The Second Studio Podcast: Executive Architect and Design Architect Roles Explained

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

The role of the architect is undergoing a significant transformation, moving beyond the creation of iconic buildings to fostering platforms for autonomy, learning, and replicability, particularly in a world marked by climate crises, social inequalities, and rapid changes. This shift highlights a broader understanding of culture, where architecture is not merely a physical structure but an active cultural process that builds relationships, knowledge, and collective meaning. Projects acting as “schools of construction” demonstrate the efficacy of utilizing local materials, adopting participatory methods, and empowering communities to create resilient and meaningful architecture capable of sustaining life and culture in uncertain times. A key aspect of this evolving practice involves the replication of knowledge on a local scale through the use of regional materials and adapted construction techniques. An exemplary project is the Gando Primary School in Burkina Faso, designed by Diébédo Francis Kéré, where compressed earth blocks produced locally were used in construction, engaging community labor. This project not only resulted in a physical school but also established a functioning construction workshop, enabling other communities to adopt similar building practices. Similarly, the CEM Kamanar Secondary School in Thionck Essyl, Senegal, built by dawoffice / Foundawtion, utilized locally molded clay blocks to create thermal comfort and reduce costs. The construction process became a training ground, enhancing traditional building skills among local masons and residents, thus strengthening indigenous practices and resourcefulness. Another project integrating both dimensions is the Lanka Learning Center in Sri Lanka by FEACollective, which used local materials like bamboo and reclaimed wood, built collaboratively by architects, residents, and volunteers, serving as a mutual learning laboratory that fostered technical autonomy and community belonging. These projects illustrate how architecture can transcend mere shelter provision, becoming a catalyst for community transformation by articulating processes of encounter, cooperation, and formation. Architects, in these instances, serve as mediators between technical and local knowledge, turning the building process into a shared learning experience. The Rugerero Health Center in Rwanda, designed by ASA Studio, exemplifies this by engaging the community through participatory workshops and using local materials like adobe bricks and stone, significantly reducing costs. The construction site doubled as a trade school, training residents in various building techniques, which empowered them for future community projects. In Brazil, USINA CTAH’s Mutirão União da Juta project involved families in every stage, from design to execution, leading not just to homes but to a network of solidarity and technical training that redefines architectural practice. The relevance of these approaches is heightened amid global crises, where architects are increasingly called upon to facilitate between diverse stakeholders, identify local material supply chains, train workers, and deliver durable and resource-efficient solutions. These “schools of construction” are invaluable as they propagate knowledge, diminish reliance on external resources, and, crucially, establish a lasting legacy. They underscore architecture’s potential as a regenerative practice, capable of shaping not only physical spaces but also empowering people. Projects by the Asociación Semillas para el Desarrollo Sostenible in Peru, such as the Primary and Secondary School El Huabo and the Technology and Environment Laboratory Mencoriari, showcase this by combining vernacular knowledge with sustainable innovation in remote Amazonian contexts. These buildings, constructed using managed timber and passive strategies, function as educational environments for both students and builders, promoting social and environmental resilience through shared stewardship. Challenges persist, including the time and mediation required to engage real communities, the inherent tension between ideal designs and local realities, and the need for documentation, standardization, and adaptation for method replication. Architects must balance their roles as technical specialists with that of broad facilitators of knowledge. Ultimately, in an era of uncertainty, the architect’s role evolves from merely designing structures to mediating processes and cultivating shared practices, thereby building collective knowledge that is adaptive and enduring. #Architecture #ArchitectsRole #CommunityDrivenDesign #LocalMaterials #SustainableArchitecture #ParticipatoryDesign #EducationalArchitecture #RegenerativeArchitecture #ResilientArchitecture

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article details the latest project by Open Studio, an emerging Australian architectural practice, focusing on an artist's studio located in Flemington, a suburb of Melbourne. Established in 2005, Open Studio specializes in designing combined and separate live and work environments. The firm is recognized for its innovative and clear approach to architecture, which was crucial for the success of this particular commission. The project originated from two relatives owning adjacent properties in Flemington who decided to remove the dividing fence between their backyards. This action freed up an unusually wide and largely unused garden area, creating the necessary space for the new artist studio. The unconventional placement of the studio, situated between two existing properties, posed a significant challenge for the architects due to Melbourne's strict planning regulations. To navigate these regulatory hurdles, Open Studio devised a solution that involved designing the building as two distinct structures, which were then combined into a single volume. Heribert Alucha, a partner at Open Studio, explained that this approach aimed to reinforce the concept of shared backyard space. The specific positioning of the new building and its angular design elements were intentionally aligned with the actual title boundaries of the properties. The careful placement of the studio within the site resulted in the creation of three distinct landscaped areas: a playground, a vegetable patch, and a seating area. The studio's unique, distorted box-shape, characterized by its angular resections and curves, plays a functional role in defining these separate outdoor zones, contributing to a harmonious integration with the surrounding landscape. The interior of the Artist Studio is meticulously designed, featuring a brightly lit painting studio, a substantial storage and workshop area, a garden shed, and a garage. The internal spaces are characterized by their clean and neutral aesthetic. Although the indoor and outdoor areas maintain their distinct identities, they are aesthetically unified through the generous openings incorporated into the painting studio space, fostering a sense of continuity and connection. Flexibility and clarity are core principles of Open Studio's design philosophy, and these are evident in the Artist Studio project. The Melbourne-based architects have successfully delivered a compact yet beautifully conceived studio on a site that might initially seem challenging. This project exemplifies how thoughtful design can overcome site-specific constraints to create functional, aesthetically pleasing, and well-integrated architectural solutions. #ArtistStudio #ArchitectureDesign #MelbourneArchitecture #OpenStudio #ArchitecturalInnovation #UrbanPlanning #ResidentialArchitecture #AustralianDesign

Adi Goodrich, a multidisciplinary designer, shares insights into her diverse career, which spans film sets, art installations, interiors, and furniture design. Goodrich's journey began in Momence, Illinois, leading her through studies at the School of the Art Institute of Chicago and the Sorbonne in Paris. Her initial professional experience included window dressing for prominent retailers like Barneys New York and Anthropologie, which eventually led her to Los Angeles. In L.A., she transitioned into set design, a field that allowed her to combine her passion for storytelling with design. In 2015, Goodrich co-founded Sing-Sing Studio with her husband, Sean Pecknold. This studio specializes in large-scale film and advertising sets, site-specific art installations, and sculptures. More recently, Sing-Sing Studio has expanded its scope to include interior design and the production of small-batch furniture, launched in 2022 under the brand name Sing-Thing. Goodrich's background deeply influenced her approach to design; her family lived above her artisan father’s woodworking and antiques restoration business, fostering an early appreciation for materiality, construction, and craftsmanship. She describes herself as a “spatial designer,” a role that encompasses creating immersive worlds for various media, from photo shoots and commercials to films, and also extends to installations and public sculptures. Her foray into set design began with a film collective, leading to commissions for commercials, such as a Lavazza campaign that featured costume design, a custom espresso-cup chair, and a vibrant use of colors and shapes. Recognizing her growing interest in interior spaces, she pursued further education in interior design and architecture at UCLA Extension. Her first interior design commission was for Wine & Eggs, a bodega in L.A.'s Atwater Village, which she designed with inspiration from small French grocery shops. This project subsequently led to the design of Dreams, a nearby lifestyle store, which Goodrich imbued with a surrealistic quality, reflecting her belief in the power of dreams and her desire to avoid being conventional. She also designed the first brick-and-mortar store for the online fashion retailer Lisa Says Gah! Goodrich's design aesthetic, characterized by ice-cream and terra-cotta colors, distinctive materials, and patterns, draws inspiration from mid-century Italian style, particularly Gio Ponti, as well as artists and designers like Josef Albers, Jean Arp, Merce Cunningham, Charles and Ray Eames, Alexander Girard, and India Mahdavi. Goodrich’s design philosophy emphasizes creating playful, collaborative environments, exemplified by her office project for iam8bit, a media production company. Her debut furniture collection, Sing-Thing, is handmade in L.A., primarily from cherrywood and colorful high-pressure laminate. She describes the collection as a blend of artistic influences, picturing “a wet Sophie Taeuber-Arp painting that’s fallen on top of a Charlotte Perriand table.” The collection aims to create accessible and livable pieces for her friends, reflecting her commitment to practical yet artful design. Her work across various disciplines consistently demonstrates a vibrant, imaginative, and highly personal approach to design. #AdiGoodrich #SingSingStudio #SpatialDesign #InteriorDesign #FurnitureDesign #SetDesign #ArtInstallation #LosAngelesDesign #MultidisciplinaryDesign

Chencong Zhang, an interior designer and spatial experience designer, embarked on her creative journey driven by a deep desire to create spaces that evoke a sense of belonging. Her personal experience of longing for comfort and familiarity, stemming from being away from her family since the age of 11 and being unable to see them for over 4.5 years due to the pandemic, fueled this aspiration. Initially, Zhang pursued civil engineering as an undergraduate, a popular field in China at the time. However, after two years, she realized it was not her true calling and took a gap year to explore modern arts, design, and other creative avenues. This period ignited an urge to pursue work that resonated emotionally and could impact others' feelings positively. Her first significant step into interior design came in 2015 when she had the opportunity to work on a 7000 sq ft office in Shanghai. The project's goal was to create a comfortable, communicative working environment that seamlessly integrated with its spacious outdoor terrace. Zhang's creative input, particularly her use of colors and materials in material boards and Photoshop renderings, was highly praised. She also collaborated on designing and installing a ceiling installation made of stone and wood, a challenging but rewarding experience that solidified her passion for design. In 2016, Zhang officially began her interior design education at RISD (Rhode Island School of Design). There, she learned about transforming old spaces, gaining inspiration from successful case studies, and connecting with like-minded peers and professors. A pivotal experience was a 2018 visit to Morocco with the Architecture and Ceramics department, where she immersed herself in Islamic art, rich colors, and intricate patterns. This trip, and the subsequent creation of pieces reflecting cross-cultural exchange, broadened her perspective and reinforced the impact of cultural fusion in design. Zhang views storytelling as the core magic behind creating distinctive and tailored spaces. She emphasizes that interior design is about imbuing spaces with personality and crafting a journey for occupants. Her process involves extensive research and imaginative exploration of possibilities. She cites a hotel rooftop design project in Miami, where she integrated elements inspired by the local subtropical climate, lush landscapes, and Bahamian murals, resulting in a bold and unique space that garnered positive online reviews. Zhang attributes her ability to be a good storyteller of spaces to her sensitive nature, which allows her to deeply feel and, in turn, enable others to feel. Her time at RISD, interacting with artists from various disciplines like digital art, glassmaking, furniture design, and textiles, further enriched her understanding of different media and their application in expressing a space's personality. While acknowledging the challenges of bringing creative designs to fruition, including time, cost, and durability, Zhang highlights the importance of problem-solving. Her experience leading the construction administration for a 200-key, $50 million hotel renovation project taught her invaluable lessons in collaboration with consultants, contractors, and clients, and in making informed compromises to deliver high-quality results. She defines her role as a designer as helping clients realize their dreams, emphasizing listening to their needs, offering options, and respecting their perspectives. Zhang's personal journey underscores the message of following one's heart to discover one's true self and purpose. #InteriorDesign #SpatialExperienceDesign #CreativeJourney #StorytellingInDesign #RISDAlumni #CulturalExchange #ProjectManagement #DesignPhilosophy #Entrepreneurship

Podcasting, once primarily an auditory medium, has evolved into a visual experience, leading to a growing trend where top podcasters are enlisting residential interior designers to transform their recording studios into aesthetically pleasing and comfortable spaces. This shift is driven by the increasing popularity of video podcasts, often broadcast on platforms like YouTube, where visual appeal plays a significant role in engaging the audience. Interior designers are moving away from the traditional, sterile studio setups characterized by egg-crate walls and basic equipment. Instead, the focus is on creating snug, intimate environments that resemble cozy living rooms, often within the podcasters' own homes. For example, Ashley Robbins, an interior designer, created a studio in West Hollywood with pink-painted wood paneling, CB2 furniture, and a Lulu and Georgia rug for Dear Media, a prominent podcasting studio. Similarly, multimillion-dollar podcaster Alex Cooper had her home designer, Lindsay Balton, style her 'Call Her Daddy' set with petal-colored decor, coffee table books, and decorative knickknacks, aiming for a more personal feel. Rebecca Sananès, a podcast executive, notes that modern podcast sets are increasingly designed to feel like a “super cozy living room,” a sentiment echoed by designers like Robbins, who states that professional design “elevates your podcast” and helps convey the host's brand. This emphasis on comfort and personalization extends to hosts who prefer to record from home. Sofia Franklyn, former co-host of 'Call Her Daddy' and now host of 'Sofia With an F,' dedicated Manhattan square footage in her apartment to her recording studio. Her designer, Madison Napier, created a “moody, comfortable setting” with a creamy white CB2 sofa and limewashed ashy blue walls, intending to foster a vulnerable and open atmosphere for the podcast’s content. Napier emphasized that physical comfort is crucial for hosts to open up. The design choices go beyond mere aesthetics, also considering the practical aspects of recording. For instance, the use of comfortable furniture, such as a cream bouclé swivel chair from CB2’s goop line, is believed to encourage guests to relax and share more candidly. Lexi Hidalgo, a TikTok creator with a popular podcast, plans to build a studio in her new home that utilizes natural light and a single camera, aiming for a casual, FaceTime-like visual experience for her viewers. This casual approach contrasts with elaborate professional lighting and multi-camera rigs, further reinforcing the intimate, home-like ambiance. Creating these specialized podcast studios can be a significant investment, with costs often reaching around $30,000, according to Robbins. A unique challenge for residential interior decorators in this context is the need to incorporate sound-reducing elements without compromising the residential feel. Designers frequently utilize heavy fabrics like velvet drapery, which double as noise reducers, to soften spaces and maintain a homey aesthetic. Liz Livington, an Atlanta-based decorator, designed a studio for TenderfootTV using dusty-hued velvet drapes to achieve a residential feel while addressing acoustic requirements. Ultimately, the goal is to create a visual environment that avoids the look of a traditional television set, making viewers feel like they are inside someone's personal space, thereby maintaining the intimacy inherent to the podcast medium. #PodcastStudios #InteriorDesign #HomeDecor #RecordingSpaces #VisualPodcasts #CelebrityDesign #AcousticTreatment

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

The article addresses a freelance project manager's dilemma regarding difficulty in securing clients despite two decades of experience in the property development sector, managing projects for in-house interior design studios. The project manager, who enjoys orchestrating teams for optimal collaboration and problem-solving while delivering designs, seeks advice on how to market services to interior design studios and high-net-worth clients. A common obstacle encountered is clients' belief that their interior designer or builder can manage projects, overlooking the added value of a dedicated project manager. Sean Low, a business coach for interior designers, suggests that ultraluxury project designers are already highly skilled in design, with less room for significant improvement in that area. However, he highlights that production management, encompassing construction and decor, is an evolving field, particularly with advancements in communication technologies like AI. Low distinguishes between delivering essential and unessential information, arguing that while clients only care about the timely arrival of a product, providing continuous, even 'unessential,' updates can build trust and professionalism. This approach allows designers to proactively address issues and maintain a perceived high level of care. Low advises the project manager to differentiate their services beyond merely performing better than other project managers. He proposes a shift in perspective: instead of simply managing, the project manager should aim to 'entertain' clients by creating unique deliverables that would be noticeably absent if not provided. This strategy positions the project manager not only as an invaluable resource but also as a potential revenue enhancer for design firms. An illustrative example is provided through one of Low's clients, a design firm owner who faced communication challenges with clients who only wanted to interact with her, causing delays. Low suggested a system where each employee created weekly five-minute video updates on their work. This initiative was well-received by employees and allowed the firm owner to review updates on her schedule. A junior designer's playful video update, adopting a Gordon Ramsay persona, was shared with a client who found it humorous and responded quickly. Another junior designer's creative video featuring an actor portraying 'The Dude' from *The Big Lebowski* for a bathroom project also elicited an overwhelmingly positive and swift client response. This innovative video communication strategy transformed the client's business. The firm now produces four to six client videos weekly, leading to faster client responses and a valuable library of project videos upon completion. Crucially, the firm owner is minimally involved, yet communication issues have been resolved, and production fees have tripled. The firm's profit margin on production has become comparable to its design profit margin, making it one of the most profitable in the industry. Low concludes by encouraging the freelance project manager to embrace obsession and redefine the game by creating unique value that makes clients feel more connected and understood, moving beyond traditional spreadsheet-centric project management. #BusinessAdvice #ProjectManagement #Freelancing #InteriorDesign #ClientCommunication #Innovation #DesignIndustry #BusinessStrategy

Sabrina MacLean, an interior designer, discusses her journey in balancing work and personal life, managing a family business, and her vision for HinoStudio. MacLean acknowledges her husband's role in helping her achieve a better work-life balance, contrasting with her earlier years as a workaholic. She outlines a structured approach to her workday, beginning with an early start for dog walking and exercise to manage stress and energize her day. Her routine includes team lunches once a week to foster bonding and a strict no-work-calls policy on Friday evenings until Monday to fully disconnect and enjoy time with family and friends. This deliberate separation from work was a challenging but beneficial decision, enhancing her personal life. Hinojosa Design Studio was founded in 2000 in Miami, Florida, by MacLean's mother, Carola Hinojosa, as a high-end interior design company. The business had a long history in Bolivia before relocating to Miami. MacLean gained experience in sales and furniture design at Holly Hunt after graduation before joining her mother's team in 2010. In 2018, upon her mother's retirement, MacLean took over the firm, rebranding it as HinoStudio. This transition presented significant challenges, requiring her to prove her capabilities, execute designs to her mother's high standards, and earn the trust of both existing and new clients. The firm has since diversified its offerings to include a furniture line and a rug collection, with ongoing development of new products. HinoStudio is also engaged in international projects, collaborating with architects worldwide, which provides new learning opportunities. When asked about recommending places in Miami for a visiting friend, MacLean suggests a comprehensive itinerary focused on dining, drinking, visiting cultural sites, and hanging out. For dining, her top choices are Zz's Restaurant and Casa Tua in Miami Beach, both noted for their food, private club atmosphere, and vibrant social scene. For drinks, she recommends Socialista in Brickell, Mila, and Klaw Rooftop, praising their music, ambiance, and diverse crowds. Miami's cultural growth is highlighted with recommendations to visit the Design District, Pérez Art Museum Miami (PAMM), Rubell Museum, and Wynwood, emphasizing the city's rich collection of art and museums. For relaxation and socializing, she suggests Faena, Soho House, and The Standard for their music and atmosphere, and the farmers markets in Coconut Grove and Key Biscayne on Saturdays. MacLean expresses profound gratitude for her mother, Carola Hinojosa, identifying her as the primary mentor who shaped her into the designer she is today. She recalls being immersed in the world of design from a young age, accompanying her mother to the office and furniture factories since she was seven. Working together was initially demanding, as her mother maintained high expectations, demanding 200% effort. She describes her mother as exceptionally talented, with a keen eye for design and proportion, and a continuous ability to reinvent herself. After successfully establishing a design studio and furniture factory in Bolivia, Carola Hinojosa rebuilt her business from the ground up in Miami after their move in 1999, eventually reaching a prominent position in the industry. Her mother's resilience, persistence, and dedication have been constant sources of inspiration for MacLean. Even after her mother retired and moved to Cape Town, South Africa, she continued to contribute to HinoStudio by collaborating with local artisans, which led to the development of a new product line now sold at Holly Hunt. MacLean's leadership, especially through challenging times like the COVID-19 pandemic, has enabled HinoStudio to create acclaimed interiors globally. #InteriorDesign #Entrepreneurship #WorkLifeBalance #FamilyBusiness #MiamiLifestyle #CreativeIndustry #BusinessLeadership #DesignStudio #Mentorship

Silvana Souza, an interior designer and realtor, discusses her journey into entrepreneurship, driven by a passion for design and a desire for autonomy. With over 13 years of experience in interior design, she aimed to create personalized and functional spaces that reflect each client's individuality. Her decision to start her own business stemmed from wanting the freedom to implement her unique vision and build strong client relationships. Souza's approach focuses on crafting meaningful spaces that bear her distinctive signature. Souza's career is marked by her dedication to high-end, turnkey interior design projects. She holds a bachelor's degree in interior design and has further enhanced her capabilities by acquiring a real estate license. This dual qualification provides her with a comprehensive understanding of both design aesthetics and the real estate market, enabling her to offer clients strategic advice. She assists clients in making informed decisions about designing spaces, whether for resale purposes or for creating their long-term homes, ensuring their investments align with their future goals. Her design philosophy centers on storytelling, believing that every space should narrate the personality and needs of its inhabitants. She strives to create environments that are not only visually appealing but also highly functional and purposeful, collaborating closely with clients while providing expert guidance to simplify their choices. Souza acknowledges the challenges inherent in entrepreneurship, including moments of self-doubt, balancing business growth with family life, and adapting to an evolving industry. She emphasizes that these setbacks served as valuable learning opportunities, fostering persistence, patience, and adaptability. She highlights the importance of a strong support network and mentors in navigating her professional path. A key lesson learned is that success is not linear, and each experience contributes to increased confidence and a clearer vision. Souza is committed to authenticity, creativity, and a genuine desire to enhance lives through design, aiming to create environments that evoke emotion, offer comfort, and reflect unique identities. She assures clients of her dedication, expertise, and care throughout the entire design process. For visitors to the area, Souza suggests a varied itinerary combining relaxation with exploration. A typical week might begin with unwinding at her farmhouse in Fort Pierce, including peaceful walks on private trails. Day two could involve exploring Atlantic Avenue in Delray Beach, known for its boutiques and dining spots. East Boca is recommended for dinner and drinks, specifically Louie Bossie. The Miami Design District offers artistic and architectural exploration, followed by a stylish lunch. Miami Beach's Art Deco district and Wynwood's street art scene are suggested for a vibrant cultural experience. A relaxed day on Boca Lake for boating and grilling, and a general beach day, round out the recommendations. These suggestions reflect a blend of natural beauty, urban culture, and culinary experiences. Souza expresses deep gratitude to her family, particularly her husband, for his unwavering support and encouragement in her entrepreneurial venture. Her children are also recognized for their understanding and patience, which allows her to focus on her business. She extends a special thanks to her mother for providing childcare, a crucial element enabling her professional growth. Additionally, Natalia Britto receives a shoutout for her valuable design business coaching and mentorship. Souza's website (homedesignstudio.us/about/), Instagram (@homedesignstudios), LinkedIn (silvanasouzahomes), and Facebook (homedesignstudiollc) are provided for further information and engagement. Portrait photography is credited to Sue Cervelin of Hello Studios, and project photography to Steve Olmo of Sea Olive Studios. #InteriorDesign #RealEstate #Entrepreneurship #BusinessJourney #DesignPhilosophy #WorkLifeBalance #ClientRelationships #MiamiLifestyle #BusinessMentorship

The article emphasizes the transformative power of design in real estate, asserting that innovative design can significantly impact business growth, create value, and help organizations achieve their strategic objectives. It highlights JLL's approach to design, focusing on creating human-centric experiences that are both functional and inspiring. This comprehensive design philosophy aims to meet diverse client needs, ranging from corporate workplaces to retail environments. JLL's design services are structured around three core principles: actionable insights, future-focused design, and comprehensive solutions. Actionable insights involve leveraging data-driven business intelligence to formulate a design strategy centered on the needs of people. This approach ensures that design decisions are informed by concrete data, leading to spaces that are not only aesthetically pleasing but also highly effective and aligned with organizational goals. By understanding user behavior and preferences, JLL aims to create environments that enhance productivity, well-being, and overall satisfaction. Future-focused design is another critical aspect, focusing on creating spaces that are adaptable and sustainable over time. This involves anticipating future trends and technological advancements, ensuring that the designed spaces can evolve and remain relevant in a rapidly changing world. The emphasis is on blending innovation with foresight, thereby creating enduring value for clients. This proactive approach helps clients avoid premature obsolescence and ensures their real estate assets continue to serve their needs effectively for years to come. Comprehensive solutions involve crafting tailored workplace and retail experiences through meticulous analysis of client needs. JLL's team designs environments that inspire users and drive business success at any scale, whether it's a new office layout, a retail store revamp, or a large-scale development project. The article showcases several client stories that exemplify JLL's design capabilities. For instance, JLL assisted Bob’s Discount Furniture in reimagining their in-store experience to facilitate nationwide expansion, demonstrating how design can directly support business growth and market reach. Similarly, ALDI's "Modern Market" project redefined the new-generation shopping experience by introducing innovative in-store journeys and facilitating widespread store rollouts, highlighting design's role in enhancing customer engagement and brand perception. Furthermore, the article points to JLL's own East Bay office as a testament to thoughtful design, integrating sustainability, functionality, and local community aesthetics. This internal project underscores JLL's commitment to practicing what it preaches, creating an office space that reflects contemporary design principles and supports employee well-being. Another client story details how AVI-SPL, a global collaboration technology provider, partnered with JLL to create a tech-driven office space aimed at boosting team collaboration, illustrating the integration of technology and design to foster a productive work environment. JLL also shares its outlook on top trends influencing the design of places and spaces for 2025 and beyond, indicating a forward-thinking approach to design that considers emerging societal and technological shifts. The article concludes by inviting potential clients to contact JLL's design experts, such as Stephen Jay, Global Design Advisory Retail and Branding Lead, to explore how their services can transform real estate challenges into strategic advantages, optimize portfolios, and enhance value and performance. #DesignSolutions #RealEstateDesign #WorkplaceStrategy #RetailExperience #FutureOfSpaces #ClientStories #ProjectManagement #SustainableDesign #Innovation

This article presents a question-and-answer interview with Thomas E. Austin, the newest Architect of the Capitol, offering insights into his motivations, priorities, inspirations, and leadership philosophy. Austin's decision to apply for the role was driven by his lifelong passions for service to his country, engineering and construction, and history, drawing a parallel to his previous role as Director of Engineering for Arlington National Cemetery. He views the Architect of the Capitol position as a unique opportunity that perfectly aligns with his interests and experience, expressing gratitude and humility for the appointment. His immediate priorities include revising the Human Capital Strategic Plan and the Capitol Campus Master Plan, alongside rebuilding trust within the workforce and with congressional stakeholders. Austin emphasizes the inspiring nature of the Capitol's architecture, particularly the Dome with the Statue of Freedom, and the extensive artwork throughout the building. He also highlights the dedication and talent of the staff responsible for maintaining the buildings and grounds, sharing an anecdote about a night shift team that collaboratively resolved a significant water accumulation issue in the House Office Buildings, showcasing problem-solving and teamwork. The interview also delves into Austin's past preservation and restoration experiences. At Arlington National Cemetery, he spearheaded the reconstruction of the Ord and Weitzel Gate, one of the four historical gates, using recovered original stones. This project, completed with a historic masonry company, restored a significant piece of the cemetery's historical and spiritual fabric. During the COVID-19 pandemic, with reduced public access to ANC, his team addressed a superficial crack at the Tomb of the Unknown Soldier, developing a durable and nearly invisible repair. Additionally, they successfully treated black biofilm discoloration on the Tomb and Memorial Amphitheater using a novel zinc oxide application, which is now being adopted for other historic monuments in the D.C. area. Regarding fostering a positive work environment, Austin advocates for honesty, engagement, and modeling desired behaviors. His leadership is guided by four principles: Professionalism, Integrity, Accountability, and Transparency. He stresses treating colleagues with respect, acting with honesty, setting clear expectations, and being transparent, even when information is unfavorable, as foundational to building trust. Recognizing and rewarding team members who exceed expectations and adhering to the principle of praising publicly while criticizing privately are also crucial elements of his approach. He believes that a positive work environment stems from mutual respect and a shared understanding of contributing to a larger mission. When asked about career advice, Austin shares several insights: valuing people as the greatest asset, viewing success as a continuous journey with achievable milestones, prioritizing lifelong learning, and maintaining professionalism in all conduct. He also humorously advises against sending emails when angry. Outside of work, Austin maintains a balanced life with hobbies such as running, hiking, camping, reading, gardening, and spending time with his dogs and family. He enjoys military and political history, science fiction, and biographies. Running serves as both a physical and mental outlet, while his passion for gardening includes growing strawberries, blueberries, apples, roses, and American Chestnut trees, as well as keeping beehives for honey production. The article concludes with photographs of his swearing-in ceremony as the 13th Architect of the Capitol by Supreme Court Chief Justice John G. Roberts, Jr., with his family present. #ThomasEAustin #ArchitectOfTheCapitol #AOCLeadership #CapitolCampus #HistoricPreservation #ArlingtonNationalCemetery #LeadershipPhilosophy #WorkplaceCulture #PublicService

This article features an interview with Jake Arnold, a British interior designer based in Los Angeles, known for his signature style that combines timeless sophistication with lived-in comfort. Arnold's design philosophy emphasizes rich textures, warm color palettes, and bespoke detailing to create modern luxury spaces. The interview delves into his creative journey, starting from his unexpected transition from studying economics in London to pursuing interior design in LA. He details how he secured an internship by messaging a design studio on social media and subsequently established his own studio in 2020 after working with established firms. Arnold's core design elements include a neutral palette and natural materials, often incorporating unique antiques and curiosities to maintain a classic yet timeless aesthetic. His goal is to create cozy, high-impact spaces that are also functional for modern living. He frequently utilizes materials such as bronze, brass, oak, walnut, and a variety of layered textiles like linen, heavyweight wools, suede, and mohair. While he favors warm neutrals, he is not averse to using color, mentioning Farrow & Ball's 'Dimity' and 'Broccoli Brown,' and Portola's 'Patagonia' as preferred paint colors. Stripes are considered neutrals in his design vocabulary, and he appreciates subtle prints and textures, occasionally integrating eclectic wallpaper or bold fabrics. Material drenching, a technique where one material is used extensively throughout a space, is a hallmark of his style. He also emphasizes layering textures, employing earthy color palettes, and sourcing vintage pieces from places like JF Chen and Galerie Half. Arnold shares personal insights, including his recent purchase of his first home in West Hollywood, an area he values for its creative energy and design history. This personal project allows him complete creative freedom to focus on layered and collected design. The article also highlights three of Arnold's favorite projects: Benedict Canyon, Loma Linda, and Del Lago. The Benedict Canyon project, for Chrissy Teigen and John Legend, focused on artisanal craftsmanship, incorporating warm tones, mauve, chartreuse, and gold and brass accents with calacatta monet and jade quartzite. Key features include a custom brass shell TV cover, Venini sconces, and a Jeff Zimmerman pendant. This home was designed as a generational and organic space, aiming for comfort, luxury, and a connection to nature, moving away from historical architecture to embrace a contemporary cultural paradise. For the Loma Linda project, a 1980s Mediterranean property, the approach was 'less is more,' transforming it into a serene, liveable home using muted neutrals, earthy greys, beiges, walnut, oak, calacatta viola, and antique limestone. Highlights include a custom daybed, mohair seating, vintage lamps, and Rose Uniacke pendants, balancing luxury and comfort. This project involved restoring the Gerard Colcord home to its natural state, creating an open and amicable space. The Del Lago project in Fort Lauderdale, for a hotel developer, aimed for a tropical vacation feel with Californian softness meeting Palm Beach style, using cool neutrals, lush greens, blues, calacatta monet, and zellige tiles. Notable elements are vintage Axel Einar chairs, an Atelier Vime pendant, Stephen Antonson lighting, and De Gournay wallpaper, all designed to evoke escapism without being clichéd. This ground-up home was a collaboration with Smith & Moore Architects, creating an architectural dreamscape with whimsical details and island motifs. #InteriorDesign #JakeArnold #HomeDecor #LuxuryInteriors #DesignPhilosophy #AlistClients #ArchitecturalDesign #LAInteriorDesign