Allen Siple designed this Brentwood bungalow with vaulted ceilings and Pacific views

This article details the transformation of a four-bedroom California bungalow on Sydney's Lower North Shore, owned by designer Jennie Cadman of Periwinkle Interiors. The renovation was undertaken to accommodate her growing family, which includes her husband and four children, aged between two and 12. Despite having completed a renovation on their previous home nearby, it proved insufficient for their needs, prompting the family to acquire this bungalow in 2018. The property was appealing due to its 'great bones,' featuring high ceilings, spacious bedrooms, a predominantly single-level layout, and a generous backyard. Previous owners had also effectively utilized the attic space, converting it into an additional bedroom and a family room. However, the bungalow presented challenges, particularly its dark and inefficient floor plan in the 1990s addition. This section included a bedroom and laundry overlooking the garden, a space Jennie felt was better suited for a living area. A significant issue was the lack of kitchen bench space, compelling Jennie to prepare meals on the stovetop. To address these functional shortcomings and improve the home's flow, the family engaged architect Adam Hampton of Hampton Architecture in 2019. Their primary goals were to design a new extension with a living area that maximized garden views, reconfigure the misplaced bedroom, and incorporate an ensuite for their eldest child, who needed a private bathroom. Today, the renovated home features an open-plan kitchen, dining, and living area that occupies almost the entire left side of the house. A distinct sitting room is situated between this open-plan space and the entry, while the main bedroom suite and family bathroom are located to the right of the entry. The children’s bedrooms now overlook the backyard, and the pitched roof of the upper level houses a study and a family room. The kitchen, designed as the central hub, connects seamlessly to the new living room and the backyard. A notable architectural feature of the extension is its pitched roofline, which mirrors the original front facade and achieves an impressive height of approximately 4 meters, enhanced by skylights, to create an expansive and airy feel. Innovative design choices include a 1.4x1.1-meter cool room in place of a traditional fridge, providing an efficient way to store groceries. Jennie also specifically requested that all storage be below bench height, accommodating her stature. In the dining area, French doors were added, opening onto a deck overlooking the front garden and pool, with a sheltered sitting area beneath. Windows in the children’s bedrooms were enlarged, and the attic family room gained a balcony to further integrate indoor and outdoor spaces. The main bedroom was reconfigured to enlarge both the ensuite and walk-in wardrobe. The interior design, largely overseen by Jennie, showcases a bold navy blue palette, particularly prominent in the sitting room through artworks and soft furnishings. This is contrasted with vibrant pops of red and orange, seen in a Knoll ‘Womb’ chair and a patchwork kilim in the dining area. Jennie intentionally created a contrast between formal and informal spaces, with the casual living room being bright and airy, and the sitting room designed to be darker and more intimate. Texture plays a crucial role, with materials such as a linen modular sofa, linen curtains, timber floors, tongue-and-groove joinery, a concrete plinth, and a marble coffee table in the family room. The main bathroom features smooth marble, while the kitchen employs dolomite for benchtops and splashbacks, complemented by walnut veneer and brass finishes. Jennie identifies the sitting room as her favorite space, appreciating its cozy and enveloping atmosphere. #CaliforniaBungalow #HomeRenovation #InteriorDesign #FamilyHome #ArchitecturalExtension #OpenPlanLiving #NavyInteriors #CathedralCeilings #KitchenDesign #OutdoorLiving

Allyson and Paul Riser, who annually vacation along Highway 30A in Seaside, Florida, embarked on a project to build a family retreat on a narrow, challenging lot in the heart of Seaside. Initially skeptical of the neglected strip of land, which they mistook for overflow parking, the Risers were ultimately convinced by its unparalleled location—catty-corner from Seaside’s town square and a short walk from the beach, offering wide views of the Gulf of Mexico. This prime location was a critical requirement for their large family, consisting of four grown children and a daughter-in-law. To overcome the constraints of the unusual lot size and accommodate their family's needs, the Risers enlisted Seaside architect Ty Nunn and Birmingham interior designer Fran Keenan. Their primary objective was to create sufficient bedrooms and gathering spaces, while Allyson also sought to infuse the new Florida build with the character and timelessness found in the old coastal homes of the South Carolina Lowcountry. Nunn designed a three-story house, one room deep and three rooms wide, with the kitchen and main living area located on the top floor to maximize the exceptional views. Keenan faced the challenge of incorporating the Lowcountry aesthetic, which often features large, low-slung roofs, into a tall three-level structure. A trip to Paris provided an unconventional solution: installing large, pop-out windows in the roof to flood the third-floor living area with natural light, creating a bright and airy space that became the focal point of the home. Inside, Keenan and her colleague Sara Walker curated an interior that reflected the surrounding landscape without resorting to overt beach-themed decor. The color palette, inspired by the blues and greens of the Gulf, features grayish blues, whites, muted turquoise, and faded aqua, fostering a sense of peace and serenity. The light-colored floors were specifically chosen to mimic sand, cleverly concealing any beach sand tracked in by the family. The design incorporated a mix of antique furnishings and architectural details such as wide-wood-paneled walls and detailed casing to give the new house an immediate sense of history and character. Keenan emphasized that using "old things" helps keep a space fresh and unique, breaking away from conventional design norms. The decor was further enhanced by layers of art, including framed textiles and pressed botanicals, adding personal touches and fostering conversation. A notable feature is the stairwell art gallery, filled with over 120 vintage nautical paintings collected from various vendors across the Southeast, including estate sales in Little Rock, making an otherwise functional space a vibrant display of personal history and curated taste. A large coastal landscape painting, discovered at Scott Antique Markets in Atlanta, became a centerpiece in the sons' room, symbolizing a nostalgic piece that could be passed down through generations. Ultimately, the home serves as a cherished gathering place for the Riser family, facilitating connection and creating lasting memories as their children grow. #BeachBungalow #CoastalHome #HomeDesign #InteriorDesign #SeasideFlorida #FamilyRetreat #ArchitecturalInnovation #AntiqueDecor #NauticalArt

