A sparkling lighting collection, inspired by the flamboyant energy of Las Vegas

The article highlights the significance of lighting in interior design, emphasizing its capacity to unify a room and establish ambiance, often overlooked in favor of larger furniture items. It showcases eight Hudson Valley-based businesses and artists specializing in diverse lighting solutions, aiming to provide local alternatives to urban design sources. These establishments offer a range of styles, from hand-blown glass pendants and modern-chic sconces to vintage fixtures and custom neon art. Niche Modern, located in Beacon, NY, is featured for its brightly colored, hand-blown glass pendant lighting. Founded by Jeremy Pyles and Mary Welch, the company is known for its contemporary yet deeply colored glass products, operating from a historic factory building and offering significant discounts at annual factory sales. The Culture+Commerce Project in Hudson, NY, a design consultancy, represents regional artists, including Rafael Avramovich of Work and Design. Avramovich creates "Living in Harmony" pendants using recycled metal strips of iron, steel, and brass, designing pieces that evoke emotion and blend organic-industrial aesthetics suitable for various settings. While their retail store has closed, they continue operations online and by appointment. Materia Designs, led by husband-and-wife team Matt Ensner and Megan Sommerville, integrates diverse backgrounds from choreography to landscape design into their work. They produce lighting, furniture, and home accessories, along with undertaking residential and commercial interior design projects. Their design philosophy focuses on elemental materials such as marble, parchment, porcelain, un-lacquered brass, and leather, resulting in authentic, high-quality pieces. Their operations, including a showroom, design studio, and workshop, are consolidated in a 4,500-square-foot facility in Accord. Luddite Antiques in Germantown, NY, caters to those seeking vintage lighting. This Brooklyn retail expat offers a wide array of early electric lighting, from Victorian chandeliers to Art Deco sconces and neon bar signs, alongside other antique furnishings like wooden card catalogs and 18th-century apothecary cabinets, all displayed in their tin-ceilinged showroom. Lite Brite Neon in Kingston, NY, began in 1999 as artist Matt Dilling’s studio, focusing on neon's decorative and architectural potential. It has since grown to include a team of neon artists creating everything from gallery pieces to commercial signage and restoration. The studio moved its production to a 15,000-square-foot facility in Kingston, where its 12-member fabrication team handles hundreds of projects annually, transforming client concepts into neon realities. FRG Objects & Design/Art in Hudson, NY, is founded by FR Gillette, a stylist, photographer, and interior designer. His 3,000-square-foot space serves as his home, office, and showroom, reflecting a curated aesthetic characterized by a disruptive approach to color and mixing fabrics and art. Gillette's work was showcased at Design Hudson 2018, and he recently collaborated with Italian engineer Daniele Gualeni on the "Design by Demand" lighting collection, featuring pieces produced in Italy by master craftsmen using metal, ceramic, Murano glass, and marble. Lightexture, a Troy-based design studio, creates perforated white clay spherical and egg-shaped pendant lamps. These lamps are designed to illuminate modern kitchens and dining areas by casting star-like patterns on walls and ceilings while providing warm light below. Each pendant uses an energy-efficient xenon bulb with a long lifespan. Finally, Entner Glass in Rhinebeck, NY, showcases Barry Entner’s sculptural lighting. His works, which are more artistic visions than commercial products, involve meticulously planned designs using hundreds of components to create gravity-defying glass and metal sculptures. Entner’s art has been exhibited internationally and is part of numerous private and public collections. #HudsonValley #LightingDesign #InteriorDesign #HomeDecor #ArtisanLighting #VintageLighting #NeonArt #GlassArt

