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Trippy Prints and Jewel Tones Make This L.A. Home's Retro '70s Paneling Look Fresh as Ever
Brynn Jones, owner of Aralda Vintage, and her husband, Ness Saban, an indie film distributor, transformed their 1963 Robert Lee-designed home in Los Angeles. Jones, who has a lifelong affinity for 1960s and 1970s aesthetics, recognized the potential in the three-bedroom house despite some outdated decor. While Saban initially needed more convincing, Jones envisioned the possibilities, leading them to enlist Frances Merrill of Reath Design to revitalize the property.
The home’s original dark wood paneling and brickwork, which date back to 1963, were considered essential elements to retain for their warmth and coziness. However, the kitchen and bathrooms, which had undergone poor remodels in the 1990s, required complete renovation. Jones's design vision was heavily influenced by her love for vintage fashion, drawing inspiration from the homes of style icons like Gloria Vanderbilt, Diana Vreeland, and Diane von Furstenberg, as well as '60s and '70s design magazines. Merrill embraced this approach, encouraging unusual color combinations and bold patterns.
The initial phase of the renovation involved a simple yet impactful change: repainting the common areas, original built-ins, and doors from an institutional gray to a rich emerald green. This color choice effectively unified the existing paneling and brickwork. In the kitchen, a glossy chartreuse tiled backsplash was introduced, creating a vibrant contrast that surprisingly complemented the walnut and cream cabinets and dark wood. The primary bathroom became a canvas for more experimental color, featuring a checkerboard pattern of light purple, burgundy, and scarlet tiles, a peachy marble countertop with rose veins, and purple marble lining the shower. Jones acknowledged the intensity of this design, humorously noting a friend's comparison to a Stanley Kubrick film.
Beyond color, patterns played a significant role in the home's transformation. The office features a botanical Hermès wallpaper, providing a psychedelic backdrop for a custom desk and wall unit. The main bedroom embraces a moodier ambiance due to a lack of natural light. Jones selected a kaleidoscopic House of Hackney design for the window drapes, bedding, and wallpaper, extending it to the ceiling. Despite the abundance of prints, Jones found the olive green and dark teal color palette to be calming, while Saban humorously described the room as being inside a wrapped, inverted present.
The final phase of the renovation focused on the nursery for their son, Odin. Jones aimed to create a stimulating and charming space that avoided a stereotypical kid's room feel. This was achieved with a daybed reupholstered in dinosaur fabric, baby bedding made from mismatched Liberty London textiles, a dusty-blue sky mural by Londubh Studios painted across cabinetry and the ceiling, and a plush custom carpet designed to resemble a coral reef, laid over a purple linoleum floor. The nursery also features a custom clothing and storage nook, a former closet converted into built-in cabinetry, painted in dusty blue and pale lavender to provide a soothing atmosphere. This playful and imaginative design philosophy, first established in the nursery, extends throughout the entire home.
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