Bennett Leifer’s Parisian blend of gilded glass, deep green paint and peacock blue velvet

Texas Design Week Houston will host a panel discussion on Thursday, April 17, from 11 am to 1 pm, at Ann Sacks, focusing on the importance of decorative arts in interior design. The panel features prominent figures in the decorative arts world: Guillaume Féau of Féau Boiseries Paris, master verre églomisé artist Miriam Ellner, and designer Sara Story. The event includes an illustrated talk, book signings, and cocktails, and is part of the broader Texas Design Week Houston schedule. Guillaume Féau represents Féau Boiseries, a Parisian company established in 1875 known for preserving and recreating centuries-old wood paneling. The firm possesses an extensive collection of antique decorative paneling, including fragments from Napoleon’s office and pieces by notable designers such as Jansen, Emilio Terry, Alberto Pinto, Madeleine Castaing, Jacques-Émile Ruhlmann, and Jean-Michel Frank. The archive also contains historical elements like rooms designed for Madame de Pompadour and 18th-century chinoiserie panels. Féau Boiseries has collaborated with leading interior designers including Jacques Garcia, Jean-Louis Deniot, and Michael S. Smith, and their work has adorned the homes of influential patrons like Henry Frick, Henry Ford, and the Getty family. Under the leadership of Guillaume Féau and Angélique Féau-Leborgne, the company is expanding its presence in the United States with a new showroom in New York City’s D&D Building, aiming to provide easier access to their archives and reproduction panels spanning from the 17th century to the Art Deco period. Miriam Ellner, a master of verre églomisé, will also participate. Her artistry involves transforming plain glass into intricate decorative pieces using techniques like gilding, painting, and applying layers of gold and silver leaf, powdered potions, and other materials. Her New York City studio, where she works with a team of artists, produces custom wall panels, doors, ceilings, decorative screens, tables, mirrors, and abstract art. Ellner’s work is highly sought after by top designers such as Michael S. Smith, Bunny Williams, Emily Summers, and Peter Marino. She is recognized globally as a leading practitioner of verre églomisé, as highlighted by Glenn Adamson, former director of the Museum of Arts and Design. Her new book, “Golden Glass: Verre Églomisé,” showcases her unique artistry and experimental approach. Ellner's training includes a century-old art school in Brussels, where she learned decorative painting, gilding, trompe l’oeil, and the preparation of materials, followed by specialized training in verre églomisé with Frances Binnington in London. Sara Story, a Houston native based in New York City, has established an international design practice with projects worldwide and her own lines of lighting, wallpaper, and furniture. She is included in the AD 100 list and has been featured in numerous design and lifestyle publications. A significant career milestone was the 2014 feature in Architectural Digest showcasing the contemporary Hill Country ranch house she designed with Lake/Flato. Story is also deeply involved in the art world, serving on the Board of Ballroom Marfa, a founding member of Proyecto Dracula, and a Board of Trustees member for the New Museum, as well as a member of the Guggenheim Museum’s International Director’s Council and the Design Leadership Network. #TexasDesignWeek #DecorativeArts #InteriorDesign #GuillaumeFeau #FeauBoiseries #MiriamEllner #VerreEglomise #SaraStory #DesignPanel #LuxuryInteriors

French design firm Le Berre Vevaud, comprising Raphaël Le Berre and Thomas Vevaud, undertook the transformation of a three-floor hôtel particulier in Paris’s 16th arrondissement into a functional and luxurious family home. The project aimed to integrate the art of living with comfort for an art-collecting couple and their two children. The initial impression of the property revealed grand volumes and abundant natural light, necessitating extensive redesign. The designers focused on the first-floor living area, dining room, and kitchen, creating an open-plan layout to maximize natural light. To address the six-meter-high ceilings, a mezzanine level was constructed. This elevated platform now serves as an office overlooking the dining room and offers a view of an olive tree. This intervention cleverly utilized vertical space while maintaining the flow and original decadent character of the property. Adjacent walls were opened to create a larger lateral room, framing views between the living and dining areas. The dining room features a cloudy gold leaf canvas by Anne Féat Gaiss, a black round-legged Olbia cabinet from Le Berre Vevaud’s own furniture collection, minimal Sophie S’Assoit chairs from Maison Dada, and a custom marble table beneath a vintage 1950s eight-arm chandelier. The living room showcases mural artwork by Martin Berger, black wood sculptures by Charles Kalpakian, Ignazio Gardella armchairs, and a cantilevered bronze coffee table by Yann Dessauvage. A carved screen in cut-out brushed oak veneer was added to partition the sitting area from the entranceway elevator, which connects to street level. The design draws inspiration from a combination of materials and textures, spanning the Art Deco period to the bold colors and forms of the Memphis movement. Le Berre Vevaud's expertise extended beyond architectural ingenuity to interpreting the couple's extensive art collection within a domestic context. In the entranceway, a 17th-century portrait by Hans Hansen Rasch is casually displayed above a custom Belize bronze console. A bedroom features a Sophie Calle photograph and a pink and gold patterned de Gournay screen by David/Nicolas, alongside a custom-designed bed, presented in an unassuming manner. The home not only provides a backdrop for a diverse art collection—including modern and contemporary sculptures, photographs, paintings, and classical pieces—but also incorporates a 1,000-square-foot spa. Le Berre and Vevaud repurposed part of the ground floor courtyard for this zen-like space. The staircase leading to the spa features dark materials and waxed concrete to create a subdued atmosphere and mimic natural stone textures. Under a gridded skylight, a raised platform houses a circular Jacuzzi. Opposite, a shower room and hammam sauna are adorned with minuscule mosaic tiles designed in collaboration with Beton Blanché, aiming to transport the owners into a tranquil environment within their home. #ParisianHome #HôtelParticulier #LeBerreVevaud #LuxuryDesign #ArtCollectorsHome #SpaDesign #InteriorArchitecture #FrenchDesign #Mezzanine #ArtIntegration