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Rombo IV, a three-story house in Mexico City, is a creation by Miguel Angel Aragonés of the Mexican design studio Taller Aragonés. This property is one of four structures, including three houses and a studio, collectively known as Los Rombos, named for their rhomboid shapes. The house is distinguished by its crisp, white stucco exterior and interiors finished with white marble and travertine, providing a neutral backdrop that highlights the interplay of light and shadow. During the day, the house’s white surfaces interact with sunlight and the sky's colors, reflecting natural variations. At night, the ambiance transforms dramatically as vibrant LED lighting saturates the interiors with dynamic hues, emulating the vivid palette of a Mexican sunset. Black reflecting pools enhance this dreamlike quality by creating mirror-like effects. The design incorporates minimalist elements, defined by orthogonal lines and geometric furnishings, giving the space the feel of a walk-in art installation. Aragonés has made Rombo IV available for rent, catering to individuals seeking a unique retreat or brands in need of an experimental venue for events. Aragonés's design philosophy emphasizes orthogonal designs over organic forms, asserting that architecture should not mimic nature. Instead, he believes in integrating organic elements through real trees, plants, and water within a structured environment. This approach is evident in Rombo IV, where walls of glass seamlessly connect the interior with lush vegetation and expansive sky views, all while maintaining privacy. Water features are a consistent motif throughout the home, with reflecting pools on the first two floors and a swimming pool on the top floor. These elements contribute to the home's tranquil and immersive atmosphere. The 11,861-square-foot residence is equipped with multiple bedrooms, a spacious kitchen, various living areas, a hot tub, and a fitness center, making it suitable as a holiday rental. Aragonés envisions the house serving as a retreat for those interested in art and architecture, offering a "hotel-house" experience. He describes it as a sanctuary in the bustling metropolis of Mexico City. The design thoughtfully integrates automated LED lighting systems that allow for a range of color schemes, from warm honey tones to deep reds, blues, and purples, which can be seen layered through geometric wall openings. The property features carefully placed walls of glass that flood the interior with natural light during the day and open the house to the outdoors without compromising seclusion. The materials, such as matte white walls and glossy reflecting pools, were chosen specifically to serve as a neutral canvas, drawing attention to both natural daylight and the vibrant colored LEDs. The furniture, predominantly from Poliform, a long-term partner of Taller Aragonés, complements the minimalist aesthetic. Unique pieces like a marble table and chairs by Montis and Magis are also integrated into the design. The home's design prioritizes creating a dynamic sensory experience through light, color, and reflective surfaces, transforming it into a living art piece. #MexicoCityArchitecture #LEDLighting #ModernHomeDesign #MinimalistArchitecture #SmartHomeLighting #ReflectingPools #ArchitecturalInnovation #TallerAragonés #GeometricDesign

This article highlights ten Brutalist-inspired lighting fixtures that incorporate metal, concrete, and design elements reminiscent of the Brutalist architectural style. The featured pieces showcase a blend of robust materials and functional aesthetics, making a strong statement in interior design. Among the selections is the Cubo light sculpture by Articolo Studios, crafted from brass, bronze, and glass, offering a distinctive geometric form. Lauren Rottet and Visual Comfort & Co. contribute the Entoure 17-inch rotating LED light pendant, designed in bronze, emphasizing a sleek and modern rotating mechanism. Jay Jermyn and Objects For Thought present the Sequence lamp, constructed from aluminum and frosted white glass, which provides a diffused, ambient light. Luca Nichetto, in collaboration with Matter Made, introduces the Legato Double Strings pendant. This fixture combines aluminum, brass, and acrylic with a textured graphite finish, creating a sophisticated multi-light arrangement. Eric Weil Designs offers the Brion lamps, which are made from board-formed concrete, featuring fabric-wrapped cords and patinated-brass touch controllers, highlighting the raw, industrial nature of Brutalism. Studio Italia Design, through Lodes, showcases the A-Tube Nano Swing recessed light. This ultra-light aluminum and transparent methacrylate fixture in chrome demonstrates a minimalist approach to recessed lighting. Sebastian Herkner and Vibia contribute the Class series, including floor and table lamps, as well as sconces, all made from aluminum and borosilicate glass with polycarbonate diffusers, offering a refined yet sturdy presence. Ilmiodesign's Belt floor lamp for Estiluz features a metal body, an optional glass shade, an acrylic lens diffuser, and integrated LED lighting, providing both functionality and a contemporary aesthetic. Zafferano’s Pina XXL cordless desk lamp, made from powder-coated die-cast aluminum, offers portability and a robust build, ideal for various settings. Finally, Ingo Maurer’s Shhh! pendant light presents a more whimsical yet industrial design. Each of these fixtures exemplifies the influence of Brutalism through their material choices, forms, and functional integration, making them suitable for diverse modern interiors seeking a bold and impactful lighting solution. #BrutalistDesign #LightingFixtures #InteriorDesign #ModernLighting #ProductDesign #HomeDecor #ArchitecturalLighting #ContemporaryDesign

