the water's surface create dynamic patterns that reflect the architecture, fostering an interactive blend of nature and design. After the rain, it becomes a temporary water basin, mirroring the surrounding trees and natural light, further merging the landscape with the built environment. The renovation successfully preserves the historical integrity of the 90-year-old house while adapting it for contemporary use as a flexible art and gathering space. The design integrates old and new elements thoughtfully, reflecting the passage of time and ensuring the building's relevance for future generations. The project embodies a balance between architectural intervention and environmental harmony, creating a space that is both functional and aesthetically integrated with its unique setting. #Kamakura #JapaneseArchitecture #HouseRenovation #AtelierDesign #YakisugiCladding #ConcreteDeck #ReflectingPool #HistoricPreservation #ArchitecturalHarmony

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

The "A Round and Around Home Renovation" project by HAMS and, Studio, completed in 2024 in Japan, focused on transforming a 65 square meter residence. The design philosophy aimed to create a living space that seamlessly connects the interior and exterior, drawing a parallel between the act of reading a book and opening a window. This concept emphasizes a continuous flow and interaction within and beyond the home. The renovation was specifically designed for an architect who wished to integrate his personal collection of cherished items, accumulated over time, into his living environment, contrasting with contemporary trends that often favor non-ownership and minimalism. The project prioritizes the integration of personal history and belongings into the architectural space. Instead of a minimalist approach, the design celebrates the architect's past and possessions, creating a home that reflects his unique journey and values. The 65 sqm area is efficiently utilized to accommodate these items and foster a sense of personal connection to the space. The renovation emphasizes functionality while also providing aesthetic appeal through thoughtful material selection and spatial organization. Key materials used in the renovation include Ferrum+, Haymes Paint, Kvadrat, and TAJIMA ROOFING, indicating a focus on quality and specific design choices. The lead architects for the project were Yota Hokibara from HAMS and, Studio, and Ken Kazama, with ROOVICE handling the construction. The project is categorized under renovation and apartment interiors, reflecting its scope and context within a residential setting in Japan. The photographs by Akira Nakamura visually capture the essence of the design, showcasing the interior spaces such as the dining room, kitchen, and areas with shelving. These images illustrate how different elements like tables, chairs, and windows are arranged to achieve the desired flow and aesthetic. The visual documentation, including floor plans, sections, and diagrams, further elaborates on the spatial relationships and structural modifications undertaken during the renovation. This detailed portrayal helps in understanding the design intent and its execution. The project exemplifies a personalized approach to home renovation, moving beyond generic design trends to create a space deeply resonant with the occupant's identity. The integration of personal items and the creation of a fluid connection between indoor and outdoor environments are central to this design. The emphasis on carefully chosen materials and the collaboration of experienced architects and construction teams underscore the project's commitment to quality and unique architectural expression within a compact urban setting in Japan. #HomeRenovation #JapaneseArchitecture #InteriorDesign #HAMSAndStudio #AkiraNakamura #ResidentialArchitecture #ApartmentInteriors #ArchitectsHome #PersonalizedDesign