This article explores a New York home designed by Ania Dunlop, founder of Home for Zen, which draws significant inspiration from modern Parisian aesthetics. The renovation aimed to blend Parisian chic with a Mediterranean setting, resulting in a vibrant, modern, and sophisticated family home. The residence, located near NYC, underwent a complete gut renovation to harmonize clean lines, luxurious textures, and a soft color palette while preserving its original grandeur and architectural elements. The design emphasizes a unique fusion of styles, celebrating both traditional elegance and contemporary flair. One of the key lessons highlighted is the enhanced Parisian flair achieved through the strategic incorporation of art. Ania Dunlop prioritized modern art and murals to inject a sense of 'happiness and youthful energy' into the space, creating a balanced and inviting ambiance. The collection includes pieces from local galleries, with a notable mention of "Eternal Kate Moss" by Patrick Rubinstein, an interactive three-dimensional artwork that offers dynamic perspectives as viewers move around it. Murals are also utilized as an alternative to traditional wallpaper or paint, serving to transform the mood of each space. For instance, a tropical green wallpaper in the sunroom brings nature indoors, while a monochromatic black-and-white willow mural in the studio adds elegance and tranquility without overstimulation. The second lesson focuses on layered decor for pops of color and curated furnishings. Ania meticulously collected furniture and artworks over time, aiming to fill her home with heirlooms rather than mass-produced items. This approach ensures that every piece tells a compelling story of passions and experiences, making the home feel personal and exquisitely curated. The designer advocates for buying fewer, higher-quality items with a focus on workmanship and sustainability, a philosophy she extends to her clients by introducing them to artisans and handmade pieces. This thoughtful layering of decor contributes to the Parisian flair by creating a sense of timelessness and individuality. Luxe materials form the third essential element of the design. Ania is drawn to modern organic aesthetics that incorporate materials such as marble, ash, rift oak, shearling, mohair, bouclé, and handmade ceramics. These materials are used to create layered and edited interiors that are warm, serene, and authentic. Marble, in particular, is highlighted for its timeless elegance, natural beauty, and reflective qualities that enhance natural light, making spaces feel brighter and more open. The combination of marble with wooden elements, like a walnut floor lamp and an oak side table, adds richness and balance. Textiles such as plush rugs, throw pillows, and upholstery in complementary colors and textures introduce warmth and comfort, providing a contrast to hard surfaces and making the rooms more inviting, as seen with shearling ottomans and textured leather lounge chairs in the living room. The fourth lesson involves a calming color palette. While many Parisian homes feature bright white walls to maximize natural light, this home uses Decorator’s White from Benjamin Moore, a sleek, near-grey shade that brightens the space without strong undertones. The decor then punctuates these white walls with color. The muted color palette is intentionally applied to the ground floor's open-concept layout to create a seamless flow between rooms while still allowing each space to have its unique personality. The design emphasizes simplicity, the incorporation of nature, and the use of textures, soft colors, and modern bright artwork, all contributing to a harmonious feel throughout the home. Finally, the article discusses the preservation and enhancement of architectural elements. The home's traditional ornate crown molding was retained to maintain a grand scale reminiscent of Parisian design. Architectural features like the grand double staircases were streamlined but preserved, and windows were altered to a floor-to-ceiling style to welcome in abundant natural light. This thoughtful integration of existing architectural grandeur with modern design principles breathes new life into the space, marrying timeless elegance with a contemporary flair and creating a cohesive and sophisticated aesthetic. #HomeDesign #ParisianStyle #InteriorDesign #LuxuryMaterials #ArtIntegration #ColorPalette #ArchitecturalElements #ModernHome #NewYorkDesign

Tim Pfeiffer, co-founder of Seattle-based firm Hoedemaker Pfeiffer, curated a mood board inspired by the rugged enchantment of the West Coast, specifically the California coastline. His design philosophy draws from the diverse landscapes, including redwood forests, ocean beaches, and sandy deserts. The resulting aesthetic is a balanced blend of burnt ambers, oranges, muted greens, and tawny browns, aiming to evoke the vibrant colors and natural elements of the coastal environment. Pfeiffer describes his scheme as warm and vibrant, featuring organic lines and natural materials such as handmade terracotta tile and solid wood. The layers within the mood board reflect the raw beauty of the land and sea. Key elements of Pfeiffer's mood board include a vintage handwoven rug from Turabi Rug Gallery, known for its artisanal quality and natural color palettes. He selected New California Tile in Bracken by Clé, a green-hued tile intended to complement titanium gold stone for a refined bar or kitchen setting. For artisanal decor, Pfeiffer incorporated bespoke ceramic vessels by Takuma Murakoshi, specifically his shigaraki ceramics, which he values for their everyday use and collectible nature. The mood board also features material samples from specialized fabricators and ceramicists. Harriet Industries provides a flame spray on steel sample, chosen for its ability to perfectly complement real bronze and its local fabrication. Stan Bitters Tile in Museum Black by Heath Ceramics is included for its bold, tactile quality and subtle movement, with both Museum Black and Redwood colorways noted for their quiet dynamism. Textile selections are diverse, including Shanty fabric in No. ZFSNYSH-01 by Zak+Fox, made of linen and paper ropes, chosen for its evocation of ocean surf and hillside sage textures. Pat McGann’s Ocean Stripe Warm fabric, woven in India from raw silk and wool, is earmarked for pillows and throws, while Rose Tarlow’s Linden Allée fabric in Copper Beech serves as a beautiful outdoor fabric. Pottery is represented by Elias Scalise Pottery at Housewright Gallery, admired for its wood-fired brutalist ceramic pieces that blend muscular forms with experimental glazes. A vintage Japanese Keyaki display stand from Housewright Gallery is also featured for its organic edge and varied wood grain, highlighting nature's artistry. Lighting is addressed with a Serif Swagged Chandelier Chain Sample in Dappled Brass by Trueing, chosen for its unique dappled finish that enhances the elevated coastal design. Fabric choices continue with Pierre Frey’s Tyrone fabric in Salmonbrown, a pure wool tweed with orange accents, and Teddy Mohair fabric in Acajou, a cinnamon-hued mohair. Designs of the Time’s Pancho fabric in YP22004 evokes an agricultural landscape, adding another textural layer. Material selections for larger surfaces include Titanium Gold Natural Stone by Architectural Surfaces, considered a sophisticated choice for dark kitchen countertops due to its depth and moodiness. Highland Linen fabric in Madras by William Yeoward provides vibrant color and soft texture. Hardware is represented by Sun Valley Bronze’s Fremont Ergonomic Lever in Dark Brown Patina, valued for its haptic experience and the way it patinas over time, offering a sense of lasting quality. Robert Kime’s Russell fabric, inspired by a 19th-century block-print, contributes an earthy color story and playful charm. Gregorius Pineo’s Ramie fabric in Stone Nettle adds texture and moodiness, ideal for cozy spaces. For wood finishes, Meyer Wells's Walnut Solid Wood Finish is selected for its deep, smooth appearance, bringing timeless elegance and sophistication. Lastly, Valverde Tile by Zia Tile, handcrafted cotto tiles, are chosen for their suitability in rustic settings, particularly when paired with black walnut and cedar woods, and De Le Cuona's Tuli fabric in Nectar provides warm colors reminiscent of beach cabin textiles. #TimPfeiffer #HoedemakerPfeiffer #WestCoastDesign #CoastalInteriors #MoodBoard #InteriorDesign #NaturalMaterials #TextileDesign #Ceramics #Hardware

The Horo collection by MASIERO, designed by Pierre Gonalons, draws inspiration from the archetypal image of the sun, manifested through distinctive illuminated discs. This versatile lighting range, part of MASIERO's Dimore Collection, includes wall, table, floor, and hanging lights, suitable for diverse interior contexts. The design aims for an eternal and graphic quality by depicting the sun as a circle, referencing ancient sun-related icons such as the Egyptian god Ra. Pierre Gonalons, a Paris-based interior designer and École Camondo graduate, founded Ascéte in 2003, showcasing his eclectic and minimal furniture and lighting designs. His collaborations extend to prestigious brands like Lalique and Nina Ricci, and he characterizes his work as "graphic, poetic, and full of meaning." MASIERO, an Italian family company established in 1981 and repositioned in 2009 as a high-end lighting firm, produces all its products at its headquarters near Treviso. The company is known for its artisan production, covering everything from raw material processing to skilled craftsmanship, decorative finishings, and electrical assembly. MASIERO's product range spans classic Venetian glass chandeliers and contemporary interpretations, including innovative designs like Drylight, an outdoor-certified chandelier. The Horo collection exemplifies MASIERO's commitment to high-quality materials and material innovation. The primary diffuser features a sandwich construction composed of two prismatic glass circles held by an outer brass metal frame. An LED strip embedded within the frame illuminates between the glass layers. Each diffuser measures 30cm in diameter. To enhance luminosity, Horo integrates a secondary light source within a smaller, perpendicular brushed brass circle. This construction results in a sleek and modern design with vintage accents, despite its slim profile. The illuminated disc achieves a globe-like appearance due to brighter illumination at the edges. The aesthetic combines contemporary elements with vintage undertones. The textured glass, featuring a diamond pattern, adds a "vintage flavor" desired by Gonalons. The collection is available in various glass colors, including transparent, green, powder pink, light blue, and smoke, reflecting a modern palette while drawing inspiration from 1950s Italian style. Initially, Gonalons envisioned a marble diffuser for Horo, a material prominent in his existing portfolio. However, MASIERO opted for glass to make the collection more accessible to a broader market. The design of Horo leverages MASIERO's strengths in working with glass and metal. The firm possesses extensive experience in metalwork, and glass is an iconic material historically associated with Venice and highly sought after in lighting design. These material choices effectively support and enhance the overall design concept. The Horo collection is considered a stunning and versatile addition, poised to become a classic fixture for both domestic and commercial spaces, valued by interior designers for its effective balance of decorative and functional qualities. #LightingDesign #InteriorDesign #VintageStyle #ModernAesthetics #GlassLighting #BrassAccents #PierreGonalons #MASIERO #HomeDecor

This article highlights a vibrant renovation of a French Eclectic luxury home in Preston Hollow, challenging the contemporary trend of all-white interiors. The residence, originally built by Hawkins-Welwood, underwent a comprehensive interior makeover driven by the owner's desire to create a 'happy house' for her three daughters. Instead of conforming to minimalist color schemes, the owner embraced bold and diverse colors throughout the 6,967-square-foot property, aiming to evoke joy and happiness from the moment one enters. Compass Real Estate listing agent Julie Provenzano emphasizes that every design decision was made to spark joy. The owner remained steadfast in her vision, believing that the bold colors passionately defined the home's character, even when preparing to sell. Provenzano notes the practicality of this approach, stating that colors can be easily changed by a potential buyer, and even a dramatic hot pink kitchen backsplash is simply paint covered with an acrylic material, making it reversible. The renovation included significant structural changes, such as moving walls and dramatically vaulting the ceiling in the family area. Custom features, like a mantle with hidden storage, were incorporated to enhance functionality, especially for a mother of three. Throughout the home, spectacular light fixtures and high-end finishes complement the vibrant color palette, which is presented as the primary focal point of the design. A standout example of this fearless use of color is observed in the formal dining room, where a unique paint application is compared to a 'Razor Fade haircut,' suggesting its innovative and striking nature. The residence features six bedrooms, six bathrooms, and a powder bath, each offering unique design elements. The master bedroom, for instance, is painted in hues reminiscent of rich chocolate and a perfect latte. The master bath, while incorporating white, includes a practical, sensible bathtub, diverging from the often impractical vessel tubs. The playroom showcases a custom bookcase with a bright, almost school bus yellow interior, providing a clever pop of color against a neutral gray room with white walls. This intentional splash of color is designed to captivate children, while also being easily modifiable for future owners, though the article encourages its preservation. Provenzano describes the property as a "happy house" and a unique opportunity for buyers seeking a distinct aesthetic. Listed by Provenzano at $2.5 million, the home at 6446 Glendora Avenue is presented as a space where imaginative dreams can come to fruition. The article underscores how the renovation celebrates individuality and a joyful approach to home design, moving beyond conventional trends to create a truly personalized and uplifting living environment. #FrenchEclectic #HomeRenovation #InteriorDesign #BoldColors #LuxuryHome #DallasRealEstate #PrestonHollow #HappyHome

