A century-old bungalow in Belgaum transformed into an architect's studio

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Brussels studio Madam Architectuur has completed a renovation and extension project for a 1990s bungalow named Charlotte, located near Aalst, Belgium, on the outskirts of a nature reserve. The primary goal of the project was to enhance the dwelling's connection to its natural surroundings and improve its internal layout, which was previously deemed inefficient. The existing concrete structure was reconfigured, and an extension was added to achieve these objectives. A significant aspect of the renovation involved recladding the exterior with timber painted in a Falu red shade, a color originating from Sweden historically used to emulate red-brick buildings. This choice imbues the house with a distinctive appearance that is described as both striking and modest, contrasting effectively with the green landscape. Originally, the bungalow's bedrooms occupied the areas offering the best views of the landscape. Madam Architectuur strategically relocated these bedrooms into a new, simple extension that maintains the existing facade's outline. This allowed for the transformation of the prime view-facing areas into an expansive open-plan living, dining, and kitchen space. This new arrangement provides dual-aspect views, overlooking both the exterior landscape and a central internal patio, thereby fulfilling the design intent of integrating nature into the living experience. The main living spaces were designed to maximize natural light and views, creating a more engaging and open environment. The three new bedrooms were kept compact, consistent with the typical scale found in modernist bungalows. They are linked to the original part of the house by a wide corridor, which features a window at each end, allowing for light penetration and visual continuity. The interior design adopts a pared-back aesthetic, featuring white walls and pale wood fittings. These elements are deliberately contrasted with industrial touches such as blue-steel beams and exposed concrete ceilings. The decision to keep these structural elements visible was a conscious one, intended to add character to the house, especially after the removal of a suspended ceiling during demolition. Complementing the exterior's red cladding, the window and door frames throughout the interior are also painted in a bright red. This creates a cohesive color scheme that unifies the interior and exterior design and further enhances the visual connection between the home and its red timber facade. Door Smits, co-founder of Madam Architectuur, emphasized that the deep red color harmonizes beautifully with the surrounding greenery, making the house stand out while still being integrated into its environment. Madam Architectuur, founded by Door Smits and Marit Meganck, has undertaken other notable residential projects in Belgium, including an extension to a 1930s home featuring green ceramic tiles and pigmented concrete. The Charlotte renovation project exemplifies the studio's approach to updating existing structures, prioritizing improved spatial organization, enhanced connection with the environment, and a thoughtful balance between striking aesthetics and functional modesty. #ResidentialArchitecture #BungalowRenovation #TimberCladding #MadamArchitectuur #BelgianHouses #RedBuildings #ArchitecturalDesign #HomeExtension

Architect and designer Kartik Desai, along with his husband Zane Philstrom, transformed an abandoned mobile home property in Southold, North Fork of Long Island, New York, into a modern, cost-effective family residence with breathtaking views of the Long Island Sound. The couple purchased the dilapidated property in 2012, initially using it as a campsite while they designed their dream home, emphasizing the stunning natural surroundings as the primary inspiration. The design philosophy centered on maximizing the Long Island Sound view, ensuring every room and the swimming pool faced the water. To achieve this vision while adhering to budget constraints, Desai implemented several clever cost-cutting solutions. For instance, in the living room, instead of an expensive custom sectional, they opted for an affordable IKEA sectional and customized it with removable, washable linen covers from Bemz, providing both a polished look and practical maintenance for a beach house environment. The living room also features a massive 12-foot hearth fireplace that doubles as a bench, and a clever panel concealing the television. The dining room, kitchen, and living area were designed as a cohesive communal space. A continuous bank of sliding doors along the ground floor was a key design element to connect indoor and outdoor spaces. To avoid the high cost of a custom 50-foot sliding door system, they utilized four standard-width bay units. These were then integrated seamlessly with natural oak finishes, extending to cabinetry and using cabinet face material to fill the gaps, making it appear as a single, custom system. Desai highlights this as an example of making standard-sized elements look bespoke. In the kitchen, budget-friendly material swaps were crucial. The original plan for concrete floors, countertops, and fireplace surround was deemed too expensive. Instead, large format tiles from Porcelanosa were used for the floor, and quartz for the countertops and fireplace surround. These alternatives provided a similar aesthetic to concrete but offered benefits such as durability, stain resistance, and low maintenance. The open kitchen design allows Philstrom, an avid cook, to engage with guests in the dining and living areas or by the pool. The bedrooms and bathrooms also maintain continuity with the home's overall aesthetic and practical design. Bedrooms offer serene views of the ocean, with furniture from brands like CB2, Blu Dot, Parachute, and IKEA. The bathroom similarly boasts sweeping views of the Long Island Sound, utilizing the same practical and durable materials as the main living areas, with fixtures from Kohler, mirrors from Rejuvenation, and tiles from Porcelanosa. This strategic approach to design and material selection enabled the couple to create a sophisticated, zen-like Hamptons home without exceeding their budget, transforming an uninhabitable structure into a modern sanctuary. #HomeDesign #CostSavingTips #HamptonsHome #ModernArchitecture #DIYDesign #InteriorDesign #BudgetDecor #OceanViewHome #SustainableLiving

Architects Annie-Laurie Grabiel and Arthur Furman, founders of Austin-based firm Side Angle Side, embarked on a seven-year-long renovation of their 1939 H-shaped bungalow in Texas. Their initial attraction to the property was its footprint, specifically its double-courtyard layout that allowed natural light to permeate from multiple angles, a characteristic appealing to architects. Despite the presence of a large oak tree shading the front yard and the bungalow having only two bedrooms for their family of four, the potential for light and the inherent charm of courtyard homes drew them in. The extensive renovation was unexpectedly triggered by the failure of a quirky, portable dishwasher. This appliance, which required a sink hook-up and was notoriously noisy, became a focal point. When it finally ceased to function, the couple's decision to replace it evolved into a more ambitious project. They reasoned that if they were updating cabinets for a new dishwasher, they might as well tackle countertops and lighting. This domino effect led to considering electrical upgrades, vaulting ceilings, and eventually, a full roofing overhaul. The sheer scale of their ideas initially led to a feeling of paralysis. However, Furman initiated the renovation by dismantling cabinets, creating a situation that necessitated moving forward. They enlisted the help of Waller Building Co. and Fort Structures to execute their vision. A significant change involved a temporary relocation from the house to facilitate a 200-square-foot addition. This seemingly modest expansion enabled the creation of an extra bedroom and bathroom, significantly improving the functionality of their home for a growing family. During construction, the couple demonstrated a commitment to sustainability and historical preservation by reusing many of the original steel casement windows. One innovative design choice was incorporating the home's original facade into the new foyer, maintaining a sense of honesty and creating an intentional sequence of arrival, as described by Grabiel. The exterior, once a faded blue, received a modern update with Sherwin-Williams Peppercorn, a black-gray shade with blue undertones. Internally, the design emphasized material consistency to avoid decision fatigue, with Saltillo tile used across the entryway, kitchen, bathrooms, and exterior courtyards. Reclaimed longleaf pine boards added warmth to the living areas and bedrooms, while crisp white kitchen cabinets and countertops provided a clean backdrop that allowed vibrant greenery, art, and daily objects to stand out. The project culminated with the addition of a swimming pool constructed from chukum, a Mexican resin known for its versatility. This material allowed for a seamless application across all pool surfaces, eliminating the need for coping or waterline tile. The challenging topography of their property, with a rear half climbing over 10 feet, required significant excavation—30 dump trucks of dirt were removed—to accommodate the pool, terraces, and cement retaining walls. Despite initial fears that nothing would grow again, the excavated area transformed into a mini oasis. The architects' goal was to create an inviting outdoor space for relaxation and social interaction, allowing for conversations to be heard without the noise of the old dishwasher, fostering a beloved outdoor lifestyle common in Texas. #ArchitecturalDesign #HomeRenovation #Bungalow #CourtyardHome #AustinHomes #InteriorDesign #SustainableDesign #OutdoorLiving