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation

Metaphor Interior Architecture, a Jakarta-based interior design consultancy, services clients globally. This firm, composed of creative individuals, aims to provide optimal design solutions, specifically focusing on The Zora Kanade cluster. Christine, a senior associate, spearheads the design for Kanade Type 12. She reveals that her prior work on the Samasana Club House at The Zora provided a foundational understanding of the developer's design aspirations for the Kanade Cluster, which she extended to its three show unit houses. Her approach to the design brief involved analyzing the high-end target market and varied price points of the three housing units to determine appropriate interior design concepts. This led to distinct designs for each show unit, all incorporating a Japanese sensibility tailored for a modern, affluent demographic. Christine explains that the Japanese philosophy is translated not through direct imitation, but through the principle of 'balancing,' akin to Zen philosophy. This balance is evident in the harmonious use of colors, materials, and room composition, which collectively contribute to the desired ambiance. Elaborating on design balance, Christine highlights that each room's decor aligns with its function. For instance, a spacious area between the living and dining rooms demonstrates their strategy for balancing different zones within a single space. They also collaborate with Henco Home Decor to supply custom-designed furniture. Regarding color palettes, earth tones like brown or gray form the base, augmented by accent colors such as burnt orange, teal, and combinations thereof. While orange might not be traditionally Japanese, teal and olive are chosen for their natural associations, reflecting leaf colors. These accent colors are strategically employed to infuse a modern and luxurious feel into the Japanese aesthetic. Acknowledging the Japanese preference for simplicity, Christine clarifies that the target market's demand for luxury necessitated a nuanced approach to color, resulting in a unique modern atmosphere. The three show units, contrary to having a common thread, are each designed with distinct interior concepts to cater to their specific target markets. For example, the Type 12 unit targets a mature clientele prioritizing luxury, while Type 8+ and Type 10 units are designed with younger families in mind, featuring more youthful aesthetics. To ensure each unit resonates with potential buyers, the design process incorporates diverse consumer style preferences. These customer needs are then translated into unique designs for each unit, varying in color and overall concept. Material selection prioritizes both aesthetics and ease of maintenance, with choices like solid surface, marble, or laminate ensuring durability and practicality. #InteriorDesign #JapaneseDesign #LuxuryHomes #MetaphorInteriorArchitecture #HomeDecoration #DesignPhilosophy #ColorPalette #MaterialSelection

Hearth Architects designed 'House in Nango,' a two-story detached house in Nango, Otsu City, Shiga Prefecture, Japan, completed in July 2021. The architectural project addresses the site's natural incline by incorporating a multi-level design that seamlessly connects the interior spaces with the exterior environment. A defining feature of the residence is its 19-meter-long sloping roof, which extends to cover a garage space, creating a cohesive and visually striking architectural element. This sloping roof is also visible from the interior, contributing to the dynamic spatial experience within the home. The design philosophy for 'House in Nango' emphasizes minimalism, deliberately avoiding excessive decoration. Instead, the focus is placed on the interplay of materials and textures, primarily concrete and wood, to create visual interest and define spaces. Niches and varying ceiling heights emerge from the structural design, enhancing the interior's aesthetic appeal through the strategic use of these two primary materials. The architects aimed to create a dwelling that is both neat and inviting, fostering an environment where family members can spend quality time together while also having designated areas for individual reflection. The interior of the house blends the cool grey tones of concrete with the warm hues of timber, creating an intimate and balanced atmosphere. This pure and sober material palette is punctuated by strategically placed openings of various sizes, allowing abundant natural daylight to penetrate the living spaces. A small skylight, positioned at the highest point of the sloping ceiling, offers occupants glimpses of the sky, further connecting the interior with the outdoors. To expand the sense of living space and blur the boundaries between the inside and outside, Hearth Architects incorporated floor-to-ceiling openings. These large transparent surfaces ensure a smooth transition from the interior living areas to the external environment, enhancing the home's open and airy feel. The overall design of 'House in Nango' reflects traditional Japanese sensibilities, prioritizing simplicity, fluidity, and a harmonious relationship with its surroundings. The project, photographed by Yuta Yamada, occupies a site area of 237.17 sqm, with a building area of 109.30 sqm and a total floor area of 99.36 sqm. #HearthArchitects #JapaneseArchitecture #MinimalistDesign #ConcreteAndWood #DetachedHouse #SlopingRoof #ResidentialArchitecture #InteriorDesign #NangoHouse