The Worcester Art Museum's exhibition, "Radiance Rediscovered: Stained Glass by Tiffany and La Farge," explores the works of two prominent Gilded Age artists, Louis Comfort Tiffany and John La Farge, focusing on their contributions to stained glass. The exhibition prominently features several windows commissioned for the Mount Vernon Congregational Church in Boston, which moved to a new location in the Back Bay in the 1890s. The church engaged Tiffany Glass and Decoration Company for its Byzantine-style interior and John La Farge for several stained glass windows. La Farge had previously established his reputation with his interior design for Trinity Church in the 1870s. The featured windows from the Mount Vernon Congregational Church were acquired by the museum after the church closed in 1975. They remained in storage for decades until conservation efforts began in 2017, taking over a year to meticulously restore them. Curated by T. Amanda Lett, a PhD candidate, the exhibition showcases these newly conserved pieces, presenting them in their original brilliance. The show highlights the rivalry between Tiffany and La Farge, both of whom independently patented the use of opalescent glass between 1879 and 1881, a material that became highly fashionable in stained glass design. The exhibition contrasts Tiffany Company's "Angel of the Resurrection" windows, which are attributed to Louis Comfort Tiffany but likely designed by Frederick Wilson, with La Farge's "The Pool at Bethesda" windows. Tiffany's works are characterized by a sweet, lambent quality, depicting an angel in opalescent robes emerging from lilies, framed by Corinthian columns. In contrast, La Farge's "The Pool at Bethesda" windows, illustrating a scene from the Gospel of Saint John, captivate with their dynamic composition and narrative depth. La Farge uses various types of glass to tell the story of an ailing woman and a man awaiting healing, with an angel disturbing the water. He employs irregular shards of colored glass for garments and opalescent glass to give solidity to architectural elements. The artist also ingeniously uses a green canopy to connect the two panels, with the angel's slightly awkward, human-like pose adding to the piece's character. The mirror-like quality of the water below the angel serves as a metaphor for self and spirit, and the depiction of the scene at a critical narrative moment before healing imbues the work with hope, possibly reflecting La Farge's own experiences with ill health. The exhibition further includes additional works to provide a broader context, such as watercolors and a smaller, highly detailed window by La Farge depicting a peacock, created after his trip to Japan and inspired by Asian aesthetics. This particular piece, a technical marvel, incorporates layered plates, unfired paint, colored putties, fused glass, and mosaic elements. The conservation of this peacock window involved distinguishing between intentional cracks and natural degradations over time. While the exhibition is limited in its scope for a comprehensive comparison, especially given that Tiffany himself didn't design the featured "Angel of the Resurrection" windows, it effectively reasserts John La Farge's artistic brilliance and his significant, albeit sometimes overshadowed, contributions to stained glass art. #ArtReview #StainedGlass #TiffanyGlass #JohnLaFarge #WorcesterArtMuseum #GildedAgeArt #ArtConservation #ReligiousArt #OpalescentGlass

The allure of Parisian decor, characterized by its unique blend of historical architectural elements and chic, lived-in comfort, captivates many. This style often features elements such as herringbone floors, marble mantels adorned with gilded mirrors, expansive floor-to-ceiling window treatments, plush sofas, and curated antique collections. These components collectively contribute to a sophisticated yet inviting atmosphere. To achieve this distinctive aesthetic, a foundational step involves selecting a warm and inviting color palette. Soft whites and subtle blushes for both paint and furnishings establish a serene backdrop that enhances vintage pieces and luxurious textures. This neutral base creates an ideal setting for entertaining, evoking a sense of calm and elegance typical of Parisian interiors. A cornerstone of Parisian decor is its embrace of vintage charm. Incorporating antique furniture, aged decorations, and items with a natural patina is crucial. This approach not only honors historical design but also imbues the living space with a unique, storied character, making the home feel authentically lived-in and deeply personal. Refreshing flooring can significantly impact the overall French aesthetic. While authentic centuries-old herringbone floors are ideal, sanding down existing wood floors to lighten them can create a similar airy and bright ambiance. Lighter floors offer a striking contrast to the typically rich and dark vintage elements found in Parisian-inspired homes, contributing to a refreshed appearance. A quintessential element of Parisian decor is the gilded mirror. These mirrors, often large and ornate, serve both an aesthetic and functional purpose. Positioned over a mantel or in an entryway, they expand the perception of space and add a touch of classic opulence. The strategic placement of such mirrors is a key design tip for mimicking the grandeur of Parisian apartments. Balancing vintage treasures with modern pieces is essential to prevent a space from feeling outdated. Integrating contemporary art, sleek light fixtures, or other modern elements alongside traditional Louis XIV-style pieces creates a dynamic and personalized look. This juxtaposition ensures the space remains current while retaining its historical essence. For homes lacking inherent architectural history, faux finishes can introduce an aged appearance. Techniques such as Venetian plaster or Roman clay paints can replicate the worn, warm textures often found on the walls of historic Parisian residences, adding depth and character. Even without a built-in fireplace, a standalone mantel can be added to emulate the focal point often found in Parisian living rooms. These mantels can be customized with stains or paints to harmonize with the existing decor, providing a classic touch. Furniture selection plays a critical role in maintaining proportion and balance. Pieces that complement the vintage vibe, such as a curved sofa upholstered in velvet, introduce a luxurious feel while fitting seamlessly within the room's scale. This careful consideration of furniture contributes to the cohesive and refined atmosphere. Installing decorative molding, whether crown molding or picture frame molding, is another effective way to add architectural interest and an old-world charm to any room. This detail is a hallmark of classic Parisian interiors, enhancing the texture and depth of the space. Elevating the decor with luxurious materials is paramount. Velvet upholstery, silk pillowcases, or a marble fireplace mantel can instantly infuse a French quality into a room, appealing to the tactile and visual senses. Layering vintage and colorful rugs is advised to unify the various elements within a room. This method adds cohesiveness and warmth, particularly beneath the feet. A darker vintage rug in an entryway can serve as both a practical and stylish welcome for guests. Finally, displaying fresh flowers is perhaps the simplest yet most impactful way to embody Parisian decor. Romantic blooms such as roses or peonies can create stunning displays in living areas, while a few stems on a bedside table add a touch of fresh elegance, regardless of their origin. #ParisianDecor #HomeDecor #InteriorDesign #VintageCharm #LuxuryMaterials #ColorPalette #GildedMirrors #DecorativeMolding #FauxFinishes