Spiegel Aihara Workshop (SAW), a San Francisco-based architecture studio, has successfully converted a century-old bungalow into a contemporary urban family residence named The Fourth Wall. The project aimed not only to expand the living space but also to create a more deliberate connection between the interior and the garden. This was achieved through the construction of a new rear extension and façade, which replaced an existing, smaller exterior building. The original 1907 home in Bernal Heights featured dark, cramped, and inward-looking rooms. SAW’s intervention has transformed these spaces into bright, open interiors that are oriented towards a newly designed green garden. The new extension spans all three levels of the house, introducing a structured, contemporary, and geometric aesthetic to the rear façade. This architectural change enhances both the visual appeal and the functionality of the home. The layout of The Fourth Wall is thoughtfully planned across its three levels. The two lower floors are primarily dedicated to communal living and entertaining areas, designed to accommodate both the family and their guests. The uppermost floor is reserved for private bedrooms, with the master suite offering views of the garden below. The rear façade, when viewed from the garden, presents as a series of stacked windows, terraces, and openings, emphasizing the abundant natural light and the strong visual links that now characterize the redesigned home. An internal staircase was also integrated to seamlessly connect all interior levels, improving circulation and spatial flow. SAW’s design philosophy extended to the outdoor spaces, particularly the backyard. The exterior cladding of the house appears to invert, with the same slatted pattern wrapping around the fences, effectively framing the backyard as an outdoor room. This fence also serves a unique function as a screen for scenic projections, adding an element of entertainment to the outdoor space. The architects also undertook regrading of the backyard to improve drainage and installed raised Corten perimeter planter beds, which provide both screening and an area for an edible garden. This comprehensive approach reorients the backyard, creating a secluded space from which residents can observe the activities within the home. The Fourth Wall project exemplifies SAW’s expertise in enhancing existing urban structures through intelligent design. Partners Dan Spiegel and Megumi Aihara have demonstrated their skill in adding significant design value to the urban fabric, a capability also evident in their previous works, such as the Wraparound House. The transformation of this tired San Francisco bungalow into a spacious and architecturally significant home showcases a clever blend of innovation and respect for the original structure, resulting in a residence that is both modern and deeply integrated with its surroundings. #Architecture #ResidentialDesign #HomeTransformation #SanFrancisco #SpiegelAiharaWorkshop #TheFourthWall #UrbanRenovation #InteriorDesign #GardenIntegration

Architect Jan Lefevere spearheaded the transformation of a 1962 dental practice in Kortrijk, Belgium, into a bright and welcoming family home. The building had been neglected and used for storage, and new adjacent structures had significantly reduced natural light. To counteract this, a detailed scale model incorporating the surrounding buildings was created to analyze light penetration. This analysis led to the strategic design of large circular openings to maximize natural light within the property. The most significant design intervention involved casting a large circular oculus into the concrete slab above the kitchen and living area. This bold move sacrificed the room directly above to create a spacious void, allowing light to flood deep into the home. This structural and aesthetic modification presented a considerable challenge, as the concrete slab is integral to the existing building's support system. During the renovation, valuable original features were carefully preserved and reintegrated. The existing staircase, lighting fixtures, and cabinet panels were salvaged during demolition and given new roles within the revamped space. The restoration of the stairwell revealed original in-situ cast concrete, which, though not initially intended for visibility, featured an appealing imprint of the wooden formwork. This aesthetic was then replicated in new concrete elements, creating a seamless blend between old and new. Further enhancing the building's historical integrity, Lumax glass blocks, designed by Le Corbusier and Charlotte Perriand, were uncovered and meticulously restored. The rear facade underwent a complete redesign, incorporating a newly inserted concrete slab with circular openings that lead to large sliding windows. This design choice blurs the lines between indoor and outdoor spaces, not only maximizing light but also establishing a direct connection to a newly designed city garden. The garden serves as a verdant urban retreat, and an innovative rainwater collection system funnels water through a steel pipe into a concrete tank, with a planted vine intended to eventually cover the entire rear facade. Color plays a pivotal role in the home's aesthetic, with a distinctive palette of blue and old rose hues used throughout. The blue, visible in the floors, curtains, and front facade windows, pays homage to the building's original facade. The old rose appears in the curtains, structural elements, and rear facade windows. The color selection for the plywood panels was inspired by the existing staircase, contributing to a cohesive and thoughtful design that honors the building's past while creating a contemporary family residence. #AdaptiveReuse #HistoricRenovation #ArchitecturalTransformation #NaturalLight #OculusDesign #BelgianArchitecture #MidCenturyModern #SustainableDesign

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Keren and Thomas Richter of White Arrow, a Brooklyn design studio, undertook a seven-year renovation of their 2,000-square-foot, two-bedroom, two-bath apartment located in a landmarked 1892 Williamsburg building. This building originally functioned as a business college before being converted into artist lofts. The renovation is characterized by custom millwork, arched windows, distinctive tiled bathrooms, and the integration of salvaged Victorian doors and hardware, resulting in a meticulously detailed home. Keren Richter emphasizes that the extended renovation period allowed for a more thoughtful design evolution, ensuring a higher degree of nuance and attention to detail that might have been overlooked in a quicker process. Keren acquired the co-op unit in 2010, initially performing a basic paint job and floor refinishing. The design vision shifted significantly after she met Thomas, who has a background in visual effects. Their shared experiences in Europe led to a design language that incorporated Mediterranean influences, such as Portuguese tile work, and a blend of various styles to create a more European aesthetic, moving away from Keren’s initial rustic concept. Architect Kevin Greenberg of Space Exploration collaborated on the project from its inception, playing a crucial role in establishing the floor plan and the placement of electrical and plumbing systems. Greenberg also contributed to the design of the kitchen cabinetry, which drew inspiration from 19th-century French bakery cabinets, and the master bath and dressing room. Keren engaged in extensive international online sourcing for materials, utilizing platforms like eBay’s U.K. and Italian sites, Craigslist, Chairish, Etsy, and Live Auctioneers. A key focus of her search was acquiring historically significant doors, prioritizing those with grand proportions and original etched glass to enhance light flow into interior spaces, as well as period-appropriate Victorian hinges and knobs. The apartment's cohesive aesthetic is maintained through a consistent color palette, featuring Farrow & Ball’s Wimborne White on walls in rooms with wood floors and Webet in areas with black painted floors. Tristan Warner Studios served as the general contractor for the renovation. A focal point near the apartment’s entrance is a magnificent arched doorway, which Keren acquired early in the project. This doorway, repurposed from its original location, now leads to what serves as their young daughter's bedroom. A mid-20th-century chandelier from eBay Italy illuminates the apartment’s original, largely preserved tin ceilings. The living room features modern furnishings with a 1970s influence, including a Tobia Scarpa leather sofa, an Yves Klein coffee table, a Josef Frank rug, and chrome table lamps. White Arrow designed the custom floating credenza, and a newly created arch above the windows echoes the building’s exterior architectural elements. The apartment also incorporates salvaged items such as a fireplace mantel and extensive moldings and trim that align with the building's late 19th-century character. The master bedroom is painted in Farrow & Ball’s Hague Blue and furnished with a Shaker-style four-poster bed. A custom dressing room/closet utilizes salvaged doors, with bespoke metalwork by Mitchell Dose, who also fabricated a metal and glass partition for the master bath’s wet room, which includes a shower and a footed tub from Build It Green. The master bath vanity and gilded mirror evoke an Art Deco style. In the dining room and kitchen, North American chestnut floors are laid in a herringbone pattern. White Arrow designed the dining table, paired with Børge Mogensen chairs and a Moroccan rug. Lighting includes a chandelier by Brendan Ravenhill and Gubi pendant lights. The Richters replaced an existing structural arch between the kitchen and dining areas with a flatter one featuring millwork detail. The custom kitchen cabinetry, inspired by antique French bakers’ cabinets, incorporates wavy mouth-blown restoration glass from Bendheim. Vintage faucets from eBay England and other vintage hardware complete the kitchen. The nursery, formerly a guest room, features wainscoting and metallic wallpaper from Calico Wallpaper. The second bathroom showcases a collection of ceramic Delft and Portuguese tiles sourced online, with faucets from the British company Barber Wilsons & Co. on an antique earthenware sink. Thomas Richter provided the photography for the article. #InteriorDesign #ArchitecturalSalvage #LoftConversion #WilliamsburgRealEstate #WhiteArrowDesign #HomeRenovation #VintageFurnishings #BrooklynInteriors #HistoricBuilding

Róisín Lafferty, founder and creative director of Kingston Lafferty Design (KLD), spearheaded a nearly five-year restoration, renovation, and redecoration project to transform a landmarked Georgian-style schoolhouse in coastal Galway, Ireland, into a five-bedroom, four-bath residence. The initial structure, while charming and historic, presented several challenges, including outdated electrical systems, a lack of central air, and inadequate bathing facilities for a family of seven. Furthermore, a series of mismatched rear extensions and small service buildings obstructed garden views and natural light penetration into the interior. KLD collaborated with Helena McElmeel Architects, a local firm that assisted in navigating the municipality’s strict conservation board regulations and managed the structural modifications. Significant changes were concentrated at the rear of the property, where a new, window-wrapped, skylight-capped modern addition now houses an orangerie-style dining room, replacing a damp lean-to. This space is seamlessly connected to the updated kitchen. An existing conservatory was also enhanced with new glazing to create a breakfast room, accessed through portals in the kitchen's thick stone walls, which are clad with green marble tile to emphasize the transition between the old and new structures. The interior design philosophy prioritized repurposing and integrating existing elements with new, vintage, and custom pieces. For instance, an old kitchen table was reconfigured with a stone slab to serve as the cooking island, and pendant fixtures from the house's corridors were repurposed for lighting. Antique cabinets left by previous owners were skillfully integrated into new millwork, such as the main bathroom's armoire, which was transformed into a vanity with a marble countertop and antiqued brass legs. Mismatched Michael Thonet chairs, inherited from family, were grouped around a custom dark-stained oak dining table, contributing to a curated aesthetic. A particularly distinctive feature is the conversation pit in the rear lounge, recessed into the concrete floor to maintain garden sightlines. This element, along with a moss-green velvet Mah Jong sofa, evokes a 1970s sensibility. The original pass-through hatch between the kitchen and the reading room was reframed with bronze-tinted mirrored panels, adding a unique, moody atmosphere to the latter space. Although a beautifully hued stair runner was too worn to salvage, its color palette of sky blue, burgundy, terra-cotta, and mustard was incorporated throughout the home. Upstairs, the sleeping quarters blend traditional and modern design with whimsical touches. The main suite, occupying most of the second story, features a bedroom, a walk-in dressing room, and a bathroom with a fireplace and soaking tub. Period-appropriate paneling and a curvilinear velvet headboard were introduced to make the large main bedroom feel more intimate. The children's zone on the third floor was designed to maximize space; for example, a hanging rattan chair on the adjacent stair landing serves as a lounge area for the youngest daughter. The two boys' shared room benefits from high ceilings, allowing for tall loft beds that create ample floor space for hangout and work areas. This comprehensive renovation and redecoration effort successfully transformed a historic schoolhouse into a functional, aesthetically rich, and personalized family home. #KingstonLaffertyDesign #HistoricRenovation #SchoolhouseConversion #GalwayIreland #ResidentialDesign #InteriorTransformation #SustainableDesign #RepurposedFurniture #GeorgianArchitecture

Child Studio, a London-based firm, drew inspiration from modernist European villas to redesign a three-storey townhouse in Belgravia, London. The project, undertaken for an art collector, focused on creating a sophisticated yet understated living space tailored to the homeowners' specific needs and preferences, eschewing transient design trends. The renovation primarily involved the top two floors of the 280-square-metre Georgian building, where a light-filled double-height space was created and clad in a plaster finish. A key architectural intervention was the addition of a mezzanine floor, which seamlessly connects the living room to an outdoor roof terrace via a cast-iron spiral staircase. In the living area, five-meter-tall mahogany wooden shelves were installed, covering an entire wall. These shelves, designed to house the owner's extensive book collection, were inspired by the library in the Paris studio of the late fashion designer Karl Lagerfeld. The dark wood of the shelves provides an elegant contrast to the pale plaster walls, contributing to the home's refined aesthetic. Wood is a dominant material throughout the interior, emphasizing a natural and tactile feel. The bedroom features an undulating wooden headboard, creating a sculptural focal point. According to Child Studio founders Che Huang and Alexy Kos, the design revolved around a carefully selected palette of natural materials including hand-crafted wood, solid stone, and tactile fabrics, reflecting a pared-back approach intended to highlight the owners' lives rather than overpowering them with design elements. The studio incorporated both classic and custom-designed furniture pieces. The dining room is furnished with Chandigarh chairs, a mid-century classic. The guest bedroom also features a Chandigarh chair, paired with a desk and chair by architect Pierre Jeanneret and a desk lamp by modernist architect Marcel Breuer. Child Studio also designed several bespoke furniture pieces for the project, including a custom daybed and mahogany stool in the main bedroom, influenced by Art Deco designer Jules Leleu, and a low teak table in the living room, inspired by 20th-century Swedish designer Axel Einar Hjort. This collaborative process involved artisans with whom the studio had established long-standing relationships. Beyond wood, stone plays a significant role, particularly in the bathroom. Drawing inspiration from Porto's Villa Serralves, the bathroom features an interior almost entirely sculpted from green Verde Guatemala marble. The built-in elements, including a marble sink and bathtub, were carved from solid stone blocks by a specialized marble workshop in northern Italy. The soft curves of these fixtures blend seamlessly into the walls and floor, creating a luxurious and cohesive space. The townhouse's lounge also references modernist villas, specifically Villa Necchi in Milan, with its mahogany-panelled walls and an antique Iroko-wood coffee table. The designers expressed their admiration for the craftsmanship and attention to detail found in early modernist European villas, applying this ethos to the Belgravia project by working closely with artisans in England and Italy. To ensure a coherent aesthetic, Child Studio also reinstated original Georgian architectural features, such as panelled wooden shutters, herringbone parquet flooring, and semicircular plaster ceiling cornices. The ultimate goal was to create a comfortable, effortless, and evolving home that serves as a subtle yet elegant backdrop for its occupants' lives. #BelgraviaTownhouse #ChildStudio #ModernistVillas #InteriorDesign #LondonArchitecture #ResidentialRenovation #CustomFurniture #NaturalMaterials #ArtCollectorHome

This article details the transformation of a neglected Federal-style schoolhouse in the Catskills into a glamorous and chic home, dubbed "Monkey Cottage," by lifestyle editor Jason Oliver Nixon and decorator John Loecke. The duo discovered the 900-square-foot former schoolhouse, built around 1840, listed for $30,000. Despite its dilapidated state—featuring no closets, low second-floor ceilings, and multiple layers of wallpaper and paint—they saw its potential. After purchasing the property, a pipe burst and the ceiling caved in a week later, leading to a complete gut renovation. Much of the work was undertaken by John and Jason themselves, with assistance from Jason's uncle Lary and father, Jary. A year of renovation resulted in a vibrant weekend retreat characterized by bold colors, playful prints, and a spirit of fun. The homeowners emphasize their commitment to preserving the original architectural style while imbuing the home with their personal touch. The kitchen, which also serves as the dining area due to the absence of a formal dining room, features striking black cabinetry, white marble counters, and a unique display of vintage state plates instead of upper cabinets. A circular window was added, mirroring an existing one on the home's facade. To address the lack of closets, built-in drawers and storage cubbies were incorporated throughout the house. A distinctive railing inspired by a Chinese garden bridge was installed, adding an exotic touch. The bathroom features faux paneling crafted from 4x4s, contributing to the cottage's unique aesthetic. The homeowners' passion for collecting is evident in the flea-market equestrian prints displayed against a chocolate-brown wall and a collection of colored tableware, which John strategically uses to make small spaces appear larger by employing a few substantial furniture pieces. The vibrant master bedroom is a testament to their love for color, with sunny-yellow paint and a lively green-and-white print that energizes the small space. To maximize functionality in the bedroom, a carpenter was hired to convert a three-foot-high gap created by the low-pitched roof into bookshelves on one side and cabinets and storage drawers on the other. John provides design advice on combining patterns, suggesting that a common color scheme prevents clashes and recommending the use of no more than two large-scale prints, with other patterns kept geometric. Collections, such as glassware and antique garden statuary, are meticulously arranged by color, type, and theme on walls and open shelving. The eclectic living room combines furniture of various sizes and heights to maintain visual interest. The design draws inspiration from classic English country interiors but is reinterpreted with unconventional elements like silver scallop sconces, giraffe print pillows, and a tropical-inspired chandelier. Ribbons are utilized throughout the house to embellish curtains, lampshades, and pillows, offering an inexpensive and versatile decorating solution. John's book, "John Loecke's Grosgrain Style," provides creative ribbon-based DIY projects, including a layered ribbon square that can be created with a hot-glue gun. The article highlights the transformation from a neglected building to a personalized and stylish home, emphasizing creative problem-solving and the thoughtful integration of personal style and collections. #SchoolhouseRenovation #CatskillsHome #HomeTransformation #InteriorDesign #EclecticDecor #DIYRenovation #SmallSpaceLiving #VintageFinds #ColorSchemes

In Barcelona, a meticulously renovated loft, formerly a 1961 factory, is on the market for €1.45 million. Located on Passatge de Còrsega, a quiet residential street close to Antoni Gaudí’s Sagrada Família, this 3,153-square-foot property offers a unique blend of industrial heritage and modern living. The conversion project, completed in two stages in 2018 and 2019 by architect Pedro Ayesta of Ayesta-Daban Arquitectura, sought to preserve the building’s original industrial character while integrating contemporary design elements. The loft features four bedrooms, with one currently serving as an office, and three full bathrooms. Its layout includes a spacious primary living area encompassing an open kitchen, two lounge spaces, and a designated area for a pool table. Natural light floods the main living space, largely due to a skylight integrated into the barrel-vaulted ceiling. Sustainable features are also incorporated, with photovoltaic solar panels installed on the rooftop to supply a portion of the building’s electricity. The original factory ceased operations in the early 2000s and remained vacant for over a decade before its current owners acquired it. They were captivated by the factory's expansive, naturally lit interiors and aimed to retain its industrial essence. The renovation emphasizes the factory’s existing materials, celebrating their imperfections. This approach is evident in the exposed brick walls, hardwood floors, industrial factory windows, steel ceiling beams and stairs, and barrel-vaulted concrete ceilings that are prominent throughout the home. Several original elements were retained and repurposed. An old water tank, for instance, was preserved and given a new navy-blue paint finish, transforming it into a sculptural piece in the main living area. Other preserved elements include an original steel stairway and tall wooden drawers. The two-car garage is connected to the main living space via reclaimed stained-glass sliding doors, and it also offers potential for an additional live/work studio. The principal bedroom is located in a penthouse-like area, featuring a wall of factory windows that overlook a large roof terrace. This terrace, with its glazed openings, allows natural light to penetrate the living area below. One of the bathrooms maintains its original floor-to-ceiling white tiles, further highlighting the blend of old and new. A glass-walled shower and bath have been integrated into a corner of the principal bedroom, adding a contemporary touch to the industrial backdrop. The bedrooms also showcase barrel-vaulted concrete ceilings interspersed with steel beams, maintaining consistency with the overall design. The property's listing with Barcelona & Costa Brava Sotheby’s International Realty highlights its inspiring loft-style design, parking, and terrace in the Sagrada Família area. #BarcelonaRealEstate #LoftConversion #IndustrialDesign #SagradaFamilia #ArchitecturalRenovation #SustainableLiving #ModernHome #FactoryToHome #HistoricPreservation

The article explores Art Nouveau design, a movement originating in Belgium in the late 19th century, characterized by undulating curves, asymmetrical lines, and earthy colors and motifs. It differentiates Art Nouveau from the later Art Deco movement and highlights the influence of Czech painter Alphonse Mucha, whose iconic posters, featuring botanical elements and curved archways, became synonymous with the style in France. The piece then guides readers through preserved historical Art Nouveau buildings in Brussels, beginning with Maison Hannon. This corner townhouse, built in 1902 and recently restored, showcases a blend of botany and antiquity through intricate mosaic floors, stained-glass windows that cast golden light, a theatrical spiral staircase with wrought-iron railings, and frescos reminiscent of Mucha's art. The design emphasizes natural light permeating every corner, creating an ethereal escape. Further exploring Brussels, the article details the Horta Museum, a UNESCO World Heritage site dedicated to architect Victor Horta, considered a father of Art Nouveau. Horta's former home is furnished with custom-designed items like flower-shaped lamps and curved wooden chairs, reflecting his integrated design approach. Other Art Nouveau sites by Horta, such as Hotel Solvay, are mentioned as grand mansions where the style meets maximalism. Outside Brussels, the Zurenborg neighborhood in Antwerp is presented as a charming example of diverse Art Nouveau exteriors, demonstrating that the style is not limited to verdant hues. Transitioning to Singapore, the article notes the scarcity of Art Nouveau architecture compared to Art Deco but highlights Dragonfly Singapore, a new Art Nouveau-inspired cocktail bar conceptualized by Australian designer Ashley Sutton. For Singaporean homeowners interested in incorporating Art Nouveau, the article offers practical suggestions. Despite the limitations of apartment living, laser-cut wood paneling can replicate intricate detailing. Stained-glass film from online platforms like Etsy provides an option to diffuse sunlight or decorate glass doors with Art Nouveau motifs. Decorative wrought-iron grilles with botanical flair from suppliers like M Aluminium & Glass can enhance metal gates. Additionally, lighting shops such as Horizon Lights offer floral-inspired chandeliers and lights that embody the Art Nouveau aesthetic. The article concludes by emphasizing the enduring appeal of Art Nouveau, which, even today, offers a visually pleasing outlet for whimsy and elegance, connecting people to the fluidity and harmony of the natural world amid increasing urbanization. #ArtNouveau #ArchitecturalDesign #InteriorDesign #BrusselsArchitecture #SingaporeDesign #HomeRenovation #HistoricalBuildings #DesignInspiration

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

March & White, an award-winning architecture and design studio, has completed the conversion of a three-story traditional mews building in North Belgravia, London, for the property developer Grosvenor. The project involved transforming an office space into a luxury residence, requiring a unified approach to both design and functionality. March & White managed all aspects of the conversion, encompassing architecture, interior design, and furnishings, resulting in a contemporary and luxurious property that aligns with the Grosvenor brand's image. A key element of the renovation was the creation of a centralized point of reference within the house. This was achieved by replacing the property’s original two sets of stairs with a single, bespoke staircase. This new staircase features wooden steps, a glazed balustrade, and a perimeter handrail with integrated lighting, creating a luminous path from the ground floor to the second floor and the newly added roof extension. The conversion work began in September 2012 with the demolition of the existing mansard roof, which paved the way for a contemporary roof extension. This extension now covers the entire footprint of the building and incorporates an outdoor terrace. The terrace is equipped with a vertical 'green' wall designed to support various plantings, enhancing the aesthetic and environmental aspects of the space. Access to the terrace from the second-floor living area is provided by a glazed frontage that includes a sliding glass door. This design choice not only allows for seamless indoor-outdoor living but also floods the living area with natural light. The open-plan living area within the residence combines a media den and a wet bar lounge. The media den features bespoke joinery with specialist artisan metal lacquer and leather detailing. It also integrates a fireplace and an AV installation into the far wall, creating a fully customized entertainment system. Ceiling coffer lighting complements the media den’s white bespoke joinery and establishes a visual connection to the wet bar, situated directly opposite. The concealed wet bar incorporates a hand-finished antiqued mirror, which reflects the second-floor living space, and artisan metal lacquer detailing that becomes visible when the bar is opened. In addition to these structural and joinery elements, March & White collaborated closely with suppliers to source rich materials for luxury interior accents throughout the home. This meticulous selection of materials contributed to the establishment of a well-balanced and contemporary environment. Italian lava stone from Mount Vesuvius, with an artisan-glazed finish, has been extensively used in the kitchen, ensuite bathrooms, and WC across all floors. The master suite on the first floor is distinguished by a built-in leather-clad vanity unit with a mirror, a feature headboard wall, and cove lighting. On the ground floor, the dining room showcases bespoke joinery on either side of a specialist hand-finished antiqued mirror. This mirror frames a fireplace nestled within its center. The dining room seamlessly connects to the kitchen, with the option for separation using top-hung sliding screens that can lock into place. This project, named Headfort, provided March & White with an opportunity to leverage all their capabilities, from architecture to interior design, and to strengthen their existing relationship with Grosvenor. James White and Elliot March, the founders of March & White, expressed their satisfaction with the outcome, highlighting that Headfort reflects Grosvenor’s forward-thinking approach to development and that their expertise successfully aligned with the client's vision. They believe Headfort sets a benchmark for the quality of projects they are currently undertaking with Grosvenor. March & White is a London-based architecture and interior design studio specializing in hotels, private homes, residential developments, restaurants, and yachts, with a diverse client base across the UK and internationally. #MewsConversion #LuxuryResidence #NorthBelgravia #MarchAndWhite #Grosvenor #InteriorDesign #ArchitecturalRenovation #LondonProperty #BespokeJoinery