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

This article explores nine diverse examples of Japandi interior design, a style that harmoniously merges Japanese and Scandinavian aesthetics. Japandi design is characterized by its contemporary yet minimalist nature, prioritizing quiet, understated elegance, coziness, and comfort, often incorporating elements of Hygge and Wabi-Sabi philosophy. The style frequently uses earthy palettes and natural materials to create serene and inspiring spaces. The first example is a duplex apartment in Singapore, named The Rasidence, where Studio Right Angle implemented a minimalist Japandi aesthetic. This design features sliding ash wood screens for subtle space division and an earthy palette of oak, stone, and neutral hues, fostering an airy and grounding presence that evokes serenity. Next, a former photography studio in San Francisco's Potero Hill neighborhood was transformed into a serene Japandi home by Brooke Aitken. The renovation preserved original clerestory windows and cinder-block walls while integrating natural light and covering walls in linen-like vinyl, with selective pops of red in furnishings, enhancing the home's coziness. An I.M. Pei-designed apartment in Manhattan's Kips Bay Towers underwent a Japandi-inspired revamp by Uli Wagner Design Lab. The firm introduced fluted ceiling panels and minimalist touches, alongside multiple aluminum windows, to open up the floorplan and maximize natural light, maintaining a grounded aesthetic within the Brutalist classic structure. In Dublin, Róisín Lafferty and Ambient Architecture combined two semi-detached houses into a single residence with a fashionable Japandi style. The design utilizes a neutral base palette, reflective surfaces, and glass walls to bring in natural light and views of the verdant backyard, creating an “oasis of calm” with subtle greens, blues, and taupes. Jan Žaloudek, an architect, designed his own serene 1,600-square-foot home in Kamenná Lhota, Czech Republic, embodying modern Japandi interior design. The home features circular and quatrefoil-shaped punctures in the masonry for ventilation and light, casting “lacelike shadows” on concrete floors. The decor reflects fine art interests, with carefully curated furniture and artwork giving spaces an ecclesiastical and gallery-like feel. OWIU revitalized a neglected 1955 home in Los Angeles, channeling their Japanese-inspired design ethos with a modern aesthetic. Floor-to-ceiling windows offer views of a substantial garden, and every surface is painted to reflect the landscape, from terra-cotta to beige, with Venetian plaster in the foyer bringing in the texture of surrounding mountains. In La Quinta, California, a 12,000-square-foot desert home, inspired by Japanese Zen gardens, was reimagined by Lucas interior design firm. This space integrates emerald green and navy blue tones with bronze accents and wooden elements, creating a Japandi style. Thoughtfully chosen furniture, lighting, tactile fabrics, and natural materials like stone and steel contribute to a cozy and visually rich atmosphere. A London apartment by Natural Asthetik achieved a serene Japandi environment using a restrained, soft, and natural color and material palette, incorporating wood, stone, and natural fibers. Organic shaped pieces and curves were used to maintain an energetic flow within the rooms, creating a peaceful refuge in the city. Finally, a 10,000-square-foot Vancouver Island home by Andrea Rodman Interiors blends Japanese and Scandinavian influences. Taking inspiration from Canadian countryside houses, the contemporary and minimalist design features a white palette accented by oak tones, natural stone, and rattan, making the interiors feel airy and connected to the coastal British Columbia environment, achieving a unique balance between the two design styles. #JapandiInteriorDesign #MinimalistDesign #ScandinavianAesthetics #JapaneseAesthetics #HomeDecor #InteriorDesignProjects #TranquilSpaces #NaturalMaterials #SustainableDesign

Case Real, a Fukuoka prefecture-based design and architecture firm, has undertaken a partial renovation of the Yamaguchi Sake Brewery in Kurume city, Japan. The project involved updating a traditional cedar-beam property, originally constructed in the early 1800s by the Yamaguchi family ancestors. Designers Koichi Futatusmata and Koichi Shimohira were responsible for infusing contemporary architectural thought into the historic site. The core of the renovation addressed the client's desire to effectively utilize the courtyard situated between the aged main house and a warehouse on the same premise, while ensuring continuity between the two structures. To achieve this, Case Real connected the buildings with a washed-finished cement floor and a stair. Additionally, large openings in the lounge space of the main house were re-arranged to foster a closer connection between the two previously distinct areas. The design facilitates the delicate sake brewing process, which requires gentle handling of rice milling and precise humidity levels in the rooms. The newly created connective courtyard allows for a more comfortable flow of this intricate process. A key feature of the renovation is the secret garden, intentionally sparsely ornamented with slim native trees and anchored by off-white pebbles. This garden is designed to provide a distinct and meditative area, offering brewers a serene space to unwind during their shifts. In conjunction with the garden, a new, dedicated lounge space was created. This lounge is conceptualized as a zen environment that respects the brewery's historical roots while embracing a contemporary outlook. The walls within this space are rendered in modern sweet-chestnut shades, and vast windows are strategically placed to maximize natural light. The flooring incorporates characterful, polished stone, referencing the structure's early days. Overhead, the original cedar beams remain sturdy, serving as a constant reminder of the Yamaguchi family’s long-standing heritage in sake brewing. Case Real has a history of designing functional workspaces that prioritize employee freedom and creativity, as seen in their previous projects such as a Japanese storehouse live-work conversion and minimalist designs for brands like Aesop. This renovation of the Yamaguchi Sake Brewery continues that tradition, blending historical preservation with modern functionality and a tranquil aesthetic. The project exemplifies a harmonious integration of old and new, creating a refreshed environment that supports both the traditional craft of sake brewing and the well-being of its practitioners. #JapaneseArchitecture #SakeBrewery #MinimalistDesign #SecretGarden #ArchitecturalRenovation #WorkspaceDesign #TraditionalCraft #ZenDesign #CaseReal

