Inside the Tiffany & Co. Landmark, the New NYC Flagship Store

The Frick Collection, housed in a 1914 limestone mansion in New York City, has undergone its most extensive upgrade in nearly 90 years, allowing visitors for the first time to explore the private second-floor suites of the Frick family. Previously, the museum primarily showcased its collection in the grand first-floor rooms, but now the more intimate, domestic-scale spaces—comprising about 10 rooms and several passageways that once served as bedrooms and sitting rooms for Henry Clay Frick, his wife Adelaide, and daughter Helen—have been converted into galleries. This transformation offers a unique perspective on the collection within a historically preserved domestic setting. Selldorf Architects completed this comprehensive renovation, which opened in April, revealing the grand architectural style and personal living spaces of the early 20th-century industrialist family. A notable artistic feature on the second floor is an enchanting ceiling mural along the corridor, contrasting with the formal interiors. This hand-painted work by John Alden Twachtman depicts cerulean skies and landscapes filled with monkeys dressed in Chinese costumes, engaging in human activities. This playful design is a nod to French Rococo traditions of singeries and chinoiseries, with a particularly charming detail being a monkey lighting candles for a floating lantern near the entrance to Adelaide’s bedroom suite. The mural's commission highlights the pioneering work of Elsie de Wolfe, considered America's first interior decorator. De Wolfe, at the beginning of her career, boldly pitched her services to Mr. Frick in 1914, emphasizing her expertise in detail and understanding of women's spaces, which she argued male decorators often overlooked. Her persistence led to her being hired, and she subsequently created the iconic Boucher Boudoir. This room, a vibrant display of 18th-century French exuberance, features eight cherub-laden panels painted by François Boucher, depicting the arts and sciences. After previously being displayed on the museum’s main floor, the Boucher Room has been meticulously restored to its original location adjacent to Mrs. Frick’s bedroom. This boudoir, serving as Mrs. Frick's private sitting room, is celebrated for its complete ensemble, including its corner location with windows offering views of Central Park and 70th Street. Another significant area now accessible is the beloved breakfast room, where the family shared their first meal of the day. This room, facing east, captures the morning light, creating a warm ambiance, and showcases the domestic routine of the Frick family, where meals were brought up from the lower-level kitchen by a waiter. To commemorate these enhancements, the museum is hosting the exhibition "Vermeer’s Love Letters" throughout the summer. This exhibition reunites the Frick’s masterpiece, Vermeer’s "Mistress and Maid," with two special loans: "The Love Letter" from Amsterdam’s Rijksmuseum and "Woman Writing a Letter" from the National Gallery of Ireland. Displayed together in a single gallery for the first time, these three works offer a fitting tribute to the newly refurbished Gilded-Age museum. #FrickCollection #NewYorkCity #MuseumRenovation #ElsieDeWolfe #InteriorDesign #GildedAge #VermeerExhibition #ArchitecturalHistory #ArtCollection

Valentino has undertaken a significant transformation of an iconic space on New York’s Madison Avenue, formerly the flagship store for Calvin Klein until 2019. This new three-floor boutique, a testament to Italian style, spans an impressive 1,142 square meters and is nestled behind the neoclassical limestone facade of a 1927 building, featuring soaring fluted columns. The redesign not only continues Valentino's refreshed architectural approach but also integrates a robust cultural component. Upon entering the ground floor through grand double doors, visitors are immediately immersed in the monumental scale of the space, characterized by towering seven-meter-tall ceilings and exposed steel columns. These industrial elements are softened by luxurious touches such as a statuesque green onyx display, elegant trompe l’oeil marble carpets, and plush red velvet seating. This floor is primarily dedicated to showcasing Valentino’s extensive collection of footwear and accessories. A distinct 'jewel-box' area, adorned with rich red velvet walls, offers a curated selection of the label’s ready-to-wear pieces, providing an intimate shopping experience within the expansive store. A dramatic and intricately designed staircase, crafted from a harmonious blend of various marbles—including striking red travertine, pristine white Bottinico, and deep black Marquino—serves as a central architectural feature, leading guests to the second floor. This upper level is exclusively dedicated to the women’s ready-to-wear collection. The design ethos of the second floor mirrors the ground level, maintaining a cohesive material palette. It is distinguished by giant red lacquered wardrobes, which add a vibrant splash of color, and an eye-catching black and white marbled checkered floor, reinforcing the store's sophisticated and luxurious ambiance. In the more exclusive VIP areas, which include private sitting rooms and dressing spaces, the design carefully cultivates a residential feel. This is achieved through the incorporation of bespoke chandeliers by Roll & Hill, elegantly designed chairs by French architect Charles Zana, and artisanal ceramics by Massimiliano Pipolo. These carefully selected pieces contribute to an atmosphere of refined comfort and exclusivity. This residential influence extends to the men’s collection floor, located in the building’s basement, which features a sprawling 1970s DeSede ‘Snake’ sofa and iconic Mario Bellini Camaleonda sofas and poufs from the same era. These vintage furniture pieces inject warmth and character into the underground space, making it both stylish and inviting. A unique aspect of the new New York flagship is the dedication of its mezzanine floor to art. This space will host a rotating exhibition program featuring local galleries, commencing with the Magazzino Italian Art. The store’s grand opening is marked by an exhibition of large-scale paintings by Mario Schifano, which further reinforces Valentino’s deep connection to its Italian heritage and artistic identity. The integration of art within the retail environment enhances the customer experience, transforming a shopping trip into a cultural immersion, and underscores Valentino's commitment to design, luxury, and artistic expression. #ValentinoStore #MadisonAvenue #LuxuryRetail #StoreDesign #FashionBoutique #InteriorArchitecture #NewYork #ItalianStyle #ArtIntegration

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

Australian designer Greg Natale's firm undertook the makeover of a narrow 19th-century town house in New York, drawing inspiration from the art deco era as seen through 1970s European cinema. The project, located on Manhattan's Upper East Side, was commissioned by repeat clients Leticia Francini and Stephen Ninnes, who sought to infuse their new American pied-à-terre with the color, pattern, and layering reminiscent of maximalist European restaurants. The four-story, mixed-use property includes a ground-floor retail space, which was converted into a white-box studio for their Art With Love Foundation, offering free workshops in Renaissance painting techniques. Natale's design approach for the 3,330-square-foot residence involved painting rooms—walls and ceilings—in a rich palette of blush, plum, terra-cotta, and various greens. Colorful shades of veined marble, such as Calacatta Viola, Rosso Levanto, and Verde Alpi, are extensively used on floors, walls, countertops, a fireplace, and to frame portals and doors. The intricate stonework was facilitated by the clients' relationship with an Italian quarrier, who cut the marble in Italy and sent masons to New York for installation. An exterior intervention included reinstating a historically appropriate double street entrance, with two doors defined by fluted limestone pilasters, leading separately to the art foundation and the residence. Engineered oak flooring in a herringbone pattern, designed by Natale, is used throughout much of the home, creating a vivid and welcoming interior within the narrow 12½-foot-wide brick building. The town house, previously renovated in the 1970s, retained its general layout but was stripped to the studs. The living spaces, including a sitting room, kitchen, and dining room, are situated on the middle level, flanked by two two-bedroom floors to accommodate the clients' five adult children. Mirror paneling, especially an art deco-inflected arrangement of bronze- and smoke-hued rectangles in the dining area, enhances the sense of space. The dining area also features a starburst molding centered on an 1980s Murano-glass chandelier, a modern interpretation of Italy's Liberty style. Murals play a significant role in setting the European tone, with an embroidered linen-and-silk mural based on Henri Matisse’s Jazz cutouts in the second-floor hallway and a wallpaper blowup of Wassily Kandinsky’s 1935 painting Deux points verts in the living room. The furniture selection combines vintage and contemporary Italian pieces. The living room features a Gianfranco Frattini 1970s Sesann sofa and Arnold Madsen 1944 Clam armchairs, complemented by a concrete-framed Iris mirror by Shawna and Matt Heide and a custom Anna Bonino paper pendant fixture. The dining area includes Dirk van der Kooij’s recycled-plastic Meltingpot table and Juliana Lima Vasconcellos’s Giraffe chairs. The main bathroom showcases Italian rationalism with a complex inlaid-marble shower pattern, while the adjacent bedroom features Mehmet and Dimonah Iksel’s hand-painted White Blossom wallpaper and Vincent Darré’s Neofutur headboard. A notable feature is the dressing room, connected to the main bedroom by marble-encrusted portals, designed to resemble a high-end boutique with sculptural marble-slab dividers forming open closets. #GregNatale #NewYorkTownHouse #ArtDeco #EuropeanCinemaInfluence #MaximalistDesign #MarbleInteriors #VintageFurniture #CustomMurals #InteriorRenovation

This article provides an exclusive first look inside the newly completed Kith store, a retail space founded by Ronnie Fieg. The store's interior design is a significant highlight, featuring thick carved wood panel floors that contribute to a sophisticated and inviting ambiance. The aesthetic leans towards a minimalist yet high-tech approach, with carefully designed shelving units that complement the curated selection of products. The design choices suggest a focus on showcasing the merchandise in an uncluttered and premium environment, enhancing the customer experience. The store's product offerings are meticulously selected, focusing on high-quality footwear, various accessories, bags, and an assortment of books. This curated selection aligns with Kith's brand identity, known for its emphasis on premium and exclusive items. The article also mentions that an array of apparel will be introduced soon, indicating an expansion of their product lines. The current inventory reflects a strategic approach to retail, concentrating on niche and sought-after items that appeal to a discerning clientele. The article encourages readers to visit the Kith store, which is located at 233 Flatbush Ave, Brooklyn, NY 11217. This physical location serves as a central point for the brand's engagement with its customer base, allowing for a direct interaction with the curated products and the distinctive store environment. The invitation to "drop in and say g'day to Ronnie" personalizes the shopping experience, fostering a sense of community around the brand. Previous coverage highlighted the store during its construction phase in September, suggesting a keen interest in the development of this retail space. The completed store lives up to expectations, demonstrating a successful realization of the design vision. The transformation from a construction site to a fully realized retail environment underscores the attention to detail and commitment to quality inherent in the Kith brand. The article implies that the finished product not only meets but potentially exceeds the initial anticipation. In essence, the Kith store is presented as more than just a retail outlet; it is a meticulously designed space that reflects Ronnie Fieg's vision for a premium lifestyle brand. The combination of distinctive interior design elements, a carefully curated product selection, and a strategic location contributes to an immersive brand experience for customers. The article serves as an announcement of the store's readiness and an invitation to explore its unique offerings and aesthetic. #RonnieFieg #KithStore #SneakerCulture #RetailDesign #Brooklyn #Footwear #StoreInterior #FashionRetail

This article highlights some of the leading window and door suppliers in Toronto, catering to various project needs from renovations to new constructions. Each featured company offers a distinct range of products, emphasizing quality, style, and energy efficiency. The selection process for windows and doors involves considering both aesthetic appeal and practical functionality, with expert advice available to guide customers through their choices. The goal is to provide solutions that blend seamlessly with the home's design while offering durability and performance. Torp is presented as a premier destination for modern Danish windows and doors, known for their impeccable craftsmanship and high energy efficiency. Their showroom on Davenport showcases products from brands like UD Vinduer, Kastrup, UPB, and Lacuna, offering a variety of sophisticated options. Bauhaus, a Toronto-based company, has been designing and manufacturing contemporary windows and doors since 1990. Their products are celebrated for detailed craftsmanship, exemplified by their smooth-gliding lift-and-slide doors, making them a highly sought-after supplier in the city. Chateau Windows & Doors provides a comprehensive selection that accommodates diverse architectural styles, from sleek modern homes to traditional and historical properties. Their Castlefield showroom offers on-site consultants to assist clients in finding the ideal solutions for their projects. Marvin, a company with over a century of experience, has established a strong reputation for the quality and variety of its window and door offerings. They provide an extensive range of made-to-order wood and wood-clad options, available in numerous shapes and styles across their various locations, ensuring solutions for almost any glazing requirement. BigFoot specializes in European-engineered and Canadian-manufactured large and supersized glazing systems. Their catalog includes products with advanced technological features, appealing to smart home enthusiasts seeking innovative solutions. 1925 WorkBench is a workshop and studio based in Etobicoke, known for its handcrafted wooden and glass doors. Their unique offerings include patented single-track bypass barn-door hardware, manufactured in Canada, as well as walnut slab doors with distinctive transom-like cut-outs and tall rolling or hook ladders. Alumilex, a Montreal-based manufacturer, provides high-end contemporary custom windows and doors. Their product line includes oversized lift-and-slide patio doors and tilt-and-turn windows. They collaborate with multiple local partners in the Greater Toronto Area to deliver comprehensive project support. Pella Windows & Doors encourages visits to their Bayview Avenue showroom for those building or remodeling homes. They offer a wide array of beautiful and functional options for both new constructions and renovation projects. Dundas Specialty Windows & Doors, located in Roncesvalles, has been manufacturing and installing custom quality products since 1985. Their West End showroom features top-tier brands such as Ostaco and Anderson Windows & Doors, providing a wide selection for discerning customers. Tiltco, established in 1988, is a Canadian manufacturer renowned for its robust, made-to-order European glazing systems. With decades of experience and expertise, Tiltco provides reliable and high-quality solutions for homeowners. Door Studio collaborates with builders, homeowners, and architects to enhance residences with various manual- and power-operated glazing solutions. Their offerings include front doors, garage doors, and height-adjustable terrace windscreens, providing versatile options for modern living spaces. #WindowsAndDoors #TorontoDesign #HomeRenovation #ModernDesign #EnergyEfficiency #CustomSolutions #InteriorDesign #ProductDesign #Shopping

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

A one-bedroom loft at 158 Franklin Street in Tribeca, New York City, is currently on the market for $10.5 million. The property is situated on a desirable cobblestone block and has undergone a complete renovation, resulting in a zen-like interior that blends Japanese-inspired design elements with luxury amenities. The loft, which covers approximately 1700 square feet, features direct elevator access. The living space is designed for tranquility and entertainment. It includes low furnishings and subtle Eastern influences, notably a bed integrated into the floor, reminiscent of the Beatles' bed in their film "Help." The expansive living room is furnished with a custom-built leather sofa and wooden theater chairs, creating an ideal setting for entertaining guests. For overnight visitors, a discreet sleeping nook is incorporated into the corner of the living area. The kitchen is characterized by its sleek design and smooth finishes. It is fully equipped with high-end appliances, including a Sub-Zero refrigerator, a dishwasher, and a Smeg oven with a four-burner stovetop. The master bedroom serves as a private retreat, bathed in soft light from two symmetrically placed windows. These windows feature bamboo-look frames and translucent treatments, enhancing the serene atmosphere. The master bathroom is appointed with an oversized rounded tub and shower basin, complemented by lightly colored brick walls and a striking vibrant red sink. Throughout the apartment, modern conveniences such as built-in speakers and central heating and air conditioning are integrated, ensuring comfort and functionality. This Tribeca loft offers a unique living experience, combining sophisticated design with practical luxury in a prime New York City location. The property is listed by Sara Dal and Rapael De Niro of Douglas Elliman. #TribecaLoft #LuxuryRealEstate #ZenDesign #NewYorkCityApartment #InteriorDesign #FranklinStreet #EasternInspiredDecor #HighEndAppliances #LoftLiving

A Tribeca loft located at 2 Hubert Street, also known as 151 Hudson Street, is available for $2.65 million. This intimate eight-unit condominium building, built in 1890, offers a corner position with extensive windows. The property features a custom renovation that blends traditional and modern aesthetics, a private elevator, ample closet space, and meticulously restored original details adapted for contemporary living. Situated in a bustling Tribeca location near a highway entrance, the building maintains an industrial character typical of the neighborhood's loft structures. The 1,222 square-foot apartment, while not expansive, is configured as a two-bedroom unit within Manhattan's most expensive residential area. The charmingly updated interiors are presented as a significant advantage for prospective buyers seeking a move-in ready residence. Access to the unit is provided via a private keyed elevator, leading through original zinc-clad doors. The interior preserves original loft elements, including exposed wood-beamed 11-foot ceilings, hardwood floors, and exposed brickwork. The living room benefits from abundant natural light through ten windows, owing to the property's rare corner lot position and open eastern and southern exposures. An additional, separate windowed office or guest room is incorporated, delineated by large sliding loft doors. The kitchen is a custom-designed eat-in space that balances warmth with casual elements, and industrial with elegant touches. It features Carrara marble countertops, subway tiles, and high-end appliances such as a Viking range and hood, along with a Bosch washer and dryer. Traditional accents are evident in the brass drawer pulls and gaslight-era industrial lighting, while rustic wood beams frame the space, offering ample room for both dining and cooking. The common areas and bedrooms showcase exposed brick and a refined color palette, contributing to a harmonious living environment. Creative design features include custom wallpaper, mother-of-pearl pushbutton light switches, and an unusual number of customized closets. The sole bathroom combines traditional tongue-in-groove paneling with a modern, chic licorice finish. It also features a classic clawfoot tub updated with gleaming chrome hardware and luxurious marble countertops, complemented by high-end Perrin and Rowe fixtures. The unit is equipped with central air conditioning, a notable amenity for a loft. The Tribeca neighborhood offers a rich urban experience, characterized by cobblestone streets, large casement windows in loft buildings, upscale shops, popular restaurants, family-friendly amenities, and a community atmosphere. The property benefits from convenient access to several subway lines and is a short walk from Rockefeller Park and the Hudson River. The listing for 2 Hubert Street #2E is handled by Tamir Shemesh and Endre Boksay for Corcoran Group, with additional details available via CityRealty. #TribecaLoft #LuxuryRealEstate #NewYorkCity #HistoricBuilding #LoftDesign #CustomRenovation #ManhattanApartment #InteriorDesign #CondominiumForSale

The NoMad Hotel, located in Manhattan, offers a unique blend of Old World charm and modern-day influences, making it a distinctive destination for travelers. The hotel opened in a fully restored, turn-of-the-century Beaux-Arts building, with interiors designed by French designer Jacques Garcia. Garcia is renowned for his ability to integrate 17th- and 18th-century European aesthetics with contemporary design elements, a style evident throughout the hotel. Upon entering the guest rooms, visitors find reclaimed maple hardwood floors adorned with handmade vintage Heriz rugs, complementing French mahogany writing desks. The emphasis on luxurious comfort is further highlighted by linens, bedding, and bathrobes supplied by Sferra and Frette, along with Argan bath amenities. Many rooms elevate the bathing experience with the inclusion of freestanding, clawfoot bathtubs, offering a touch of classic indulgence. Art plays a significant role in the hotel's ambiance, with each room featuring pieces from a carefully curated art program. This collection includes vintage correspondence, antique travel collectibles, and original sketches and photography by contemporary artists, designed to immerse guests in a journey of discovery and intimacy. The aesthetic extends to common areas, where opulent textiles provide a rich and inviting atmosphere, and the staff's uniforms, designed by Bespoken, a New York-based menswear collective, reflect English tailoring traditions. A notable feature of The NoMad Hotel is its two-level library, which is connected by an original spiral staircase imported from the South of France and includes a mezzanine catwalk. This space provides a tranquil retreat for guests. Culinary excellence is a cornerstone of the hotel experience, with the restaurant managed by Chef Daniel Humm and Restaurateur Will Guidara, both acclaimed for their work at the three-Michelin-star-rated Eleven Madison Park. The stately dining room is characterized by dark oak furnishings and richly textured fabrics, creating an elegant setting. An original fireplace, sourced from a French château, adds historical grandeur to the common areas. The bar area features a dramatic 24-foot-long mahogany bar, and guests can enjoy a unique beer crafted exclusively for The NoMad by brewmaster Garrett Oliver of Brooklyn Brewery. A sunlit atrium dining space is created by natural light filtering through a glass roof, offering a bright and airy environment. The architectural firm Stonehill & Taylor played a crucial role in the historical renovation and conversion of the 1903 Johnston building into The NoMad Hotel. Beyond its design, the hotel is praised for its prime location at 1170 Broadway & 28th Street in New York City and its exceptionally friendly staff. The hotel's design highlights include European-style bathrooms with free-standing tubs and the distinctive curated artwork, all contributing to a memorable stay that blends historical elegance with modern comfort. #HotelDesign #InteriorDesign #LuxuryTravel #NewYorkCity #HistoricRenovation #BeauxArtsArchitecture #FrenchDesign #BoutiqueHotel #ManhattanHotels

The Worcester Art Museum's exhibition, "Radiance Rediscovered: Stained Glass by Tiffany and La Farge," explores the works of two prominent Gilded Age artists, Louis Comfort Tiffany and John La Farge, focusing on their contributions to stained glass. The exhibition prominently features several windows commissioned for the Mount Vernon Congregational Church in Boston, which moved to a new location in the Back Bay in the 1890s. The church engaged Tiffany Glass and Decoration Company for its Byzantine-style interior and John La Farge for several stained glass windows. La Farge had previously established his reputation with his interior design for Trinity Church in the 1870s. The featured windows from the Mount Vernon Congregational Church were acquired by the museum after the church closed in 1975. They remained in storage for decades until conservation efforts began in 2017, taking over a year to meticulously restore them. Curated by T. Amanda Lett, a PhD candidate, the exhibition showcases these newly conserved pieces, presenting them in their original brilliance. The show highlights the rivalry between Tiffany and La Farge, both of whom independently patented the use of opalescent glass between 1879 and 1881, a material that became highly fashionable in stained glass design. The exhibition contrasts Tiffany Company's "Angel of the Resurrection" windows, which are attributed to Louis Comfort Tiffany but likely designed by Frederick Wilson, with La Farge's "The Pool at Bethesda" windows. Tiffany's works are characterized by a sweet, lambent quality, depicting an angel in opalescent robes emerging from lilies, framed by Corinthian columns. In contrast, La Farge's "The Pool at Bethesda" windows, illustrating a scene from the Gospel of Saint John, captivate with their dynamic composition and narrative depth. La Farge uses various types of glass to tell the story of an ailing woman and a man awaiting healing, with an angel disturbing the water. He employs irregular shards of colored glass for garments and opalescent glass to give solidity to architectural elements. The artist also ingeniously uses a green canopy to connect the two panels, with the angel's slightly awkward, human-like pose adding to the piece's character. The mirror-like quality of the water below the angel serves as a metaphor for self and spirit, and the depiction of the scene at a critical narrative moment before healing imbues the work with hope, possibly reflecting La Farge's own experiences with ill health. The exhibition further includes additional works to provide a broader context, such as watercolors and a smaller, highly detailed window by La Farge depicting a peacock, created after his trip to Japan and inspired by Asian aesthetics. This particular piece, a technical marvel, incorporates layered plates, unfired paint, colored putties, fused glass, and mosaic elements. The conservation of this peacock window involved distinguishing between intentional cracks and natural degradations over time. While the exhibition is limited in its scope for a comprehensive comparison, especially given that Tiffany himself didn't design the featured "Angel of the Resurrection" windows, it effectively reasserts John La Farge's artistic brilliance and his significant, albeit sometimes overshadowed, contributions to stained glass art. #ArtReview #StainedGlass #TiffanyGlass #JohnLaFarge #WorcesterArtMuseum #GildedAgeArt #ArtConservation #ReligiousArt #OpalescentGlass

Ali Richmond, co-founder of the Fashion for All Foundation, has resided in his 3,000-square-foot Crown Heights loft for nearly two decades. Originally a communal living space shared with artist-roommates since 2005, the former factory building lacks an elevator and doorbell, requiring a call for entry. Richmond, who initially defined his art as reconstructed vintage clothing, eventually became the sole resident, transforming the loft into the headquarters for the Fashion for All (FFA) Foundation. The genesis of FFA emerged in 2016 following police shootings and subsequent protests during Men’s Fashion Week. Richmond, inspired by activist Hannah Stoudemire, contacted her to propose establishing a movement for diversity, equity, and inclusion within the fashion and art industries. Stoudemire, then working for Lanvin, collaborated with Richmond to found FFA, aiming to demystify the business, provide accessibility to industry leaders, showrooms, and retail venues, and offer access to Richmond’s extensive archive of designer clothing and fashion library. By 2018, the loft transitioned entirely to FFA operations, serving as a venue for work and events. Stoudemire initiated grassroots outreach, cold-emailing a broad range of educational institutions, from prestigious design schools like Parsons and Pratt to community colleges and high schools in East New York, to recruit students. Over time, FFA has forged significant partnerships with prominent entities such as Ralph Lauren, the CFDA, LVMH, and Limitless La Vie. The loft now hosts several key programs, including the eight-week Ann Lowe Summer Intensive Fellowship, which expanded to include international students via Zoom during the pandemic. This fellowship educates students and enthusiasts aged 16 to 39 on the intricacies of the fashion business. Additionally, FFA runs the Bridge to Basel Competition, immersing a select group of minority students in high-end fashion marketing and networking at Art Basel Miami Beach. The interior of the loft reflects Richmond’s eclectic taste and passion for collecting. One former bedroom now houses Richmond's extensive vintage clothing archive, featuring pieces from designers like Ralph Lauren, Yves Saint Laurent, Issey Miyake, Chanel, Willi Smith, Vivienne Westwood, Erik Honesty, and Dapper Dan, alongside global textiles. The entrance hall features a fashion library, complete with a photograph of Bethann Hardison modeling Stephen Burrows’s designs and a Life magazine cover of Veruschka. Richmond's journey began in Tampa, moving to California at age 12, and later immersing himself in the music industry in Los Angeles, securing a production deal with Dr. Dre at Interscope Records in the 1990s. His early interest in fashion was sparked by visits to Ralph Lauren stores, appreciating the storytelling inherent in design. His music industry earnings fueled his collecting habits, which intensified after his move to New York in 2001, where he frequented vintage stores and sought to understand the dealer-collector world. The loft also features a kitchen with an immovable antique safe, a remnant from its industrial past. What Richmond calls “the Black Room” is dedicated to Black historical portraits from the 1870s and Black history books, furnished with a 1960s Charlotte Perriand chaise for Cassina and a wood Steltman chair. The Central Room showcases a Pende Dance Costume from the 1800s, a wooden Dogon walu mask, a late-19th century Nagaland shield, a 1970s Bouloum lounge chair by Olivier Mourgue, and an octagonal glass and Plexiglas table by Alessandro Albrizzi. This room is also furnished with a Milo Baughman sofa from a thrift shop, William Katavolos chairs, a green leather bench by Harvey Probber, a sculpture by Terry Adkins, and a painting by Richmond himself. The library, located in the entrance hall, displays Richmond’s extensive book collection on fashion and art history, with shelves recycled from a store that closed during the pandemic. #CrownHeightsLoft #FashionForAllFoundation #AliRichmond #FashionIndustry #ArtAndDesign #DiversityEquityInclusion #VintageFashion #InteriorDesign #NewYorkCity

Garrow Kedigian, an interior designer, undertook the renovation of a 3,200-square-foot, four-bedroom prewar apartment on the Upper East Side for a young family with two children. The primary goal of the renovation was to preserve the historical charm of the home while integrating modern living conveniences. The apartment's untouched state for years necessitated significant upgrades to align with contemporary design and functionality. A standout feature of the apartment is its 50-foot-long entryway, which Kedigian dramatically enhanced. He incorporated grid wall paneling and a unique barrel ceiling. The ceiling is a detailed replica of the astrological map found on the vaulted ceiling of Grand Central Terminal, a familiar sight to many New York City commuters. To further elevate this design element, Kedigian installed tiny LED bulb lights to illuminate specific stars, creating a celestial ambiance. Kedigian also addressed the common issue of dropped ceilings in prewar apartments, which often hide the original architectural height. He meticulously restored the original ceiling heights throughout the home. This not only made the rooms feel more spacious but also allowed for the installation of more elegant pendant lighting, replacing previous recessed fixtures. Strategic color choices were integral to the design, ensuring the space felt inviting and cohesive. The kitchen, for example, features cabinets painted in Soft Chinchilla by Benjamin Moore, chosen to create a welcoming atmosphere. Kedigian emphasizes that kitchens should feel like rooms rather than purely utilitarian spaces, advocating for vibrant color choices. In many areas, the trim was painted in a contrasting color to the walls, adding depth and character to each room. Technology was cleverly integrated to maintain the home's aesthetic. All televisions in the apartment are designed to double as art when not in use. In the primary bedroom, the TV screen displays the same wallpaper pattern as the walls when turned off, ensuring a seamless visual flow. The furnishings and art throughout the apartment are a curated mix, combining finds from the Paris flea market—selected in collaboration with the clients—with mid-century modern pieces, reflecting the clients' eclectic taste. The living room exemplifies this eclectic approach, with an antique carpet from a Doyle auction setting the foundation. Lighting fixtures, including sconces and floor lamps, were sourced from the Paris flea market, with custom lampshades from Broome Lampshades and Oriental Lampshade. The walls are painted in Benjamin Moore’s Caribbean Teal with Wenge trim. An antique sofa was re-covered in a blush chevron velvet from Schumacher, complemented by custom pillows from Fabricut fabric. The art collection includes pieces from the Paris flea market, auction acquisitions, and existing client-owned works. For the dining room, Kedigian transformed the large space into a combined den and dining area. The dining table was repositioned near the windows to create space for sofa seating opposite the fireplace, enhancing its functionality and coziness. The color palette of blues and grays, accented with yellows and oranges, contributes to an inviting atmosphere. Key elements include wall paint in Lakeside Cabin by Benjamin Moore, a Hickory Pearson dining table, Circa Lighting sconces, and custom curtains. The furniture and decorative items, such as chairs and lamps, were also sourced from the Paris flea market, with vintage wall art and a small table, and the client's own mirror and candle holders. The primary bedroom features delicate Harlequin wallpaper adorned with butterflies and birds on willow-like branches. The linen and blush tones of the wallpaper are complemented by Benjamin Moore Rose Blush trim and neutral accents. Custom elements include the headboard, pillows, and bedding. In the children's bedroom, Kedigian aimed for a whimsical yet sophisticated design, incorporating vertical blue and yellow stripes reminiscent of a circus tent. The walls are painted in Alfresco and Hawthorne Yellow by Benjamin Moore, with Kingsport Grey trim. Custom pillows and bedspreads made from Cowtan & Tout and Colefax & Fowler fabrics, along with vintage bed frames, nightstands, and a ceiling light, complete the playful yet elegant design. These thoughtful design choices and upgrades ensure the apartment is set to age gracefully, providing a beautiful and functional home for the family. #UpperEastSide #ApartmentRenovation #InteriorDesign #GarrowKedigian #GrandCentralTerminalCeiling #NewYorkCityHome #LuxuryHome #EclecticDecor #PrewarApartment

AD100 designer Hadley Wiggins recently completed a significant project: the interior design of a stately limestone town house located on Manhattan's Upper East Side. The residence, home to a family with two young children, required a design approach that respected its historical architectural features while introducing softness, warmth, and individuality suitable for contemporary family living. When the house was acquired, it retained its original architectural details such as moldings, windows, and fireplace surrounds, but had undergone a previous renovation that resulted in a very stark, optic white aesthetic. The primary objective for Wiggins was to implement more nuanced design choices to create visual contrast and interest, thereby enhancing the inherent beauty of the existing architecture rather than overshadowing it. Wiggins's design philosophy is characterized by an intriguing interplay of subtle tones interspersed with strategically placed moments of saturated color. For example, richly hued spaces, such as the dining room—which Wiggins considers one of her favorite projects—were designed to "compress" the home's expansive layout. This technique allows for the creation of cozy and intimate areas within a large home, contrasting with the more airy, light-filled spaces. A unifying element across the diverse palette of the home is Wiggins’s meticulous curation of furnishings, art, and decorative objects, a process she undertook with the assistance of art advisor Kate Bellin. Each room is a blend of pieces from various eras, styles, and origins, reflecting Wiggins's signature approach of selecting items that resonate with her and then integrating them harmoniously into the space. This method results in a collected aesthetic, giving the impression that the homeowners have accumulated these cherished pieces over a long period. Notable elements in the design include an antique tapestry in the living room, which serves as a foundational piece for the space, complemented by an oil painting and a diverse array of lighting fixtures. Wiggins's proficiency with pattern and texture, honed during her tenure at Ralph Lauren, is evident throughout the home. She emphasizes that incorporating pattern is a complex process, involving numerous fabric choices that must meet criteria for design, durability, and client approval, ultimately leading to a rewarding outcome. This detailed attention extends even to functional areas, such as the powder room, which features a custom wood vanity and matching toilet seat, clad in a moody, cocoon-like wallpaper. Wiggins believes that a powder room's purpose transcends mere function, aiming instead to evoke a sense of the incredible. Despite the exquisite detailing and bespoke elements, Wiggins maintains that the house is fundamentally a family home. She asserts that her role is not to create a museum-like environment, but a living space capable of accommodating the realities of family life. The design is intended to evolve and age gracefully, improving over time. This distinctive blend of elegance and approachability, historical respect and modern sensibility, and deliberate specificity combined with serendipitous finds, defines Wiggins's work. She actively seeks out pieces that possess beauty due to their age and wear, striving to achieve an "imperfect perfection" in every space she designs. #HadleyWiggins #AD100Designer #NewYorkTownHouse #UnderstatedElegance #InteriorDesign #UpperEastSide #HomeDecor #ArchitecturalRenovation #FamilyHome

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor