Studio Ben Allen uses geometric screens to create adaptable London apartment

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

The July London Victoria, an apartment-hotel located across from Victoria Station, offers a unique blend of residential comfort and hospitality services, catering to both short-term guests and long-stay digital nomads. Situated in a prime London location, this 114-key "urban retreat" integrates public-facing hospitality spaces, including The Idler restaurant and an associated deli, designed to provide a calming environment amidst the city's fast pace. These establishments offer urbanites an opportunity to relax and connect. The hotel's interior design, a collaboration between an in-house design team, the London and Los Angeles-based firm Fettle, and architects Studio Moren, skillfully combines comfort with adaptability. The design aesthetic pays homage to the Art Deco architecture prevalent in the area, incorporating sea foam greens, pale pinks, salmony oranges, and burgundy reds across various surfaces such as tiled walls, intricate crown detailing, and two-tone walls. The public spaces, like The Idler, feature plush banquette seating, a distinctive ceiling mural within bold molding, and herringbone-pattern parquet flooring accented with tile trim. White and black marble slabs top curved-edge counters, which are clad in tambour pattern wood slatting, adding to the sophisticated ambiance. Specific design elements like painted glass sphere pendants and select fabric upholstery contribute to the overall refined aesthetic. Accommodation options include guest rooms, suites, and two Family Apartments with interconnected rooms, alongside a co-working space, all equipped to support various aspects of guests' lives, from relaxation to remote work. The layouts are thoughtfully designed to facilitate these diverse needs. In the guest rooms, custom oak joinery provides integrated wardrobes, kitchenettes, and storage solutions. Bespoke brass pendants and discrete bedside lights with fluted shades further enhance the personalized and functional design. This thoughtful approach ensures that guests have all the necessary amenities for an extended stay, whether for business or leisure. Sustainability is a core value for The July brand, and this commitment is reflected in the material choices and furnishing strategies employed throughout the hotel. A notable aspect of the interior furnishing involves the careful sourcing and refurbishment of vintage pieces, aligning with contemporary trends in architecture and design that prioritize environmental consciousness and unique, characterful aesthetics. This approach not only supports sustainable practices but also imbues the hotel with a distinct personality that resonates with its historical context and the modern traveler's desire for authenticity. The July London Victoria differentiates itself within the hospitality sector by fostering a balance between private living and social engagement, a strategy it aims to replicate in its expanding portfolio across Europe. Andy Goodwin, co-founder and creative director of Fettle, emphasized that the design concept was developed to reflect The July’s brand values and its narrative, which is deeply rooted in the local area's history. He highlighted the multifunctional nature of the apartment-hotel rooms, which needed to accommodate relaxation, dining, and work within each apartment, complemented by dedicated meeting, flexible, and wellness areas. This holistic design ensures that the hotel serves as a comprehensive urban retreat, offering a seamless experience for its varied clientele while maintaining a strong connection to its London setting and a forward-thinking approach to hospitality. The hotel offers flexible accommodation options and shared facilities designed to create a vibrant community while still allowing for individual privacy. Its location near a major transportation hub makes it an ideal choice for a diverse range of travelers. Overall, The July London Victoria represents a contemporary solution for urban living, blending design, functionality, and sustainability to create a memorable stay experience. #apartmentHotel #LondonTravel #ArtDecoDesign #digitalNomad #sustainableDesign #interiorDesign #hospitality #urbanRetreat #fettleDesign

Space dividers are versatile tools that can enhance functionality and aesthetics in both compact and expansive living areas. They offer an effective method for delineating distinct zones within a room and introducing privacy when needed. Beyond their practical utility, modern space dividers also serve as significant design elements, contributing to a room's overall visual appeal. Mia Cullin, a designer based in Sweden, created the 'Ro room divider', which exemplifies adaptability through its combination of geometric shapes and a painted aluminum structure. Cullin's design philosophy emphasizes storytelling and personality, rooted in traditional craftsmanship. The Ro divider is customizable, offering various wood and leather options, allowing users to adjust its openness or closure according to their preferences. Another innovative solution is molo's 'Softwall', which redefines the concept of a space divider. Constructed from paper, the Softwall is easily reconfigurable, making it suitable for diverse applications, from serving as a presentation backdrop to establishing intimate settings. This product from the Vancouver-based studio, led by Stephanie Forsythe and Todd MacAllen, utilizes kraft paper, presenting a sustainable alternative for spatial organization that is both efficient and visually appealing. The 'Mirage' by Inter faces Studio offers a quick way to transform a space. This product blurs the lines between textile and furniture, comprising two tubes and textile strips. Its simple mechanism allows for effortless opening and closing, providing intimacy in shared environments while also introducing a playful element through its intuitive design. Crafting Plastics and Office MMK collaborated to create 'BreaZea', a scent-infused, 3D-printed room divider. Developed for Salone del Mobile, BreaZea utilizes Nuatan bioplastics derived from cornstarch and sugar. This innovative material emits a sweet, pleasant aroma when heated, demonstrating a novel approach to bioplastic application and adding a unique sensory dimension to space division. Finally, Dutch Invertuals designed a 'Room Divider' that is characterized by its simplicity, functionality, and visual appeal. Ideal for both private and public spaces, this divider features a high-quality finish, ensuring seamless integration into various environments. The Netherlands-based company focused on color and material selection, offering the divider in four distinct shapes: The Circle, The Oval, The Crescent, and The Diamond. These examples highlight how contemporary space dividers transcend mere practicality, becoming integral parts of interior design that define spaces, offer privacy, and serve as aesthetic focal points. #FurnitureDesign #InteriorDesign #SpaceDividers #InnovativeMaterials #SustainableDesign #3DPrinting #FlexibleLiving #ModernDesign #ResidentialDesign

This article explores the design principles applied to an open-plan living space within a London apartment, encompassing a sitting room, dining room, and kitchen. The project was executed by interior designer Stephanie Dunning, known for her combined expertise in interior design and construction. Dunning's background, including early work with her father's construction business and technical drawing, and subsequent experience with Nina Campbell and royal commissions, underpins her approach to transforming period buildings into contemporary, comfortable family homes. A key aspect of this particular London apartment project involved the installation of new double-glazed Crittall windows. These windows were chosen to maximize natural light from the west-facing elevation and to contribute to a clean, modern aesthetic. The overall design scheme utilizes a muted, neutral background for the paintwork and curtains, which serves to enhance the contemporary feel and allow other design elements to stand out. Dunning's design philosophy emphasizes the use of texture to create a rich, layered look within the space. To achieve this tactile quality and to address practical considerations like sound dampening—essential in an apartment setting—the design incorporates a mix of materials and colors. Burnt-orange cushions provide pops of color and visual interest, contrasting with navy sisal flooring and a navy-and-white rug. These elements not only add texture but also contribute to the acoustic comfort of the open-plan area. The furnishings integrate both new pieces and the client's existing antique collection, blending contemporary style with personal history. Further enhancing the functionality and social nature of the space, a club fender was included to provide additional occasional seating. The article also provides specific details on how to replicate elements of this design, including sources for key items. The circular tables are from Julian Chichester, and the distinctive steel windows are manufactured by Crittall, a company with a long history of producing this style since the late 19th century, now experiencing a revival in both historical and modern properties. The cushions, noted for their deep texture, are available from Stephanie Dunning's own online business, Inky Velvet. Stephanie Dunning's career trajectory, from learning detailed technical drawing in construction to working with prominent interior designers and undertaking high-profile commissions, showcases a comprehensive understanding of both the structural and aesthetic aspects of interior design. Her methodology, as demonstrated in this London apartment project, effectively merges practicality with sophisticated design, creating an inviting and well-appointed living environment. #OpenPlanLiving #ApartmentDesign #InteriorDesign #LondonApartment #StephanieDunning #CrittallWindows #TexturalDesign #ContemporaryInteriors #HomeDecor #DesignInspiration

The project, known as “The Green Machine,” addresses the challenge of living in a compact, 312-square-foot studio flat in East London. The client, a young professional, required a versatile space that could accommodate various activities, including sleeping, eating, working, entertaining, and lounging, especially given the increased need for working from home during the pandemic. The design strategy focused on an adaptable millwork intervention within a 97-square-foot zone, creating the illusion of multiple “rooms within a room” despite the flat's small footprint. The total budget for this intervention was £25,000. SUPRBLK Studio led the architectural design, with ESquared as the builder and Nicholas Worley as the photographer. The project demonstrates that sustainable design can be achieved at any scale and within a limited budget. This was accomplished by repurposing and refinishing existing elements with color and paint, rather than opting for removal and replacement. Thoughtful material selection for the millwork was also a key aspect of the sustainable approach. The primary material chosen was Valchromat, an FCS-certified nontoxic MDF wood. Valchromat was selected for its durability, robustness, bold aesthetic, ease of manipulation, and eco-friendly properties. Valchromat is manufactured from recycled pine wood and mill waste, making it an environmentally responsible choice. It is also moisture-resistant and flame-retardant. The vibrant colors of the millwork are achieved using organic dyes, and, unlike many man-made boards, Valchromat is recyclable at the end of its lifespan. This material choice aligns with the project's commitment to both beautiful design and environmental responsibility. The Green Machine exemplifies how careful programming, considered materiality, and joyful detailing can transform architecture into a functional “machine” for contemporary living. Through close collaboration with local tradespeople, the design incorporated flexible and adaptable zones that cater to immediate needs while also anticipating future desires. The project also prioritized ample storage solutions. This colorful and innovative insertion significantly transformed an underutilized space within the flat, offering a new perspective on how to live efficiently and comfortably in small urban environments. #SmallSpaceLiving #MillworkDesign #LondonApartment #AdaptableDesign #SustainableDesign #CompactLiving #Valchromat #StudioFlatRenovation