This project details the construction of a compact office building situated within a residential area in Kitakyushu, Japan. The primary occupant is Ecoplan Corporation, a company specializing in wildlife and vegetation studies. The architectural design, a collaboration between Furumori Koichi architectural design studio and Daiju Kuwahara, was completed in 2024 and spans an area of 444 square meters. Kyoko Omori provided the photographic documentation for the project. The lead architectural team included Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with Daiju Kuwahara also playing a key role. Structural engineering was handled by Kenichiro Takashima, while Tomohiro Urata was responsible for the landscape architecture. Azuma Kensetsu served as the general contractor for the construction. The project integrates into a residential neighborhood, emphasizing a design that harmonizes with its surroundings. The choice of Ecoplan Corporation as the tenant suggests a focus on environmental considerations, potentially influencing material selection and design elements. The building’s modest size indicates a tailored approach to meet the specific needs of the company, rather than a large-scale commercial development. The involvement of multiple specialists, including structural engineers and landscape architects, highlights a comprehensive design and construction process, ensuring both structural integrity and aesthetic integration with the site's natural elements. The architecture likely considers aspects such as natural light, ventilation, and material sustainability, given the tenant's focus on environmental research. Photographs by Kyoko Omori capture various aspects of the building, including interior spaces, exterior views, and possibly details of material use. The images, which include wood and glass elements, suggest a design that incorporates natural materials and maximizes transparency to foster a connection with the outdoors. The mention of beams in some image descriptions indicates structural expression within the interior, contributing to the overall aesthetic. Aerial views and cityscape images would provide context regarding the building's placement within Kitakyushu’s urban fabric and its relationship to the broader environment. Key design features potentially include a thoughtful integration of wood, which can offer warmth and a natural feel to the office environment. Glass components would allow for ample natural light, reducing reliance on artificial lighting and enhancing the working atmosphere. The phrase "Office in the Breeze" in the title hints at a design that facilitates natural airflow and promotes a comfortable indoor climate. This could involve strategically placed windows, balconies, or other architectural elements designed to harness prevailing winds. The building's category as "Commercial Architecture" within a residential context suggests a nuanced approach to zoning and community integration, possibly requiring sensitive design choices to blend functionality with neighborhood character. The collaboration between two design studios implies a rich exchange of ideas and expertise, likely leading to an innovative and well-considered architectural solution. The project serves as an example of contemporary commercial architecture in Japan, demonstrating how design can respond to both client needs and environmental considerations within a specific urban setting. The area of 444 square meters signifies a mid-sized project that allows for detailed attention to both functional layout and aesthetic quality, potentially incorporating flexible workspaces to support Ecoplan Corporation’s research activities. #CommercialArchitecture #JapaneseArchitecture #Kitakyushu #OfficeDesign #WoodArchitecture #GlassArchitecture #EnvironmentalDesign #KyokoOmori

