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Louise Copeland’s enchanting layers of lacy trim, enameled tabletops and silken lampshades
This article highlights the design philosophy of Louise Copeland, founder of L.B. Copeland Interior Design, who approaches interiors with a layered approach, blending fresh discoveries with cherished favorites to create elegant and lived-in spaces. Her style is characterized by a mix of old and new elements, exemplified by a vintage wrought iron snake lamp with a pleated silk shade and a studded brass tray paired with botanical wallpaper. Copeland describes her mood board as a combination of "tried-and-true pieces" and new samples, all sharing a common design language that is both "found yet tailored," rooted in tradition but infused with energy. She incorporates classic touches such as an Arts and Crafts–inspired armchair, retro cutlery, and a tufted sofa, balancing these with more feminine elements like a frilly Murano glass chandelier, a rose-toned guipure, and a custom 1960s coffee table with a hand-painted enamel top depicting a pastoral scene. Copeland envisions this eclectic palette as suitable for a character-filled city apartment or a colorful country getaway, demonstrating its versatility.
The article then details 20 specific items that contribute to Copeland’s design aesthetic, providing insight into her material and pattern selections. These include a handmade Moroccan brass sofa tray by Habibi Burton, chosen for its detailing and perfect size, and the Hedera wallcovering by Zak+Fox, admired for its scale and unique blue-burgundy color combination. The Athletic Club armchair by Hollywood at Home, from Peter Dunham’s collection, is praised for its quality and updated Arts and Crafts style, particularly its upholstered seat and woven back. The Fable fabric in Fjord by A Rum Fellow is highlighted as a perfect plaid, while the Talisman Loop sconce by Apparatus is noted for its funky, unique design and natural agate beads. Copeland expresses a fondness for vintage French wrought iron snake lamps and frequently uses pleated silk lampshades from Penny Morrison for their bohemian block print and diverse color options.
Other notable selections include the Stones of Venice wallpaper by Madeaux, which combines trompe l’oeil and marbled paper to add architectural depth, and the Coral Berry Check blanket by Gregory Parkinson, which transforms a space with its unexpected color combinations. Beata Heuman’s Knot Knobs are cherished for their elegance, weight, and sophistication, while the Margaux Crete guipure trim by Samuel & Sons is a frequently used material, adding a delicate touch to drapery, sofa skirts, or throw pillows. Water’s Edge paint by Benjamin Moore is identified as a favorite for its balance of blue, gray, and green. The Liberty Grandiose Murano chandelier by Ercole Barovier, available on 1stDibs, is valued for its unique blend of aged brass and glass. A sentimental vintage glass necklace belonging to her mother is also mentioned, showcasing a personal touch in her inspirations.
Further elements include a rare Philip & Kelvin LaVerne Chan coffee table from the 1960s, admired for its metal carvings and enameled top, and an oversized custom rug from Rug & Kilim’s Block Print collection, chosen for its soft hand-knotted wool and silk, and showstopping designs. The Woody sofa by Highland House is selected for its versatility and interesting lines, suitable for various fabric choices. Waterworks’ Architectonics2 handmade field tile in heather dynamic crackle is lauded for its depth and ability to add unparalleled dimension to a space. Finally, Calacatta Turquoise marble by BAS Stone is a preferred starting material for its special colored veining, allowing for numerous beautiful design directions, and Sabre’s Bistrot flatware in Faux Buffalo with a vintage finish is desired for its classic design and worn metal aesthetic. Each item contributes to Copeland’s ability to weave together diverse elements into a cohesive and rich interior narrative.
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