Lucy Penfield’s thoughtful selection of embroidered trims, fringed fabrics and hand-painted terra cotta tile

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

The article discusses seven key items interior designers consistently recommend to clients to create a polished and cohesive living space. It emphasizes that a well-designed home is not just about individual elements but about expert curation. The insights are drawn from designers Martha Mulholland and Nicky Mudie, who share their 'secret sauce' for achieving a harmonious and complete look. The first recommendation is the strategic use of pillows and throws. Soft textiles are essential for adding warmth, texture, and a cohesive feel to any room, including the kitchen. They offer an opportunity to introduce color and pattern, preventing spaces from appearing stark or unwelcoming. Nicky Mudie highlights their role in providing comfort and a unified aesthetic, while Martha Mulholland notes their importance in adding character and making a space feel complete. The article suggests coordinating fabrics with existing elements, such as area rugs or curtains, and mentions the flexibility of changing them with seasons or evolving styles. Secondly, an area rug is deemed a non-negotiable for hard floors. Designers stress that rugs anchor the space, define different zones, and introduce texture and color. The selection of a rug should be intentional, considering how it aligns with the overall decor style and whether it needs to incorporate patterns. The rug is presented as a foundational element around which the rest of the room's design, including furniture and complementary decor, can be built. Emphasis is placed on proper rug placement, ensuring it extends under major furniture pieces for a balanced and considered look, with a recommendation to choose larger sizes than initially perceived necessary. Antiques are the third item on the list, serving as a unique conversation piece that draws the eye and injects character into a room. Incorporating vintage or antique heirlooms is advised to create a more eclectic and personal interior, moving away from a homogenous, mass-produced aesthetic. Nicky Mudie explains that a carefully chosen vintage piece, whether a chest, side table, or lighting fixture, grounds the room and adds 'soul.' Even small decorative objects can complete a vignette, imbuing the space with personality and inspiring broader decorating themes. Accent lighting is highlighted as the fourth crucial element. Beyond its functional purpose, lighting is presented as a powerful tool to pull a room together. Designers consistently advocate for layered lighting, combining ambient, task, and accent lights such as ceiling lights, floor lamps, and table lamps. This approach creates a warm, inviting atmosphere with visual depth. For living rooms and bedrooms, side lighting with warmer, dimmable bulbs is preferred over harsh overhead lights, transforming a simple room into an atmospheric one. Matching finishes in lighting elements further contributes to a cohesive design. Artwork and mirrors constitute the fifth recommendation. Bare walls are noted as detrimental to a room's aesthetic, making it feel incomplete. Artwork, strategically placed where the eye naturally rests, acts as a focal point and enhances a polished appearance. Vintage paintings are often suggested to engage guests. The article advises considering the size and scale of art, whether a single large piece, a gallery wall, or a tapestry. Mirrors are presented as an alternative or complementary option, bringing in light and creating an illusion of expanded space, particularly beneficial in smaller rooms. An accent chair is the sixth piece designers recommend. It offers more than just additional seating; it creates a distinctive design moment that unifies the room. The article posits that while cohesive interiors often rely on common threads, an unexpected accent chair can introduce an element of surprise and intrigue. A single, sculptural, or characterful chair can balance the room and add personality, such as a mid-century leather chair in a textile-rich bedroom or a plush, patterned armchair in a neutral living space. Finally, scent, though not a tangible decor item, is emphasized as the seventh and often overlooked detail that ties a room together. Designers advise clients to select a home fragrance that complements the room's mood, adding an extra layer of sensory detail. Martha Mulholland explains that a truly cohesive room is a multi-sensory experience, where fabrics feel luxurious, lighting is soft, and the air smells pleasant. Designing with all five senses in mind is presented as the ultimate art of interior design, completing the overall ambiance of the space. #InteriorDesign #HomeDecor #DecoratingTips #AccentPieces #Textiles #AreaRugs #Antiques #LightingDesign #Artwork #HomeFragrance

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

This article highlights the design philosophy of Louise Copeland, founder of L.B. Copeland Interior Design, who approaches interiors with a layered approach, blending fresh discoveries with cherished favorites to create elegant and lived-in spaces. Her style is characterized by a mix of old and new elements, exemplified by a vintage wrought iron snake lamp with a pleated silk shade and a studded brass tray paired with botanical wallpaper. Copeland describes her mood board as a combination of "tried-and-true pieces" and new samples, all sharing a common design language that is both "found yet tailored," rooted in tradition but infused with energy. She incorporates classic touches such as an Arts and Crafts–inspired armchair, retro cutlery, and a tufted sofa, balancing these with more feminine elements like a frilly Murano glass chandelier, a rose-toned guipure, and a custom 1960s coffee table with a hand-painted enamel top depicting a pastoral scene. Copeland envisions this eclectic palette as suitable for a character-filled city apartment or a colorful country getaway, demonstrating its versatility. The article then details 20 specific items that contribute to Copeland’s design aesthetic, providing insight into her material and pattern selections. These include a handmade Moroccan brass sofa tray by Habibi Burton, chosen for its detailing and perfect size, and the Hedera wallcovering by Zak+Fox, admired for its scale and unique blue-burgundy color combination. The Athletic Club armchair by Hollywood at Home, from Peter Dunham’s collection, is praised for its quality and updated Arts and Crafts style, particularly its upholstered seat and woven back. The Fable fabric in Fjord by A Rum Fellow is highlighted as a perfect plaid, while the Talisman Loop sconce by Apparatus is noted for its funky, unique design and natural agate beads. Copeland expresses a fondness for vintage French wrought iron snake lamps and frequently uses pleated silk lampshades from Penny Morrison for their bohemian block print and diverse color options. Other notable selections include the Stones of Venice wallpaper by Madeaux, which combines trompe l’oeil and marbled paper to add architectural depth, and the Coral Berry Check blanket by Gregory Parkinson, which transforms a space with its unexpected color combinations. Beata Heuman’s Knot Knobs are cherished for their elegance, weight, and sophistication, while the Margaux Crete guipure trim by Samuel & Sons is a frequently used material, adding a delicate touch to drapery, sofa skirts, or throw pillows. Water’s Edge paint by Benjamin Moore is identified as a favorite for its balance of blue, gray, and green. The Liberty Grandiose Murano chandelier by Ercole Barovier, available on 1stDibs, is valued for its unique blend of aged brass and glass. A sentimental vintage glass necklace belonging to her mother is also mentioned, showcasing a personal touch in her inspirations. Further elements include a rare Philip & Kelvin LaVerne Chan coffee table from the 1960s, admired for its metal carvings and enameled top, and an oversized custom rug from Rug & Kilim’s Block Print collection, chosen for its soft hand-knotted wool and silk, and showstopping designs. The Woody sofa by Highland House is selected for its versatility and interesting lines, suitable for various fabric choices. Waterworks’ Architectonics2 handmade field tile in heather dynamic crackle is lauded for its depth and ability to add unparalleled dimension to a space. Finally, Calacatta Turquoise marble by BAS Stone is a preferred starting material for its special colored veining, allowing for numerous beautiful design directions, and Sabre’s Bistrot flatware in Faux Buffalo with a vintage finish is desired for its classic design and worn metal aesthetic. Each item contributes to Copeland’s ability to weave together diverse elements into a cohesive and rich interior narrative. #InteriorDesign #LouiseCopeland #HomeDecor #EclecticStyle #VintageFinds #MaterialMixing #DesignInspiration #LuxuryInteriors #TextileDesign