The Mori House, originally designed in 1963 by Saul Zaik, a prominent figure in Pacific Northwest architecture, has been revitalized by SHED Architecture & Design. Located in a forested area of Portland, Oregon, the redesign aims to blend mid-century modern aesthetics with Japanese-inspired minimalism to suit a young family's design preferences and functional needs. The property features a main house, a detached garage and studio, and a teahouse pavilion, all connected by elevated decks and surrounded by tall trees, fostering a strong connection to nature. SHED Architecture & Design's renovation honors Zaik's original vision, which emphasized clear geometries and natural materials. The primary goal of the remodel was to enhance the flow of light and space, blurring the lines between the indoor and outdoor environments. A significant alteration involved replacing the original spiral staircase and loft with an open, vaulted ceiling. This change reveals the nail-laminated wood roof structure and introduces a new central skylight, which bathes the living areas in natural light and accentuates the architectural rhythm of the home. The main floor is designed with an open-plan layout, where the living, dining, and kitchen areas seamlessly connect along the southern side. Expansive glazing offers unobstructed views of the surrounding forest. A strategically relocated fireplace in the living room provides a focal point and, on clear days, offers views extending to Mount Saint Helens. The kitchen is a testament to refined craftsmanship, featuring custom fir accents and horizontal windows that frame views of mature rhododendrons, integrating the natural landscape into the interior design. The primary suite, situated on the northern side of the house, is designed as a luxurious and tranquil retreat. It includes a walk-in closet and a bathroom equipped with a Japanese soaking tub, combining comfort with elegant simplicity. Fir slats above the entry doors to the suite softly diffuse light, maintaining a visual link to the central skylight. The lower level of the house has also been transformed into a versatile space, accommodating three flexible rooms that can function as bedrooms, offices, or fitness areas, alongside a shared bathroom and a dedicated wine cellar. A cozy lounge area on this level, with its floor-to-ceiling windows, reinforces the home's deep connection to its natural, wooded surroundings. #Architecture #HouseDesign #InteriorDesign #JapaneseAesthetics #JapaneseMinimalism #MidCenturyModern #PortlandArchitecture #ResidentialDesign #SHEDArchitectureAndDesign

The design world has consistently looked for philosophies to enhance domestic environments, moving from feng shui to wabi sabi and hygge. A new approach, rooted in the Japanese principle of yūgen, is now gaining attention through the work of London-based interior designer Yoko Kloeden. Yūgen, which broadly translates to a deep sense of presence and peace derived from life's subtle beauty, guides Kloeden's interior design philosophy, aiming to cultivate tranquility and harmony in homes. Kloeden's journey into this discipline began later in life, following a career change from corporate work. Her inspiration stemmed from the profound sense of calm she experienced in the temples of her hometown, Kyoto, a feeling she later identified as yūgen. She sought to translate this ethereal concept into tangible interior design principles. To achieve this, Kloeden developed five core principles: hikari (light), nagame (view), ma (space), shizen (nature), and taru o shiru (less is more). These principles collectively inform her design choices, promoting balanced and serene living spaces. Each principle plays a crucial role in shaping a yūgen-inspired home. Hikari emphasizes the importance of natural light, which affects mood and perception of space. Nagame focuses on the views from within the home, encouraging deliberate connections with the external environment. Ma highlights the significance of negative space and the arrangement of elements to create flow and openness. Shizen integrates natural elements and materials into the interior, fostering a connection with the outdoors. Taru o shiru advocates for a minimalist approach, emphasizing quality over quantity and the beauty of simplicity. Kloeden stresses the importance of sensory experiences in her designs, particularly touch and smell. She advocates for the use of organic, natural, and slightly imperfect materials, such as timber, noting their positive impact on well-being through their innate scent, sound, and feel. She believes that materials bearing the marks of their creation process can help individuals feel more grounded and connected to a larger narrative. Ultimately, Kloeden's philosophy serves as a reminder of the fundamental human need for connection to nature, natural light, and warm, tactile surroundings. Her work transcends mere aesthetic trends, proposing a method for creating soulful environments that offer refuge and rejuvenation. By thoughtfully integrating these Japanese principles, Kloeden aims to bring the quietude and peace found in traditional Kyoto temples into contemporary homes, transforming everyday living spaces into sanctuaries for relaxation and introspection. #JapaneseAesthetic #InteriorDesign #Yugen #HomeDecor #MindfulLiving #DesignPhilosophy #NaturalMaterials #SoniaZhuravlyova

