Inside Valentino’s vast new store on New York’s Madison Avenue

Architect Andrew Magnes embarked on a transformative design journey for a 4,500-square-foot Madison Avenue duplex, which presented both a challenge and an opportunity due to its prime location offering 360-degree views of Central Park. While Magnes typically favors a clean slate approach, the immediate impression of the duplex compelled him to preserve the spectacular perimeter views, making them a central focus of the upstairs design. The downstairs, however, became an arena for comprehensive reorganization, drawing inspiration from Louis Kahn's architectural principles. Magnes conceived a central core for the lower level, housing essential services such as mechanical systems, storage, and stairs. This strategic consolidation freed up the surrounding areas for living spaces. The renovation included significant infrastructure upgrades, with new hybrid HVAC, electrical, and plumbing systems installed to modernize the apartment. Ceilings were only lowered when absolutely necessary, maintaining a sense of openness and maximizing vertical space. The kitchen and dining room were designed with an open-plan concept, yet equipped with hidden telescoping doors that offer privacy and sound absorption when desired, providing flexibility for entertaining and daily living. A notable feature in the kitchen is the three-inch-thick glass work counter, custom-cast by Shiny Sparkle Studio and illuminated by interior coves within the elliptical, plaster ceiling, adding a touch of bespoke luxury. A copper backsplash serves as a visual transition to the wet bar, which is conveniently located near a circular media room. The media room itself is a vibrant space, characterized by its blue lacquer walls and a custom Roche Bobois sofa, complemented by a Dedar Milano shade and Lorenza Bozzoli Couture accents. The duplex is connected by two distinct staircases. To the north, an anigre veneer structure provides access to the upper level. To the south, a striking corten spiral stair, designed by Juan Alfredo Design, acts as a sculptural element, linking the lower level to the upstairs primary suite. The primary suite features lavish alba Chiara marble in the shower and sink areas, while the three additional bedrooms each boast their own unique tone of three-dimensional tile in their respective bathrooms, ensuring individuality and sophisticated detailing throughout. Andrew Magnes Architects collaborated with Fawn Galli Interiors to bring the interior design vision to life. Fawn Galli shared Magnes's appreciation for the panoramic views, integrating Central Park's natural beauty into the interior's color scheme and overall ambiance. Galli's design philosophy for the space focused on creating a joyful, fresh, fun, and energetic environment. The walls, painted in warm grey, are enlivened by compounds of colors and patterns, reflecting a desire to infuse the apartment with personality and vibrancy. This collaborative effort resulted in a unique and dynamic living space that harmonizes architectural innovation with a vibrant and playful interior aesthetic, making it an entirely distinctive residence. #DuplexApartment #MadisonAvenue #InteriorDesign #LuxuryRenovation #CentralParkViews #ArchitecturalDesign #CustomInteriors #FawnGalliInteriors #AndrewMagnes

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

The article explores the growing trend of bespoke dressing rooms for men, highlighting their appeal as a timeless and functional addition to a luxury home. Jennifer Porter, a senior designer at Neville Johnson, a custom furniture maker, emphasizes that a dressing room serves as a calm, organized space to start the day, designed to be both aesthetically pleasing and highly functional. She notes that such a space is a significant investment that enhances a home's value, acting as a key selling point for future owners. Neville Johnson, with over 35 years of experience, transitioned from commercial furniture to residential design, specializing in bespoke solutions that counter mass-produced, modular storage. Porter details their approach, which involves utilizing every millimeter of space, integrating architectural features like sloping roofs and beams, and crafting furniture with high-quality materials. She proudly mentions that their 30mm shelves are engineered to prevent bowing, and their doors are thicker than standard, ensuring durability and longevity. Examples of their craftsmanship include furniture that remains immaculate even after 30 years. Porter, an interior designer, meets clients one-on-one to understand their specific needs and desires, resulting in highly personalized designs. She recounts diverse client briefs, from traditional setups for power suits with color-coordinated shirts and watch displays to more unconventional requests, such as a client with 200 pairs of trainers. For the latter, she designed a space that showcased expensive trainers with illuminated shelving while discreetly storing more worn pairs behind pull-out shoe shelves. She even created a hidden storage area with a ladder for out-of-season clothes and suitcases, demonstrating the company's ability to cater to unique requirements. The article also touches upon evolving trends in men's dressing rooms, noting a shift away from traditional, white-paneled designs towards more vibrant and masculine spaces. Clients are increasingly opting for bold colors and distinctive styles, as illustrated by a current project featuring an orange and black dressing room. Porter advises prospective clients to screenshot designs they like as a starting point for consultation. The design process involves an initial visit to measure the space, a discussion of clothing and display needs, selection of colors and finishes, and the creation of a 3D rendering to visualize the final outcome. The overarching principle for Neville Johnson is the fusion of form and beauty, ensuring the dressing room is not only aesthetically beautiful but also perfectly functional for the client's wardrobe. #LuxuryHomeDesign #BespokeFurniture #MensDressingRooms #CustomInteriors #NevilleJohnson #InteriorDesignTrends #HomeOrganization #Craftsmanship

Avenue Road, a design retailer known for introducing European talent to the North American market, has opened a new 12,000-square-foot showroom in Vancouver's Gastown District. Located within a 100-year-old industrial building, the space was designed by Toronto-based Abraham Chan to blend industrial aesthetics with contemporary furnishings, creating a series of apartment-like rooms. The showroom's design concept emphasizes a juxtaposition of raw and refined elements, reflecting Vancouver's cosmopolitan nature within a setting of natural beauty. The existing brickwork and mechanical systems were cleaned and walls painted white, providing a neutral backdrop. Rough wooden beams and columns were left exposed, contrasting with new industrial-style metalwork that references the building's history. Chan and Avenue Road collaborated on the design, with Chan noting that the space aims to evoke the balance between raw and refined. The upper floor showcases furniture from renowned designers such as Bruno Moinard, Raf Simons for Kvadrat, Christophe Delcourt, and Van Rossum, alongside Canadian designers Unit Five and Jacques Guillon, and co-founders Yabu Pushelberg. Key design updates on the top floor include the transformation of existing wooden columns into archways through the insertion of curved, black metallic structures lined with narrow lights. These archways frame decorated spaces, creating a structured yet open feel. Marbled tiles and pale wooden boards define different areas, while white walls are topped with black metal frames, reinforcing the industrial aesthetic. Long white net curtains add a touch of softness. Custom pieces further enhance the space, such as a decorative blue wall by Moss & Lam, comprising 1,200 handmade glazed ceramic pieces, and a porcelain design by Nymphenburg featuring Pacific loons in flight. Chan highlights the intentional contrast of materials, like smooth grey oak flooring paired with sand-blasted marble, and industrial steel against softly lit walls. The lower level, accessible via a staircase with a red metallic banister, is dedicated to showcasing Avenue Road's category specialists. This includes textiles from The Rug Company, outdoor furniture by Tribù, and kitchens by Obumex. It also features furniture designed by Jaime Hayón for Wittman and a collaboration between architectural lighting brand Apure and Porsche Design. This Vancouver showroom follows a similar apartment-style model to Avenue Road's expanded New York showroom and aligns with a broader trend among brands and galleries like The Future Perfect, Carl Hansen & Sons, Early Work, and Pelle, which are adopting residential-like displays to engage buyers. #AvenueRoad #VancouverShowroom #IndustrialDesign #ContemporaryFurniture #InteriorDesign #RetailDesign #AbrahamChan #DesignRetailer #GastownDistrict

The Frick Collection, housed in a 1914 limestone mansion in New York City, has undergone its most extensive upgrade in nearly 90 years, allowing visitors for the first time to explore the private second-floor suites of the Frick family. Previously, the museum primarily showcased its collection in the grand first-floor rooms, but now the more intimate, domestic-scale spaces—comprising about 10 rooms and several passageways that once served as bedrooms and sitting rooms for Henry Clay Frick, his wife Adelaide, and daughter Helen—have been converted into galleries. This transformation offers a unique perspective on the collection within a historically preserved domestic setting. Selldorf Architects completed this comprehensive renovation, which opened in April, revealing the grand architectural style and personal living spaces of the early 20th-century industrialist family. A notable artistic feature on the second floor is an enchanting ceiling mural along the corridor, contrasting with the formal interiors. This hand-painted work by John Alden Twachtman depicts cerulean skies and landscapes filled with monkeys dressed in Chinese costumes, engaging in human activities. This playful design is a nod to French Rococo traditions of singeries and chinoiseries, with a particularly charming detail being a monkey lighting candles for a floating lantern near the entrance to Adelaide’s bedroom suite. The mural's commission highlights the pioneering work of Elsie de Wolfe, considered America's first interior decorator. De Wolfe, at the beginning of her career, boldly pitched her services to Mr. Frick in 1914, emphasizing her expertise in detail and understanding of women's spaces, which she argued male decorators often overlooked. Her persistence led to her being hired, and she subsequently created the iconic Boucher Boudoir. This room, a vibrant display of 18th-century French exuberance, features eight cherub-laden panels painted by François Boucher, depicting the arts and sciences. After previously being displayed on the museum’s main floor, the Boucher Room has been meticulously restored to its original location adjacent to Mrs. Frick’s bedroom. This boudoir, serving as Mrs. Frick's private sitting room, is celebrated for its complete ensemble, including its corner location with windows offering views of Central Park and 70th Street. Another significant area now accessible is the beloved breakfast room, where the family shared their first meal of the day. This room, facing east, captures the morning light, creating a warm ambiance, and showcases the domestic routine of the Frick family, where meals were brought up from the lower-level kitchen by a waiter. To commemorate these enhancements, the museum is hosting the exhibition "Vermeer’s Love Letters" throughout the summer. This exhibition reunites the Frick’s masterpiece, Vermeer’s "Mistress and Maid," with two special loans: "The Love Letter" from Amsterdam’s Rijksmuseum and "Woman Writing a Letter" from the National Gallery of Ireland. Displayed together in a single gallery for the first time, these three works offer a fitting tribute to the newly refurbished Gilded-Age museum. #FrickCollection #NewYorkCity #MuseumRenovation #ElsieDeWolfe #InteriorDesign #GildedAge #VermeerExhibition #ArchitecturalHistory #ArtCollection

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting

Belgian architect Vincent Van Duysen designed the interior of Kvadrat At Home, Danish textile company Kvadrat's new residential showroom located in west London. The showroom, Kvadrat's first dedicated to home furnishings, presents a selection of textiles suitable for domestic applications such as rugs, curtains, and cushions. It houses collections from Kvadrat's home-focused brands, Sahco and Kinnasand, along with fabrics developed in collaboration with fashion designer Raf Simons. Van Duysen, who also serves as the creative director for Sahco, envisioned the 140-square-meter showroom as a 'library of fabrics,' a concept inspired by his personal appreciation for libraries and books as central elements in his architectural and interior design philosophy. The showroom's design incorporates floor-to-ceiling shelves constructed from larch wood, all finished in a dark grey hue. These shelves function similarly to library shelves, displaying various fabric swatches that are suspended from hangers. Cushions and decorative vases are arranged in narrower sections of the shelving system, contributing to the residential atmosphere. The space also includes two oak-wood tables, providing areas for customer consultations, complemented by sea-green stools from Molteni&C;. Oak is consistently used for the service counter and the light-toned Dinesen floorboards, ensuring material cohesion throughout the showroom. At the entrance, a dedicated display area allows Kvadrat to create changing domestic set-ups that highlight their products. For the opening, this area featured a wall hanging made of various blue-toned fabrics, a side table, and two rounded armchairs positioned on a black Kvadrat Semis rug. This approach aims to present a comprehensive living concept rather than a mere display of stacked furniture, avoiding the 'soulless' quality Van Duysen perceives in some showrooms. Van Duysen's signature 'warm-minimalist' style is evident in the showroom's interiors. This aesthetic emphasizes stripping down elements to their core, focusing on simplicity and essential forms. He believes that this approach provides a sense of calmness and serenity, countering the rapid pace of the digital world. His design philosophy is rooted in the idea that simplicity can achieve the highest degree of sophistication, a principle he has applied to previous projects such as the August hotel in Antwerp and an Aesop store in Hamburg. The Kvadrat At Home showroom thus reflects a considered design that prioritizes comfort, conviviality, and a deliberate engagement with materials. #InteriorDesign #ShowroomDesign #TextileShowroom #VincentVanDuysen #Kvadrat #LondonInteriors #MinimalistDesign #ResidentialShowroom #FabricLibrary

This article highlights the increasing popularity of virtual home tours, particularly through platforms like Openhaus, which allow users to explore and shop items from influencers' homes. The focus is on influencer Anni Vanderbeek's two-bedroom Floridian condo, showcasing her 'cozy and moody eclectic style.' Vanderbeek refers to her chosen items as “unnecessary necessities,” emphasizing how small, thoughtful details enhance a living space. Her home tour offers a direct shopping experience, enabling viewers to purchase featured items directly from Amazon. The Openhaus platform simplifies the virtual home tour experience by allowing users to navigate rooms through a 3D interface and utilize dedicated icons to browse and buy products. This innovative approach to interior design inspiration streamlines the process from discovery to purchase. The article then spotlights ten specific items from Vanderbeek's home tour that exemplify her aesthetic and are available for purchase. These items range from statement lighting to functional kitchenware and decorative accents, providing a comprehensive look into her interior choices. The curated selection includes a Dellemade Sputnik Chandelier, noted for its modern appeal and potential for dramatic customization with gold chain accents. For the kitchen, HVH 12 oz Ramekins with Lids are featured, praised for their versatility in cooking and their display-worthy design. LandHope Glass Olive Oil Dispenser Bottles are presented as a solution for maintaining neat and minimalist countertops, with a focus on their no-drip spout and dust-resistant features. Storage and organization are addressed with the Hipiwe Mirrored Glass Keepsake Box, which offers a stylish way to store jewelry and can be customized by arranging smaller boxes within a larger one. Bathroom essentials include Tommy Bahama Bath Towels, highlighted for their plush, 100 percent cotton waffle-knit material, high absorbency, fade resistance, and low-linting properties. For art display, Luxsway Wireless Picture Lights for Paintings are introduced as an effective way to elevate any room by creating a personal art gallery. The Nuloom Rigo Hand Woven Farmhouse Jute Area Rug is recommended for layering, valued for its neutral, textural quality that adds depth to a space. A Gold Circle Wall Mirror is suggested for entryways, chosen for its ideal 36-inch size that complements console tables without overwhelming wall space. Table decor is covered with Lebenze Black Candlestick Holders, appreciated for their elegant design, sturdy base, and stackable nature for easy storage. Lastly, the Breville Barista Express Espresso Machine is presented as a high-end appliance for coffee enthusiasts, promising barista-quality drinks at home. Each item description includes its price and a link for direct purchase, reinforcing the shoppable nature of the virtual tour and the article itself. The overall presentation emphasizes practical yet stylish home decor solutions that align with an eclectic aesthetic. #HomeDecor #InteriorDesign #EclecticStyle #VirtualHomeTour #InfluencerHome #ShoppableHome #AmazonFinds #HomeStyling #FloridaCondo

ODA, an architectural practice known for its comprehensive approach to developing, designing, and thinking, has completed a transformative renovation of the Chelsea Mercantile lobby in Manhattan. The project involved uniting three pre-war buildings, dating back to 1908, into a cohesive and elegant entrance space. This 19-storey Chelsea Mercantile, formerly a garment industry and textile manufacturing site on 7th Avenue, presented a unique challenge due to its patchwork architectural history and an irregularly shaped 8,000 sq ft lobby. The firm's primary objective was to seamlessly stitch together this complex space, making it highly functional while simultaneously honoring the building's industrial heritage and creating a visually compelling environment. Ryoko Okada, director of interiors at ODA and head of the project, drew inspiration from the building's past as a textile manufacturing hub. The design concept revolves around the imagery of spools of fabric and traditional tailoring methods. This influence is evident in the organically shaped walls, which are designed to resemble fabric spools, guiding visitors through a sequence of discovery within the lobby. ODA aimed to elevate the lobby beyond a mere transitional area, envisioning it as a space with its own inherent importance, capable of making a strong statement, much like the building's grand façade. The interior design achieves a heady and atmospheric ambiance through a thoughtful selection of materials and lighting. A vintage glass lamp serves as a focal point in the seating area, while the mailroom incorporates a curved wall of black metal mailboxes, adding a touch of 1950s glamour to an otherwise mundane task. The circulation within the lobby is enhanced by robust base materials, notably the honed nublado light marble with a chevron pattern from Stone Source, which covers the floor. A metallic ceiling contributes subtle reflections, adding depth to the densely designed interior. The walls play a crucial role in directing movement and defining distinct zones, with a sophisticated interplay of textures and finishes. Flat and rippled maple and walnut panels are juxtaposed with curved metal panels featuring a rose finish by Amuneal, and ribbed glass is used in the mailroom, further enriching the material palette and creating a dynamic visual experience. The renovation successfully transforms the Chelsea Mercantile lobby into an elegant and functional space that pays homage to its historical context while offering a sophisticated modern aesthetic. The design elements, from the conceptual inspiration drawn from the garment industry to the meticulous selection of materials and lighting, collectively create a grand and inviting entrance that holds its own significance within the building's overall identity. The project exemplifies ODA's ability to integrate historical narrative with contemporary design solutions, resulting in a unique and memorable architectural intervention. #ODAArcitecture #ChelseaMercantile #LobbyDesign #ManhattanArchitecture #InteriorDesign #ArchitecturalRenovation #TextileIndustryInspired #LuxuryInteriors

Rome is preparing for a significant year, marked by a Catholic jubilee, which occurs every 25 years. This event, commencing on December 24 with the opening of the holy door in St Peter’s Basilica, is expected to draw millions of pilgrims seeking plenary indulgence. Coinciding with this momentous period, a new luxury establishment, the Romeo Roma, has opened its doors on Via di Ripetta, near Piazza del Popolo, after over a decade of development. This is the second hotel from the family-owned Romeo Collection, situated within an elegant 17th-century palazzo. The Romeo Roma is among several ultra-luxury hotels that have recently launched or are under development in Rome, including the Bulgari, the W, the Edition, the Rosewood, a forthcoming Four Seasons, and a Nobu. The Six Senses, an IHG-owned wellness brand, also opened its first European hotel in Rome in early 2023. The Romeo Roma distinguishes itself with a starting rate of approximately £2,000 per night, positioning it as one of the world's most expensive hotels. This price point surpasses that of competitors like the Bulgari, a detail the hotel seems to emphasize. Key to the Romeo Roma's extraordinary appeal are its high-profile collaborators: Zaha Hadid, who designed the interiors, and Alain Ducasse, responsible for the culinary offerings. The hotel's design is characterized by avant-garde elements, featuring lacquered Macassar ebony and Carrara marble. The restoration of Palazzo Capponi, originally a government office, began in 2012 and uncovered an ancient workshop in the basement. The construction involved the careful integration of tons of wood, marble, and steel, all while preserving the historical integrity of the building, which includes a rotating head of Livia Drusilla in a glass case in the lobby. The lobby itself, formerly the palazzo's inner courtyard, now boasts a retractable glass roof, a vaulted steel lattice ceiling, a red Schulze Pollman grand piano, Rubinacci floor cushions, and an uplit waterfall that spells out “ROMEO” in rainbow-colored water. The rooms continue the space-age aesthetic, with Hadid’s signature curves evident in the ebony beds, mirrored TV stands, and sinuous white spa baths. Some rooms even feature original 17th-century frescoes discovered during renovation. The owner, Alfredo Romeo, expressed the challenge of merging historical heritage with innovative contemporary architecture and sustainability. Culinary experiences at the Romeo Roma are a major draw. Il Ristorante Alain Ducasse offers a ten-course tasting menu for £232, featuring dishes such as charred puntarelle and pink venison. Breakfast by Alain Ducasse, included in the room rate, provides an extensive spread and the Monégasque chef’s signature hot chocolate. The slightly less extravagant Il Cortile offers a Roman menu with pasta, pizza, and fish amidst Carrara marble columns and a shimmering ebony ceiling. The hotel also includes a Sisley spa with treatment rooms, a hammam, an infrared sauna, and a Sicilian salt relaxation room. The hotel caters to a distinguished clientele, as evidenced by the attendance of ambassadors from various countries at its opening. Despite its opulent nature, the hotel considers micro-level details, such as staff remembering coffee orders and personalized amenities like silk eye masks and branded toiletries. The owner, Alfredo Romeo, personally approved many details, including eclectic artworks and custom furniture. While some minor issues, like a lack of bathroom hooks or temperamental lighting, were noted, they are attributed to opening jitters. The article concludes by highlighting Rome's attractions during the jubilee year, including pedestrianized areas, renovated historical sites, and new cultural experiences, affirming the city's appeal beyond the hotel's luxury. #LuxuryHotel #RomeTourism #ZahaHadid #AlainDucasse #HotelDesign #JubileeYear #ItalianHospitality #ArchitecturalInnovation #HistoricalPreservation

Marni's architectural team has recently inaugurated a new store in Venice, situated in Piazza San Marco. This new boutique is strategically located between the colonnades of Piazza San Marco, featuring large windows beneath grating lunettes. The design of the store is a deliberate fusion of Marni's artistic vision and Venice's rich cultural heritage, ensuring a respectful integration of both elements. The interior design elements are meticulously chosen to reflect Venetian architectural codes, creating a cohesive and immersive experience for visitors. The boutique's interior boasts Venetian stucco walls, a Calacatta marble mosaic floor, and delicate ivory finishes, all contributing to an atmosphere of refined elegance. A central feature of the store is a large spiral staircase, which commands attention by wrapping itself in golden stripes, creating a voluminous silhouette that illuminates the otherwise neutral-colored room. The ceiling incorporates bronze details and tones reminiscent of the exterior, further brightening the space and connecting the interior with its surroundings. The display of Marni's collections, including both men's and women's designs by Francesco Risso, follows a minimalist approach, emphasizing precision and care. Items are presented on a glass case set on silver tiles and a shelf crafted from Venetian stucco. A dedicated footwear area is positioned in front of a window that offers a direct view of the Basilica of San Marco. This placement allows the natural light of the Venetian sunset to illuminate the area each evening, enhancing the display and creating a captivating ambiance. Every aspect of the new Marni boutique, from the materials used to the strategic placement of design elements, is designed to celebrate the intrinsic link between the brand and the cultural essence of Venice. The store aims to be more than just a retail space; it is a testament to the brand's commitment to artistic expression and its profound appreciation for the city's unique aesthetic. #MarniBoutique #Venice #PiazzaSanMarco #InteriorDesign #VenetianStucco #CalacattaMarble #FashionRetail #ArchitecturalDesign #CulturalHeritage

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

Catbird, a Brooklyn-based jewelry company, recently relocated its flagship store to a larger space in Williamsburg, aiming to infuse the new location with a distinct design aesthetic. Chief Creative Officer Leigh Plessner envisioned a space that blended elements of a haberdashery, a millinery, and curious museum displays. To bring this vision to life, Plessner collaborated with Spencer Alton and Alex Bechara of Alton Bechara design firm. Their collective effort resulted in a 1,400-square-foot store that evokes the ambiance of an old-timey bank and a vintage Italian pharmacy. A key design decision, driven by both aesthetic and practical considerations, involved the flooring. Instead of opting for luxurious materials, the designers chose classic Armstrong vinyl squares arranged in a black-and-white checkerboard pattern. This choice not only provided a durable and cost-effective solution but also paid homage to New York City's iconic black-and-white cookies. The designers initially considered wood for a similar effect but ultimately found vinyl to be the superior choice, highlighting its versatility and affordability. Further emphasizing a mindful approach to budgeting, the team prioritized sourcing vintage furniture over new pieces. Plessner, an experienced thrifter, regularly explores estate sales in Atlantic City, New Jersey, and shops in Bucks County, Pennsylvania, to uncover unique finds. Examples of these curated pieces within the store include a round metal patio table and a $30 card table adorned with a floral design. This strategy allowed them to furnish the space with character-rich items without incurring significant expenses. The store's walls feature an array of found mirrors, predominantly sourced from Etsy. This collection of mirrors serves a functional purpose, allowing customers to view themselves wearing Catbird's delicate jewelry, and adds a decorative element that reinforces the vintage aesthetic. Remarkably, nearly all the mirrors arrived intact, showcasing the success of this sourcing method. A striking visual element in the store is the vivid green jewelry display. This particular shade of green, inspired by cabbage and a dress worn by Gwyneth Paltrow in the film *Great Expectations*, is Benjamin Moore’s Baby Fern. This specific color choice also provides a visual link to Catbird’s SoHo store, creating a cohesive brand identity across its retail locations. The color scheme is further enhanced by stools reupholstered in vintage French ticking, adding another layer of historical charm. To balance the store's vintage elements, such as the original knobs inherited from the previous tenant, the designers incorporated modern updates. These included replacing a chunky banister staircase with a sleek railing and integrating new lighting and windows. This blend of old and new elements culminates in a store that is described as a 'jewel box of treasures,' reflecting a thoughtful design process that marries historical inspiration with contemporary functionality and budget-conscious choices. #CommercialDesign #RetailInterior #VintageDecor #BudgetFriendlyDesign #VinylFlooring #JewelryStoreDesign #BrooklynDesign #SustainabilityInDesign

This blog post highlights a unique studio apartment located at 400 West 12th Street in the Superior Ink condo building, West Village, New York City, currently listed for $2.3 million. The 943-square-foot residence, described as a “zen suite,” features an interior meticulously designed with a focus on luxury, custom elements, and smart home technology. The apartment's aesthetic is characterized by a blend of natural materials and contemporary finishes, creating a tranquil and sophisticated living space. The entrance to the home features a narrow hallway adorned with leather walls, artistic displays, and subtle light coves. This hallway provides access to essential amenities including a full bathroom, a walk-in closet, and a washer/dryer closet. A smaller closet ingeniously houses a Savant smart home system, allowing for integrated control of the apartment's various functions. The bathroom itself is a showcase of modern design, featuring heated travertine floors, a limed oak vanity topped with white Quartzite, a spacious walk-in shower with a teak floor, and a separate water closet, emphasizing both comfort and style. The kitchen area is equipped with white Quartzite counters, a distinctive blue-vein Cipolino marble backsplash, a Sub-zero refrigerator, and stainless-steel Viking appliances, indicating a high-end culinary setup. Adjacent to the kitchen is a bedroom alcove, which has been reconfigured into a custom dressing room surrounded by built-in closets, catering specifically to individuals with a significant wardrobe. Both the kitchen and the dressing room can be privately enclosed using hand-carved sliding doors imported from Bali, adding an exotic touch to the interior. The main living space is accessed via a hallway lined with architectural mirrors. The bed area is distinguished by a white leather headboard and a coordinating footboard that cleverly conceals a custom television lift. The room offers ample space for a separate sitting area and features Shagreen counters, grasscloth walls, and large south-facing windows that fill the space with natural light. The apartment boasts 10-foot ceilings throughout, Morado wood floors, custom light fixtures, a built-in audio system, and electronic drapes, sheers, and shades, enhancing the luxurious feel. The Superior Ink condo, built in 2010 and designed by Robert A.M. Stern, is LEED-certified, underscoring its commitment to environmental sustainability. Its prime location offers residents convenient access to Hudson River Park, the High Line, the Whitney Museum, and other cultural attractions within the West Village. The building also provides a range of amenities, including a residents’ lounge, a screening room, a fitness center with a pilates/yoga room, a playroom, and 24-hour concierge and doorman services, ensuring a comprehensive luxury living experience. #WestVillage #StudioApartment #LuxuryRealEstate #SuperiorInkCondo #InteriorDesign #SmartHome #Fashionista #NewYorkCity #RobertAMStern