Loft in 19th-century Soho warehouse gets extensive makeover by Julian King

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The article details the collaborative effort between Brooklyn-based architecture firm Worrell Yeung and cooperative gallery and design studio Colony to renovate a 3,000-square-foot historic loft overlooking Union Square in New York City. The project aimed to transform the triangular-shaped space into a contemporary residence suitable for homeowners, including a concert violinist, and also function as a recital venue for entertaining guests. The loft, which occupies an entire floor, was revitalized by Worrell Yeung, focusing on its fundamental geometries and classic materials. Worrell Yeung initiated the renovation by exploring strategies that emphasized the loft's distinct characteristics and preserved original elements. A key aspect of the design involved creating unique volumes to define spaces within the open layout, such as a custom metal screen and bookcase near the front door and a circular bathroom. The renovation optimized the space to offer unobstructed views from the 14 northwest-facing windows, resulting in a light-filled open loft environment. The design team aimed to enhance the existing structure rather than completely redesigning it, focusing on subtle yet impactful changes. Following Worrell Yeung's architectural design, Colony, led by founder and creative director Jean Lin, took charge of elevating the interior through carefully selected textures, patterns, and colors. Lin emphasized creating an elegant home by layering textures, colors, and comfort, ensuring these elements complemented the loft's open nature while adding personalized touches. The collaboration aimed to bridge the gap between monumental architectural design and the intimate signatures of a home. The furnishing choices reflect both functionality and aesthetic appeal. The living area, designed to accommodate musical recitals, features substantial seating arrangements. These include a moss green Bristol Sofa by Poliform, a Gentry Sofa by Moroso, and a Seal Chair by Brdr Petersen, all strategically placed around a circular Lania Rug by Woven, near a Mason & Hamlin grand piano. These pieces were selected to provide comfort for guests and complement the expansive feel of the space. A multifunctional den was incorporated into the design, offering flexibility as a home office or a more private space. This den can be closed off using sliding metal and glass doors, which discreetly recede behind the entryway bookshelf when open. The den features a black desk paired with a Wishbone Chair by Carl Hansen, blending functionality with modern design. The private areas of the loft are accessed via a hallway, where a cylindrical powder room is a notable feature. The powder room's interior is adorned with sage Mutina Biscuit ceramic tiles and a single slab of forest green Cipollino Apuano on the floor, providing a striking visual and textural contrast. The main bedroom, situated at the narrow end of the triangular layout, is furnished with a green Dubois Bed by De La Espada, flanked by smoked glass Crux Pendant Lights by Allied Maker. Tonal Precipice – Alpamayo wallpaper by Flat Vernacular adds further texture to the walls, creating a serene and sophisticated atmosphere. The primary bathroom continues the theme of refined details, featuring a curved shower wall clad in white Mutina Biscuit ceramic tiles. The second bedroom, serving as both an office and a rehearsal space, includes a striped Arc Lounge Chair by Moving Mountains and Coven Wallpaper by Maison C, contributing to its dual-purpose functionality and artistic ambiance. This project marks the second collaboration between Worrell Yeung and Colony, highlighting their evolving design vernacular and their commitment to pushing the boundaries between architecture, interior design, and furniture, while prioritizing the client's needs and creating a truly bespoke home. #LoftTransformation #NewYorkCityLoft #WorrellYeung #ColonyDesign #InteriorDesign #HistoricRenovation #ContemporaryResidence #UnionSquare #ArchitecturalRenovation

This article highlights the fashionable Soho loft of renowned jewelry designer, Aurora Lopez Mejia, which is currently on the market for $4.95 million. The property is described as an “oasis in Soho,” a fitting epithet for its unique and luxurious features. The loft boasts impressive 11-foot ceilings and custom wood beams, distinguishing it from conventional living spaces. It is configured as a one-bedroom, one-and-a-half bathroom residence, offering both comfort and style. A standout feature of the loft is its expansive open kitchen, designed to cater to modern living and entertaining. The integration of sliding glass doors provides a versatile solution for spatial organization, allowing the living room to be completely separated from the office or library area. This adaptability makes the loft suitable for a work/live arrangement, appealing to individuals who require a dedicated workspace within their home. The design elements emphasize both aesthetic appeal and practical functionality, creating a harmonious environment. Further enhancing the luxurious appeal of the loft is the en-suite master bedroom. This private sanctuary is outfitted with custom cabinetry and additional wooden beams, contributing to the overall sophisticated ambiance. The master bathroom is particularly noteworthy, featuring an expansive layout with a freestanding soaking tub and elegant Carrera marble finishes. These details underscore the high-end nature of the property and its meticulous design. Storage is another practical aspect addressed in the loft's design. The sunny residence offers ample closet space, with at least seven closets indicated on the floorplan. This generous provision ensures that residents have sufficient storage solutions, maintaining the uncluttered and spacious feel of the loft. The combination of elegant design, practical features, and a prime Soho location positions this loft as a desirable property for discerning buyers. #SohoLoft #LuxuryRealEstate #HomeDesign #NewYorkCity #InteriorDesign #WorkLiveSpace #AuroraLopezMejia #ManhattanApartment

This article details the transformation of a previously raw, 1,200-square-foot loft space in Prospect Heights into a warm and inviting home, masterminded by interior designer Casey DeBois. The tenants, Geoffrey Lewis, a product developer for a real-estate tech firm, and Tze Chun, founder of the online art gallery Uprise Art, were drawn to the space's potential, particularly its expansive brick wall and oversized skylights, despite its initially terrifying appearance with temporary walls. The building owner agreed to remove most of these partitions, leaving only one wall on the lower level to create a private bedroom area. Debois, an alumna of the Fashion Institute of Technology with experience in designing both offices and residences across New York and California, faced the challenge of organizing the large, open space to prevent it from feeling cluttered while ensuring a harmonious flow. Her solution involved defining distinct areas through the strategic placement of area rugs, furniture, and art. The upper level encompasses the living, kitchen, and dining areas, while a few steps down lead to a den/TV space, two home offices, and the bedroom at the rear. To enhance the display of art, a crucial element given Tze Chun's background, the walls were painted Benjamin Moore's Simply White. Debois noted the space's gallery-like qualities due to its high ceilings, large walls, and abundant natural light from the skylights. The couple, having moved from a smaller West Village apartment, brought only a few pieces of furniture, necessitating the acquisition of mostly new or vintage furnishings. The design incorporates casual and quirky elements to add warmth, such as mismatched dining chairs, a diverse collection of artworks, and pineapple-patterned wallpaper from Hygge & West on the stair risers. An entry foyer was established near the front door with a bench and wall hooks, with the sofa back serving to delineate the entry from the living area. A neutral fringed rug from Pottery Barn anchors the living space, allowing vibrant accents like pillows, accessories, and art, including an abstract piece by Erin Lynn Welsh, to stand out. Uprise Art managed the installation of all artwork throughout the loft, and a modernist Wassily chair was sourced from Krrb. The kitchen, originally lacking in storage and counter space, was improved with the addition of a cabinet featuring a butcher block top for prep and storage, open shelving above, and a repurposed bookcase. The dining area features mismatched chairs from various sources like Craigslist and Furnish It Green, complementing a simple wooden table. The lower-level den/TV area showcases a salon-style art wall and a Moroccan rug from nuLOOM, providing a cozy ambiance. A leather sling chair from Urban Outfitters and a wood console from West Elm complete this space. In the bedroom, sheer curtains and white bedding soften the industrial aesthetic, with custom side tables from Brooklyn-based urbangreen completing the setup. The project highlights a successful integration of art and functional design within an industrial loft setting. #InteriorDesign #LoftConversion #ProspectHeights #CaseyDeBois #UpriseArt #VintageFurniture #ArtDisplay #Renovation #BrooklynHome #SpacePlanning

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

Bella Mancini of Bella Mancini Design undertook the task of furnishing a nearly 3,500-square-foot loft in Dumbo, Brooklyn, for a family of four. The objective was to create a space that offered serenity at the day's end while also accommodating frequent entertaining. The loft, situated in a former industrial building, already possessed significant character with its natural wood columns, exposed brick walls, and floor-to-ceiling windows. High-end white oak floors and a new developer's kitchen were also existing features, meaning Mancini's focus was primarily on furniture, custom millwork, lighting, paint, wallpaper, and soft furnishings. The design process was heavily influenced by the clients' lifestyle. With two preteen daughters, a husband who works from home, and a wife with demanding hours, the need for both relaxation and functionality was paramount. The couple's enjoyment of entertaining also played a crucial role in the layout and furnishing choices. This led to the establishment of two distinct dining areas: a casual space near the large windows featuring an Eero Saarinen tulip table, wicker chairs, and a custom banquette that doubles as a desk, and a more formal dining setup elsewhere in the loft. The open kitchen and living area, centrally located, were designed for fluid movement and informal gatherings, encouraging guests to choose any available seat rather than adhering to a formal dining structure. Mancini aimed to infuse a relaxed, breezy Californian aesthetic into the New York setting. However, acknowledging the clients' British background and their Hamptons home's English country style, some glamorous and sparkly touches were incorporated to satisfy their preference for a slightly dressier city environment. The kitchen, visible upon entry, features a dropped ceiling painted in Farrow & Ball's Downpipe to conceal wiring, with Louis Poulsen glass globe pendants illuminating the island. The foyer is anchored by a vintage Scandinavian piece, setting an immediate tone for the home's curated style. Custom elements are prevalent throughout the loft, such as the banquette in the casual dining area, which is also painted in Farrow & Ball's Downpipe, a dark gray used in multiple spaces. The living area showcases a sophisticated and unconventional color palette, including a pink Chesterfield sofa complemented by vintage ochre and gray armchairs, with two coffee tables sourced from Jayson Home. The formal dining area is defined by pink grasscloth wall covering, featuring chrome Breuer chairs from Knoll upholstered in durable mohair, surrounding a wood table from the Danish Design Store. A custom-designed credenza by Mancini further enhances this space. The powder room received a facelift with Ellie Cashman floral wallpaper, an Apparatus light fixture, and a vanity painted in Farrow & Ball's Dead Salmon. The daughters' rooms also feature personalized designs, such as tie-dyed wallpaper from Donghia and canopy beds, alongside custom-built desks and bookshelves designed by Mancini. The master bedroom includes nightstands from Lawson Fenning, a whimsical side table from Artemest, and a chaise lounge from Gubi, with Italian garment-dyed linens from Society Limonata at ABC Carpet & Home. These design choices collectively create a functional, stylish, and comfortable environment tailored to the family's needs and aesthetic preferences. #BellaMancini #BellaManciniDesign #InteriorDesign #LoftDesign #OpenPlanLiving #DumboBrooklyn #CustomMillwork #ResidentialInteriors

Architect Alexander Martin undertook the renovation of a disused loft space within an Arts and Crafts-style house located in Hampstead, London. The project aimed to transform this area into a functional and inviting guest room and study for the homeowners, a couple working in photography and television, respectively. The design brief emphasized creating an extension of the main house while also providing a distinct sense of retreat, akin to a holiday escape, offering spaces for studying, living, sleeping, and general family gatherings. The loft's T-shaped layout dictated its division into three primary zones. The broadest, south-facing wing was designated as the living area, while a compact bathroom was situated on the east side. The west wing was meticulously designed to house the study. To enhance privacy and create a unique architectural feature, the study was cleverly concealed behind a movable wall system that incorporates an integrated bookshelf. This design allows the bookshelf to slide back, revealing the study and providing a secluded environment for focused work. Martin refers to this innovative element as "a new twist on the hidden library door." Throughout the loft, the interior surfaces, including walls and angled ceilings, are clad with rough-sawn wooden boards. These boards have been whitewashed, contributing to a bright and airy atmosphere that evokes the aesthetic of a beach hut or chalet, reinforcing the homeowners' desire for a holiday-like feel. Custom joinery plays a significant role in the design, with built-in shelves and cupboards in the living space. The study features a bespoke oak desk, and the drawers were custom-sized to accommodate photo archive boxes, reflecting the specific needs of the homeowners. The living room unit was also designed to house a stereo and a vinyl collection. The bathroom introduces a contemporary touch with teal-colored square tiles lining the wet areas. Despite these modern elements, Martin ensured that the design remained harmonious with the original Arts and Crafts character of the house, which is situated near the historically significant Hampstead Garden Suburb. The consistent use of dark oak for the desktop and flooring, along with carefully selected sanitaryware, furnishings, and paint colors, creates a cohesive aesthetic that complements the existing architecture rather than clashing with it. Natural light is abundant, courtesy of five strategically placed skylights, and vintage lighting fixtures further illuminate both the study and living areas. #Hampstead #LoftConversion #AlexanderMartinArchitects #SecretRooms #ArtsAndCrafts #LondonArchitecture #ResidentialDesign #InteriorRenovation #CustomJoinery

This article details the transformation of a 120-year-old industrial loft in SoHo into a contemporary, "cloud-like" home for an art historian. The project was a collaboration between Ferguson & Shamamian Architects, represented by principal Andrew Oyen, and Bunny Williams Interior Design, with partner Elizabeth Lawrence. The 2,800-square-foot unit, previously a studio for architect and sculptor Maya Lin and a manufacturing facility before that, retained few original industrial features apart from two cast-iron columns. The design team focused on restoring the remaining historical elements and adapting the space to the client's modern lifestyle, which included both academic pursuits and frequent entertaining. The renovation involved a significant restoration effort. The original wood windows and floors were preserved, and layers of acoustic tile were removed from the ceiling beams and ducts to expose the industrial character. A 1970s door was replaced with a period-appropriate vintage metal door sourced from Demolition Depot in Harlem, which Oyen highlights as a key element of the space. All exposed features, including the restored elements, received a fresh coat of white paint to create a bright and airy atmosphere. The front entrance was strategically relocated to immediately showcase the dramatic cast-iron columns, a design choice that also allowed for the creation of a sunlit open kitchen at the front of the unit. The client, Emma Lasry, now a research analyst at an art advisory firm, desired a space that felt comfortable and "cloud-like," yet incorporated vibrant fabrics, patterns, and colors, avoiding an overly antique aesthetic. Both design firms were familiar with her preferences, having previously worked on her parents' larger homes. Lawrence, the interior designer, developed a palette featuring bright pinks and blues and designed a layout that included a large kitchen island and ample space for entertaining. The design successfully integrated traditional pieces with modern elements, reflecting the client's sophisticated taste. The living room, a massive open floor plan, was configured to serve as a comfortable entertaining area. Key design choices included a Serena & Lily swing, a sofa from Mitchell Gold + Bob Williams, and various pillows from John Robshaw and Lee Jofa. An Anthropologie coffee table, Bunny Williams Home lamp and side table, and a Studio Four NYC rug completed the space. A statue of Allen Iverson was intentionally included by the client as a unique, conversation-starting element. The kitchen features custom cabinets painted in Collingwood by Benjamin Moore, distinguishing it from the white-walled apartment. It is equipped with Wesley Hall stools in Fabricut fabric, Hudson Valley Lighting pendants, and appliances from Viking and Sub-Zero. The powder room was designed for a "wow" effect, incorporating a vibrant Paper Mills wallcovering, a lotus-inspired pendant from Shades of Light, and fixtures from Circa Lighting and Waterworks. The bedroom incorporates hints of black to modernize the Tulu Textiles fabric on a Wesley Hall chair, alongside a Niermann Weeks bed, an Eloquence bench, and lighting from Horchow and Circa Lighting, with walls painted in Benjamin Moore's Dreamy Cloud. The project demonstrates the ability of the design firms to adapt their expertise, typically associated with more opulent projects, to create a uniquely vibrant and personalized urban loft. The result is an apartment that feels unexpected given its historical context, effectively blending industrial heritage with modern comfort and a playful aesthetic. #SoHoLoft #LoftRenovation #IndustrialInteriorDesign #ElizabethLawrence #AndrewOyen #BunnyWilliamsInteriorDesign #FergusonShamamianArchitects #NewYorkCityHome #EclecticInterior

Designer Laura Hodges transformed a 2,000-square-foot industrial loft in Baltimore's Fells Point neighborhood into a serene, light-filled home. The original space featured raw concrete floors and exposed HVAC piping under 18-foot ceilings, elements Hodges systematically replaced or reconfigured. Hodges, a New York School of Interior Design alumna who previously worked for Jamie Drake and Thomas Jayne, established her firm in Maryland in 2016 and later opened her home boutique, Domain by Laura Hodges Studio. The renovation began with a complete overhaul of the existing floor plan and infrastructure. The concrete floors were covered with wide-plank oak, and a clunky builder-grade stair was replaced with a minimalist white-painted metal version with oak treads and handrails. A glass-framed mezzanine was added above the stairwell, contributing to the refined aesthetic. Hodges emphasized the role of artwork in the design, with the walls serving as a neutral canvas. The open-plan living areas were painted in various finishes of Benjamin Moore’s Super White, and all custom design details were constructed on site. The living room, designed for media and entertaining, includes twin sofas, a Bernhardt armchair, and vintage chairs upholstered in chocolate brown Edelman Leather. A custom niche with grass cloth backing and integrated lighting houses a large bookcase, accessed by a custom white oak rolling ladder on a steel track. The kitchen underwent a complete renovation, replacing a turquoise-painted space. Hodges concealed an existing column within a paneled box and installed new floor-to-ceiling cabinetry, including specialized storage for a coffee bar and a movable spice rack. The kitchen now features Imperial Danby marble counters and backsplash, Fisher & Paykel appliances, and Visual Comfort pendants. BB LaMartina's artwork adorns the space. Hodges ingeniously created a secondary space by inserting a wall into the living room, forming a den that functions as a guest room for the homeowners' daughters. This space incorporates a sliding door and blackout curtains for privacy, alongside bronze transom windows that subtly reference the loft's industrial heritage. A wall-mounted desk, sleeper sofa, closet, and an additional bathroom were integrated into this versatile area. The dining area is distinguished by double-height windows equipped with motorized sheer curtains and blackout shades. Hodges custom-designed the dining table, featuring a starburst-patterned cerused white oak top and ebony legs, in collaboration with Goodwood Studios. Oly dining chairs complete the setting. Throughout the renovation, Hodges prioritized maximizing natural light and views of downtown Baltimore. The transformation successfully converted a formerly stark industrial environment into a peaceful and elegant residence, reflecting a blend of modern aesthetics with functional design and a nod to the building's history. The homeowners expressed satisfaction with the outcome, highlighting the ample light and scenic views achieved through the design. This project exemplifies Hodges's ability to create sophisticated, livable spaces from challenging industrial settings. #InteriorDesign #LoftConversion #IndustrialToResidential #BaltimoreRealEstate #LauraHodgesStudio #ModernDesign #HomeRenovation #OpenPlanLiving

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

Kimberly Awad, a tech professional in New York City, meticulously sought out a unique living space after 12 years in the city, transitioning from a modern high-rise to a Brooklyn loft with character. Her search on StreetEasy utilized keywords such as 'loft,' 'exposed beams,' 'exposed brick,' 'industrial,' and 'high ceilings,' leading her to the perfect unit which she secured on the same day as her initial viewing. This studio apartment, spanning 900 to 1,000 square feet, is situated across the East River in Brooklyn. The defining features of Kimberly's loft are its impressive 15-foot ceilings and expansive walls, which she envisions as a canvas for a growing art collection. To complement this gallery-like aesthetic, she has opted for a minimalist approach, keeping the walls white and selecting low, neutral-toned furniture. A significant design element in her home is a 12-foot Audrey Ficus tree, a striking plant that often leads guests to question its authenticity. Her furniture choices include a secondhand white linen Restoration Hardware Cloud sofa and a white linen Soft Frame Designs bed, both chosen for their quality materials and harmonious visual flow. While the loft largely met Kimberly's criteria, the kitchen initially presented a design challenge with its orange subway tiles. Rather than replacing them, she embraced the existing color scheme by painting the kitchen walls in a similar shade, Farrow & Ball's Dutch Orange, with plans to add a third coat. The kitchen features a substantial 6-foot-wide solid wood slab table from Burke Decor, which serves dual purposes as a workspace for her two to three days a week of remote work and as a gathering spot for weekend hosting. She prioritizes a well-stocked bar and an updated Spotify playlist for entertaining. Kimberly's home reflects her personality, which she describes as akin to a Libra: embodying romantic details, an aesthetically pleasing environment, and serving as a social hub for friends and laughter. She maintains a strict 'shoes off, no bad vibes, speak nicely to Audrey (the tree)' policy within her home. Despite being a single-room studio, Kimberly perceives the space as well-distributed, with the bed feeling sufficiently separate from the kitchen and entry areas. The loft also boasts ample storage, which Kimberly humorously refers to as her home's 'dirty secret.' Future plans include upgrading the bathroom. The inspiration for starting her art collection came from the previous tenant, an artist whose work was displayed throughout the loft, from whom Kimberly even purchased a piece. #BrooklynLoft #HighCeilings #IndustrialDesign #InteriorDecor #HomeStyling #ArtCollection #KitchenRenovation #SpaceUtilization #NewYorkLiving

Interior designer Robert Olson, alongside his partner Francisco Peruzzo, transformed a 120-year-old former grocery warehouse in Salt Lake City into a sophisticated Parisian-style loft. The apartment, originally divided into a two-bedroom unit, presented a significant challenge with its orange walls, rust-stained cement floors, and dark gray cabinets with tiger print granite. Despite its unappealing state, Peruzzo recognized the potential of the space, leading them to purchase it. Olson, a Francophile with over 30 years of experience living in New York, envisioned restoring the 875-square-foot unit to its original lofty grandeur. The renovation began with the removal of all interior walls to create a true loft feel. The original cement floors, which were extensively stained, were painted white to stay within budget, a decision that also enhanced the reflection of light throughout the space. This all-white aesthetic provides a neutral backdrop for Olson's extensive collection of traditional furnishings, which includes early 18th-century oil paintings, vintage gilded mirrors, and accurate reproductions of Louis XV chairs, collected from various locations including New York and Paris. The white walls prevent the traditional pieces from making the space feel dated, instead contributing to an almost glowing interior that shifts in ambiance with the changing natural light. Olson emphasizes that the furniture collection in the loft is an edited selection from a much larger previous home, comprising a mix of antique, reproduced, and flea market finds that are harmoniously integrated. The living area, for instance, features pieces alongside an abstract painting, a 40th birthday gift from a friend, which Olson finds perfectly complements the furniture. Etchings designed to appear antique through tea-stained paper are also displayed. A notable feature in the living area is a pair of solid wood columns, discovered during renovations after false walls were removed. These raw, neoclassical columns, originally from a local residence, were bought by Olson at a flea market and are cherished for their aged appearance. He values items that show signs of age and decay, believing they add character. The art collection further mixes centuries-old paintings and lithographs with contemporary posters. The building itself, constructed in 1901, served as a grocery warehouse for one of Utah's early settlers. Olson notes that the surrounding architecture in Salt Lake City evokes a sense of the West Village in New York. A recent trip to Paris significantly influenced the design, reinforcing Olson's long-standing affinity for French culture and lifestyle, particularly the appreciation for a slower pace of life, which he sought to integrate into his Salt Lake City home. The overall transformation showcases a blend of historical charm, personal collecting, and modern design principles, resulting in a unique and luminous living environment. #InteriorDesign #LoftConversion #WarehouseRenovation #ParisianStyle #HomeTour #RobertOlson #SaltLakeCity #AntiqueCollecting #AllWhiteDecor

The article details a successful loft conversion project in a narrow Victorian two-bedroom property, which was undertaken to address the growing space needs of a family with two children and a requirement for a guest room. The homeowners engaged Rees Architects, led by Daniel Rees, to expand their living area. The primary challenge was the limited ceiling height of only two meters in the original loft space, which would have been further reduced by the structural framework of the planned dormer. To overcome this, the architects ingeniously lowered the ceilings on the two floors below, creating a balanced and proportionally aligned three-story home rather than a cramped loft. The loft conversion resulted in the addition of two extra bedrooms and a bathroom, significantly increasing the property's functionality. The main bedroom, now located in the loft, features integrated window seat ideas clad in plywood. These window seats offer comfortable seating and garden views, eliminating the need for additional furniture that would otherwise consume valuable floor space. The interior design of the main bedroom is characterized by a muted color palette, fostering a calming atmosphere. Daniel Rees explained that the beams in the master and spare rooms were left exposed but painted the same color as the walls to enhance the sense of space and depth. Built-in wardrobes under the eaves maximize storage, with hidden compartments behind clothes rails. Angled brass skirting creates an optical illusion of greater height, contributing to the crisp aesthetic, while carefully positioned glazing ensures ample natural light. Innovative design solutions were also applied to the hallway doors, which were configured to maximize floor space. When open, these bespoke doors allow access to the master bedroom and ensuite. When closed, they effectively incorporate a section of the hallway into the master bedroom, while providing privacy for the bathroom. Magnets embedded in the door leaves ensure they remain fully open at a 90-degree angle, maintaining a flush finish. A large rooflight with an integrated blackout blind illuminates this flexible hallway area. The walls in certain sections feature a rubber and cork material, which not only provides a contrasting texture against the black design elements but also offers acoustic insulation properties to absorb sound. The new bathroom in the loft showcases modern design with clean, uncluttered fixtures. Wall-hung sanitaryware contributes to a sense of spaciousness. The walls are covered in Marmoleum, a natural and CO2-neutral material that provides a durable, low-maintenance, and seamless finish, avoiding the breaks typically seen with wall tiles. The windows are strategically placed to create an elongated appearance, further enhancing the perception of space. A compact walk-in shower is included, without a glass enclosure, simplifying maintenance, and the floor is also finished with Marmoleum in a pattern reflecting the nearby cork and rubber walls. Matte black shower fittings complete the contemporary look. The guest bedroom is designed as a multifunctional space with movable furniture, allowing for adaptability. Olive green walls and dark floors provide an effective contrast, with the window framing garden views. Despite the deep hues, light-colored furnishings and a bright ceiling maintain an airy feel. Before the renovation, the property had a standard, cramped Victorian layout with only two bedrooms, which was insufficient for the family's needs. The loft conversion transformed this into a more spacious and balanced family home, demonstrating how upward expansion can be a highly effective solution for creating additional living areas. #LoftConversion #HomeRenovation #ArchitecturalDesign #SpaceMaximization #VictorianProperty #InteriorDesign #FamilyHome #BathroomDesign

Keren and Thomas Richter of White Arrow, a Brooklyn design studio, undertook a seven-year renovation of their 2,000-square-foot, two-bedroom, two-bath apartment located in a landmarked 1892 Williamsburg building. This building originally functioned as a business college before being converted into artist lofts. The renovation is characterized by custom millwork, arched windows, distinctive tiled bathrooms, and the integration of salvaged Victorian doors and hardware, resulting in a meticulously detailed home. Keren Richter emphasizes that the extended renovation period allowed for a more thoughtful design evolution, ensuring a higher degree of nuance and attention to detail that might have been overlooked in a quicker process. Keren acquired the co-op unit in 2010, initially performing a basic paint job and floor refinishing. The design vision shifted significantly after she met Thomas, who has a background in visual effects. Their shared experiences in Europe led to a design language that incorporated Mediterranean influences, such as Portuguese tile work, and a blend of various styles to create a more European aesthetic, moving away from Keren’s initial rustic concept. Architect Kevin Greenberg of Space Exploration collaborated on the project from its inception, playing a crucial role in establishing the floor plan and the placement of electrical and plumbing systems. Greenberg also contributed to the design of the kitchen cabinetry, which drew inspiration from 19th-century French bakery cabinets, and the master bath and dressing room. Keren engaged in extensive international online sourcing for materials, utilizing platforms like eBay’s U.K. and Italian sites, Craigslist, Chairish, Etsy, and Live Auctioneers. A key focus of her search was acquiring historically significant doors, prioritizing those with grand proportions and original etched glass to enhance light flow into interior spaces, as well as period-appropriate Victorian hinges and knobs. The apartment's cohesive aesthetic is maintained through a consistent color palette, featuring Farrow & Ball’s Wimborne White on walls in rooms with wood floors and Webet in areas with black painted floors. Tristan Warner Studios served as the general contractor for the renovation. A focal point near the apartment’s entrance is a magnificent arched doorway, which Keren acquired early in the project. This doorway, repurposed from its original location, now leads to what serves as their young daughter's bedroom. A mid-20th-century chandelier from eBay Italy illuminates the apartment’s original, largely preserved tin ceilings. The living room features modern furnishings with a 1970s influence, including a Tobia Scarpa leather sofa, an Yves Klein coffee table, a Josef Frank rug, and chrome table lamps. White Arrow designed the custom floating credenza, and a newly created arch above the windows echoes the building’s exterior architectural elements. The apartment also incorporates salvaged items such as a fireplace mantel and extensive moldings and trim that align with the building's late 19th-century character. The master bedroom is painted in Farrow & Ball’s Hague Blue and furnished with a Shaker-style four-poster bed. A custom dressing room/closet utilizes salvaged doors, with bespoke metalwork by Mitchell Dose, who also fabricated a metal and glass partition for the master bath’s wet room, which includes a shower and a footed tub from Build It Green. The master bath vanity and gilded mirror evoke an Art Deco style. In the dining room and kitchen, North American chestnut floors are laid in a herringbone pattern. White Arrow designed the dining table, paired with Børge Mogensen chairs and a Moroccan rug. Lighting includes a chandelier by Brendan Ravenhill and Gubi pendant lights. The Richters replaced an existing structural arch between the kitchen and dining areas with a flatter one featuring millwork detail. The custom kitchen cabinetry, inspired by antique French bakers’ cabinets, incorporates wavy mouth-blown restoration glass from Bendheim. Vintage faucets from eBay England and other vintage hardware complete the kitchen. The nursery, formerly a guest room, features wainscoting and metallic wallpaper from Calico Wallpaper. The second bathroom showcases a collection of ceramic Delft and Portuguese tiles sourced online, with faucets from the British company Barber Wilsons & Co. on an antique earthenware sink. Thomas Richter provided the photography for the article. #InteriorDesign #ArchitecturalSalvage #LoftConversion #WilliamsburgRealEstate #WhiteArrowDesign #HomeRenovation #VintageFurnishings #BrooklynInteriors #HistoricBuilding

A remarkable single-family home in Bedford-Stuyvesant, Brooklyn, originally a garage, is currently listed for just over $1.9 million. This unique residence at 222 Madison Street combines industrial aesthetics with functional living spaces, spanning 3,000 square feet. The exterior maintains a modest garage appearance, cleverly concealing the expansive and stylish interior. The home's design embraces an industrial chic, characterized by cured cement floors, exposed white-washed brick walls, and soaring ceilings punctuated by skylights that flood the space with natural light. This architectural approach creates an open and airy atmosphere throughout the dwelling. The main floor features a spacious living room that provides direct views into a serene atrium, a central element designed to enhance the home's tranquil ambiance. Above this living area, a dedicated reading nook is integrated with a Dutch-designed music storage system, offering both comfort and practicality. The open-plan design seamlessly connects the living room to a large dining area, accommodating substantial furniture arrangements and fostering a sense of continuous flow. Adjacent to the dining area is a chef’s kitchen, equipped with stainless steel counters and cabinetry, a professional 36-inch range and oven, and a prominent Carrara marble island. A generous pantry offers ample storage, catering to the needs of a gourmet kitchen. This level is designed for both everyday living and entertaining, maximizing space and utility. The second level of the home houses the master bedroom suite. This private retreat is large enough to comfortably fit a king-sized bed and includes a walk-in closet for extensive storage. A private terrace extends from the master bedroom, providing an exclusive outdoor space for relaxation. The master bathroom is appointed with a separate soaking tub and a walk-in shower, complemented by two distinctively hand-painted Talavera sinks, adding a touch of artistic detail. Across from the master bedroom on the second level, a second large loft area offers significant versatility. While currently configured as a playroom, its substantial size allows for various creative uses, adaptable to the owner's needs or preferences. This flexibility underscores the home's capacity to evolve with its inhabitants. The outdoor terrace, designed to function as a garden, plays a crucial role in bringing additional light into the main living room through its large windows, reinforcing the connection between indoor and outdoor spaces. Beyond its aesthetic appeal, the home is engineered for energy efficiency, incorporating modern conveniences such as on-demand hot water, heated floors, and central air conditioning. An integrated sound system allows for individual control in each space, enhancing comfort and personalization. A private garage provides practical city living, addressing parking challenges. The property is listed by Wendy Stephenson and David Cobell for Compass, showcasing a sophisticated blend of industrial design, modern amenities, and practical living solutions within a transformed urban space. #BedStuy #GarageConversion #IndustrialGlamour #ZenAtrium #SingleFamilyHome #BrooklynRealEstate #ModernDesign #EnergyEfficientHome #LuxuryLiving

Pia Mendaro, a Spanish architect, undertook the transformation of a 100 sqm warehouse in Madrid into a flexible living and workspace for her artist friend, Clara Cebrian. Cebrian's request for a home that could adapt over time, similar to a 'Ron Weasley house,' guided Mendaro's approach. The design aimed to be minimal, allowing life to unfold within the space while incorporating specific existing elements, including a kitchen Cebrian had purchased and immovable downspouts. Mendaro emphasized understanding the space as a square, a fundamental concept informing the layout. The central element of Topo's Shed is a semi-hanging platform that serves as the artist's sleeping area. This innovative feature, developed in collaboration with architect Manuel Ocana, was conceived after considering various mobile and enclosed bed designs. The decision to elevate the sleeping space was driven by the desire to detach it from the ground. Thin steel rods and corrugated rounds secure this structure to the ceiling truss, creating an ethereal and spacious sleeping area. The platform is strategically positioned near the gabled roof's opening, allowing light to filter into the space and offering views of the warehouse's horizon. A movable ladder provides access to this elevated platform, which is designed to accommodate multiple people. Additionally, a flight of steps, doubling as seating, leads to a balcony that provides views of the surrounding neighborhood. The layout of the warehouse integrates a discreet bathroom, concealed behind a wall that also separates the kitchen and main living area from the storage facility. The kitchen floor is distinguished by wooden planks, contrasting with the larger cement flooring throughout the rest of the space, a practical choice to maintain cleanliness. The home's design incorporates a lounge area, a hammock suspended beneath the elevated bed, and a substantial open area designated as the artist's studio. The color palette primarily features greys and whites for walls, floors, and ceilings, which are accented by pastel and coral hues in the kitchen cabinetry, furniture, and artworks. Reflecting on the completed project, Mendaro noted one potential area for improvement: the lack of direct sunlight due to the north-facing windows. While this aspect is beneficial for avoiding harsh glare, she considered the future need for curtains to facilitate longer sleep, acknowledging the natural light conditions. The project, named Topo's Shed, was completed in 2020 and is located in Madrid, Spain. It spans a built area of 100 sqm, with Clara Cebrian as the promoter and Fast&Furious Office responsible for production. This design exemplifies an unconventional approach to residential and studio spaces, prioritizing flexibility, adaptability, and a distinctive elevated living experience within a repurposed industrial structure. #PiaMendaro #WarehouseConversion #MadridArchitecture #ElevatedLiving #ArtistStudio #FlexibleSpaces #ArchitecturalInnovation #AdaptiveReuse #InteriorDesign