Brett Heyman, founder and designer of Edie Parker, showcases her former Manhattan apartment as a vibrant example of eclectic and confident interior design. Described as a "hodgepodge," the Upper East Side home, shared with her husband, Gregory, and their three children, injects a Technicolor aesthetic into a classic prewar building. The design philosophy embraces a playful mix of styles, colors, and textures, creating an environment where each glance offers a new visual revelation. The apartment tour begins with an open foyer leading into an aubergine lacquered library, where a series of 10 Andy Warhol *Flowers* prints are displayed like wallpaper. The living room features a striking hot pink pigment-filled Yves Klein coffee table, while the dining room is adorned with a ROYGBIV (red, orange, yellow, green, blue, indigo, violet) arrangement of multi-era art. Bathrooms are designed in robin's-egg blue, and the children's rooms boast inspiration walls covered in stickers. Even Heyman's bedroom mirrors have a purplish wash effect, cleverly concealing a collection of shoes. A seemingly straightforward black and ivory powder room is balanced by a surprise magenta-painted coat closet, illustrating the home's irreverent charm. Heyman emphasizes that the secret to this seemingly disparate yet harmonious mix lies in confidence, a touch of naivete, and a strong sense of humor. The home successfully integrates a variety of elements, from vintage knickknacks atop a 1970s green malachite Ado Chale table to contemporary sculptures paired with antique dishes. Pieces sourced from high-end retailers like 1stDibs coexist with flea market finds, and neon hues blend seamlessly with pastels, all while maintaining a balance between polished and campy aesthetics. This approach is further exemplified by an Ettore Sottsass shelf filled with a collection of her children's drawings, old Edie Parker designs, and a nonworking metal-and-bead peacock lamp. Heyman's personal touch is evident in her appreciation for unique finds, such as a framed cat collage discovered at a Connecticut flea market, which she proudly made a focal point above a chrome Paul Evans bar. Each vignette within the apartment is designed to be both welcoming and intriguing, reflecting Heyman's sophisticated, confident, and humorous personality. The article also draws a parallel between Heyman's home decor and her professional work with Edie Parker. Inspired by mid-century design, her accessory collection transforms acrylic into luxurious, handcrafted items. The brand's products, from clutches and mini totes to board games and coasters, are infused with levity through fun names, vibrant colors like honeydew and poppy, and graphic floral and heart motifs. Heyman’s signature cheeky sayings and custom names, which predate mainstream meme culture, continue to be a staple of the brand, now expanding into materials like wicker and wood, and new categories such as tableware and bar accessories. Ultimately, the home serves as a tangible expression of Heyman's belief in surrounding oneself with beloved objects, regardless of external opinions, echoing the sentiment that "everybody has a different opinion, but I live here." #HomeDecor #InteriorDesign #EclecticStyle #ColorPalette #LuxuryInteriors #VintageFinds #AccessoriesDesigner #ManhattanApartment #DesignInspiration

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

French design duo Ronan and Erwan Bouroullec have launched a new collection of architectural glass panels, developed in partnership with Skyline Design. This collection, which debuted at NeoCon, received a Silver award in the Architectural and Decorative Glass category. The project represents a thoughtful exploration of color, light, and scale, drawing inspiration from various observations in their daily lives. The design process began with the brothers capturing photographs of their surroundings, ranging from natural landscapes to urban scenes. The aim was to distill the inherent sensations of colors and light present in these everyday moments. From a selection of eight initial images, Erwan Bouroullec utilized a custom computer script to analyze the color information. This script then condensed the captured colors into a unique base color for each panel, simultaneously transforming the rhythmic qualities of the original images into distinct patterns. A subsequent layer of translucent patterns further enhances this foundational color, resulting in a multitude of additional color variations. The patterns are delineated by a darker outline, intentionally designed to evoke the lead lines found in traditional stained glass. This technique aims to mimic how lead frames shape the visual experience of stained glass, with the lines in the Bouroullec panels subtly influencing the distribution and density of colors, creating an almost imperceptible shift. The Bouroullec brothers specifically sought to reinterpret the captivating qualities of stained glass found in medieval cathedrals. Their objective was to translate the immersive and atmospheric experience of these historical artworks into contemporary architectural glass. The complex interplay of color and line within their panels is designed to create a sensation of being enveloped within an abstract landscape, evoking a similar sense of wonder that one might experience in a medieval cathedral. Skyline Design’s digital print and manufacturing capabilities bring these designs to fruition. The panels offer considerable customization options in terms of size, scale, and color, allowing them to be adapted for diverse applications. The collection features four distinct pattern variations: Oblique Regular, Oblique Bold, Chevron Stroke, and Chevron Fill. Each of these patterns is available in four monochromatic color schemes or four polychromatic palettes. These versatile glass panels can be integrated into various architectural contexts, both internal and external. Potential interior applications include feature walls, space dividers, and stair railings. For exterior use, the panels can be incorporated into facades, railings, and canopies, demonstrating their adaptability to different design needs and environments. #BouroullecBrothers #StainedGlass #ArchitecturalGlass #SkylineDesign #ColorAndLight #DesignInnovation #InteriorDesign #ExteriorDesign