The article showcases Liz Tew's favorite room, highlighting her approach to creating a relaxing and inviting living space. The design centers on a serene color palette, utilizing Benjamin Moore's Pale Oak for the walls, which sets a calming foundation for the room's aesthetic. This choice of wall color contributes significantly to the overall tranquil ambiance of the living area. Several key design elements are incorporated to enhance the room's visual appeal and comfort. Woven raffia wall hangings are prominently featured, adding texture and a natural, organic touch to the space. These hangings are noted as a growing trend in home decor, indicating a contemporary design sensibility. The integration of art pieces is another significant aspect of the room's design, with a collection from artists Annie Howell, Katie Hinshelwood, Grace Pouch, and Whitney Stoddard creating a cohesive and visually stimulating grouping. This curated selection of art reflects a thoughtful approach to personalizing the space. Natural elements are strategically used to introduce warmth and visual interest. A wooden circular mirror serves as a natural texture element, providing a contrast to the cooler tones in the room and adding a sense of organic elegance. Furthermore, a tall fiddle leaf fig tree is positioned in a corner, adding height and bringing a touch of nature indoors, which contributes to the room's freshness and vitality. Textiles play a crucial role in enhancing the comfort and style of the living space. The couch features throw pillows by artist Laura Park, which introduce patterns and colors that complement the overall design. These pillows are paired with thick banded curtains, creating a harmonious and polished look. The attention to detail extends to smaller accents, such as a beaded decoration on a vintage door knob, illustrating how minor elements can contribute to the room's character and charm. A particularly notable art piece in the room is "ÒLarry LlamaÓ" by local artist Marian Pouch. This painting not only serves as a focal point but also connects the interior space to the local art scene, as a larger version of the piece adorns the Camperdown Plaza in downtown Greenville. This inclusion underscores a blend of personal taste with an appreciation for local culture. Overall, Liz Tew's favorite room is characterized by a carefully balanced combination of calming colors, natural textures, curated art, and thoughtful decorative details. The design emphasizes creating an inviting and aesthetically pleasing environment through a harmonious selection of furnishings and decor, reflecting a contemporary yet timeless approach to interior design. #HomeDecor #InteriorDesign #LivingRoom #PaintColors #HomeStyling #ArtCollection #NaturalElements #TextileDesign #GreenvilleHomes

Woven fabrics contribute significantly to interior design by introducing softness, warmth, and a subtle textural element that printed cloths cannot fully replicate. The inherent tactility of woven textiles often gets lost in two-dimensional images, making it challenging to distinguish them from printed patterns. However, woven cloth possesses superior strength and offers a comforting quality due to its integrated design, ensuring its longevity. Ireland, with its rich history in weaving, continues to host several long-standing companies that are adapting to modern demands. Foxford Woollen Mills, established in 1892 in Co Mayo, exemplifies this adaptation. While traditional blankets have seen a decline in popularity due to the rise of duvets, throws have experienced a resurgence, particularly during the Covid-19 pandemic. Joe Queenan of Foxford Woollen Mills notes an increased demand, attributing it to both a surge in outdoor dining and a consumer desire to support Irish businesses. He highlights that in times of crisis, consumers gravitate towards reliable, ethically produced goods, willing to pay a premium for quality. This trend is evident in the popularity of Foxford’s high-end cashmere throws, as well as the renewed interest in mohair products. Similarly, John Hanly, a family-run business since 1893 in Ballyartella, Co Tipperary, primarily known for supplying international fashion houses, also offers a contemporary homeware range. Their collection features throws in lambswool, cashmere, and mohair, showcasing vibrant colors. While they rarely receive requests for upholstery fabric, Brian Hanly, the current head, expresses openness to exploring such opportunities, acknowledging the rigorous testing required for durability and fire resistance in upholstery. The viability of short production runs for upholstery fabric, however, remains a challenge. Mourne Textiles in Co Down stands out as one of the few Irish weavers providing upholstery fabric by the meter. As an artisan company specializing in hand-woven products, they accommodate smaller production runs, which impacts pricing. In contrast, Botany Weaving, founded in 1934 with factories in Dublin and Donegal, caters to large-scale contracts. They supply woven textiles for aircraft upholstery, curtains, and carpets for over 120 airlines. Recognizing a shift in market demand, Botany Weaving has expanded into contract furnishing. David Lawson of Botany Weaving mentions that some of their durable, well-designed, and predominantly wool fabrics could be suitable for residential use, often sold under other furniture brands rather than their own. Interior designer Oisín MacManus of Ollas Design emphasizes the role of woven textiles in adding texture to interior spaces. He notes that woven items, typically incorporating multiple colors and materials, invite interaction and add depth to a room, unlike flat surfaces. MacManus uses a sofa upholstered in Glen Marsh from Botany Weaving as an example, highlighting how its varied colors create visual interest and texture. Margo Selby, an English weaver and textile designer, collaborates with industrial mills while also creating her own woven artworks. She stresses the craft inherent in setting machines to produce fabric and the skill of textile technicians. Selby is launching a collection of 23 curtain and Roman blind fabrics with Hillarys, a British brand known for its fitting and consultation services. Her designs are geometric, featuring a mid-century color palette, and are specifically tailored for contemporary homes. Selby observes that people often struggle with selecting window dressings for modern builds, often opting for generic solutions. Her collection, available in ochre and silver, teal and green, and indigo and ink, offers strong yet minimal patterns designed to complement contemporary architecture and add a vibrant touch to interiors. The collection is set to launch on October 12, with prices starting from €289 for curtains and €189 for Roman blinds, inclusive of measuring and fitting services. #WovenFabrics #InteriorDesign #TextileDesign #IrishWeaving #HomeDecor #MargoSelby #FoxfordWoollenMills #JohnHanly #BotanyWeaving

Leanne Ford, a renowned interior designer, has launched her debut 25-piece rug and pillow collection in collaboration with Loloi, joining a distinguished roster of designers including Joanna Gaines and Jeremiah Brent. This collection is characterized by its grounded, tactile nature, linear patterns, and organic restraint, drawing inspiration from the children's classic, 'The Secret Garden'. Ford emphasizes that the rugs are designed for everyday living, meant to be walked on, lounged on, and loved, prioritizing comfort and durability over excessive preciousness, making them suitable for busy households and even holiday gatherings. The collection features a variety of textures, from low-pile options ideal for high-traffic areas to plush, soft rugs perfect for floor-sitting. A notable example is the Craven line, which utilizes space-dyed wool to achieve a subtle, imperfect stripe pattern. Ford explains that this approach aims for a softer, more painterly aesthetic than sharp, graphic stripes, ensuring timeless appeal. The Weatherstaff rugs, another highlight, are flatwoven jute designs that are thin enough to fit under door swings while still providing natural texture and warmth in high-traffic zones. The Lennox collection showcases undyed wool, offering a tonal effect with rich texture that adds soul to a space. Ford's design philosophy embraces imperfection, believing that it adds magic and character to interiors. She sees her rugs as timeless pieces that can seamlessly integrate into various styles and rooms. Beyond traditional placement, Ford offers innovative ideas for using smaller rugs, such as defining zones under a coffee table in a large living room or layering multiple rugs to create distinct seating areas in open-plan spaces, drawing parallels to hotel lobby designs. The collection's human quality is evident in its fluid lines and hand-drawn patterns, which stem from Ford's creative process of sketching with paper and charcoal rather than relying on digital tools. This personal touch imbues the stripes and checkers with unique personality, making them feel both classic and contemporary. In addition to rugs, the collection includes throw pillows in organic greens and terracotta hues, such as the olive-toned Captain Decorative Pillow Cover and the Medlock Decorative Pillow Cover, which reinterprets the Craven rug's organic stripes. These pillows are designed to complement the nature-inspired palette of the rugs and can be mixed, matched, or allowed to stand alone as focal points. Ford asserts that the collection's earthy, neutral palette aligns with her overarching design aesthetic, aiming to create a sense of calm and exhale within a home. The article concludes by stressing the importance of rug placement, suggesting that even with trendy designs, strategic positioning, potentially guided by principles like feng shui, is crucial for maximizing their impact and functionality within a space. #LeanneFord #LoloiRugs #InteriorDesign #RugCollection #HomeDecor #TextileDesign #DesignPhilosophy #HomeAccessories #StripedRugs

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

Incorporating antique textiles into home decor has become increasingly popular as individuals seek to infuse their living spaces with personality and unique appeal. This approach allows for a blend of old and new, offering a distinctive aesthetic that transcends fleeting trends. While antique furniture and ceramics have long been valued, antique textiles are gaining recognition for their ability to significantly impact a room's design. This guide, drawing on expert insights, explores the multifaceted aspects of decorating with these historical fabrics, from their aesthetic contribution to practical considerations. Antique textiles offer a unique opportunity to personalize a space. Interior design consultant Lucinda Griffith emphasizes that using these textiles creates a scheme that reflects individual taste rather than following widespread trends, thus ensuring greater longevity. The juxtaposition of old and new elements, particularly through antique textiles, can introduce an unexpected layer of sophistication. Samantha Stathis-Lynch of Samantha Ware Designs notes the comfort and elevated feel that older fabrics bring, highlighting their rarity and the importance of acquiring them when found. Jessica Lev of Jessica Lev Antiques points out that antique textiles, with their inherent depth and patina, can make a room feel fresh and distinctive, especially when compared to the common use of modern prints and wallpapers. The unique nature of these fabrics can also inspire entirely new design directions that might not emerge from conventional choices. Despite their aesthetic appeal, there are practical aspects to consider when integrating antique textiles. Jessica Lev warns that these fabrics are often fragile and difficult to clean, making them more suitable for low-traffic areas. Lucinda Griffith advises inspecting them for stains and moth damage before use. Ania Agárdy, a Miami-based designer, suggests treating them as statement pieces rather than purely functional items, placing them strategically to create interest while protecting them from direct sunlight and high humidity. If a discovered fabric is damaged, specialized textile restoration or dry cleaning services might be able to revive it. The decision of whether an antique textile will serve as a focal point or an accent is crucial for integration. Scale is another factor; small pieces are ideal for cushions, which can be backed with contrasting fabric to maximize their impact. Designers also encourage cutting and repurposing fabrics for borders or smaller applications if larger quantities are unavailable. Numerous stylish methods exist for decorating with antique textiles, adaptable to various tastes, styles, and fabric conditions. One prominent method is hanging them on walls, transforming them into art pieces that add texture and a unique statement. Designers like Jessica Lev and Jess Petino of Crewel advocate for this, suggesting that ornate textiles can be framed or used as tapestries above beds for added coziness. Proper hanging techniques are essential to prevent damage over time, with mounting onto a canvas being a recommended preservation method. Alternatively, antique textiles can serve as the foundational inspiration for an entire room's design. Their colors and patterns can guide the selection of paint and upholstery fabrics, establishing a cohesive and wonderfully unique color palette. For those new to textile decor or seeking a more subtle approach, decorative pillows offer an accessible and affordable option, providing bursts of color and contrast. Samantha Stathis-Lynch highlights how faded floral prints or hand-embroidered pillows contribute a warm, lived-in feel to a design. Another effective strategy is to blend antique textiles with modern furnishings to create an appealing contrast. Framing textile samples as wall art or using them in conjunction with contemporary furniture pieces can introduce historical depth and artistic flair, often transforming them into focal points. Finally, for more robust textiles, reupholstering furniture offers a creative way to upcycle older pieces and create one-of-a-kind items, such as ottomans, headboards, or chairs. Designers like Kishani Perera frequently use remnants or even antique clothing for appliques, adding unforgettable details. Whether through simple tapestries and throw pillows or more extensive upholstery projects, antique textiles undeniably enhance a space with unique character and timeless appeal. #AntiqueTextiles #InteriorDesign #HomeDecor #VintageDecor #TextileArt #Upholstery #DecoratingTips #PersonalizedHome #CharacterfulInteriors

D’Decor introduces its 'Curated Concepts' series, a collection of meticulously designed fabrics aimed at the modern, global homeowner. This series features a blend of contemporary themes, designs, and materials, designed to add character to minimalist, urban living spaces. The article highlights four distinct collections: The Fragments Collection, The Impressions Collection, The Fusion Collection, and The Ethnic Collection I and II. The Fragments Collection is characterized by geometric patterns and a sophisticated color palette, including mustard with navy, chartreuse with silver, and gold with grey. It incorporates Jacquard curtains and velvets, alongside plain fabrics. Key features include a satin jacquard with a tessellated 3D design, printed sheers with colorful patterns, and bright printed velvets and velvet jacquards featuring maze patterns, all complemented by coordinating curtain plains. The Impressions Collection draws inspiration from brush strokes, presenting vivid colors on vibrant designs. This collection utilizes 100% cotton printed fabric with impressionist stripes and geometric motifs. A stippled ombre stripe, printed on sheer and textured satin, adds depth. The collection also includes jacquard upholstery with distressed chevron and abstract textures, along with curtain jacquard that showcases an interplay of satin weave and fancy yarn, creating rich textures. The Fusion Collection translates earthy, handcrafted designs into diverse fabric substrates, offering a global ethnic aesthetic. It features curtain jacquard with a floral shibori design, distressed block-print-looking chevron, and stripes. Jacquard sheers with an 'ikat' dot and digitally printed sheers with Shibori patterns complement the main curtains. Upholstery options include printed velvet with a contemporary batik pattern and jacquard fabric with a floral block print. Plain fabrics, such as a raw-silk-look curtain plain and a chenille upholstery solid with a chevron texture, further enhance the collection. The Ethnic Collection I and II celebrate the art and craftsmanship of the Indian sub-continent. It reinterprets classical, stylized motifs through various techniques like digital print, jacquard, embroidery, velvets, and plains. The regal and vintage patterns are invigorated by a vibrant, contemporary color palette, offered in two volumes, each with three color stories. Highlights include a delicate Jacobean floral print contrasting with a monotonal jacquard upholstery, satin jacquards with stylized stripes and damasks, embroidered trellises, and Mughal scroll patterns for decorative accents. A broad, multi-colored panel stripe on cotton satin serves as a showstopper, supported by plains with distinctive characters, a handsome velvet stripe, and a delicate wide satin pinstripe. Beyond these showcased collections, D’Decor offers the ‘Flowing Jacquards Collection Two’ with botanical and geometric jacquards, and the ‘Reflections Collection Two’ focusing on sheers and solids. The brand also promotes eco-friendliness with ‘Nova’ bedlinen, introduces ‘Evita’ premium bed covers, and an easy-care range with anti-wrinkle and stain-resistant properties. ‘Bedsuites’ offers curated top-of-bed ensembles, premium dohars, jacquard collections, and kids' bed linen. D’Decor maintains a significant retail presence across the country, with 20 stores currently open and a 21st location planned for Hyderabad. These experience centers offer over 10,000 home fabric options, mood board creation tools, and an intuitive furnishing journey facilitated by the D’Decor app. The stores provide inspiration boards, a welcoming shopping atmosphere, and dedicated services for interior decor professionals, including relationship managers, swatch services, fabric customization, and special previews. #DDecor #HomeMakeover #FabricCollections #InteriorDesign #CuratedConcepts #ContemporaryHome #EthnicDecor #LuxuryFabrics #HomeFurnishing