Sunny Simmons and Caroline Smith, a husband and wife duo, transformed a former auto body shop in San Francisco into Onsen, a Japanese-inspired bathhouse and restaurant. This ambitious three-year project involved a complete revamp of the space, with the couple even residing in an Airstream inside the automotive building during the renovation period. Sunny, a craft builder, prioritized retaining the original character of the building while integrating modern amenities. He meticulously collected wood over time, which was then used throughout the building, contributing to its unique aesthetic and connection to the past. The aesthetic of Onsen is deeply influenced by Japanese bathhouse culture, yet it incorporates the couple's personal touch and a focus on community. Caroline curated the art that adorns the walls of the treatment rooms and the restaurant, adding a distinct artistic dimension to the space. The bathhouse section of Onsen features six treatment rooms and a communal bathing area. A notable highlight is the cold plunge shower installation, which draws inspiration from steampunk fiction, providing a distinctive and invigorating experience for patrons. Each treatment room within the bathhouse offers a unique environment. One room is a dry sauna constructed entirely from redwood, evoking the feel of a traditional sauna. Another room showcases striking black and white tiles, adding a graphic element to its design. The communal bathing room’s five-head cold shower plunge system exemplifies the blend of traditional inspiration with a unique, artistic interpretation. The walls are further decorated with a collection of bathhouse tickets from various locations around the world, adding to the authentic and global feel of the space. Beyond the bathhouse, Onsen features an intimate, chef-driven restaurant and tearoom at the front of the building. This culinary space offers fresh, seasonal cuisine and tea service, complementing the tranquil and rejuvenating experience of the bathhouse. The owners' commitment extends beyond commercial enterprise to community engagement. On Tuesdays, when the business is closed, Simmons and Smith plan to open their facility to the neighborhood, offering services to those who might not otherwise have access. This initiative reflects their dedication to giving back and fostering a sense of community. The entire transformation, from an industrial auto body shop to a serene Japanese-inspired haven, showcases a blend of historical preservation, modern design, and community spirit. #ZenBathhouse #JapaneseDesign #SanFrancisco #AdaptiveReuse #InteriorDesign #CommunitySpace #CraftBuilding #Wellness

Kubo Tsushima Architects has designed two distinct hotel rooms within a boutique hotel in Kyoto, Japan, focusing on creating unique and memorable guest experiences through integrated design elements. The first room, Room 103, nicknamed 'Moon Phases,' addresses the challenge of a narrow window by featuring a circular light fixture carved into the wall. This fixture is designed to mimic the phases of the moon, transitioning from a full moon to a crescent as the room's lights are dimmed. This interactive lighting aims to connect guests with the natural rhythm of lunar cycles, drawing a parallel between the moon's influence on tides and its perceived impact on human emotions and the body, a concept highlighted by the architects given the body's high water content. The design of Room 103 further enhances a sense of seclusion and comfort by incorporating rounded junctions between the walls and ceiling, creating a soft, enveloping environment. The second room, Room 401, is themed 'Morning Dawn' and is situated on the fourth floor, offering expansive views of the city through a large window. For this space, the architects sought to evoke the serene atmosphere of an early morning dawn shrouded in mist. This is achieved through a deliberate use of color and form: a green carpet covers the floor, symbolizing a grassy plain, and extends upwards onto the walls with a gradient paint scheme that shifts from green to white. This artistic transition blurs the lines between floor and wall, immersing guests in the sensation of being surrounded by a field. The room's architecture emphasizes soft, continuous surfaces, with rounded walls concealing structural elements like columns and beams. Indirect lighting is strategically placed in a slit between the ceiling and walls, designed to replicate the gentle, sharp light of the rising sun. This combination of diffused lighting, gradient colors, and rounded forms creates a hazy, undefined space, offering a quiet and contemplative experience reminiscent of a deeply foggy, pure morning. Both rooms, totaling 51.81 sqm for Room 103 and 50.39 sqm for Room 401, were completed in December 2019 and showcase Kubo Tsushima Architects' innovative approach to interior design, using natural phenomena as inspiration to craft immersive and experiential hotel environments at The Screen Hotel in Kyoto. #HotelDesign #InteriorArchitecture #ExperientialDesign #LightingDesign #JapaneseArchitecture #KuboTsushimaArchitects #TheScreenHotel #Kyoto

The article introduces the work of Japanese designer Asao Tokolo, who effectively merges art and mathematics, bridging historical and contemporary influences, and Eastern and Western aesthetics. Tokolo's designs are characterized by patterns that interlock harmoniously without repeating, a concept initially demonstrated through magnetized tiles. These tiles, when rotated, consistently match at every edge, creating endless new configurations from a single set of elements. Tokolo's inspiration draws from the traditional Japanese arabesque patterns, known as karakusa, which originated in various Western and Middle Eastern regions approximately 1200 years ago. These patterns, typically representing flora, were historically used on clothing, bedding, and ceramics in Japan. While scholarly work often focuses on the fractal geometries and repetitive nature of these patterns, Tokolo's innovation lies in creating unique tile shapes that, despite their individuality, always connect seamlessly. This approach reflects a conceptual blend of Western individualism and Eastern collectivism. Following the development of the mathematical principles behind his unique patterns, Tokolo explored various applications. He collaborated with interior designers and architects, leading to the use of his designs in ceramic tiles and wall decorations. The patterns extended beyond decorative elements for homes, appearing in public spaces such as Tokyo trattorias, where they were frosted into glass partitions. Furthermore, Tokolo's designs were integrated into fashion and automotive industries, notably adorning Ooito jackets and Volkswagen Beetle seat fabrics, demonstrating their versatility and adaptability across diverse mediums. The article emphasizes the compelling nature of Tokolo's work, particularly highlighting the original magnetic tile piece as the most remarkable example of his design philosophy. The consistent fit yet non-repeating characteristic of these patterns is described as a form of mathematical magic. This aspect of his work underscores the designer's ability to create complex, engaging patterns that offer endless possibilities for arrangement while maintaining an inherent harmony. Tokolo's designs, therefore, are not merely aesthetic but also incorporate a deep mathematical and philosophical underpinning, challenging conventional notions of pattern and repetition. #AsaoTokolo #PatternDesign #JapaneseDesign #MathematicalArt #InteriorDesign #CeramicTiles #KarakusaPatterns #DesignInnovation #ModularDesign

Kairi Eguchi Studio has designed YOKI SAUNA, a unique barrel-shaped sauna situated on the site of an abandoned elementary school in Hyogo, Japan. This project aims to offer a rejuvenating experience deeply connected to nature and local cultural heritage. The sauna's distinctive wooden structure is crafted from thinning trees sourced directly from the surrounding forest, emphasizing a sustainable approach to construction and resource utilization. This integration of local materials not only contributes to the sauna's aesthetic but also supports local forestry management practices. A key design element of the YOKI SAUNA is its long, slender window, which is gracefully topped by a stepped ceiling. This architectural feature is designed to facilitate a dynamic interplay of natural light and shadow within the sauna space, creating an ethereal and tranquil atmosphere for its users. The strategic placement and design of this window ensure that the interior environment is constantly changing, reflecting the time of day and the natural light conditions outside, thus enhancing the meditative and relaxing experience. The facility is located in Aogaki, Tamba City, and is committed to fostering a symbiotic relationship with its natural surroundings. A significant aspect of this commitment is the utilization of water from the headwaters of the Kakogawa River for the sauna’s baths, highlighting the studio's dedication to integrating natural resources responsibly. Beyond the architectural design, Kairi Eguchi Studio also took charge of the branding for YOKI SAUNA. The branding efforts pay homage to the majestic backdrop of the nearby mountains, further reinforcing the sauna’s connection to its natural landscape. The project’s core ethos is rooted in sustainability and local collaboration. The thinning trees used in the construction were harvested through an operation initiated by Ki-ei, the facility's management company. This process not only provides the necessary building materials but also supports the health and ecological balance of the forest by removing excess trees. The sauna’s logo itself embodies this principle, featuring four interconnected trees that symbolize the interconnectedness of nature, community, and sustainable practices. This design and operational philosophy transforms the sauna into more than just a place for relaxation; it becomes a testament to thoughtful environmental stewardship and community engagement, promoting a holistic well-being experience that aligns with the natural rhythms of the Japanese forest. #KairiEguchiStudio #YokiSauna #JapaneseArchitecture #SustainableDesign #WoodArchitecture #ReclaimedWood #SaunaDesign #NatureIntegration #HyogoJapan