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign

This article explores the core principles of French interior design, aiming to demystify the 'effortlessly chic' aesthetic often associated with French homes. It presents seven key rules, gathered from French interior design experts, to guide individuals in cultivating a stylish and authentic living space. The first rule emphasizes respecting the history of a building, particularly relevant in cities like Paris with rich architectural heritage. Designers suggest integrating the existing character and elegance of older structures with modern luxury, often by preserving original features and opting for subtle lighting solutions rather than disruptive additions like recessed lights. The second principle advocates for 'anti-decor,' encouraging an eclectic and less arranged approach to furnishing. This involves creating unexpected juxtapositions with diverse items, making the space appear as if it evolved organically from the owner's personal taste rather than being professionally curated. This philosophy aligns with the idea of a lived-in and natural environment. The third rule draws a parallel between French interior design and French fashion, highlighting a 'laissez-faire' attitude. The advice is to avoid overly perfect or curated spaces and instead embrace simplicity, blending vintage pieces with new acquisitions. The emphasis is on allowing personal memories, travel treasures, and cherished items to organically shape the decor, fostering a sense of authenticity and personal connection to the home. Sustainability is a key theme in the fourth rule, which promotes reusing and recycling items. The practice of 'chiner,' or searching for unique pieces in second-hand shops, is central to this. This approach not only supports ecological practices but also contributes to creating a unique and character-filled interior by giving new life to old elements of decoration. The fifth rule encourages a departure from strictly neutral color palettes. While acknowledging the appeal of all-white interiors, the article points out that color is frequently used in French design to harmoniously bridge different eras and styles. By employing strong, complementary colors, designers can unify diverse objects and furniture from various time periods, creating a cohesive yet vibrant aesthetic. The sixth rule focuses on considering the French lifestyle, where interior design is deeply intertwined with daily living. French interiors are designed for comfort and functionality, featuring inviting nooks for relaxation and clever storage solutions to streamline everyday life. The core idea is that the space should reflect the client's personality and life, prioritizing functionality and a curated selection of beautiful vintage or handcrafted objects over an abundance of items. Finally, the seventh rule advises against rigidly following trends. Drawing on the French adage, "Plus ça change, plus c'est la même chose" (the more things change, the more they stay the same), the article suggests that enduring fundamentals are more important than fleeting fads. This approach encourages homeowners to continuously improve their spaces while honoring the contributions of previous generations, maintaining the spirit and integrity of the home over time. This creates a timeless design that withstands the test of time and passing trends. #FrenchInteriorDesign #ChicLifestyle #HomeDecor #EclecticDesign #SustainableDesign #VintageDecor #ColorPalette #LifestyleIntegration #TimelessDesign

Brittany Hakimfar, founder of Philadelphia's Far Studio, emphasizes the importance of natural materials in her interior designs, allowing their tactile textures and organic motifs to define her earthy yet elegant aesthetic. Her current design inspiration stems from richly veined marbles, specifically lavender-hued Calacatta Viola and black-and-white Nero Marquina. These stones serve as the foundational palette, guiding the selection of complementary fabrics and finishes to create a cohesive and visually captivating scheme. Hakimfar's design incorporates a variety of natural elements, including honey-hued zellige tile and dark brass counter stools, all chosen to celebrate the raw beauty of nature. The resulting palette aims for organic refinement while subtly introducing glamour. Key elements contributing to this sophisticated blend include vintage black beads, which add an eclectic touch, and Farrow & Ball's Brinjal paint, a rich, deep purple hue that acts as a strong statement color and can create a special mood, especially when used in a lacquered finish for cabinetry. One-of-a-kind ceramic pieces and found objects, such as a vintage ceramic dish and bud vases, are integral to adding unique character to spaces. Custom wood furniture from Faithful Roots, known for its top-tier finishes and craftsmanship, is frequently incorporated, demonstrating versatility in blending with various marble types. Hardware and metal finishes are carefully selected; for instance, the Luxe Gold finish by Brizo is favored for its subtle brass tone without yellow undertones, ensuring compatibility with diverse wood and marble schemes. For custom stools, Thomas Hayes Studio's dark patina brass finish is preferred for its seamless integration into Hakimfar's interiors. Fabric choices are crucial for texture and color, with materials like Verellen's emerald mohair and Donghia's Bordeaux velvet (Covet fabric) being highlighted. The Bordeaux velvet was specifically chosen for armchairs to complement Calacatta Viola marble, while Jiun Ho's Linyati velvet in Lion adds interest and shine to custom banquets. Zellige tiles from Riad Tile, in honey and forest green, are valued for their natural, handmade quality and unique colors. Marbles, such as Calacatta Viola and Nero Marquina from Stone Tech Fabrication, are selected for their dramatic veining and grounding natural materiality, often used for striking features like a full bar wall or fireplace surrounds. Additionally, natural limestone in Paris Grey by François & Co. is anticipated for its ability to introduce texture and a timeless feel to kitchens. Wallcoverings play a significant role in adding depth and character; Phillip Jeffries' vinyl plastered wallcovering in Fresca offers a textured plaster look, while their vinyl abaca wallcovering in Fern creates a subtle layer in dining spaces. The Venetian plaster wallcovering in Espresso Brown by Phillip Jeffries is praised for closely mimicking real plaster, lending a moody ambiance. Finally, the Thisby rug in Ivory by Sacco Carpet provides luxurious texture and a neutral tone, grounding primary bedrooms and creating a calming environment. Styling elements like vintage zen stones, along with sheer and neutral window treatments from Stout Textiles, complete the curated design approach, emphasizing a harmonious blend of natural materials and refined aesthetics. #InteriorDesign #MaterialSelection #LuxuryInteriors #NaturalMaterials #ColorPalette #DesignInspiration #HomeDecor #TexturalDesign #MarbleInteriors

Between the 1860s and 1910s, Venetian glass, particularly from the island of Murano, emerged as a highly coveted luxury item globally, captivating both American elites and artists. This period saw a significant cultural impact in the United States, with homes and institutions being adorned with these glass creations. Art critic James Jackson Jarves, for instance, accumulated approximately 300 pieces, which he later donated to the Metropolitan Museum of Art. American artists residing abroad not only depicted glass objects in their works but also captured the essence of the Venetian glassmaking industry, including glass blowers, bead stringers, and glowing furnaces, in their paintings, watercolors, and prints. Venice had a long-standing history of glass production dating back to the Middle Ages. However, its economic decline, loss of political autonomy, and high tariffs in the 18th and early 19th centuries led to a cessation of its 500-year-old glassmaking tradition. The city itself also fell into disrepair by the 1850s. The revival of Venetian glassmaking began when Antonio Salviati, a lawyer, observed the deteriorating mosaics of St. Mark’s Basilica. He established a mosaic and glassmaking manufacturing business, bringing together descendants of old glassmaking families who helped rediscover lost techniques from the Renaissance and ancient Rome. To expand his enterprise, Salviati opened a showroom in London, exhibited his works at international fairs, and distributed his glass through esteemed American retailers like Tiffany & Co. His workers, meanwhile, developed innovative techniques and styles that attracted numerous American collectors, tourists, and artists. The book, "Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano," edited by Crawford Alexander Mann III and published by Princeton University Press, delves into this resurgence of Venetian glass and its influence on American concepts of taste, labor, and beauty during this critical era. This extensively illustrated book accompanies a traveling exhibition, which has been showcased at the Smithsonian American Art Museum in Washington, DC. Artists like James McNeill Whistler, who visited Venice in 1879, found the city and its glass intoxicating. His 1880 etching, "Nocturne: Furnace," illustrates a glassblower working at night, observed from a gondola. John Singer Sargent’s paintings depict young women engaged in labor within the city and factories, offering a realistic portrayal of the work involved in producing glass, lace, and other crafts. Other American artists like Ellen Day Hale focused on the electrification of glass street lights and lamps in Venice, while Louise Howland King Cox portrayed glass pieces as delicate elements of daily domestic life. Over time, Venetian glass profoundly influenced American glassmakers and consumers. Venice further solidified its artistic standing by establishing its biennale in 1895, where Murano glassworkers frequently held concurrent exhibitions of their creations. As the reputation of Venetian glass grew, its perceived value increasingly shifted towards fine art, as encapsulated by Oscar Wilde’s observation that a painting, in its primary aspect, possesses no more spiritual message than an exquisite fragment of Venetian glass. This historical account highlights the significant interplay between art, industry, and cultural exchange, demonstrating how Venetian glass transcended its functional purpose to become a symbol of beauty and artistic expression, deeply influencing American aesthetic sensibilities and artistic production during the late 19th and early 20th centuries. The book and accompanying exhibition serve as a testament to the enduring allure and historical significance of Murano glass. #VenetianGlass #AmericanArt #MuranoGlass #ArtHistory #GlassMaking #LuxuryItems #CulturalExchange #ArtExhibitions #PrincetonUniversityPress

Lambert & Fils, a design studio based in Montréal, is set to unveil its new lighting fixture, Laurent, at the upcoming ICFF (International Contemporary Furniture Fair). This introduction follows the positive reception of their previous Beaubien series. The Laurent collection is characterized by its blend of opalescent glass spheres and graphic metal elements, which combine to form sculptural and visually engaging fixtures. Each fixture in the Laurent series features two opalescent orbs that serve to secure a central black metallic component. These orbs offer adjustability, allowing them to be angled slightly inwards or to hang directly downwards, depending on the desired aesthetic and how they are anchored to the ceiling. This design flexibility provides various configurations to suit different interior preferences and spatial requirements. The Laurent collection reflects a modern and minimalist design philosophy, emphasizing clean lines and the interplay of materials. The opalescent glass diffuses light softly, creating a warm and inviting ambiance, while the metal components add a structural and contemporary edge. The design's modular nature allows for versatility in installation, making it suitable for a range of applications, from residential to commercial spaces. The ability to manipulate the angle of the orbs introduces a dynamic element to the fixtures, enabling users to customize the light distribution and visual impact. This adaptive feature ensures that the lighting can be tailored to complement various architectural styles and interior schemes. The development of Laurent Lighting builds on Lambert & Fils' reputation for innovative and high-quality lighting solutions. Their previous Beaubien series, inspired by Chinese screens, showcased their ability to merge traditional influences with contemporary design. The Laurent collection continues this tradition by exploring new forms and material combinations, pushing the boundaries of modern lighting design. The selection of opalescent glass and dark metal components creates a sophisticated contrast, enhancing the overall aesthetic appeal of the fixtures. The design process likely involved extensive experimentation with shapes, materials, and light diffusion techniques to achieve the desired sculptural quality and functional versatility. The launch of Laurent at ICFF provides an important platform for Lambert & Fils to showcase their latest work to an international audience of designers, architects, and industry professionals. This exhibition offers an opportunity to demonstrate the unique features and artistic merits of the Laurent collection, further establishing the brand's presence in the global design community. The photographs accompanying the announcement, taken by Arseni Khamzin and provided by v2com, highlight the intricate details and various applications of the Laurent fixtures, illustrating their potential to enhance diverse interior environments. These images capture the delicate balance between the spherical glass elements and the rigid metal frames, emphasizing the collection's sculptural presence. Overall, the Laurent Lighting collection by Lambert & Fils represents a significant addition to contemporary lighting design. It combines aesthetic elegance with functional adaptability, offering a distinctive and customizable lighting solution for modern spaces. The careful selection of materials and the innovative design approach ensure that Laurent fixtures are not only sources of illumination but also striking sculptural pieces that contribute to the overall ambiance and style of an interior. #LaurentLighting #LambertEtFils #ICFF #LightingDesign #ModernLighting #OpalescentGlass #SculpturalFixtures #HomeFurnishings #InteriorDesign

The French Room at the Adolphus Hotel in Downtown Dallas has undergone a significant 16-month renovation, transforming its aesthetic from pastel cherubs and red velvet to brilliant white and expensive gold. This extensive facelift encompassed the restaurant’s three primary areas: the salon, the bar, and the dining room, each now boasting a contemporary and ornate appearance. Historically, The French Room maintained an elegant but somewhat dated charm, characterized by faded colors and pleated window curtains. The renovation aimed to bridge the gap between its traditional elegance and modern appeal, seeking to attract a broader clientele while retaining its prestigious identity. This required a substantial effort from the renovation team to update the decor without entirely discarding its foundational character. In the salon, the space largely retains its original architectural essence, featuring extensive carved dark wood trim and molding. The room is adorned with various artworks, and a single chandelier casts a soft, iridescent glow. Modular seating arrangements provide flexibility for accommodating different party sizes, ensuring comfort and adaptability. The bar area has also been updated, adopting a much dimmer lighting scheme that evokes the ambiance of a high-end speakeasy. It is distinguished by deep blue walls, classical paintings, and a brass ceiling. Silver trays filled with cocktail elixirs are meticulously arranged on a dark stone bar top, enhancing the sophisticated and intimate atmosphere. The dining room, often considered the heart of The French Room, maintains its original architectural framework but features extensive interior design changes. The former crushed red velvet chairs have been replaced with elegant Bergere dining chairs upholstered in pristine white fabric. Thick pleated tablecloths are set with pure white china plates, accompanied by a single glass and a gold candleholder. The previous artwork and wall coverings have been substituted with clean white and gilded flourishes. The heavily ornate molding and trim are now coated in semi-reflective gold paint, featuring classic French-style framing. Additionally, a few booth seats have been incorporated to offer guests more private dining options. Chef Michael Ehlert presides over the culinary offerings, presenting a refined take on French cuisine with dishes that blend traditional flavors with modern plating techniques. The menu, which is seasonal, includes items such as snails with pommes dauphine and watercress, seared foie gras, and consommé chartreuse. To conclude the dining experience, guests can select from The French Room’s traveling dessert cart, providing a sweet finish to their meal in this renowned Dallas establishment. #FrenchRoom #RestaurantRenovation #DallasDining #AdolphusHotel #LuxuryInteriors #FineDining #InteriorDesign #HotelRenovation #DallasRestaurants

Brittany Hakimfar, the founder of Philadelphia's Far Studio, emphasizes the importance of natural materials and tactile textures in her interior designs, allowing them to take center stage. Her design philosophy centers on the inherent sophistication of organic elements, which she believes always shine through in an arrangement. For her current flat lay, Hakimfar drew inspiration from richly veined marbles, specifically Calacatta Viola with its lavender hues and Nero Marquina with its bold black-and-white patterns. These marble selections guided her choice of fabrics and finishes, resulting in a cohesive and visually captivating scheme. The final palette, as described by Hakimfar, exudes organic refinement with a touch of glamour. She incorporates eye-catching all-natural pieces, such as honey-hued zellige tile and dark brass counter stools, to celebrate nature's raw beauty. Key elements in her design breakdown include vintage black beads, which infuse an eclectic vibe, and Brinjal paint by Farrow & Ball, chosen for its rich, deep purple hue that acts as a statement color and creates a special mood when used in a lacquered finish for cabinetry. Hakimfar frequently uses one-of-a-kind ceramic pieces and found objects, such as vintage ceramic dishes and bud vases, to add unique qualities to spaces. For custom wood furniture, she relies on Faithful Roots, praising their craftsmanship and natural oak finishes, which she notes can be seamlessly mixed with marble. Brizo's Brilliance finish in Luxe Gold is her preferred choice for subtle brass, as it lacks yellow undertones and complements various wood tones and marbles. For custom stools, Thomas Hayes Studio's dark patina brass finish is favored for its ability to blend with her interiors. Fabric selections play a crucial role in adding texture and color. Verellen's Nevada fabric in Emerald mohair is highlighted for its perfect color and texture. Donghia at Kravet's Covet fabric in Bordeaux velvet was used to complement the Calacatta Viola veins of a marble fireplace, offering a luxurious and soft feel. Jiun Ho's Linyati fabric in Lion velvet adds interest and shine, particularly when used for pillows. For tiling, Riad Tile's zellige tiles in Honey and Forest Green are appreciated for their beautiful mustard tones and unique, natural, handmade quality. Marble selections from Stone Tech Fabrication include Calacatta Viola for its dramatic swirling veining and grounded natural materiality, and Nero Marquina for its subtle yet dramatic mix, often used for book-matched applications. Marble Systems' Chester Plaid marble mosaic in Britannia Light, Snow White, and Black Honed is destined for a bathroom project, promising a mix of pattern and neutral colors. François & Co.'s natural limestone in Paris Grey is anticipated to add texture and a timeless feel to upcoming kitchen projects. Wallcoverings include Phillip Jeffries' vinyl plastered wallcovering in Fresca, which mimics a textured plaster look, and vinyl abaca wallcovering in Fern, chosen for its texture and color. Phillip Jeffries' Venetian plaster wallcoverings in Espresso Brown are noted for their moody vibe and realistic resemblance to authentic plaster. Finally, Sacco Carpet's Thisby rug in Ivory offers luxurious texture in a neutral tone, grounding spaces like primary bedrooms, while Stout Textiles' Emory fabric in Toast is used for window treatments due to its sheer texture and neutral colors. Vintage zen stones are also incorporated as simple, sculptural, and tactile styling elements. #InteriorDesign #NaturalMaterials #BrittanyHakimfar #FarStudio #Marble #TextileDesign #HomeDecor #DesignInspiration #LuxuryInteriors