This article celebrates Suzanne Tick's induction into the Interior Design Hall of Fame, highlighting her multifaceted career as a material innovator, textile designer, and artist. Tick's work is characterized by a forward-thinking approach, integrating sustainability, advanced technologies like 3D knitting, and concepts of transparency and digitalism into woven surfaces for commercial interiors. Her textile brand, Luum, for instance, launched its 'Fabric of Space' collection with patterns inspired by celestial phenomena, coincidentally aligning with the public release of images from the James Webb Space Telescope. Throughout her four-decade career, Tick has collaborated with prominent brands such as Tarkett, Tandus Centiva, 3form, and Skyline Design, creating a diverse range of products including upholstery, drapery fabrics, high-performance carpeting, broadloom, cement-tile, LVT flooring, and etched glass panels. Beyond her commercial endeavors, she maintains an active fine-art practice, producing tapestries and experimental handweavings for clients like the Gates Foundation and BlackRock. Before establishing her independent studio and Luum, Tick served as an in-house design lead for Knoll Textiles, Unika Vaev, and Brickel Associates. However, she values the autonomy and risk-taking opportunities afforded by her entrepreneurial path. This independence has enabled her to innovate, as seen in Luum's pioneering contract industry fabrics made from postconsumer-recycled biodegradable polyester and discarded garment waste. Her journey began in the early 1980s after earning textile design degrees, where she quickly sought to understand the entire production process, learning everything from fiber sourcing to pattern implementation, an experience that shaped her holistic approach. Sustainability has been a cornerstone of Tick's philosophy, encompassing raw material development, structural innovation, and manufacturing method revitalization. At Luum, the focus is on developing new fibers and constructions, resulting in distinct fabrics. Her handweavings also incorporate novel and salvaged materials, such as dry-cleaning hangers, shredded ledgers, and cut-up paint sample discards. Tick attributes her salvage mindset to her upbringing, influenced by her father's scrap-metal business and her mother's creative pursuits and Eastern philosophy interests. Meditation has also profoundly influenced Tick's creative process and studio culture. After a period of personal dissatisfaction, she embraced Vedic meditation seven years ago and now teaches it, crediting it with enhancing collective creativity and clarity within her design teams. This practice has also reinforced her commitment to social responsibility, leading to free weaving workshops and involvement with The Light Inside, an organization teaching meditation to prison inmates. Tick's dedication extends to environmental stewardship, evidenced by her role in creating Resolution, the first solution-dyed panel fabric for Knoll Textiles, and her studio's textile waste recycling efforts. Her work consistently pushes boundaries, merging technology, craft, and human ingenuity to promote circularity in design. #SuzanneTick #InteriorDesignHallOfFame #TextileDesign #MaterialInnovation #Sustainability #LuumTextiles #KnollTextiles #SkylineDesign #VedicMeditation #ArtInstallation

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The Carpet Design Awards 2017, an international competition celebrating the best in handmade carpets and rugs, recently announced its winners. A distinguished panel of judges, led by multi-award-winning carpet designer Stephanie Odegard, evaluated 386 entries from 21 countries to select the top designs across eight distinct categories. The judging criteria encompassed various aspects, including design and concept, materials used, structural integrity and quality, execution, texture, sustainability, and brand presence. In the 'Best Flatweave Design' category, 'Scandinavian Flatweave 2' by Rug & Kilim was recognized for its original design demonstrating the flatweave technique. Jaipur Rugs' 'Unstring by Kavi' claimed the 'Best Modern Collection' award, celebrated for its contemporary design collections unified by a common theme. For 'Best Modern Design Deluxe,' Wool and Silk Rugs' 'Summit' stood out due to its original contemporary design and optimal use of materials. Similarly, Sterling Rugs' 'Super Moon' secured the 'Best Modern Design Superior' award, also lauded for its innovative contemporary design and material utilization. The 'Best Studio Artist Design' honor went to Simone Post for 'Vlisco Recycled,' acknowledging its original small-scale production from an artist or designer. Ayka Design's 'Vase Green' was awarded 