This article highlights a custom-built, one-owner ranch-style bungalow located at 4495 Second Line West in the Gros Cap area, Prince Township. The property, constructed by Higgins Construction in 1997, offers almost 1,800 square feet of living space, comprising two bedrooms and three bathrooms. The interior features blonde oak hardwood flooring throughout and an open-concept design that integrates the kitchen, dining, and living areas. A significant feature is the expansive wall of windows in the living and dining rooms, providing a south-facing view of Lake Superior. The kitchen is designed for functionality with ample storage, counter space, and multiple windows, enhancing its bright and sunny atmosphere. The primary suite is well-appointed with an ensuite bath and a large walk-in closet, ensuring comfort and privacy. A second bedroom and a conveniently located laundry room complete the private living spaces. The property also includes practical amenities such as a double attached garage and a large interlocking brick driveway, offering abundant parking options for residents and guests. The design prioritizes capturing the natural beauty of the surroundings, with specific emphasis on the panoramic lake views that are central to the home's appeal. The outdoor area of the property spans 300 feet of private sandy beach along Lake Superior. This waterfrontage includes a water break and shallow entry, making it suitable for recreational activities such as swimming and beach enjoyment for families with children and pets. The landscape is characterized by mature trees, providing generous shade and ample space for gardening, outdoor play, and various year-round activities. The combination of the sandy beach and the direct lake access contributes to a desirable lakeside lifestyle. The location of the bungalow is a notable advantage, situated approximately 20 minutes from downtown Sault Ste. Marie. This proximity allows convenient access to urban amenities such as shops, restaurants, and various services while maintaining a serene waterfront setting. The area also benefits from the presence of nearby schools, trails, sports fields, and major parks, catering to a range of community and recreational needs. Dave Butkovich, Broker of Record at Castle Realty (2022) Ltd., emphasizes the quality craftsmanship and the stunning lakeside views as key selling points, highlighting the potential for creating lasting family memories in this setting. Castle Realty specializes in cottage sales and offers services to potential buyers interested in this type of property. #WaterfrontBungalow #LakeSuperior #PrinceTownship #RealEstate #CustomBuiltHome #HigginsConstruction #LakesideLiving #GrosCap #SaultSteMarie

Perched on a steep Sausalito hillside with expansive views of the San Francisco Bay, a unique home known as Lighthouse II, originally designed in the mid-1980s by architect Kirk Hillman, has undergone a significant renovation by San Francisco architect Mark English. The house, one of a pair of 'fraternal twins' with a distinctive pinwheel shape and hexagonal three-story plan, was acquired in 2014 by art and furniture collectors Fred and Robin Seegal. Their primary motivation for purchasing the property was its location and the immersive experience of living on the tram-accessible hillside. The original structure, while charming with its wooden elements and sloping eaves, was characterized by its closed-off, compartment-like rooms. English’s renovation aimed to transform this into an open and light-filled space, maximizing the stunning views without sacrificing the home’s inherent quirks. A major challenge in this endeavor was the property's location on a cliff in an earthquake zone, necessitating the replacement of the original timber frame with a seismic steel structure. This robust new framework was intentionally left exposed in parts, contributing a subtle industrial aesthetic to the otherwise white interiors. To open up the house, English removed most of the interior walls, particularly on the second floor where the kitchen, a central hub for Fred, now boasts a 180-degree view of the bay. Two fireplaces that obstructed the eastern view were also eliminated, and the eaves were raised to accommodate floor-to-ceiling windows and sliding glass doors. These structural changes effectively dissolved the traditional division of rooms, creating a fluid sequence of spaces where functionality is delineated by furniture arrangement, artwork, varying floor and ceiling heights, and shifts in light. This design approach allows for continuous discoveries and changing perspectives as one moves through the home, offering fresh interpretations of the surrounding bayscape and the couple's extensive art collection. The renovation process, which lasted two years, was complicated by the challenging site. All construction materials, including structural steel, windows, doors, and concrete, had to be transported by barge and then either craned or carried up from the dock. Despite these logistical difficulties and considerable effort, the Seegals found the breathtaking views and the transformation of their home well worth it. Following the successful renovation of Lighthouse II, the couple acquired the adjacent Lighthouse I, with Mark English slated to undertake a similar transformation. #ArchitecturalRenovation #SanFranciscoBay #ArtCollection #ModernHome #SausalitoArchitecture #MarkEnglishArchitects #PinwheelFloorPlan #SeismicUpgrade

The Beverly Hills Hotel, celebrated for its recognizable pink exterior and glamorous red-carpet entrance, has consistently maintained its status as a premier destination on Sunset Boulevard. While well-known for its opulent suites, the hotel also features a collection of discrete bungalows spread throughout its expansive property. These private accommodations have served as exclusive retreats for Hollywood luminaries such as Gloria Swanson, Marlene Dietrich, and Howard Hughes since 1915, offering a storied history that guests can now experience. Bungalow 9 is the latest addition to the hotel’s refurbished bungalow offerings, marking the culmination of an extensive restoration project initiated in 2016. This renovation effort revitalized all 21 bungalows, a century after their initial construction. The design of Bungalow 9 specifically honors Charlie Chaplin, the legendary silent-movie star. Champalimaud Design, responsible for the interior aesthetics, has crafted a space that balances luxury with a relaxed atmosphere. The 2,030-square-foot bungalow features a comprehensive layout that includes a spacious living room, a distinct dining area, a master suite, a guest room with its own full bathroom, and a private outdoor terrace. The interior design of Bungalow 9 by Champalimaud Design incorporates a soothing color palette dominated by honey-colored neutrals. These hues are complemented by a selection of rich textures and clean, modern lines, contributing to an overall sense of refined comfort. The architectural and decorative elements within the bungalow are carefully chosen to evoke a residential feel, featuring sleek headboards, French doors draped with curtains, and wall-to-wall carpeting in the bedroom. Beyond these structural components, artistic pieces and subtle design details serve as tributes to Charlie Chaplin’s legacy. Guests are immersed in the Chaplin-inspired theme from the moment they arrive, being greeted with a special chocolate dessert. The bungalow's kitchen is also thoughtfully equipped with a cocktail kit, similarly inspired by Chaplin, providing an ideal setup for entertaining guests on the private terrace. The bungalows, strategically positioned amidst lush palm trees and meticulously maintained box hedges, offer an enhanced sense of space and seclusion. This design caters to guests who desire a more private and expansive environment without compromising on the luxurious and glamorous experience synonymous with the Beverly Hills Hotel. A stay in Bungalow 9, with its direct homage to Charlie Chaplin, is designed to be so captivating that guests will find themselves reluctant to depart. The nightly rates for these exclusive bungalows begin at $7,700, reflecting the unique blend of historical reverence, modern luxury, and unparalleled privacy they offer. #BeverlyHillsHotel #HollywoodGlamour #CharlieChaplin #LuxuryTravel #BungalowDesign #ChampalimaudDesign #HotelRenovation #InteriorDesign #CaliforniaHotels

The article details the transformation of a 1960s West Palm Beach bungalow by designer Gillian Segal for a young family. Initially acquired as a temporary residence, the family became so fond of the home's location and structural integrity that they decided to renovate it. The interiors, originally described as "neutral and bland," were given a quirky update that blended traditional Palm Beach style with West Coast and bohemian influences. The designer's approach was to create a fun and welcoming atmosphere, echoing the client's vision of an old Hollywood Hills bungalow with open windows and wind chimes. The renovation focused on cosmetic changes and furnishing for the 2,400-square-foot, three-bedroom, three-bathroom home. The kitchen was entirely revamped with new surfaces, including a custom island with intricate millwork and a built-in onyx bar, which became a focal point. Bathrooms were updated without significant structural alterations. A key element in personalizing the space was the integration of the client’s expanding vintage collection, featuring items like horn coffee tables in the living room and a set of 12 hand-carved wood and leather dining chairs from the 1960s. These vintage pieces were given prominence against a more neutral backdrop in the living room, featuring a vintage sofa covered in Italian boucle fabric. Color was introduced strategically through wall paint, such as Faded Terracotta by Farrow & Ball in the office, and patterned wallpaper in a child's room. Specific details and furnishings mentioned include Millwork paint in Sand by Farrow & Ball, a floor lamp from Hive Home, Gift, and Garden, James Bond wall art from Samuel Own Gallery, and a wicker cabinet from Show Pony Vintage in the living room. Draperies were sourced from Mac Fabrics/Terry Lynn, and a custom rug added to the unique aesthetic. Vintage items were prominent, including a gold chair and table lamp. The kitchen's custom island was crafted by JB Millwork with a countertop from Noel’s Marble. The dining area featured a vintage dining table from Show Pony Vintage, and vintage pendants, dining chairs, and a light fixture over the dining table. Sheepskins were noted as belonging to the client. The office, a consistent highlight in projects between Segal and the client, was drenched in Faded Terracotta by Farrow & Ball. Furnishings in the office included RH rugs, custom Mac Fabrics draperies, art and side tables from Hive Home, Gift, and Garden, vintage accent chairs upholstered in Manuel Canovas and Kelly Wearstler fabrics, a vintage coffee table with a Kelly Wearstler cushion, vintage Knoll desk chairs, and a vintage desk, light fixture, sofa, and sofa fabric. The powder room extended the monochromatic style with Faded Terracotta paint on the walls and vanity, a vintage mirror from Show Pony Vintage, and vintage sconces. The primary bedroom adopted a moody, monochromatic palette to highlight vintage treasures, featuring Matteo bedding, a bedside table from Show Pony Vintage, and a custom bed, headboard, and fabric made from vegetable-dyed linen from the client's garment factory. The primary bathroom included a delicate vintage sconce and curved mirrors from Mecox. Children's bedrooms incorporated vibrant elements, with one featuring Roller Rabbit wallpaper and matching bedding, and another adopting a more neutral palette with a graphic lamp from Crate & Barrel. Beds were from RH and Mac Fabrics, bedding was from Matteo, a rug from Anthropologie, and bedside tables from Show Pony Vintage. Segal emphasized that personality and richness were achieved through bold colors, special materials, and unique pieces without extensive renovations. The budget was primarily allocated to the new kitchen and vintage furnishings and art. Cost-saving measures included sourcing many local vintage items, benefiting both the budget and the environment by reducing waste, and working with craftspeople with whom existing relationships were in place. Utilizing the client's meaningful personal items, such as a hat collection, also served as a decorative and cost-effective solution. The designer also highlighted the collaborative nature of her relationship with the client, which had evolved into a friendship over multiple projects, making the design process highly interactive and enjoyable. #InteriorDesign #HomeRenovation #WestPalmBeach #BohemianStyle #VintageDecor #GillianSegal #KitchenDesign #BedroomDesign #ColorPalette

Kimo and Sarah Bertam, after being outbid on traditional homes, discovered a passion for floating homes after renting a houseboat in the Bay Area’s Mission Creek. This experience, fueled by their shared love for water—Kimo as a surfer and Sarah from childhood summers on a sailboat—led them to commission architect Robert Nebolon for their own floating home project. Despite Nebolon’s lack of prior floating home experience, his background in building near and on water made the transition seamless. The 2,100-square-foot, two-bedroom floating house was constructed on land over six months before being moored in Mission Creek. A primary challenge involved maximizing storage within the limited space while ensuring essential functionalities and managing weight, as the home would not move once in place. The resulting structure, inspired by the area's industrial heritage, features a sculptural, loft-like design that integrates seamlessly with its waterfront surroundings. Its distinctive sawtooth roof and expansive windows optimize space and natural light, creating a bright and airy interior. Architectural elements like the door, staircase, and kitchen incorporate an orange hue, referencing the iconic Golden Gate Bridge. The home boasts three decks, enhancing its connection to the water. Oversized warehouse-style windows are strategically placed to allow reflections of the water to ripple across the ceilings, further integrating the aquatic environment into the living space. The exterior is clad in 24-gauge metal siding with a fluorocarbon finish, selected for its durability and resistance to fading and chalking for up to 40 years, eliminating the need for periodic painting. This choice also circumvents the difficulty of painting a floating structure. The warehouse-style windows, made of black anodized aluminum with stainless steel hinges, are designed to withstand corrosion. No wood was used on the exterior, except for the finger pier that provides access to the front door and the couple's boat. From the main deck, residents can enjoy views of downtown San Francisco, including AT&T Park. The first-floor deck is furnished with Amazonia Terra teak chairs and IKEA Runnen teak outdoor floor decking. Inside, the living room features Australian cypress flooring with a tung oil finish, a Solas wall-mounted fireplace by Hearth Innovators, and a unique chair by Putra Salahin from Bali. The kitchen is equipped with a Wolf gas range, a white Carrara marble countertop bar, and Cobb Rise & Fall pendants by Original BTC. A custom wine glass holder, designed by the architect, is also present. The orange staircase, fabricated by Stocklin Iron Works and designed by Nebolon, uses steel railings and IKEA wood butcher blocks for treads, aiming to make the ascent to the second floor an engaging experience. The bathroom includes a teak live-edge countertop and a custom yellow cabinet supporting a Duravit double wash basin. A mirror from Restoration Hardware is paired with custom steampunk-style lights designed by the homeowner. The second-floor master bedroom features a custom captain’s bed, designed by the homeowner, with integrated drawers and storage. Its elevated height provides expansive views through the nearby window, contributing to the home's overall sense of openness and connection to its unique aquatic setting. #FloatingHome #WaterfrontLiving #RobertNebolonArchitects #MissionCreek #BayAreaDesign #ModernArchitecture #CustomHome #SustainableDesign #IndustrialInspiration

Architects Annie-Laurie Grabiel and Arthur Furman, founders of Austin-based firm Side Angle Side, embarked on a seven-year-long renovation of their 1939 H-shaped bungalow in Texas. Their initial attraction to the property was its footprint, specifically its double-courtyard layout that allowed natural light to permeate from multiple angles, a characteristic appealing to architects. Despite the presence of a large oak tree shading the front yard and the bungalow having only two bedrooms for their family of four, the potential for light and the inherent charm of courtyard homes drew them in. The extensive renovation was unexpectedly triggered by the failure of a quirky, portable dishwasher. This appliance, which required a sink hook-up and was notoriously noisy, became a focal point. When it finally ceased to function, the couple's decision to replace it evolved into a more ambitious project. They reasoned that if they were updating cabinets for a new dishwasher, they might as well tackle countertops and lighting. This domino effect led to considering electrical upgrades, vaulting ceilings, and eventually, a full roofing overhaul. The sheer scale of their ideas initially led to a feeling of paralysis. However, Furman initiated the renovation by dismantling cabinets, creating a situation that necessitated moving forward. They enlisted the help of Waller Building Co. and Fort Structures to execute their vision. A significant change involved a temporary relocation from the house to facilitate a 200-square-foot addition. This seemingly modest expansion enabled the creation of an extra bedroom and bathroom, significantly improving the functionality of their home for a growing family. During construction, the couple demonstrated a commitment to sustainability and historical preservation by reusing many of the original steel casement windows. One innovative design choice was incorporating the home's original facade into the new foyer, maintaining a sense of honesty and creating an intentional sequence of arrival, as described by Grabiel. The exterior, once a faded blue, received a modern update with Sherwin-Williams Peppercorn, a black-gray shade with blue undertones. Internally, the design emphasized material consistency to avoid decision fatigue, with Saltillo tile used across the entryway, kitchen, bathrooms, and exterior courtyards. Reclaimed longleaf pine boards added warmth to the living areas and bedrooms, while crisp white kitchen cabinets and countertops provided a clean backdrop that allowed vibrant greenery, art, and daily objects to stand out. The project culminated with the addition of a swimming pool constructed from chukum, a Mexican resin known for its versatility. This material allowed for a seamless application across all pool surfaces, eliminating the need for coping or waterline tile. The challenging topography of their property, with a rear half climbing over 10 feet, required significant excavation—30 dump trucks of dirt were removed—to accommodate the pool, terraces, and cement retaining walls. Despite initial fears that nothing would grow again, the excavated area transformed into a mini oasis. The architects' goal was to create an inviting outdoor space for relaxation and social interaction, allowing for conversations to be heard without the noise of the old dishwasher, fostering a beloved outdoor lifestyle common in Texas. #ArchitecturalDesign #HomeRenovation #Bungalow #CourtyardHome #AustinHomes #InteriorDesign #SustainableDesign #OutdoorLiving

House Howley, designed by Mark Szczerbicki Design Studio, is an extension and restoration of a Californian bungalow in Rodd Point, Sydney. The project emphasizes informality, openness, and a strong connection to the outdoors, echoing the original intent of Californian bungalow architecture. The existing bungalow, previously untouched for fifty years except for a series of awkward additions at the back, was transformed to create a modern family home for new owners and their three young children. The design team's brief was to incorporate specific required spaces and functionalities, while also selecting durable materials. Beyond these requirements, the studio was given creative freedom to develop the architectural form, volume, and plan, aligning with complying development standards. The design strategy involved creating spatial transitions that gradually morph the building from its traditional front, featuring the existing gabled roof, to a contemporary two-storey extension at the rear. These new and existing forms are strategically arranged around a central courtyard, which optimizes northern sun exposure to the back of the house. The interior spaces and their relationships were meticulously refined to suit the clients' desired lifestyle. The two-storey addition is discreetly positioned, largely unseen from the street, extending behind and atop the original structure. The roof design progresses from a pitched terracotta-tiled profile that matches the existing bungalow, through terraced sections of terracotta and corrugated steel, culminating in a contemporary gable form at the rear with an off-centre ridge and obtuse angle. The original bungalow has been carefully restored, preserving its street presence, original mouldings, materials, and the traditional character of distinct, cozy rooms. This section of the house accommodates the family room, guest room, study, and updated bathroom and laundry facilities, which blend modern styling with vintage elements. The new addition houses the kitchen, dining, and living areas, which are oriented around the central courtyard and open directly to a covered outdoor space, garden, and swimming pool. The bedrooms and additional bathrooms are located on the upper floor. Key design elements include the meticulous attention to angles in transitional areas between the old and new sections. A subtly splayed glazed wall and stairwell, along with a chamfered kitchen wall, introduce an informal aesthetic, integrate garden views, and establish clear sightlines between adjoining spaces. The kitchen serves as a central hub, offering comprehensive views of the courtyard, garden, and even the carport via a glass splashback. A double-sided fireplace delineates the dining and living areas, while stacking glass doors provide access to both the courtyard and garden. The interior features a neutral and minimal palette, designed to highlight the vibrant colors of the garden, which is an integral visual element from every vantage point. The garden, conceived by Melissa Wilson Landscape Architects, also progresses through various zones, with plantings that complement both the heritage bungalow and the contemporary extension. The material selection balances the old and new, incorporating low-maintenance options such as polished concrete floors, black cedar joinery, brown timber veneer, and white aluminum window and door frames. Shiplap cedar cladding extends from the exterior into the living room ceiling, and reclaimed brickwork from previous additions is used for the ground floor of the extension, with a painted section and an exposed feature wall in the dining area. The stairs, with spotted gum timber treads, connect the levels and offer dynamic views throughout the house. The upper floor includes a hallway leading to children's bedrooms, a bathroom, and a main bedroom with an ensuite, walk-in robe, and balcony overlooking the garden and pool. The overall design prioritizes generosity of space and functional relationships, reflecting the informal and open spirit of the original Californian bungalow, while ensuring thermal comfort and a strong connection to the surrounding environment. #CalifornianBungalow #HomeExtension #ResidentialArchitecture #SydneyDesign #IndoorOutdoorLiving #Renovation #ContemporaryDesign #ArchitecturalRenovation #FamilyHome

The article details the transformation of a raw, top-floor condo into a personalized home for architect Eric Liftin, founding principal of Dumbo-based MESH Architectures, and his wife, Elizabeth Schmidt. Located in the Columbia Street Waterfront district, the seven-story building, which was under construction in 2012, attracted the couple primarily due to its panoramic harbor views. After selling their Manhattan apartment, Liftin and Schmidt discovered the building a few blocks south of Brooklyn Bridge Park, leading them to purchase the 1,650-square-foot penthouse in an unfinished state. The raw condition of the penthouse allowed for complete customization, as it was delivered with concrete floors, no ceiling, no partitions, and no fixtures or finishes. Liftin largely maintained the developer's intended layout, which included a central entry opening into a spacious living room, a kitchen at one end, two bedrooms for their teenage children beyond the kitchen, and a master suite positioned as a private wing on the opposite side of the main living area. The apartment also features a small terrace off the living room and a staircase leading to a 450-square-foot roof deck. The expansive windows, particularly those with western exposure, offer spectacular river views, which became the central focus of the interior design. To complement the dominant views, the furnishings were deliberately kept simple, with many pieces being repurposed from the couple's previous residences. A conscious decision was made to forego a television to avoid competing with the natural panorama; instead, a projection screen can be deployed in front of the window facing a large, felt-covered David Design sofa. Liftin's custom design elements include a G-shaped kitchen, which, similar to a U-shaped layout, incorporates an additional counter space. He integrated a unique lighting system using LED tape strips into the kitchen design. The open configuration of two kitchen walls ensures an unobstructed sightline towards the harbor and the Manhattan skyline. Another innovative solution implemented by Liftin was lining the roof bulkhead structure with bookshelves. This addressed the challenge of limited wall space for art and books due to the numerous windows, creating a functional and visually interesting ascent to the roof terrace. The rooftop terrace has become a favored spot for sunset viewing, offering a dynamic and ever-changing display. The article also highlights specific design choices, such as sculptural 'pipe lights' designed by MESH, made from plumbing pipes with incandescent tubular bulbs, and Moroccan encaustic tiles from Ann Sacks laid around a Malm freestanding fireplace from Design Within Reach. The kitchen features clean-lined fiberboard cabinetry with a white lacquer finish from Nobilia, a German kitchen manufacturer, utilizing finger notches instead of hardware. The countertop is Carrara marble, and the range is from NXR. LED lighting strips further enhance the kitchen's aesthetic and functionality. The master bedroom incorporates bookshelves and storage to delineate sleeping and home office zones. Glass sliders at the apartment's entrance lead to a small outdoor terrace. The stairwell to the roof terrace features whimsical bird wallpaper from Trove, and the balcony railing is an improvised design using climbing rope from REI, reinforcing the unique and personalized nature of the architect's home. #ArchitecturalDesign #PenthouseLiving #WaterfrontViews #BrooklynRealEstate #CustomInteriors #ModernKitchen #RooftopTerrace #SpaceSavingSolutions #LEDLighting

Spiegel Aihara Workshop (SAW), a San Francisco-based architecture studio, has successfully converted a century-old bungalow into a contemporary urban family residence named The Fourth Wall. The project aimed not only to expand the living space but also to create a more deliberate connection between the interior and the garden. This was achieved through the construction of a new rear extension and façade, which replaced an existing, smaller exterior building. The original 1907 home in Bernal Heights featured dark, cramped, and inward-looking rooms. SAW’s intervention has transformed these spaces into bright, open interiors that are oriented towards a newly designed green garden. The new extension spans all three levels of the house, introducing a structured, contemporary, and geometric aesthetic to the rear façade. This architectural change enhances both the visual appeal and the functionality of the home. The layout of The Fourth Wall is thoughtfully planned across its three levels. The two lower floors are primarily dedicated to communal living and entertaining areas, designed to accommodate both the family and their guests. The uppermost floor is reserved for private bedrooms, with the master suite offering views of the garden below. The rear façade, when viewed from the garden, presents as a series of stacked windows, terraces, and openings, emphasizing the abundant natural light and the strong visual links that now characterize the redesigned home. An internal staircase was also integrated to seamlessly connect all interior levels, improving circulation and spatial flow. SAW’s design philosophy extended to the outdoor spaces, particularly the backyard. The exterior cladding of the house appears to invert, with the same slatted pattern wrapping around the fences, effectively framing the backyard as an outdoor room. This fence also serves a unique function as a screen for scenic projections, adding an element of entertainment to the outdoor space. The architects also undertook regrading of the backyard to improve drainage and installed raised Corten perimeter planter beds, which provide both screening and an area for an edible garden. This comprehensive approach reorients the backyard, creating a secluded space from which residents can observe the activities within the home. The Fourth Wall project exemplifies SAW’s expertise in enhancing existing urban structures through intelligent design. Partners Dan Spiegel and Megumi Aihara have demonstrated their skill in adding significant design value to the urban fabric, a capability also evident in their previous works, such as the Wraparound House. The transformation of this tired San Francisco bungalow into a spacious and architecturally significant home showcases a clever blend of innovation and respect for the original structure, resulting in a residence that is both modern and deeply integrated with its surroundings. #Architecture #ResidentialDesign #HomeTransformation #SanFrancisco #SpiegelAiharaWorkshop #TheFourthWall #UrbanRenovation #InteriorDesign #GardenIntegration

This blog post showcases the 700-square-foot bungalow of fashion designer Christie Torgerson, located in Glassell Park, Los Angeles, which she rents for $2,000 per month and shares with her two cats, Klaus and Frida. The article highlights how Christie has transformed this small space into a vibrant and personalized home, emphasizing her love for textiles, patterns, colors, and art. The initial appeal of the bungalow for Christie was its inviting front patio, shaded by mature loquat trees, which provided an ideal setting for her passion for gardening. The home's layout, despite its compact size, has been effectively utilized to create distinct and comfortable living areas. Christie, a creative professional, describes her home's style as a "pattern mix, colorful, warm, cozy." This aesthetic is evident throughout the bungalow, which is filled with an eclectic blend of patterns harmonized by warm wood furnishings. A significant portion of the artwork displayed in her home is created by friends, adding a personal and meaningful touch to the decor. Her cats, Klaus and Frida, are also an integral part of the home's atmosphere, often found lounging or observing the outdoor wildlife from the windows, reinforcing the cozy and lived-in feel. When asked about her favorite part of the home, Christie points to the combined living room/bedroom area, primarily due to her collection of unique lamps. She recently acquired an exceptional lamp from her friend, Mallory Anita Lawson, who handcrafts both the ceramic bases and the shades. This acquisition exemplifies Christie's approach to home decor: seeking out special items, often from artists or makers, that resonate with her personal taste. Christie's advice for cultivating a beloved home centers on personalization and meaning. She encourages individuals to make every item in their home special, whether through customizing store-bought pieces with new paint or hardware, discovering unique treasures at flea markets, or investing in art from cherished artists. For Christie, her home is a collection of memories and stories, with each item contributing to her overall sense of joy and personal connection to the space. The article effectively conveys how a small rental can be imbued with significant personal character and charm through thoughtful decoration and a focus on meaningful possessions. #Bungalow #LosAngeles #HomeDecor #EclecticStyle #SmallSpaceLiving #FashionDesigner #RentalHome #InteriorDesign #HouseTour

This article highlights the recent redesign of a four-bedroom farmhouse-style home located in Montecito, California, specifically in the Hedgerow neighborhood. The property, originally built in the 1970s, offers a secluded setting with a stunning garden and views of the Montecito mountains. Despite its idyllic location, the home presented interior design challenges before its transformation into a perfect retreat. The homeowners, a young family, enlisted interior designer Hayley English to create an unpretentious, youthful take on traditional farmhouse style, incorporating coastal decor elements. The primary goal was to establish a better backdrop for vacations and casual gatherings, as well as to improve the overall flow of the space. English focused on softening the home's original aesthetic and enhancing its warmth. In the kitchen, the designer opted for white units, moving beyond the often predictable and unremarkable nature of white kitchens. She introduced humble materials like a butcher block island and rattan chairs to create a surprisingly warm atmosphere. Feminine floral fabrics were used for drapery and upholstery, adding a softer touch, complemented by grosgrain cushion ties for a whimsical and chic feel. A vintage rug in muted shades of pink and gold further contributed to the warm color scheme. Key pieces in the kitchen include a pendant light from Hector Finch (Harbinger), barstools from Serena & Lily with Lisa Fine cushion fabric, and other fabrics from Soane Britain and Fermoie. The dining room, an open-plan area connected to the living room, was designed for a casual and comfortable ambiance. The wooden tabletop, intended to bear the marks of years of family gatherings, anchors the space. Chairs from Redford House with cushions from Schuyler Samperton (Jasper Showroom), Match Pewter candleholders, and table linen from Connected Goods complete the setting. For the living room, which serves as the first impression for guests, an open floor plan was strategically implemented to ensure optimal flow and an airy feel. A light color palette was chosen as a foundation, with pops of earth tones in the upholstery playing off the stone fireplace surround. Denim blues were integrated to introduce a coastal element. Antiques and vintage accessories were curated to create a traditional, relaxed, and welcoming atmosphere. The pitched ceiling with white clapboard paneling further reinforces the coastal theme. Notable items in this space include ottomans upholstered in Lisa Fine fabric, a coffee table from Redford House, a rug from Jamal Rugs, and throw pillows from Nickey Kehoe. The artwork throughout the home, including the living room, consists of vintage, commissioned, and antique pieces depicting California scenery, unifying the color schemes. The primary bedroom was designed to be unique and nostalgic, featuring a tall four-poster bed with crisp linen drapes that complement the cathedral ceiling. Key elements include a Serena & Lily bedframe, a bed cover from Chelsea Textiles, a quilt from Les Indiennes (Nickey Kehoe), drapery from Schumacher, and sconces by Mark Sikes for Hudson Valley Lighting. Another bedroom adopted a cheerful, English cottage style, featuring pale green walls painted in Benjamin Moore's 'Guilford Green.' This room stands out for its playful mix of patterns and colors. Drapery by Penny Morrison, a quilt from Nicky Kehoe, a lampshade from Maison Maison, and pillowcases from ST Frank (Over the Moon) contribute to its distinctive character. A third bedroom exhibits a sophisticated yet approachable design with a punchy palette. Cool blue walls, painted in Benjamin Moore's 'Woodlawn Blue,' and elements like a cane bed and woven wood shades incorporate coastal motifs. The bedframe is from Serena & Lily, the quilt from Neem (Nicky Kehoe), euro pillow fabric from Décors Barbares Tissus Tartares, and pillowcases from Annie Selke. All photographs for the project were taken by Sara Tramp, with styling by Lauren May. #MontecitoHome #FarmhouseStyle #CoastalDecor #InteriorDesign #HayleyEnglishInteriors #HomeRenovation #KitchenDesign #LivingRoomDecor #BedroomIdeas

This article details the design and execution of a 5000-square-foot Bengaluru penthouse, masterfully created by TaP Design Inc., a studio co-founded by Iesha Parekh Shellugar and Sneha Talati. The project, named The Hazel Project, was a collaboration born from a shared appreciation for Ahmedabad's cultural heritage, with the client, a designer from NID, seeking a 'maximal home with Indian nuances' that offered panoramic views of the Bellandur lake and surrounding greenery. The initial design challenge was to transform a basic and uninspired shell into a vibrant living space. The design team, including project lead Pragati Baheti, drew inspiration from extensive research into Indian crafts, particularly the works of legendary designer Sabyasachi Mukherjee and the comprehensive 'Crafts Atlas of India' by Jaya Jaitly. This deep dive into Indian artistry became the foundational narrative for the entire project, ensuring that Indian crafts served as a continuous leitmotif throughout the penthouse. The year-long project resulted in a harmonious blend of stimulating neutral backgrounds with bold colors, patterns, and textures. The ground floor of the penthouse features an open-plan layout encompassing the living area, dining space, balcony, kitchen, and two guest bedrooms. A striking brass profile railing leads to the upper floor, which is designed as a private sanctuary for the client. This upper level includes a master bedroom connected to a lounge area and a private terrace, alongside an additional guest bedroom. Throughout the home, a layered narrative of materials, textures, colors, and patterns is evident. The common areas, such as the foyer, living, and dining rooms, showcase intricate inlay patterns crafted from marble and brass, accented with Jaisalmer stone. Brass and black elements are incorporated subtly yet opulently through wallpapers, lighting fixtures, consoles, flooring, and decorative items. Deep-beige tones are utilized on geometric surfaces, including paneling, walls, ceilings, and 3D panels in the foyer. In contrast, private areas like the bedrooms adopt a more restrained palette, primarily featuring wood, black, and beige to cultivate a sense of calm. The private terrace is a focal point, featuring a substantial brass counter cast in cement, which creates a dramatic contrast with the lush greenery. This area continues the theme of patterns and crafts with JJ Valaya’s tiles on the flooring, a sandstone mural, and a hand-painted back panel. Each bathroom and the powder room are distinct, celebrating a variety of materials, layering, and techniques, including hand-painted murals by artist Vicky Venkatesh M., patterned flooring, and unique lighting. To ensure visual coherence across the diverse elements, a consistent layering of geometry with tropical accents is maintained throughout the residence. Hard materials like beige marble, wooden flooring, laterite stone, and white marble are skillfully paired with bold solid colors and printed fabrics. The application of multiple wallpapers and fabrics serves as a final touch of embellishment. Hand-painted murals featuring tropical patterns, a deep beige color, and brass nail heads are recurrent motifs, effectively weaving the entire design concept together. The designers emphasize that this project allowed for an extensive use of colors, patterns, and textures, with Indian crafts prominently featured as the hero elements in decor, art, floor inlays, lighting, and furniture, all while maintaining appropriate harmony and balance. #BengaluruHomes #IndianCrafts #MaximalistDesign #PenthouseInterior #LuxuryInteriors #DesignNarrative #ArchitecturalDigest #CulturalHeritage #HomeDecor

This article details the transformation of a 1922 bungalow in Denver's Washington Park neighborhood, owned by Julie and Joe Anderies, an art historian and a jazz musician, respectively. The couple sought to revamp their home to reflect their personal style and world travels, selecting interior designer Katie Schroder of Atelier Design Group for the project. The renovation involved stripping the house down to its studs, allowing for a comprehensive redesign that blends modern and antique elements within a modest space. The design process began with a specific Schumacher fabric and a photograph of teal kitchen cabinets, which heavily influenced the home's overall color palette and aesthetic. Julie Anderies' openness to vibrant colors and her desire for each piece to have a unique story were central to Schroder's approach. To balance the potential for busyness from extensive art collections and colorful furnishings, Schroder opted for a neutral taupe-gray paint (Benjamin Moore’s Thunder) for the main walls, allowing the upholstery and art to be the focal points. The couple's trip to Morocco, where they purchased several rugs, also integrated Moroccan influences into the design, contributing to a jewel-toned theme throughout the house. Schroder emphasized playing with color and texture, creating a dynamic yet cohesive interior. An example of this balance is found in the master bedroom, where a muted Moroccan rug grounds vibrant bedding and a patterned headboard. Hand-carved doors by California artist Evelyn Ackerman add another unique artistic touch. The kitchen, designed by Angela Otten of William Ohs, features a large custom island, sandstone countertops, and recessed lighting to compensate for minimal natural light, all while incorporating the initial Schumacher fabric on a built-in banquette. Functionality was a key consideration in the design. The architect, Jon Hindlemann, strategically placed the living room at the back of the house, behind the kitchen, to draw guests deeper into the home. This layout acknowledges the kitchen's role as a central gathering space. Given the couple's desire to downsize without sacrificing their accumulated possessions, built-ins and hidden storage solutions were crucial. The living room includes an Italian cabinet that conceals a TV, books, and electronics, while a nearby bench seat provides open storage underneath, maintaining an airy feel despite extensive storage. A significant design element highlighted is the vaulted ceiling in the living room, which is covered in Makrana wallpaper by Harlequin, mimicking marble. Schroder initially had to persuade Julie about the wallpaper, but its organic and neutral pattern ultimately brought attention to the unique architectural feature. Midcentury design influences are evident, particularly in the living room and dining area, with Mexican midcentury dining furniture and stained glass French doors by local artist Ann Wolff, serving both as artwork and a privacy screen. The exterior also saw changes, with the original garage being replaced by a new structure further back on the lot, designed to resemble a small studio, complemented by landscaping from Altgelt & Associates and Landwise. The article concludes by emphasizing the importance of building trust between designer and client to achieve such bold and personalized interior transformations. #InteriorDesign #HomeRenovation #Bungalow #GlobalInspiredDecor #MidcenturyModern #WashPark #DenverRealEstate #AtelierDesignGroup #CustomInteriors