Objekt Architecten inserts "surprising interior" into traditional Belgian home

The article presents a detailed tour of designer Lauren Sullivan's newly built home in Tennessee, which she intentionally designed to evoke a sense of European charm and history, despite its recent construction. Sullivan's design philosophy is deeply rooted in her childhood experiences, including antique hunting with her grandmother and an early admiration for the characterful homes depicted in European fairy tales. This personal history informed her desire to create a new build that felt timeless and lived-in, rather than freshly constructed. The project was a collaborative effort between Sullivan's interior design studio, Well x Design, and Brooks & Falotico architects. The aesthetic is described as 'Modern European,' a style that subtly blends old-world whimsy with contemporary elements without resorting to pastiche. Sullivan emphasizes the challenges and creative pressures of designing one's own home, especially when aiming for a specific, layered aesthetic. She highlights the importance of restraint in design, ensuring that every detail, from architectural features to interior decor, contributes to the overall vision without overwhelming the space. A key aspect of the home's design is the extensive use of antiques and timeworn materials. Sullivan deliberately incorporated reclaimed stone, aged metals, vintage textiles, and art with visible age and texture to imbue the new build with a sense of depth and history. This slow curation process allowed her to gather meaningful pieces over the four years of construction, preventing a rushed or 'finished' feel. This approach ultimately inspired the launch of her sourcing platform, Well Found, dedicated to antiques and vintage finds. The exterior of the home reflects storybook inspirations, featuring steeply pitched roofs, limestone walls, dormer windows, and copper gutters, contributing to a magical and old-world appearance. Inside, the design emphasizes layers of textures, materials, and contrasts. Sullivan explains that mixing different shapes, styles, and eras creates visual tension and interest, advocating for pairing sculptural modern pieces with rustic antiques or clean-lined furniture with plaster walls and timeworn floors. This blend, she believes, is where the true 'magic' of a soulful home lies. Specific areas of the home are detailed, such as the entryway, which Sullivan considers an 'accidental success' and a perfect representation of her style. It features a French tapestry, an 18th-century Italian console, vintage travertine tables, neoclassical iron benches, and vintage busts, all contributing to a fresh, modern space with clear European influences. The living room similarly showcases a layered approach, with a vintage rug, Schumacher fabric, Dudouyt chairs, and a mid-century Scandinavian light fixture, all chosen over time to create a grounded, inviting, and timeless ambiance. The open flow between the living room, dining room, and kitchen creates a connected feel without being fully open-plan. The kitchen, while practical, features Calacatta Paonazzo countertops, an integrated sink, maximized vertical storage, recessed toe kicks, and furniture-like islands with brass feet and detailed moldings. Flush mounts by Ralph Lauren are used instead of recessed lighting to maintain visual interest. Sullivan also notes the unexpected benefits of building during the pandemic, which, despite delays, allowed for a more intentional and thoughtful decision-making process. The article concludes by emphasizing the personal nature of the project, built with love, memory, and a belief in creating deeply lived-in homes through careful layering. #InteriorDesign #HomeDecor #EuropeanStyle #AntiqueCollecting #NewBuildDesign #TimelessDesign #DesignPhilosophy #HomeTour

Shreyas Patil Architects embarked on a transformative project, converting a dilapidated century-old colonial dwelling on Havelock Road, Belgaum, into their eponymous architecture studio. The building, previously abandoned after multiple remodels, captivated founder and principal architect Shreyas Patil with its inherent character despite its disrepair. Patil envisioned the property's potential to house an offbeat office, blending vintage charm with modern architectural intervention. The exterior of the studio, primarily visible from the west, is designed to interact with the natural elements. Thin corten steel mezzanines, suspended by twisted metal cables, protect a series of west-facing windows from the elements while allowing western winds to permeate. These structures also serve as a shield against the southwest monsoons, safeguarding the original teak windows. The main entrance, relocated to the north face, features a bold blue metal door with a small pivoting window. This design subtly blurs the boundary between the street and a dense garden courtyard, which houses a temple tree, bamboo, raphis palms, lilies, bougainvilleas, and monsteras, fostering a seamless transition into the workspace. Internally, Patil reconfigured the layout by removing and repositioning existing fenestrations and internal walls to create a free-flowing, boundless interior. The original west-facing entrance was re-angled to the north, integrating it with the formerly overgrown backyard, which now functions as an informal outdoor waiting and discussion area. The material palette is thoughtfully curated, with each room featuring a distinct pigmented oxide finish on the hand-polished flooring, showcasing varied shades of greys, greens, and solid blacks. These diverse floor treatments are harmonized by a continuous teak skirting that contrasts with the white walls and rafters, maintaining a cohesive aesthetic throughout. An al fresco discussion area is a prominent feature, comprising a cast-in-situ concrete bench extending along the compound wall, mirrored by a wooden bench. The flooring here combines wood and leather-finish kadappa stone, evoking a bygone era. Pergolas running north to south cast dramatic, dynamic shadows on the white stucco-finished compound wall, offering an ever-changing visual element. This outdoor space is designed for informal discussions and tea breaks, with kadappa stone fins providing privacy and regulating light and ventilation. The studio emphasizes modularity in both its spaces and furniture, allowing for flexible configurations. The rooms are designed with fluidity, capable of functioning independently or as interconnected zones. The entrance features a five-piece, cement-finish lounger, where each modular cube can serve as either a seat or a table. These plywood units are light, movable, and can be arranged in numerous permutations, forming a sculptural and monolithic appearance when linked. Adjacent to the entrance is the main working area, characterized by teak-toned workstations arranged informally to promote circulation, light, and ventilation. A dark, smoky blue wall and old teak windows contribute to an offbeat, quirky atmosphere. This area seamlessly extends into Patil's personal cabin, separated by a fixed glass partition. Patil repurposed a window niche to create library shelves, and his desk is a simple wooden cantilevered structure supported by a truss on the blue wall. The conference room serves as a dedicated space for brainstorming and client meetings. A whimsical painted glass door separates it from the pantry, doubling as a marker board. The room's centerpiece is a table with a white duco top and a stacked frame of thick circular rods, adding a structural edge. The pantry, located behind the conference room, connects back to the courtyard and also functions as a lunchroom and model-making area, highlighting the studio's multifunctional design approach. #ArchitectsStudio #BelgaumArchitecture #BungalowTransformation #HeritageRenovation #ModernOfficeDesign #ModularFurniture #SustainableDesign #InteriorDesign #ArchitecturalRenovation

Daniel Beauchemin, an interior designer who previously assisted Jamie Drake in decorating New York mayor Michael Bloomberg's apartment, and Marc de Laat, a graphic designer and photographer, decided to leave Manhattan's fast-paced life. They exchanged their Chelsea apartment and a house in Bucks County, Pennsylvania, for a small castle in the Netherlands, located near Eindhoven, de Laat’s hometown. The property, built in 1864 as a summer residence for a royal court member, was transformed by Beauchemin and de Laat into a cozy and inviting home. Beauchemin and de Laat met in Manhattan in 2005, and de Laat later moved to New York. Beauchemin, who continued to design interiors selectively after leaving Jamie Drake, focused on creating homes that reflected the owner's story rather than mere movie sets. This philosophy extended to their own residence, which features a harmonious blend of their individual collections. They discovered a shared aesthetic, including similar vintage Wedgwood Queen’s Ware, Haags Lofje silverware patterns (Dutch and British versions), and Persian rugs, indicating a deep compatibility in their tastes. Their search for a European property revealed a mutual appreciation for architectural styles, particularly pure Bauhaus or 19th-century designs. They found the Dutch castle online in the fall of 2007, and, drawn by its proximity to de Laat’s family, made an offer four months later, moving in the following spring. De Laat describes the castle as having “beautiful bones” despite its previous “Disney palace” décor, characterized by crystals, stained-glass windows, and pastel walls. The renovation took approximately 18 months, involving the recovery and painting of the facade and the replacement of much of the ground-level flooring with aged wood parquet. Beauchemin managed the interior color scheme and furniture arrangement, while de Laat meticulously curated objects and art, creating still life-like displays. Examples include a Dutch Louis XVI card table with a colorful glass bowl by a young Czech artist and Beauchemin’s collection of lemon squeezers alongside a vintage Christofle tea service. The grand rooms are made intimate by the extensive art collection, primarily housed in Beauchemin’s custom frames. The couple owns nearly 1,100 artworks, two-thirds of which are on display, ranging from an original Rembrandt print and an abstract Ralph Rucci painting to an iconic Mario Testano photograph of Princess Diana. Beauchemin now serves as the director of Larson-Juhl France, one of the world's largest custom-framing companies, spending several days a week across the border. Despite their active lives, they continue to garden and host friends at their Dutch castle, viewing their home as a reflection of their lives rather than a mere display. #DutchCastle #InteriorDesign #ArtCollection #HomeRenovation #LuxuryLiving #EuropeanHome #DesignPhilosophy #MarcDeLaat #DanielBeauchemin

The search for compelling interior design stories is an ongoing endeavor for T Magazine's staff, with the director of design and interiors, Tom Delavan, primarily responsible for finding residences to feature. However, story pitches can come from various sources, including publicists, architects, interior decorators, writers, and photographers. The most exciting discoveries often arise through more serendipitous means, such as word-of-mouth recommendations or accidental encounters, a dynamic that has become an internal office joke where editors are encouraged to inquire about interesting houses during any meeting. A particularly noteworthy discovery occurred when editor-at-large Nick Haramis was researching artist collectives. He learned about a group of recent art-school graduates who were not only conceptualizing unique, unconventional furniture and decor but were also actively producing these items themselves. This collective, known as Espace Aygo, transformed a dilapidated building in a bustling Brussels neighborhood into their shared living and working space, where they crafted nearly every element of their home, including a sink fixture made from a pétanque ball and a bathtub from urethane rubber. While the initial artist collectives story never materialized, the scouting photographs of Espace Aygo immediately revealed its potential as an unforgettable home story for the magazine. This discovery is particularly significant in an era characterized by often overly polished interior design, where a homeowner's personal style can be overshadowed or even dictated by their decorator. Espace Aygo serves as a powerful reminder that a home achieves true memorability not through adherence to conventional politeness or perfection, but by expressing a distinct point of view and showcasing the creative effort of those who inhabit and shape it. It underscores the idea that creating a unique and personal living space does not necessarily require substantial financial resources, but rather demands perspective, imagination, and a commitment to authentic self-expression in one's environment. The author expresses a personal affinity for Espace Aygo's aesthetic, indicating a willingness to reside there. Even for those who may not share this specific taste, the collective's inventiveness, resourcefulness, and imaginative spirit are undeniable. Ultimately, these qualities are presented as the fundamental components that truly define and enrich a home, highlighting the value of individuality and creativity over conventional design standards. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollective #DIYDesign #Brussels #CreativeLiving #UnconventionalHomes

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

The Herfst House Renovation project by tweestroom architecten, completed in 2024 in Belgium, focuses on a design philosophy that prioritizes preservation and minimal intervention. The architects emphasize creating order by making conscious choices from a multitude of possibilities, starting with identifying elements that can be retained before considering major changes. Significant interventions are only implemented when they offer value across multiple aspects of the project. This approach is rooted in principles of balance, simplicity, and efficiency, aiming to intervene only when necessary. This strategy has the dual benefit of reducing the use of new materials and creating financial flexibility, which in turn allows for greater architectural creativity. The project encompasses a total area of 61 square meters. The design and execution were overseen by Katrien Delespaul, with Kristin Smets and Annelies Belemans responsible for the design phase, and Frédéric Gijsen managing the execution. Structural engineering was provided by Jo Deflander. Key manufacturers involved in the renovation include Sto and Koffie en Staal. Baeten-Van Es handled the external joinery, Peter De Hertog managed the insulation, Olivander supplied the kitchen components, and Deweco was responsible for the MORTEX applications. The project is situated in Belgium and is categorized under residential architecture and renovation. The philosophy of conscious design choices is central to tweestroom architecten's work. They aim to avoid unnecessary alterations, thereby honoring the existing structure while enhancing its functionality and aesthetic appeal. This method not only contributes to sustainability by minimizing waste and new resource consumption but also ensures that budgetary resources are directed towards meaningful and impactful architectural solutions. The focus on preserving existing elements aligns with a broader trend in architecture towards adaptive reuse and environmentally responsible design practices. Ultimately, the Herfst House Renovation project exemplifies a thoughtful and restrained approach to architectural renovation. It demonstrates how a design process focused on essential interventions, material efficiency, and financial prudence can lead to a balanced outcome that respects the original structure while incorporating contemporary needs and design sensibilities. The collaboration among various specialists, from structural engineers to material suppliers, highlights the integrated effort required to realize such a project effectively and according to these guiding principles. #ResidentialArchitecture #HouseRenovation #BelgiumArchitecture #SustainableDesign #ArchitecturalPreservation #MinimalIntervention #MaterialEfficiency #ContemporaryRenovation

Interior designer Sara Hillery, after a successful career start in Houston, returned to Richmond in 2014 with her young family, seeking a home that could integrate her growing business and personal life. Her priority was a home that could serve as both an office space for Sara Hillery Interior Design and a display for her design philosophy to clients, in addition to being a functional family residence. They settled on a Dutch Colonial home, which initially featured a series of boxy rooms. Hillery envisioned its potential for transformation into a versatile space that would accommodate both work and leisure. The initial renovation focused on creating an open-concept living space. Walls on the main floor were removed to enhance the sense of size and flow between rooms. The entire house was painted white, a technique Hillery often employs to establish a unified flow and provide a neutral backdrop for the family’s diverse collection of art, mirrors, and framed pieces. This open layout also significantly improved the home’s suitability for entertaining, a key consideration for the family. The Hillerys frequently host guests, including annual crawfish boils, celebrating Julian Hillery’s New Orleans heritage. The kitchen, considered the heart of the home, received significant attention during the renovation. It was designed with an island and bar stools to encourage gathering, snacking, and conversation. A light-filled breakfast nook offers a bright space for morning meals and casual chats. The family room is another central gathering point, featuring a cooking fireplace inspired by a Williamsburg tavern. This unique element influenced the room’s simple color palette of warm browns, tans, and gold accents, complemented by two plush sofas for relaxation and socializing. Hillery’s design philosophy, “If you truly love a piece, you’ll find a place for it,” is evident throughout the home. This is particularly showcased in the dining room, where French antique mirrored windows, acquired from a Texas antiques fair, became a focal point after custom column niches were built to accommodate them. The second floor was also meticulously designed. The master bedroom was conceived as a calm, neutral sanctuary, accented with yellow and gold to add warmth and personality. For her three young children, Hillery aimed to create bedrooms that reflected their evolving personalities while maintaining the home’s classic style. The nursery features a neutral color scheme suitable for either gender, incorporating a rustic changing table, a gold mirror, and soft colors to create a chic, rather than overly childish, aesthetic. Her blue-loving son’s room boasts natural light, rich wood paneling, and a durable wood floor, with a trunk for storage and his guitar readily accessible. Her eldest daughter’s room is adorned with pink, purple, and blue, and she actively participated in its decoration. Antiques are thoughtfully integrated throughout the home, mixed with new and upcycled items. Hillery notes that antiques, with their inherent imperfections, add character and subtly expose her children to beauty and history. Practical, kid-friendly elements include durable seagrass rugs and playful framed art. The lower level of the home houses a playroom and the Sara Hillery Interior Design office, allowing Hillery to balance her demanding career with family life and to demonstrate her design concepts to clients within a real residential setting. #HomeDecor #InteriorDesign #HouseTours #FamilyHome #Renovation #OpenConcept #DutchColonial #SaraHillery

This article, a "Letter from the Editor" by Hanya Yanagihara, discusses the philosophy of interior design, particularly emphasizing the value of personal expression and individuality over highly polished, decorator-driven aesthetics. Yanagihara describes the continuous process of discovering unique residences for publication in T Magazine, highlighting that while many stories come from traditional sources like publicists and architects, the most captivating ones are often found serendipitously. She recounts a specific instance where an editor, Nick Haramis, researching artist collectives, stumbled upon Espace Aygo. This collective of young art-school graduates transformed a dilapidated Brussels townhouse into a unique living space by designing and crafting almost every element themselves, from a sink fixture made from a pétanque ball to a tub from urethane rubber. The discovery of Espace Aygo is presented as a pivotal moment for the magazine, offering a refreshing contrast to the prevailing trend of overly refined interior design. Yanagihara posits that a truly memorable home is not one that adheres strictly to conventional politeness or current trends but rather one that reflects the distinct vision and hands-on effort of its inhabitants. The Espace Aygo residence exemplifies this philosophy, showcasing that authenticity, imagination, and a personal point of view are more crucial to creating a home than significant financial investment. The article suggests that such spaces celebrate ingenuity and creativity, proving that a home's character is derived from the unique perspectives and personal touches of those who live in it, rather than from external influences or a desire for perfection. This approach challenges the commercialization of taste in design, advocating for a more genuine and lived-in aesthetic. Espace Aygo, despite its unconventional and perhaps 'rougher' aesthetic, is celebrated for its wit and imagination, qualities that Yanagihara argues are fundamental to the essence of a home. The piece implicitly critiques the homogenizing effect of professional decorators, where residents' tastes can be overshadowed by external design mandates. Instead, it champions spaces where the creative process and the individual's journey are evident, fostering a sense of authenticity and a strong identity for the home. The narrative underscores that the magazine actively seeks out and values these types of unconventional and personally crafted living environments, viewing them as more compelling and inspiring than those that strictly adhere to prevailing design norms. The article thus serves as a declaration of T Magazine's editorial stance, emphasizing the importance of unique design narratives that challenge traditional notions of interior perfection. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollectives #DIYDesign #BrusselsDesign #PersonalExpression #AuthenticHomes

Brussels studio Madam Architectuur has completed a renovation and extension project for a 1990s bungalow named Charlotte, located near Aalst, Belgium, on the outskirts of a nature reserve. The primary goal of the project was to enhance the dwelling's connection to its natural surroundings and improve its internal layout, which was previously deemed inefficient. The existing concrete structure was reconfigured, and an extension was added to achieve these objectives. A significant aspect of the renovation involved recladding the exterior with timber painted in a Falu red shade, a color originating from Sweden historically used to emulate red-brick buildings. This choice imbues the house with a distinctive appearance that is described as both striking and modest, contrasting effectively with the green landscape. Originally, the bungalow's bedrooms occupied the areas offering the best views of the landscape. Madam Architectuur strategically relocated these bedrooms into a new, simple extension that maintains the existing facade's outline. This allowed for the transformation of the prime view-facing areas into an expansive open-plan living, dining, and kitchen space. This new arrangement provides dual-aspect views, overlooking both the exterior landscape and a central internal patio, thereby fulfilling the design intent of integrating nature into the living experience. The main living spaces were designed to maximize natural light and views, creating a more engaging and open environment. The three new bedrooms were kept compact, consistent with the typical scale found in modernist bungalows. They are linked to the original part of the house by a wide corridor, which features a window at each end, allowing for light penetration and visual continuity. The interior design adopts a pared-back aesthetic, featuring white walls and pale wood fittings. These elements are deliberately contrasted with industrial touches such as blue-steel beams and exposed concrete ceilings. The decision to keep these structural elements visible was a conscious one, intended to add character to the house, especially after the removal of a suspended ceiling during demolition. Complementing the exterior's red cladding, the window and door frames throughout the interior are also painted in a bright red. This creates a cohesive color scheme that unifies the interior and exterior design and further enhances the visual connection between the home and its red timber facade. Door Smits, co-founder of Madam Architectuur, emphasized that the deep red color harmonizes beautifully with the surrounding greenery, making the house stand out while still being integrated into its environment. Madam Architectuur, founded by Door Smits and Marit Meganck, has undertaken other notable residential projects in Belgium, including an extension to a 1930s home featuring green ceramic tiles and pigmented concrete. The Charlotte renovation project exemplifies the studio's approach to updating existing structures, prioritizing improved spatial organization, enhanced connection with the environment, and a thoughtful balance between striking aesthetics and functional modesty. #ResidentialArchitecture #BungalowRenovation #TimberCladding #MadamArchitectuur #BelgianHouses #RedBuildings #ArchitecturalDesign #HomeExtension

The Holms, a couple living in Odense, Denmark, initially envisioned a simple wooden farmhouse for their new home. However, architect Jan Henrik Jansen, known for offering multiple solutions for his projects, presented them with a radically different concept: a round house. To his surprise, the Holms immediately embraced this unconventional design. Jansen, a German architect who established Jan Henrik Jansen Arkitekter in Denmark, attributes the couple's adventurous spirit partly to the Danish national character, which he describes as having a fundamental interest in design, not limited to an upper-class clientele. The unique round shape of the house was strategically chosen due to its location, flanked by other residences. By orienting the house to face a green meadow, Jansen aimed to create a sense of living in open countryside, providing privacy and a connection to nature. The architect opted for brick as the primary building material, rather than the initially requested wood, to ensure the house blended harmoniously with the existing neighborhood. He also noted that the curved structure inherently called for a solid material like brick. Despite their enthusiasm for the design, the initial cost was a concern for the Holms. Finn Holm, who owns a corporate cleaning business, took on the role of general contractor to manage the project, a decision he later described as a two-year ordeal he would not repeat. A significant part of this arduous process involved Finn hand-cutting thousands of bricks from a demolished Carlsberg brewery in Copenhagen, a task that alone took six months and required enduring various weather conditions. The house, spanning 2,400 square feet, accommodates a blended family of six children from previous marriages, with three still living at home, along with a cocker spaniel. To manage the bustling household, Jansen designed the layout as a C-shape. The master suite is situated at one end, while the children's three bedrooms and a shared bathroom are at the opposite end. The living rooms, dining area, and kitchen are centrally located. Jansen explained that the curved design creates a sense of openness without feeling excessively exposed. Materially, the house primarily utilizes wood and brick. The interior curve of the C-shape features a triple-glazed thermal glass curtain wall. Even the radiant-heated floors are made of brick, sealed for easy maintenance. Jansen highlighted that the use of these traditional materials gives the house a timeless quality, suggesting it “could have been built 100 years ago.” Janni Holm, a doctor with a keen interest in design, took charge of the interiors, furnishing the space with her collection of Danish 1950s and 1960s furniture, which seamlessly integrates with the house’s curved architecture. Finn Holm particularly appreciates the constant connection to the outdoors, facilitated by the floor-to-ceiling glass, which offers views of a circular, cobblestone-paved courtyard featuring an outdoor fireplace for entertaining. Despite their neighbors' admiration, Janni noted with a smile that most couldn't imagine living in such an unconventional home. #Architecture #ResidentialDesign #UnconventionalHome #DanishDesign #BrickArchitecture #FamilyHome #InteriorDesign #SustainableMaterials

Dax Roll and Joyce Urbanus, the founders of the Amsterdam-based interior design studio Nicemakers, have created a rural retreat named 'Forest Home' in Veluwe, a nature reserve in the Gelderland province of the Netherlands. This mid-century bungalow serves as their personal sanctuary, allowing them to disconnect and reconnect with nature. The property is described as being so remote that locating it can be a challenge, yet the effort is rewarded by its setting among fir trees and heather fields. The inspiration for the Forest Home emerged from the success of Nicemakers, which gained significant recognition after completing 'The Hoxton' project in 2014. The constant demand for their expertise led Roll and Urbanus to seek a space for relaxation and rejuvenation. They discovered a dilapidated property and, in collaboration with architect friends, transformed it within six months, opening up the structure to integrate the surrounding natural landscape into the interior views. Roll emphasizes their unique approach to hospitality design, stemming from his background in restaurant and bar work, where he learned the practical aspects of creating inviting spaces. He highlights the importance of lighting, noting that Nicemakers prioritizes illumination from the outset of a project, rather than as an afterthought. Urbanus echoes this philosophy, stating their goal is to create interiors that feel effortless and timeless. Their measure of success is when clients perceive their designs as having always been there, requiring no changes over time. This approach reflects their commitment to longevity and thoughtful design. The article also showcases three of Nicemakers' notable refurbishment projects, illustrating their versatile design capabilities across different types of establishments. De Plesman in The Hague, completed in 2025, involved transforming the 1939 Art Deco former headquarters of Dutch airline KLM into a modern meeting point. Urbanus explains that their role was to revitalize the existing narrative of the building. The Brecon, a 22-room retreat in the Swiss Alpine village of Adelboden, refurbished in 2024, features a pared-back palette, stone flooring, woolen upholstery, and leather trims. The design aims to complement the natural beauty of the Swiss Alps without detracting from the comfort of a traditional chalet. De L’Europe in Amsterdam, a seventh-century inn refreshed in 2021, involved extensive research into the building's history and the collection of unique pieces from the 1900s to achieve a curated, non-showroom feel that aligns with Dutch neoclassical style. These projects demonstrate Nicemakers' ability to blend historical context with contemporary design, creating spaces that are both functional and aesthetically enduring. #InteriorDesign #MidCenturyModern #RuralRetreat #ArchitecturalDesign #HospitalityDesign #NicemakersStudio #Veluwe #TimelessDesign #DutchDesign

This article showcases the unique interior design styles of three designers, Jenny Powell, Edward Girardi, and Biff Bartron, as demonstrated in their personal homes. Each designer offers insights into their design philosophy, material choices, and practical tips for creating functional and aesthetically pleasing living spaces. Jenny Powell, owner of Somethings Unique, resides in a spacious Landenberg home with her family. Her design approach emphasizes a blend of elegance and family-friendliness, incorporating a relaxed European style with Scandinavian influences. After moving into their home, the Powells lightened dark wood floors and painted walls in pastel yellow and beige to create a brighter atmosphere. Powell's design is characterized by mixing old and new elements, such as Swedish Rococo-style sidechairs paired with contemporary fabrics, and the use of natural light and preserved greenery. Key elements of her home include fauteuil chairs from Spain with a gray-blue glaze, silk curtains in two colors, and durable microsuede upholstery for family-friendly living. The kitchen features granite countertops and unique hammered metal hardware, while the sunroom offers a casual dining space with a pine farmhouse table. Powell's home is adorned with her father's art, and she advocates for mixing styles, choosing tactile materials, incorporating personal art, and using a soft Scandinavian color palette. Edward Girardi, a proponent of high-rise living, has transformed his 16th-floor condominium in Wilmington into a sophisticated urban sanctuary. His design focuses on maximizing space and functionality in a compact environment. Girardi converted an adjoining unit into an intimate media room, painted in a custom purple-tinged gray. He meticulously blends his own paint colors and uses a sophisticated neutral palette as a backdrop for his home. A large, self-painted contemporary artwork dominates the living room, complementing the angular, masculine aesthetic. He repurposed a cocktail table by replacing its gold top with etched glass and staining the wood mahogany. Girardi's philosophy includes investing in neutral basics and updating accessories with lively prints. He emphasizes grouping family photos for impact and keeping them current. The dining area features a glass and chrome table for spaciousness, and custom built-in cabinets hide a bar and storage. His galley kitchen is designed for efficiency, with ceiling-height cabinets, slate tiles, and cork flooring. In the bedroom, a contemporary pedestal bed is paired with Shaker nightstands, and the space is unified by painting moldings and doors the same color as the walls. Girardi's advice for small spaces includes using larger tiles, decluttering with built-in storage, grouping pictures, measuring furniture carefully, and using solid colors to enlarge a space. Biff Bartron, a partner in BW Design Group, showcases an elegant California ranch home in Wilmington that balances luxury with simplicity, reflecting his preference for peaceful, spa-like environments. Despite initially being in disrepair, Bartron envisioned an open, light-filled space. He renovated in stages, prioritizing the kitchen and bathrooms. The enlarged kitchen features two dishwashers, three microwave ovens, stainless steel sinks, granite counters, and porcelain tile floors that mimic limestone. Sleek cherry cabinets with frosted glass panels and a pass-through window enhance light. A clever design integrates a Sub-Zero refrigerator, with the back half extending into the garage. Bartron unified the public spaces by installing dark ebony-stained hardwood floors. The dining table has an acid-treated copper top, and the living room offers comfortable seating for 11 around a baby grand piano. A chocolate brown daybed and silk curtains frame a bay window, allowing the city lights to become part of the decor. His color palette and simple furniture highlight a dramatic art piece from Paris. The powder room features hand-painted bamboo shoots and polished river rocks in the sink, adding a surprise element. The master bath is a spa-like retreat with a large stone shower and bamboo accents. Guest rooms on the lower level open to a private garden, and a secondary kitchen caters to entertaining. Bartron upgraded lighting and installed a whole-house stereo system. His recent addition of an Asian-inspired front porch creates a tranquil entry. Bartron recommends an Asian-inspired palette, using frosted glass for light and privacy, pampering oneself with luxury baths and linens, keeping window treatments simple to preserve views, and choosing durable materials for pet and family-friendly living. #InteriorDesign #HomeDecor #DesignerHomes #ScandinavianDesign #UrbanLiving #ModernRanch #SpacePlanning #Renovation #HomeStyling

Architect Jan Lefevere spearheaded the transformation of a 1962 dental practice in Kortrijk, Belgium, into a bright and welcoming family home. The building had been neglected and used for storage, and new adjacent structures had significantly reduced natural light. To counteract this, a detailed scale model incorporating the surrounding buildings was created to analyze light penetration. This analysis led to the strategic design of large circular openings to maximize natural light within the property. The most significant design intervention involved casting a large circular oculus into the concrete slab above the kitchen and living area. This bold move sacrificed the room directly above to create a spacious void, allowing light to flood deep into the home. This structural and aesthetic modification presented a considerable challenge, as the concrete slab is integral to the existing building's support system. During the renovation, valuable original features were carefully preserved and reintegrated. The existing staircase, lighting fixtures, and cabinet panels were salvaged during demolition and given new roles within the revamped space. The restoration of the stairwell revealed original in-situ cast concrete, which, though not initially intended for visibility, featured an appealing imprint of the wooden formwork. This aesthetic was then replicated in new concrete elements, creating a seamless blend between old and new. Further enhancing the building's historical integrity, Lumax glass blocks, designed by Le Corbusier and Charlotte Perriand, were uncovered and meticulously restored. The rear facade underwent a complete redesign, incorporating a newly inserted concrete slab with circular openings that lead to large sliding windows. This design choice blurs the lines between indoor and outdoor spaces, not only maximizing light but also establishing a direct connection to a newly designed city garden. The garden serves as a verdant urban retreat, and an innovative rainwater collection system funnels water through a steel pipe into a concrete tank, with a planted vine intended to eventually cover the entire rear facade. Color plays a pivotal role in the home's aesthetic, with a distinctive palette of blue and old rose hues used throughout. The blue, visible in the floors, curtains, and front facade windows, pays homage to the building's original facade. The old rose appears in the curtains, structural elements, and rear facade windows. The color selection for the plywood panels was inspired by the existing staircase, contributing to a cohesive and thoughtful design that honors the building's past while creating a contemporary family residence. #AdaptiveReuse #HistoricRenovation #ArchitecturalTransformation #NaturalLight #OculusDesign #BelgianArchitecture #MidCenturyModern #SustainableDesign

This article details the extensive renovation of a modernist lake house in Miramar, Belgium, undertaken by interior architect Peter Ivens. Originally built decades ago by the grandparents of the current owners, the 5,400-square-foot residence had become a "time capsule" with dated elements like shiny black granite floor tiles and dark brown architectural mirrors. Ivens was tasked with providing a fresh take, opting to strip the house down to its core structure. Externally, Ivens replaced the original blue-aluminum windows with new ones framed in padauk, a rot-resistant tropical hardwood. These were left unfinished to weather into a driftwood grey. New blackened steel stacking glass doors were installed, allowing the house to open up to nature in fair weather. The existing rhythm of transparent glazing and solid brick walls on the exterior was maintained. Inside, the ground floor was transformed into a loft-like, flowing space through extensive demolition. Ivens removed the original plaster drop ceilings, which had been installed to reduce air-conditioning costs, revealing handsome structural concrete beams and the overhead slab. This raised the ceiling height to 10 feet. The electrical wiring for new recessed lighting was creatively run on top of the concrete and embedded invisibly within a new topping slab, addressing the challenge of concealing wires after ceiling removal. The floors were finished with smooth microcement in an earthy greenish-grey, providing continuity throughout the space. The formerly closed-off kitchen was opened up and now features a freestanding circular pedestal island, a design choice inspired by 1970s Italian aesthetics. Walls were stripped of their old plaster and resurfaced with a new "cement grey" stucco. The original wood staircase leading to the five upstairs bedrooms was replaced with a sculptural concrete structure. For the interiors, Ivens collaborated with his long-time associate, interiors stylist Bea Mombaers, who curated new furnishings and a selection of twentieth-century vintage accessories. Upstairs, the floors in the bedrooms were raised to accommodate the wiring for recessed fixtures that illuminate the ground floor. This comprehensive renovation successfully modernized the 1970s lake house, transforming its dated appearance into a contemporary, light-filled, and nature-connected home while preserving its modernist spirit. #ModernistLakeHouse #BelgianDesign #PeterIvens #ArchitecturalRenovation #InteriorArchitecture #SustainableMaterials #ConcreteDesign #MidCenturyModern #HomeRenovation

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

Interior stylist Olga Naiman approached the design of her Brooklyn new-build condo with a philosophy centered on creating distinct narratives for each room, avoiding a singular, uniform theme throughout the entire space. Her approach emphasizes wondrous and surprising juxtapositions, blending diverse shapes, textures, and colors that, while seemingly disparate, coalesce into a harmonious and unique aesthetic. Naiman's design strategy for her own home mirrors her professional work in styling and event design, where storytelling and recurring themes guide the creative process. For her living room, Naiman intentionally combined unconventional elements, such as an Artemide Tizio table lamp placed on stacked cinder blocks alongside a corduroy-upholstered Milo Baughman sofa. This eclectic mix contributes to a sense of the surreal and the sacred, forming a visual dialogue that unfolds as one navigates the apartment. The choice of a Matisse-inspired fabric for window treatments served as the initial design inspiration for the room, setting a vibrant and artistic tone. A cowhide rug was selected for its practicality and resilience, particularly its ability to withstand spills and heavy use, making it suitable for a home with children. A significant alteration made to the living room was the addition of a wall to create a second bedroom, necessitated by the birth of Naiman’s twins. To counteract the potential reduction in perceived space, this new wall was entirely mirrored, effectively creating an illusion of greater depth and expansiveness within the room. This clever design solution maintains an open feel despite the architectural modification. In the kitchen, Naiman implemented creative and cost-effective solutions to personalize the space without a full renovation. She silver leafed the existing cabinets, adding a touch of elegance and shine. Furthermore, she enlisted a scenic painter to apply a distinctive pattern to both the cabinet doors and the underside of the counters, transforming standard cabinetry into custom-designed features. White-painted pegboard was incorporated into the kitchen, serving a dual purpose: it adds another layer of pattern and texture to the aesthetic, while also providing practical storage for hanging pots and pans on the opposite wall. Naiman’s design choices reflect a keen ability to infuse personality, functionality, and artistic flair into a new-build environment, demonstrating that thoughtful interior styling can transform a standard space into a unique and inviting home. #InteriorDesign #HomeStyling #BrooklynApartment #EclecticDecor #OlgaNaiman #NewBuildDecor #CreativeSolutions #PersonalizedHome #SurrealAesthetics

This article explores the application of French provincial interior design in an Australian home, guided by interior designer Becc Burgmann. Originating in rural France during the 1600s, the French provincial style, characterized by its simplicity, elegance, and country-inspired elements, has found a natural fit within the Australian environment and lifestyle. Burgmann highlights the core features of this style, including the use of reclaimed wood, wrought iron, whitewash finishes, and natural textiles like linen and cotton, and details how these elements were incorporated into a client's home. The article delves into various rooms, beginning with a bedroom featuring high ceilings, existing cornices, and a picture rail. To enhance the space, an antique-style Ralph Lauren wallpaper was introduced, complementing the architectural details. The bedroom blends vintage furniture with subtle modern touches, such as a calico tote bag, demonstrating how a minimalist approach to modern pieces can add personality without clashing. Burgmann emphasizes using striking, yet not overly busy, modern elements, like an oatmeal fabric bedhead with white piping, to achieve a cohesive look. Two living areas are discussed: a more formal space designed for elegance and sophistication while remaining user-friendly. Key provincial details in this room include wainscoting, wallpaper, parquetry flooring, a neutral color scheme, and specific lighting fixtures like pendant and wall sconces. Burgmann explains that these architectural components are crucial for creating a "wow" factor, asserting that good interior architecture can make a room impressive even before furniture is added. The article also touches on the use of contrasting and complementary colors and patterns. Burgmann advocates for a chosen color palette or theme but encourages boldness in mixing different looks, provided they align with the overall style to maintain cohesion. The importance of wall treatments like wainscoting is highlighted, with examples of varying heights in different rooms to add interest. Flooring choices are also significant, as seen with a traditional checkerboard floor in the laundry, light French travertine in the bathroom, and darker chocolate flooring elsewhere, all harmonizing within the design. Chandeliers and pendant lights are identified as integral to the French provincial aesthetic, with a specific antique brass chandelier chosen for the dining room for its style and ability to complement other design elements. The kitchen incorporates farmhouse sinks to introduce a country vibe and balance the space, with Burgmann noting how such details can add visual interest even in smaller areas. Styling elements, such as a jug with wooden utensils and a cake stand with pears, contribute to the overall aesthetic. Counter stools with a washed timber look, grey seat pads, and metal studs add a luxurious touch and demonstrate attention to detail. Finally, a bathroom designed with a "Parisian hotel luxe vibe" features marble flooring in a herringbone pattern, floor-to-ceiling wainscoting, marble benchtops, a soft grey and white palette, and chrome wall sconces. Another bathroom utilizes Versailles tiles that mimic timber for a wet area, paired with French travertine subway tiles and white paint, creating a rustic yet elegant and feminine space. The designer's advice consistently revolves around selecting a color palette or theme and embracing different shades to build character. #FrenchProvincial #InteriorDesign #HomeDecor #BeccBurgmann #AustralianHomes #ArchitecturalElements #DecorStyling #LuxuryInteriors #RenovationIdeas

Gemma Samuels, an interior decor designer and content creator, founded Happi Habitat with the mission of creating happy homes for her clients. Her passion for interiors began at a young age, influenced by her house-proud Caribbean mother and her own enjoyment of redecorating her bedroom. Despite initially pursuing psychology with aspirations of becoming a clinical psychologist, she discovered a preference for working independently through a fashion and jewelry business she started during university. The pivotal moment arrived after she moved into a new home with her partner and two children, solidifying her interest in interiors. Samuels' entry into the interior design industry was organic and unplanned. She initially intended to document her flat's decoration on a blog, but a photographer, impressed by her home, requested her help with decorating and offered payment. This led to an exchange of services where Samuels decorated the photographer's bedroom in return for professional photos of her work. Upon sharing these on Instagram, she began receiving inquiries from potential clients. Initially, she undersold her services due to her newness in the field, often working for free or only covering expenses. This period, however, allowed her to accurately gauge project durations and determine fair pricing, leading to a standardized pricing structure over two years. The name 'Happi Habitat' reflects her personal experience of a happy home with her children and her broader goal of enhancing clients' lives and family dynamics through design. The pandemic significantly impacted her business model; while her on-site bespoke design services were temporarily halted, her e-design services, conducted virtually, saw a notable increase as people spent more time at home and focused on their living spaces. A key lesson Samuels learned as a businesswoman is to trust her instincts, both in business decisions and design recommendations. She emphasizes that as the expert, she must stand her ground, even if it means short-term disagreement, as her advice ultimately benefits the client. Addressing the lack of diversity in interior design, Samuels highlights the significant underrepresentation of Black women in the industry. Her own career path was unconventional, as she did not see Black women in interior design roles growing up, which led her to believe it wasn't a viable option. She believes increased visibility of Black interior designers is crucial to inspire more individuals from underrepresented communities to pursue careers in the field. She notes that while she initially struggled to find Black women interior designers, her networking within the industry has since revealed many talented professionals. Samuels resides in a two-bedroom flat in East London, which she is currently renovating into a three-bedroom space to accommodate her growing business and the demands of e-design work. Her interior style is a blend of Scandinavian minimalism with industrial accents. Her favorite room is her children's room due to its colorful and fun ambiance, while her least favorite was her bathroom prior to renovation. She admitted to succumbing to pressure to choose marble tiles for her renovated bathroom, a choice she now regrets but cannot change due to the investment. Samuels avoids being overly influenced by trends, preferring timeless, classic styles, though she occasionally adopts trends she genuinely likes, such as pampas grass. She expresses a strong dislike for grey crushed velvet decor, a trend she finds unappealing. Her top three home furnishing stores are MADE, for its affordable and stylish lighting; Ikea, for its affordability and wide range of home items; and Homesense, for unique pieces at great prices, despite requiring diligent searching. #InteriorDesign #GemmaSamuels #HappiHabitat #HomeDecor #BusinessJourney #DiversityInDesign #PandemicImpact #ScandinavianIndustrialStyle #HomeRenovation