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

The 'Accent Light' is a limited-edition desk lamp designed by Zürich-based designer Fritz Jakob Gräber, focusing on perspectives, symmetries, and colors. Gräber, who possesses extensive experience across various crafts, aims to create an eclectic range of products, furniture, and lighting. The 'Accent Light' exemplifies his approach to design, which centers on transforming flat materials into three-dimensional forms. The development of the 'Accent Light' was driven by Gräber's ambition to establish his own design practice and produce his own editions, a challenging endeavor for a young designer. The lamp is designed to be highly practical, emphasizing ease of production, storage, and shipment through its super flatpack design. This minimizes labor costs and logistical complexities, making it an efficient product to manufacture and distribute. The lamp's aesthetic is minimalistic yet visually striking, crafted from a specialized type of paper. This material choice is integral to the lamp's ability to create volume from a flat form. The production process involves a unique technique where all envelopes are hand-printed on a Dainippon flatbed offset machine, a vintage piece of equipment from 1971. This detail highlights Gräber's dedication to craftsmanship and his appreciation for traditional printing methods, adding a unique character to each lamp. Functionally, the 'Accent Light' emits a subtle warm downlight, designed to create an inviting and cozy atmosphere. The lamp is a limited edition, with only seven pieces produced, all manufactured in Switzerland. This exclusivity underscores its status as a collectible design object, reflecting the designer's personal commitment to quality and unique artistry. The limited availability and local production emphasize the bespoke nature of Gräber's work and his focus on maintaining high standards of craftsmanship. The design reflects a blend of artistic vision and practical considerations, addressing both aesthetic appeal and the challenges of independent production. The 'Accent Light' is not just a lighting fixture but a statement piece that embodies the designer's philosophy of creating impactful objects from simple materials while managing the complexities of establishing an independent brand in the design industry. #LightingDesign #LimitedEdition #DeskLamp #FritzJakob #MinimalisticDesign #SwissDesign #Handcrafted #ProductDesign #InteriorDesign

This article highlights the new 48-piece lighting collection from Arteriors, a collaboration with architecture and design firm Workshop/APD. This partnership marks a significant first for Arteriors, as it is their initial venture with an external design firm, aiming to infuse a distinctly contemporary aesthetic into their typically more traditional offerings. The collection is designed to serve as the “jewelry of a room,” emphasizing the transformative power of lighting in interior design. A central feature of this collection is the “Glaze” assortment, which draws inspiration from the ceramic artistry of Workshop/APD principal Andrew Kotchen’s wife. Each piece within this line incorporates a handmade ceramic shade or backplate, notable for its delicate crackled ivory glaze. This ceramic component is thoughtfully contrasted with blackened steel elements, creating a sophisticated and modern look. The versatility of these fixtures is a key selling point, as they are suitable for various settings, whether installed individually as a focal point or in multiples to create a cohesive design statement. The article showcases several specific pieces from the Glaze collection, providing descriptions and potential applications. The Glaze Large Sconce, priced at $715, is praised for its sleek shape and subtle hue, making it an ideal choice for bathrooms or bedside areas due to its effortless integration into diverse decors. The Glaze Linear Pendant, available for $1,040, is highlighted for its ability to stand out as a singular piece while also creating a striking impact when hung in a series. This suggests its adaptability for different spatial requirements and design ambitions. Another featured item is the Glaze Large Flushmount, costing $965, which distinguishes itself with a trio of frosted opal glass globes that add visual intrigue to a classic bowl-shaped flush-mount design. For larger spaces, the Glaze Floor Lamp, priced at $1,395, is presented as an ultramodern silhouette that casts a warm, inviting glow, enhancing the ambiance of its surroundings. Finally, the Glaze Sculptural Sconce, at $1,365, is noted for its geometric form and rotating armature, offering the unique capability to create a personalized focal point on any wall. This adjustability allows users to customize the lighting effect and direct light as needed. Overall, the collaboration between Arteriors and Workshop/APD introduces a collection that blends artistic inspiration with functional design, providing contemporary lighting solutions that can refresh and brighten any home interior. The pieces emphasize unique craftsmanship through ceramic details and modern silhouettes, offering versatile options for various design preferences and spatial requirements. #Arteriors #WorkshopAPD #LightingDesign #HomeDecor #InteriorDesign #ContemporaryLighting #CeramicLighting #DesignCollaboration

Studio Monsoleil, founded by designer Sevval Kalaycikli, introduces a collection of glass tables and lighting fixtures that employ optical illusions to enhance interior spaces. Kalaycikli primarily uses glass, valuing its timeless quality and its ability to create a sense of openness and brightness in a room. Glass's reflective surface and transparent nature are utilized to visually expand spaces and counteract the visual weight of other materials, contributing to a lighter, more airy atmosphere. The collection features several distinct designs. The "Cosmos" series comprises coffee tables characterized by gradient colors. These tables are designed to be central pieces in social settings, with the color harmonies in their bases symbolizing gathering and shared ideas. This series includes various color schemes, such as tables with green gradients, to complement different interior aesthetics. Another notable design is "Stardust," a coffee table inspired by cosmic themes. Its gradient purple glass evokes images of deep space and distant galaxies, adding an element of mystery and wonder to a room. The "Melted Mirrors" offer a playful element, encouraging a less serious interaction with reflective surfaces. The "Twist" coffee table draws inspiration from the yin-yang philosophy, representing the balance of opposing yet complementary forces. Its base is formed by two gradient glass pieces, abstractly illustrating the concept of continuous motion and change. This design aims to bring a dynamic and thoughtful element to living spaces. Studio Monsoleil also presents a range of lighting designs. The "Mermaid Table Light" is inspired by the ocean's deep blues, featuring a spherical light resting on a bisecting glass piece, reminiscent of a mermaid surfacing from water. This light casts a tranquil glow with its sapphire and turquoise hues. In contrast, the "Scarlet Sunset" light uses shades of red to mimic a radiant sunset, designed to evoke warmth and comfort as it appears to descend like the sun on the horizon. "Euphoria" is a table light that captures the iridescent and magical colors found in nature, drawing parallels to phenomena like the aurora borealis. This design brings a vibrant and enchanting light quality to its surroundings. Finally, "Timeless Glow" features a soft brown luminance, symbolizing enduring charm and lasting beauty through its subtle yet distinct presence. Each piece in the collection aims to transform spaces through light, color, and form, demonstrating the versatility and aesthetic potential of glass in contemporary design. More information about Studio Monsoleil and its collection is available on its official website. #StudioMonsoleil #GlassFurniture #OpticalIllusions #InteriorDesign #HomeFurnishings #GradientGlass #CoffeeTables #TableLights #ModernDesign

