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Ali Richmond’s Crown Heights Loft Has a Higher Purpose
Ali Richmond, co-founder of the Fashion for All Foundation, has resided in his 3,000-square-foot Crown Heights loft for nearly two decades. Originally a communal living space shared with artist-roommates since 2005, the former factory building lacks an elevator and doorbell, requiring a call for entry. Richmond, who initially defined his art as reconstructed vintage clothing, eventually became the sole resident, transforming the loft into the headquarters for the Fashion for All (FFA) Foundation.
The genesis of FFA emerged in 2016 following police shootings and subsequent protests during Men’s Fashion Week. Richmond, inspired by activist Hannah Stoudemire, contacted her to propose establishing a movement for diversity, equity, and inclusion within the fashion and art industries. Stoudemire, then working for Lanvin, collaborated with Richmond to found FFA, aiming to demystify the business, provide accessibility to industry leaders, showrooms, and retail venues, and offer access to Richmond’s extensive archive of designer clothing and fashion library.
By 2018, the loft transitioned entirely to FFA operations, serving as a venue for work and events. Stoudemire initiated grassroots outreach, cold-emailing a broad range of educational institutions, from prestigious design schools like Parsons and Pratt to community colleges and high schools in East New York, to recruit students. Over time, FFA has forged significant partnerships with prominent entities such as Ralph Lauren, the CFDA, LVMH, and Limitless La Vie.
The loft now hosts several key programs, including the eight-week Ann Lowe Summer Intensive Fellowship, which expanded to include international students via Zoom during the pandemic. This fellowship educates students and enthusiasts aged 16 to 39 on the intricacies of the fashion business. Additionally, FFA runs the Bridge to Basel Competition, immersing a select group of minority students in high-end fashion marketing and networking at Art Basel Miami Beach.
The interior of the loft reflects Richmond’s eclectic taste and passion for collecting. One former bedroom now houses Richmond's extensive vintage clothing archive, featuring pieces from designers like Ralph Lauren, Yves Saint Laurent, Issey Miyake, Chanel, Willi Smith, Vivienne Westwood, Erik Honesty, and Dapper Dan, alongside global textiles. The entrance hall features a fashion library, complete with a photograph of Bethann Hardison modeling Stephen Burrows’s designs and a Life magazine cover of Veruschka.
Richmond's journey began in Tampa, moving to California at age 12, and later immersing himself in the music industry in Los Angeles, securing a production deal with Dr. Dre at Interscope Records in the 1990s. His early interest in fashion was sparked by visits to Ralph Lauren stores, appreciating the storytelling inherent in design. His music industry earnings fueled his collecting habits, which intensified after his move to New York in 2001, where he frequented vintage stores and sought to understand the dealer-collector world.
The loft also features a kitchen with an immovable antique safe, a remnant from its industrial past. What Richmond calls “the Black Room” is dedicated to Black historical portraits from the 1870s and Black history books, furnished with a 1960s Charlotte Perriand chaise for Cassina and a wood Steltman chair. The Central Room showcases a Pende Dance Costume from the 1800s, a wooden Dogon walu mask, a late-19th century Nagaland shield, a 1970s Bouloum lounge chair by Olivier Mourgue, and an octagonal glass and Plexiglas table by Alessandro Albrizzi. This room is also furnished with a Milo Baughman sofa from a thrift shop, William Katavolos chairs, a green leather bench by Harvey Probber, a sculpture by Terry Adkins, and a painting by Richmond himself. The library, located in the entrance hall, displays Richmond’s extensive book collection on fashion and art history, with shelves recycled from a store that closed during the pandemic.
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