This article details the transformation of a 1,700-square-foot loft in a century-old industrial building in Brooklyn, New York. Designed by Hormuz Batliboi of Batliboi Studio for Valerie Tsvetkova, the two-bedroom, two-bath residence blends historic industrial elements with a modern, playful aesthetic. The design process began by embracing the loft’s original character as a former manufacturing site. Hidden timber beams and steel joints, discovered during renovation behind a dropped ceiling, were intentionally exposed and integrated into the design, serving as visual anchors and contributing to the space’s authentic industrial feel. Initially, the loft presented challenges typical of converted spaces, including disjointed utilities and an inefficient kitchen layout. Batliboi addressed these issues by centralizing the utility infrastructure and strategically raising the floor in certain areas. This thoughtful alteration enabled a seamless integration of the kitchen into the heart of the home, optimizing both functionality and flow within the space. The renovation showcases an innovative approach to spatial planning, turning initial limitations into design opportunities. A prominent feature in the main living area, particularly the dining room, is a 15-foot sculptural shelf. This piece, characterized by its green, wave-like ripples, is constructed from layers of CNC-milled wood and precisely color-matched to the client’s existing pendant lights. It functions as both a practical sideboard and an artistic focal point, demonstrating the designer’s ability to merge utility with aesthetic appeal. This bespoke element adds a unique and dynamic visual texture to the loft, embodying its playful aesthetic. In the kitchen, the design combines sleek stainless steel countertops with brass accents and natural stone, creating a sophisticated yet warm ambiance. Rather than fully custom cabinetry, Batliboi utilized a flat-pack system from REFORM, carefully customizing it to achieve a high-end, built-in appearance. This cost-effective approach allowed for a luxurious aesthetic without excessive custom work, reflecting a sustainable design mindset. The integration of diverse materials and strategic use of pre-fabricated components contribute to the loft's refined industrial charm. The bathrooms feature contrasting material palettes to enhance the home’s eclectic character. One bathroom presents a moody design with deep black zellige tiles, matte black flooring, and a bold granite shower, amplified by natural light from an industrial window. Other areas incorporate a mix of penny tile and marble, providing a tactile and visual contrast. These carefully selected materials and custom fabrications, combined with clever spatial solutions, ensure that the home feels personalized, thoughtfully designed, and genuinely lived-in, successfully merging industrial edge with a playful modern aesthetic. #BrooklynLoft #IndustrialDesign #ModernAesthetic #InteriorDesign #BatliboiStudio #ResidentialArchitecture #CustomFabrication #SpatialPlanning

The Coach House, a compact three-bedroom residence with an ash-lined guest annexe, has been completed by London-based Open Practice Architecture and interior design studio Kinder Design. Situated on a previously neglected infill site in East Dulwich, which once housed a Ministry of Transport (MOT) garage and its outbuildings, the project represents a growing trend of architectural firms venturing into property development. Open Practice Architecture and Kinder Design jointly acquired the site in 2017, acting as both developers and designers. The main house, organized around a central courtyard, was finished in 2022, followed by the adjacent annexe in 2023. Rupert Scott, director at Open Practice Architecture, highlighted that this approach allows architects to navigate challenging market conditions by directly engaging in development. Despite aiming for an "architecturally unique" outcome, the design intent was to create a structure that integrated subtly into its surroundings rather than drawing overt attention. The primary objective was to deliver a serene, well-lit, and functional family home that also met high standards of insulation and energy efficiency. The L-shaped layout of the Coach House mirrors the footprint of the original structures on the site. The ground floor accommodates the living, dining, and kitchen areas, which feature full-height sliding glass doors that open directly onto the central courtyard, fostering an indoor-outdoor connection. A white-steel staircase provides access to the first floor, where three bedrooms are situated. These bedrooms offer views of both the central courtyard and a strategically placed lightwell, designed to draw natural light into the deeper, naturally darker sections of the plot. Scott elaborated on the challenge of maximizing natural light, given the building's north-facing orientation. The inclusion of a "light pocket" at the rear was crucial in allowing two of the bedrooms to benefit from south-facing light, preventing all rooms from being clustered around the courtyard and ensuring a more equitable distribution of sunlight throughout the upper level. The material palette reflects a blend of historical context and modern functionality. Reclaimed London brick was chosen for the exterior, enabling the Coach House to harmoniously blend with the surrounding mews buildings and acknowledging the site's utilitarian past. The interiors are characterized by painted and plywood walls, complemented by a concrete floor with exposed aggregate, maintaining an industrial yet refined aesthetic. A large sliding wooden door, suspended from an exposed steel beam, marks the entrance, further referencing the site's previous function. The guest annexe presents a material contrast, featuring natural ash cladding on both its interior and exterior surfaces, including a hinged shutter on the first floor. This singular material application for the annexe, while simple, provides a deliberate visual counterbalance and acts as a distinct "bookend" to the main residence, according to Scott. This project contributes to a series of infill developments in London, such as a textured brick house by Platform 5 Architects and a cluster of homes with sawtooth roofs by Dallas Pierce Quintero, all of which creatively repurpose former industrial or neglected spaces. #CoachHouse #OpenPracticeArchitecture #KinderDesign #LondonArchitecture #EastDulwich #InfillDevelopment #ResidentialArchitecture #SustainableDesign #ReclaimedBrick #CourtyardDesign

The increasing consumption of digital information has led to the proliferation of house design applications, enabling individuals to undertake a 'DIY' approach to home renovation and interior design. These apps, available on platforms like iPhone and Android, allow users to visualize changes to their homes, ranging from comprehensive renovations to simple paint jobs. The functionalities of these applications vary significantly; some provide in-depth features allowing users to upload room photos and rearrange furniture virtually, while others offer extensive libraries for interior design ideas, detailed floorplans, and 3D renderings. Before selecting a house design app, potential users are advised to consider their specific needs and budget. Key questions to ask include whether the focus is on architecture or interior design, if the goal is inspiration or a full renovation, and whether a house plan or a floorplan is required. The financial commitment associated with these apps also varies, with some offering free basic services and others requiring subscriptions or one-time purchases for advanced features. This article provides a curated list of ten prominent house design applications, outlining their primary functions, pros, and cons. Havenly, an interior design app for iOS, offers free access to chat with designers and receive curated shopping lists but charges for custom design solutions. Houzz, available on Android and iOS, serves as a referral service and a source of inspiration, functioning more as a mood board than a direct design tool. Photo Measures, an iOS and iPadOS app, focuses on measuring and documenting room dimensions, which is useful for planning but lacks design capabilities. Smartdraw, an online and Windows-compatible platform, is geared towards creating detailed diagrams, flowcharts, and business visuals, making it more suitable for professional design tasks rather than casual home design. My Virtual Home, a free Windows software, functions as a 3D home design tool akin to a 'building-block' video game, offering user-friendly interfaces, extensive product varieties, and 3D walkthroughs. Magicplan, a free app for Android and iOS, allows users to generate dimensioned floorplans and 3D models using a smartphone camera, although its measurements are approximate. Live Home 3D Pro, available on iOS, macOS, and Windows, provides detailed 2D floorplans, 3D rendering, augmented reality views, and a vast library of furniture, but comes with a higher cost and is not available for Android users. Planner 5D, accessible across multiple platforms and online, is user-friendly, supports 2D and 3D views, and features a large item catalogue, though its full content requires payment. RoomScan Pro, an iOS app with a free trial, can rapidly create floorplans by scanning walls and offers features like augmented reality scanning for interiors and exteriors. Finally, SketchUp, available on iOS, macOS, and Windows, is highlighted as an industry-respected 3D software known for its ease of learning, high-quality renders, and AR/VR capabilities, albeit at a professional annual cost. #HomeDesign #InteriorDesign #MobileApps #Architecture #Renovation #DIYHome #3DModeling #FloorPlanning

The redesign of a London home by interior designer Tiffany Duggan, owner of Trove, demonstrates a bold yet practical approach to interior design, emphasizing unexpected elements and clever space utilization. The homeowner's desire for a unique yet functional space led to a collaboration that embraced risk-taking in design choices. In the primary suite, a client's request for leopard print was integrated through a custom upholstered bench and bolsters, despite initial concerns about clashing with existing elements like Beata Heuman’s Florentine flowers on curtains and Farrow & Ball’s Pond Green walls. This unconventional choice ultimately added a distinctive touch to the room. The overall design philosophy for the Sloane Square home prioritized individuality without sacrificing functionality. This was evident in the foyer, where classic checkered marble floors, inspired by a trip to Majorca, were paired with an unexpected green-gray paint from Farrow & Ball on the baseboards and stair railing. The breakfast nook also incorporated old-world glamour with a mirrored wall featuring new glass treated with a faux patinated finish. The narrow home, characterized by its five choppy upper floors with small rooms and landings, necessitated designs that were both aesthetically pleasing and practical. A key design challenge was integrating modern conveniences like a television without disrupting the aesthetic. In the green living room, a television was ingeniously concealed behind reflective glass from Overmantels, appearing as a mirror when not in use. This solution addressed the homeowner’s desire for a TV while maintaining the room’s sophisticated decor. The kitchen, being the darkest room in the house, was brightened by painting all surfaces, including tongue-and-groove paneling and low ceilings, in a soft white. Bianco Rhino marble without prominent veining and natural oak plank floors further contributed to a lighter, less cluttered feel, with hardware-less cabinets enhancing the minimalist approach. The attic level features another optical illusion in a guest suite. A twin bed appears custom-built into a window nook but is actually a freestanding divan framed by a valance and curtains, with only the headboard custom-fitted to the sloped corner. This creates a cozy, integrated feel. The adjacent larger guest space shares a blue-red color palette but inverts its dominance, with crimson becoming the focal point. This deliberate coordination, along with details like gingham pillows and a floral quilt, evokes the charm of a hotel guest room or a Cotswolds retreat, offering a comfortable and stylish experience. #InteriorDesign #HomeTour #LondonHome #StudioDuggan #OpticalIllusions #CreativeSolutions #LeopardPrint #HiddenTV #GuestBedroom

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

Anonym Studio, based in Bangkok, transformed a 30-year-old structure next to their workplace into a peaceful residence known as 'the 96/1 house' in Thailand. The initial intention was to retain the building's exterior to maintain neighborhood aesthetic harmony. However, poor cross-ventilation necessitated a complete interior overhaul, leading to the removal of internal walls and false ceilings. The redesign focused on aligning the space with the architects' lifestyle and preferences. On the ground floor, the renovation aimed to create a unified living area by introducing a double-height courtyard featuring a skylight. A five-meter-long white counter island was integrated as a central horizontal element, providing balance to the verticality of the courtyard. This deliberate arrangement of elements around the courtyard was intended to foster communication between distinct spaces, imbuing the void with a subtle, unspoken message. For the second level, the master bedroom and bathroom were relocated to enhance connectivity. The master bedroom, originally having only a small window, posed a challenge regarding potential claustrophobia. To counteract this, the architects raised the room's height by aligning the false ceiling with the slope of the gable roof. This adjustment not only revealed the room's authentic geometry but also contributed to a mesmerizing energy within the space. The bathroom was designed as an extruded barrel vault, mirroring the arched decorations on the dwelling's exterior. The intersection of this barrel vault with the gable ceiling introduced a sense of mysterious depth while simultaneously expanding the master bedroom's area. Additionally, the architects integrated the staircase and storage system into the barrel vault's form, showcasing a cohesive design approach. The project highlights a thoughtful interplay of linear and curved geometries throughout the residence, contributing to a tranquil living environment. The foyer is adorned with a bench, rocking chair, and various artworks, benefiting from a skylight that allows diffused light to enter. A practical arched opening was incorporated into the counter base on the ground floor to facilitate easy movement for the residents' pets. Black lacquered flooring extends from the staircase to the second floor, creating a visual contrast with the warm lighting reflecting off the curved barrel ceiling. The project also included a materiality board and an axonometric drawing to illustrate the design details. This residential project, named '96/1 House,' was led by Phongphat Ueasangkhomset and Parnduangjai Roojnawate of Anonym Studio. Located in Bangkok, Thailand, the renovated area spans 150 square meters. The project was submitted through designboom's 'DIY submissions' feature, allowing readers to share their work for publication. #AnonymStudio #ResidentialArchitecture #BangkokDesign #InteriorRenovation #LinearCurvedGeometry #SkylightDesign #CourtyardHouse #ThailandArchitecture #ArchitectsOwnHome

A North Carolina-based couple, Bill and Sue, who share a long-standing affection for London, enlisted the expertise of local design firm Salvesen Graham to decorate their three-bedroom pied-à-terre overlooking Hyde Park. Having celebrated their engagement, numerous holidays, and even their wedding in the city, London holds significant personal meaning for them, and their 9-year-old daughter Josie has also grown accustomed to navigating its streets. The couple sought a design that encapsulated a cozy, quintessentially British style, a departure from the more neutral aesthetic of their Greensboro home. Designers Nicole Salvesen and Mary Graham of Salvesen Graham were tasked with creating an interior that reflected this British sensibility through soft paint colors, floral trims, and patinated hardware. The couple, initially accustomed to a different style, embraced the designers' vision, even agreeing to upholster all the walls in the guest bedroom with a green fabric that matched the Roman shades. Despite initial concerns about the pattern being overwhelming, the result was a calming and cocooning atmosphere. Josie's bedroom received a similar treatment, complemented by a built-in daybed that serves as a spot for entertainment and accommodates extra guests. The kitchen, previously a galley, was seamlessly integrated with the dining and living areas. Given its high visibility and the couple's preference for dining out, Salvesen Graham designed it as a decorative backdrop rather than a central functional space. Brass grill cabinet fronts discreetly conceal dishes, and the marble backsplash features intricate carvings, creating an inviting environment for drinks or breakfast. The adjacent pantry-slash-coatroom also received attention, with a custom metal and glass panel ceiling and a beaded door to hide electrical access. For outdoor dining and entertainment, the terrace upstairs is a favored spot, weather permitting. Equipped with outdoor speakers, it provides a lively atmosphere for evenings, with Sue occasionally taking on the role of DJ. When concerts are playing in Hyde Park, the music is lowered to enjoy the live performances from artists like Billy Joel and Bruce Springsteen. The primary bedroom stands out as a particular favorite, enveloped in a de Gournay print that extends across all surfaces, cleverly disguising closet doors and creating a hidden primary bathroom entrance. The primary bathroom itself offers a unique detail: a selection of books within easy reach from the tub, a thoughtful surprise from the designers. To further enrich the London experience, Salvesen Graham connected Bill and Sue with art consultant Rebecca Gordon, who curated a collection of works by various artists including Chris Levine, Lorna Robertson, James Hart Dyke, Kate Giles, and Hunt and Hope. The bathroom's marble, featuring intricate curves and cuts, mirrors the shapes of the mirrors above, adding a touch of sophisticated detail throughout the apartment, contributing to a sense of being well-cared for within the home's design. The design approach prioritizes bespoke elements and a luxurious, comforting aesthetic, transforming the flat into a true London retreat. #LondonFlat #InteriorDesign #HomeTour #BritishStyle #SalvesenGraham #LuxuryLiving #PiedATerre #CustomDesign #Wallpaper

In one of the oldest cities in the U.S., Philadelphia, finding a historic rental that aligns with a modern lifestyle can be challenging. Creative consultant and interior stylist Alexandra Morris Flint encountered this while searching for an apartment in early 2018. While many charming townhomes were available at affordable prices, they often proved to be too small or had low ceilings, which was a significant consideration given her husband's height. Morris Flint and her husband initially visited an apartment with 14-foot ceilings and oversized windows, which, despite being the first they saw, left a lasting impression due to the abundant natural light. Although the apartment’s historic exterior contrasted with its recently renovated, classic "white box" interior, Morris Flint saw potential to infuse it with character. Her first step was to repaint the space, transitioning from a cold, flat gray to Benjamin Moore’s Simply White to create a warmer ambiance. Due to the open floor plan, she strategically used Farrow & Ball’s Parma Gray to differentiate the living room from the kitchen, painting the walls adjacent to the island and cabinetry in the contrasting hue. To further personalize the space, the couple immediately hired an electrician to replace the existing light fixtures. They chose large-scale pendants, 19 inches in diameter, by Thomas O’Brien, which enhanced the vaulted ceilings and transformed the apartment from a generic listing into a more inviting home. Morris Flint also highlights that lighting fixtures are a renter-friendly upgrade as they can be taken when a lease ends. Morris Flint adopted a gradual approach to decorating, allowing the apartment to evolve over time, consistent with her relaxed and lived-in aesthetic. She views a home as a living laboratory for creative exploration and style development. This philosophy guided the placement of their IKEA dining table, which became a central feature after experimenting with various layouts. Initially positioned under the windows, it was moved to a more central location to optimize the floor plan, now serving as both a dining area and a room divider, draped with a Zsuzsanna Nyul textile. Morris Flint advises flexibility with furniture arrangements, noting that initial ideas often need adjustment once one is living in the space. Her signature 14-foot-tall gallery wall, a focal point of the apartment, also evolved through experimentation. Initially a smaller, more cautious arrangement, it was rehung multiple times before extending to the ceiling. Morris Flint's approach to gallery walls involves anchoring the display with two or three larger pieces and then filling in with smaller details. She emphasizes that impactful art doesn't require a large budget, incorporating sentimental items like a restaurant valet ticket and a vintage wallpaper fragment. This creative ingenuity extends beyond wall decor; the couple's bed features a unique headboard made from a folding screen borrowed from her mother, designer Suzanne Kasler, adapted with brackets and a coordinating bed skirt. Three years into living in the apartment, Morris Flint continues to refine the layout and introduce new elements, embracing the impermanence inherent in decorating a rental. Her advice to others is to allow time to live in a space before feeling pressured to decorate everything at once, as this iterative process is key to creating an authentic and happy home. #RentalDecor #HomeStyling #GalleryWall #InteriorDesign #PhiladelphiaHomes #SmallSpaceDesign #DIYDecor #CreativeLiving #ApartmentTherapy

Angel O'Donnell, an interior design firm led by co-founders Richard Angel and Ed O’Donnell, has unveiled a new interior concept for apartments at One Crown Place in London. This innovative approach aims to redefine urban living by integrating light, color, and playfulness into the residences located in the heart of the City of London. The designs are implemented in one- and three-bedroom apartments situated on the 25th and 21st storeys of the mixed-use development, which also features a hotel and private residences. The broader complex includes 246 apartments and penthouses spread across two high-rise structures. The design philosophy by Angel O'Donnell subtly acknowledges the overarching architectural vision of the building, crafted by Kohn Pedersen Fox Associates (KPF), and the comprehensive amenities developed by Studio Ashby for residents. This integration results in living spaces that are not only cheerful and engaging but also incorporate significant design pieces and art, imbuing each interior with distinct character. A notable aspect of the project is the prevalence of bespoke design elements, carefully adapted to complement the building's unique angular forms. Ed O'Donnell articulates that the design team's objective was to capitalize on the inherent strengths of One Crown Place. These strengths include the expansive views and abundant natural light available in the apartments, alongside the architectural blend of 18th, 20th, and 21st-century styles present in the development. He also highlighted the unusual juxtaposition of traditional craft techniques with modern engineering, evident in the glazed terracotta facades and steel skeleton structures. O'Donnell emphasizes a desire to construct upon these inspirations with dynamic and youthful designs that reflect the diverse culture, creativity, and fashion prevalent in the area. Each apartment is conceived to narrate a distinct facet of the One Crown Place story, characterized by warmth, individuality, and art sourced locally, contributing to a vibrant and personalized living experience. #LondonArchitecture #InteriorDesign #ApartmentLiving #AngelODonnell #OneCrownPlace #CityLiving #ArchitecturalDesign #UrbanInteriors #BespokeDesign

Architect James Davies, founder of Paper House Project, undertook an ambitious endeavor to convert a derelict former schoolhouse in Hackney, London, into his personal two-bedroom residence. This challenging project, completed by October 2022, transformed a dilapidated brick structure into a high-ceilinged, concrete-floored home, showcasing Davies' vision and determination. The site presented significant hurdles, including being landlocked, lacking existing utility services, and navigating complex access negotiations with surrounding freeholders and leaseholders. Davies described these issues as challenges rather than obstacles, requiring immense patience and unwavering confidence to resolve, including extending new electric and water connections via a 90-meter trench across third-party land. Davies' architectural approach focused on restoring the original brick envelope of the building while implementing a modern interior design. He collaborated with engineers to minimize visible structural elements, thereby maximizing the double-height spaces and enhancing the sense of openness. A key design feature is the incorporation of new gridded steel-frame windows and an inner courtyard, which together flood the interiors with natural light and create a unique sense of volume, uncommon in typical London homes. Davies noted that the abundant natural light, height, and volume significantly contribute to mood and well-being, emphasizing the peaceful and tranquil atmosphere of the internal courtyard, which helps to create a serene environment despite the property's proximity to busy Hackney high streets. The interior aesthetic draws inspiration from industrial and warehouse conversions, influenced by notable structures such as the Turbine Hall at Tate Modern, Liverpool's Albert Docks, and the warehouse living styles prevalent in New York City. Davies consciously selected a limited palette of materials, predominantly concrete and steel surfaces, to achieve a smooth, stylized industrial look throughout the home. This choice of materials, combined with elements like a black marble splash-back, oak veneer door fronts, and a spruce-paneled staircase, introduces contrasting materialities that add depth and character to the design. Practical solutions were devised to overcome site access limitations, such as fabricating large components off-site and ensuring they were light enough to be manually carried through the courtyard by two people. Steel A-frame trusses with cable rod connections were ingeniously embedded to support the new slate roof, demonstrating innovative structural solutions. The downstairs living spaces are subtly divided by the staircase, maintaining an open feel while delineating functional areas. Wooden interior panels are strategically used to soften the white walls, adding warmth to the industrial aesthetic. Davies encapsulated the essence of the house's ambiance with a single word: 'calm', reflecting the successful creation of a tranquil urban dwelling from a complex, derelict site. #Architecture #ResidentialDesign #LondonRealEstate #HackneyHome #ConversionProject #IndustrialAesthetic #PaperHouseProject #ArchitecturalRenovation

The annual WOW!house at Design Centre, Chelsea Harbour, showcases 22 immersive spaces designed by a mix of established and emerging talents. This year's exhibition, on view from June 2 to July 3, offers a comprehensive look at current design trends, featuring contributions from designers like Alessandra Branca, Chad Dorsey, and Peter Mikic. The showhouse serves as a source of inspiration for both full-scale redesigns and minor refreshes, highlighting innovative approaches to spatial planning, color palettes, and luxurious yet livable layering. The following outlines key design ideas observed at the showhouse. The entrance hall, designed by Victoria Davar of Maison Artefact, creates a theatrical ambiance reminiscent of a country château. Davar raised the ceiling to five meters and installed a floating staircase, an antique stone floor, and traditional joinery. The space is adorned with an 18th-century Norwegian table and Pierre Forsell candleholders. A spiraling ‘Oak Leaf’ chandelier by Cox London serves as a dramatic focal point, emphasizing the impact of nature-inspired, large-scale pieces in an entryway. Chad Dorsey’s Fromental Drawing Room combines American and British Arts and Crafts influences. The room features a bespoke Strike fireplace, Alexander Lamont’s ‘Kita’ lamp, Kyle Bunting’s custom leather chequerboard rug, and Romo’s cinnamon chevron textiles. Fromental’s hand-painted ‘Kiku’ wallcovering extends across the walls, ceiling, and door casings, creating an immersive, atmospheric effect. Tommaso Franchi of Tomèf Design created a Venetian-inspired primary bedroom and sitting room, showcasing Italian craftsmanship. Franchi blended modern and historic elements using Fortuny textiles, Bonacina’s handwoven rattan, and Barovier&Toso;’s Murano glass. Draped fabric panels on the walls and upholstered doors add softness, warmth, and a cinematic quality to the space. Ben Pentreath Studio’s unfitted kitchen presents a Greco-Gothic fantasy with bold colors, eccentric details, and a focus on craft. Designed by Rupert Cunningham, Leo Kary, and Alice Montgomery, the kitchen features delicate wooden storage shelving from Lopen Joinery, allowing the architectural background and wall color to show through, blending practicality with poetic design. Alessandra Branca’s bedroom features a canopy bed wrapped in Casa Branca’s patterned linens, inspired by Mongiardino and David Hicks. The design combines classical references with sculptural pieces by Timothy Schreiber and Francis Sultana. ‘Paisley’ walls and striped drapery, alongside antiques from Rose Uniacke and Hawker Antiques, create a soft, luxurious, and hospitable environment. Alex Dauley’s media room, in collaboration with Nucleus, is a warm, cocoon-like space. Fully upholstered walls, ceilings, and a fitted custom rug in amber and walnut shades create an enveloping atmosphere. Hidden smart sound and lighting technology from Nucleus, along with handcrafted walnut and bronze shelving and sculptural lighting, add sophistication. The room also highlights pieces by Black artisans, including Darren Appiagyei’s raw wood vessels and Danielle McKinney’s giclée print. Emma Sims-Hilditch’s courtyard room, a boot room and dog snug, demonstrates that functional spaces can be stylish. It incorporates a marble sink for muddy vegetables and an elegant dog shower. Layered with antiques, bespoke craft, and hand-painted Delft tiles by Marlborough Tiles, this space highlights a modern trend of dedicating comfortable areas for pets. Daniel Slowik’s chartreuse morning room, designed with Treasure House Fair, emphasizes romantic restraint. The walls are covered in hand screen-printed cotton poplin with a trompe-l’œil pattern. Notably, large, ruffled frilled cushions made from Nuthall Temple fabrics add a witty and indulgent contrast to the room's unique antiques and art. Nicola Harding’s powder room, created with Drummonds, features a tented aubergine silk ceiling, transforming the small space into a magical retreat. Layers of patterned fabric, glossy tiles, and brass and mirrored finishes create a sensory experience. Harding’s bespoke rug-covered cabinetry and playful furnishings, combined with Drummonds’ elegant fittings, show how small spaces can achieve significant dramatic impact. Pirajean Lees’ circular sanctuary, wrapped in Dedar fabrics, is a sensory experience inspired by music, particularly jazz. Wool satin curtains, wild silk, and velvet mohair cover custom bookcases and a desk, with case designs referencing musical instrument trunks. A curving bespoke sofa, a custom Jennifer Manners rug, and a sculptural “Record” chair invite deep listening and pause. Peter Mikic’s dining room is a vibrant celebration of color, featuring Benjamin Moore’s ‘Broadway Lights’ yellow. The room includes an atomic chandelier, a bespoke dining table by Kaizen inlaid with semi-precious stones, and hand-painted trompe l’oeil panels. Billy Metcalfe’s abstract mural electrifies the back wall with sweeping strokes of green, blue, and red, creating a full-color feast. #DesignTrends #ShowhouseDesign #InteriorDecor #LuxuryInteriors #ColorPalettes #CustomFurnishings #ArchitecturalDetails #LondonDesign #HomeStyling

This article highlights four distinctive home design projects by various architectural firms, showcasing innovative approaches to residential living spaces. Each project demonstrates a unique blend of creativity, functionality, and personalized style, reflecting contemporary trends in interior and architectural design. The first featured project is by Itch Società d’Architettura in Milan, focusing on the transformation of early-20th-century attic apartments and duplexes. These residences incorporate clever interventions such as a daylight-ushering glass rooftop extension that opens onto a balcony, enhancing natural light and outdoor access. The design also emphasizes refined color blocking, which serves to animate and add character to otherwise understated interiors, utilizing original wood-slat ceilings crisscrossed with steel beams as a foundational element. Next, Ubalt Architectes in Paris presents a conversion of a 1970s computer data center into a live-work unit on the outskirts of the Marais district. This project boldly reimagines the typically grayscale office environment with fearless design choices. Notable features include vertical blinds, a vibrant jolt of tinted Plexiglas cladding structural steel, and a unique staggered terrazzo jardiniere. This jardiniere, accessed by a surrealist pool ladder, ingeniously extends the terrace greenery into the interior space, blurring the lines between indoor and outdoor living. Office S&M;, an emerging London practice, contributes a remodeled lower level of a Victorian town house in Islington. Their design is characterized by a playful and vibrant aesthetic, incorporating joyous tropical colors and tinted mirrors that introduce warped views, adding a whimsical dimension to the space. Custom built-ins, designed with peaks and arches, reference the surrounding architecture and evoke a playhouse-like charm. A strong emphasis on sustainability is evident through the use of reclaimed materials, such as countertops made from melted-down plastics and pendant lights crafted from recycled crushed brick, giving new life to previously existing elements. Finally, Rowland+Broughton showcases a contemporary three-story family home in Aspen, Colorado. This residence is a crisp composition of natural and refined materials, including soap-finished larch, bleached oak, charred pine, and black steel. Situated adjacent to a meadow and surrounded by evergreens, spruce trees, and Gambel oaks, the home integrates seamlessly with its natural environment. Interior highlights include a sculptural spiral staircase featuring LED-lit treads and a hand-carved Pele de Tigre marble fireplace, a collaboration with the Haas Brothers, which serves as a central artistic statement within the home. These elements collectively define a sophisticated and modern living space deeply connected to its serene surroundings. #ResidentialDesign #CreativeHomes #InteriorArchitecture #HomeRenovation #MilanDesign #ParisianLiveWork #LondonTownhouse #AspenHome

The author, an ELLE DECOR A-List designer, details her recent experience renovating and extending her London apartment. She notes that while designers' own homes often turn out to be their best work due to the absence of client-imposed visual compromises, designing for oneself can present its own set of challenges. Initially exciting, the project often gets pushed aside in favor of client work, leading to the 'cobbler-with-no-shoes' phenomenon. The collaboration aspect, crucial in client projects, is largely missing when working on one's own space, sometimes leading to a sense of loneliness as the only push-and-pull comes from one's own team, who may be reluctant to offer contradictory opinions. Despite these challenges, the author appreciated the flexibility and speed with which decisions could be made and adjusted. Design changes could be implemented swiftly, or even reversed, without the need for multiple client meetings, presentations, or extensive persuasion. This freedom allowed for bold choices that might be difficult to sell to a client, such as applying tobacco linen to north-facing sitting room walls or painting window frames and trim in a unique 'Toad' green. These bold design elements, while adding to the expense and timeline, ultimately created a high-impact, calming atmosphere, evoking a country feel for guests. She draws a parallel to Albert Hadley, who famously used his own apartment as a design laboratory, experimenting with unique elements like lacquered chocolate-syrup-colored walls and ceilings. This illustrates how designers' personal spaces become arenas for unconstrained creativity and experimentation, free from the pressure of client approval. When making daring design choices for her own home, the author experiences less anxiety about the outcome, knowing she can live with and adjust the results if necessary. This contrasts with client projects, where bold decisions carry significant financial implications or risk a loss of trust if initial iterations don't meet expectations, potentially stifling creativity. The article also touches on the differing nature of budgets when designing for oneself versus for clients. While client budgets always have boundaries, personal projects offer a different spirit of allocation. The author found value in things that might be considered extravagant for a client, such as a four-poster bed requiring 90 yards of fabric, which she expresses no regret for, despite it being a budget-buster. This highlights the personal satisfaction derived from investing in specific design elements for one's own enjoyment. Ultimately, the author concludes that the process of designing her own home, despite its inherent 'pain,' was a rewarding experience, allowing for a level of creative freedom and personal expression that is often tempered in client-focused work. The outcomes, particularly the bold and distinctive design choices, have brought significant personal satisfaction and validation, reaffirming the unique benefits and challenges of being one's own design client. #InteriorDesign #HomeRenovation #DesignerLife #LondonApartment #CreativeFreedom #BudgetManagement #PersonalStyle #DesignChallenges