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The Stockbridge collection by Vaughan, a renowned British brand specializing in decorative lighting, furniture, and textiles, draws inspiration from the historic Hampshire village of Stockbridge, England. The collection integrates the natural aesthetic of the ancient terrain, characterized by chalky hills, open spaces, woodlands, and wildlife, with contemporary design principles. Co-founder Lucy Vaughan highlights that the design process for this extensive collection, which encompasses several smaller sub-collections, is largely inspired by nature. The range reflects Vaughan’s forward-thinking and pared-down approach, emphasizing high-quality materials, exceptional craftsmanship, and timeless style. A key starting point for the collection was the Kimmeridge chandelier, a reinterpretation of an original 1970s Italian design. This piece features carefully pressed steel leaves, hand-painted in a distressed green finish, complemented by gilded acorn details that showcase expert craftsmanship. Another highlight is a group of lights featuring a hand-painted, rust-effect finish, which imparts texture and depth differently across various designs. For example, the Rye chandelier’s graceful curves gain a 19th-century patina with this finish, while the Milland table lamp and Corfe chandelier, inspired by midcentury aesthetics, have their sculpted features accentuated and softened by the same rust effect. The Stockbridge collection aims to push the brand forward by offering an eclectic mix of styles and perspectives suitable for diverse interiors. Examples include the Westbourne table lamp, with its vibrant orange, crackle-glazed ceramic base, providing a pop of color, and the sleek, functional Midhurst reading light. The collection also expands on existing popular designs by introducing new sizes and finishes. This includes a smaller, six-light version of the Compiegne Leaf chandelier and a larger Selborne mirror, as well as a distressed green-painted finish for the Anjou chandelier, offering new nuances. A fresh and exciting piece in the collection is the Langley ceiling light, a rework of a 1950s French design. Crafted from brass with an alabaster shade, it combines a current and fresh feel with classical gravitas, attributed to its hand-polished, unlacquered brass and hand-finished alabaster. The brand suggests installing these in multiples for a dramatic effect in hallways. Vaughan emphasizes the use of fine, globally sourced materials throughout the Stockbridge collection. Notable materials include slip-cast earthenware with delicate crackle glazes for ceramics, solid cast brass, bronze, painted-rust finishes, and antiqued mirror. These material choices underscore Vaughan’s commitment to unique and high-quality design elements that define the brand's aesthetic. The collection also includes several mirrors, such as the Exton oval mirror and the Hensting mirror, and tables, alongside various lighting fixtures like the Finkley lantern, Antibes chandelier, Candover wall light, Childrey candlestick table lamp, Buckton desk lamp, and Hannington table lamp, ensuring a comprehensive offering for interior designers and enthusiasts. #VaughanDesigns #StockbridgeCollection #LuxuryLighting #FurnitureDesign #TextileDesign #DecorativeLighting #InteriorDesign #HomeDecor #Craftsmanship