'Best Traditional Design' for its successful interpretation of a traditional rug design. Hossein Rezvani's 'Shiraz sabz' received the 'Best Transitional Design' award, recognizing a new rug that blends traditional designs with a contemporary style. The 'Best Transitional Collection' was awarded to Edelgrund for its 'Alasht Collection,' showcasing traditional and transitional collections with a shared theme. Beyond the expert judging panel, the DOMOTEX show also included a 'People's Favourite Vote,' allowing visitors to cast their ballots for their preferred carpet among the 24 finalists. The 'Rapture 4 – The Kundan Pure Silk Collection' by Zollanvari emerged as the people's choice, indicating its widespread appeal among attendees. These awards highlight the innovation, craftsmanship, and artistic expression present in the global carpet and rug industry, celebrating both established and emerging designers. #CarpetDesignAwards #HandmadeRugs #InteriorDesign #Flooring #ModernDesign #TraditionalDesign #TextileArt #HomeDecor #DesignExcellence

Dane Pressner, the design director of D’Aquino Monaco in New York, maintains a compilation of samples, swatches, and inspirational images to constantly fuel his design ideas. His current mood board reflects a "moody and dramatic" aesthetic, characterized by saturated hues and diverse textures that, despite their apparent disparity, cohere harmoniously. Pressner emphasizes the importance of storytelling in design, noting that each element in his palette has a narrative, connected by his appreciation for craft, color, and the making process. He seeks to create a serene foundation, then introduces a contrasting element to add dynamism. Pressner details 20 specific items from his current inspiration. These include the "Victoria" fabric in denim by The Sign, valued for its saturated color and tactile quality, and the whimsical "Argo 2" fabric by Raf Simons for Kvadrat, chosen for its incredible color and playful nature. He incorporates "Anaconda Velvet" fabric in Petrol by House of Hackney, drawn to its symbolism of rebirth and transformation, and describes it as both luxurious and "menacing." Wood samples like "Iced Grey Fir" and "Iced Barn Wood" from Barn in the City are included for their "showstopping" potential. Artisanal elements such as glazed lava stone samples by Ian Felton Studio are highlighted for their sophisticated palette and Felton's understanding of proportion. Joseph Algieri’s "Large Cactus Foam Lamp" samples are noted for sparking joy with their unconventional green color. "Judy Stripe" wallpaper by Voutsa creates an illusion of draped fabric, which Pressner imagines Mame Dennis would have used. The "Series 108 Hardware Suite" by D’Aquino Monaco for SA Baxter, inspired by Francine Monaco and vintage automobiles, is praised for its versatility across modern and traditional interiors. Further inspirations include the "Lapis Glaze" sample by Danny Kaplan Studio, which features archaic yet modern forms and stunning new glazes, and metal finish samples by Alexandr Zhikulin of Lanin Design, whose straw marquetry interpretation in metal showcases boundless talent. Minimalist and sophisticated "Maykume Wood Panel" samples in Gris Noir by May Furniture are chosen for their texture and tone. The "C-Thru 2 lamp" by The Alpha Workshops, hand-cast in plaster with an aluminum-leaf faux bois finish, is appreciated for its beauty and the non-profit's mission. Pressner expresses an obsession with Pierre Frey's "Majestic" fabric in Noir & Or. Élitis's "Panama" wallpaper in Dandy is his go-to for natural textures, particularly the wild ones, envisioning an entire room in this black and natural grass cloth. "Raphia Rosace" wallcovering in Polaire by CMO Paris is described as magical, evoking an island ambiance due to its hand-crafted, 3D raffia. Custom hand-knotted zebra-print flat weave rugs by Tai Ping are valued for showcasing visible craftsmanship, which Pressner finds grounding. "Rialet Rug" samples by La Manufacture Cogolin are a "must-use" for their captivating color combinations. "Strata Linea Stone Plank Tile" by Clé Tile is appreciated for its innovative use of repurposed stone remnants, warmth, and color. "Sheepskin Upholstery" in Shadow by Opuzen is a frequently used fabric for its cozy texture and adaptability. Finally, "Armor Side Table Chain Mail" samples in Satin Nickel by Konekt are admired for their paradoxical ability to be both cold and soft, fitting into any decor scheme. #InteriorDesign #DesignInspiration #MoodBoard #TextileDesign #MaterialSelection #ArtisanCraftsmanship #HomeDecor #ColorPalette #SurfaceDesign