The article explores the top 10 lighting trends predicted to shape interior design in 2025, emphasizing a blend of style, sustainability, functionality, and aesthetic appeal. These trends offer diverse options for illuminating spaces, catering to various tastes and design philosophies. Vintage-style lighting is set to be a major trend, valued for its timeless character, craftsmanship, and inherent sustainability. This approach incorporates classic pieces such as ornate chandeliers, retro pendants, and mid-century modern table lamps, all designed for longevity and to infuse spaces with a sense of history and individuality. Experts note that vintage lighting acts as both a functional item and an artistic focal point, rooted in traditional values of quality and originality, aligning with the growing preference for eclectic design. Smoked glass emerges as another significant trend, offering versatility and visual impact through its large-scale pendant lighting and statement pieces. The grey tint of smoked glass provides a soft, diffused light, contributing a touch of glamour and moody elegance to interiors. Its timeless appeal is highlighted as a wise, long-term investment for any home, ensuring it remains stylish without succumbing to fleeting fads. Biophilic lighting, a trend centered on reconnecting indoor spaces with nature, aims to reduce stress and enhance wellbeing. This style integrates organic shapes and natural tones, utilizing materials like rattan, wood, bamboo, and recycled glass to introduce warmth and texture. The goal is to create harmonious, calming, and restorative environments by mirroring natural light and incorporating natural elements, making it suitable for all areas, particularly home offices. Copper makes a comeback in 2025 as the preferred metal for lighting design due to its warm, rich, and inviting qualities. Its adaptability allows it to complement both bold and neutral color palettes, adding a sense of coziness and luxury. Copper’s durability also supports the shift towards more sustainable design practices, appearing in various forms from floor lamps to ceiling fixtures and even smaller accents like plug sockets. Mixed metals represent a modern twist, encouraging the combination of different metallic finishes such as brass with nickel, or bronze with brushed chrome. This trend adds visual depth and flexibility to lighting schemes, with a noticeable increase in demand for bronze, silvered tones, and both brushed and polished chrome finishes. The layering of different metals creates a dynamic and sophisticated look. Layered lighting is presented as essential for creating flexible, mood-driven interiors. Moving beyond single ceiling pendants, this approach involves combining multiple light sources—table lamps, floor lamps, wall sconces, and dimmable overhead lighting—to transform a space’s atmosphere and functionality throughout the day. This technique is crucial for influencing both the aesthetic and the wellbeing of occupants. The 'soft industrial' aesthetic merges the raw, edgy elements of industrial design with a warm and inviting feel. This trend features exposed metals, matte finishes, and natural materials, but with gentler silhouettes and a sleek sophistication. It allows industrial lighting styles to integrate seamlessly into modern homes, balancing function and form without appearing overly harsh. Playful and artful lighting continues to be a strong trend, with vibrant-colored and patterned lampshades taking center stage. These lampshades are not merely functional but serve as artistic statements, allowing for the injection of personality into interiors. Changing lampshades seasonally is suggested as an affordable method to refresh a color scheme without extensive redecoration, positioning lighting as 'jewelry for the home'. Curved and wavy shapes are dominating lighting designs, offering a way to introduce softness and movement into angular interiors. This style, characterized by scalloped designs, waves, and fluid curves, aims for elegance, sophistication, and whimsy. It is ideal for creating cozy, intimate areas or standout focal points in various rooms, balancing the rigidity of modern spaces. Finally, the natural look emphasizes a growing demand for organic materials like rattan, bamboo, and reclaimed wood in lighting designs. This trend brings warmth, texture, and a contemporary feel, contributing to effortlessly inviting rooms. The lightweight nature of these materials allows for experimental layouts, and their eco-conscious appeal aligns with current mindful aesthetic preferences. #LightingTrends #InteriorDesign #HomeDecor #VintageLighting #SmokedGlass #BiophilicDesign #CopperAccents #MixedMetals #LayeredLighting #SoftIndustrial #PlayfulLighting #CurvedShapes #NaturalMaterials

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

This article explores the enduring appeal of loft living, showcasing 12 distinct examples of modern lofts from the Dwell Magazine archives. Lofts are characterized by their industrial flavor, open floor plans, and their ability to blend work and home life seamlessly, appealing to a creative, city-dwelling demographic. The featured lofts demonstrate a wide range of transformations, from historical factory buildings and warehouses to more compact, unconventional spaces, each maintaining a distinctive industrial aesthetic while serving as modern residences or live/work environments. The article begins by highlighting a 17th-century manufacturing plant in Paris, reimagined as author and French designer Daniel Rozensztroch's industrial loft. This space retains its historical character with vintage iron cabinets and industrial-inspired lighting. Next, a Barcelona warehouse is presented as a live/work space for an architect and artist, featuring a courtyard that provides a transition between living and working areas. A compact three-story brick boiler room in San Francisco is shown to have been ingeniously transformed into a loft-like guesthouse, maximizing vertical space within a small footprint. Further examples include a renovated apartment in an 1864 factory building in Tribeca, New York, where partitions were removed and ceilings raised to create a spacious feel. A modern live/work space in Chicago, constructed from concrete panels, pays homage to its industrial neighborhood's history. Copenhagen features a converted loft in a former Viking pencil factory, adapted for a modern family. In Jersey City, a 19th-century Wells Fargo horse-and-carriage facility became a flexible art studio and residence for a pair of artists. The article also features an industrial loft in Italy, a 200-year-old factory transformed into an inviting home by designer Paola Navone. In Brooklyn, the founders of Calico Wallpaper reside in a rental flat that was once a 19th-century warehouse, preserving exposed structural beams. A cinder-block duplex in Charleston, Virginia, was creatively challenged and transformed into an elegant, gallery-like New York-style loft. An auto repair garage in San Francisco's South of Market neighborhood became an artist's loft, serving as a perfect live/work retreat with space for an art gallery, studio, and office. Finally, a former Portland, Oregon, warehouse and auto repair shop was renovated into a versatile live/work space. These diverse projects collectively illustrate the versatility and appeal of industrial-style loft conversions, demonstrating how historical structures can be adapted into functional and aesthetically pleasing modern homes. #LoftLiving #IndustrialDesign #LiveWorkSpaces #UrbanHomes #AdaptiveReuse #ModernLofts #InteriorDesign #ArchitecturalRenovation #WarehouseConversion

Lighting plays a crucial role in shaping the atmosphere and functionality of any room, as emphasized by Vicky Serany, founder and principal of Southern Studio Interior Design. She notes that clients often underestimate the significance of lighting in the design process, highlighting its ability to transform a space from bright and open to moody and intimate. Upgrading lighting fixtures offers a straightforward and budget-friendly method to refresh a room, according to Paula Daher, principal of Daher Interior Design, who suggests that replacing outdated fixtures can instantly revitalize a space. This is particularly relevant given that our eyes require more light as we age, making functional improvements a key consideration. The article outlines seven key lighting trends for 2024, designed to update and enhance interior spaces. One prominent trend is layered lighting, a technique that involves combining various light sources such as recessed lights, pendants, sconces, lamps, undercabinet lighting, and toe kicks. Kerrie Kelly, CEO and creative director of Kerrie Kelly Studio, explains that this approach creates a balanced and adaptable illumination scheme, contributing to both the beauty and utility of a room. Even in existing spaces, layering can be implemented by favoring lamps, sconces, and candles over overhead lighting, with dimmer switches further enhancing versatility. Another emerging trend is subtle styling, moving away from large, ornate fixtures like oversized statement pendants and Sputnik lights, which can cast unusual shadows and dominate a space. Instead, there is a preference for delicate or mobile-style lights over kitchen islands and shallow flush-mount fixtures that offer an artistic touch without being overly utilitarian. Interesting textures in lampshades and fixtures are also gaining popularity. This involves a departure from conventional yellow-tinted or neutral shades in favor of decorative options for table lamps, floor lamps, and sconces. Woven basket-style lampshades, offering a rustic and English cottage aesthetic, along with plaster and white gesso chandeliers and sconces, are fashionable choices. Glossy black shades are also noted for their ability to dramatically alter a lamp's appearance. Design markets have showcased innovative textures like eggshell and fixtures crafted from gemstones such as selenite. Bold colors and finishes represent another significant trend, with homeowners increasingly embracing vibrant hues in lighting fixtures, such as red or blue, to create elegant accents. Sarah Stacey, principal designer at Sarah Stacey Interior Design, observes a growing interest in Sicilian and Venetian design elements, particularly colored Murano glass. This reflects a broader movement towards incorporating bold colors, similar to current paint color trends. Lighting is also being strategically used to accent specific design elements, extending beyond mere functionality to highlight architectural features, art, and furniture, while also adding depth and height to a room. Jen Samson, principal designer and owner of Jen Samson Design, points out that thoughtful lighting can even draw attention away from less desirable aspects of a space. Mixing old and new pieces is another trend that contributes to a homier and more inviting atmosphere. This involves integrating antique lighting, such as a vintage Murano glass fixture, with modern, linear designs to create a unique and personalized aesthetic, avoiding the sterile feel of a showroom. Ultimately, while trends evolve, the overarching advice is to prioritize personal style, ensuring that lighting choices genuinely resonate with individual preferences and contribute to a distinctive home environment. #LightingTrends #InteriorDesign #HomeDecor #LayeredLighting #TexturalLighting #BoldColors #VintageModernMix

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt